• 3 months ago

Category

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People
Transcript
00:00:00Hey, I want you to take you to my place, baby doll.
00:00:09Sorry, I don't do private dances.
00:00:11You'll strip for money, but you won't fuck a guy?
00:00:13I'm not a hooker. Show some respect.
00:00:16You fucking bitch. I'll show you respect.
00:00:20Mr. Morgan, I am so sorry.
00:00:22She's new here. I've got to train her better.
00:00:25Just have a seat. We'll be with you shortly.
00:00:27Sorry about that.
00:00:30You ungrateful bitch.
00:00:35Remember who saved your ass when you were knee-deep in debt?
00:00:38Me.
00:00:43How are we doing with the search?
00:00:45Not good, boss. Still going.
00:00:47Find her. I don't care what it takes.
00:00:54I found the perfect one for you.
00:00:56It's about time you settle down and get married.
00:00:58Her name is Carla. She's a daughter of a friend of mine.
00:01:01Dad, we've been over this.
00:01:03I don't need you to find me the perfect woman.
00:01:05Of course I do. You're an Ardwin.
00:01:07I have to make sure my son marries the perfect woman.
00:01:10So now all of a sudden you give a shit about me?
00:01:12You never care when you drove Mom away?
00:01:14Or when you sent me to that orphanage all by myself?
00:01:16Silence! How dare you?
00:01:18It's for the Ardwin family business.
00:01:21You're marrying Carla Jennings. End of discussion.
00:01:24Dad. Dad.
00:01:30I paid your 500 grand debt, and I gave you a job.
00:01:34Now if you want to quit so bad, pay me back!
00:01:37And get the fuck out of my club!
00:01:39Please, you know I don't have $500,000. Just give me another chance!
00:01:43Then get the fuck back in there, apologize to that nice gentleman,
00:01:46and do whatever the fuck he tells you to do!
00:01:49Now if I get any more complaints from our clients, you will be sorry.
00:01:53Got it?
00:01:55Is there a problem here?
00:01:57No, sir. Everything's fine.
00:02:01She looks just like her.
00:02:10Will you marry me?
00:02:13Will you marry me?
00:02:18No, let's tell my father I've chosen a wife for myself.
00:02:21Are you sure, boss? She's a stripper.
00:02:24How about we make a deal?
00:02:26Name any price you want, and we get married.
00:02:29I owe my boss $500,000. He's not going to let me go until I pay it.
00:02:37Anything else?
00:02:40Anything else?
00:02:49This is your house?
00:02:51It's our house now.
00:02:53Welcome.
00:03:00All right.
00:03:02Let's sign this agreement, and we'll be contractually married for a year.
00:03:06After that, you'll file for divorce.
00:03:09Until then, you're part of the richest family in the country.
00:03:24The higher poems are somebody else's, though.
00:03:26I don't want you to know that I'm not attracted to you.
00:03:29We're just going to be married on paper.
00:03:32Is that so?
00:03:35Well, don't worry. I'm not attracted to you either.
00:03:39I just wanted the money.
00:03:52Hey, where am I staying, by the way?
00:03:54In the guest room.
00:03:57Wow.
00:03:59I'm a total jerk. This is an ad.
00:04:09It's been over ten years.
00:04:12I miss you so much.
00:04:26I love you.
00:04:46Duss, I need you to find out everything you can about the woman I just married.
00:04:50See if she grew up in the same orphanage.
00:04:56Sorry.
00:05:08Sorry, I didn't mean to.
00:05:10This is my bathroom.
00:05:12What do you think you're doing?
00:05:14I was trying to use your little tricks to get my attention.
00:05:17It's not going to work, though. Sorry.
00:05:20I wasn't trying to get your attention.
00:05:27Do you mind turning that off?
00:05:31I just thought the carpet needed some cleaning.
00:05:33You're here to be my wife, not a maid.
00:05:38Who are you?
00:05:42Wait, you're that stripper.
00:05:45What are you doing in Edward's house?
00:05:47I am who are you?
00:05:50I am Edward's fiancé.
00:05:56Edward, you're marrying a stripper?
00:05:58I thought I was your fiancé.
00:06:01My father arranged for us to get married only for the sake of our families.
00:06:05We wouldn't be happy even if we did get married.
00:06:07But I would be happy, Edward.
00:06:09Carla, you know I have someone that I love.
00:06:12She's the one I'm waiting for.
00:06:16I don't know who the fuck you are, but if you think you have a chance against me,
00:06:20you're dumber than I thought.
00:06:23Yes, get it straight.
00:06:25I'm not competing with you.
00:06:28Stop it.
00:06:30Edward! Are you defending her now?
00:06:34I'm not done yet. Just wait.
00:06:38Wow, you've got a lot of admirers, huh?
00:06:41Any more than to watch out for?
00:06:43Look, if you see me in the living room, don't show your face.
00:06:47Same will go for me.
00:06:49Your house, your rules. Big deal!
00:06:54Hi, I'm Velma.
00:06:58I've worked a lot of odd jobs in the city.
00:07:03Waitressing and working in nightclubs.
00:07:08All for a chance to act.
00:07:17I'm also looking for someone.
00:07:20I'm also looking for someone.
00:07:25And I hope that one day he sees me on screen.
00:07:34That way he knows that I'm still here.
00:07:51Walker, I hope you see me.
00:08:08That's okay, Sarah. Velma doesn't need to dine with me.
00:08:13Bring my food to my room and I'll eat there.
00:08:15Yes.
00:08:17It's fine. I usually don't eat with people anyway.
00:08:21By the way, I'm going out for a bit today.
00:08:25Where you go is none of my concern.
00:08:28Fine!
00:08:32Is he always this big of a jerk?
00:08:35Excuse him, ma'am. He's just used to living alone.
00:08:38I'm sorry, Sarah. It must be difficult dealing with him every day.
00:08:42It's okay.
00:08:48Yeah, I'll be right there.
00:09:03Okay, sit.
00:09:05So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:11Is it true?
00:09:13I didn't know that he was a billionaire until after we were married.
00:09:16You're joking! How did you manage that?
00:09:19I just signed a contract with him.
00:09:22What? Well, who cares? What are you waiting for? Seal the deal.
00:09:26You know that I can't think about anyone but Al Gore.
00:09:30It's been ten years since you two escaped the orphanage.
00:09:34I mean, Al Gore could be anywhere. He could be dead.
00:09:36He's not dead!
00:09:38Okay, it's okay. I'm sorry.
00:09:41So, what's your plan?
00:09:44Keep things the way they are, I guess.
00:09:47Except now I can focus more on acting and not dancing in strip clubs.
00:09:52Great! That's exciting, right?
00:09:54That's something you've always wanted to do since you were a kid.
00:09:57Is that audition today?
00:09:59Yes!
00:10:06Hi, I'm here for the audition.
00:10:10You think you can just show up like that, you slut?
00:10:15You slut! Are you stalking me?
00:10:18Oh, don't flatter yourself. I'm the lead of this production.
00:10:22She's not auditioning.
00:10:24Sorry.
00:10:25You can't do this! I worked so hard for this opportunity!
00:10:29Oh, like stripping for men and fucking them in strip clubs?
00:10:33Got it! I was dancing, that's it!
00:10:36What's the fucking difference?
00:10:38I eat girls like you open breakfast.
00:10:42Let's go, Derek.
00:10:46No! Please! Wait!
00:10:55Be quiet!
00:11:11Come on.
00:11:35Boss.
00:11:37Get the details.
00:11:39Thelma, she went to high school not far from here.
00:11:42No doubt, there has been auditioning for films.
00:11:45She worked at nightclubs to make a living.
00:11:48Bad relationship with her parents.
00:11:57But not an orphan.
00:11:59No need changes.
00:12:01I've definitely never been to an orphanage.
00:12:10I wanted it to be her so bad.
00:12:13Of course, I can't be alone.
00:12:15You've been looking for this girl for ten years.
00:12:18Who is she?
00:12:20Someone more important to me than life itself.
00:12:33Oh, my God.
00:12:35It is her!
00:12:40Find me the location where this photo was sent.
00:12:43Got it.
00:12:44Photo's been sent.
00:12:46Good. Where is she?
00:12:48Oh. Out like a lame.
00:12:51I guess marrying Edward won't solve everything.
00:12:54Come, Derek.
00:12:56Do whatever you want with her.
00:12:58I'll call you back when you're done.
00:13:10Come on.
00:13:19I've been searching for you for so long, and you were right here.
00:13:40Okay.
00:13:42Boss, he's gone.
00:13:44Find him. And keep this between us.
00:13:46Got it.
00:13:48Algar, save me.
00:13:50Come on. I got you.
00:14:03Algar.
00:14:05I'm sorry.
00:14:09I can't tell you who I am.
00:14:12Not yet.
00:14:30We'll need your name as long as we're out of here, right?
00:14:33Yeah. We're starting a new life.
00:14:36I'll be Thelma. What about you?
00:14:39Algar.
00:14:41Helen!
00:14:43Where are you?
00:14:45I have to run quick.
00:14:47Trying to escape again?
00:14:49I warned you it's not gonna work.
00:14:51Looks like I gotta give you some real punishment.
00:14:54You go first. At least one of us needs to escape.
00:14:57No. You go.
00:14:59She's gonna kill you.
00:15:01I won't let her catch me. Just go. I'll find you.
00:15:03Let's meet at the amusement park.
00:15:09I'll wait for you, Algar.
00:15:15You're not going anywhere.
00:15:17I'll bring her back. Rest assured.
00:15:20After I'm done with you.
00:15:28I'll wait for you, Algar.
00:15:34What happened?
00:15:39Nothing to worry about.
00:15:41Just some issues with the film crew.
00:15:43Why are you being so nice to me?
00:15:46No reason.
00:15:48Here. Take this card.
00:15:50It's unlimited.
00:15:52Spend it however you want.
00:15:54Why are you doing this? I don't want your money.
00:15:58Well, if you need money, just let me know.
00:16:01You can stop looking for odd jobs.
00:16:07Odd jobs?
00:16:09Acting is my dream.
00:16:11I danced in strip clubs for a living, but
00:16:14people like you, born from a silver spoon, wouldn't understand that.
00:16:19Then stop doing it.
00:16:21We're in a contract marriage, right?
00:16:24I won't interfere with your life, and you can't meddle in mine.
00:16:29Acting is something that I've always wanted.
00:16:32Besides, I'm not going to take your money besides the number that we agreed on.
00:16:40You need to rest now.
00:16:44Do you mind?
00:16:50Yes.
00:16:55Yes.
00:16:59Yes.
00:17:05Look at this mess.
00:17:07Clean it up if you even think about going to bed.
00:17:25Eat up. You must be starving.
00:17:29No, you probably worked hard for this.
00:17:31Come on, take it.
00:17:37I can't believe she locked you up for three days and made you do all this.
00:17:41Did she even feed you at all?
00:17:43You made it easier for me.
00:17:45No, get back before she sees you here.
00:17:58Excuse me, I'm calling to ask about my audition.
00:18:02I'm sorry, your name has been blacklisted from reproduction.
00:18:06What?
00:18:12This is the dude we talked about. I'll send you the specs.
00:18:17This is the dude we talked about. I'll send you the specs.
00:18:29How about a drink?
00:18:31There are two glasses of scotch there. Pick one.
00:18:35I'm sorry, Mr. Harper.
00:18:37Please.
00:18:38Just a friendly gesture from the boss.
00:18:42One more thing.
00:18:44One more thing.
00:18:46Only one of those glasses is poison.
00:18:49You should have known better.
00:18:51That would happen when you kidnapped Emma.
00:18:54Here, I'll do it for you.
00:18:56Hold it.
00:19:00Go!
00:19:03Go!
00:19:11Take him away.
00:19:14Take him away.
00:19:19This is what I've become, Thelma.
00:19:23I hope you never see me like this.
00:19:26Ruthless, merciless.
00:19:30Both glasses have silenced the man.
00:19:34I simply can't forgive him for what he did.
00:19:40Thelma, will you forgive me?
00:19:45Yes.
00:19:50What the fuck happened to you?
00:19:52How did he find you? What happened?
00:19:55Oh, you can't even talk now?
00:19:58God, you're fucking useless.
00:20:02Inform every production you can reach. Thelma will never be an actress.
00:20:08Make sure of it.
00:20:11Go!
00:20:23Are you okay?
00:20:26I've been blacklisted by every production company, even the Actors Guild.
00:20:31What am I gonna do?
00:20:33Hey, don't lose heart, okay?
00:20:34I happen to know of an audition going on today, if you're interested.
00:20:37Since when?
00:20:38A good friend of mine tipped me off.
00:20:40Now come on, let's go.
00:20:42It's better than moping around here.
00:20:47Here it is.
00:20:49So I can just go in there, just like this?
00:20:52Yes, I got everything set up, okay?
00:20:54Just go in, go in, and do your thing.
00:20:57You got this.
00:20:58Break a leg.
00:21:09What is she doing here?
00:21:17Who is she?
00:21:19Nobody.
00:21:20She's not here for the audition, too, is she?
00:21:23Well, in that case, we're in for a treat.
00:21:29Carly Janey, you're up next.
00:21:32Okay.
00:21:51I can't believe it! It was you all along!
00:21:56That's right.
00:21:58I never thought you'd find me, but it must come to an end.
00:22:03Oh, no!
00:22:16Cut!
00:22:20I'm sorry, were you shot, or did someone just step on your toe?
00:22:25Can I just try again? I was just a bit nervous.
00:22:28Ms. Jennings, we are making a thriller with a tragic ending.
00:22:33What you just did was borderline comedy.
00:22:36Excuse me, do you know how close I am with your investor?
00:22:41Sir, she was indeed recommended for the role.
00:22:46May we give her another chance?
00:22:49No.
00:22:54No! No, no, no, no.
00:22:56We are creating art that appeals to our audience,
00:22:59and she is clearly not right for the role.
00:23:02Next!
00:23:04I'm sorry, Ms. Jennings, that was great.
00:23:07Maybe another project, or another...
00:23:11What are you still doing here?
00:23:13I thought you were blacklisted.
00:23:15So it was you.
00:23:16You know, if that's the best you've got, then I'm not that worried.
00:23:19I think you can do better than me.
00:23:22You're nothing.
00:23:25Yeah, show us what you've got.
00:23:29Selma?
00:23:32No.
00:23:44So it was you.
00:23:46All this time.
00:23:48That's right.
00:23:50I never thought you would find me.
00:23:54But now it must come to an end.
00:23:58No!
00:24:00This can't be it for us.
00:24:08Cut!
00:24:11Well, that was amazing.
00:24:15You fully captured that role.
00:24:18Congratulations, you get the part.
00:24:21What?
00:24:26What about me? You promised me.
00:24:29Oh, come on, you have to admit, she was exceptional.
00:24:32She's perfect for the part.
00:24:34Pearl, you killed it.
00:24:37You were great.
00:24:39I'm Alex. Looks like we're going to be scene partners.
00:24:41Selma.
00:24:42Hey, do you want to go somewhere more private?
00:24:44We can talk about the script.
00:24:45Yeah, sure.
00:25:00What the fuck?
00:25:01You're hitting on the wrong girl, buddy.
00:25:03Edward, what are you doing?
00:25:06I need to go talk to Selma.
00:25:08How about you shoot another day?
00:25:13What are you doing?
00:25:15Can you explain yourself?
00:25:17I don't owe you any explanations.
00:25:20So you're seeing new guys?
00:25:23What? No, we were just acting out a scene.
00:25:26A scene where you two get real close? Like a couple?
00:25:29I was just doing my job, there's nothing wrong with it.
00:25:32And besides, even if I was seeing someone, it would be none of your business.
00:25:43Yay! I heard you got the lead role.
00:25:46That's amazing.
00:25:48I knew you'd kill it.
00:25:49Janet, what is everyone doing here?
00:25:51Who?
00:25:52Come on, you know who I'm talking about.
00:25:55Um, gosh, you still don't know, do you?
00:25:58Know what?
00:26:01Well, he's actually the investor of this movie.
00:26:05This is his project.
00:26:12Why did you bring me here then?
00:26:14Well, it was actually his idea.
00:26:20Hello?
00:26:22Hi, is this Gene?
00:26:24Who is this?
00:26:25This is Edward Ardoin.
00:26:27I recently invested in a film project, and I want you to take her friend, Thelma.
00:26:31I think she'll be great for a lead role.
00:26:33Wait, wait, you're Edward Ardoin?
00:26:36I wired the payment to your account. Thank you.
00:26:39Wait, wait, wait!
00:26:43I still can't believe I spoke to the legendary Edward Ardoin.
00:26:48I can't believe you knew all this time and you didn't tell me.
00:26:51Oh, well, don't look at me.
00:26:53I'm just the middle man doing somebody else a favor, okay?
00:26:56And you still got the lead.
00:26:58It's amazing.
00:27:00But, you know, a lot of people say that Edward's not very nice.
00:27:04He's like a stone-cold man.
00:27:06So why is he being so good to you?
00:27:09Yeah, I don't get it either.
00:27:11I mean, women must be throwing themselves at him.
00:27:14Why? What do you hope?
00:27:22Maybe he's fallen for you.
00:27:25Oh, come on, that's impossible.
00:27:28He said some pretty harsh stuff earlier, so...
00:27:31Oh, is that why you look all gloomy?
00:27:34What happened? Did you guys fight?
00:27:36He saw me doing a scene with another actor, and...
00:27:41It's whatever.
00:27:46Why do you care what he thinks, though?
00:27:49Come on, girl, this does not sound like you.
00:27:52Are you sure you haven't fallen for him, too?
00:27:55No, it's just...
00:27:57There's something about him that's...
00:28:00familiar, like...
00:28:04I've seen him before.
00:28:06Hmm.
00:28:19Hey.
00:28:26Thank goodness you're here, Helen.
00:28:28This place is depressing.
00:28:30I don't know if I can make it without you.
00:28:33You're the one protecting me.
00:28:36I can't stand watching you getting hurt.
00:28:38You're as sweet as a sugar pea.
00:28:40Can I call you sugar pea?
00:28:42Sure, as long as I can call you my little rock.
00:28:45My little rock?
00:28:47You feel safe.
00:28:49Like a rock I'll never break.
00:28:51Do you?
00:28:59Valkyrie.
00:29:02What have you done to me?
00:29:08I see your face everywhere.
00:29:18Oh, good.
00:29:20Just in time.
00:29:28Dang it.
00:29:31Why are you being so nice to me?
00:29:37Look, I'm sorry about today.
00:29:40It was stupid of me to react that way.
00:29:45No, I mean...
00:29:47Why did you help me get the role for your film?
00:29:55Well, you won't take my money.
00:29:58And I can't allow the wife of Edward Ardwin
00:30:01to just work a regular job.
00:30:05Oh, okay, so that's why.
00:30:08We're all rich people this world, so...
00:30:11What was that?
00:30:12Nothing. This is great.
00:30:18You know, you can be real sweet sometimes.
00:30:21This is delicious.
00:30:24I'm glad you like it.
00:30:27Sweet pea.
00:30:31Good morning, ma'am.
00:30:33Edward is left already.
00:30:37I saw you cooking last night.
00:30:39I watched your utensils.
00:30:42Yeah, it was Edward.
00:30:45He was the cook.
00:30:47Got to go.
00:30:49The cook?
00:30:51Edward?
00:30:56What is going on?
00:30:58What are we waiting for? Let's get started.
00:31:00One of our lead roles is not here yet.
00:31:05The one thing I ask everyone here
00:31:08is to be professional.
00:31:11Sorry, guys. Traffic was nightmare.
00:31:14All right, I'm ready to start.
00:31:16Wait, I thought that she didn't get the part.
00:31:19Well, how about that?
00:31:21Looks like I'm going to be playing your...
00:31:23Misty.
00:31:25After this, nobody's ever going to remember you.
00:31:28We'll see about that.
00:31:3242 Delta, take two.
00:31:35Ready, and act.
00:31:38You have to leave now.
00:31:40Not without the love of my life.
00:31:42I'll wait for him no matter what.
00:31:49Cut!
00:31:51What do you think you're doing?
00:31:53She's playing my role.
00:31:57Carla.
00:31:59What the hell was that?
00:32:01That wasn't even in the script.
00:32:03I was just adding some extra touch to it.
00:32:05You know, for the sake of art.
00:32:07Art?
00:32:08Slap doesn't make any sense.
00:32:10Who gave you the authority to change my script?
00:32:14It's fine. She can hit me.
00:32:17Oh.
00:32:19Thelma, are you sure about this?
00:32:21It's all good if it's all for the sake of the effect.
00:32:24Wow.
00:32:26I knew I was right in choosing you as my lead.
00:32:29Okay, okay.
00:32:31Back to one, please.
00:32:33Yes, thank you. Can you pick up my script?
00:32:35And action.
00:32:37You have to leave now.
00:32:39Not without the love of my life.
00:32:41I'll wait for him no matter what.
00:32:45Edward?
00:32:50Good to see you here.
00:32:52Were you watching me?
00:32:54Me and Thelma make a perfect team, don't we?
00:32:57Jay, have these two switch roles.
00:32:59I want Thelma to do the slapping.
00:33:02Since it's all for the sake of art.
00:33:08But Thelma is the lead.
00:33:10Yeah, that wouldn't make any sense.
00:33:13We can't make more changes to the script, Ed.
00:33:15We're already behind.
00:33:17Better get right to it, then.
00:33:19You don't have to do this for me.
00:33:21I'm not doing it for you.
00:33:23I'm doing it for my own investment.
00:33:29All right.
00:33:31We have added a line to the script.
00:33:35So now, Thelma,
00:33:37Carla's new line will be your cue for the slap.
00:33:41Got it?
00:33:43All right. And...
00:33:45Action.
00:33:47You have to leave now.
00:33:49Not without the love of my life.
00:33:51I'll wait for him no matter what.
00:33:53What if he's dead?
00:33:55What if he finds somebody else?
00:33:57You're just going to spend the rest of your life
00:33:59waiting for someone who will never come?
00:34:06Then I'll be sure to leave no room for regret.
00:34:12Cut.
00:34:14Oh, Rondo, that was perfect, Thelma.
00:34:19You handled that perfectly.
00:34:22Thelma, were you not supposed to slap Carla after that line?
00:34:25Uh, no need for that.
00:34:27I think that my character is above that kind of pettiness.
00:34:31Goodbye.
00:34:37I'm going to expose you, Thelma.
00:34:40Sooner or later.
00:34:52Where are you, my little rock?
00:34:55I'm doing fine.
00:34:57Don't you worry.
00:34:59Don't you worry.
00:35:03You know it's bad to waste food.
00:35:05Do you think you deserve to be punished?
00:35:07Yes, Headmistress, I do.
00:35:10Ma'am, Helen's sick. That's why she couldn't finish.
00:35:13Isn't that sweet?
00:35:15Too bad. She's getting more punishment because of you.
00:35:19Isn't that sweet?
00:35:21Well, if you so insist, you can take it for her.
00:35:24No. Get off.
00:35:27You're right.
00:35:40Found the worker who leaked info to our competitor.
00:35:43A manager who's worked with us for 20 years.
00:35:46What do we do with him?
00:35:49Uh, fire him.
00:35:51Zoom if we need to.
00:35:54Can't have disloyalty in the company.
00:35:56He'll outwit him and his family.
00:35:58So be it.
00:36:00Good night.
00:36:26Helper.
00:36:44Helper.
00:36:50Helper.
00:36:56Helper.
00:37:17Where's mine?
00:37:27Oh, no, no, no.
00:37:44Morning.
00:37:46What are you doing?
00:37:48Nothing.
00:37:56Nothing?
00:38:01I carried you to your bed last night and that was it?
00:38:07No, seriously, what are you doing?
00:38:10Nothing, sweet pea.
00:38:12What did you just call me?
00:38:14Uh, sweet pea.
00:38:17You said in your sleep last night.
00:38:21You see, well, don't ever do that again.
00:38:25Sure.
00:38:39Hi.
00:38:41Could you maybe explain this scene a little bit? I'm not sure if I get it.
00:38:45I mean, it is pretty straightforward.
00:38:47Just do what it says without improvising.
00:38:51Well, uh, you were so great yesterday.
00:38:55I want to go over this one part.
00:38:57Now, when you say this line, um, about...
00:39:02See you, Wins.
00:39:04Douglas, what am I doing this afternoon?
00:39:07Well, it's kind of a very important meeting.
00:39:10Did you forget?
00:39:12Cancel it.
00:39:14Send them my apologies.
00:39:16What?
00:39:18So, what do you normally do when you're not working?
00:39:21Uh, I do striptease.
00:39:24Oh, I was thinking more along the lines of going to the movies.
00:39:30There's actually a good one out right now.
00:39:32I mean, maybe if you're interested, we could try to catch it together?
00:39:35Sorry, but I really need to focus on this job right now.
00:39:39Oh, yeah, sure, sure.
00:39:41You're a really interesting person to talk to, you know that?
00:39:46Edward!
00:39:48Are you here to see me?
00:39:50Oh, you brought all that?
00:39:52Aww.
00:39:54Edward?
00:39:56It's not for you. Sorry.
00:39:58Why is she still talking to him?
00:40:00Go put this nice in the lounge.
00:40:02Got it, boss.
00:40:09Edward?
00:40:11What's your name again?
00:40:13It doesn't matter.
00:40:15What were you talking to my wife about?
00:40:25Oh.
00:40:27Thelma, I had no idea that you were married.
00:40:31Oh, don't worry about it, man.
00:40:33We were just talking about stuff in the script.
00:40:35Is that right?
00:40:37Hey, so you must be Edward Ardwin.
00:40:40I've heard a lot about you. I'm Alex.
00:40:42Cool. Bye, Alex.
00:40:44Great, yeah.
00:40:46I'll see you later, Thelma.
00:40:48Yeah, you will.
00:40:49Good, you guys are all here.
00:40:51Edward brought snacks.
00:40:53They're in the lounge if anyone wants them.
00:40:54Yes, I'll come.
00:40:58Snacks.
00:41:02Edward doesn't usually come to set this often.
00:41:05He's quite the busy man.
00:41:06I think he's here to see you.
00:41:08He's here to see Carla, not me.
00:41:10Oh, please.
00:41:11Can you not see the way he looks at you?
00:41:13Whatever.
00:41:15Oh, speak of the devil.
00:41:18I will give you two some prizes.
00:41:20Wait.
00:41:21No, don't.
00:41:28You're getting out of hand.
00:41:30Don't forget, I'm the one who hired you.
00:41:32Excuse me?
00:41:34Stay away from Alex.
00:41:35Got it?
00:41:36What are you talking about?
00:41:37There's nothing going on between us.
00:41:39Guys, you came here to see Carla.
00:41:44So you're jealous.
00:41:46What are you talking about?
00:41:47I'm not jealous.
00:41:58What are you doing?
00:42:00Carla and I aren't together.
00:42:02I'm here for you.
00:42:03You really expect me to believe that?
00:42:05Thelma.
00:42:10Yeah, girl?
00:42:14What?
00:42:22Jean, are you absolutely sure?
00:42:24Yes, positive.
00:42:26I used to know this guy from the streets,
00:42:28and he and Elgar drifted around for months.
00:42:30So where is he?
00:42:32Well, they later got separated,
00:42:34so he has no idea after that.
00:42:36But that's got to mean that Elgar is still alive, right?
00:42:39Oh my goodness.
00:42:41Thank you so much.
00:42:42You have no idea how much this means to me.
00:42:44It's been ten years.
00:42:47Don't forget, you are married too.
00:42:50What are you going to do?
00:42:52I'll divorce him once our contract is up.
00:42:55I needed the money.
00:42:57Elgar will understand.
00:42:59I don't know.
00:43:00Edward seemed really into you.
00:43:03Actually, Jean, I think I should keep my distance from him.
00:43:17You okay?
00:43:19Yeah.
00:43:23Want to tell me what happened?
00:43:26I just want to be alone for a bit.
00:43:28Okay?
00:43:30Is this about Carla?
00:43:32I told you I went to see you, not her.
00:43:35Edward, I don't care who you're seeing.
00:43:38We're only married on paper, right?
00:43:42Is this because we're moving too fast?
00:43:51Is this about Carla?
00:43:54I told you I went to see you, not her.
00:43:57Edward, I don't care who you're seeing.
00:43:59We're only married on paper, right?
00:44:04Is this because we're moving too fast?
00:44:09I just think that we should keep our distance.
00:44:12Please.
00:44:20So she was playing hard to get, huh?
00:44:22Maybe she doesn't want to seem too eager.
00:44:24I mean, why would anyone reject you?
00:44:27It's impossible.
00:44:29Come on. Let's get to the set.
00:44:36Hey, Thelma. You'll be wearing this dress for the next scene. Is that okay?
00:44:39That's fine.
00:44:43So you think you can just take whatever you want?
00:44:50I thought this was my personal changing room, like it's always been.
00:44:55Carla, this room is for the lead role. Yours is outside.
00:45:00Actually, I'm all done here.
00:45:02Carla loves taking things that aren't hers.
00:45:04Be my guest. Use it.
00:45:09Aren't you quite generous, then?
00:45:12Edward's not here, so you can drop the act.
00:45:14We actually need to get back to work, if there's nothing else.
00:45:18Actually, I can finish my makeup myself.
00:45:22Go on. What do you want to talk about?
00:45:26Let's make a deal.
00:45:28A deal?
00:45:32Who the fuck do you think you are?
00:45:34Well, as far as I know, I'm Edward's wife.
00:45:41Kind of, too.
00:45:43Stop picking fights with me. Stop giving me a hard time on set, and I won't take anything away from you.
00:45:48I'll actually help you with whatever you and Edward have going on.
00:45:54All right, deal.
00:45:56I'm done with this room, by the way. It's yours if you still want it.
00:46:00I don't need your pity!
00:46:04Don't you have, like, business to run?
00:46:06What are you doing here all day?
00:46:14Hey, um, actually, about what happened, I think that we should talk.
00:46:19Why don't you meet me at the office?
00:46:22I'm sorry, I can't right now.
00:46:24I'm sorry, I can't right now.
00:46:26I'm sorry, I can't right now.
00:46:28I'm sorry, I can't right now.
00:46:31Why don't you meet me in the lounge after we wrap up?
00:46:34Why can't we talk now?
00:46:36I want it to be a surprise.
00:46:38See you later.
00:46:48What does she want to talk about?
00:46:51Does she know that I see you?
00:46:54Hi, Edward.
00:46:56Carla?
00:46:59Why are you here? Where's Stella?
00:47:02Where should I be?
00:47:04Maybe you can have a little squirt?
00:47:07What are you doing? Are you trying to set those two up?
00:47:10Yeah, and if they're together, then they'll have nothing to do with me.
00:47:15Sounds like a terrible idea.
00:47:17Well, if you have a better idea, then let's hear it.
00:47:23Edward!
00:47:26If they're together, then they'll have nothing to do with me.
00:47:31Well, as long as you're okay with this.
00:47:34Of course I am. Why wouldn't I be?
00:47:37I mean, now I can just focus on what really matters.
00:47:42I can try to find Algar.
00:47:45Edward!
00:47:47What the fuck are you doing?
00:47:56Whatever games you're playing, you need to stop.
00:47:58What are you talking about? You came here to see Carla, right?
00:48:02Thelma, come on.
00:48:04Edward, we're going to be divorced really soon.
00:48:07So?
00:48:08So if you're attracted to somebody, then go for it. I want you to be happy.
00:48:12The only person I love is you.
00:48:18Edward, how could you?
00:48:22Everything I do for you, Carla, I do for your father.
00:48:27He looked out for me, so this is me paying him back.
00:48:37I'm already in love with somebody else. It's never going to be you.
00:48:43But if that man didn't exist, would you consider me?
00:48:45Stop it, Edward. It's never going to happen.
00:48:52What do I do, Algar? I know you're out there. What do I do?
00:49:11Boss, you've been here for a while. Is everything okay?
00:49:16Why don't you tell her you're the one she's looking for?
00:49:21Do you remember what I did to reach her to the Arduin family?
00:49:36About Algar.
00:49:39Are you telling me that Mr. Arduin knows his illegitimate son is Algar?
00:49:45Yes. And now the old man wants him back.
00:49:50Another brat to share their inheritance.
00:49:53If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:49:59Madam, it's our fault. Please don't withdraw your donation to the orphanage.
00:50:05If we work together on this, I could even help you.
00:50:11Get rid of Algar, for good.
00:50:19Take care of it. And make sure you use it.
00:50:25Shall we go to the orphanage?
00:50:27Yes, please, sir. I'm so happy to see you.
00:50:36I got rid of the woman who killed my mother and sent me to an orphanage.
00:50:42I eliminated everyone associated with her.
00:50:46Over the years.
00:50:53I did whatever it took to gain my father's approval.
00:50:58To secure my inheritance.
00:51:00My methods were ruthless.
00:51:03My conscience, callous.
00:51:07You did what you had to do.
00:51:10And now I'm a different man. A monster she doesn't even recognize.
00:51:16If she finds out this is the man she's been looking for all these years, it'll drive her away.
00:51:23I can't lose her again.
00:51:27So it was true?
00:51:33Argon and I, we roamed the city for a winter.
00:51:40A lot of people say he made some enemies.
00:51:44One night, under the bridge where we slept, he got stabbed.
00:51:49And he died.
00:51:51No. You're mistaken.
00:51:55He always had a ring with him. It was a nice ring.
00:51:58I think it had the letters A and H on it.
00:52:03I told him he could pawn it for a few bucks, but he just kept it with him.
00:52:10No, he can't just be gone. He can't just be gone!
00:52:14It's okay. It's okay.
00:52:23Oh, Bama!
00:52:25Oh, Bama!
00:52:27Sweetie, what's wrong?
00:52:29Oh my God, baby, you haven't eaten in three days.
00:52:33Can I get you something? Anything?
00:52:37This is not good for you.
00:52:42It's okay. It's okay.
00:52:46This is my fault.
00:52:49She's burning up.
00:52:50The doctor said it was from emotional distress and not eating.
00:52:56Go make her something light. I'll stay with her.
00:53:00Yes.
00:53:07You need to get some rest and let me handle this.
00:53:10No, it's okay. Leave it to me.
00:53:13Look, I know you care, but I've never seen you do this for anyone.
00:53:18And if the old lady were here, she'd be heartbroken to see you this exhausted.
00:53:23Don't worry about me, Sarah. You can go now.
00:53:37I'm not hungry.
00:53:42Please eat and get better.
00:54:12Bama! Oh my God, are you okay?
00:54:14I've tried to call you ten times!
00:54:17You haven't done something stupid, have you?
00:54:19I can't find a reason to go.
00:54:22Stop saying that, okay?
00:54:25Don't listen to what that guy said. He doesn't know what he's talking about.
00:54:29They never found Elgar's body. Maybe he's still alive.
00:54:34You've waited ten years, okay? Are you sure you're going to give up now?
00:54:39Don't you want to find out the truth for yourself?
00:54:42Yeah, you're right.
00:54:45I should keep going.
00:54:47Good. Now go get some sleep and get back to set, girl.
00:54:50Okay? That is something that you've always wanted and you're not going to screw it up, alright?
00:54:56Yeah, I understand.
00:55:00I'll keep going for Elgar.
00:55:04I want that bitch dead.
00:55:07You got that thing ready?
00:55:10Sure, I would take the job.
00:55:16You're great. Don't mess this up.
00:55:19Ready for first aid!
00:55:21Coming!
00:55:33Uh, you wanted to see me?
00:55:35Yes, it is about the scene we were stabbed. We will be using this as a prop.
00:55:41So once the safety is clicked off, the blade will go back inside itself upon impact, so don't worry, it's not going to hurt you.
00:55:49Nice.
00:55:52Exactly.
00:55:58Uh, Thelma, Carla, all set?
00:56:02All departments ready?
00:56:06And action!
00:56:13Wait!
00:56:15Cut! Cut! Are you okay?
00:56:17Oh God, how did this happen?
00:56:21Edward, don't die on me, please.
00:56:25I know that my past is complicated and I'm not worthy of your time or your love.
00:56:31What makes me so special?
00:56:36Okay, I admit, I think somewhere along the way I became attracted to you.
00:56:41And I know that you keep this stone-cold face, but I know that that's not the real you.
00:56:50Please, show me the real you. Let me in.
00:56:58Edward!
00:57:05What are you doing? That's not funny! I was worried sick! What's the matter with you?
00:57:10How else could I get such a lovely monologue?
00:57:13Okay, you know what? I'm gonna go get a doctor.
00:57:16No, no, no. I'm fine. No. Look, not even a scratch. Just need a minute.
00:57:22Are you sure? It seemed pretty serious.
00:57:25Yeah, the knife didn't even get to me. Something blocked it.
00:57:30Really? Well, where is it?
00:57:31Where is it?
00:57:34I'll find out what happened today. Meanwhile, be more careful on set, yeah?
00:57:40No, don't worry about it. You're the patient. Just rest up now.
00:57:46I heard everything you were saying, by the way.
00:57:49Okay, you know what? I'm really getting you a doctor now. Just shut up.
00:58:02You saved my life.
00:58:09How are you doing, boss?
00:58:11Not too shabby.
00:58:13So, what do you plan to do with Carla?
00:58:19Almost forgot. Let's get paid back.
00:58:25I'm not sure what we're gonna do after your little incident.
00:58:29I'm sorry. I wasn't thinking. It won't happen again. I promise.
00:58:34Jay, get a replacement for her role. She's done.
00:58:42Edward, what are you saying?
00:58:44I told you to stop pulling these tricks behind my back.
00:58:47I didn't do anything. Don't listen to her. She's making it all up.
00:58:51Carla had someone on the prop team switch the fake knife with a real one.
00:58:55She almost killed Thelma and myself.
00:58:57Edward, I'm sorry. I messed up. Please, please give me another chance.
00:59:03I've given you plenty of chances.
00:59:06Really, Edward? After all these years? Please stop embarrassing yourself.
00:59:16Doing all of this for a man? I hope it's worth it.
00:59:20Edward, you know everything I did is because I love you.
00:59:25If you try hurting her again, you will be sorry.
00:59:35Hand her over to the police.
00:59:40Well, now that that's over, we should talk about what you said to me earlier.
00:59:45Which is what?
00:59:47That you were attracted to me.
00:59:50No, we're not going to talk about that. That's not fair. You tricked me.
00:59:56Go ahead.
01:00:13What if the person you're looking for is me?
01:00:15Don't be ridiculous.
01:00:18Besides, you come from a rich and powerful family, and he's an orphan like me.
01:00:27And he's incredibly kind. He wouldn't even step on an ant.
01:00:33I can't say the same thing about you.
01:00:38People can change.
01:00:39I'm afraid that you can't stop me.
01:00:48Am I even worthy of love?
01:00:56Am I even worthy of love?
01:00:58You're a billionaire. I'm sure that...
01:01:01I'm sorry.
01:01:03I'm sorry.
01:01:05I'm sorry.
01:01:07I'm sorry.
01:01:09There are plenty of women fighting over you.
01:01:12Plus, I stand by what I said.
01:01:18I don't think that this Edward is the real you.
01:01:23Do you remember when we first met?
01:01:26You saved me.
01:01:28You're a good person.
01:01:30You're kind to Nos, to Sarah.
01:01:36You'll find the love that you deserve.
01:01:39I know.
01:01:44He's gone.
01:01:49I waited ten years and he's just gone.
01:01:56Do you like the man I am now?
01:01:58It doesn't matter. We're getting divorced in a year.
01:02:00In a year?
01:02:05If I give you all my properties and assets,
01:02:08can we not get a divorce?
01:02:14No.
01:02:31My head.
01:02:34Do you remember what happened?
01:02:43He said something about money and assets.
01:02:49And then after that, not a thing.
01:02:53Can we talk?
01:02:56I heard you've been looking for someone.
01:02:59Yes.
01:03:04I believe this could be you.
01:03:07No.
01:03:09No.
01:03:11No.
01:03:13No.
01:03:15No.
01:03:17No.
01:03:19No.
01:03:21I believe this could be helpful.
01:03:24This place is reopening soon.
01:03:27I'd like for you to come.
01:03:30What does this have to do with the man that I'm looking for?
01:03:34You'll see.
01:03:37Okay, I'll go.
01:03:39Good.
01:03:41Edward, just hold me, please.
01:03:43What does this have to do with Edward?
01:03:45You'll see.
01:03:47Look.
01:03:49Look at that, see?
01:03:51Oh, my God.
01:03:52Yes, I trusted you.
01:03:53Guys, we're blowing up.
01:03:54What do you mean?
01:03:56After we posted the behind the scenes, we went viral.
01:04:00Thelma became a sensation.
01:04:02She's now trending number one, big star.
01:04:05Trending? Does this mean more money?
01:04:07Of course it does, and that is just the easy part.
01:04:11I was thinking about my next movie, and I want you to be in it.
01:04:16This is a dream come true.
01:04:18And we're having a wrap party at the hottest bar tonight.
01:04:22All right.
01:04:23You'll wonder who's so generous.
01:04:33Boss, I bought this new contract.
01:04:35Do you think Thelma will be surprised by the party I'm throwing for her?
01:04:38Oh, definitely.
01:04:40So should I pick her up, or do I just show up at the party?
01:04:44You don't do this often, do you?
01:05:04That was a great party, Edward.
01:05:07It only be fitting, right?
01:05:09Not entirely bad.
01:05:11So, thank you.
01:05:15How would you like to thank me?
01:05:17Sorry, everybody, attention, attention.
01:05:19Thank you, thank you.
01:05:21First off, this has been an amazing three months.
01:05:26I'd like to thank everybody in here.
01:05:28And up here is to ITU's success.
01:05:34Cheers.
01:05:38And now, a few words from Edward, the man, the big boss.
01:05:41Without him, none of this would be possible.
01:05:45Thank you all so much.
01:05:47I just want to say how grateful I am for the opportunity.
01:05:51Jay is an exceptional director.
01:05:54His casting, remarkable.
01:05:57Thelma's performance in particular, out of this world.
01:06:00And I'd like to take this moment to tell her that I'll always be there to support her.
01:06:07Cheers.
01:06:12Thelma, the superstar.
01:06:15Stop it.
01:06:17By the way, do you think Algar will watch my new show?
01:06:20Do you think he'll recognize me?
01:06:22No.
01:06:24Thelma, I know this is really hard to hear, but you've got to let him go.
01:06:29Algar's gone.
01:06:31I'm not giving up until I know for sure.
01:06:42Hey!
01:06:44Let me out!
01:06:51Thelma?
01:06:53Are you quitting?
01:06:55What are you talking about?
01:06:57Production told me you turned down Jay's new project.
01:06:59And you didn't show up for any of the promo events.
01:07:01What new project is this about?
01:07:03Who told you this?
01:07:05Oh.
01:07:07Oh no.
01:07:09It couldn't be Edward.
01:07:11I don't get it.
01:07:13Edward?
01:07:15So, he turned it down and he told everybody that I quit?
01:07:19Maybe he thought it was for your own good?
01:07:22Interfering with my career without telling me?
01:07:25How is that for my own good?
01:07:31Mr. Ardewood is in a meeting right now.
01:07:34You need to get out of my way.
01:07:36Apologies, gentlemen.
01:07:38Let's take a break.
01:07:43Did you turn down the offer for my new film?
01:07:51Can you explain?
01:07:53This will terminate our contract marriage.
01:07:55The deal is over.
01:07:57What do you mean?
01:07:59I'll pay the penalty for breaching our contract.
01:08:02Once it's settled, I don't want you meddling in my life anymore.
01:08:05You almost got hurt on set.
01:08:07I was trying to protect you.
01:08:09I need your protection, okay?
01:08:11I can look out for myself.
01:08:13This is my life.
01:08:15You're making a big mistake here.
01:08:17Just stay out of my work and my personal life, Edward.
01:08:20We're done.
01:08:28Hey, it's Thelma.
01:08:30Can I see you real quick?
01:08:34Thelma.
01:08:36You're very talented.
01:08:37It was such a shame you gave up.
01:08:40But I knew you had it in you from the start.
01:08:44I saw it in you all the way.
01:08:49Now I strictly get to make decisions for myself.
01:08:53Now, let's see this next project.
01:08:56Next project.
01:08:58Here it is.
01:09:01What do you think?
01:09:02What do you think?
01:09:06Let's just say that it's a pleasure doing business with you, Jay.
01:09:14Congratulations.
01:09:30You need to calm down.
01:09:32Excuse me, I'm perfectly calm.
01:09:34How about we both compromise?
01:09:36You continue with your acting as long as it's through Ardoin Investments.
01:09:40You still don't get it, do you?
01:09:42I'm not your accessory.
01:09:44I'm not a part of the Ardoin family.
01:09:46Plus, the only person that can make decisions for me is myself.
01:09:50Can't we talk about it for the sake of our relationship?
01:09:54Look, I'm thankful for everything you've done for me.
01:09:59We've crossed the line.
01:10:02Goodbye, Edward.
01:10:07Oh, Thelma.
01:10:09Look, I have rarely seen Edward smile since his father passed away.
01:10:13And he's like a new man now that you're here.
01:10:16I'm sorry, but I can't stay here.
01:10:22It's okay, Sarah.
01:10:24Let her go.
01:10:32Let her go.
01:10:42Since when did we become stalkers?
01:10:45Where is she?
01:10:47I know she has a bunch of crazy fans trying to get her attention,
01:10:50but if those assholes think they have a shot with my woman...
01:10:52You've not seen the news?
01:10:54Thelma has announced she's single again.
01:10:57What?
01:10:59Yeah, even a bunch of haters have turned into fans now.
01:11:02Especially after watching her show.
01:11:11Damn it!
01:11:21Thelma, Thelma, Thelma, Thelma.
01:11:24Are you still working with Ardoin Investment Family?
01:11:27The Ardoin family has never officially announced your divorce.
01:11:29Is there something that they're hiding?
01:11:30Was your marriage to Edward Ardoin strictly business, like the tabloid said?
01:11:38Uh...
01:11:40Why don't you ask the man himself?
01:11:51Hey, Mr. Ardoin, you got a second?
01:11:53I don't.
01:11:54I'm excited.
01:11:59So, Mr. Ardoin, what brings you here?
01:12:02Think you know joining the entertainment industry?
01:12:04You know why I'm here.
01:12:06Sorry, I can't help you with that.
01:12:09Uh, so this new film is a romantic drama with some comedy.
01:12:14You're in the entertainment industry?
01:12:16You ever won anything?
01:12:18No.
01:12:20I did.
01:12:21I would love to thank our amazing director, Jay, for all of his amazing visions.
01:12:27And everyone else who's helped me on this incredible journey.
01:12:31What? How specifically?
01:12:34And I'm so excited to get started because I know that this is going to be another hit.
01:12:38Alright, ready to check out the set for the new movie?
01:12:41I'll walk you.
01:12:43Actually, do you want to check it out together?
01:12:45Sure.
01:12:48Thelma, Thelma, Thelma.
01:12:52How do you win back a woman?
01:12:54Uh, through hours?
01:12:56Romance.
01:12:58Gifts are always a good move.
01:13:00How original.
01:13:02Let's get back to the other side.
01:13:12I, uh, got these for you.
01:13:16You just leave them there.
01:13:22Thelma, I'm sorry.
01:13:25I was wrong.
01:13:31Please give me another chance.
01:13:35I promise I won't be overbearing.
01:13:38I'll respect all your opinions.
01:13:40And I'll never interfere with your career again.
01:13:47Flowers look good.
01:13:52I'll take these and we can talk about the rest later.
01:14:04Go! I don't want to see you again!
01:14:08Cut!
01:14:10Well done, everybody. That is a wrap.
01:14:13Great. Here, I got you a cup of coffee.
01:14:16Thanks, Alex.
01:14:18Shoot!
01:14:21Shoot!
01:14:44I need to know where she is. Now!
01:14:47Uh, I think I might know where she is.
01:14:50Why the hell would you know?
01:14:52Did you have something to do with it?
01:14:54No, man! Look, all right.
01:14:56Carla was talking to some sketchy dude about Carla's basement.
01:14:58I think Thelma might be there.
01:15:00Trust me, man. I don't want anything bad to happen to her either.
01:15:02Believe me.
01:15:08Thelma?
01:15:11Where are you?
01:15:17Come here.
01:15:23Let's not do anything stupid.
01:15:25Whatever you want.
01:15:27Just name it.
01:15:30Edward, Edward, Edward.
01:15:35How did you find this place?
01:15:42You again?
01:15:43You didn't seriously believe I would just walk away, did you?
01:15:46You're a coward.
01:15:50Kill her.
01:15:52And Edward, I want you to watch.
01:15:54If you touch her, I will skin you alive.
01:15:58I got it.
01:16:06Thelma, run!
01:16:13Thelma!
01:16:33It's okay.
01:16:35It's over.
01:16:38It's all over.
01:16:43It's over.
01:17:01It's today.
01:17:03I promised Nessa I would go.
01:17:14Wait, this is the amusement park I agreed to meet Little Rock at.
01:17:18I thought it closed down years ago.
01:17:21Thelma?
01:17:23Edward?
01:17:25What are you doing here?
01:17:27Naz told me to come. What are you doing here?
01:17:30Well, now that you're here, I need to tell you a little secret.
01:17:35Be right back.
01:17:37Edward?
01:17:44Edward?
01:17:50Don't be scared, sweet pea.
01:17:52What did you just call me?
01:18:00I told you I'd meet you here, Helen.
01:18:09I told you I'd meet you here, Helen.
01:18:13Walker, but how?
01:18:15Why didn't you tell me after all this time?
01:18:19After I escaped the orphanage, the headmistress sent people after me.
01:18:24So I had to fake my own death.
01:18:27I survived.
01:18:29But the price was becoming a different man.
01:18:32Cold.
01:18:34Ruthless.
01:18:36Even cruel.
01:18:38And I was so scared that if you found out this was the man I'd become,
01:18:44you wouldn't love me anymore.
01:18:46Besides, the Ardoin family erased every trace of my past.
01:18:51If they find out you're the one I'm looking for,
01:18:54they'll use you against me.
01:18:56And I can't risk that.
01:18:58Walker, you know that I love you.
01:19:03You do?
01:19:08Yeah, with you by my side, I'm not afraid of anything.
01:19:13Then I don't want us to ever be apart again.
01:19:26Yes!