The Scarlet Web is a 1954 British second feature crime film directed by Charles Saunders and starring Griffith Jones, Hazel Court and Zena Marshall. It was written by Doreen Montgomery.
Plot
Jake Winter, just released from prison, is approached by a blonde who asks him to steal a letter from a blackmailer who has targeted her husband.
Source: Wikipedia
Plot
Jake Winter, just released from prison, is approached by a blonde who asks him to steal a letter from a blackmailer who has targeted her husband.
Source: Wikipedia
Category
🎥
Short filmTranscript
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00:01:45Okay, you lot.
00:01:47♪
00:01:52I'll be seeing you.
00:01:53Not if I see you first, you won't.
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00:02:19Hey, you.
00:02:20Calling me?
00:02:22I don't see anyone else. Do you want a lift?
00:02:24Going to London?
00:02:25Yes, hop in.
00:02:26♪
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00:02:44What made you pick on me for the Lady Bountiful Act?
00:02:47Maybe I like the look of you.
00:02:49You often park outside prisons in case someone you like the look of comes out?
00:02:53I... I was passing when I saw you coming out.
00:02:56I felt sorry for you. You looked well, as if you weren't the type.
00:03:01And that cat won't jump.
00:03:03You weren't passing, you were parked outside.
00:03:06All right, I was.
00:03:07I've been parked out there every morning for a week, waiting for someone like you.
00:03:11Like me? Why like me?
00:03:13A man who looks as if a spot of danger wouldn't scare him.
00:03:17Tell me more.
00:03:20We could stop somewhere for coffee and talk.
00:03:25Do we stop?
00:03:30There's a place just ahead on the left there.
00:03:32♪
00:03:54And I told him it was no use him coming round here if he thought I was that sort of a girl.
00:03:58What would you like, coffee?
00:03:59Well, will you blame me?
00:04:02Two coffees, please.
00:04:06Sixpence.
00:04:14All this for a penny?
00:04:15Mm-hmm.
00:04:19What's this supposed to be?
00:04:20Coffee.
00:04:23Bye.
00:04:32So, crime does pay.
00:04:34So they tell me.
00:04:36J.W.
00:04:37John, Jim.
00:04:38Or James or Jeremy, take your choice, they're all nice names.
00:04:44Well?
00:04:46What were you in there for?
00:04:47Is that any of your business?
00:04:48It could be.
00:04:50It very definitely could be.
00:04:51See?
00:04:52Three months of breaking and entry.
00:04:54The baby cried, I was too soft-hearted to slap it down.
00:04:58If it were made worth your while, would you risk prison again?
00:05:01What's the proposition?
00:05:03To get a letter back from a man who stole it.
00:05:05A blackmailer.
00:05:06A creature without pity who's striving my husband to...
00:05:09Is this your husband's idea, getting hold of an ex-lay egg?
00:05:12Mine.
00:05:13I had to do something.
00:05:14He's on the edge of desperation.
00:05:16He might even...
00:05:18Where's the letter?
00:05:20I'll do it.
00:05:21I didn't say so.
00:05:22Where's the letter?
00:05:23In an office in Lombard Street, in the safe.
00:05:25Charles could tell you exactly.
00:05:26The man was a sort of partner of his.
00:05:28I thought you said Charles didn't know anything about this gambit of yours.
00:05:31Not yet.
00:05:32Will you do it?
00:05:33If you only knew how much it means to us.
00:05:35Let's go see Charles.
00:05:37Maybe he doesn't like people interfering with his private blackmail.
00:05:41Goodbye.
00:05:42Come again.
00:05:44Charles is in Paris on business, but he'll be back tonight.
00:05:47Could come to the flat, say, around seven.
00:05:52This is where we live.
00:05:53Mr. and Mrs. Charles Dexter, Seven Albion Mansions, West One.
00:05:58Worth blackmailing us, Charles.
00:06:00There's 50 pounds here.
00:06:03There'll be more when you get the letter.
00:06:06You are coming tonight, promise?
00:06:08What's to stop me taking this and gone with the wind?
00:06:11I'm not really so stupid.
00:06:13I've got the numbers and...
00:06:15And I've got a record.
00:06:17You've got something there.
00:06:19Say you'll come.
00:06:20At least you'll have the money.
00:06:22You'll come. At least discuss it.
00:06:26Or say something, yes or no.
00:06:30I prefer rye whiskey, ice, and the merest splash of soda.
00:06:53Will this do?
00:06:54Fine. Thanks for the lift.
00:06:56You are coming tonight.
00:06:58You've got the numbers, remember?
00:07:01Rye whiskey, ice...
00:07:03And the merest splash.
00:07:04I'll be waiting.
00:07:23Hello, Glamour. How goes it?
00:07:25Oh, Mr. Winter.
00:07:26Hey, Honeywell. Where's Forrester?
00:07:28Mr. Forrester isn't here.
00:07:29What's happened to him?
00:07:30He's visiting our New York office. Did you want to see him?
00:07:32This fellow Honeywell, my dear.
00:07:33Yes, but you can't go.
00:07:34Good morning.
00:07:35Who are you?
00:07:36I am Susan Honeywell.
00:07:38Who you are, it's far more to the point.
00:07:40I'm Mrs. Forrester.
00:07:41I'm Mrs. Forrester.
00:07:42I'm Mrs. Forrester.
00:07:43I'm Mrs. Forrester.
00:07:44I'm Mrs. Forrester.
00:07:45I'm Mrs. Forrester.
00:07:46I'm Mrs. Forrester.
00:07:47I'm Mrs. Forrester.
00:07:48I'm Mrs. Forrester.
00:07:49I'm Mrs. Forrester.
00:07:53Can't you read?
00:07:54Read? Why yes, great fun. Improving, too. Can you?
00:07:57I'm referring to the word private on the door.
00:07:59It means at the very least, please knock.
00:08:01Are you doing Forrester's job?
00:08:03I am.
00:08:05And I'm extremely busy.
00:08:07Much nicer than Forrester.
00:08:08You've got a big bushy mustache, you know, handle bars.
00:08:11Now you're trying to intimidate me.
00:08:13If there's anything you want, will you kindly say so?
00:08:15Otherwise...
00:08:17I'm Jake Winter.
00:08:18I got out today.
00:08:19I suppose Forrester did just mention where I was.
00:08:21Mr. Winter, of course, he did mention it.
00:08:24Oh, won't you sit down?
00:08:26Right.
00:08:27Oh, forgive me for being so abrupt. I didn't realise...
00:08:29Don't give it another thought.
00:08:31Did you... Did you hear anything, Forrest?
00:08:34I know where the bar and rubies are. That suit you?
00:08:36That's wonderful.
00:08:38I carted on to Larry Simms,
00:08:39the one they pinched in the castle grounds, remember?
00:08:41He was nursing a bit of a grudge.
00:08:43Said the rest of the gang had hired a cheap lawyer for him.
00:08:47Seems funny to be telling this to a pretty girl,
00:08:49instead of Forrester's whiskers.
00:08:51I'm sorry, I haven't got a moustache, Mr. Winter.
00:08:54Nevertheless, I am in charge of the department
00:08:56in Mr. Forrester's absence.
00:08:58Now, may I ask where the bar and rubies are?
00:09:04The rubies, Mr. Winter.
00:09:06Oh, the... Yes.
00:09:09Under the floorboards of number four,
00:09:11Francis Close, Bethnal Green.
00:09:13The house, if you can call it a house,
00:09:15belongs to a charming old boy I carried to court, Stinky Harper.
00:09:18Larry Simms' second cousin, I understand.
00:09:22Number four, Francis Close.
00:09:25I'll notify the yard right away.
00:09:27This will save the company about half a million in claims.
00:09:30The board will be delighted, Mr. Winter.
00:09:32So they ought to be.
00:09:33Three months in clink is doing your job the hard way.
00:09:35Tell them to try it sometime.
00:09:36By the way, this little effort of mine
00:09:38leaves me with a police record.
00:09:39Forrester was going to arrange with the yard about that.
00:09:41Your dossier fingerprints.
00:09:43The lot will be destroyed the moment we notify them.
00:09:45See to it right away.
00:09:46I don't want a figure in the rogues' gallery,
00:09:48even under a false name.
00:09:49I'll attend to it.
00:09:50Oh, technically speaking,
00:09:51you're also a member of the fraud squad.
00:09:53Fraud squad? Me?
00:09:54Yes, it was the only way we could arrange
00:09:55a prison sentence for you.
00:09:57Let me see, what name did you use in prison?
00:09:59Jack Warren, and get that dossier destroyed right away.
00:10:01Tonight, don't forget.
00:10:02I'll make a note of it.
00:10:04Jack Warren, right?
00:10:06Whatever made them give a girl this job?
00:10:07Are you the chairman's daughter or something?
00:10:09No, I am not.
00:10:10Nor am I anybody else's daughter.
00:10:12I just happen to have the necessary qualifications for the job.
00:10:15With those on, I can believe it.
00:10:16Take them off, put them in a drawer, smash them.
00:10:19I expect you'll be wanting some leave.
00:10:21Thanks, honey.
00:10:22Sally, that's a good name for you.
00:10:23Honey.
00:10:25Kindly prepare your report for the board,
00:10:26and I'll see you get your leave.
00:10:27Good girl.
00:10:29If you want an advance in salary,
00:10:30I'll be pleased to sign a chit for you.
00:10:31Do I have to get your permission to spend it?
00:10:34I don't think that'll be necessary, Mr. Winter.
00:10:36Mr. Forrester used to pass the box over,
00:10:38fill your pockets up, Jake.
00:10:39He'd say the company pays for them after all.
00:10:42It so happens that I paid for these,
00:10:43but please go ahead, help yourself.
00:10:45Oh, thanks very much.
00:10:47I'll do as much for you sometime.
00:10:48Well, I must be on my way.
00:10:50So long, honey.
00:10:53Mr. Winter.
00:10:54If you don't mind, I'm trying out a new scheme.
00:10:57Your report in triplicate, please.
00:10:59Any special color of ink?
00:11:01No. You choose.
00:11:12I'm afraid I can't.
00:11:14I'm afraid I can't.
00:11:16I'm afraid I can't.
00:11:18I'm afraid I can't.
00:11:20I'm afraid I can't.
00:11:22I'm afraid I can't.
00:11:24I'm afraid I can't.
00:11:26I'm afraid I can't.
00:11:28I'm afraid I can't.
00:11:30I'm afraid I can't.
00:11:32I'm afraid I can't.
00:11:34I'm afraid I can't.
00:11:36I'm afraid I can't.
00:11:38I'm afraid I can't.
00:11:41I'm afraid I can't.
00:11:43I'm afraid I can't.
00:11:45I'm afraid I can't.
00:11:47I'm afraid I can't.
00:11:49I'm afraid I can't.
00:11:51I'm afraid I can't.
00:11:53I'm afraid I can't.
00:11:55I'm afraid I can't.
00:11:57I'm afraid I can't.
00:11:59I'm afraid I can't.
00:12:01I'm afraid I can't.
00:12:03I'm afraid I can't.
00:12:05I'm afraid I can't.
00:12:07I'm afraid I can't.
00:12:10I'm afraid I can't.
00:12:12I'm afraid I can't.
00:12:14I'm afraid I can't.
00:12:16I'm afraid I can't.
00:12:18I'm afraid I can't.
00:12:20I'm afraid I can't.
00:12:22I'm afraid I can't.
00:12:24I'm afraid I can't.
00:12:26I'm afraid I can't.
00:12:28I'm afraid I can't.
00:12:30I'm afraid I can't.
00:12:32I'm afraid I can't.
00:12:34I'm afraid I can't.
00:12:36I'm afraid I can't.
00:12:38Everyone should do three months in jail.
00:12:40It's the only way to appreciate comfort.
00:12:46I'd forgotten your expensive lighter.
00:12:48Tell me,
00:12:50was prison very bad?
00:12:52Well, I guess they don't mean it to be a rescue, huh?
00:12:56Don't think about it.
00:12:58It's all over.
00:13:00That's not so easy. Three months is a long time.
00:13:02The taste lingers.
00:13:04This'll take the taste away for you.
00:13:08You know,
00:13:10just being able to smoke a cigarette in peace
00:13:12is worth keeping straight for.
00:13:14Rye,
00:13:16ice,
00:13:18and the merest splash.
00:13:20Try it.
00:13:22Perfect.
00:13:26I still don't know your name.
00:13:28No.
00:13:30Aren't you going to tell me now you're here in my home?
00:13:34As I see it, you've a proposition.
00:13:36If I like what you've got to say,
00:13:38then you can have my name, telephone number, and size in shirts.
00:13:40Until then, let's leave it, huh?
00:13:42If that's how you feel.
00:13:46Let me take your glass.
00:13:54Wasn't Mr. Dexter
00:13:56supposed to be here?
00:13:58Not that I'm complaining, Marjorie.
00:14:00Oh. I should have told you.
00:14:04I got a telegram.
00:14:16You don't mind waiting for a while?
00:14:21No.
00:14:24It won't be long.
00:14:26I hope not.
00:14:28Looking forward to a spell of solid sleep.
00:14:30Feel all washed up.
00:14:32All this early rising.
00:14:36I'm so sorry, Charles, Mr. Plain.
00:14:38But I do appreciate your waiting.
00:14:40I'll put some records on. Would you like that?
00:14:42Fine.
00:14:52Better not touch. Charles wouldn't like it.
00:14:56He's a perfect baby about them. Collects them.
00:14:58At least he used to
00:15:00before he became so worried.
00:15:04What sort of records does Mr. X desire?
00:15:06I'll leave it to you.
00:15:28You like dancing?
00:15:30I don't have much time for it.
00:15:34You have a sense of rhythm.
00:15:36Like that, for instance.
00:15:46I don't know.
00:15:48Must be the drinks.
00:15:50Not used to it anymore.
00:15:52Anything wrong?
00:15:54No. I feel fine.
00:15:59What a...
00:16:01What a queer feeling.
00:16:10You! It's you!
00:16:28It's you!
00:16:58It's you!
00:17:28It's you!
00:17:58Joan!
00:18:00Hey, Joan!
00:18:08Where are you, Joan?
00:18:28Get me the police, quickly.
00:18:32Been wrenched off a piece of jewellery,
00:18:34I should imagine, sir.
00:18:36I can't say I've seen it before, Inspector.
00:18:38Might be off a bag or something of the sort.
00:18:40Ladies sometimes wear their initials
00:18:42on such things.
00:18:44I can't say I know every piece of jewellery
00:18:46my wife has.
00:18:48I've never seen it before.
00:18:50I've never seen it before.
00:18:52I've never seen it before.
00:18:54I've never seen it before.
00:18:56I can't say I know every piece of jewellery
00:18:58my wife had.
00:19:00The point is, there isn't any you in your wife's name.
00:19:02Joan Mary Dexter, you said.
00:19:04I can't explain it at all.
00:19:06Inspector Henry.
00:19:08Yes, sir?
00:19:10I suppose there'd be no objection
00:19:12to my going to an hotel tonight.
00:19:14I can't face staying here.
00:19:16We were...
00:19:18We were very happy, you see.
00:19:20By all means, stay in that hotel, sir.
00:19:22All right. I'll take it.
00:19:26Hello?
00:19:28Ah, yes, good, Wim. Anything on those dabs?
00:19:30Good.
00:19:32Send out an all-station call for him.
00:19:34Right away. Yes, goodbye.
00:19:36Well, we're in luck, sir.
00:19:38The fingerprints we found are of a fellow called Warren.
00:19:40Only got out of prison this morning
00:19:42makes you think, doesn't it?
00:19:44This man's got to be found, Inspector.
00:19:46We'll get him all right, don't worry.
00:19:48He hasn't a hope in Hades.
00:19:56The word private
00:19:58is still on the door, Mr Winter.
00:20:00Perhaps you didn't notice.
00:20:02The big executive herself.
00:20:04Look at that.
00:20:16Remember me? Jack the Jailbird?
00:20:18But...
00:20:20This... This isn't you.
00:20:22It is, and in case you don't know it,
00:20:24wanted for questioning is a polite way of saying
00:20:26wanted for murder.
00:20:28Did you?
00:20:30Did you murder her?
00:20:32Strangely enough, no.
00:20:34Now do you see why women shouldn't be allowed in business?
00:20:36No, no, I don't. I'm sorry if I'm dumb.
00:20:38Did I or did I not instruct you to get in touch with the commissioner
00:20:40about that dossier of mine?
00:20:42Did I or did I not impress on you the danger of a police dossier?
00:20:44A dossier entirely undeserved.
00:20:46A dossier obtained innocently in the conscientious performance of its duty.
00:20:48Stop shouting at me!
00:20:50And kindly take that hat off.
00:20:54Now, if you've got yourself under control...
00:20:58If you'd done what I asked, the police wouldn't know my fingerprints
00:21:00from little Annie Rooney's.
00:21:02And look at my picture, plastered over every front page in the country.
00:21:04I apologize for not attending to the matter immediately,
00:21:06but I suppose I could ask
00:21:08what your fingerprints were doing in a room with a body.
00:21:10It sounds as phony as...
00:21:12Will you kindly take those glasses off?
00:21:16I was framed.
00:21:18Deliberately framed.
00:21:20Who by?
00:21:22My mother. She was in Mrs. Dexter's flat,
00:21:24dishing out Mrs. Dexter's drinks.
00:21:26Probably, who knows, wearing Mrs. Dexter's dress.
00:21:28But it would be late to discover
00:21:30Madam D is definitely the Spanish type.
00:21:32Go on.
00:21:34Oh, it's a simple little tale, soon told.
00:21:36Well, go on, tell it. I know all about men and blondes.
00:21:38Do you now?
00:21:40Well, it wasn't like that as it happened.
00:21:42She was parked outside the prison when I came out
00:21:44and she offered me a lift. On the way, she put up a proposition.
00:21:46No.
00:21:48She said her husband was being blackmailed, some letter he'd written.
00:21:50She suggested I should break into the place where the letter was
00:21:52and get it back.
00:21:54She even thrust 50 pounds into my hot and sticky palm
00:21:56on account, she said.
00:21:58Do you mean you actually agreed to break in somewhere?
00:22:00Of course I didn't. I didn't think her story was genuine.
00:22:02I wanted to find out what she was up to.
00:22:04Then why did you accept the money?
00:22:06Because she wouldn't have told me anymore if I hadn't.
00:22:08What happened then?
00:22:10She asked me to go to her flat at 7 last night and meet her husband.
00:22:12Well, I went, but no husband.
00:22:14She trotted out of wire saying he'd been detained in Paris.
00:22:16Fed me some knockout drops
00:22:18and bingo, out for the count.
00:22:20Does it sound very phony?
00:22:22100%.
00:22:24But go on.
00:22:26When I woke, no blonde.
00:22:28Just a brunette.
00:22:30Dead. Very dead.
00:22:32And me with a knife in my fist.
00:22:34And who the heck's going to believe it?
00:22:38Wouldn't it be a good idea if we found out
00:22:40if Charles Dexter really was in Paris?
00:22:42He was.
00:22:44His plane didn't get into North Holton till nearly 7.30.
00:22:46What time was his wife killed?
00:22:50Now, that's a thought.
00:22:52When I found her, she was cold. Stone cold.
00:22:56She must have been dead at least an hour before I got to the flat.
00:22:58All the time we were drinking and playing music on the radiogram,
00:23:00that girl was lying there.
00:23:02It really is 100% phony, isn't it?
00:23:04Yes.
00:23:06But I believe it.
00:23:08Thanks.
00:23:12There was something I found beside the body.
00:23:14A letter U in gold caught up in her hair.
00:23:16What size was it?
00:23:18Less than half an inch, I'd say.
00:23:20Any tags, as if it had been attached to something?
00:23:22One on each tip of the U.
00:23:24Could it have been part of a bracelet or necklace?
00:23:28The letter U isn't in Joan Dexter.
00:23:30Maybe it belonged to the blonde.
00:23:32A blonde with a U in her name. That's a great help.
00:23:36Jake!
00:23:38I apologize. I mean, Mr. Winter.
00:23:40Keep it a Jake, honey. What is it?
00:23:42Charles Dexter. I knew that name meant something to me.
00:23:46You wouldn't let me in on this, would you?
00:23:48Let me see now. Before I came, it would be under Forrester's lot.
00:23:50I knew it.
00:23:52I'm here, remember?
00:23:54Dexter took out a mutual benefit life policy for him and his wife
00:23:56two months ago, and look at the size of it.
00:23:5850,000. It's a motive, all right.
00:24:00I'm going to do a bit of checking at friend Dexter's office.
00:24:02Let me look at that address.
00:24:04Find out if he needs the cash. Maybe about his taste in blondes, too.
00:24:06You think you ought to go out?
00:24:08It's okay for the moment, provided some bright spark
00:24:10in the fraud squad doesn't connect me with Jack Warren.
00:24:12Oh, Jake, if only I'd done as you asked.
00:24:14Forget it. It's done.
00:24:16But surely by now the yard will have connected you and Jack Warren as the same person?
00:24:18Not necessarily. They work in departments at the yard.
00:24:20But they might any minute.
00:24:22That's why I've got to crack this while I'm still loose.
00:24:24Once I'm colored, I have no hope.
00:24:26And I and the department will be behind you in every possible way.
00:24:28You're sweet.
00:24:32It's far too long since someone kissed you.
00:24:40Oh.
00:24:54Uh, Mr. Dexter in?
00:24:56I'm afraid not. I'm not expecting him for a few days.
00:24:58Ah, of course not.
00:25:00His tragic bereavement.
00:25:02Right. If there's anything I can do, I'm Mr. Dexter's secretary.
00:25:04Ah, well now, maybe you can.
00:25:06I'm from the courier.
00:25:08Anything else about the tragedy, perhaps?
00:25:10Sit down, won't you?
00:25:12Oh, thank you.
00:25:14I don't think that Mr. Dexter would care to have his staff talk to newspaper people.
00:25:16Oh, perhaps not.
00:25:18But they'll be around just the same.
00:25:20It's just as well to get the story than the first that comes along.
00:25:22Saves talking to the others.
00:25:24Really?
00:25:26I don't know what to do.
00:25:28I don't want my photo in your paper, mind.
00:25:30I think I can promise to keep it out.
00:25:32Well, what were you wanting to ask?
00:25:34Well, now, Mr. Dexter's a pretty successful man.
00:25:36Rich, prosperous.
00:25:38I imagine so.
00:25:40Did you know Mrs. Dexter?
00:25:42I met her, naturally. A delightful gal.
00:25:44Don't think I'm merely being nosy, Miss, um...
00:25:46Riggs.
00:25:48Please don't mention my name.
00:25:50Annabelle Riggs.
00:25:54Don't think, as I say, it's just vulgar curiosity,
00:25:56but were Mr. and Mrs. Dexter on good terms?
00:25:58I never saw anything to the contrary.
00:26:00You never heard of any other woman?
00:26:02I know nothing about Mr. Dexter's private life.
00:26:04You're sure?
00:26:06I'm employed as Mr. Dexter's secretary,
00:26:08not his chaperone.
00:26:10All right, if you insist.
00:26:12Any idea why Mrs. Dexter was killed?
00:26:14What?
00:26:16Haven't you seen the paper?
00:26:18I mean, that, um...
00:26:20Warren person.
00:26:22I believe he stole 50 pounds
00:26:24and would have taken more if Mr. Dexter hadn't disturbed him.
00:26:26Look at his photo.
00:26:28You can see the man's a criminal.
00:26:30I hope they hang him.
00:26:32I mean, one isn't safe in one's bed with such men about.
00:26:36Well, thank you for your help, Miss Riggs.
00:26:38Now, no photo.
00:26:40No photo.
00:26:54Where are you going, Simpson?
00:26:56To put these in Dexter's office.
00:26:58Mr. Dexter's office. Have you no manners?
00:27:00Okay, Mr. Dexter.
00:27:02Esquire.
00:27:16You don't want to listen to that, old horse.
00:27:18I've got a real story.
00:27:20But, uh, what's in it for me?
00:27:24Eight mark. It's good. Now give.
00:27:26Well, for a start, Dexter's bust.
00:27:28He's been shaky for months,
00:27:30but he fairly bought it last month.
00:27:32Oh, boy. Venezuelan tin.
00:27:34And insurance coming to him?
00:27:36Huh, has he? Only 50,000, that's all.
00:27:38Wish it was me. I'd do me old granny in for Forbes.
00:27:40As a matter of fact, if he hadn't have been in Paris,
00:27:42I wouldn't have put it past him to stick an eye for Mrs. D. himself.
00:27:46And one thing I do know, he won't be lonely for long.
00:27:48He's got a name for the girls, has he?
00:27:50One of them, anyway.
00:27:52Ooh, real Marilyn Monroe she is.
00:27:54No idea.
00:27:56I want that girl's name. Can you get it?
00:27:58Well, tell you what.
00:28:00I'll have a go at a private file when the old horse face is out of the way.
00:28:02Here.
00:28:06Five Dulcimer mules.
00:28:08Nothing ill. About eight this evening, eh?
00:28:10Hand me that.
00:28:12And bring the rest of the money. It's my birthday,
00:28:14and I feel like a bit of a bust.
00:28:16What an old cow.
00:28:18Coming, Miss Riggs.
00:28:44We are going to love our new hairstyle.
00:28:48What are you doing here?
00:28:50Looking for you.
00:28:52Who told you I was here?
00:28:54Carson at the office.
00:28:56Would you like a chair, sir?
00:28:58Oh, yes, thanks.
00:29:00Very feminine, you said, madam?
00:29:02Ah, that's it, yes. Lots of soft, fluffy little curls.
00:29:04A definitely fluffy look.
00:29:06Just a plain, serviceable style, Alphonse.
00:29:08I have no desire for it ever to look fluffy.
00:29:10Miss Honeywell's joking, Alphonse. Lots of curls.
00:29:12No, sir. You could have knocked me down with a feather.
00:29:14Here's me.
00:29:16Spent weeks trying to get Miss Honeywell to soften up,
00:29:18and in she comes today and suggests it herself.
00:29:20Alphonse. Madam?
00:29:22Nothing fluffy, you understand. Nothing fluffy.
00:29:24Oh, no, madam.
00:29:28Seeing that you barged in here, I suppose you've got something to tell me.
00:29:30I have.
00:29:32At least, I will have.
00:29:34Well?
00:29:36Five d'Arcymer Mews. Who lives there?
00:29:38Dexter's clerk.
00:29:40He's going to raid the secret file for a consideration,
00:29:42and so he's seen her.
00:29:44The blonde? Does he know her name?
00:29:46No, but he's hoping to find out.
00:29:50How do we know that Dexter has got something to do with this?
00:29:52We don't. It's just a hunch.
00:29:54Oh, yes, we do.
00:29:56Take a look at that.
00:29:5850 pounds taken.
00:30:00Numbers known.
00:30:02I don't get it.
00:30:04The blonde gave me the 50.
00:30:06Dexter couldn't have known the numbers except for her.
00:30:10There, madam. We are taking shape.
00:30:12We are taking shape.
00:30:20Don't look now, but the lady at the far end.
00:30:24I'm going, but fast. Meet me tonight at Harry's bar, 8.30.
00:30:26We'll celebrate.
00:30:28That's absolutely beautiful.
00:30:30Wonderful, Alphonse, but I just remembered.
00:30:32Important engagement. I must run.
00:30:34But, madam, you can't. You'll ruin it.
00:30:36Absolutely vital. I must run.
00:30:38Oh, will you send me the bill?
00:30:40Fair enough.
00:30:42Oh, no, Mrs. Farmington.
00:30:44You're not going to ruin yourself, too, are you?
00:30:46I'm certain. I'm almost positive.
00:30:48That man's Jack Warren. Look.
00:30:50No resemblance, madam.
00:30:52Oh, look at your pin curls.
00:30:54This is really a most disheartening day.
00:31:10Six o'clock, at last.
00:31:12It still wants two minutes till six, Simpson.
00:31:14Let it want.
00:31:18I'd be ashamed to take my money on a Friday if I were you.
00:31:20I'd be ashamed to offer it if I were Dexter.
00:31:28I'm sorry.
00:31:30I'm sorry.
00:31:32I'm sorry.
00:31:34I'm sorry.
00:31:36I'm sorry.
00:31:38I'm sorry.
00:32:08I'm sorry.
00:32:30May I ask
00:32:32what you're doing in a private file, Simpson?
00:32:34Just locking it, Miss Riggs.
00:32:36Miss Riggs, you forgot to.
00:32:38I forgot?
00:32:40I never forget.
00:32:42Well, you did this time. See?
00:32:44I'm not at all satisfied, Simpson.
00:32:48I'm perfectly certain
00:32:50I didn't leave that file unlocked.
00:32:52Oh, what's the difference anyway?
00:32:54Well, I'm off. I can't stand here arguing all night.
00:32:56It's my birthday, you know, and I've got plans.
00:32:58Good night.
00:33:00Come back. At once, I say.
00:33:02Oh, put a socket in.
00:33:07Rather interesting.
00:33:09I want Mr. Dexter's home.
00:33:36Good night.
00:34:06Good night.
00:34:36Good night.
00:35:06Happy birthday
00:35:08to you.
00:35:10Happy birthday
00:35:12to you.
00:35:14Happy birthday, dear
00:35:16Simmy.
00:35:18Happy birthday
00:35:20to you.
00:35:22Hey, Simmy!
00:35:24He's in the old so-and-so.
00:35:26He's lights on.
00:35:28Glorious beer.
00:35:30Hey, shut the door open. Come on.
00:35:32Oh,
00:35:34sweet
00:35:36Genevieve.
00:35:38The years may come.
00:35:40The years
00:35:42may go.
00:35:44And still the hand
00:35:46of Mary
00:35:48will...
00:35:56It's old Simmy, isn't it?
00:35:58Looks like he's hanged
00:36:00himself.
00:36:02On his birthday, too.
00:36:04Well, I suppose he cut
00:36:06himself down.
00:36:08Someone done it to him.
00:36:10There he is. Get him, Cyril!
00:36:12Quick, Ben, after him!
00:36:42Come on, you two. Now break it up.
00:36:44Break it up.
00:36:48Look, that's your fool.
00:36:50It's him.
00:36:52What's all this about?
00:36:54Simmy! He's in there! Simmy, he's murdered!
00:36:56We'll get along on a stick,
00:36:58and if you don't...
00:37:00Kloss!
00:37:02You let him get away.
00:37:04He done old Simmy, and you look in there.
00:37:08Is that your wallet?
00:37:10Is that your wallet?
00:37:12It can't be mine.
00:37:14It must be his.
00:37:16What are you going to look like?
00:37:18Letting him get away with it?
00:37:20That'll be enough from you.
00:37:22Come on, where's this Simmy? He's up there.
00:37:32There you are, ma'am.
00:37:34Two of those, you won't care whether your boyfriend
00:37:36never turns up. Really?
00:37:38You know, it's a funny thing, ma'am.
00:37:40In my young days, the boys used to wait for the girls.
00:37:42Now the girls even foot the bill.
00:37:44Indeed? It ain't natural.
00:37:46I look at a pretty young lady like you now,
00:37:48hanging around, waiting for some fella.
00:37:50I am not hanging around. I haven't been waiting
00:37:52for a business associate. Oh, have you got any cigarettes, please?
00:37:54Business. That's another thing I don't know it with.
00:37:56Girls in business.
00:37:58Leaving their homes,
00:38:00bossing people around. Cigarettes, ma'am.
00:38:02Oh, thank you.
00:38:04Sorry, old mate.
00:38:06Jake, what's happened? Large rye ice and splash.
00:38:08Yes.
00:38:10Tell me.
00:38:12Simpson was dead
00:38:14when I got there. Murdered.
00:38:16The stuff he bought for me, burnt.
00:38:18I ran into two of his friends.
00:38:20Jake. Worse, there was a policeman.
00:38:24No whiskey, sir?
00:38:26Got any money, sir?
00:38:28I haven't got a bean on me.
00:38:44That's torn it.
00:38:46My wallet. I dropped it in the mews.
00:38:48What was in it?
00:38:50The notes the blunt gave me. A bunch of business cards.
00:38:52All of them.
00:38:54All neatly engraved in the name of Jake Winter.
00:38:56And my fingerprints all over it. How do you like that?
00:38:58They'll be looking for you at your flat.
00:39:00You'd better come to mine. No.
00:39:02They won't think I'm looking for you there? No.
00:39:04Drink every cup. Let's get out of here.
00:39:06I absolutely refuse to. It's no good.
00:39:08You're trying to... Stop.
00:39:10Oh, for heaven's sake.
00:39:12Stop arguing.
00:39:14You needn't think I'm staying. I'm not.
00:39:16Scared?
00:39:18I won't touch you. You little idiot.
00:39:20Haven't you heard of accessory after the fact?
00:39:22Frequently.
00:39:24So what?
00:39:32I love you.
00:39:34You little half-wit.
00:39:40Jake, you're crazy to go out of here.
00:39:42They know who you are, where you live, everything about you.
00:39:44I'm not dragging you into it.
00:39:46But I'm in it, you ass. Be sensible, Jake.
00:39:48We've got to prove it, wasn't you? Otherwise we're both in the soup.
00:39:50Listen, Sue...
00:39:54Tell me more about Simpson's flat and what happened there.
00:39:58I just found this.
00:40:00It's a bill, that's all.
00:40:04Wait.
00:40:06A to D. It won't mean anything, honey.
00:40:08Then why did Simpson bring it?
00:40:10Yeah. Why did he?
00:40:12Dawson, Dawson, Dawson.
00:40:14Dawson...
00:40:16Dawson and Fred.
00:40:18753 Charles Street, SW1.
00:40:20And Jake.
00:40:22It's a jeweller's.
00:40:24Probably a brooch for his wife.
00:40:26Gold cigarette case for a rich client.
00:40:28A jam spoon for Miss Riggs' wedding.
00:40:30Anyway, it's worth trying.
00:40:32I'll go first thing in the morning.
00:40:34Get up off there.
00:40:36What are you doing?
00:40:38Trying to make a bed for you.
00:40:40Gosh, Sue, I feel bad about this.
00:40:42Oh, shut up. Anyone would think I was trying to compromise you.
00:40:44Why not?
00:40:46Sorry, but it's an awfully nice thought.
00:40:52There.
00:40:54It's a bit hard, but it's better than Pentonville.
00:41:02Good night.
00:41:04Darlings.
00:41:06Good night.
00:41:14Good night, darling.
00:41:36Good night.
00:41:56Good morning, madam. May I help you?
00:41:58Good morning.
00:42:00I wonder if you can...
00:42:02It's about this bill.
00:42:04The accounts, and unfortunately...
00:42:06Well, you can see what's happened.
00:42:08We don't seem to be able to trace what the account is for.
00:42:10Well, let's see if we can help you, madam.
00:42:16If you could give me the name of the customer.
00:42:18Oh, yes. Mr. Charles Dexter.
00:42:24Ah, yes. Here we are.
00:42:26One gold chain bracelet.
00:42:28Initials in gold, depending.
00:42:30To spell the name Laura.
00:42:3234 pounds, six shillings and six pence.
00:42:34You'd like a copy receipt, madam?
00:42:36It won't take a moment.
00:42:38Yes, thank you.
00:42:42I suppose there's no mention of Laura's other name.
00:42:46We have so many details on our books.
00:42:48I'm afraid not, madam.
00:42:50Just Laura.
00:42:52Oh, well, thank you anyway.
00:42:54Good morning, madam.
00:43:02We'll have this ready tomorrow, madam.
00:43:06I'm not leaving it.
00:43:08I've changed my mind.
00:43:22Good morning, Miss Carson.
00:43:24I don't want to be disturbed for at least half an hour.
00:43:26Oh, but Miss Honeywell...
00:43:28Jake, are you mad?
00:43:30I only told you to stay at the flat.
00:43:32Look, Sue, I'm not going to get anywhere cooped up in a flat.
00:43:34Found anything?
00:43:36Well, they didn't know her other name.
00:43:38I still think you're mad to come here.
00:43:40Laura. A blonde called Laura.
00:43:42Where does that get us?
00:43:44Hello?
00:43:46Oh, put him through.
00:43:48It's Dexter on the telephone.
00:43:52Yes, Mr. Dexter?
00:43:54I understand you deal with claims.
00:43:56Good.
00:43:58As you probably know,
00:44:00owing to my wife's tragic death,
00:44:02I have a claim on your company for 50,000 pounds.
00:44:10It isn't usual for us to settle such large claims immediately, Mr. Dexter.
00:44:12Is there any special reason I could put forward to the board?
00:44:16The fact is, this is a business about my wife.
00:44:18Well, I don't mind telling you,
00:44:20I'm getting out of the country.
00:44:22I see.
00:44:24When were you planning to leave?
00:44:26I plan to leave early next week.
00:44:28Well, I'll do what I can, but I can't promise anything.
00:44:30You can get me here any time today,
00:44:32if you want to call or phone.
00:44:36Goodbye, Mr. Dexter.
00:44:42Get me B.O.A.C., please, and quick.
00:44:46There's a gentleman outside.
00:44:48Not now, Miss Carson, I'm busy.
00:44:50Yes, but he's in a minute.
00:44:56Uh, reservation inquiries, please.
00:44:58She's bound to give her real name because of her passport.
00:45:00Uh, hello?
00:45:02Imperial Insurance here.
00:45:04I wonder if you could help us.
00:45:06You have a booking early next week
00:45:08for a Mr. Charles Dexter
00:45:10of Albion Mansions, West 1.
00:45:12Yes.
00:45:14Uh, no, I'm afraid I don't know where for, but...
00:45:16Oh, thanks, yes. Right, I'll hold on.
00:45:20Uh, hello?
00:45:22Buenos Aires. Thanks.
00:45:24Uh, just a minute.
00:45:26Could you tell us also the name of his traveling companion?
00:45:28Mr. Dexter's traveling alone.
00:45:30Alone?
00:45:32You're quite sure?
00:45:34I see.
00:45:36Thanks. Goodbye.
00:45:40Dexter's secretary.
00:45:42She knew more than she was telling.
00:45:44Miss Honeywell,
00:45:46the inspector says he won't keep you a moment.
00:45:48In a minute.
00:45:50Who? A Scotland Yard inspector.
00:45:52Oh, tell him I'm not here.
00:45:54At a meeting, anything. Get it, if you like,
00:45:56but don't get him in dry bus.
00:45:58You see?
00:46:00Now what?
00:46:04Jake, where are you going?
00:46:06What's next door? This side.
00:46:08Conference room. Why?
00:46:10Anybody there? No, no. Good.
00:46:12Jake, don't be an idiot.
00:46:22Come on.
00:46:30Inspector Henry.
00:46:34Good afternoon, miss.
00:46:36Good afternoon, inspector.
00:46:48What do you want?
00:46:52You know who I am, don't you?
00:46:56There's no use murdering me.
00:46:58I've got no money.
00:47:02Maybe I'll let you live
00:47:04if you tell me the truth.
00:47:06What about?
00:47:08I want to know who's Laura.
00:47:10Laura Miss Riggs.
00:47:14I'd like to remind you
00:47:16I'm in a position of trust.
00:47:22Very laudable sentiment, Miss Riggs,
00:47:24but you see, I've no time to play around.
00:47:26Who's Laura?
00:47:28I...
00:47:30I give you just five seconds.
00:47:32Oh, dear me.
00:47:34One, two,
00:47:36three, four,
00:47:38five... Laura Vane.
00:47:40Where'd she live?
00:47:42I don't know.
00:47:44Just her phone number.
00:47:46Write it down.
00:47:49It had better be the right number, Annabel, my girl.
00:47:58Is that all you know about Laura Vane?
00:48:03There's a bungalow
00:48:05on the river.
00:48:07It's in her name, but he pays the rent.
00:48:10Oh, it's all so horrid.
00:48:13I tried not to notice
00:48:15that nice, refined Mrs. Dexter.
00:48:18I'll take the address.
00:48:28Thanks.
00:48:30Sorry if I scared you, Miss Riggs,
00:48:32but you see, I think Dexter and his Laura
00:48:34killed that nice, refined Mrs. Dexter,
00:48:36and I'm going to see they hang for it.
00:48:38Not a sound out of you for five minutes, understand?
00:48:46Heh.
00:48:57Hello?
00:48:58Sue, listen.
00:49:00I've got friend Laura's phone number
00:49:02and the address of the love nest.
00:49:04What's the matter? Aren't you alone?
00:49:06No. No, just a caller.
00:49:09Good. I'll be free shortly.
00:49:12Okay. See you at the flat. Bye.
00:49:15So sorry, Inspector.
00:49:17You'll let us know the minute this fellow Winter shows up?
00:49:19Very instant.
00:49:20Thanks. Well, I'll be on my way.
00:49:22This way, Inspector.
00:49:26So sorry, I couldn't be more helpful.
00:49:28Good day, Miss.
00:49:29Goodbye.
00:49:39Hello.
00:49:40It's only me.
00:49:41Sandwiches.
00:49:43Good.
00:49:44Any luck?
00:49:45How is the Inspector?
00:49:47Oh, all right. He's rather nice.
00:49:48Like a teddy bear.
00:49:49Hot on the trail?
00:49:50Absolutely.
00:49:51After you with those.
00:49:52Take a look at that.
00:49:54Quarter-deck Teddington.
00:49:56Rather naughty, isn't he?
00:49:58Oh, yes, he is.
00:49:59He's a good fellow.
00:50:00He's a good fellow.
00:50:01He's a good fellow.
00:50:02He's a good fellow.
00:50:03He's a good fellow.
00:50:04He's a good fellow.
00:50:05He's a good fellow.
00:50:06He's a good fellow.
00:50:07Rather naughty.
00:50:08Go for a love nest.
00:50:09Now, for a plan of campaign, let's recap.
00:50:12We know that Dexter and Laura Vane were in this together,
00:50:14presumably for the insurance money, right?
00:50:16We know that it was Laura who actually killed Joan Dexter.
00:50:19He was in Paris, right?
00:50:20Right.
00:50:21Now, the obvious next move, to my way of thinking,
00:50:22is to throw a spanner in the works,
00:50:23to get them at each other's throats.
00:50:25If they're the usual sort of rats, they'll turn on each other.
00:50:27I wonder if Laura knows that Dexter's on his way to Buenos Aires.
00:50:30That's it.
00:50:32She could be travelling by another route, of course.
00:50:34Still, there's no harm in trying.
00:50:37I've got the number.
00:50:43I bet there's no reply.
00:50:48Hello?
00:50:51Yes?
00:50:52How nice to hear your voice.
00:50:55This is your old friend, Jack Warren.
00:50:59Why so silent, Laura? Scared?
00:51:04Is this a joke?
00:51:05No, no, no, Laura, you haven't forgotten so soon, have you?
00:51:08Rye, ice, the Mary Splash, remember?
00:51:12I... I don't know what you're talking about.
00:51:14Ah, yes, you do, but we won't mind about that.
00:51:16Listen to me, Laura.
00:51:18I'm going to do you a favor.
00:51:20Yes, a favor.
00:51:22Returning good for evil, like they tell you to.
00:51:24The police are on to you, Laura.
00:51:27Why, there's no reason for them to be?
00:51:29Now, wait a minute, wait, Laura.
00:51:31You left an initial from your name bracelet in Dexter's flat that night.
00:51:35Did you know?
00:51:37Or maybe Dexter planted it there.
00:51:39I think he's planning to ditch you, Laura.
00:51:42Ask him about the booking he's got for Buenos Aires.
00:51:45Alone, Laura.
00:51:49Well, somehow, I don't think our Laura's going to let him.
00:51:52Well, somehow, I don't think our Laura is scheduled for the trip.
00:51:55What now?
00:51:57Obvious.
00:51:58Where are you going?
00:51:59Stay where you are. I'm going to change.
00:52:00What for? Are we going someplace?
00:52:02You're not, but I am.
00:52:04I wish I knew what you're talking about.
00:52:07It's obvious to me that you know nothing at all about feminine psychology.
00:52:11Look, Sue, this is no time to play puzzle corner.
00:52:15Where are you going? Or where do you think you're going?
00:52:18I know where I'm going.
00:52:20To Dexter's flat.
00:52:21And don't argue. Key word, psychology.
00:52:25It's obvious this Laura's going straight to Dexter's flat for a showdown.
00:52:29Occur to you she might ring him up?
00:52:32I said psychology.
00:52:34No woman's going to have a row with a man on the telephone.
00:52:36He might hang up on her.
00:52:38What are you doing?
00:52:39When our blonde arrives at the flat to chew Mr. Dexter into small pieces,
00:52:43should there be a third party present, a quiet, inoffensive third party,
00:52:48There's no telling what indiscretion she might hear.
00:52:50You're not going?
00:52:51Dexter has a claim with our company. You can't stop me doing my job.
00:52:54Listen to me, Sue. These people are dangerous. They've killed twice.
00:52:57Do you think they're going to worry about killing again?
00:52:59Darling, I'm just Susan Honeywell seeing to Dexter's claim.
00:53:01He doesn't know me from a hole in the wall, neither does she.
00:53:04I can't see what possible danger there is.
00:53:06If anything should happen to you...
00:53:08Darling, nothing's going to happen to me.
00:53:10I give you till 5.30 to be back. If not, I'm coming after you.
00:53:12You're the one person that can't go to Dexter's flat.
00:53:145.30.
00:53:16Stubborn, aren't you?
00:53:17No, just in love.
00:53:44Mr. Dexter?
00:53:45Yes?
00:53:46I'm Susan Honeywell from the Imperial Insurance Company.
00:53:48Ah, yes. Come in, Miss Honeywell.
00:53:51In here, if you please.
00:53:53As the matter was urgent, I thought I'd better come and see you myself.
00:53:56That's very good of you.
00:54:07Now, have you got your wife's death certificate?
00:54:10Why, no. The inquest's not until tomorrow.
00:54:14Oh, I'm afraid we must have the certificate.
00:54:16However, some kind of interim document, I'll see what I can do.
00:54:20Would you mind signing here where I've marked, please?
00:54:28Forgive me.
00:54:32Are you mad?
00:54:33Not in the sense you mean, my dear Charles.
00:54:35What on earth have you come here for?
00:54:37To see what's going on.
00:54:38Wait. Laura, you can't come in here now.
00:54:41It's true, then. You're running out on me.
00:54:44Can't we discuss this later?
00:54:46Leaving me to face the music.
00:54:48And believe me, rat, the music started.
00:54:50Know who just rang me? Jack Warren.
00:54:52Warren, my fine friend. Get it?
00:54:54Do you know what that means?
00:55:03I'm sorry, Miss Honeywell. I'm afraid...
00:55:05Miss Honeywell, hey.
00:55:06Might one ask what the lady is doing here?
00:55:08I came to see Mr. Dexter on business.
00:55:11You could ask Miss Honeywell why she was inquiring about my bracelet.
00:55:16Maybe the insurance company's on to you, Charles.
00:55:19One of the initials was found by Joan's body, remember?
00:55:23I don't think we should let our Miss Honeywell run around loose any longer.
00:55:27Stop her!
00:55:33After we've dealt with her, we'll have a little chat, Charles dear.
00:55:38Yeah.
00:56:08S.M.X. 9-7
00:56:38Give me the place, quick.
00:56:40500 liquor.
00:56:42500 Jimmy O. Goblins.
00:56:45Here, put me on to the flat footboss looking for Jack Warren.
00:56:52Inspector Henry, CID.
00:56:54You have?
00:56:55Well, go on, man. Let's have it.
00:57:00S.M.X. 9-7 something. Couldn't get through.
00:57:03I'm sorry.
00:57:05S.M.X. 9-7 something. Couldn't get the rest.
00:57:09Got that?
00:57:10And don't you forget yourself, all is what told you, see?
00:57:15Control room?
00:57:17All cars, Jake Winter, alias Jack Warren.
00:57:20Believed using Grey Triumph Roadster, S.M.X. 9-7.
00:57:24Proceeding west from Marble Arch.
00:57:26Jake Winter, Grey Triumph Roadster, S.M.X. 9-7.
00:57:34S.M.X. 9-7
00:58:05Quarter deck.
00:58:14Suicide.
00:58:15Can you think of one good reason why she should wish to kill herself in your house?
00:58:18I don't have to.
00:58:20No one can prove I ever set eyes on her.
00:58:22Except you, dear.
00:58:23And somehow I don't think I'll be worrying about you.
00:58:27I'm not worried about you.
00:58:29I'm worried about you.
00:58:30I'm worried about you, dear.
00:58:31And somehow I don't think I'll be worrying about you.
00:58:35She's still unconscious.
00:58:37That stuff really put her out.
00:59:00Get her over here, quick.
00:59:11Come on, let's go, fast.
00:59:30Come on.
01:00:01Look out.
01:00:07Where is she?
01:00:08In the kitchen.
01:00:09Kitchen.
01:00:20Hey, you, stay where you are.
01:00:31What's been going on here?
01:00:33Are you Jake Winter?
01:00:35Yes, I am.
01:00:36What about it?
01:00:46If you'll just sign your statement, miss, you can take your young man away.
01:00:50Darling, if you ever give me such a scare again...
01:00:53Darling, if you ever let a strange blonde pick you up again...
01:00:56Darling, if you ever let a strange blonde pick you up again...
01:00:59If you'll just sign your statement, miss...
01:01:01Darling.
01:01:02Darling.
01:01:04If you'll just sign your statement, miss, you can take darling away for good.