Category
🎥
Short filmTranscript
00:00Your parents are still in the U.S.?
00:07They have to wait until they release Tamara's body.
00:14Does your offer still exist?
00:16What offer?
00:17The one with the walk.
00:19I really want to go to Vincent's later, but I still have some time before that.
00:23Unfortunately, I don't have any time.
00:25Please excuse me.
00:31You didn't want to talk to me?
00:35I don't want to talk to anyone but you.
00:50I can't tell you how uncomfortable I am right now.
01:00I'm sorry.
01:16What was that?
01:18Vincent and me?
01:22It was so real.
01:24My feelings, so real, but...
01:27After everything he did for me, it makes sense that I think of him.
01:32He risked his life for me.
01:36I would do anything for him.
01:39But do I really love him?
01:57So, this will be your seat, Mr. Müller.
02:04Manuel?
02:05No.
02:07We'll take care of the rest.
02:10Thank you, Mr. Schwarzwald.
02:11You're welcome.
02:18Aren't we too old for games like this?
02:21Games?
02:23I don't feel like going for a walk and I have a lot to do.
02:26Going for a walk was your idea.
02:29Markus, I wanted to distract you.
02:32You were so worried about Vincent.
02:34But now he's doing better.
02:37The trial against me has been suspended.
02:40I have nothing to do with this sleeping pill with Christoph.
02:44You even said that you believe me again.
02:46I believe you too.
02:47But then I don't understand.
02:49There's nothing to understand.
02:51The thing with the two of us...
02:53It just doesn't work.
02:55Please accept it, finally.
03:00Yes.
03:01All right.
03:02All right.
03:19That was ten euros for Tamara.
03:21I only found out a few years ago.
03:25My schoolmates always laughed at me because I never got anything from the kiosk.
03:30My parents didn't have a lot of money, you know.
03:33She put the money on the street so you could find it.
03:37And persuaded me to take it and keep it because we couldn't find the owner anyway.
03:43And I should buy something from the kiosk.
03:48It was all her savings.
03:54She always protected me.
03:56And now she...
03:59I can't believe it.
04:01I'm so sorry.
04:07It's okay.
04:10I have to go now.
04:12Can I leave you alone?
04:14Yes, it's totally okay. I'm also pretty exhausted.
04:17I'll try to sleep in a minute.
04:19Okay.
04:20You'll call me if you need anything.
04:22Yes. The zombies will be there soon.
04:28Tell me, if you really meant it with the help at the funeral.
04:33I would be so grateful.
04:35Do you have time tomorrow?
04:37I'll take the time.
04:40And now go to your Theo and say hello to him in front of me, okay?
04:44I hope you'll get some rest.
04:46I know.
04:58I love you.
05:06Tamara! Hi!
05:08Sorry I'm calling you back now. I had visitors.
05:11Yes, everything is great!
05:13It's going better than I thought.
05:15How are you?
05:20Vincent.
05:23I'm so happy and relieved that you're feeling better again.
05:28I was very worried about you.
05:31When I woke up earlier, Anna was there.
05:37I think she sat here for hours.
05:43Man!
05:46Maybe there's still a chance for Anna and me.
05:50Anna is the woman of my life.
05:59But you really have a long history.
06:02So much has happened.
06:04You mustn't forget that, Vincent.
06:07Yes.
06:09I'm getting my jealousy on Philip under control.
06:12Okay.
06:16I would really like you to be happy together.
06:21But...
06:23In order to succeed...
06:26...you have to leave your past behind.
06:30And you have to start anew.
06:36How's it going with Katja?
06:39How's it going with Katja?
06:42Sometimes we're very close again, and I can feel her feelings for me.
06:47And then she pushes me away again.
06:50As if I only wanted to imagine it.
06:55Maybe she still doesn't forgive you for the painting of Anton Hagen?
07:00Even if she forgave me, I lied to her.
07:04I lied to her.
07:07She can't trust me anymore.
07:10Maybe that's why she keeps me at a distance.
07:14Vincent, what should I do?
07:20I'm sorry.
07:37Right, keep going.
07:40Watch out.
07:42Don't be afraid.
07:44And now a little bit to the left.
07:47And stay still for a moment.
07:49How long will it take?
07:51We'll be ready in a minute.
07:53Yes, you said that before.
07:57Why are we even in Tölz?
07:59I really don't have that much time.
08:01I'm totally overslept and I have to go back to work.
08:04Hello.
08:12Welcome to Louis.
08:17Wow.
08:21You've already told me a lot, but it's so beautiful here.
08:26Did you expect a brothel?
08:29Louis, a beautiful restaurant with a beautiful name.
08:41I have to go, unfortunately.
08:43Yes, and I have to cook the main course.
08:45I have a very special idea for tomorrow.
08:47What are you cooking?
08:48Yes, you'll find out when the restaurant opens tomorrow.
08:51Is it fusion cuisine or maybe vegan?
08:54Come on, give me a hint.
08:56It's the fire department.
09:07Damn.
09:08What's going on?
09:10Well, they wanted to come this afternoon to take over the kitchen.
09:13And now they've moved it.
09:14When?
09:15It doesn't say.
09:17I mean, if they don't take over, I can forget about the opening tomorrow.
09:21Call them and explain the situation to them.
09:24They can't do that.
09:26The authorities can do anything.
09:28I have to call them urgently.
09:29Let's see.
09:30If they can't change anything here, it'll look really bad.
09:38I can't imagine how terrible it must be to lose your sister.
09:42I can't either.
09:44I think it's good for you that I'm here for her now.
09:47Yes, absolutely.
09:48She needs you now.
09:50How are you?
09:52You look relatively fit.
09:54Relatively, yes.
09:57I'm fine.
09:59I mean, Vincent gave me a new life.
10:02I heard he's better now.
10:04Luckily.
10:05He's over the mountain.
10:06I'm so happy about the internal bleeding.
10:09If something had happened to him because of that, I would never have forgiven myself.
10:14But everything went well.
10:16You two will now lead a healthy and normal life again.
10:19A beautiful one.
10:21I dreamed about him.
10:23And?
10:24And?
10:26We kissed.
10:27What?
10:28Lale, it was just a dream.
10:30Dreamers often tell us the truth that we can't see for ourselves.
10:35I was worried about Vincent and thought about him all the time.
10:39I was just so incredibly grateful to him.
10:42That's probably why I kissed him in my dream.
10:44Or you kissed him because you love him.
10:46Could be.
10:48Still team Vincent, right?
10:50No.
10:51Anna, I'm totally neutral.
10:52Can't you see that?
10:54You know, I'm just in chaos.
10:57I don't know what I'm feeling or what I'm not.
10:59And for whom and if at all.
11:03It was just a dream.
11:05Okay.
11:08I have to go, unfortunately.
11:09I'll help Stella with the preparations for the funeral.
11:12Tell her I love her, okay?
11:14I will.
11:19Tell me if you need anything.
11:21I will.
11:27What can I bring you?
11:29Oh, please bring me a green tea.
11:31With pleasure.
11:32Thank you, Sabrina.
11:34Good morning, Mr. Director.
11:35Morning, Sabrina.
11:41Good morning.
11:42Morning.
11:43Oh, sorry.
11:45I didn't want to disturb you.
11:47But...
11:49I need your help.
11:51Did something happen?
11:52No, no, no.
11:53Don't worry.
11:54It's about Anton Hagen's painting.
11:56I see.
11:58A journalist contacted us about the art magazine we had signed.
12:03That's great.
12:04That's exactly what we wanted.
12:06The perfect opportunity for a good PR for the Fürstenhof.
12:09And how can I help you?
12:12The journalist is traveling with a colleague today.
12:16You could take care of her.
12:19And give a short lecture about Hagen.
12:23A lecture?
12:25I'm not an art expert.
12:27But you know everything about him.
12:30Yes, I've dealt a lot with his life and his art.
12:34But if he asks any detailed questions,
12:36technical drawings...
12:37Oh, you're talking to me about such a passion for Hagen's art.
12:41They will feel it and get infected.
12:45It's the chance for the Fürstenhof.
12:47And you're family.
12:49Do you want to leave me hanging?
12:52That limits you to emotional oppression.
12:55You talk about the painting, about Hagen's art.
12:59You show him the places where he got his inspiration.
13:03And the rest?
13:04The rest is your charm.
13:07I can't get out of this, can I?
13:09No.
13:12Yes, of course.
13:13I know you have fixed dates.
13:15But I had a fixed date.
13:18I mean, what should I do?
13:19If you don't come by today, I can forget the opening tomorrow.
13:23Yes, I understand.
13:25But you have to do something.
13:26I don't know what...
13:28Tomorrow morning, it would be...
13:31Okay, tomorrow morning.
13:33Wonderful.
13:34Then come by tomorrow morning.
13:35You are of course cordially invited.
13:37Okay, thank you very much.
13:38See you tomorrow.
13:39Bye.
13:40The reception doesn't take long.
13:41And then you have the kitchen available tomorrow.
13:43Yes, I do.
13:44But I actually wanted to rehearse the menu.
13:47I didn't think about that.
13:49Oh, it doesn't matter.
13:51I'll just jump into the cold water.
13:53Or you can rehearse the menu in another kitchen.
13:57That's nice.
13:58But your living room kitchen isn't much bigger than mine.
14:01It's just clearly too small.
14:03But the kitchen at the Fürstenhof isn't.
14:07Really?
14:09That would be perfect, of course.
14:11But what do your sisters say?
14:12They probably don't agree, do they?
14:14You take care of the ingredients.
14:16I'll take care of my chefs.
14:34Maybe Lale is right.
14:36The dream showed me my true feelings for Vincent.
14:40But are they really strong enough?
14:44I have to be 100% sure that I love him.
14:48Otherwise I will only hurt him.
14:55Yes?
14:59May I?
15:01Come in.
15:02I'll be gone in a minute.
15:06Okay.
15:16I want to apologize to you.
15:18I should have understood that you were very worried about Vincent.
15:25I was at his intensive care unit.
15:27Thanks to Michael.
15:31I heard he's getting better again.
15:34Yes, the antibiotics worked.
15:36I'm glad, really.
15:40I hope he'll get well again soon.
15:43He will.
15:49And...
15:50Between us...
15:54Is everything okay?
15:58Can you accept my apology?
16:01I accept your apology, yes.
16:08Is there anything else I can do for you?
16:11I'm free right now, we could go for a walk.
16:13Thank you, but my mother will be here soon.
16:23Oh, yes.
16:24Apollo is doing really well.
16:26He is...
16:27Fit.
16:28Fit.
16:30Yes.
16:31Fit.
16:32Nice.
16:33I'm glad.
16:53I don't know how to deal with this.
16:55I have no idea about burial.
16:57We'll do it together, I have a list.
16:59Ui.
17:00Hi, Stella.
17:02I'm really sorry.
17:04If there's anything I can do...
17:06Sit with us.
17:07No, I'm in a hurry.
17:08I have to work right now.
17:09I'll just get something to take with me.
17:11Okay.
17:12Well...
17:13It's best if we contact a burial institute in Cologne.
17:17Your parents live in Cologne, right?
17:19Have you talked to them about whether it should be a burial or not?
17:24They leave the decision to me.
17:26Okay.
17:27What about the transfer from the USA?
17:30I don't know.
17:31Maybe we can call your parents.
17:33They can sort it out on site.
17:35You know, my parents are totally overwhelmed.
17:37They want me to take care of everything on my own.
17:40And when I think about it, about a cemetery and burial...
17:43I'm so scared of it.
17:49How about a forest cemetery?
17:51Is there one in Cologne?
17:53I don't know.
17:54We'll figure it out.
17:56Is there one here?
17:59A very nice one.
18:02Lale...
18:04Would you accompany me?
18:06I'd like to see what it's like.
18:08And I don't dare to go alone.
18:10Yes, of course.
18:11I've already postponed all appointments for the afternoon.
18:13Oh, thank you.
18:14Great.
18:15I mean, I don't know how I should manage without you.
18:22Hello?
18:25Hello?
18:29Is no one here today? I have to...
18:31Take mine.
18:32Really?
18:56These are just key points.
18:57Hagen's artistic progress.
18:59His preferences.
19:00Yes, how the painting style has changed with the progress of his mental illness.
19:05Yes, the notes from his son's diary.
19:09Mr. Sonnbichler just told me that we're expecting two journalists from an art magazine.
19:13Yes, that's what we were just talking about.
19:15That's wonderful.
19:16I mean, a good article.
19:17That's a wonderful PR for the Fürstenhof.
19:19I can welcome the two ladies and tell them a little bit about Anton Hagen.
19:23Yes, how they tried to sell the hotel and have it torn down so that you could come to the painting.
19:30I will hold the lecture about Anton Hagen.
19:32Very good. I can gladly support you.
19:35Thank you. I've got it under control.
19:38Katja, I really like to help. Positive PR is also in my interest.
19:42Yes, yes, but the lecture is almost finished.
19:44Yes, but...
19:45It's taken care of.
19:46Come, Katja, let's go.
19:53I love you.
20:03Come in.
20:06Am I disturbing you?
20:08Huh?
20:09I've been here for three minutes. How do you know I'm here?
20:12Yes, I have connections.
20:15Oh, yes.
20:17How are you today?
20:20Much better.
20:21Now that the fever is gone, and now that you're here.
20:26You really scared me.
20:32Anna, sit down.
20:36We'll be out of here in a few days.
20:40Then we'll go visit Apollo.
20:42And we'll play darts with Lale and Tiro.
20:44Yes, but you get well first, okay?
20:47Don't take any risks, promise me.
20:51Your word.
20:59Oh, today's the 20th, the farewell concert of Bernd Barrow.
21:03I completely forgot.
21:05Oh, you bought a ticket a few weeks ago, didn't you?
21:09Yes.
21:10He's just one of the best guitarists there is for me.
21:13And it would have been the last chance to see him.
21:17Oh, man, I'm sorry.
21:20It's okay.
21:23Maybe you can play something for me?
21:26Believe me, you won't hear that.
21:30I'll see, maybe there's a live transmission.
21:36I completely forgot. Michael wanted me to come to the blood pressure test.
21:41But I'll come back later, okay?
21:43Okay.
21:44I'm here.
21:49I'm here.
22:06So, come in, please.
22:13Here we have the work.
22:16You must be proud to have such a treasure in your possession.
22:19Absolutely.
22:20It's a huge gain for our hotel.
22:22And for me personally, too.
22:24I've admired Anton Hagen's work for a long time.
22:27And that he created his last painting here,
22:30makes it something very special again.
22:33Absolutely.
22:34Yes, and now I hope that I can tell you something new about Anton Hagen in my little lecture.
22:40You know the artist much better than I do.
22:42That remains to be seen.
22:44We're looking forward to any new information.
22:46Okay.
22:47Please take a seat.
22:48With pleasure.
22:55So, you've already heard that the artist spent his last years here in the area.
23:00We have now excavated the diaries of his son.
23:04In them, he describes in great detail the daily routine of his father.
23:08Is there also something about Hagen's mental illness?
23:11Yes.
23:13Hello?
23:14Ah, there you are.
23:15Sorry for the interruption.
23:17I wanted to welcome you personally.
23:19Hello.
23:20Markus Schwarzbach, co-owner of the Fürstenhof.
23:23Lisa Bühm.
23:24Hello.
23:25My colleague, Roberta Reit.
23:26Nice to meet you.
23:27Nice to meet you, too.
23:29Yes.
23:30Wonderful work, isn't it?
23:32You must know that I am, in a way, the rediscoverer.
23:37But crazy, isn't it?
23:39Hidden for centuries behind a wall.
23:42You know, I'm a huge fan of Anton Hagen.
23:45Would it be okay if I stayed?
23:47Yes, please.
23:48Of course.
23:50Yes, then please go on.
23:52I'm a big fan.
23:56So?
23:57We discovered and cultivated our passion for an artist together.
24:04Back to your question.
24:05The artist's mental illness can be clearly read from the diaries.
24:11Ah, yes.
24:12Okay.
24:16Ah, it was so romantic.
24:18The perfect evening.
24:19I'm glad.
24:21Michael and I really needed this.
24:23We're both so busy and then here...
24:27Hey, if you're going to be released soon,
24:30then we'll have a really nice girls' evening, okay?
24:34Well, Dr. Weber hasn't made up his mind yet,
24:36but it shouldn't take long.
24:42And how's Vincent?
24:43I heard he's back to normal.
24:45Yes, luckily. He's doing better.
24:49And I'd like to do something good for him.
24:51Something that makes him happy.
24:53Have you thought about it?
24:56Yes.
24:58The guitarist Bernd Barrow is giving his farewell concert tonight.
25:02And Vincent is a huge fan.
25:04Okay, but a concert in a wheelchair is a bit...
25:07No, no, no, I don't want to bring Vincent to the concert,
25:10but rather the concert to Vincent.
25:13Anna, I know you're very grateful to him,
25:16but just because you inherited a lot...
25:18I don't want to involve Bernd Barrow,
25:20but rather persuade him by telling him Vincent's story.
25:23Ah, okay, yes, maybe.
25:25Isn't this Barrow known for his social commitment?
25:29And I did some research,
25:31and tried to call the concert organizers and his agents,
25:34but unfortunately no one reached them.
25:37I think that's a bit difficult.
25:39I also read on his fan page
25:42that he was housed in Fürstenhof,
25:44but unfortunately I can't go there.
25:48Okay, so you want me to persuade him.
25:51I also read that he loves apple strudel.
25:56Okay, I accept the order.
25:58But no guarantees.
26:04Yes, I'm happy too.
26:06So you're a cook.
26:08He's a wonderful cook.
26:10Yes, not bad, but...
26:13We're looking for someone.
26:15Or do you want to leave us for a while?
26:17Not at all.
26:19But it could happen that I get sick,
26:21or need my vacation,
26:23and it wouldn't be bad
26:25if we had a worthy representative.
26:27Yes, it wouldn't be bad.
26:29Louis has an excellent reputation,
26:31a lot of experience, the best witnesses,
26:33and Mrs. Sonnenbichler also appreciates him a lot.
26:35I like to cook passionately.
26:37Passion is important,
26:39but it also has to taste good.
26:42How about if Louis cooks in our kitchen today,
26:45you try it and decide
26:47if he can be a representative.
26:49Yes, that's a sensible suggestion.
26:52Let's see
26:54if you can convince me
26:56like Mrs. Bergmann.
26:58Thank you, Mr. Seifelt.
27:00See you at dinner tonight.
27:02Thank you. See you tonight.
27:09Classically for art in the 18th century,
27:11Hagen also painted in the Bucolic style.
27:14This rural idyll,
27:16he really succeeded in it.
27:18Yes, I think so too.
27:20The utopia of a harmonious,
27:22nature-bound life in an idyllic landscape
27:24seems to be particularly important to him here.
27:26Well, utopia.
27:30When I look at the painting,
27:32it has a lot of
27:34current, concrete.
27:38For example,
27:40the two main protagonists
27:42seem to be turning around
27:44in a love dance at first glance.
27:46But on the second level,
27:48it's about something completely different.
27:50It's about the mysterious young woman.
27:54Look at the deviant attitude
27:56of the dancer,
27:58turned away from her admirer.
28:00He, on the other hand, is naive,
28:02swaying in the moment,
28:04yearning for her love.
28:06Maybe the dancer just doesn't know
28:08how it feels about the lady.
28:10Yes, exactly.
28:12The misunderstanding is written
28:14in his face.
28:16Where is the dance leading to?
28:20And that raises
28:22completely different questions.
28:24Is this due to the Bucolic style,
28:26or is the mood of the scenery
28:28actually as gloomy as it seems?
28:30In art,
28:32much is not as it seems.
28:34Yes, but that's rather
28:36distressing in the long run
28:38than exciting.
28:40The viewer wants to be able
28:42to rely on something.
28:46What do you think
28:48this supposed love dance
28:50will lead to?
28:52Well, I think
28:54maybe they're just dancing
28:56together.
28:58No, no, it's much more.
29:00It's not that simple.
29:02For me, the scene is clear.
29:04The dancer turns away
29:06because she finally wants to look forward.
29:08This is the intersection
29:10between her past and her future.
29:12Really?
29:14Really.
29:18Well.
29:22Art, yes.
29:24It really
29:26opens up interpretations
29:28in many directions.
29:30But thank you.
29:32Thank you for your assessment.
29:34Yes, well.
29:36If I'm not needed
29:38here anymore,
29:40then I wish you
29:42a wonderful time
29:44here at our Prince's Court.
29:46Thank you very much.
29:56Good.
29:58So, where was I?
30:10You were right.
30:12He's really beautiful.
30:14Yes, the one near Cologne
30:16should be beautiful too.
30:18Yes,
30:20Tamara will like that.
30:22She loved nature so much.
30:26I miss her so much.
30:28She loved nature so much.
30:32I miss her so much.
30:40She also loved the water.
30:44Swimming, surfing,
30:46diving.
30:50Is it okay for you
30:52if we stay here for a moment?
30:54Sure, it's just a little cold.
30:56I see.
30:58I also have hot tea with me
31:00and something to eat.
31:06Did you plan a picnic?
31:08No, I just thought
31:10when we walk through the cold forest,
31:12I don't want you to catch a cold
31:14because of me.
31:16Besides,
31:18when we were at the café this morning,
31:20I didn't even get a bite.
31:22Sorry, that was stupid of me.
31:24It's okay.
31:34Fresh cheese with tomatoes.
31:54Yes, yes.
31:56Mr. Parus is having breakfast right now,
31:58but just talking to him like that
32:00doesn't work.
32:02Okay, that means
32:04if I were to go to the restaurant by chance,
32:06I could meet him there by chance.
32:08Yes, possibly.
32:10But unfortunately,
32:12that doesn't necessarily mean
32:14that he would talk to you.
32:16I can be very charming.
32:18Yes, you can be very charming.
32:20Yes, yes.
32:22I can be very charming.
32:24There is no doubt about that.
32:26But Mr. Parus is a,
32:28well, let's say,
32:30a bit complicated guest.
32:32Especially when a concert is about to start,
32:34he doesn't want to talk to anyone
32:36and you're not allowed to talk to him
32:38because of the concentration.
32:40I would,
32:42hypothetically, still try.
32:44Anna needs my help.
32:46She really wants to surprise Vincent.
32:48Hey, Nicole.
32:50Yes.
33:14Okay.
33:16No problem.
33:20Okay.
33:51Has anyone forgotten
33:53that he is a guest
33:55in this kitchen?
33:57Ah.
33:59I'm sorry.
34:01I got carried away.
34:03Well, in our kitchen,
34:05there are rarely any rebuttals.
34:07Then it's time for you to get to know
34:09a decent working environment.
34:11In my kitchen,
34:13we all treat each other kindly.
34:15Yes, boss.
34:17Oh, no.
34:19Can you get a bottle of pastis, please?
34:21I'll do it.
34:28Hey, what are you doing here?
34:30Hey.
34:32I thought you were taking care of two important guests.
34:34Yes, they are eating right now.
34:36Hopefully they won't take this action badly.
34:39What kind of action?
34:41Markus just radioed me
34:43during the lecture.
34:45Wait a minute, what kind of lecture? Why?
34:47He completely ignored me
34:49in front of the journalists.
34:51I can only hope that they didn't understand
34:53what it was about.
34:55Oh.
34:57I thought he understood you again.
34:59What do I know?
35:01It was about Anton Hagen.
35:03Markus provoked me and
35:05then it somehow escalated.
35:07In any case, I made it clear to him
35:09in front of the journalists
35:11that this has no future with us.
35:13What?
35:15But you love him, don't you?
35:17And now you lied to him
35:19because of me.
35:21It is what it is now.
35:23But actually
35:25you're even now.
35:27I mean, you both
35:29lied to me once.
35:31Nonsense. As if it had anything to do with it.
35:35Mom, I just want you to be happy.
35:37And, and...
35:39It's all my fault now.
35:41I just don't want to talk about it anymore.
35:43Enjoy your break.
35:53So?
35:55Is it torturing you?
35:59Is it your revenge for what?
36:03My honest opinion?
36:05Yes, tell me.
36:07Is it too much for you?
36:09Excellent.
36:11It tastes fantastic.
36:13But you can also save it for the torture.
36:15I'm glad you like it.
36:17The poor Mr. Seifeld.
36:19If he tries this and I have to teach him
36:21that you can't make a representation here after all.
36:23Now wait for the opening.
36:25Who knows, maybe I'll have a lot of time soon.
36:27The restaurant will be a huge success.
36:29I owe it to you too.
36:31You're just...
36:33Yes.
36:39What's going on here?
36:43Are you cooking your passion?
36:45Yes.
37:01Yes, please?
37:07So...
37:09The jeweler Schneider sends his regards
37:11and hopes that the gift will arrive safely.
37:13Yes, I had so much on my mind
37:15that I didn't manage to pick it up myself.
37:17No problem.
37:19For Mrs. Schwarzbach?
37:21Let's say for the future Mrs. Saalfeld.
37:23Ui.
37:25You must have chosen something beautiful
37:27and she will be very happy.
37:29That's the plan.
37:31Oh, uh...
37:33Mrs. Johannsen will die in the next few days
37:35because of a death in the family.
37:37Uh-huh.
37:39Uh...
37:43How is the situation now?
37:47Well, I followed her advice
37:49and was nice to her
37:51and even took a mistake
37:53that she made.
37:55And that didn't work?
37:57Yes, it did.
37:59We're friends now.
38:01But Stella is so done
38:03because of the death of her sister
38:05and Lale is of course
38:07standing by her side.
38:09I can understand that.
38:11But?
38:15I don't know either.
38:17When I came back from the jubilee
38:19the two of them sat by the lake
38:21and had a picnic.
38:23Stella smiled so happily.
38:25And you think
38:27she's just pretending to be sad
38:29to her girlfriend?
38:31I don't know, something's wrong again.
38:33I mean, her parents
38:35don't even care about the funeral
38:37of their own daughter.
38:39And this morning
38:41she looked so happy
38:43in her lover's eyes.
38:45No one looks like that
38:47when they're sad.
38:49It's not possible
38:51that she's pretending.
38:53You were right
38:55about your suspicion.
38:57Yes, but that's a different matter.
38:59I mean, pretending to be sad
39:01to your own sister.
39:03Who does that?
39:05Tom Dammann
39:07is trying to get rid of me.
39:11There's nothing that doesn't exist.
39:19Of course we have the facilities
39:21for your conference.
39:23Yes.
39:25That's how we do it.
39:27Goodbye.
39:33Goodbye, Anna.
39:37I think
39:39that's it.
39:41Did she say that?
39:43We had a
39:45disagreement yesterday.
39:51She did forgive me, but
39:53she was very reluctant.
39:57Actually, she just wanted to get rid of me.
39:59Maybe she's still a little angry.
40:01But
40:03if she has accepted your apology,
40:05it doesn't mean
40:07that she will forgive you.
40:09Yes, because she's grateful to him.
40:11And what are you doing here?
40:13You're blowing the trumpet.
40:15Do you think that will help you?
40:17Do you have any other advice for me?
40:19Yes, act!
40:21Before it's too late.
40:23You love this woman,
40:25so fight for her.
40:27Good night.
40:33Good night.
40:57Hey.
40:59Hey.
41:01How are you?
41:03Good.
41:05Like when you were here
41:07and like 10 minutes ago
41:09when you wrote to me.
41:11What?
41:13Close your eyes.
41:15Why?
41:17Vincent, close your eyes.
41:19What are you up to?
41:21Don't cheat.
41:23I'm not cheating.
41:25What are you up to?
41:27Don't cheat.
41:31Good night.
41:33Good night.
41:51Bernd Barrow?
41:53If you can,
41:55the concert is coming to you.
42:11I hate this.
42:23My love
42:25is weightless
42:27for forever and a day.
42:53I feel
42:55that there are feelings.
42:57But every time we get closer,
42:59you push me away.
43:01It's not true.
43:03But it's still about this stupid painting.
43:05I thought you'd forgive me.
43:07Katja, I was there for you.
43:09I supported you with the wine.
43:11I thought I showed you
43:13that you can trust me.
43:15What are you up to?
43:17What's the problem?
43:19I won't let you talk to me like that.
43:21Katja!
43:27I'm looking for Philip Brandes.
43:29May I ask your name?
43:31You're not allowed to.
43:35If anyone asks about me,
43:37I'm out of the house.
43:39Mr. Brandes?
43:41Philip.
43:43I'm sorry.
43:45I don't have time right now.
43:47Just for a moment, please.
43:49Do we know each other?
43:51Not as well as we should.
43:55You still have the same eyes
43:57as your mother.
44:05Yes.
44:07I'm your father.
44:21Thank you very much.
44:23That was incredible.
44:25I'll never forget that.
44:27My pleasure.
44:29I couldn't say no to such a wish.
44:31All the best to you
44:33and get well soon.
44:37Thank you, too.
44:39It was beautiful.
44:49I can't believe it.
44:51You're incredible.
44:57You've already said that a few times.
45:03I love you.
45:07And I never stopped loving you.
45:11I don't want to put pressure on you.
45:13And I don't expect anything from you.
45:15But I have to.
45:17I have to ask you this.
45:23Can you imagine
45:25that we try it again together?
45:27Try it?
45:45That's enough.
45:47You can't just burst in like that.
45:49I'm so sick of you
45:51running away from me all the time.
45:53We'll figure it out.
45:57You're right.
46:01It can't go on like this.
46:07I...
46:11It's true.
46:13I...
46:17Me, too.
46:23Me, too.
46:29I love you, too.
46:39If it's true...
46:41What?
46:43That Stella's sister
46:45is really dead...
46:47What?
46:49Stella behaves strangely.
46:51One moment she's crying and the next...
46:53I think she's smiling.
46:55Your menu will be perfect.
46:57At least the main course
46:59I was allowed to try yesterday.
47:01I hope the guests think so, too.
47:03And the restaurant critics.
47:05I just miss Tamara so much.
47:07Tears are not a sign of weakness.
47:11It's not the only reason
47:13why I cried.
47:15She told me her family was poor.
47:17How could she leave for the USA?
47:19She told me about her savings
47:21and her legacy.