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Short filmTranscript
00:00Your parents are still in the U.S.
00:06You have to wait until they release Tamara's body.
00:14Is your offer still on?
00:15What offer?
00:16The one with the walk.
00:18I really want to go to Vincent's later, but I still have some time before that.
00:22Unfortunately, I don't have any time.
00:25Please excuse me.
00:30Didn't you want to go in?
00:35I don't want to talk to anyone but you.
00:50I can't tell you how incredibly happy I am right now.
01:00What was that, Vincent and me?
01:22It was so real, my feelings so real, but after everything he did for me,
01:30it makes sense that I think of him.
01:32He put his life on the line for me.
01:37I would do anything for him, but do I really love him?
02:00So, here you go, that would be your seat, Mr. Müller.
02:04Manuel, come here.
02:08So, we'll take care of the rest.
02:10Thank you very much, Mr. Schwarzwald.
02:11You're welcome.
02:19Aren't we too old for these games?
02:22What games?
02:24I don't feel like going for a walk and unfortunately I have a lot to do.
02:26The walk, that was your idea.
02:30Markus, I wanted to distract you.
02:32You were so worried about Vincent.
02:34But now he's doing better.
02:36The trial against me has been suspended.
02:38I have nothing to do with this sleeping pill at Christoph's.
02:40You even said that you believe me again.
02:42I believe you too.
02:44Yes, but then I don't understand.
02:46There's nothing to understand.
02:48The thing with the two of us, it just doesn't work.
02:50Please accept it, finally.
03:00Yes, all right.
03:18That was ten euros for Tamara.
03:20I only found out a few years ago.
03:24My schoolmates always laughed at me because I never got anything from the kiosk.
03:29My parents didn't have a lot of money, you know.
03:33She put the money on the street so you could find it.
03:37And persuaded me to take it and keep it
03:39because we don't find the owner anyway
03:41and I should buy something from the kiosk.
03:47It was her whole savings.
03:53She always protected me.
03:55And now she...
03:59I can't believe it.
04:01I'm so sorry.
04:07It's okay.
04:09I have to go now.
04:11Can I leave you alone?
04:13Yes, it's totally okay.
04:15I'm also pretty exhausted.
04:17I'll try to sleep in a minute.
04:19Okay.
04:21You can call me if you need anything.
04:23The zombies will be there soon.
04:26You tell me
04:28if you really meant it
04:30with the help at the funeral.
04:32I would be so grateful.
04:34Do you have time tomorrow?
04:36I'll take the time.
04:40And now go to your Theo.
04:42Say hello to him for me, okay?
04:44I hope you'll get some rest.
04:56Okay.
05:06Tamara, hi!
05:08Sorry I'm calling you back now.
05:10I had visitors.
05:12Yes, everything is great!
05:14It's going better than I thought.
05:16How are you?
05:20Vincent.
05:22I'm so happy and relieved
05:24that you're doing better.
05:26I was really worried about you.
05:30When I woke up earlier,
05:32Anna was there.
05:36I think she sat here for hours.
05:42Man!
05:46Maybe there's still a chance
05:48for Anna and me.
05:50Anna is the woman of my life.
05:54But you really have
05:56a long history.
05:58So much has happened.
06:00You mustn't forget that,
06:02Vincent.
06:04Yes.
06:06I get my jealousy
06:08under control.
06:10Okay.
06:14I would really like
06:16you to be happy together.
06:18But
06:21but
06:23in order to succeed,
06:25you have to leave
06:27your past behind.
06:29And you have to start anew.
06:35How's it going
06:37with Katja?
06:39How's it going with Katja?
06:41Sometimes we're so close
06:43and I can feel her feelings
06:45for me.
06:47And then she pushes me away again.
06:50As if I only wanted to imagine it.
06:56Maybe she didn't forgive you
06:58for the painting of Anton Hagen?
07:00Even if she forgave me,
07:02I lied to her.
07:04I lied to her.
07:08She can't trust me anymore.
07:10Maybe that's why she keeps me at a distance.
07:14Vincent, what should I do?
07:20Scene 3
07:36Further and further.
07:38Farewell from now on.
07:40Careful.
07:42You can go.
07:44And stay on the left side.
07:46Stay still
07:48You can stay for a while.
07:50How long will it take?
07:52We'll be ready soon.
07:54Yes, you said that before.
07:56Why are we even in Tölz?
07:58I really don't have that much time.
08:00We're totally overslept and I have to go back to work.
08:12Welcome...
08:14...to Lois.
08:16Wow!
08:20You told me a lot already,
08:22but...
08:24...that it turned out so beautiful!
08:26Did you expect a breakfast?
08:28Lois,
08:30a beautiful restaurant
08:32with a beautiful name.
08:40I have to go, Lois.
08:42Yes, and I have to prepare the main course.
08:44I came up with something special for tomorrow.
08:46And what are you cooking?
08:48Yes, you'll find out when the restaurant opens tomorrow.
08:50Is it a fusion cuisine
08:52or maybe vegan?
08:54Come on, give me a hint.
08:56It's the fire department.
09:06Damn.
09:08What's going on?
09:10Well, they wanted to come this afternoon
09:12and now they postponed it.
09:14When?
09:15It doesn't say.
09:17I mean, if they don't take over,
09:19I can forget about the opening tomorrow.
09:21Call them and explain the situation to them.
09:23They can't really do that.
09:25The authorities can do anything.
09:27I have to call them urgently.
09:29Let's see.
09:30If they can't change anything here,
09:32then it looks really bad.
09:38I can't imagine how terrible it must be
09:40to lose your sister.
09:42I can't either.
09:44I think it's good for you that I'm here for her now.
09:46Yes, absolutely.
09:48She needs you now.
09:50How are you?
09:52You have a relatively fit impression.
09:54Relatively, yes.
09:56I'm fine.
09:58I mean, Vincent gave me a new life.
10:00I heard he's better now.
10:02Yes, luckily.
10:04He's over the mountain.
10:06I'm really happy about the internal bleeding.
10:08If something had happened to him because of that,
10:10then I would never have forgiven myself.
10:12But everything went well.
10:14You two will be healthy again
10:16and lead a normal life.
10:18A beautiful one.
10:20I dreamed of him.
10:22And?
10:24And?
10:26We kissed.
10:28Lale, it was just a dream.
10:30Dreams often tell us the truth
10:32that we can't see for ourselves.
10:34I was worried about Vincent
10:36and thought about him all the time.
10:38And I was just so incredibly grateful to him.
10:40That's probably why I kissed him in my dream.
10:42Or you kissed him because you love him.
10:44Could be.
10:46Still team Vincent, right?
10:48No.
10:50Anna, I'm totally neutral.
10:52Don't you see that?
10:54You know, I'm just in chaos.
10:56I don't know what I feel or what I don't.
10:58And for whom.
11:00And if at all.
11:02It was just a dream.
11:04Okay.
11:34Good morning, Director.
11:36Good morning, Sabrina.
11:40Good morning.
11:42Good morning.
11:44Sorry.
11:46I didn't want to bother you.
11:48But I need your help.
11:50Did something happen?
11:52No, no, no.
11:54Don't worry.
11:56It's about Anton Hagen's painting.
11:58Oh.
12:00A journalist contacted us
12:02That's great.
12:04That's exactly what we wanted.
12:06The perfect opportunity for a good PR for the Fürstenhof.
12:08And how can I help you?
12:10The journalist is traveling
12:12with a colleague today.
12:14You could
12:16take care of her
12:18and give a short lecture
12:20about Hagen.
12:22A lecture?
12:24I'm not an art expert.
12:26But you know everything about him.
12:28Yes.
12:30I studied a lot about his life
12:32and his art.
12:34But if you want to know more
12:36about Hagen's art
12:38You're talking about a passion
12:40for Hagen's art.
12:42You'll feel it.
12:44It's the perfect opportunity
12:46for the Fürstenhof.
12:48And you're family.
12:50Are you going to leave me hanging?
12:52That's emotional oppression.
12:54You're talking about the painting
12:56about Hagen's art.
12:58I'll show you the places
13:00where he got his inspiration.
13:02And the rest?
13:04The rest is his charm.
13:06I won't get out of this anyway, right?
13:08No.
13:12Yes, of course.
13:14I know you have fixed dates.
13:16But I had a fixed date.
13:18I mean, what should I do?
13:20If you don't come by today,
13:22I can forget the opening tomorrow.
13:24Yes, I understand that.
13:26No, I don't know what...
13:28Tomorrow morning?
13:30Okay, tomorrow morning.
13:32Wonderful.
13:34Then come by tomorrow morning.
13:36Of course, you're invited.
13:38Okay, thank you. See you tomorrow.
13:40Bye.
13:42The reception doesn't take long.
13:44And then you have the kitchen available tomorrow.
13:46Yes, but I actually wanted to
13:48rehearse the menu.
13:50I didn't think about that.
13:52It doesn't matter.
13:54You cook the menu in another kitchen rehearsal.
13:56That's nice, but your
13:58living room kitchen isn't much bigger than mine.
14:00It's just clearly too small.
14:02But the kitchen at the prince's court
14:04isn't.
14:06Really?
14:08That would be perfect, of course.
14:10But what do your chefs say?
14:12They probably don't agree, right?
14:14You take care of the ingredients.
14:16I'll take care of my chefs.
14:24Maybe Lale is right.
14:26The dream showed me my true feelings
14:28for Vincent.
14:30But are they really strong enough?
14:32I have to be 100% sure
14:34that I love him.
14:36Otherwise I'll only hurt him.
14:38I have to be 100% sure
14:40that I love him.
14:42Otherwise I'll only hurt him.
14:54Yes?
14:58May I?
15:00Come in.
15:02I'll be gone in a minute.
15:16I want to apologize to you.
15:18I should have understood
15:20that you're really worried
15:22about Vincent.
15:24I was at his intensive care
15:26thanks to Michael.
15:30I heard
15:32he's getting better again.
15:34Yes, the antibiotics worked.
15:36I'm glad, really.
15:40I hope he'll get well soon.
15:42He will.
15:48And
15:50between us
15:54is everything okay?
15:58Can you accept my apology?
16:02I accept your apology, yes.
16:10Is there anything else I can do for you?
16:12I'm free right now.
16:14We could go for a walk.
16:16Thank you, but my mother will be here soon.
16:20Okay.
16:24Oh, yes.
16:26Apollo is doing really well.
16:28He's...
16:30Fit?
16:32Yes, fit.
16:34Nice, I'm glad.
16:50I don't know how to handle this.
16:52I have no idea about burial.
16:54We'll do it together.
16:56I already have a list.
16:58Hi, Stella.
17:00I'm really sorry.
17:02If there's anything I can do...
17:04Sit down with us.
17:06No, I'm in a hurry.
17:08I have to work.
17:10I'll get something to take with me.
17:12Well,
17:14it's best if we contact a burial institute in Cologne.
17:16Your parents live in Cologne, right?
17:18Have you talked to them about
17:20whether it should be a burial or not?
17:22They leave the decision to me.
17:24Okay.
17:26What about the transfer from the USA?
17:28I don't know.
17:30Maybe we can call your parents.
17:32They can sort it out on site.
17:34You know, my parents are totally overwhelmed.
17:36They want me to take care of everything on my own.
17:38And when I think about it,
17:40about cemetery and burial,
17:42I'm so scared of it.
17:44I'm so scared of it.
17:48What about a forest cemetery?
17:50Is there one in Cologne?
17:52I don't know.
17:54We'll figure it out.
17:56Is there one here?
17:58A very nice one.
18:02Lale,
18:04would you accompany me?
18:06I'd like to see what it's like.
18:08I don't dare to go alone.
18:10Of course.
18:12Your lunch is here.
18:16I don't know how I could manage
18:18without you.
18:22Hello?
18:28Nobody's here today?
18:30I have to go.
18:32Really?
18:42I'll see you later.
18:56These are just key points.
18:58Hagen's artistic progress,
19:00his preferences.
19:02Yes, how the goal of his painting
19:04has changed with the progress
19:06of his mental illness.
19:08The notes from his son's diary.
19:10He just told me that we're expecting
19:12two journalists from an art magazine.
19:14Yes, we just talked about that.
19:16That's wonderful.
19:18A good article is a wonderful PR
19:20for the Fürstenhof.
19:22I can welcome the two ladies
19:24and tell them a bit about Anton Hagen.
19:26Yes, how they tried to sell the hotel
19:28and get it demolished
19:30so that you could come to the painting.
19:32I'll hold the lecture about Anton Hagen.
19:34Very good. I can gladly support you.
19:36Thank you. I've got it under control.
19:38Katja, I'd really like to help.
19:40Positive PR is also in my interest.
19:42But the lecture is almost finished.
19:44It's taken care of.
19:46Let's go, Katja.
20:02Come in.
20:05Am I disturbing you?
20:07Huh?
20:09I've been here for three minutes.
20:11How do you know I'm here?
20:13I don't have connections.
20:15I see.
20:17How are you today?
20:19Much better.
20:21Now that the fever is gone
20:23and now that you're here.
20:25You really scared me.
20:31Anna.
20:33Sit down.
20:35We'll be out of here in a few days.
20:39Then we'll go visit Apollo.
20:41And we'll play darts with Lale and Tiro.
20:43Yes, but you need to rest
20:45and get well first, okay?
20:47Don't take any risks, promise me that.
20:49Your word.
20:59Oh, today it's 8 p.m.
21:01The farewell concert of Bernd Baron.
21:03I completely forgot about it.
21:05You bought a ticket a few weeks ago, didn't you?
21:09Yes.
21:11He's just one of the best guitarists
21:13there is for me.
21:15And it would have been the last chance to see him.
21:17Oh man, I'm sorry.
21:19It's okay.
21:23Maybe you can play something for me?
21:25Believe me, you won't hear that.
21:29I'll see.
21:31I'm sorry.
21:37I completely forgot.
21:39Michael wanted me to come to the blood pressure test.
21:41But I'll come back later, okay?
21:43Okay.
21:45I'm here.
22:01So, come in, please.
22:07Here we have the work.
22:09You must be proud
22:11to have such a treasure in your possession.
22:13Absolutely.
22:15For our hotel, it's a huge gain.
22:17And for me personally, too.
22:19I've admired Anton Hagen's work for a long time.
22:21And that he created his last work
22:23here, of all places,
22:25makes it even more special.
22:27Absolutely.
22:29Yes, and now I hope
22:31that I can tell you something new
22:33about Anton Hagen in my little lecture.
22:35You know the artist far better than I do.
22:37That remains to be seen.
22:39We look forward to any new information.
22:41All right.
22:43Please take a seat.
22:45With pleasure.
22:51So, you've already heard
22:53that Anton Hagen
22:55spent the last few years
22:57here in the area.
22:59We have now excavated
23:01the diaries of his son.
23:03In them, he describes
23:05the daily routine of his father in great detail.
23:07Does it also say
23:09anything about Hagen's mental illness?
23:11Yes.
23:13Hello?
23:15Ah, there you are.
23:17Excuse the interruption.
23:19I wanted to welcome you personally.
23:21Hello, Markus Schwarzbach,
23:23Mr. Bühm.
23:25My colleague, Roberta Reit.
23:27Nice to meet you.
23:29Yes, a wonderful work, isn't it?
23:31You should know that I am
23:33the rediscoverer.
23:37But crazy, isn't it?
23:39Hidden behind a wall for centuries.
23:41You know,
23:43I'm a huge fan of Anton Hagen.
23:45Would it be okay if I stayed?
23:47Yes, please.
23:49Of course.
23:51Go on, please.
23:53I'm a big fan.
23:55Well?
23:57We discovered our passion
23:59for an artist together
24:01and cultivated it.
24:03Back to your question.
24:05The artist's mental illness
24:07can be clearly seen
24:09in the diaries.
24:11Ah, yes.
24:13Okay.
24:17It was so romantic.
24:19Michael and I
24:21really needed this.
24:23We are both so busy.
24:25And then here.
24:27Hey, if you get released soon,
24:29we'll have a really
24:31nice girls' evening, okay?
24:33Well, Dr. Weber
24:35hasn't made up his mind yet,
24:37but it shouldn't take long.
24:41And how is Vincent?
24:43I heard he's back to normal.
24:45Yes, luckily.
24:47He's doing better.
24:49And I'd like to do something good for him.
24:51Something that makes him happy.
24:53Have you thought of something?
24:55Yes.
24:57The guitarist Bernd Barrow
24:59is giving his farewell concert tonight.
25:01And Vincent is a huge fan.
25:03Okay.
25:05But a concert in a wheelchair is a bit...
25:07No, no, no.
25:09I don't want to bring Vincent to the concert,
25:11but rather the concert to Vincent.
25:13Anna, I know you're very grateful to him,
25:15but just because you inherited a lot...
25:17I don't want to involve Bernd Barrow,
25:19but rather persuade him
25:21by telling him Vincent's story.
25:23Ah, okay, yes, maybe.
25:25Isn't this Barrow known
25:27for his social commitment?
25:29And I did some research and
25:31tried to call the concert organizers
25:33and his agents, but unfortunately
25:35no one reached them.
25:37I think that's a bit difficult.
25:39I also read on his fan page
25:41that he was housed
25:43in a wheelchair,
25:45but unfortunately I can't go there.
25:47Ah, okay.
25:49So you want me to persuade him.
25:51I also read
25:53that he loves apple strudel.
25:55All right.
25:57Mission accepted.
25:59But no guarantees.
26:03Yes, I'm happy too.
26:05Yes, you are a cook.
26:07He is a wonderful cook.
26:09Yes.
26:11I don't know if I can visit you
26:13at some point.
26:15Or do you want to leave us for a while?
26:17Not at all.
26:19But it could happen that I get sick
26:21or need my vacation.
26:23And it wouldn't be bad
26:25if we had a worthy representation.
26:27Yes, that wouldn't be bad.
26:29Louis has an excellent reputation.
26:31A lot of experience, the best testimonies.
26:33And Mrs. Sonnenbichler also appreciates him a lot.
26:35I like to cook with passion.
26:37Passion is important.
26:39But it also has to taste good.
26:41How about
26:43if Louis cooks in our kitchen today?
26:45You try and judge
26:47if he is a good representative.
26:49Yes, that's a sensible suggestion.
26:51Let's see
26:53if you also convince me
26:55like Mrs. Bergmann.
26:57Thank you very much, Mr. Seifeld.
26:59See you tonight for dinner.
27:01Thank you very much. See you tonight.
27:09Classically for art in the 18th century
27:11Hagen also painted in the Bucolic style.
27:13These rural idylls
27:15are really well done.
27:17Yes, I think so too.
27:19Especially this utopia
27:21of a harmonious, nature-bound life
27:23in an idyllic landscape
27:25seems to be particularly important to him here.
27:27Well, utopia.
27:29If I look at the painting
27:31it has a lot
27:33of current,
27:35concrete.
27:37Look at the two
27:39main protagonists.
27:41At first glance they seem to be
27:43revolving around each other in a love dance.
27:45But on the second level
27:47it's about something completely different.
27:49It's about the mystery
27:51of the young woman.
27:53Look at the deviant attitude
27:55of the dancer.
27:57The gaze turned away from her admirer.
27:59He, on the other hand, is naïve,
28:01swaying in the moment,
28:03yearning for her love.
28:05Maybe the dancer simply doesn't know
28:07how the feeling of the lady is.
28:09Yes, exactly.
28:11The misunderstanding is written
28:13in his face.
28:15He asks himself,
28:17where does the dance lead to?
28:21And that raises completely different questions.
28:23Is this because of the Bucolic style
28:25or is the mood of the scenery
28:27actually as gloomy as it seems?
28:29In art,
28:31much is not as it seems.
28:33Yes, but that's
28:35rather depressing in the long run
28:37than exciting.
28:39The viewer will be able
28:41to rely on something.
28:45What do you think
28:47this supposed love dance
28:49of the two will lead to?
28:51Well, I think
28:53maybe the two are just
28:55dancing with each other.
28:57No, no, it's much more.
28:59It's not that simple.
29:01The scene is clear to me.
29:03The dancer turns away
29:05because she finally wants to look forward.
29:07This is the intersection
29:09between her past and her future.
29:13Really?
29:15Really.
29:19Well,
29:21art, yes,
29:23really
29:25opens up interpretations
29:27in many directions.
29:29But thank you.
29:31Thank you for your appreciation.
29:35Well,
29:37if I'm not needed here anymore,
29:41I wish you
29:43a wonderful time here
29:45at our prince's court.
29:47Thank you very much.
29:49Good.
29:57Well, where was I?
29:59I love you.
30:17You're right.
30:19He's really beautiful.
30:21The one near Cologne
30:23is supposed to be beautiful, too.
30:25Yes,
30:27she loved nature so much.
30:31I miss her so much.
30:39She also
30:41loved the water.
30:43Swimming, surfing,
30:45diving.
30:49Is it okay for you
30:51if we stay here for a moment?
30:53Sure.
30:55I see.
30:57I also have hot tea
30:59and something to eat.
31:05Did you plan a picnic?
31:07No, I just thought
31:09when we walk through the cold forest,
31:11I don't want you
31:13to catch a cold.
31:15Besides,
31:19when we went to the café this morning,
31:21I didn't even get a bite.
31:23Oh, that was stupid of me.
31:25It's okay.
31:33Fresh cheese with tomatoes.
31:53Yes, yes.
32:03Mr. Parus is having breakfast right now,
32:05but I can't just
32:07talk to him like that.
32:09Okay, that means
32:11if I were to go to the restaurant,
32:13I could meet him there.
32:15Yes, possibly.
32:17But unfortunately,
32:19that doesn't necessarily mean
32:21I can be very charming.
32:23There is no doubt about that.
32:25But Mr. Parus is a
32:27well, let's say
32:29a bit complicated guest.
32:31Especially when a concert is about to start,
32:33he doesn't want to talk to anyone
32:35and you can't talk to him
32:37because of the concentration.
32:39I would,
32:41hypothetically, still try.
32:43Anna needs my help.
32:45She really wants to surprise Vincent.
32:47Hey, Nicole.
32:49I need to do something.
32:55What's going on with her?
32:57You heard her.
32:59She needs to do something.
33:01I never noticed
33:03it was about a surprise.
33:05Maybe I could be helpful.
33:07Unfortunately, I can't tell you
33:09because I don't know
33:11what it's about.
33:13Okay.
33:15No problem.
33:19No problem.
33:23Auri, could you get me
33:25Majorana and Estragon from the greenhouse?
33:27Sure.
33:29I need pasties.
33:31What are you waiting for?
33:33You can do that as soon as
33:35she gets my herbs.
33:37Your herbs can wait.
33:39I have to flambe now.
33:41But my herbs don't like to wait
33:43because they are the herbs
33:45for the chef in this kitchen
33:47who will try the flambéed dish.
33:51Did someone forget
33:53that he is a guest
33:55in this kitchen?
33:57Oh.
33:59I'm sorry.
34:01I got carried away.
34:03Well, in our kitchen,
34:05there are seldom rebuttals.
34:07Then it's time to get to know
34:09a decent working environment.
34:11In my kitchen,
34:13we all treat each other kindly.
34:15Oh, no!
34:17Annalena,
34:19could you get a bottle of pasties?
34:21Sure.
34:27Hey!
34:29What are you doing here?
34:31I thought you were taking care
34:33of two important guests.
34:35Yes, they are eating.
34:37Hopefully, they won't mind
34:39this action.
34:41What action?
34:43Wait a minute.
34:45What kind of lecture?
34:47Why?
34:49He totally ignored me
34:51in front of the journalists.
34:53I can only hope
34:55that they didn't understand
34:57what was going on.
34:59I thought you were getting along again.
35:01What do I know?
35:03It was about Anton Hagen.
35:05Markus provoked me
35:07and it escalated.
35:09In any case,
35:11he has a bright future.
35:13What?
35:15But you love him.
35:17And now you lied to him
35:19because of me.
35:21It is what it is.
35:23But actually,
35:25you're even now.
35:27I mean,
35:29you both lied to each other.
35:31Nonsense!
35:33As if it had anything to do with it.
35:35Mom,
35:37I just want you to be happy.
35:39It's all my fault.
35:41I just don't want to talk about it anymore.
35:43Enjoy your breakfast.
35:51So?
35:55Are you torturing me?
35:59Is this your revenge?
36:03My honest opinion?
36:05Yes, tell me.
36:07Is it as good as it looks?
36:09Excellent.
36:11It tastes fantastic.
36:13You can put it on the table.
36:15I'm glad you like it.
36:17The poor Mr. Saalfeld.
36:19If he tries this and I have to teach him
36:21that you can't do business here.
36:23Now wait for the opening.
36:25Who knows, maybe I'll have a lot of time soon.
36:27The restaurant will be a huge success.
36:29I owe it to you, too.
36:31You're just...
36:37What's going on here?
36:41Are you cooking your passion?
37:01Yes, please.
37:07So...
37:09The jeweler Schneider sends his regards
37:11and hopes that the gift will be well received.
37:13Yes, I had so much on my mind
37:15that I didn't manage to pick it up myself.
37:17No problem.
37:19For Mrs. Schwarzbach,
37:21let's say for the future Mrs. Saalfeld.
37:23Ui.
37:25You must have chosen something beautiful
37:27and she will be very happy.
37:29That's the plan.
37:31Oh, uh...
37:33Mrs. Johannsen will die in the next few days
37:35because of a death in the family.
37:37Uh-huh.
37:39Uh...
37:43How is she doing now?
37:47I followed her advice
37:49and was nice to her
37:51and even took a mistake
37:53that she made.
37:55And that didn't work?
37:57Yes, we're friends now.
38:01But Stella is so exhausted
38:03because of her sister's death
38:05and Lale is standing by her side.
38:07I can understand that.
38:09But?
38:13I don't know.
38:15When I came from the jeweler
38:17the two of them were sitting by the lake
38:19and had a picnic
38:21and Stella smiled so happily.
38:25And you think
38:27she's just pretending her grief to her girlfriend?
38:29I don't know.
38:31That's not true.
38:33I mean, her parents
38:35don't even care about the funeral of their own daughter.
38:37And...
38:39this morning in her lover's
38:41she looked so satisfied.
38:43No one looks like that who is grieving.
38:45It wouldn't be possible
38:47that she's pretending something to all of us.
38:51Well, you...
38:53were right about your suspicion.
38:55Yes, I was.
38:57But that's a different matter.
38:59Who would deceive his own sister?
39:01Who would do something like that?
39:03Tom Dammann.
39:05He deceived his own death
39:07to get me out of the way.
39:11There's nothing that doesn't exist.
39:19Of course we have the facilities
39:21for your conference.
39:23Yes.
39:25Let's do it that way.
39:33Anna again?
39:37I think that's it.
39:39Did she say that?
39:43We had a...
39:45disagreement yesterday.
39:51She did forgive me, but...
39:53she was very reluctant.
39:55Actually,
39:57she just wanted to get rid of me.
39:59Maybe she's still a bit angry.
40:01But...
40:03if she has accepted your apology,
40:05it doesn't mean that she...
40:07She has a special surprise for Vincent.
40:09Yes, because she's grateful to him.
40:11And what are you doing here?
40:13You're blowing the trumpet.
40:15Do you think that will help you?
40:17Do you have any other instructions for me?
40:19Yes, act!
40:21Before it's really too late.
40:23And fight for it!
40:33You're right.
40:53Hey.
40:55Hey.
40:57How are you?
40:59Good.
41:01Like before, when you were here.
41:03And like ten minutes ago,
41:05when you wrote to me.
41:07What?
41:09Close your eyes.
41:11Why?
41:13Vincent, close your eyes.
41:15What?
41:17Close your eyes.
41:19Why?
41:21Close your eyes.
41:23What are you up to?
41:25Don't cheat.
41:29Anna?
41:31In a minute.
41:33In a minute.
41:49Bernd, why...
41:51If you can't go to the concert,
41:53the concert will come to you.
42:03Yes.
42:11I hate this.
42:33What the hell was that?
42:35Oh, you're asking me?
42:37You totally ignored me.
42:39I don't care about them.
42:41Oh, really?
42:43And you don't care about the PR for the Fürstenhof?
42:45In that case, yes.
42:47Markus, why can't you just shut up?
42:49I'm fed up with the way you treat me.
42:51I can feel that there are still feelings.
42:53But every time we get closer,
42:55you push me away again.
42:57That's not true.
42:59Yes, but it's still about that stupid painting.
43:01I thought you'd forgive me.
43:03I did, too.
43:05Katja, I was there for you.
43:07I supported you at the winery.
43:09I thought I showed you
43:11that you can trust me.
43:13What is it about?
43:15What's the problem?
43:17Don't let him talk to me like that.
43:19Katja!
43:21Katja!
43:25What's up?
43:27I'm looking for Philipp Brandes.
43:29May I ask for your name?
43:31You're not allowed to.
43:35If anyone asks for me, I'm out of the house.
43:37Yes.
43:39Erd Brandes.
43:41Philipp.
43:43Excuse me, I don't have time right now.
43:45Just for a moment, please.
43:49Do we know each other?
43:51Not as well as we should.
43:55You still have the same eyes as your mother.
43:59Yes.
44:05Yes.
44:07I'm your father.
44:27That was incredible.
44:29I'll never forget that.
44:31My pleasure. I couldn't say no to that.
44:33All the best to you.
44:35Get well soon.
44:39Thank you, too. It was wonderful.
44:51You're incredible.
44:57You've already said that a few times.
45:03I love you.
45:05And I never stopped loving you.
45:11I don't want to put pressure on you.
45:13And I don't expect anything from you.
45:15But I have to.
45:17I have to ask you that.
45:23Can you imagine
45:25that we try it again together?
45:45That's enough.
45:47You can't just burst in like that.
45:49I'm so sick of you running away from me all the time.
45:51Don't run away from me.
45:53We'll sort this out.
45:57You're right.
46:03It can't go on like this.
46:09I...
46:13It's true.
46:15I...
46:17I love you.
46:19I love you, too.
46:29I love you, too.
46:39If it's true...
46:41What?
46:43That Stella's sister is really dead...
46:45What?
46:47Stella is behaving strangely.
46:49In one moment she's crying,
46:51and in the next...
46:53I saw her smile.
46:55Your menu will be perfect.
46:57At least the main course I got to try yesterday.
46:59Yes, I hope the guests think so, too.
47:01And the restaurant critics.
47:03I just want Mr. Macher so...
47:05Tears are not a sign of weakness.
47:11It's not the only reason why I cried.
47:13She always says her family is poor.
47:15How could she leave for the US?
47:17She told me something about
47:19poverty and
47:21inheritance.