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Short filmTranscript
00:00♪
00:07♪
00:14There are 50 seats, right?
00:17That's enough, sir.
00:18If there are more people, they can just stand.
00:25What?
00:27Your book is not like Poetry and Wounds.
00:29The story is more explorative.
00:31So if you don't have many readers at first, no worries.
00:34All my books are explorative, sir.
00:37Poetry and Wounds, Titik too.
00:39This one is out of the ordinary.
00:41But you really like it, right?
00:43If you don't like it, why do you like it?
00:44I'm not just your producer.
00:46You're my sister.
00:47I'll support whatever you write.
00:49Thanks.
00:50I still hope you'll write Poetry and Wounds.
00:55Come on, it's time for me to go to class.
00:57I've been writing a lot.
01:00Have you reviewed it?
01:01I just finished it yesterday.
01:03What's the title?
01:05Round or dot?
01:11Dot.
01:12Okay, I get it.
01:14You want to show it to your readers.
01:17Don't judge a book by its cover.
01:21Right?
01:25If reporters ask, you can give a response like that.
01:28The cover is intentionally made ugly to be judged by its content.
01:31It's not ugly, sir.
01:33It's simple.
01:34It's honest.
01:35This chair is enough.
01:39It needs to be reduced again.
01:40Why is everyone so worried?
01:42Take it easy, Kali.
01:43The interview is still 15 minutes away.
01:46Okay?
01:54The new book confuses me.
01:56It raises a question.
01:59What is more important to you?
02:02The recognition of a reader like me...
02:04or the recognition of the critics?
02:07I don't try to get recognition from anyone.
02:11To me, writing is like breathing.
02:14It has to be done to stay alive.
02:17It's that simple.
02:18But...
02:19I'm sorry.
02:20This book store will be used for another event.
02:22Let's book a signing session.
02:24Come on, ladies.
02:27Hi, Rania.
02:34Today is for the dot book.
02:36I heard it's a literary book.
02:39I'm confused.
02:40Why is it a literary book?
02:44Me too.
02:48Sir, ladies.
02:49The book is for sale.
02:55Does anyone bring a dot book?
02:57Let me sign it.
03:00Let me sign it.
03:05The review of Katol Istiwa is out.
03:07Really? What's next?
03:09It doesn't matter.
03:11Which review is more important than Katol Istiwa?
03:17That's all.
03:32Katol Istiwa
04:03Katol Istiwa
04:26How's the review?
04:28Rania's latest book, Popcorn Sensational, Poetry and Wounds,
04:32titled Titik Ini,
04:33can't be called honest.
04:35It's more about style than substance.
04:37They also wrote a very banal review.
04:39What about Majalah Sastra Berkah?
04:41Rania Dewi's book
04:43can be said to be boring
04:45and effortless
04:47to communicate with the reader.
04:49Fine.
04:50My books are also bad.
04:52What about Sosmed?
04:53The book review is good.
04:55They don't post about your book.
04:58Really?
05:00I haven't read it yet.
05:02But it's mentioned on Sosmed.
05:04Didn't you check Sosmed?
05:06I didn't have time to check Sosmed.
05:08Open it.
05:09Hashtag Novel Titik.
05:24At least it makes people creative.
05:26Your plan is to sell your book
05:28in all kinds of ways.
05:30It looks like you're going to fail.
05:32Relax.
05:33I didn't have money back then.
05:35You didn't buy a big house
05:37and a big car every month.
05:40I've thought about it.
05:42I've done a credit restructuring this morning.
05:44The car can be smaller
05:46even if you pay more.
05:48Or you can write a sequel to Poetry and Wounds.
05:51No.
05:52I won't write a sequel to Poetry and Wounds.
05:55But why?
05:57I want to quit writing
05:59exploitative popcorn.
06:01Reading is a hobby, right?
06:03Yes, Mrs. Sado Masukis doesn't want to get out of an abusive relationship.
06:06So what?
06:07You give them the entertainment they need.
06:11What else is there?
06:14March 30, 2019.
06:16Ten days since I started writing Poetry and Wounds.
06:20The main character is Laras Andini.
06:23After two months, she found out
06:25that her husband was an abusive and possessive man.
06:28Laras was locked up in a basement
06:30and started to suffer.
06:33I wrote and fell asleep last night.
06:35When I woke up, I found out that I wrote an autobiography.
06:38Including the part where Laras was hurt by her husband.
06:42Now my body really hurts.
06:45Just like what Laras experienced in my writing.
06:48March 30, 2019.
06:52It happened again.
06:53I lost my mind last night.
06:55All I knew was that there was a writing about Laras being hurt by her husband.
06:59She was hit on the left side of her face.
07:05I woke up this morning,
07:07and my body really hurts.
07:09I think I'm starting to feel nauseous.
07:15So I looked for information.
07:17There are some cases where the writer
07:19is so emotionally close to the character they're writing,
07:23and they can really feel what their character is writing.
07:27Why don't I write a character
07:29who is weak and weak every day?
07:34The novel Poetry and Wounds is finally finished.
07:37But the story is not finished yet because my body is weak.
07:42But I think this ending is suitable.
07:44Laras is destined to be buried forever.
07:49I hope my body doesn't get hurt so I can pay for the novel. Amen!
07:53New Diary video, new laptop, new HD camera,
07:56and next, new room!
07:59The novel Poetry and Wounds has been a bestseller for 7 months!
08:14The novel Poetry and Wounds has been a bestseller for 7 months!
08:33Are you sure if I write Poetry and Wounds, it will work?
08:37Cut my head off if not.
08:39If I write, can I get advance payment?
09:09Poetry and Wounds
09:39Poetry and Wounds
10:09Poetry and Wounds
10:39Poetry and Wounds
11:09Poetry and Wounds
11:14Poetry and Wounds
11:19Poetry and Wounds
11:24Poetry and Wounds
11:29Poetry and Wounds
11:34Poetry and Wounds
11:39Poetry and Wounds
11:44Poetry and Wounds
11:52Rik, the cover must be honest, like the content of the book.
11:55Yes, good.
11:56It will be a bestseller.
11:58I'll send you the writing, you read it.
12:01I'll use this as a backstory quote.
12:03My brother is very talented.
12:05He told me about his experience selling used toilets to his father.
12:09It's very interesting.
12:11Alia, do you know Raina Dewi?
12:15Of course I know.
12:18Hello, sis.
12:19Hey.
12:20The book has just been published, right?
12:21Yes, I've read it.
12:23Okay.
12:24I like it.
12:26But I can understand if there are people who don't like it.
12:31Thanks, Alia.
12:32Okay, good.
12:33At least there's one that's good.
12:36I've transferred the advance payment.
12:38Yes, that's what I wanted to talk about.
12:40Don't worry.
12:41I've increased it by 15% from the last book.
12:43Yes.
12:45Not that.
12:46I mean, I came here because it's not good to talk on the phone.
12:51So...
12:53I...
12:55I want to cancel my thesis.
12:58Are you crazy?
13:00The writing is so good.
13:01Huh?
13:02I'll show it to Eric.
13:03Eric!
13:04How's your new thesis?
13:05I can't stop reading it.
13:0730 pages, only 15 minutes.
13:09I can already imagine...
13:10Wait, wait, wait.
13:11Where did you read it?
13:12I didn't give you a copy.
13:13If you write it, it's a Digidrive.
13:15You gave me the access, too.
13:17Seriously, it's really good.
13:19I showed it to the office workers.
13:21They jumped on it.
13:22It's exciting.
13:23It shouldn't be that exciting.
13:25ADRT is a serious matter.
13:26ADRT is a serious matter.
13:28It's true.
13:29And it's relevant.
13:30It's not a book for you.
13:32It's only for yourself.
13:34You're a writer.
13:35You have to be relevant.
13:36If not, you'll lose readers.
13:38You'll be forgotten by many people.
13:40Aliyat talks about the toilet.
13:43Her hearing is poor.
13:45But it's relevant.
13:46People can relate.
13:48Ran.
13:50What are you looking for?
13:52Just write what you've been doing.
13:55You don't have to be someone else.
13:57Just be yourself.
13:58That's enough.
14:03Can you see it?
14:04Yes.
14:05Okay.
14:06Now, open the app you just installed.
14:09Enter the username and password I just gave you.
14:12What are you doing, Ran?
14:13Are you done?
14:14Yes, I see you.
14:15Now, I want you to see me write.
14:19This is weird.
14:21Just do it.
14:22If you see me write something weird, call me.
14:26What's weird?
14:28You won't find it weird.
14:30I'm at home.
14:31My husband is here.
14:32If you open your clothes, he'll get mad.
14:34Maybe.
14:36I'll turn off the phone.
14:38Please see me from the CCTV.
14:41If you see something weird, call me.
14:46Do you want me to write?
14:48Yes.
14:49Okay.
14:51Okay.
15:21Okay.
15:51Ouch!
16:01Why do you always make me angry?
16:07Can't we just get back together?
16:14I don't know what else I should do to you.
16:21Mom.
16:29Asti.
16:30Mom.
16:33Asti hasn't eaten yet.
16:35I'll feed him.
16:36Rania.
16:37Rania.
16:38Rania!
16:40What's wrong with you?
16:41I rushed here at midnight.
16:43I've been watching you for half an hour.
16:45And you're still like this.
16:46What's wrong?
16:47Are you sick?
16:48Stroke?
16:51Mom.
16:53Mom.
17:11This is what happened when you wrote your first poem.
17:16For the first time, I experienced and saw what Laras went through.
17:22I didn't realize it before.
17:24Suddenly, the writing was there.
17:26I used to just feel the pain.
17:28Now my body really hurts.
17:30You're not on drugs, are you, Ran?
17:32If so, I can take you to rehab.
17:34Did you see that I just scratched my own neck?
17:38Where did you get this?
17:41You're too intense, Ran.
17:43So you can feel what your character feels.
17:47I thought so too, Bang.
17:48But this time it feels real.
17:50I think I believe that Laras really exists.
17:54Next time, if I see his face, I can find out who he is.
18:04That's enough.
18:05Stop writing.
18:06You can keep the money for the book later.
18:09But what if Laras really exists, Bang?
18:11What if I really experienced what I saw?
18:14What if this really happened and it happened in the past?
18:17There's nothing you can do.
18:19No.
18:20I can feel it.
18:22It's happening right now.
18:24If it's real, it's dangerous.
18:26That woman was still pinched.
18:27If she's mutilated...
18:31you could also die.
18:49Who are you?
19:20Mom.
19:24Is this real, Mom?
19:33I love you.
19:37It's real.
19:38It's perfect.
19:39Now tell me more about the outside world, Mom.
19:43Which one do you want me to tell?
19:45When you gave me the ring.
19:47I already told you about it.
19:49It was in a French restaurant.
19:51In a restaurant, you can choose the food, Mom.
19:54You can.
19:55You can also choose the drink.
19:57Were you still a good boy, Mom?
20:03When you gave me the ring, were you still a good boy?
20:10Yes.
20:11I was still a good boy.
20:13Why are you scared now?
20:16I'm scared.
20:17Why can't we go out?
20:22I love you so much.
20:24I love us.
20:26I don't want to lose us.
20:29Why do you think that way?
20:33Because...
20:36Because I know what she is.
20:39What is she, Mom?
20:43My ring.
20:44Where did you put it?
20:47I was washing my hands.
20:49I lost it.
20:53Asli, help me find the ring before Dad comes.
21:07What's going on?
21:09I'm tired.
21:11Why aren't you happy?
21:15Asli, why are you crying?
21:19Asli, what's wrong?
21:24What happened to your hand?
21:28Did you hide something?
21:30No.
21:31Surprise?
21:32For me?
21:33Let me see.
21:45You let go of the ring.
21:48No, I didn't.
21:50I didn't.
21:51You let go of the ring because you don't love me anymore.
21:54No, I didn't.
21:55Then why did you let go of it?
21:58Fight.
22:00Fight.
22:02Why?
22:08Why are you changing?
22:11Why do you want to take Asli away from me?
22:16She's grown up.
22:18Maybe she's better than you.
22:21Don't, Asli.
22:23I know!
22:24Fight.
22:26Fight!
22:40Fight.
23:10Fight.
23:27Fight.
23:28Fight.
23:29Fight.
23:30Fight.
23:31Fight.
23:40FIGHT
23:41FIGHT
23:42FIGHT
23:46Here.
23:47Do you feel the pain in your spine?
23:49Oh my God.
23:51How about your head?
23:54It's fine.
23:55But you need to get an MRI today.
23:57We'll check everything.
23:58No, I'm afraid of a small room.
24:00Which one do you want?
24:01A small room for an MRI or a dead body?
24:05It's fine.
24:06It's just a face injury.
24:09I need to go to the police station.
24:11I have an appointment.
24:12Which one?
24:13I don't know.
24:14A patient.
24:15A patient has to be an appointment.
24:17It's fine.
24:18I'm fine.
24:19Mr. Henrik will tell you later.
24:22I didn't do anything to anyone.
24:24Let's talk at home later.
24:27You have a bad rest, right?
24:28No.
24:29You used to have a broken bone.
24:30You slept all night.
24:32I'll give you a painkiller.
24:34But we'll check it in two days.
24:36Thank you, babe.
24:39Let's go.
24:45Fran, I'm serious.
24:46I'm really worried about you.
24:48Please don't write.
24:50So you don't trust me?
24:52I do.
24:53But it's normal.
24:55I can't accept it.
24:56This is not a normal thing.
24:57Besides, what you said is true.
25:00You shouldn't get involved like last night.
25:04So I have to stay quiet as an audience?
25:09If you get involved, he'll be in trouble.
25:11You'll be in trouble.
25:13But I have to find out who he is.
25:17How?
25:18Every time I go into his...
25:26Every time I go into his body...
25:29...my vision becomes clearer.
25:32At least I have to see his face.
25:35If this happens...
25:37...I'll ask you to accompany me to write.
25:41Please.
25:48Don't wake me up if it's just a hallucination.
25:51If you die, I'll be the suspect.
25:53Because I'm here.
25:55Just think about it.
25:56If you see me in danger, you'll wake me up.
25:59How do I know?
26:00You'll know.
26:08Mom.
26:21Mom.
26:23Will we see the outside world one day?
26:27One day, we will.
26:29Mom, tell me more.
26:32What do you want me to tell you?
26:34About death.
26:38If we die, where will we go?
26:44You can't die.
26:47You have to live until you grow up.
26:50Outside.
26:52School.
26:53College.
26:55Travel.
26:56I'm afraid of being killed, Mom.
26:59Who are you?
27:00What's wrong, Mom?
27:02What's wrong, Mom?
27:07Charmaine.
27:09We're not Charmaine, Mom.
27:11Mom.
27:14Mom!
27:15Charmaine.
27:26What's wrong?
27:27Who are you?
27:33How long have you not seen your parents?
27:3612 years.
27:38Why?
27:41I tried to drive my friend's car.
27:43Rama followed me.
27:44I hit a pole on the road.
27:46Rama died.
27:52Rama loves my parents.
27:55He's kind, smart, obedient, handsome.
27:59My boyfriend is a jerk.
28:02He's a thug.
28:04He's a classmate.
28:06His parents never forgive me.
28:28I'm sorry.
28:53So, I have a girlfriend?
28:59Yes.
29:07And you gave her to someone else to be adopted?
29:11We were in a difficult time.
29:15Economic problems.
29:18I worked as a journalist.
29:21In a media that opposed the new order.
29:25I heard that you were arrested.
29:29We were worried.
29:31We couldn't take care of you.
29:35Why didn't you tell me?
29:38We gave you to someone else.
29:42A year later, we regretted it.
29:48We looked for you.
29:50We found you.
29:55But your girlfriend didn't.
30:00So, I was adopted.
30:04Was Rama adopted too?
30:06No.
30:08I see.
30:09Because she's older.
30:11Do you know where my girlfriend is now?
30:14We searched for years.
30:17We paid people.
30:19Even a few years ago.
30:21But we couldn't find her.
30:27Dad.
30:29Mom.
30:31I love you.
30:32I love all of you and our son.
30:35But we ran away.
30:38We have a lot of regrets.
30:43Do you regret giving birth to me and my girlfriend?
30:47Yes.
30:48Because we couldn't give you love.
30:54Rania.
30:56You were never wrong.
30:59We failed as parents.
31:03We thought about the people and the country.
31:07But we forgot to think about what's important to you.
31:12Our children.
31:15I'm sorry, Rania.
31:19Forgive us.
31:21Forgive us.
31:33So, what now?
31:34I have to find my girlfriend.
31:36How?
31:42Thank you for your support.
31:46I know I'm not smart or talented.
31:48But you've supported me all this time.
31:50I know you're sincere.
31:52Maybe it's because you like me.
31:55You don't like women.
31:57Are you sure?
31:58Of course.
31:59I saw my aunt at the book festival last year.
32:02But you didn't see her.
32:03I'm ashamed to see her.
32:05I'm sorry.
32:13But it's true.
32:17If something happens to me...
32:20I want you to know...
32:23I love you.
32:26And you're a good person.
32:29I don't want to die.
32:32I have to get out of there before I find out where I am.
32:35Whatever the risk.
32:56Astri.
32:57Astri.
33:00Mama.
33:02Astri, I'm so cold.
33:05Astri, don't be afraid.
33:08Astri, I think I can get out of here if I die.
33:12Astri, don't be afraid.
33:27Astri.
33:28Astri.
33:55How are you?
33:56I've been working all day.
33:57I need some rest.
33:58Astri, your daughter is sick.
34:09Astri is always sick.
34:13She'll get better tomorrow.
34:15There's still a lot of medicine for her.
34:17Her fever is still high.
34:18Her body is burning.
34:20Don't be dramatic.
34:22Please take Astri to the hospital now.
34:25I have to tell them who she is.
34:28Astri, your daughter is sick.
34:31If you don't take her to the doctor now, she'll get worse.
34:33Enough!
34:34Don't try to use your daughter.
34:35Mas!
34:37What are you doing?
34:40Iblis can't do this to his daughter.
34:47How dare you?
34:55Take this.
35:10Hold this, Angkot.
35:13Once you're free, I'll teach you a lesson you'll never forget.
35:22Don't.
35:23What will you choose? Heaven or hell?
35:28Don't!
35:53Agartha.
36:02Agartha.
36:14What is that, Agartha?
36:16Who are you?
36:18You're not Laras.
36:20Who are you?
36:23Huh?
36:50Astri.
36:52Astri.
37:15I know where he works.
37:17While I find out who he is and where he lives,
37:19please take me to the center.
37:47I don't know who you are.
37:52Sir, this is Widi Aduri Street, number 3.
37:54Hurry up.
37:5734 minutes.
37:58We don't have 30 minutes.
38:00Our child will die.
38:01My child will die.
38:02You said you could get into Laras' husband's body.
38:04Why didn't you just get into his body and kill yourself?
38:06I can't. I can't control his body.
38:08I can't control Laras' body.
38:10We don't have a weapon.
38:12We might lose our weapons.
38:14We don't have a weapon.
38:16We might lose our weapons.
38:20Is that true?
38:21No, it's not true.
38:22Okay, hurry up.
38:24Hurry up now.
38:26What are you doing?
38:27We have to hurry up and get there.
38:29Hurry up.
38:31Astri, wake up.
38:33Mom.
38:34Astri, don't leave me alone.
38:37Yes, Mom.
38:38Astri, please open your eyes.
38:40I don't want you to die.
38:42I want you to open your eyes.
38:56Who are you really?
38:59Why are you here?
39:03If I kill him...
39:07...you will die too.
39:11Adrian.
39:13Mom.
39:14Adrian.
39:16Adrian.
39:18Adrian.
39:20I know who you are.
39:23Adrian Rajasah.
39:25Minister of Industry.
39:30Laras is dead.
39:32You are dead.
39:40Adrian.
39:44Adrian.
39:48Why did you wake me up?
39:50We're here.
39:51What?
39:52What?
40:02Such a big house.
40:04It's locked.
40:05And there's a security guard.
40:07Are you sure?
40:08Or is he afraid of someone?
40:25Yes?
40:26I'm sorry, I'm from the minister's office.
40:28I have to see Mr. Adrian.
40:29There's a file that hasn't been read yet.
40:30And the phone is dead.
40:31He doesn't turn on his phone when he's at work.
40:35Hey.
40:37She's here.
41:04Laras.
41:34Why?
41:38You're lucky that I let you...
41:41...do whatever you want tonight.
41:44Why?
41:46Because I want to prove that your law...
41:50...can't stop me.
42:04Laras.
42:05Laras.
42:06It's me, Laras. I'm here for you.
42:10I often dream about you.
42:15I think...
42:17...you're just my version...
42:20...in my imagination.
42:25A free version.
42:27Let's get out of here.
42:30No.
42:31If I...
42:34...go out...
42:37...nobody will be safe.
42:44They're not human.
42:49They're devils.
42:51Worse than that.
43:03Laras.
43:12Laras.
43:13Laras.
43:14Laras!
43:27You'll get what you deserve.
43:30Adrian.
43:32Who is that?
43:49We're outside, Ma.
43:57We're outside, Ma.
44:11Ran.
44:13You're moving out today?
44:17A new life.
44:19Even though Bajangyan will be in jail...
44:22...I still need to take Asli away from here.
44:28What's wrong?
44:35I was here three days ago.
44:37We've checked all the CCTVs.
44:39But there's nothing.
44:40I don't care.
44:41Ma.
44:58Ma.
45:01Ma.
45:27Ma.
45:28Ma.
45:29Ma.
45:30Ma.
45:31Ma.
45:32Ma.
45:33Ma.
45:34Ma.
45:35Ma.
45:36Ma.
45:37Ma.
45:38Ma.
45:39Ma.
45:40Ma.
45:41Ma.
45:42Ma.
45:43Ma.
45:44Ma.
45:45Ma.
45:46Ma.
45:47Ma.
45:48Ma.
45:49Ma.
45:50Ma.
45:51Ma.
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