• 3 months ago
Transcript
00:00Your parents are still in the U.S.
00:06You have to wait until they release Tamara's body.
00:14Is your offer still on?
00:15What offer?
00:16The one with the walk.
00:18I really want to go to Vincent's later, but I still have some time before that.
00:22Unfortunately, I don't have any time.
00:25Please excuse me.
00:30Didn't you want to go in?
00:35I don't want to talk to anyone but you.
00:50I can't tell you how incredibly happy I am right now.
01:00What was that, Vincent and me?
01:22It was so real, my feelings so real, but after everything he did for me,
01:30it makes sense that I think of him.
01:32He put his life on the line for me.
01:37I would do anything for him, but do I really love him?
02:00So, here you go, that would be your seat, Mr. MĂŒller.
02:04Manuel, come here.
02:08So, we'll take care of the rest.
02:10Thank you very much, Mr. Schwarzwald.
02:11You're welcome.
02:19Aren't we too old for these games?
02:22What games?
02:24I don't feel like going for a walk and unfortunately I have a lot to do.
02:26The walk, that was your idea.
02:30Markus, I wanted to distract you.
02:32You were so worried about Vincent.
02:34But now he's doing better.
02:36The trial against me has been suspended.
02:38I have nothing to do with this sleeping pill at Christoph's.
02:40You even said that you believe me again.
02:42I believe you too.
02:44Yes, but then I don't understand.
02:46There's nothing to understand.
02:48The thing with the two of us, it just doesn't work.
02:50Please accept it, finally.
03:00Yes, all right.
03:18That was ten euros for Tamara.
03:20I only found out a few years ago.
03:24My schoolmates always laughed at me because I never got anything from the kiosk.
03:29My parents didn't have a lot of money, you know.
03:33She put the money on the street so you could find it.
03:37And persuaded me to take it and keep it
03:39because we don't find the owner anyway
03:41and I should buy something from the kiosk.
03:47It was her whole savings.
03:53She always protected me.
03:55And now she...
03:59I can't believe it.
04:01I'm so sorry.
04:07It's okay.
04:09I have to go now.
04:11Can I leave you alone?
04:13Yes, it's totally okay.
04:15I'm also pretty exhausted.
04:17I'll try to sleep in a minute.
04:19Okay.
04:21You can call me if you need anything.
04:23The zombies will be there soon.
04:26You tell me
04:28if you really meant it
04:30with the help at the funeral.
04:32I would be so grateful.
04:34Do you have time tomorrow?
04:36I'll take the time.
04:40And now go to your Theo.
04:42Say hello to him for me, okay?
04:44I hope you'll get some rest.
04:56Okay.
05:06Tamara, hi!
05:08Sorry I'm calling you back now.
05:10I had visitors.
05:12Yes, everything is great!
05:14It's going better than I thought.
05:16How are you?
05:20Vincent.
05:22I'm so happy and relieved
05:24that you're doing better.
05:26I was really worried about you.
05:30When I woke up earlier,
05:32Anna was there.
05:36I think she sat here for hours.
05:42Man!
05:46Maybe there's still a chance
05:48for Anna and me.
05:50Anna is the woman of my life.
05:54But you really have
05:56a long history.
05:58So much has happened.
06:00You mustn't forget that,
06:02Vincent.
06:04Yes.
06:06I get my jealousy
06:08under control.
06:10Okay.
06:14I would really like
06:16you to be happy together.
06:18But
06:21but
06:23in order to succeed,
06:25you have to leave
06:27your past behind.
06:29And you have to start anew.
06:35How's it going
06:37with Katja?
06:39How's it going with Katja?
06:41Sometimes we're so close
06:43and I can feel her feelings
06:45for me.
06:47And then she pushes me away again.
06:50As if I only wanted to imagine it.
06:56Maybe she didn't forgive you
06:58for the painting of Anton Hagen?
07:00Even if she forgave me,
07:02I lied to her.
07:04I lied to her.
07:08She can't trust me anymore.
07:10Maybe that's why she keeps me at a distance.
07:14Vincent, what should I do?
07:2017 YEARS LATER
07:36Keep going, keep going.
07:40Be careful.
07:42Stay calm.
07:44Go on.
07:46Now a bit left.
07:48Stay for a while.
07:50How long will it take?
07:52We'll be ready soon.
07:54Yes, you said that before.
07:56Why are we even in Tölz?
07:58I really don't have that much time.
08:00We're totally overslept
08:02and I have to go back to work.
08:12Welcome to Lois.
08:14Welcome, Lois.
08:16Wow.
08:20You told me a lot already,
08:22but
08:24that it turned out so beautiful.
08:26Did you expect a broken floor?
08:28Lois.
08:30A beautiful restaurant
08:32with a beautiful name.
08:40I have to go, Lois.
08:42Yes, and I have to prepare the main course.
08:44I came up with something special for tomorrow.
08:46What are you cooking?
08:48You'll find out when the restaurant opens tomorrow.
08:50Is it a fusion kitchen
08:52or maybe vegan?
08:54Give me a hint.
08:56It's the fire department.
09:06Damn.
09:08What's going on?
09:10They came this morning
09:12to take over the kitchen.
09:14When?
09:16I mean, if they don't take over,
09:18I can forget about the opening tomorrow.
09:20Call and explain the situation.
09:22You can't do that.
09:24The authorities can do anything.
09:26I have to call them urgently.
09:28Let's see.
09:30If they can't change anything,
09:32it won't look good.
09:34I can't imagine
09:36how terrible it must be
09:38to lose your sister.
09:40Me neither.
09:42I think it's good for you
09:44that I'm here for her now.
09:46Yes, absolutely.
09:48She needs you now.
09:50How are you?
09:52You look relatively fit.
09:54Relatively, yes.
09:56I'm fine.
09:58I mean, Vincent gave me
10:00a new life.
10:02Is he better now?
10:04Yes, fortunately.
10:06He's over the mountain.
10:08I'm so happy about the internal bleeding.
10:10If something had happened to him,
10:12I would never have forgiven myself.
10:14But everything went well.
10:16You will now lead a healthy
10:18and normal life again.
10:20A beautiful one.
10:22I dreamed of him.
10:24And?
10:26And we kissed.
10:28Lale, it was just a dream.
10:30Dreams often tell us the truth
10:32that we can't see for ourselves.
10:34I was worried about Vincent
10:36and thought about him all the time.
10:38I was just so incredibly grateful to him.
10:40That's why I probably
10:42kissed him in my dream.
10:44Or you kissed him because you love him.
10:46Could be.
10:48Still team Vincent, right?
10:50No, Anna, I'm totally neutral.
10:52Don't you see that?
10:54You know, I'm just chaotic.
10:56I don't know what I feel
10:58and for whom
11:00and if at all.
11:02It was just a dream.
11:04Okay.
11:06I have to go.
11:08I'll help Stella
11:10with the preparations for the funeral.
11:12Tell her all the love from me, okay?
11:14I will.
11:18You tell me if you need anything.
11:20I will.
11:26What can I bring you?
11:28Oh, please bring me a green tea.
11:30With pleasure.
11:32Thank you, Sabrina.
11:34Good morning, Mr. Director.
11:36Morning, Sabrina.
11:40Good morning.
11:42Morning.
11:44Oh, sorry.
11:46I didn't want to bother you.
11:48But I need your help.
11:50Did something happen?
11:52No, no, no, don't worry.
11:54It's about Anton Hagen's painting.
11:56I see.
11:58A journalist contacted us
12:00about the art magazine we had signed.
12:02That's great.
12:04That's exactly what we wanted.
12:06The perfect opportunity for a good PR
12:08for the FĂŒrstenhof.
12:10And how can I help you?
12:12The journalist is traveling today
12:14with a colleague.
12:16You could take care of her
12:18and give a short lecture
12:20about Hagen.
12:22A lecture?
12:24I'm not an art expert.
12:26But you know everything about him.
12:28Yes, I...
12:30I studied his life
12:32and his art.
12:34But if there are any questions
12:36about the painting...
12:38Oh, you're talking to me
12:40about such a passion for Hagen's art.
12:42They will feel it
12:44and get infected.
12:46A chance for the FĂŒrstenhof.
12:48And you're a relative.
12:50Are you going to leave me hanging?
12:52That limits you to emotional oppression.
12:54Yes.
12:56You're talking about the painting,
12:58Hagen's art.
13:00Showing you the places
13:02where he got his inspiration.
13:04And the rest?
13:06Well, the rest is your charm.
13:08I can't get out of this, can I?
13:10No.
13:12Yes, of course.
13:14But...
13:16I had an appointment.
13:18I mean, what should I do?
13:20If you don't come by today,
13:22I can forget the opening tomorrow.
13:24Yes, I understand.
13:26But you have to do something.
13:28I don't know what...
13:30Tomorrow morning, it would be...
13:32Okay, tomorrow morning.
13:34Wonderful.
13:36Then come by tomorrow morning.
13:38You're invited, of course.
13:40Okay, thank you.
13:42Do you have a menu?
13:44Yes, but I wanted to rehearse the menu.
13:46I didn't think about that.
13:48Oh, it doesn't matter.
13:50I'll just jump into the cold water.
13:52Or you can rehearse the menu
13:54in another kitchen.
13:56That's nice,
13:58but your living room kitchen
14:00isn't much bigger than mine.
14:02It's clearly too small.
14:04But the kitchen at the FĂŒrstenhof isn't.
14:06Really?
14:08That would be perfect.
14:10But what do your chefs say?
14:12I'm sure they don't agree, right?
14:14You take care of the ingredients.
14:16I'll take care of my chefs.
14:34Maybe Lale is right.
14:36The dream has shown me
14:38a lot of people like Vincent.
14:40But are they really strong enough?
14:44I have to be 100% sure
14:46that I love him.
14:48Otherwise I'll only hurt him.
14:54Yes?
14:58May I?
15:00Come in.
15:02I'll be gone in a minute.
15:16I want to apologize to you.
15:18I should have understood
15:20that you're very worried
15:22about Vincent.
15:24I was with him
15:26at the intensive care unit,
15:28thanks to Michael.
15:30I heard
15:32he's getting better again.
15:34Yes, the antibiotics worked.
15:36I'm glad, really.
15:40I hope he'll get well soon.
15:42He will.
15:48And...
15:50between us...
15:52is everything okay?
15:58Can you accept my apology?
16:02I accept your apology, yes.
16:06But...
16:10Is there anything else I can do for you?
16:12I'm free right now.
16:14We could go for a walk.
16:16Thank you, but my mother will be here soon.
16:20Okay.
16:24Oh, yes.
16:26Apollo is doing really well.
16:28He's...
16:30Fit?
16:32Yes, fit.
16:34Okay.
17:00Hi, Stella.
17:02I'm really sorry.
17:04If there's anything I can do...
17:06Sit with us.
17:08No, I'm in a hurry. I have to work.
17:10I'll just get something to take with me.
17:12Okay.
17:14We should contact
17:16a funeral home in Cologne.
17:18Your parents live in Cologne, right?
17:20Did you talk to them
17:22about a funeral?
17:24They leave it to me.
17:26Okay.
17:28What about the transfer from the USA?
17:30I don't know.
17:32Maybe we can call your parents.
17:34They can explain it on site.
17:36You know, my parents are totally overwhelmed.
17:38They want me to take care of everything on my own.
17:40And when I just think about
17:42funerals and cremation...
17:44I'm so scared of it.
17:48How about a forest cemetery?
17:50Is there one in Cologne?
17:52I don't know.
17:54We'll figure it out.
17:56Is there one
17:58in Berlin?
18:00A very nice one.
18:02Ale,
18:04would you come with me?
18:06I'd like to see what it's like.
18:08And I don't dare to go alone.
18:10Of course. I've already postponed
18:12all appointments until the afternoon.
18:16I mean, I don't know how I should
18:18manage without you.
18:22Hello?
18:28Is no one there today?
18:30I have to go.
18:32Really?
18:56These are just key points.
18:58Hagen's artistic progress, his preference...
19:00Yes, how the aim of his painting
19:02has changed with the progress of his mental illness.
19:04Yes, the notes from his son's diary.
19:08Mr. Sonnbichler just told me
19:10that we're expecting two journalists
19:12from an art magazine.
19:14Yes, that's what we were just talking about.
19:16That's wonderful. A good article
19:18is a wonderful PR for the FĂŒrstenhof.
19:20I can welcome the two ladies
19:22and tell them a little about Anton Hagen.
19:24Yes, how they tried to sell the hotel
19:26and get it torn down
19:28so that you could come to the painting.
19:30I will give a lecture on Anton Hagen.
19:32Very good. I can gladly support you.
19:36I got it under control.
19:38Katja, I'm really happy to help.
19:40Positive PR is also in my interest.
19:42Yes, but the lecture is almost finished.
19:44Yes, but...
19:46It's taken care of.
19:48Come, Katja, let's go.
20:02Hello.
20:06Am I disturbing you?
20:08Huh?
20:10I've been here for three minutes.
20:12How do you know I'm here?
20:14I have connections.
20:16How are you today?
20:18Much better.
20:20Now that the fever is gone
20:22and now that you're here.
20:26You really scared me.
20:32Anna.
20:34Sit down.
20:36We'll be out of here in a few days.
20:40Then we'll go visit Apollo
20:42and we'll play darts with Lale and Tiro.
20:44Yes, but you get some rest first
20:46and get well, okay?
20:48Don't take any risks, promise me.
20:50Your word.
20:58Hmm.
21:00I completely forgot
21:02about the farewell concert
21:04of Bernd Barrow.
21:06You bought a ticket a few weeks ago, didn't you?
21:08Yes.
21:10He's just one of the best guitarists
21:12there is for me.
21:14It would have been the last chance to see him.
21:16Oh man, I'm sorry.
21:18It's okay.
21:22Maybe you can play something for me?
21:26Believe me, you won't hear it.
21:28I'll see.
21:30Maybe there's a live transmission.
21:36I completely forgot.
21:38Michael wanted me to come to the blood pressure test.
21:40But I'll come back later, okay?
21:42Okay.
21:44I'll be here.
21:58So, come in, please.
22:12Here we have the work.
22:14You must be proud
22:16to have such a treasure in your possession.
22:18Absolutely.
22:20For our hotel, it's a huge win.
22:22And for me personally, too.
22:24I've admired Anton Hagen's work for a long time
22:26and the fact that he created
22:28his last work here
22:30makes it something very special.
22:32Absolutely.
22:34And now I hope
22:36that I can tell you something new
22:38about Anton Hagen in my little lecture.
22:40You know the artist far better than I do.
22:42That remains to be seen.
22:44We're looking forward to every new information.
22:46Okay, please take a seat.
22:48With pleasure.
22:54So, you've already heard
22:56that the artist has spent
22:58his last years here in the area.
23:00We have now found the diaries
23:02of his son.
23:04In them, he describes in great detail
23:06the daily routine of his father.
23:08Does it also say anything about
23:10Hagen's mental illness?
23:12Yes.
23:14Ah, there you are.
23:16Excuse the interruption.
23:18I would like to welcome you personally.
23:20Hello, Markus Schwarzbach,
23:22co-owner of the FĂŒrstenhof.
23:24Lisa BĂŒhm.
23:26Hello.
23:28My colleague Roberta Reit.
23:30Nice to meet you.
23:32Wonderful work, isn't it?
23:34You must know that I am
23:36the rediscoverer.
23:38But crazy, isn't it?
23:40Hidden behind a wall for centuries.
23:42You know,
23:44I'm a huge fan of Anton Hagen.
23:46Would you mind if I stay?
23:48Of course.
23:50Please go on.
23:52I'm a big fan.
23:56So?
23:58We discovered our passion for an artist
24:00together and cultivated it.
24:04Back to your question.
24:06The artist's mental illness
24:08can be clearly read
24:10from the diaries.
24:12Ah, yes.
24:16It was so romantic.
24:18The perfect evening.
24:20Michael and I really needed it.
24:22We are both so busy
24:24and then here.
24:26Hey,
24:28if you're going to be released soon,
24:30we'll have a really nice girls' evening,
24:32okay?
24:34Well, Dr. Weber hasn't decided yet,
24:36but it shouldn't take long.
24:38Ah.
24:40And how's Vincent?
24:42I heard he's back at the normal station.
24:44Yes, luckily.
24:46He's doing better.
24:48And I'd like to do
24:50something good for him,
24:52something that makes him happy.
24:54Have you thought about it?
24:56Yes.
24:58The guitarist Bernd Barrow
25:00is giving his farewell concert tonight
25:02and Vincent is a huge fan.
25:04Okay, but also in the wheelchair
25:06is such a concert ...
25:08No, no, no, I don't want to bring Vincent to the concert,
25:10but rather the concert to Vincent.
25:12Anna,
25:14I know you're very grateful to him,
25:16but just because you inherited a lot ...
25:18I don't want to engage Bernd Barrow,
25:20but rather persuade him
25:22by telling him Vincent's story.
25:24Ah, okay, yes, maybe.
25:26Isn't this Barrow known
25:28for his social commitment?
25:30And I researched and
25:32tried to call the concert organizers
25:34but unfortunately nobody reached them.
25:36Yes, I think that's a bit difficult.
25:38I also read on his
25:40fan page that
25:42he was housed in FĂŒrstenhof,
25:44but unfortunately I can't go there.
25:46Ah, okay.
25:48So you want me to persuade him.
25:50I also read
25:52that he loves apple strudel.
25:54Well,
25:56the order is accepted,
25:58but without guarantee.
26:00Oh.
26:02Yes,
26:04I'm happy too.
26:06Yes, you are a cook.
26:08He is a wonderful cook.
26:10Yes, not so good, but
26:12we can visit.
26:14Or do you want to leave us for a while?
26:16Not at all.
26:18But it could happen that
26:20I get sick or need my vacation
26:22and it wouldn't be bad
26:24if we had a worthy representative.
26:26Yes, it wouldn't be bad.
26:28Louis has an excellent reputation,
26:30a lot of experience,
26:32the best witnesses,
26:34and Mrs. Sonnenbichler also appreciates him a lot.
26:36I like to cook passionately.
26:38Passion is important,
26:40but it also has to taste good.
26:42How about
26:44Louis cooking in our kitchen today?
26:46You try and judge
26:48if he is a worthy representative.
26:50Yes, that's a sensible suggestion.
26:52Let's see
26:54if you also convince me
26:56like Mrs. Berkemann.
26:58Thank you, Mr. Seifelt.
27:00See you at dinner tonight.
27:02Thank you. See you tonight.
27:08Classically for art
27:10in the 18th century,
27:12Hagen also painted in the Bucolic style.
27:14He really succeeded
27:16in this rural idyll.
27:18Yes, I think so too.
27:20Especially this utopia
27:22of a harmonious, nature-bound life
27:24seems particularly important to me.
27:26Well, utopia.
27:30When I look at the painting,
27:32it has a lot
27:34of current, concrete.
27:38For example,
27:40the two main protagonists
27:42seem to be turning around
27:44in a love dance at first glance.
27:46But on the second level,
27:48it's about something completely different.
27:50It's about the mystery woman.
27:52Oh!
27:54Look at the deviant attitude
27:56of the dancer,
27:58the gaze turned away from her admirer.
28:00He, on the other hand,
28:02is naive, swaying in the moment,
28:04yearning for her love.
28:06Maybe the dancer just doesn't know
28:08how it feels about the lady.
28:10Yes, exactly.
28:12The misunderstanding is written
28:14in his face.
28:16He asks himself,
28:18where does the dance lead to?
28:20And, of course,
28:22this raises completely different questions.
28:24Is this because of the Bucolic style
28:26or is the mood of the scenery
28:28actually as gloomy as it seems?
28:30In art, a lot of things
28:32are not as they seem.
28:34Yes, but that's rather
28:36distressing in the long run
28:38than exciting.
28:40The viewer will be able
28:42to rely on something.
28:46What do you think
28:48the final love dance of the two will lead to?
28:52Well, I think maybe
28:54they're just dancing together.
28:56No, no, it's much more
28:58than that. It's not that simple.
29:00Well, for me, this scene is very clear.
29:02The dancer turns away
29:04because she finally wants to look forward.
29:06This is, so to speak, the intersection
29:08between her past and her future.
29:12Really?
29:14Really.
29:18Well,
29:22art, yes,
29:24really opens up
29:26interpretations in many directions.
29:28But thank you,
29:30thank you
29:32for your assessment.
29:34Yes, well,
29:36if I'm not needed here anymore,
29:42then I wish you a wonderful time
29:44here with us at FĂŒrstenhof.
29:46Thank you very much.
29:56Well,
29:58where was I?
30:16You were right.
30:18He's really beautiful.
30:20Yes, the one near Cologne
30:22should be beautiful too.
30:24Yes, Tamara will like that.
30:28She loved nature so much.
30:32I miss her so much.
30:40She also loved the water.
30:42Swimming,
30:44surfing,
30:46diving.
30:50Is it okay for you
30:52if we stay here for a moment?
30:54Sure, it's just a little cold.
30:56I see.
30:58I also have hot tea with me
31:00and something to eat.
31:06Did you plan a picnic?
31:08No, I just thought
31:10when we walk through the cold forest,
31:12I don't want you to catch a cold.
31:16Besides,
31:18when we had coffee this morning,
31:20I didn't even get a bite.
31:22Sorry, that was stupid of me.
31:24It's okay.
31:34Fresh cheese with dates and tomatoes.
31:40You're welcome.
32:02Mr. Parus is having breakfast
32:04right now,
32:06but you can't just talk to him like that.
32:08That's not okay.
32:10Okay, that means if I
32:12happen to go to the restaurant now,
32:14I could meet him there.
32:16Yes, possibly.
32:18But unfortunately,
32:20that doesn't necessarily mean
32:22that he would talk to you.
32:24I can be very charming.
32:26There is no doubt about that.
32:28But Mr. Parus is a
32:30a little complicated guest.
32:32Especially when a concert starts,
32:34he doesn't want to talk to anyone.
32:36And I don't want to talk to him
32:38because of the concentration.
32:40I would still try, hypothetically.
32:42Anna needs my help.
32:44She really wants to surprise Vincent.
32:46Hey, Nicole.
32:48Philip, I'm sorry.
32:50I have to do something.
32:54What's going on with her?
32:56You heard her.
32:58She has to do something.
33:00I just noticed
33:02that it's about a surprise.
33:04Maybe I could be helpful.
33:06Yes, but I can't tell you
33:08because I don't know
33:10what it's about.
33:14Okay, no problem.
33:16Yes.
33:24Can you get me Majorano and Estragon
33:26from the greenhouse?
33:28Estragon is gone and I need pasties.
33:30Come on, what are you waiting for?
33:32She can do that as soon as she
33:34gets my herbs.
33:36Your herbs can wait.
33:38I have to flambe now.
33:40But my herbs don't like to wait
33:42because they are the herbs for the
33:44head chef in this kitchen
33:46and therefore feel very important.
33:48And my pasties feel even more important
33:50because the head chef will try
33:52the flambéed dish right away.
33:54Maybe someone forgot
33:56that he is a guest in this kitchen.
33:58Ah, I'm sorry.
34:00I misunderstood.
34:02Well, in our kitchen
34:04there are very few words.
34:06Then it's time to get to know
34:08a decent working environment.
34:10In my kitchen
34:12we all treat each other kindly.
34:14Yes, chef!
34:16Oh no!
34:18Annalena, can you get a bottle of pasties?
34:20I'll do it.
34:22Hey!
34:24What are you doing here?
34:26I thought you were taking care
34:28of two important guests.
34:30Yes, they are eating right now.
34:32Hopefully they won't take
34:34this action badly.
34:36What kind of action?
34:38Markus just interrupted me
34:40during the lecture.
34:42Wait a minute, what kind of lecture?
34:44Why?
34:46He completely ignored me
34:48in front of the journalists.
34:50I can really only hope
34:52that they didn't understand
34:54what was going on.
34:56I thought he understood you again.
34:58What do I know?
35:00It was about Anton Hagen.
35:02Markus provoked me
35:04and it somehow escalated.
35:06In any case, I made it clear
35:08to him in front of the journalists
35:10that this has no future with us.
35:12What?
35:14But you love him.
35:16And now you lied to him
35:18because of me.
35:20It is what it is.
35:24But actually, you're even now.
35:26I mean,
35:28you both lied to each other.
35:30Nonsense!
35:32As if it had anything to do with it.
35:36Mom, I just want you to be happy.
35:38And it's all my fault.
35:40I just don't want to talk about it anymore.
35:42Enjoy your break.
35:48And?
35:50Are you torturing me?
35:52Is this your revenge?
35:54For what?
35:56My honest opinion?
35:58Yes, I'm telling you.
36:00It's as much as you see.
36:02Outstanding.
36:04It tastes fantastic.
36:06You can bet on the torture.
36:08I'm glad you like it.
36:10The poor gentleman.
36:12I'm sure you'll like it.
36:14I'm sure you'll like it.
36:16I'm sure you'll like it.
36:18The poor Mr. Saalfeld.
36:20If he tries this and I have to teach him
36:22that you can't do business here.
36:24Now wait for the opening.
36:26Who knows, maybe I'll have a lot of time soon.
36:28The restaurant will be a huge success.
36:30I owe it to you, too.
36:32You're just...
36:38What's going on here?
36:42Is passion cooking for you?
36:46Yes.
37:02Yes, please.
37:08So...
37:10The jeweler Schneider sends his regards
37:12and hopes that the gift will arrive safely.
37:14Yes, I had so much on my mind
37:16that I didn't manage to pick it up myself.
37:18No problem.
37:20For Mrs. Schwarzbach?
37:22Let's say for the future Mrs. Saalfeld.
37:24You must have chosen something beautiful
37:26and she will be very happy.
37:28That's the plan.
37:30Oh, uh...
37:32Mrs. Johannsen will be leaving
37:34in the next few days
37:36because of a death in the family.
37:38Uh-huh.
37:44How is the situation now?
37:48Well, I followed her advice
37:50and was nice to her
37:52and even admitted a mistake she made.
37:54And that didn't work?
37:58Yes, we're friends now.
38:02But Stella is so exhausted
38:04because of her sister's death
38:06and Lale is of course standing by her side.
38:08I can understand that.
38:10But?
38:14I don't know either.
38:16When I came back from the jeweler's
38:18the two of them were sitting by the lake
38:20having a picnic
38:22and Stella smiled so happily.
38:24And you think
38:26she's just pretending to be sad
38:28in front of her girlfriend?
38:30I don't know.
38:32Something's wrong again.
38:34I mean, her parents don't even care
38:36about the funeral of their own daughter.
38:38And this morning
38:40in the Liebling
38:42no one looks so sad.
38:46Wouldn't it be possible
38:48that she's pretending to be sad?
38:52Well, you were right
38:54about your suspicion.
38:56Yes, but that's a different matter.
38:58I mean, pretending to be sad
39:00in front of one's own sister.
39:02Who does that?
39:04Tom Damman
39:06pretended to be sad
39:08in front of his own sister
39:10but there's nothing
39:12that doesn't exist.
39:18Of course we have the facilities
39:20for your conference.
39:22Yes.
39:24Let's do that.
39:26Goodbye.
39:32Goodbye, Anna.
39:34Anna?
39:38I think that's it.
39:40Did she say that?
39:44We had a
39:46disagreement yesterday.
39:50She did forgive me
39:52but she was very rejecting.
39:56Actually, she just wanted to get rid of me.
39:58Maybe she's still a bit angry.
40:00But
40:02if she has accepted your apology
40:04it doesn't mean that she...
40:06She's planning a special surprise for Vincent.
40:08Yes, because she's grateful to him.
40:10And what are you doing here?
40:12You're blowing the trumpet.
40:14Do you think that will help you?
40:16Do you have any other instructions for me?
40:18Yes, act!
40:20Before it's too late.
40:22You love this woman
40:24so fight for her.
40:32Is that right?
41:02Hey.
41:04Hey.
41:06Wie geht's dir?
41:08Gut.
41:10So wie vorhin als du hier warst
41:12und so wie vor 10 Minuten als du mir geschrieben hast.
41:16Was?
41:18Schließ die Augen.
41:20Vincent, schließ die Augen.
41:24Was hast du vor?
41:26Nicht schummeln.
41:28Wann noch?
41:30Gleich.
41:50Bernd, warum?
41:52Wenn du nicht zum Konzert kannst,
41:54dann kommt das Konzert eben zu dir.
41:58Ich hasse dich.
42:12Ich hasse dich.
42:28Was zum Teufel war das denn bitte vorhin?
42:30Ach, das fragst du mich.
42:32Ja, du hast mich von den Journalistinnen
42:34völlig bloßgestellt.
42:36Ach, die beiden, die sind mir doch völlig egal.
42:38Ach ja? Und die PR fĂŒr den FĂŒrstenhof,
42:40ist dir die auch egal, oder?
42:42In dem Fall, ja.
42:44Markus, warum kannst du dich nicht einmal raushalten?
42:46Ich hab's einfach satt,
42:48wie du mich behandelst.
42:50Ich spĂŒre doch, dass da noch GefĂŒhle sind.
42:52Aber jedes Mal, wenn wir uns annÀhern,
42:54dann muss ich das GefĂŒhl haben,
42:56aber jedes Mal, wenn wir uns annÀhern,
42:58dann stĂ¶ĂŸt du mich wieder weg.
43:00Das ist nicht wahr.
43:02Doch, aber geht's immer noch um dieses dÀmliche GemÀlde?
43:04Ich dachte, das hÀttest du mir verziehen.
43:06Hab ich auch.
43:08Katja, ich war fĂŒr dich da.
43:10Ich hab dich beim Weingut unterstĂŒtzt.
43:12Ich hab gedacht, ich hÀtte dir gezeigt,
43:14dass du mir vertrauen kannst.
43:16Worum also geht's?
43:18Was ist das Problem?
43:20So lass dich nicht mit mir reden.
43:22Katja!
43:24Was geht?
43:26Ich suche Philipp Brandes.
43:28Ja.
43:30Darf ich Sie nach Ihrem Namen fragen?
43:32Das dĂŒrfen Sie nicht.
43:34Falls jemand nach mir fragt,
43:36ich bin außer Haus.
43:38Ja, Àh, Herr Brandes.
43:40Philipp.
43:42Entschuldigen Sie,
43:44ich hab gerade keine Zeit.
43:46Nur ganz kurz, bitte.
43:48Kennen wir uns?
43:50Nicht so gut, wie wir sollten.
43:52Du hast noch immer die gleichen Augen wie deine Mutter.
44:02Ja.
44:04Ich bin's, dein Vater.
44:22Wuh!
44:24Danke.
44:26Vielen Dank.
44:28Das war unglaublich.
44:30Das werde ich nie vergessen.
44:32Sehr gerne.
44:34So einen Wunsch konnte ich nicht abschlagen.
44:36Alles Gute fĂŒr euch und
44:38werdet bald wieder gesund.
44:40Danke.
44:42Von mir auch danke.
44:44Es war wunderschön.
44:48Das geht's nicht.
44:50Du bist unglaublich.
44:54Danke.
44:56Das hast du jetzt schon ein paar Mal gesagt.
45:02Ich liebe dich.
45:06Und ich hab nie aufgehört, dich zu lieben.
45:12Ich will dich nicht unter Druck setzen.
45:14Und ich erwarte nichts von dir.
45:16Aber ich muss,
45:18ich muss dich das fragen.
45:22Kannst du dir vorstellen,
45:24dass wir es noch mal
45:26miteinander probieren?
45:44Es reicht jetzt.
45:46Du kannst ja nicht einfach so reinplatzen.
45:50Ich hab so satt, dass du stÀndig vor mir wegrennst.
45:54Wir klÀren das jetzt.
45:58Du hast ja recht.
46:02So kann es einfach nicht weitergehen.
46:08Ich...
46:12Es stimmt.
46:14Ich...
46:18Ich auch.
46:28Ich liebe dich auch.
46:38Wenn's stimmt...
46:40Was?
46:42Wenn's stimmt, dass...
46:44Stellas Schwester wirklich tot ist.
46:46Was?
46:48Stella benimmt sich merkwĂŒrdig.
46:50In dem einen Moment heult sie
46:52und im nÀchsten...
46:54Ich hab sie lÀcheln sehen.
46:56Dein MenĂŒ wird perfekt.
46:58Zumindest der Hauptgang, den ich gestern probieren durfte.
47:00Ja, ich hoffe, die GĂ€ste denken das auch.
47:02Und die Restaurantkritikerin.
47:04Ich vermiss das einfach so.
47:06TrÀnen sind kein Zeichen von SchwÀchen.
47:12Ich weiß nicht, warum ich geweint habe.
47:14Sie sagt ja immer, ihre Familie sei arm.
47:16Wie konnten sie sich denn in die USA reisen lassen?
47:18Sie hat irgendwas von
47:20Erspartem und Erbe erzÀhlt.