Aspiring British playwright 'Jemima Kirke' and her husband work through inklings of a stale marriage HD ( Drama )
Aspiring British playwright 'Jemima Kirke' and her husband work through inklings of a stale marriage HD ( Drama )
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Short filmTranscript
00:00Oh, well. Never mind.
00:07What?
00:08Never mind. We can't go in now.
00:10Well, how do you know?
00:11You what?
00:12How do you know?
00:13Hey, where are you going? Whoa, whoa, whoa.
00:14Wait.
00:15No, no, no. Come on.
00:16It's such bullshit that you can die from this.
00:18It's actually very good for your skin.
00:19I'm going north. Shit form, I'm going north.
00:23It really bothers you, does it?
00:25What?
00:26Just a bit of fun. On your face.
00:28Would you like that? Would you like that?
00:30Would you like that?
00:37Yeah, all right. Go on then.
00:39If you can't jump in the sea, then we're going to go for a quick run.
00:42Wait a minute. Come in there now.
00:45Come on, sweetheart.
00:47I'm coming.
00:48You can do it. You can do it.
00:51All right. I've got it.
00:53Take it easy.
00:54I've got it. It's all right.
00:56You won't fall. Look at me.
00:57I've got it.
00:58Oh, come on, Oliver.
00:59All right.
01:00What are you doing?
01:01I just slipped.
01:04Cheater.
01:05Look.
01:06Oh, isn't it beautiful up here?
01:07Yeah.
01:22I love living here.
01:24It's just...
01:26It's perfect for me.
01:28I love getting up in the morning and being able to just come out here,
01:33see this, go back home, keep writing.
01:37It's like... It's the dream.
01:39Yeah.
01:40I mean, I know that living here is not full of opportunity,
01:44but in terms of being an artist and in terms of atmosphere
01:48and in terms of inspiration,
01:50there's nowhere else for me.
01:53New York, LA, whatever, these big cities, that's, of course.
01:57London, these are the places where, you know,
02:00if you really want to get your career off the ground.
02:03But I'm not quite there yet.
02:05Lots of people work up to Cardiff as well.
02:08You could commute to Cardiff from here.
02:11You could still have all of this.
02:13Yeah.
02:15It's brilliant for kids here.
02:17That's my only gripe with it.
02:19If I could change it, it would just be a few less families here,
02:24less kids.
02:26You know, it is getting a bit crowded.
02:28MUSIC PLAYS
02:45MUSIC FADES
02:59HE GROANS
03:15HE SNORES
03:38Why?! Why?! Why?!
03:40Why?!
03:42Oh! Oh, are you kidding me?!
03:44What are you doing?!
03:49Oh, God! Just do it normally!
03:52No, it's just...
03:54No, no, no! Do not! Do not!
03:57No! No! No! No! No! No!
04:02I don't like it!
04:04Can you just cut me?
04:06OK.
04:09Mm-hm. That's nice.
04:11Mm-hm.
04:18You told my mother to fuck off last night.
04:25All I told her was that we needed to establish some boundaries.
04:29That's all I said.
04:31Yeah, but you're late, though. What's the hold-up all?
04:34Janet, hi! Sorry, it's...
04:36Yeah, we go. Hi, it's Gillian.
04:38Did you break down? Are you on the way?
04:40No, we're not late. I'm sorry, we're not coming.
04:42Did he not tell you? When? I was...
04:45Can you stop calling my husband at this time of night?
04:49No, I know we're not at dinner.
04:51I know we're not at dinner. I know it's not that late.
04:54But it's my husband, and at some point you need to understand
04:58that I'm the woman in his life,
05:00and that sometimes I want to stay home with my grown husband...
05:04Are you just giving me the phone back now? No, no, no.
05:07You're not going to speak to your son. This is a sick, sick relationship.
05:12You're going to have to sort that out.
05:14There's a shitstorm coming of your making, of all day yesterday.
05:17You were a bit, let's be honest, you started off,
05:20and it might have been a bit of me, but you were a bit touchier.
05:24Wasn't it, with all the bin stuff?
05:26Do you know how easy it would have been for you to just say,
05:30for you to just say, thanks?
05:33Thanks, Gillian, that was so nice of you to let me sleep in
05:36and to take out the trash for me.
05:38I mean, wow, wow.
05:40Next time, you sleep in, Gillian, you sleep in,
05:44and I'll do the... I'll do everything else.
05:47Oh, no, don't pull that card on me now.
05:49I have to work at night. Yeah.
05:51I'm really sorry, that's what I have to do.
05:53Yeah, on the nights that you do have work,
05:55but you didn't have work last night.
05:57You're up all night.
05:59Don't even. I didn't even. It was a...
06:02It was going to be a fucking slap in the head.
06:04It was a... We both should be doing a bigger job right now.
06:08Job? I think I'm the one with a job, though, aren't I?
06:11I'm the one who goes out and earns money.
06:14Yes, you get paid, you get paid your... Whatever it is.
06:18£100, I don't know.
06:20£150 minimum. What am I paying for?
06:22The food, the roof over our head?
06:24Not the roof over our head, are you?
06:26Well, no. Well, bills. I'm paying for the bills.
06:29Well, actually, you know what? I kind of am paying for the roof over our head.
06:32Cos who does it? It's my mum.
06:34It's not your mum. It's my mum.
06:37It is a bit weird that we live in a roof that your mum has paid for.
06:43You know what? Why don't we just go and do our work that your mum gave us?
06:48OK, so I would like, first of all, everyone offstage.
06:51Offstage, cos I want to start from the top.
06:54That way. Which way? That way. That way. Yeah.
06:57Who put the fucking flowers there?
06:59Look, in this place ran Cassius Dagger through,
07:02see what a rent the envious Casca made.
07:04And Tanya, go.
07:05Love is merely a madness.
07:07Craig, don't stop.
07:09Don't stop. Don't stop. Do you want me to stop?
07:11Just listen. No, I want you guys to keep going.
07:13Just listen to me. Just do it. Just do it. Trust me, I know what I'm doing.
07:16And I tell you, deserves as well a dark house and a whip as madmen do.
07:19Judas, the well-beloved brutus, stabbed.
07:21Plucked his cursed steel away.
07:23Mark how the blood of Caesar followed it as rushing out of doors.
07:26What are you doing there? What are you reading?
07:29This is utterly pointless, cos you can't hear us all at the same time, can we?
07:33No, but that's the point. I don't want to hear you all at the same time.
07:36I want to hear the ambience of the sound.
07:38It's a warm-up for me. It's a warm-up for me, OK?
07:41You should have warmed up before you came to rehearsals.
07:43Please don't tell me what I should have done.
07:45What's with everyone being so fucking aggressive this morning?
07:48I don't understand what happened to everyone this morning.
07:51I was fine!
07:53You know what? If you don't want to listen to me,
07:55then don't. Do what you think it should be and I'll watch.
08:00From women's eyes, this doctrine I derive.
08:04To sparkle still, the right Promethean fire.
08:09Hi.
08:11Hi, I'm Rachel. Oh, my God.
08:14Sorry, I don't have... We don't have the space for another actor.
08:17No, that's Rachel. It's not another actor, it's Rachel, isn't it?
08:20It's not one of those... Come here, Gary-Anne.
08:22Hi! Come here!
08:24Go on, do it, do it, do it.
08:28How are you? I'm good, how are you?
08:30Really good. I can't believe...
08:32Sorry, I didn't... I thought that you were an actor
08:35because you were on the stage and I was like...
08:38Oh, sorry, we go back... We do.
08:41..and we used to do this Shakespeare thing at school.
08:44Do you remember when we had to pair up and do the speech?
08:46Of course! And I just thought it would be a funny thing.
08:49So I just got up there and it's quite scary
08:51when you have all the lights on you and stuff.
08:53Yeah, well, that's why you have to be trained as an actor.
08:57Um, guys, I'm really sorry.
08:59I know, this one... I did not foresee this.
09:02And, um, yeah, I'm sure you're really good.
09:05From women's eyes, this doctrine I derive.
09:09To sparkle still, the great Promethean fire.
09:14Wow!
09:15We're not doing that one, though. We're not doing that one.
09:18Right, I'm sorry, guys, I'm so sorry.
09:20The paid ones, they're, like, stood there, like, reading it.
09:24She didn't even have a book and she knew it all.
09:26Oh, stop that now! What?
09:28Why don't we just go and call up Rachel now
09:30and we go and take a picture of her and blow it up really big
09:33and have her print, like, 5,000 of them
09:35and we just have Rachel be the poster
09:38and then we just put Shakespeare over it
09:40and it's just Rachel being like...
09:42You know, and then underneath, we'll just put in a tiny, tiny, tiny bit...
09:46Come on, just give me a little corner that says,
09:48By Gillian. By Gillian blah, blah, blah, blah.
09:51And just, like, fuck my last name, fuck it.
09:53Just let it fall off the end. I think she'll look great.
09:56I'm just trying to help, then. Just selling tickets for your thing.
09:59You were probably dropping bombs yesterday, weren't you?
10:02Everything's going all right, let's have a chat with my dad.
10:04He's cool, cos he is.
10:06You have a go at my mam with, er, Stabby.
10:09Gillian, did you meet Rachel?
10:12Can I have a titty? Would you like to have a titty?
10:15Darling David!
10:17She's... Yeah, she's, um...
10:20We are so proud of you.
10:22Ollie, I'm dying!
10:24You've done something really important and special and meaningful.
10:27Any mother-in-law would be proud of you.
10:29Oh, thank you.
10:31SHE SCREAMS
10:33You killed your wife!
10:36Is she OK? I don't know if she is OK.
10:39If you won't help me...
10:42Oh! Oh!
10:44I'll save you, Gillian.
10:46She's killing herself.
10:48Oh, no, she's dying.
10:51I loved you.
10:53All I did was love you.
10:56Her guts are on the floor, let's put them back in...
10:59Sorry, sorry, I'm sorry.
11:01I was not expecting that.
11:03I was just being stupid.
11:06Bit of a drama queen, aren't you?
11:08She does, doesn't she? She loves it, doesn't she?
11:10Yeah, she does, she loves it. She's done all of this, mind.
11:13Yeah, she did all of that.
11:15Hello, how are you?
11:17Honour's father.
11:19Are you around tonight to come round for dinner?
11:21David, are we around tonight?
11:23Can we go to Clare and Dick's with her and the rest of the family?
11:26Oh. We're doing ribs.
11:28Who? Ribs. Oh, ribs!
11:30Sorry. Thank you very much.
11:32Are you coming, Ollie Pop? Oh.
11:34Oh, yeah, I'm going, yeah.
11:36Good, good, good. Thank God for that.
11:38And then making me not go to that meal?
11:41You were here, stop being...
11:43Are you making you not go to that meal?
11:46You've got a certificate. You said sorry to me.
11:49I did. And then it was so nice that we decided to stay in and we stayed.
11:53You did. You offered to stay in, making you go.
11:56Suddenly, we're right back here, aren't we?
11:58We're right back. Lots of people know, eh?
12:01Can you stop? Can you stop?
12:03Stop this, OK?
12:05It is not cool that you make this whole thing about motherfucking Rachel.
12:09PHONE RINGS
12:14Mike.
12:18It's the Shakespeare Extravaganza, sir.
12:20What do you mean, off?
12:22We've had some serious health and safety issues at the theatre today.
12:26The theatre is closed. I'm up to my fucking eyeballs in it, mate.
12:29OK, before you say the theatre's...
12:31Before you all get all, you know, the theatre's closed,
12:34how long's it going to take to fix it?
12:37God, that's a weird place.
12:39We're talking about at least two or three weeks minimum.
12:42Three weeks, but we've got a show in four days, mate, so what?
12:45But you can't...
12:47What?
12:49I'm not putting the lives of the public at risk.
12:51I am sorry, but this is it.
12:53We're just going to jump in the van now and...
12:55I'm up to my ankles in shit.
12:57Oh, my God. No, I can't. I can't.
12:59Of course you can't. I can't get there. You've got to drag me down there.
13:02I can't. I can't. I didn't realise what time it is. I have a meeting.
13:05Gillian's going to drive me down there now in the van.
13:08I'll speak to you in a minute, OK?
13:10OK, on the way, on the way, on the way.
13:12OK, I'm going. Bye. Come on.
13:14I'm not driving you down there now. I actually do have a meeting.
13:17Try to do it again. Change it. I've been preparing for this.
13:20I've already redrafted the play for this very meeting. I have to go.
13:23There's sewage seeping all through the place.
13:26Seepage were the words he said. Yes.
13:28And it's going to be everywhere, so we can't really... I'm going.
13:31You can't just go like that. Where do you think you're going?
13:36How am I going to get down there now? Huh?
13:40You're going to leave me here like that?
13:42How am I going to get to Mike?
13:44Sorry? Are you seriously just going to leave me here now?
13:47You're going to go and just leave now? Yeah.
13:49You're just going to drive away now? Yeah.
13:51But I love you. What? You've got to be...
13:58You...
14:01You...
14:17Oh? What?
14:20Hello.
14:22I've been walking, like...
14:25And you've just been... Sitting.
14:28Hi. Hiya.
14:30Hiya. Hi. Hi.
14:32Look, I'm... So funny.
14:35I just want to say straight away, I'm so sorry that we couldn't make it last night.
14:39I'm so sorry. Not cool.
14:41I knew it was going to be not cool, but as well...
14:45Someone cooks chops and chops and marinades and...
14:50Hmm. Six hours.
14:52Delicious, sticky barbecue sauce.
14:54Oh. I'm joking!
14:56I don't give a fuck. I'm joking.
14:58Oh, really? Do you believe me?
15:00I totally did believe you as well, yeah.
15:02Oh, wow.
15:04OK, so we're OK? Yeah, that's... I'm fine.
15:06OK, we can forget... I mean, we missed you.
15:08And Gillian. I did a little thing for her.
15:12Oh, did you?
15:14It's too keen, isn't it?
15:15No, it's just kind of, you know...
15:17It's fine. It's fine.
15:19She's, like, hard nuts a crack, isn't she?
15:21Well, not...
15:23You came into a slightly tense environment.
15:26I know you're kind of a bit worried about her,
15:28but, Gillian, we were talking about you.
15:30You were fantastic when you were on the stage.
15:32Yeah, you were in a bunch of professional actors
15:34and you just kind of entered
15:37and naturally have a feel for the language.
15:40Stop it. Yeah.
15:41It's just, like, Gillian's even mentioned about you
15:43maybe kind of on a poster or something, if we could...
15:46OK, you're taking the mic now.
15:47I wish I was, but I'm not.
15:49And that was all her.
15:50I've always thought about it. It was all her.
15:52We were talking about it.
15:53From women's eyes, this doctrine I derive.
15:57To sparkle still, the right Promethean fire.
16:02Hark!
16:03What is that I hear?
16:05Gillian's men are slain?
16:07I must go in the middle of the night
16:10and seek for Oliver's comfort.
16:12Look, I'm... I'm really sorry, but I...
16:15I've got to go. Oh, yeah.
16:16I'm sorry, I'm not going to always do this to you,
16:18but I've got to get to the pavilion.
16:20I'll walk with you. Are you sure?
16:22I don't want to force you to go.
16:23No, no, no. I was going that way.
16:24Yeah? Yeah, yeah.
16:25Yeah.
16:26So nice to see you.
16:27Hello, you've got through to Oliver's phone.
16:29Please leave a message after the tone.
16:33Hi, Ollie. It's Gillian.
16:36I got here.
16:38I got here in one piece and, um...
16:42Listen, I'm sorry for the way everything just went down.
16:47I was just nervous about this morning
16:49and I should have been more communicative.
16:52I wish I could get you on the phone.
16:54I was thinking about, uh, about the show
16:58and I thought maybe what if we just change the venue
17:02or, like, push it back?
17:04I mean, these kinds of things happen.
17:06I mean, this is not the be-all, end-all.
17:09Um...
17:10Anyway, let me know what you think
17:13and, uh...
17:15I love you and call me later.
17:19OK, bye.
17:22Bye.
17:28Can I show this?
17:30Yeah.
17:31I'm starting to grow it.
17:33You have as well.
17:34I have.
17:35It does...
17:36Did you just sniff your armpit?
17:38Well, some...
17:39Did you just kind of...
17:40No.
17:41Your own armpit.
17:42Don't you find it sort of sexy?
17:53Oh.
17:59No.
18:00No, you don't have to do that.
18:01Why? What? I don't...
18:02It's all right.
18:03You don't have to come...
18:04Come back up here.
18:05It's...
18:06It's all right.
18:07It doesn't work for me.
18:09OK.
18:10Yeah.
18:11I don't...
18:12It's not you.
18:13I just...
18:14You know I just don't...
18:15Anyone, not with anyone.
18:16I just don't...
18:17I'm not...
18:18I just don't...
18:23Oh.
18:24Oh, there he is.
18:25You know, don't come in.
18:26Don't come in.
18:27You're not coming in.
18:28The whole thing's backed up.
18:29Yeah, but it's going to be all right.
18:31We've got four days, so that's going to be plenty of time.
18:33No, it's not going to be all right for weeks.
18:35Can I have a look?
18:36No, no, you don't want to see.
18:37I don't want to...
18:38Look, I don't want to...
18:39Just cancel it.
18:40You're going to have to do your Shakespeare somewhere else.
18:42It's off, it's off.
18:43It's not my problem.
18:44This just seems such a shame, really,
18:46because you put so much work into this.
18:48Let's think of all the things you do here.
18:50You have a great show.
18:52You have...
18:53Yeah, yeah.
18:54..a talented director.
18:57You have people that are coming.
18:59All you're missing is a venue.
19:01Yeah, we haven't got that anymore, have we?
19:03That's what we've not got, is that.
19:05Well, why don't I call my dad and see if we can get, like,
19:08some sort of temporary structure or some sort of,
19:11I don't know, marquee or something?
19:15Marquee would work, wouldn't it?
19:19This is it.
19:20Oh, my God.
19:22My Woman Cave.
19:24Wow.
19:25It's incredible, isn't it?
19:26God, it's amazing.
19:27It's amazing.
19:28It gives me vertigo just looking at it.
19:31I mean, we can have about five minutes here.
19:33Oh, thanks, yeah, I'd love that.
19:35Whoo!
19:36Oh, my God.
19:37I know, it's amazing.
19:38Whoo! Whoo!
19:39Oh, my God.
19:40Oh, my God.
19:41Oh, my God.
19:42Oh, my God.
19:44Oh, my God, the sound is so good.
19:46I know.
19:51I mean, you'd have to be a trained singer to make that sound good, but...
19:57It's fun, isn't it?
20:03No, but just hold on.
20:06Yep.
20:07Yeah.
20:09Yee-haw!
20:13Don't touch that.
20:14No, I wasn't, actually.
20:16It's sort of greaseproof.
20:18If you're worried about how far back it goes,
20:20it goes back a fuck of a long way.
20:23Right.
20:24So their apartment, I think, is going to be on this side,
20:26and then to the left of it is going to be, you know,
20:28everything else happens outside the apartment,
20:30but you always see the apartment.
20:32And then I was thinking, when they're watching that play,
20:35you know, I think it's going to be something big like Hamilton,
20:38they're sitting on the chairs and they're sitting side by side,
20:41the audience is the audience, you know?
20:43Who do you fancy?
20:45And it's really small, right?
20:47Which is nice in contrast to how big the room is.
20:49And then he's like, well, I'm not going to answer that, that's a trick question.
20:52And then she's like, just tell me who you fancy,
20:54I don't think you want to fuck them or anything, but who do you fancy?
20:56Oscar.
20:58I've read you a letter.
21:00You know, I don't do it good, because I'm not an actor,
21:02but I don't want to go through it.
21:04He's like, shut the fuck up, Raquel, you know, because he loves her.
21:08And I love saying fuck in this room in particular,
21:11because it feels like such a...
21:13With this sort of...
21:15The acoustics in here, I think, will be really...
21:17If you can get fuck into it, then that will sell tickets.
21:21As many fucks on the page as you can.
21:23A couple of cunts.
21:24I can do that.
21:25That's thumbs on seats.
21:26Yeah.
21:27Because, you know, you're a female writer, so people want...
21:29You know, they don't want to come in and watch something
21:31about a 50s housewife, you know? No.
21:33They want to come in and they want to see some fucking,
21:35like, fisting and whatever you've got.
21:37I want to eat your body, I want to eat you.
21:39You know, like, you know when you love someone so much
21:42that you just want to...
21:44Consume them.
21:45You wish you could put that person inside you.
21:47Do you want to go to lunch?
21:50Yeah.
21:51You hungry?
21:53Oh, so, OK, yeah, I am starving, actually.
21:56I would like... Yeah.
21:58I'm buying.
22:06Mm-hm.
22:12Oh, it's Gerald. It's Gerald.
22:14Oh, right, right, right.
22:15Right.
22:17Hi, Gerald, it's Rachel.
22:20Thanks for calling me back.
22:21Rachel.
22:22Dick's daughter.
22:24Dick?
22:26Dick?
22:27Yes.
22:28Yes, his daughter.
22:29Hi.
22:30Some friends of mine, lovely people,
22:32they've put together this Shakespeare Festival.
22:34They're really into plays and actors and things,
22:38and unfortunately the pavilion that they were going to host it at
22:41has fallen through.
22:44Mm-hm.
22:47Yeah.
22:49No, no, I don't think that would...
22:53Amazing.
22:55That's so...
22:56Thank you, Gerald, that's so kind.
22:59Yeah, I'm on Facebook.
23:03OK, bye now, bye.
23:05Yeah, bye, will do.
23:06Yeah, bye, bye, bye, bye.
23:09Done.
23:10Just done?
23:11Done.
23:12Done. We've got a marquee.
23:13We have a marquee.
23:14We've got a marquee.
23:15We've got a marquee.
23:16We've got a marquee.
23:17We've got a marquee!
23:18LAUGHTER
23:27We've got a marquee.
23:29We've got a marquee.
23:30Are you serious?
23:31I didn't do anything. I made one call.
23:33Congratulations.
23:35To the marquee.
23:36To the marquee.
23:37To the marquee.
23:38We've got a marquee.
23:40You've got a marquee.
23:42I've got half a marquee with you.
23:44I've got half a marquee with you, mate.
23:47MUSIC STOPS
24:03That is so slow.
24:05I can't believe it.
24:06OK, down and one.
24:14Ooh!
24:15I just find that wakes me up for some reason.
24:18No, it burns really good right here.
24:20Here, I'm kind of a big fish in a small pond,
24:22but I like being a big fish.
24:24Yeah, who doesn't?
24:25Who would want to be a small fish?
24:27I'm sort of a big fish in a small pond too,
24:29in the sense that amongst my friends,
24:31I'm, like, the loudest, funniest one.
24:34Yeah.
24:35It's so funny, we've got so much in common.
24:38Yeah.
24:39I've had several really terrible experiences with men,
24:42and that's what I liked about your play,
24:44is you just captured the complete pointlessness...
24:48Mm-hm.
24:49..of men.
24:52Right.
24:53Well... I see you as a bright light.
24:56And, I mean, you know, there's a point in your life
24:58where you have to say,
24:59I'm great, I'm fantastic, I'm the light.
25:02I am the light.
25:05I say to myself all the time, I'm a fantastic woman.
25:10I look in the mirror and I think, yeah.
25:12Yeah.
25:13You don't need anyone.
25:14Yeah.
25:15And who needs a relationship when they keep fucking you up?
25:21Do you know what?
25:22I just feel like you're, like, all the way over there.
25:24Yeah.
25:25And I'm sort of shouting and there's just space here.
25:28I mean...
25:29I know.
25:30Do you know what I mean?
25:31The thing is...
25:32I should have sat there in the beginning,
25:34but I actually have to go now.
25:35What?
25:36I feel like I've had one too many already
25:39and I should get going.
25:41You know, it's just...
25:42That's a shame.
25:43I just feel like we've got much more to talk about the play.
25:47Yeah.
25:48Do you know what I mean?
25:49Absolutely.
25:50I agree, actually.
25:51I don't even know what I was thinking.
25:53I mean, what are your priorities, right?
25:56Um, are you asking me?
25:58Yeah.
25:59I want to get into the core of you.
26:01You've got so much going for you.
26:03You're photogenic.
26:04I don't want to be, like, sleazy about that,
26:06but the thing is, that sells, you know.
26:08You can do a lot of press.
26:09Oh, my God.
26:10So, we're going to put you on the poster.
26:12Absolutely.
26:13What are you doing on the poster?
26:14Of course you are.
26:15Shut up.
26:16I mean, I would actually like to keep my face out of it
26:18as much as possible.
26:19No. No.
26:20No?
26:21No.
26:22Okay.
26:23No.
26:24I'm going to put a no on that.
26:25Why?
26:26You are the play.
26:27I'm the play?
26:28You are the play.
26:29Well, I just sort of thought the play was the play.
26:33I mean, I just think, like, a couple more of these...
26:36Yeah.
26:37...and the play's on.
26:39Wait.
26:41What do you mean, the play's on?
26:43Clarify.
26:46Oh, my God.
26:47Yes, play's on.
26:50Let's get pen and paper.
26:51No, let's get...
26:52Let's fucking carve it in my arms.
26:54Let's get drinks.
26:55Let's get another drink.
26:56I would love another one.
26:58Same again?
26:59Or two.
27:00Okay.
27:01Two.
27:02Okay, okay, okay.
27:03And a shot.
27:04Absolutely.
27:05Two and a shot.
27:06Fine.
27:07Let's drink.
27:08Let's drink.
27:38Cheers!
27:54She left me for another woman.
27:56I'm a laughingstock.
27:58She doesn't get you.
27:59She doesn't get the essence of me.
28:01You know what I mean?
28:02Even my kids think I'm an idiot.
28:04Who cares about it?
28:05Who cares, really?
28:06But I still love her.
28:07I love her. I love her so much.
28:09Oh, Paul. Oh, my God.
28:15Such boobers hair.
28:17It's like the only woman I've ever really been with.
28:21PHONE RINGS
28:25Hello? Oliver?
28:27Yeah. Hello, are you all right?
28:29Yeah, I'm good. I'm good.
28:31What are you... What are you doing?
28:33Oh, wait a minute, I can't...
28:35It's quite loud here, wait a minute.
28:37Are you all right?
28:39Yeah, it's all good.
28:41Just having a couple of people.
28:43Nothing, just listening to stuff.
28:45Oh, that sounds fun.
28:47I'm still in Cardiff.
28:49It went so well.
28:51So well.
28:53Ollie? Are you there?
28:55Yeah, I'm here.
28:57I said, are my plays going to get produced?
28:59That's great stuff.
29:01That's good.
29:03Are you coming home?
29:05Well, OK, so here's the thing.
29:07I've had a couple drinks.
29:09Not many, not like a...
29:11Just like one or two, but I don't want to drive
29:13because I think that would be irresponsible.
29:15I thought you were at a meeting.
29:17I thought you were at a meeting.
29:19You're right, I know.
29:21I was, I was, but we had the drinks to celebrate.
29:23We had the drinks to celebrate because, you know...
29:25So are you going to get back then?
29:27Do you want me... Do you want me to come home?
29:29Yeah, of course I do.
29:31Do you?
29:33Yeah, of course I do.
29:35I don't want to come home.
29:37Where else are you going to go if you don't come home?
29:39Oh, I love you.
29:41Yeah, yeah.
29:43OK.
29:45It's good, yeah.
29:47OK.
29:49I'll just get in a taxi soon a bit.
29:51Yeah, I'll jump in a cab.
29:53I'll see you when you get back, yeah?
29:55Hey, hey, hey, Ollie, Ollie, Ollie.
29:57Right.
30:01Oh, wow.
30:03We're going there, aren't we?
30:05Cheers.
30:11Do you want to come to my place?
30:13Yes.
30:15Yeah.
30:25When I made Jill, like...
30:27I mean, I made the girl that he needs.
30:29Like, sort of this nice,
30:31normal girl.
30:33You look amazing in that.
30:35It is.
30:37Thanks.
30:39Oh, my God.
30:59Kiss me.
31:07Kiss me.
31:09Just kiss you.
31:11No, I'm just...
31:13No, I'm not...
31:21Oh, my God.
31:23What?
31:25More kissing, is it?
31:29Yeah.
31:59Oh.
32:01Oh.
32:05Oh.
32:07Oh, babe.
32:09Oh.
32:11Oh, my God, babe, where have you been?
32:13Are you all right?
32:15Mm-hm.
32:17Oh.
32:19Where have you been?
32:21Huh, what?
32:23Out.
32:25Out, that's what I'm going to get, out.
32:27Oh.