Eva Mon
  • last year
Transcript
00:00La, la, la, la, la, la, la, la.
00:03Pajaro Soñador.
00:04Dora
00:28JJ bienvenido a casa pasa estoy molesto me parece terrible que hagas bromas a mi espalda en la agencia
00:34I don't think you're going to meetings without me knowing.
00:37But I already apologized. I told you it wouldn't happen again.
00:40You forgave me and you came back home. Please, sit down.
00:43I already talked to Iat.
00:45But he told me I can't stay there because right now they don't have a place.
00:49I'm going to save up to buy a floor.
00:51Until then, I'll live here because I have no other choice.
00:54Well, it's true. I went to the meeting, yes.
00:56But I didn't do it just for me.
00:57Next time I'll fix it so you can be there too.
01:00I was there for both of us. I did it for us.
01:04We don't exist.
01:07Seversed.
01:08Seversed?
01:11I'm not a muse anymore?
01:12I don't know. You tell me.
01:14On the outside, you look like it.
01:15But on the inside, unfortunately, you're Seversed.
01:18You're a traitor, like Judas.
01:21Okay.
01:23Then call me Seversed. Besides, it's my nickname and I like it a lot.
01:27You can call me whatever you want. Come, sit down.
01:29You'll see what a delicious pasta for your stomach.
01:32It's very delicate.
01:33You didn't eat it the last day and it's very delicious.
01:36So come and sit down.
01:39Come, let's eat.
01:45Okay, I accept.
01:57You have to learn to make the sauce.
01:58Very well. Next time I'll do much better.
02:29Did you bring me a flower?
02:30No, it's not for you. It's for Artur Capello.
02:34I think he'll like it. It's his style.
02:36The flowers and that.
02:38Well, give it to Celine.
02:43I may have lost my memory, but I think you've lost the meaning of life.
02:48I don't know. They hadn't told me anything, but...
02:50I don't know.
02:51I don't know.
02:52I don't know.
02:53I don't know.
02:54I don't know.
02:56I don't know. They hadn't told me anything, but...
02:58I'll ask the doctor.
03:01Yes, ask him.
03:03This is to thank you.
03:05You saved us from a big problem when you found Celine.
03:08Oh, is it a gift?
03:10For being efficient?
03:12Not just for that, Sanem.
03:14And what else would it be?
03:16For that beautiful face I have in front of me.
03:20Go on.
03:21Well, I'll go on.
03:23For your beautiful heart that you didn't give up on me despite having lost your memory.
03:28And what else?
03:30What else?
03:31I see you capable of unleashing a storm.
03:33And that you just woke up with those eyes so alive that you have.
03:38Hey, did you do this very often in the last two years?
03:41Yes, and now you're not the only one who does it.
03:43I have guests.
03:53You'll end up exhausted if you don't drink your beer.
03:56Well, where was I?
03:58You were praising me.
04:05Yes, that was the best.
04:06Is that okay?
04:07Yes, I assure you.
04:08Ladies and gentlemen, let me introduce you to the famous English-Spanish director, Arthur Capello.
04:13Bravo! Welcome!
04:15He's our guest.
04:17Applause, applause. Keep it up.
04:22Thank you, thank you, thank you all.
04:25Very good image.
04:26Great.
04:27Less image.
04:28I was worried.
04:29Thank you, thank you.
04:32I want to ask you a question.
04:34Do the directors have a characteristic trait that I should take into account or can I act naturally?
04:40If you behaved as if life started and ended with you, it would be great.
04:44Do I behave like that in the film?
04:45No, not at all. I wasn't saying it for you.
04:49Perfect.
04:50And do you prefer me to speak in English or Italian?
04:54In fact, any of the two works. As you wish, you can alternate between the two.
04:58Very good.
04:59But to avoid problems, speak to the interpreter's ear, okay?
05:03By the way, Mr. Nessim does not speak languages. Do not say anything that is not necessary.
05:07Of course, no problem. Who will be the interpreter?
05:10Me.
05:11I'll lean on your ear and murmur as if I were talking to you.
05:13He'll do it well.
05:14You'll look at me and say things, and so we'll pretend.
05:17Okay? It'll be easy.
05:18Good.
05:19Understood. Perfect. No problem.
05:22Everything will be excellent.
05:23No, it won't be good.
05:24You have to be optimistic.
05:26Oh, don't say that, J.J.
05:28I have a bad feeling about this matter. All this gives me a bad spine. I don't know, I feel pessimistic.
05:34And it won't be gases?
05:35What do you mean?
05:36Well, it's fine.
05:37Don't bring negativity.
05:40It's here.
05:42Oh no, I shouldn't applaud.
05:44There it is.
05:45Welcome.
05:46There it is?
05:48How are you?
05:50We are delighted to finally meet Capello.
05:53With what it costs to hire him.
05:55Well, here he is. Let me introduce you to Arthur Capello.
06:00How are you, sir?
06:02Hello.
06:03It's a pleasure to meet you.
06:04It's a pleasure to meet you.
06:06I don't understand.
06:07Let's go to my office.
06:08This way.
06:09Very well.
06:10Okay.
06:11Please.
06:12Come in.
06:13Welcome.
06:14Please.
06:15To your office, please.
06:17It's a pleasure.
06:18Come in, come in.
06:19Let's go.
06:22JJ, don't be negative.
06:24I have a bad feeling.
06:25I don't like that man at all.
06:27He's much weirder than Musa.
06:30We are delighted with the campaign.
06:32Yes.
06:33And with the collaboration of Mr. Capello, I'm sure everything will go better.
06:38You can be sure that you will like the result because Mr. Capello is an incredible director.
06:42Surely you will know his work.
06:45No, unfortunately not, but I'm looking forward to it.
06:48Is it possible?
06:49Can we see something?
06:50Can we?
06:52I don't think so.
06:54I knew it.
06:55I don't think so.
06:58Why don't you shut up now?
06:59I think I screwed up and now I don't know what to do.
07:03This is going to be a fiasco.
07:05Did he say a fiasco?
07:06Yes.
07:07That's what he said.
07:11Mr. Capello doesn't want to.
07:13He believes it better.
07:14Why?
07:15It's your fault.
07:17He said something very sensible.
07:18He just told me that he prefers to see the best work he has done to date and that he will record it after the meeting.
07:25Exactly.
07:26Wonderful.
07:28What a great man he is, right?
07:29Great.
07:30Exactly.
07:33He is very intelligent, Jan.
07:35What a good strategy.
07:44What's going on in there?
07:45Let's see.
07:46What are they doing?
07:48I don't like that Salim at all.
07:51It looks like they're talking and everything is fine, but I don't trust them.
07:54Would you like something to drink?
07:56Yes.
07:57Wait.
07:58Of course we know what you like best.
08:00Here we have it.
08:01For us it is very important that you are comfortable.
08:05Mr. Musafer.
08:08Musafer.
08:09Come.
08:10Musa.
08:13Oh, sorry.
08:14As you said, sir.
08:15I got distracted.
08:16Yes, I am Mr. Musafer.
08:17You said it very well.
08:19Well, yes.
08:20You are so kind.
08:21You can tell JJ to bring what he has prepared.
08:23Of course, Leylita.
08:24Right now I'm going to talk to Mr. JJ to bring the refrigerators.
08:27And here we all work in harmony.
08:31Yesterday, after lunch, we went back to the agency and we were working.
08:35Arthur also thought it was good.
08:37He loves what we do.
08:39I'll send it to you by mail.
08:40Perfect.
08:43What are you doing?
08:44What are you doing?
08:45What are you doing?
08:51Here a tragedy will happen.
08:53I present it.
08:54I'm sure.
08:56Why did you leave the meeting?
08:57What happened?
09:00Don't tell me they already fired you.
09:02No.
09:03Nothing has happened.
09:04I swear.
09:05Because they were going to fire me.
09:06And besides, I didn't do anything wrong.
09:07I just got a little excited.
09:08I said a phrase and I saw terror in their eyes.
09:11I thought they were going to eat me.
09:12So I better leave the meeting room.
09:15Let me through.
09:16Calm down.
09:17The meeting is going very well.
09:18The man is already translating everything perfectly into English.
09:20They are working very comfortably.
09:22Like Batman and Robin.
09:23They are a great duo.
09:25I don't trust that Salim.
09:26He doesn't give me a good spin.
09:27And he doesn't speak English to me.
09:28That twisted guy doesn't like me at all.
09:30I have to save them.
09:32As you wish.
09:34Leave my cart.
09:35Hey, what's that?
09:36What a delight.
09:37It's alpiste milk.
09:39Yes.
09:40It's interesting.
09:41Beautiful.
09:42The actress was really Georgia.
09:44He says the actress was very pretty, but a little silly.
09:47Yes, yes.
09:48You can tell me.
09:49But very pretty.
09:50I'll see.
09:51Hey, Jan.
09:52Tell me.
09:53We are sure that it will be the best thing that Capello has shot to date.
09:57But anyway, we would like to see it before it is broadcast.
10:00Yes.
10:04Excuse me.
10:05Excuse me.
10:08Your coffee.
10:17I relaxed.
10:19No.
10:20What?
10:21How?
10:25He said no.
10:27Maybe I didn't express myself well.
10:28I translated badly.
10:29It was my fault.
10:30Excuse me.
10:31No.
10:33What are you doing?
10:35Is it because of the coffee?
10:37If you know how I like coffee, then you will know that I do not speak a word of English.
10:42But with the technology of our country ...
10:44I can not imagine.
10:45But we all know what it means, right?
10:47I know.
10:48That could understand the gentlemen.
10:49Calm down.
10:50I did not want to say it to my son.
10:51You have to calm me down.
10:52Calm down.
10:53These are the directors, but I'm sure we'll see their work at the end.
10:56You have to put yourself in my place.
10:58Calm down.
11:01Of course you will see it.
11:02John.
11:03Please, sorry.
11:04This has been a misunderstanding.
11:05Please, sir.
11:06I already translated a little better what I wanted to say.
11:08And tell Mr. Arthur that ...
11:09Calm down.
11:11No ad will be issued unless I give the good look.
11:15Oh no.
11:16Joe.
11:18But what are you doing?
11:19Well, it's the director.
11:21And I'm in control.
11:22What?
11:23No.
11:24And he decides.
11:25I am a great artist.
11:27He didn't say that.
11:28He says he's an artist.
11:29He's translating badly.
11:30Translate it.
11:31I'm the client.
11:32Say it.
11:33Yes, wait.
11:34That's right.
11:35Do what I tell you.
11:36I pay you.
11:37Translate.
11:38Calm down.
11:39Money, money.
11:40And you, Gloop.
11:41Agree?
11:42Gloop.
11:43Exactly.
11:44Better forget it.
11:45But ...
11:46What happened?
11:47What did I say?
11:48Shut up.
11:49He's cursing me.
11:50What's wrong with you, sir?
11:51Calm down.
11:52Don't curse him.
11:53Translate it.
11:56What does it say?
11:57Nothing.
11:58I can't work with anyone.
11:59I think he's cursing me.
12:00It's nonsense.
12:01It doesn't translate.
12:02Don't shout, please.
12:03It's a communication problem.
12:04Mr. Chan.
12:05It's all my fault.
12:06Mr. Chan, tell him, please.
12:07Let's see if we can clarify it.
12:09No, he's not really cursing.
12:10It's not that.
12:11It's that ...
12:12It's a compliment?
12:13He's an artist.
12:14It's his temperament.
12:15But if he doesn't stop shouting ...
12:16No.
12:17Already.
12:18Arthur, calm down.
12:19No, no, no.
12:20I don't care.
12:21Calm down.
12:22Mother, shut up.
12:23That's it.
12:24Oh, please.
12:25Let's calm down.
12:26Please.
12:27I don't want to work with him.
12:28Not with this agency ever.
12:30They will continue with the creams.
12:32Thank goodness.
12:33But the ad project is over.
12:35Let's go.
12:36Bye-bye.
12:39I'll kill you.
12:40Mr. Messin, please calm down.
12:42You've gone too far.
12:43Now, please.
12:46I told you.
12:47You were right.
12:48I'm always right.
12:49Well, well.
12:50The time has come.
12:51Yes.
12:52How about a nice coffee with milk?
12:54No, I want it alone.
12:56All right.
13:00Oh.
13:01Mr. Messin, wait, please.
13:03Uncle.
13:08Oh.
13:09What do you think I'm telling him now?
13:11I can't hear anything.
13:13Please calm down.
13:14Wait.
13:16I'm going to try to convince him, but I'm going to need your help.
13:20What are you telling him?
13:22It's not time to be jealous.
13:29What?
13:34Anyway, everything is going to be wasted.
13:36As in all meetings, the same thing happens.
13:38You see?
13:39Always the same.
13:40And what happened?
13:41Well, nothing happened.
13:43Why are you laughing, cynic?
13:45Huh?
13:46I didn't know.
13:47I knew you were going to kick me.
13:49I've never trusted you.
13:50You're a cheat.
13:51Who do you dare to insult the client?
13:53Piece of idiot.
13:54Why did you do it?
13:55Huh?
13:56We're out of work.
13:59Let's go.
14:11Look.
14:12I recognize that the campaign is good.
14:15But with what has happened, I can no longer trust you.
14:19I'm going to contact other agencies.
14:23And who wins the best?
14:25We are the best.
14:26We'll see.
14:30What did you tell him?
14:32I told him that his campaign is very good.
14:34And don't take into account what happened at the meeting.
14:37These things usually happen.
14:39Oh, thank you very much.
14:41Why did you do it?
14:42Sanem, maybe we shouldn't ask too many questions.
14:45Because they are bold.
14:46They have a lot of confidence in themselves.
14:49They even invented a director named Arthur Capello.
14:54I'm amazed at your ingenuity.
14:56I should have trusted you.
14:58I should have realized.
15:00How were you going to know?
15:01You just met him.
15:02It's normal that you haven't noticed.
15:03And how did you find out?
15:05I searched the internet and I didn't find anything.
15:07And suddenly his website appeared.
15:09I was suspicious.
15:11So I asked a hacker friend for help.
15:13He told me that that website had been created five minutes earlier.
15:16Anyway, I found out.
15:18If he's smart, we're not the only ones, Sanem.
15:20Maybe we're not that smart.
15:22Why didn't you tell your uncle?
15:23Well, they've come a long way because they have a lot of interest in the campaign.
15:27And I love working with brave people.
15:32I have to go.
15:34Take care and good luck.
15:35See you soon.
15:36She has ugly and crooked legs.
15:40Guys, the campaign is still ours.
15:45But now we're going to have competition, right?
15:47It's happened to us a few times.
15:49We've always ended up convincing the client.
15:51The campaign is ours.
15:52You're right.
15:54Hello.
15:56Well, guys.
15:57I'm sorry.
15:58I think the matter has escaped us a little bit.
16:01But they told me to be a little eccentric and all that.
16:05The fault is ours.
16:07Is that what you understood?
16:09That you had to insult that man and also mess with his mother?
16:12You're right.
16:13But I never thought it would cause so many problems.
16:15I was just trying to be a good actor.
16:17Give realism to the role.
16:18In the end you caused us a big problem.
16:20I'll make up for it.
16:21Really.
16:22Yay, yay.
16:23Accompany Selima to the exit.
16:25Taro, this way.
16:26I'm sorry, Chuck.
16:27But believe me.
16:28I don't know what happened to me.
16:29It was like a spring inside me.
16:31It wasn't me.
16:32I assure you.
16:33I don't know what happened to me.
16:34But I insist.
16:35It wasn't me.
16:36Definitely not me.
16:48Directors, are we weirdos?
16:49Not at all, honey.
16:50Oh, honey.
16:51Do you say it affectionately or rather with irony?
16:54And what do you think?
16:58Is something wrong?
17:00No, not at all.
17:01But I assure you that if our superhero Aisha were here, she would solve it.
17:07I understand you.
17:09Excellent.
17:10Now everything is clearer.
17:12What is clear?
17:13What you said or what I said?
17:14Be more precise because you confuse me.
17:16Now you don't understand?
17:17Yes, you always know everything.
17:21I don't understand.
17:22I swear.
17:25One day you are affectionate and the next you are an ogre.
17:27You smile and then you are indifferent.
17:29You say you don't care, but you get jealous.
17:31You run in all directions.
17:33Sanem, what's wrong with you?
17:36And do you care?
17:37What if I care?
17:38Yes, yes.
17:39What if you care?
17:40You know what?
17:41I try to find you in my memory.
17:42You won't find me there.
17:43You told your father that you didn't feel that love.
17:47Sanem, listen to me.
17:48And what good will that do?
17:49It won't change anything.
17:51The love you erased from your heart is engraved with fire here.
17:55It can't be erased.
17:56It won't disappear.
17:57I'm going to go crazy.
17:58And it wouldn't be the first time it happens to me.
18:01I was hospitalized in a psychiatric hospital and they filled me with pills.
18:04And they couldn't even erase them like that.
18:07How could you forget it?
18:08I don't understand.
18:20Sanem.
18:22What do you want?
18:27Please, I would like to end this.
18:30I don't want to be alone.
18:31I don't want to be alone.
18:32I don't want to be alone.
18:33I don't want to be alone.
18:34Please, I would like to finish explaining to you.
18:37I've had enough.
18:43Dad...
18:47He told me that if I didn't let go of your hand,
18:49those feelings that I lost would return.
18:53And...
18:54I think you're right.
18:57Really?
19:00It would have been better for you to think about it before your father.
19:04Dad...
19:18Hello, Mom.
19:19Sanem.
19:20You almost forgot about us.
19:22It's been over a month without you.
19:24Sanem.
19:25Hello, Mom.
19:29Sanem.
19:30Dad.
19:31Come here.
19:34I miss you a lot.
19:35Is something wrong, daughter?
19:37Obviously.
19:38I miss you.
19:39Can't I come see you?
19:40I was thinking of staying to sleep with you.
19:43Here?
19:44Wow, it's a surprise.
19:45But this is your house.
19:46Isn't that right, Mevkive?
19:48Well, of course.
19:49Of course.
19:50It's a scary heat, so I'm going to have an ice cream.
19:55Hey.
19:56Why don't you have ice cream?
19:57We don't sell ice cream anymore, daughter.
19:59Your mother won't let me do it.
20:02And that?
20:03What do you think?
20:04Guess.
20:05Oh, I can see it in your eyes.
20:07Problems happen here.
20:09I'll take the opportunity to take a shower.
20:11Yes, daughter, go.
20:14Hey, Melat.
20:15Tell me.
20:16Don't leave the hairdresser unattended.
20:18Go.
20:19Customers could come in.
20:20Do you want me to go?
20:21Yes, that's right.
20:24Nihat, this is very strange.
20:26Why did he come without warning?
20:28What are you talking about, Mevkive?
20:29Maybe he missed us.
20:31I know her very well, Nihat.
20:33I'm sure she fought with Jan again.
20:36Ah.
20:38Well, I'm leaving.
20:39I'm going to buy ice cream.
20:40But don't eat them.
20:41I won't.
20:42Really.
20:43I promise not to do it.
20:44I won't.
20:45Don't even think about it.
20:56The analysis and the resonance are fine.
20:58It has been hard.
21:00He survived a serious accident.
21:02And everything is fine.
21:04But it has psychological consequences.
21:06I recommend a neuropsychological treatment.
21:10That area is not my specialty.
21:12But I know some cases of other patients like you who have regained memory.
21:19And how did you get it?
21:20It depends on the patient's will.
21:23Do you want to remember that period or not?
21:25There are some patients who have experienced traumatic events during the period they have forgotten.
21:30And it is the brain that refuses to recover those memories.
21:37I was in a psychiatric hospital for a while.
21:43Then we reconciled.
21:47Look, I recommend that you try to face the problems
21:50instead of giving up your memories so that you can recover.
21:56I'm sorry.
22:07Sanem.
22:09How is Jan?
22:11Fine.
22:13Excellent.
22:15And how are you doing with him?
22:17Well, fine.
22:18Oh.
22:20Yes.
22:21But if you had to rate your relationship, what would you give it from 1 to 10?
22:25I can't believe it.
22:26I see you changed your style to question me.
22:29And if I came here, it's because I miss Dad and you so much.
22:34And for the delicious food.
22:35I miss you too.
22:37Too much.
22:38But your mother and JJ force me to eat tofu in my own house.
22:42Can you believe it?
22:43Where were you?
22:44She wanted an ice cream.
22:45Well, I went and came back.
22:47Here you have the ice cream, daughter.
22:49Take it.
22:50For now, I don't know how to fly.
22:52Hey, I'd like to have a real dinner like we used to.
22:56You can eat, my daughter.
23:00While I settle for a few vegetables.
23:06Mom, can't you have a normal dinner and make an exception?
23:11Well, for one night, it's okay.
23:15I love you too.
23:17Don't squeeze me so much.
23:19Oh, please.
23:20How barbaric.
23:21You almost broke my bones.
23:24Imagine how he's suffering.
23:26Well, we'll do that.
23:27Oh, well.
23:30Oh, this man.
23:32And?
23:33No, nothing.
23:34Do you want to eat french fries?
23:36No, I'll wait for dinner like everyone else.
23:39Come on, eat the ice cream.
23:43And what don't you want to remember?
23:45Did the doctor tell you?
23:46Maybe this is involuntary, but...
23:50Was Sanem in the hospital because of me?
23:54It's just that...
23:56Tell me.
23:57It was because of his relationship.
23:59When you left without saying anything, he had a depression and he had a terrible time, but of course, you didn't know.
24:05Was it because of me?
24:06Yes, but don't torture yourself.
24:08Look, you already sold your boat to fix your mistakes.
24:13The doctor is right, Emre.
24:15Maybe I'm the one who doesn't want to remember.
24:18You still don't read the book you wrote?
24:21The doctor is wrong.
24:24Why do you say that?
24:26Because you loved each other madly.
24:28Who would want to forget something like that?
24:33How are you, Jan?
24:34Very well, and you?
24:35Fantastic.
24:36Are we leaving now, love?
24:37Yes, my love, we're leaving now.
24:38Perfect, goodbye.
24:41You have to read the book.
24:45I love you.
24:56Dad!
24:59Don't worry, daughter.
25:00I cry of joy.
25:04Hello, Sanem, how are you?
25:06Hello, little sister.
25:07Hello.
25:08Look at the table.
25:10Oh, this looks delicious.
25:12And all thanks to Sanem.
25:14And now what?
25:15Why are you crying?
25:16Don't cry, please.
25:18Look, in life we have a lot of problems to cry about.
25:20You're right.
25:21Why don't you start eating?
25:22It's for you.
25:23Yes, but how now?
25:24Come with me.
25:25Come with me.
25:27You guys go ahead.
25:28We won't be long.
25:30I'm going to wash my hands.
25:32Dad?
25:34He left.
25:37Look, we lost him.
25:40Dad?
25:41Dad?
25:43You're eating an animal.
25:44Get out, Henry!
25:45Let him eat.
25:46JJ tortured him.
25:47Calm down, son.
25:48JJ is no longer...
25:49All the food is for you.
25:51You can eat everything.
25:52Sure.
25:53But first chew and then swallow.
25:57Father-in-law.
25:58No, please.
25:59No, no, don't do that.
26:00No.
26:02Please, drink some water.
26:04Drink water, please.
26:06What's wrong?
26:07You must breathe.
26:09He's finally going to drink water.
26:11As if he didn't know her.
26:12Something's wrong with him.
26:13What's going on?
26:15I'm sure he's not happy with Jan anymore.
26:18No, he's fine with Jan.
26:20No, no, something's wrong.
26:22I'm sure.
26:23But he won't tell me.
26:24Talk to her tonight and find out everything that's going on with Jan.
26:28Okay, fine.
26:29Delicious!
26:30I'm going to eat the whole plate.
26:32Hey, at this rate you'll eat everything and you won't leave me anything.
26:35Wait.
26:36Leave it to me, okay?
26:37Fine, I'm sure you will.
26:40The Italian businessman asked us where we had met.
26:45We were surprised.
26:47And we answered at the same time.
26:49I said Caesaree and he said Paris.
27:03Sanem.
27:04Dad, how are you?
27:05He already drank five bottles of mineral water.
27:08Emre went to the store to bring him more water.
27:11Oh, that's crazy.
27:13It's my fault.
27:15Sometimes I would like to let life take its own rhythm, but I can't.
27:19And I get angry with myself.
27:22And what happened?
27:23Did you fight with Jan?
27:24No, not at all.
27:26If I had, I would have broken him.
27:28So?
27:31Jan doesn't feel anything anymore.
27:33I think he's going to use his amnesia as an excuse to leave.
27:37Don't worry, he's not leaving.
27:38Emre talked to him.
27:39And what did he say?
27:40He asked him when you were admitted.
27:42He feels guilty that it was his fault.
27:44He's restless.
27:46Oh, my love.
27:48I shouldn't say my love, because of course,
27:50then people could misinterpret it.
27:52I understand you, don't worry.
27:55Sanem, I think maybe you should give Jan some time.
27:59Do you think this is a good idea?
28:01Jan, do you think I'm acting badly?
28:04No, no, I didn't mean that.
28:06You yourself have said that sometimes you press him.
28:08I think Jan does everything he can.
28:10Look, if we get angry when we forget where we left the keys,
28:14imagine how he feels.
28:16And why don't you try to put yourself in my place and see what he's done to me?
28:20I always put myself in your place, always.
28:23But still, you're defending him.
28:25Oh, it's not that I'm defending him, Sanem.
28:27I'm just saying he needs a little more time.
28:29Time?
28:32Every second you don't remember is a minute for me.
28:35And every minute he doesn't remember, an hour, and days are years.
28:39A minute of his can be a whole year for me.
28:43The concept of time is very different for me.
28:55I'm tired, I'm going to bed.
28:57Very well, good night. Rest.
29:01You too.
29:03Can you turn off the light?
29:07Okay.
29:27I'm sorry.
29:58Hello.
30:00I hope I'm not bothering you.
30:01No.
30:02What happened?
30:04I have to think of a plan for tomorrow.
30:06For what?
30:08I'll tell you, but keep it between us.
30:10Don't tell Leila or Emre.
30:12Okay, I'm listening.
30:17Come here.
30:19Come here.
30:20Come here.
30:22Come closer if you dare.
30:24No.
30:25No.
30:26Get out!
30:27Nihat!
30:28Hey, Nihat!
30:31What's wrong?
30:32Mevkiveh?
30:34Is that you?
30:35Yes.
30:40Mevkiveh.
30:42I just had a terrible nightmare.
30:44Don't tell me. Tell me.
30:47Well, I was a stomach and nothing else.
30:53I was inside him, inside my stomach, you know?
30:58It was just a stomach, you know?
31:01Just that, a belly.
31:03What?
31:05It turns out that everything I ate tonight was attacking me, Mevkiveh.
31:11The fried vegetables, the empanadas, even the moussaka, everything wanted to attack me.
31:18And what do you think is the moral of the dream, Nihat?
31:21I think it means I want to eat moussaka.
31:24So that's what you understood from the dream.
31:27Hey, I'm not very good at interpreting dreams, really.
31:31But of course, if you cook all the dishes that I like at the same time and you put them in front of me,
31:36you see, that's what happens to me, that then I become a stomach.
31:41Oh, so you say it's my fault.
31:44Bravo.
31:46Where are you going?
31:47Huh?
31:48Where are you going?
31:49I'm going to drink water, woman.
31:51Now I'm a stomach, and if I don't calm it down, maybe tomorrow I'll become another organ of the body.
31:58But I'm not going to take that risk.
32:01Fine.
32:03Yes.
32:04Well, I'll go get some water.
32:07But don't forget to cook my moussaka.
32:09Of course.
32:10Ugh.
32:13What do I have to put up with?
32:15He really looks like a kid.
32:17He won't let me sleep.
32:25Well, guys, I'll tell you.
32:27Our rival is an agency whose name we still don't know.
32:30But from now on, we're going to declare war on them.
32:33We'll fight to the death.
32:34By the way, uh, we haven't found Jan.
32:36I don't know where he's been for a long time.
32:39We have to find locations for the shoot.
32:41How do we do it?
32:42We'll do it like this.
32:44The cream creator will look for the locations.
32:48Me? But...
32:49Yes.
32:50But I have no idea.
32:51The director has to choose.
32:52Because I really don't know much.
32:54You're right.
32:55Hey, but what if my brother doesn't approve it?
32:57Follow the trend.
32:59So...
33:01It's about instruments to show the audience the product we're announcing.
33:07And Sanem knows the creams much better than any of us, right?
33:11That's right!
33:13Of course, Sanem.
33:14You're the soul of this project.
33:17Yes, yes.
33:18Because in the end, what is a soulless body?
33:20A zombie.
33:21A zombie.
33:22And this is Fiki Arica, not the land of zombies.
33:25Sanem, we'll send you all the details later.
33:28The reservation is already made.
33:31Hurry up.
33:32You have to be there before the day is over.
33:35Now I'm really intrigued.
33:37Okay.
33:38But listen to me.
33:39If she doesn't like the locations, it's her fault.
33:42Don't worry.
33:44Is my brother aware of this?
33:46Did he suggest it?
33:47Of course, he suggested it.
33:49I'm leaving.
33:50Have a good trip.
33:51Bye.
33:52Take care.
34:01Oh, good morning.
34:02Hi.
34:03I have a reservation in the name of the company Fiki Arica.
34:07Here you go.
34:08One moment.
34:09Okay.
34:10I appreciate it.
34:12Here it is.
34:14309.
34:15Here you go.
34:16Which one?
34:17309.
34:18Okay, thank you.
34:19I don't know anything about this area.
34:20Can you find me a guide?
34:21Yes, of course.
34:23How kind.
34:25No need.
34:27Here's your guide.
34:28Jan?
34:29David.
34:30At your service.
34:31Don't you see?
34:32He's up to something.
34:34Well, I noticed it.
34:35I'm not an idiot.
34:37Before we start, I want to tell you that you will be very satisfied with my service, Sanem.
34:42Where do you want to start?
34:43As deep as your heart.
34:46Maybe you'll find me there, but don't give yourself another blow to the head.
34:50But don't be like that, Sanem.
34:52What I had was a serious accident.
34:54I spent a lot of time in the hospital and lost good memories.
34:57I survive all that, but it seems that here you are the victim.
35:00Do you think we have good memories?
35:02Seriously, what a surprise.
35:04Well, of course.
35:05I'm sure of that.
35:07I already read the book.
35:08Did you read it?
35:09Yes.
35:10I didn't sleep.
35:12All night.
35:15What would you have written a saga about your love?
35:17I just read your book.
35:18What?
35:19No, no.
35:20It's there.
35:21Jan, it's there.
35:23It doesn't matter.
35:24Anyway, I came here because I want to enjoy the beach and return to Istanbul.
35:28So I don't need a guide.
35:31Hey Sanem, I know you don't need my services,
35:33but I have to tell you that your room is on the other side.
36:01Miss Sanem, wait a second.
36:03Please wait.
36:04I'm your guide, Yandivid.
36:06I'm at your service.
36:07I already told you that I don't need any guide.
36:10Fikri Arika paid me in advance and I have to give this service.
36:14Can I ask you a question?
36:16Very well, of course.
36:17I heard some rumors about the boss of that agency.
36:19Is it true that he is very arrogant?
36:21No, of course not.
36:23Not at all.
36:24Actually, he behaves like a gentleman.
36:26And besides, he is very handsome.
36:30Maybe I thought so.
36:31Well, anyway.
36:32Do you want a beach towel?
36:34I have mine, thank you.
36:35Well,
36:38I also have sunscreen for you.
36:41I brought mine, thank you very much.
36:44And cream for after having sunbathed?
36:48I appreciate it very much.
36:49But I won't sunbathe for a long time.
36:52You don't want anything from me?
36:55One thing.
36:57What? Tell me.
36:58I'll do it with pleasure.
37:00Leave me alone.
37:01I need to breathe.
37:03Be alone and a little quiet.
37:05Okay?
37:10We'll see.
37:13What will you do to Nemko?
37:14I don't know.
37:15I don't know.
37:16I don't know.
37:17I don't know.
37:18I don't know.
37:19I don't know.
37:20I don't know.
37:21What will you do to Nemko when you see my brother?
37:23He hasn't called screaming.
37:24So the plan must be working, don't you think?
37:26I understand that they talk about those things at meetings.
37:28In which they don't let me attend.
37:30This agency has changed a lot lately.
37:33It's a hostile place.
37:34There's only gossip.
37:35It's all that comes out of here.
37:36Only gossip.
37:37What are you talking about?
37:38It's over.
37:39It's the truth.
37:40It's over.
37:41What happened?
37:42The Drips agency made a proposal to Mr. Nestini.
37:43They already signed the pre-contract.
37:45Ah!
37:46Well, that's bad.
37:47Oh, don't tell me.
37:48But who are they?
37:49Ignorants.
37:50A new agency full of energy and ambition.
37:52Ambitious and voracious.
37:53Like sharks.
37:54That's how they are.
37:55Like sharks that stick to a dam.
37:57And they go out to hunt at all hours.
37:59They're hunting all the time.
38:01They may be looking for blood.
38:02That's right.
38:03They look continuously.
38:04They are insatiable predators.
38:06Some beasts.
38:07Full of teeth and fangs.
38:08Enough.
38:09They are insatiable beasts.
38:10Yay, yay.
38:11Enough.
38:12Those are, you know.
38:13We have to call Jam.
38:14Because we can't solve this problem without him.
38:16Sanem, you should know too.
38:17Please.
38:18Do you want to calm down?
38:19Don't you realize?
38:20You're making them nervous.
38:22That's right.
38:23Who's nervous?
38:24Oh, no.
38:25I see them normal.
38:26Besides, we couldn't do anything here without them.
38:28The best thing would be to close and leave.
38:30No, no.
38:31That's not it either.
38:32I've found myself here.
38:33I can't leave this place now.
38:35This agency has already become my home.
38:36And I would even die for it.
38:38Let's go.
38:39Let me go.
38:40Shut up.
38:41Let's go.
38:42Goodbye.
38:43They're like sharks.
38:44Young and brave.
38:45Ambitious and hunt.
38:46It's a shark agency.
38:48Show them your talent.
38:49Kalina, move.
38:50They're the sharks of the market.
38:51Walk, walk.
39:19What's wrong?
39:20Are you looking for Jan?
39:21No, I'm not.
39:22I'm not looking for Jan.
39:23I'm looking for you.
39:24I'm looking for you.
39:25I'm looking for you.
39:26I'm looking for you.
39:27I'm looking for you.
39:28I'm looking for you.
39:29I'm looking for you.
39:30I'm looking for you.
39:31I'm looking for you.
39:32I'm looking for you.
39:33I'm looking for you.
39:34I'm looking for you.
39:35I'm looking for you.
39:36I'm looking for you.
39:37I'm looking for you.
39:38I'm looking for you.
39:39I'm looking for you.
39:40I'm looking for you.
39:41I'm looking for you.
39:42I'm looking for you.
39:43I'm looking for you.
39:44I'm looking for you.
39:45I'm looking for you.
39:46Are you looking for Jan?
39:48Of course not.
39:49Why do you say that?
39:50I'm looking to the shore because I'm watching the towel.
39:52That's all.
40:17Oh, Jan.
40:18What I was missing.
40:19Look how it's splitting.
40:23Look at me.
40:27Get on.
40:28How do I get on?
40:29I'm not a dolphin.
40:30Do you want me to give you a hand?
40:32Oh, of course not.
40:33I don't want to.
40:34There's a beautiful island over there.
40:36And if you're not going to visit it, you're going to regret it.
40:39Okay.
40:40But after the visit to the island, I'm going back to Istanbul, Jan.
40:45As you wish.
40:47Where do I get on?
40:49How do I get on?
40:52Leylita, I swear I can't live without this agency.
40:54I swear they're taking a big risk.
40:56You have to calm down.
40:57They could visit me or even injure me.
40:59Musa, calm down.
41:00Seriously.
41:01And besides, what is this messenger doing in this room?
41:03It's an important meeting.
41:04What is he doing here?
41:05Can you calm down?
41:06Musa, now is not the time.
41:08But what do you say?
41:09Are you serious?
41:10What?
41:11Did I make a mistake?
41:12Ah.
41:14Very good.
41:15Ah.
41:16Calm down.
41:17What are you doing?
41:18Wait, you're still paying him.
41:19But please explain yourself.
41:20Why do you want to fire him?
41:21What do you want me to do?
41:23Either I throw the phone or I hit the wall.
41:25Calm down.
41:26Sit down there.
41:27Please calm down.
41:28Govern yourself.
41:29Very good.
41:30Yes.
41:31I've been talking to my infiltrator.
41:32Ah.
41:33They're going to change their strategy.
41:34They're contacting celebrities.
41:36You don't know what that is.
41:37Let him go.
41:38Let him go.
41:39Of course.
41:40They're going to center their campaign on stars.
41:41I knew it.
41:42They're not great creatives, but they're good businessmen.
41:46Deren, Dreams spoke to Kylie Jenner's representative.
41:50I can't believe it.
41:51Where did they get so much money from?
41:53What an exaggeration.
41:54The team believes that we cannot compete in budget
41:57and that it would be best to focus on another campaign.
42:00I'm going to focus on you, but in another agency.
42:03You can go now.
42:04Oh, this is going from bad to worse, right?
42:07I'm having that feeling.
42:09Silence.
42:10We have to talk to them.
42:12No, not at all.
42:13We have to talk to our own team.
42:16If we give up now, we'll ruin our reputation.
42:19Exactly.
42:20Oh, our reputation.
42:21That's right.
42:22We have to be strong.
42:23Reputation is very important.
42:24It's fundamental for an advertising agency.
42:26I'm not afraid of panic, okay?
42:27Sure.
42:28I'm nervous, and you're calm.
42:29Goodbye.
42:30Good, JJ, you got it.
42:31You're finally in a meeting.
42:33Ha ha ha ha ha.
42:35Well, of course, as it should be.
42:36You're the newbie here.
42:38Emre, I was wondering if you could come to the office.
42:41Come on, move.
42:44Guys, you can't be so pessimistic.
42:46This is not the first obstacle we face together.
42:52Friends, don't worry.
42:53We're going to solve this problem.
42:55We'll all get through this, okay?
42:57We're a trustworthy agency.
43:05What are you doing?
43:08Huh?
43:09Let's see, team.
43:11Do you remember this paper?
43:14Yes, yes, I always see it in the bathroom.
43:17It's from the last campaign.
43:18Oh, I forgot.
43:20Our rivals had a famous comedian.
43:24We, a tender and adorable baby.
43:27And we stole their campaign.
43:30That's right.
43:31That's right.
43:34Whoever forgets their past has no future.
43:37Let's get the campaign back.
43:39And our ideas.
43:41Of course.
43:42The main thing is to keep working.
43:44And not lose motivation.
43:46And you don't lose motivation.
43:48We are Fikirijarika.
43:49Fikirijarika.
43:50We will not give up without fighting.
43:52To prove it.
43:53I want to see them.
43:54We're going to make it.
43:56That's right.
43:57That's right.
43:58Good job.
43:59Good job.
44:00It was fantastic.
44:01You're the best.
44:02What are you doing?
44:03Of course.
44:04I'm so tired.
44:05I'm leaving.
44:07Do you remember this?
44:08Of course.
44:09While you were still not working here.
44:11Yay, yay.
44:14But what a good speech.
44:16I was really amazed.
44:18At home it's like this with you?
44:20Because I would like.
44:21What do you care about that?
44:22But if you scream.
44:23Yay, yay.
44:24I want to know if they mistreat you.
44:25Come on, let's go.
44:36Bye.
44:37Bye.
44:38Bye.
44:39Bye.
44:40Bye.
44:41Bye.
44:42Bye.
44:43Bye.
44:44Bye.
44:45Bye.
44:46Bye.
44:47Bye.
44:48Bye.
44:49Bye.
44:50Bye.
44:51Bye.
44:52Bye.
44:53Bye.
44:54Bye.
44:55Bye.
44:56Bye.
44:57Bye.
44:58Bye.
44:59Bye.
45:00Bye.
45:01Bye.
45:02Bye.
45:03Bye.
45:04Bye.