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Short filmTranscript
00:00:30Come on, Dad, we're going to get there before Christmas.
00:00:46Yeah, yeah.
00:00:47Yeah, yeah.
00:00:48Yeah, yeah.
00:00:49Yeah, yeah.
00:00:50Yeah, yeah.
00:00:52Yeah, yeah.
00:00:53Yeah, yeah.
00:00:54Yeah, yeah.
00:00:55Yeah, yeah.
00:00:56Yeah, yeah.
00:00:57Yeah, yeah.
00:00:58Yeah, yeah.
00:00:59Yeah, yeah.
00:01:00Yeah, yeah.
00:01:01Yeah, yeah.
00:01:02Yeah, yeah.
00:01:03Yeah, yeah.
00:01:04Yeah, yeah.
00:01:05Yeah, yeah.
00:01:06Yeah, yeah.
00:01:07Yeah, yeah.
00:01:08Yeah, yeah.
00:01:09Yeah, yeah.
00:01:10Yeah, yeah.
00:01:11Yeah, yeah.
00:01:12Yeah, yeah.
00:01:13Yeah, yeah.
00:01:14Yeah, yeah.
00:01:15Yeah, yeah.
00:01:16Yeah, yeah.
00:01:17Yeah, yeah.
00:01:18Yeah, yeah.
00:01:19Yeah, yeah.
00:01:20Creepy out here!
00:01:26Do you think this could be better than fright-night 2015?
00:01:28Oh yeah, that was good.
00:01:29Hope so...
00:01:30Like Dino Dogmaster, if you know what i mean.
00:01:34You were scared too?
00:01:35Mate, I don't get scared.
00:01:36Oh, yeah?
00:01:37Well how come every year we go on these immersive experiences
00:01:39if you don't like being scared?
00:01:41Correction, I like seeing you scared.
00:01:43Uh, you were scared at that VR thing we went to.
00:01:45... WASN'T FEAR, THAT WAS MOTION SICKNESS...
00:01:47You are such an idiot.
00:01:48...TERRIFIED.
00:01:49Don't be stupid.
00:01:51It should be.
00:01:53It should be just around there.
00:01:57Do you actually know where we're going?
00:01:58It's in the cadets' footpath, yeah.
00:02:12We'll get this in.
00:02:14We're right where it says we should be.
00:02:18Well, did you get the right date?
00:02:21Should be right here.
00:02:24Welcome.
00:02:32We were starting to panic.
00:02:33Thought we had the wrong creepy forest.
00:02:37Oh no, this is the right one.
00:02:43But the other's not here yet.
00:02:46Unfortunately, they all canceled this morning.
00:02:50It's just us.
00:02:58You can set your tents up just over here.
00:03:02Fuck you.
00:03:05Help me start the fire.
00:03:17Oh.
00:03:30Never see this at home.
00:03:32Did you know you actually seen light that's taken 20,
00:03:3530, even 100 years to reach us?
00:03:38We're actually looking back in time.
00:03:40You've been listening to Brian Cox again?
00:03:47Is this your first trip together?
00:03:50I'll book time away every summer.
00:03:52We do secret cinema.
00:03:54Escape rooms too.
00:03:55Mm-hmm.
00:03:58This experience will stay with you for the rest of your lives.
00:04:02See, on the website it said this is a once-in-a-lifetime experience.
00:04:08So not much repeat custom.
00:04:17You know where we're sitting?
00:04:261993.
00:04:28Hiking party.
00:04:30Found three skulls about 100 yards or so over there.
00:04:39An excavation took place.
00:04:43Local historians and archaeologists.
00:04:473,500.
00:04:50That's a lot of archaeologists.
00:04:53Dead bodies were found here.
00:04:58Who were they?
00:05:02No one knows.
00:05:05There's no evidence or markings of who these people were.
00:05:10But before you and me,
00:05:15before any of these trees or settlers,
00:05:22in fact, before any man set foot on this soil,
00:05:28there was an evil here.
00:05:31It lived in this place.
00:05:34Walked these grounds, festering.
00:05:38Screaming at the stars.
00:05:43It could never rest.
00:05:45Never cease in its search for more pain and misery.
00:05:55I have seen those bones.
00:05:59I have seen how they've been twisted and broken and burned.
00:06:04The pain and torture these people went through.
00:06:11They were dragged into the earth.
00:06:15And the evil here fed off them for an eternity.
00:06:21Creepy bastard.
00:06:26Sorry.
00:06:29Sorry.
00:06:35I walk out of your house.
00:06:38And when the trees are silent, I can hear them.
00:06:43Children's cries.
00:06:46Figures groaning in the countryside.
00:06:49Eyes staring back at me in the darkness.
00:06:52There is a custom that we carry out on every tour.
00:07:22It's a totem.
00:07:24It's a way of feeding the evil.
00:07:28It allows us to communicate with the dead.
00:07:34Throw it into the flame.
00:07:37And as it burns, tell a story.
00:07:42Not just any story.
00:07:52You tell a story that you fear.
00:07:55A fable that haunts you.
00:07:59So.
00:08:03Who's brave enough to talk to the dead?
00:08:08You are good.
00:08:09A bit old school, but I like it.
00:08:12You can count me out.
00:08:14Me too.
00:08:15I'm not afraid of you.
00:08:18I'm not afraid of you.
00:08:21I'm not afraid of you.
00:08:23I'm not afraid of you.
00:08:25I'm not afraid of you.
00:08:27Me too.
00:08:28Such wusses, man.
00:08:31I would scare the life out of you, miss.
00:08:34No, Mark, I'm already not sleeping tonight as it is.
00:08:43This is a story about shadows.
00:08:51Begins with one of you.
00:08:57Shadows.
00:09:28Hey.
00:09:32Where the fuck do you think you're going?
00:09:42Where are you going, sunshine?
00:09:46Oh, no!
00:09:48Fuck.
00:09:49You let him get away?
00:09:50Piss off.
00:09:51Come on, let's get this over with.
00:09:57Fuck.
00:10:13Oh, shit.
00:10:19Come on.
00:10:27Come on.
00:10:33Okay.
00:10:34Okay.
00:10:47Bastard's tree.
00:10:49Right, well, break it off then.
00:10:51Jesus Christ.
00:10:53Shit.
00:10:58We need to get back to our gym, mate.
00:11:00I thought we'd never get in.
00:11:02Keep talking.
00:11:04We know you're in here, Danny boy.
00:11:06There's nowhere to go, mate.
00:11:10Don't make this any worse than it already is.
00:11:18Where's our fucking money?
00:11:22I don't have it.
00:11:24I don't have it.
00:11:26I told you, I got screwed over too.
00:11:29Just leave me alone.
00:11:31It was your deal and we know you switched it.
00:11:35Now why don't you come out and sort out your mess like a good little girl?
00:11:54Fuck.
00:12:25Shit.
00:12:27Fuck.
00:12:53Fuck.
00:12:54Now where's our fucking money?
00:13:03Tony!
00:13:04I found him!
00:13:05Tony!
00:13:06I found him!
00:13:07Come over here!
00:13:09Come over here!
00:13:11Get back here, you little bastard!
00:13:17I'll fucking get you in a minute, you fucking little twat.
00:13:40Hey.
00:14:11Fuck.
00:14:23What the fuck?
00:14:25Get the fuck out!
00:14:29Barry.
00:14:30Barry, no.
00:14:31Wait.
00:14:32Daniel, you're really starting to piss me off.
00:14:34Barry, there's someone there who's in the shadows.
00:14:36Get the fuck out!
00:14:40Get the fuck out!
00:15:11Jesus.
00:15:24You're fucking dead, Tony!
00:15:28Do you hear me?
00:15:30Dead!
00:15:40Get the fuck out!
00:16:10Get the fuck out!
00:16:40Barry!
00:16:41Barry!
00:16:42Barry!
00:16:43Barry!
00:16:44Barry!
00:16:45Barry!
00:16:46Barry!
00:16:47Barry!
00:16:48Barry!
00:16:49Barry!
00:16:50Barry!
00:16:51Barry!
00:16:52Barry!
00:16:53Barry!
00:16:54Barry!
00:16:55Barry!
00:16:56Barry!
00:16:57Barry!
00:16:58Barry!
00:16:59Barry!
00:17:00Barry!
00:17:01Barry!
00:17:02Barry!
00:17:03Barry!
00:17:04Barry!
00:17:05Barry!
00:17:06Barry!
00:17:07Barry!
00:17:08Barry!
00:17:09Barry!
00:17:10Barry!
00:17:11Barry!
00:17:12Barry!
00:17:13Barry!
00:17:14Barry!
00:17:15Barry!
00:17:16Barry!
00:17:17Barry!
00:17:18Barry!
00:17:19Barry!
00:17:20Barry!
00:17:21Barry!
00:17:22Barry!
00:17:23Barry!
00:17:24Barry!
00:17:25Barry!
00:17:26Barry!
00:17:27Barry!
00:17:28Barry!
00:17:29Barry!
00:17:30Barry!
00:17:31Barry!
00:17:32Barry!
00:17:33Barry!
00:17:34Barry!
00:17:35Barry!
00:17:36Barry!
00:17:37Barry!
00:17:39Ah!
00:17:40Doc, you can do it.
00:17:41Terry, we need to be quiet.
00:17:42I'm going to make you pay for what you did to Bas.
00:17:44It wasn't me that killed him, there's something else in here.
00:17:46You're lying.
00:17:47No, no-
00:17:48You're lying!
00:17:49Dore some balls, have you?
00:17:50Decided to do it yourself.
00:17:51No, no, he's not like that, man.
00:17:53Look at me.
00:17:54How the hell could I have taken out Barry?
00:17:55Maybe you got lucky.
00:17:56No.
00:17:57I didn't do it, there's something else in here.
00:18:00Like what?
00:18:01This is going to sound nuts, I'm not really sure, but it came out like some kind of...
00:18:06Some kind of monster!
00:18:07You're a monster!
00:18:09You're saying that's it, you're dead.
00:18:10No, no, no, no, no, no.
00:18:12Please.
00:18:13I can't explain it exactly.
00:18:15But you'd better start trying.
00:18:18I didn't stick around long enough to see it.
00:18:20I didn't study it, man.
00:18:21It's dark in here.
00:18:23Look, all I know is that it looked like some kind of creature
00:18:26attacked Barry.
00:18:27Bullshit!
00:18:28It's not bullshit, man.
00:18:29Look at me.
00:18:30I am shaking.
00:18:33If you're lying to me, I swear to God
00:18:36there is something else looking here with us.
00:18:38All we need to do is just get out.
00:18:41We're not going anywhere.
00:18:43What?
00:18:44Why?
00:18:45We're just gonna kill it.
00:18:48Don't be stupid, man.
00:18:49Shut your fucking mouth.
00:18:51Someone needs to pay for what happened to Baz.
00:18:54And if it's not you, it's this so-called thing.
00:18:58So you better hope we find it.
00:19:00Look, Barry, don't be stupid.
00:19:01Let's just get out of here.
00:19:02Listen to me, calm down.
00:19:04Will you shut up and take that?
00:19:07What am I gonna do with that?
00:19:08I'll crack his fucking head open.
00:19:10It's not that.
00:19:11It'll kill me before I get the chance.
00:19:12Listen, if you try and make a room for it, I swear to God,
00:19:15I'll kill you myself.
00:19:16Terry, don't do this, man.
00:19:18Terry!
00:19:35No, no, no, no!
00:19:38No!
00:19:39No!
00:19:40No, no!
00:19:41No, no, no!
00:19:43No!
00:19:44No!
00:19:45No!
00:19:47Ow.
00:20:04And I've already called the police.
00:20:15We need the police.
00:20:16What's with your leg?
00:20:17You all right?
00:20:18No, there's something in here.
00:20:19It attacked me.
00:20:20What?
00:20:21Look, can we just get out of here and wait for the police?
00:20:22Please.
00:20:23Right, come on, son.
00:20:24Set yourself down there.
00:20:25Let me have a look at your wound.
00:20:26There's no time.
00:20:27We need to leave.
00:20:28Sit down, will you?
00:20:29I need to stop that bleeding.
00:20:30Then I'll call the police.
00:20:31What?
00:20:32I thought you said you'd already called them.
00:20:33I always say that.
00:20:34Do you know how many junkies and bloody teenagers
00:20:35I get breaking in?
00:20:36Well, we need to call them now.
00:20:37All right, all right.
00:20:38It's only going to take me two minutes.
00:20:39Jesus Christ.
00:20:40Son, the door's locked.
00:20:41All right?
00:20:42All right.
00:20:43All right.
00:20:44All right.
00:20:45All right.
00:20:46All right.
00:20:47All right.
00:20:48All right.
00:20:49All right.
00:20:50All right.
00:20:51All right.
00:20:52All right.
00:20:53All right.
00:20:54All right.
00:20:55The door's locked, all right?
00:20:56You're safe in here.
00:20:57Right, let's have a look.
00:20:58Come with your hand.
00:20:59Yeah.
00:21:00I used to work at the steel mills in Hartlepool.
00:21:01I've seen some bloody cuts in my time,
00:21:02but this is a nasty one.
00:21:03Yeah.
00:21:0431 years I was there
00:21:05and now look at me, eh?
00:21:06Still, I get to see my grandkids more
00:21:11Oh, this is a nasty one.
00:21:14Yeah.
00:21:1631 years I was there, and now look at me, eh?
00:21:21Still, I get to see me grandkids more
00:21:24now that I've moved down.
00:21:28My name's Jeff, by the way.
00:21:30What's yours?
00:21:31Daniel, my name's Daniel.
00:21:33Dan, Daniel, right.
00:21:34Okay, Dan, I should just about do it.
00:21:37You're gonna need some stitches, though.
00:21:39It's a deep cut.
00:21:40Put your hand on there.
00:21:41Give it pressure, give it pressure.
00:21:43Right.
00:21:49Any of those screens for this building?
00:21:51Eh?
00:21:52Um, yeah, I think it's four, five.
00:21:55Did you not see anything?
00:21:58To be honest, son, I don't really monitor them.
00:22:01They don't pay me enough.
00:22:03But they'll be caught, though.
00:22:04Can we play it back?
00:22:05Can we play back the main factory room?
00:22:07I don't really like to mess around with them, you know.
00:22:09I'll leave that to the younger lads.
00:22:11I need to play it back.
00:22:11I need to see it.
00:22:12I need to see what happened.
00:22:13Yeah, I know, but I'm sorry,
00:22:14but I don't have the authorization.
00:22:15I need to.
00:22:16I'm sorry.
00:22:16Please!
00:22:17Jesus, son, all right, we'll just calm down, will ya?
00:22:19God.
00:22:23Just give me a bloody minute.
00:22:26Right.
00:22:30Right, that's it.
00:22:32Right, that should do it.
00:22:36Can you go forward a bit?
00:22:39Whoa, bloody hell, that's a nasty blow.
00:22:42You ought to get yourself checked out.
00:22:44You might have a concussion.
00:22:46No, I'm fine.
00:22:46Can you zoom in on that?
00:22:49Yeah, I'm.
00:22:54No, no, no, wait, this is it.
00:22:56This is when it turns up, just before Barry arrived.
00:23:03This is when it turns up, just before Barry arrived.
00:23:08What did you mean?
00:23:18It's all right.
00:23:19What did you mean?
00:23:23That's not what happened.
00:23:38Oh, my God.
00:23:42Have you done something?
00:23:54That's not... That's not right. That's...
00:23:59That's not what happened.
00:24:01That... That wasn't me.
00:24:03It's OK, right? I mean, you...
00:24:06You got a bad knock on the head.
00:24:09You didn't know what was going on, right?
00:24:11No, I... I wouldn't... I wouldn't do that.
00:24:14I wouldn't do that. I couldn't do that.
00:24:16Look, I'll show you.
00:24:20No.
00:24:30Daniel, just...
00:24:32Just calm down, right?
00:24:35Please.
00:24:54Son.
00:24:56Look, I'm... I'm gonna get some help, all right?
00:25:00I need help, all right?
00:25:03That's...
00:25:07That's not... That's not real.
00:25:10That's not... That's not what happened, right?
00:25:13I don't...
00:25:21No, no, no, the creature, the creature,
00:25:23he stabbed me in the leg.
00:25:33Ah!
00:25:36Oh, my God.
00:25:40It was me.
00:25:57I just... I killed both of them.
00:25:59What is...
00:26:02Look, look, those men were trying to hurt you, right?
00:26:07You were just trying to defend yourself.
00:26:09I just need you to breathe and try to calm down, all right?
00:26:18What's happening to me?
00:26:21Well, I, um...
00:26:23I need the police and an ambulance.
00:26:27Fine.
00:26:29What's going on, Joshua?
00:26:31Yeah, there's been several attacks
00:26:33and possibly a couple of fatalities.
00:26:42Listen.
00:26:47What is it?
00:26:51You hear that?
00:26:55I can't hear anything, son.
00:26:59I'm OK. He's coming back.
00:27:02He's coming back. We have to get out of here.
00:27:04He's coming for us. He's coming back.
00:27:06Listen, listen, I'm getting you help, right?
00:27:10The police will be here shortly.
00:27:12I just need you to calm down and stay put.
00:27:17Nothing is coming...
00:27:25You get away from me.
00:27:27You get away from me now!
00:27:31Leave him alone!
00:27:34Leave him alone!
00:27:48You get the fuck away from him!
00:27:51OK, son, just come on.
00:27:53Just calm down. Just put the knife down.
00:27:56You're not going to do this. He's done nothing to you.
00:27:59He's done nothing to you and he's done nothing to me.
00:28:02Hey, look at me. Look at me.
00:28:04There's no-one there.
00:28:06It's just me and you, right?
00:28:08It's just me and you.
00:28:10The police are just looking at you right now.
00:28:12You're not...
00:28:14I cannot see you.
00:28:16You've lost a lot of blood.
00:28:18You're not thinking straight.
00:28:21You're not going to do this again.
00:28:24I won't let you do this!
00:28:31No!
00:28:54OK, that was creepy.
00:28:56I told you.
00:28:58No way is that true.
00:29:00I've no idea. It was a story Mark Bexley told me.
00:29:03Mark Bexley can do one.
00:29:05Let me know if it's complete bollocks, then.
00:29:07Demons don't always appear with forked tails, horns and a trident.
00:29:16They're deep inside us all.
00:29:20They're deep inside us all.
00:29:23Buried within.
00:29:26Wrapped up in our failures and guilt.
00:29:31Mate, you never switch off. I'm impressed.
00:29:37So...
00:29:40Who wants to exercise their demons next?
00:29:46I'll do it.
00:29:48Get this man a death stick.
00:30:03Got it.
00:30:17This is the story of the Hidden Woman.
00:30:21Is this about the last girlfriend, Miss?
00:30:23Shut up, Mark.
00:30:26The story begins with a car arriving in a large house.
00:31:17The story begins with a car arriving in a large house.
00:31:21The story begins with a car arriving in a large house.
00:31:44Why didn't she take all this?
00:31:46Well, Danny, she wasn't expecting to go so suddenly.
00:31:51She would have lacked more time to prepare.
00:31:53Do we get to keep all this?
00:31:55Yeah, some of it.
00:31:57Just the stuff we like. We've got to make room for our own things.
00:32:04Why don't you go and explore?
00:32:21Why don't you go and explore?
00:32:52So what do you think?
00:33:01What if we don't like it here?
00:33:04Then we'll fix the place up and sell it.
00:33:07And we'll move to somewhere we do like.
00:33:21And we'll move to somewhere we do like.
00:34:22Charlie, come and see what I've found.
00:34:30What is it?
00:34:31It's a phonograph.
00:34:33What does it do?
00:34:34Well, it plays music.
00:34:36This turns and it plays a song.
00:34:39Can I hear it?
00:34:40I don't know.
00:34:41It's a phonograph.
00:34:43What does it do?
00:34:45Well, it plays music.
00:34:47This turns and it plays a song.
00:34:49Can I hear it?
00:34:50Yeah, let me see.
00:34:55Is it broken?
00:34:57Yeah, maybe.
00:34:59Well, that's a shame.
00:35:01Well, look, maybe we'll find someone later in the week who can help us fix it.
00:35:50Charlie, I don't want you wandering around this house in the dark, OK?
00:36:06Charlie, how did you reach this glass?
00:36:14Let's go back to bed.
00:36:19Let's go.
00:36:49Charlie?
00:37:15Charlie?
00:37:20Charlie?
00:37:33Charlie?
00:37:49Charlie?
00:38:19Charlie?
00:38:49Charlie?
00:39:14Are you sure you don't want tea?
00:39:15I'm good.
00:39:16So, what...
00:39:19It's for Digby.
00:39:21He's a Boston Terrier, not Cujo.
00:39:23Sorry, darling, I don't know what that means.
00:39:25It's Digby.
00:39:26How's my leg?
00:39:29Where is Digby?
00:39:49Digby?
00:40:20Nanny?
00:40:22What's that, lovely?
00:40:23That's Nanny.
00:40:25Let me see.
00:40:33That's not Nanny, darling.
00:40:34She wasn't a dancer.
00:40:36She told me she was.
00:40:41She was a dancer.
00:40:42She was a dancer.
00:40:43She was a dancer.
00:40:44She was a dancer.
00:40:45She was a dancer.
00:40:46She was a dancer.
00:40:47She was a dancer.
00:40:49When?
00:40:54Charlie?
00:40:56When did you see her?
00:40:58When I was thirsty.
00:41:18Charlie?
00:41:38Charlie?
00:41:43Charlie?
00:41:48Charlie?
00:42:18Charlie?
00:42:29You didn't throw it away.
00:42:31What's that, darling?
00:42:48What's that, darling?
00:43:19I was having a bad dream.
00:43:24Mum?
00:43:26Mummy?
00:43:29Mum, this isn't the best time.
00:43:31Mum, stop it.
00:43:35Charlie, are you OK?
00:43:37What's happening?
00:43:38We're leaving.
00:43:39Where are we going?
00:43:40Just put this on.
00:43:41I'm not going anywhere.
00:43:42I'm not going anywhere.
00:43:43I'm not going anywhere.
00:43:44I'm not going anywhere.
00:43:45I'm not going anywhere.
00:43:46I'm not going anywhere.
00:43:47Just put this on.
00:43:48We've just got to go anywhere.
00:43:49We've just got to get out of this house.
00:43:50We need to be as quiet as you are.
00:44:17Charlie?
00:44:47Charlie?
00:45:17Charlie?
00:45:43You jumped.
00:45:44You literally jumped.
00:45:45Mate, you shouted.
00:45:46That was a flinch.
00:45:47I did not.
00:45:48I wasn't afraid.
00:45:49It was a flinch.
00:45:50I flinched.
00:45:51Wait, wait.
00:45:52What happened to them?
00:45:53No one knows.
00:45:54They were never seen again.
00:45:55Well, that's a true story.
00:45:56Yep.
00:45:58Bollocks.
00:46:00If that was true,
00:46:01how did anyone live to tell the tale?
00:46:05The dead do visit us.
00:46:08Ghosts,
00:46:09spirits,
00:46:10apparitions.
00:46:12Whatever you decide to name them,
00:46:14they do exist.
00:46:17They're regrets.
00:46:19Moments of fear and hate
00:46:21frozen in time.
00:46:24Consume with your body.
00:46:29At least someone gets it.
00:46:33No.
00:46:34No, not Charles.
00:46:35Oh, come on.
00:46:36We did it.
00:46:37Appease them.
00:46:39Appease them.
00:46:41If I do it, will you shut up?
00:46:42Absolutely.
00:46:46Where's the thing then?
00:47:03The setting is
00:47:05a cheap
00:47:06hotel.
00:47:17What local IPAs they do?
00:47:20None.
00:47:21Sorry.
00:47:22I just, um,
00:47:23got your pint.
00:47:25A bottle of Mexican would have been better, but...
00:47:28Sorry.
00:47:29No, it's fine, it's fine.
00:47:33Are you okay?
00:47:34Yeah, of course.
00:47:35Just excited, you know.
00:47:40Anyway,
00:47:41happy anniversary.
00:47:42Tastes weird.
00:47:43Cos the thing is, I'm...
00:47:46I'm still not really sure if I want to do this.
00:47:48Oh, here we go.
00:47:49Babe,
00:47:50we deserve this.
00:47:52You deserve this.
00:47:53Just let yourself have a good time
00:47:55for once, yeah?
00:47:57How long have we been saying we wanted to be more...
00:48:01experimental?
00:48:03Well, you've been saying that.
00:48:04Look,
00:48:05I'm frustrated.
00:48:06I'm frustrated.
00:48:07I'm frustrated.
00:48:08I'm frustrated.
00:48:09I'm frustrated.
00:48:10I'm frustrated.
00:48:11I'm frustrated, alright?
00:48:12I'm not like you.
00:48:14I've got needs.
00:48:15I'm passionate.
00:48:17Why do you think my temper's been so bad lately?
00:48:20I understand, and
00:48:21I forgave
00:48:22that.
00:48:23But
00:48:24I need to know that you really
00:48:25want to do this.
00:48:26Oh, here we go with the bloody mind games.
00:48:28Look,
00:48:29mow my cheek behind your back
00:48:30and then you mow my back just about it.
00:48:31Mixed messages.
00:48:34All I'm saying is
00:48:36it's not too late to just leave.
00:48:39No.
00:48:41Can't you make just one bloody sacrifice?
00:48:49So,
00:48:51how are we all doing?
00:48:52Peachy, thank you Steve.
00:48:54Just getting nice and relaxed.
00:48:59Tongue out.
00:49:01What?
00:49:03It'll make it more...
00:49:05special.
00:49:06Special?
00:49:08Oh, right, oh.
00:49:09In that case, down the flipping hatch.
00:49:12Care?
00:49:13Oh, not for me.
00:49:14Thanks, Luna.
00:49:15I've got work tomorrow.
00:49:20And what do you do, um...
00:49:23Marcus?
00:49:24He does as he's told.
00:49:29I think we're a bit...
00:49:31nervous, to be honest.
00:49:32No, we're not.
00:49:33Trying new things
00:49:34keeps you young.
00:49:36Like, uh,
00:49:37this one's always off at some new book club
00:49:39or knitting circle or whatever.
00:49:41Hardly.
00:49:42Good job there,
00:49:43or she wouldn't have met you two.
00:49:44What was it, uh,
00:49:45life drawing class?
00:49:48You know, what we do, it's...
00:49:51it's not for everyone.
00:49:53Yeah,
00:49:54but the, uh,
00:49:56polyamory thing works for you,
00:49:58right?
00:50:00We believe that
00:50:02only by surrendering
00:50:03your own petty desires
00:50:05can you truly help your life partner
00:50:07realise their fullest...
00:50:09potential.
00:50:11There you go.
00:50:12I like that.
00:50:14Oh, you will.
00:50:16Right, let's, um,
00:50:17crack on.
00:50:19Here's your key.
00:50:2068.
00:50:21Rude.
00:50:22Nearly.
00:50:23Well, as long as you're sure.
00:50:24Oh, he's sure.
00:50:27And
00:50:28whoever gets your body,
00:50:30only Cath gets your heart.
00:50:33Right?
00:50:34Exactly.
00:50:37Don't forget to film it,
00:50:38will you, mate?
00:50:40Have fun.
00:50:45We will.
00:50:49Yeah, baby.
00:50:50Yeah.
00:50:51This is what I wanted.
00:50:52Yeah.
00:50:53Yeah.
00:50:54Oh.
00:50:55Rocking the goth vibe.
00:50:59That's new.
00:51:04Music.
00:51:06I like music whilst I'm...
00:51:1066.
00:51:11Something like that.
00:51:13I'd have gone with a better John Legend, but...
00:51:15Shh, shh, shh, shh, shh.
00:51:18Not this thing.
00:51:19Been a while.
00:51:21Shut up.
00:51:30I trust you.
00:51:31See you the goods.
00:51:34Yeah, I've been a bad boy.
00:51:37I know.
00:51:47Massage oil.
00:51:49Here we go.
00:51:50Lie still.
00:51:52It'll feel better.
00:51:55What smell did you get?
00:51:57Rancid badger?
00:51:59Should have got aloe vera.
00:52:00And not talking wouldn't hurt.
00:52:05Yeah.
00:52:10A bit on my left.
00:52:26Okay, just so you know,
00:52:27this is about as kinky as I want it.
00:52:32What's this?
00:52:35This isn't what I asked for.
00:52:38Read the bloody email.
00:52:49This ain't no paint play.
00:52:51Banana, mango,
00:52:52where the bloody safe word was?
00:52:56Hey, this isn't funny.
00:52:57Crazy cat.
00:52:59Pineapple.
00:53:00Uh, papaya.
00:53:02Peas.
00:53:05No!
00:53:11That's not sexy!
00:53:14That's just mental!
00:53:20Hello?
00:53:22Help!
00:53:34Help!
00:53:43This isn't funny, you know!
00:53:46This is just messed up.
00:54:01Hello?
00:54:02Help.
00:54:05Hello?
00:54:06Please let me in.
00:54:07Please.
00:54:11Help.
00:54:13Room service.
00:54:36Hello?
00:54:38Anybody?
00:54:43Please.
00:54:55Police, you've got to help me.
00:54:56There's a pack of mad bastards.
00:54:58I'm sorry, sir?
00:54:59In fancy dress, chasing me.
00:55:02Right.
00:55:03Good God.
00:55:04Well, we should call the police immediately.
00:55:06I don't think you should, love.
00:55:08We need to get you somewhere safe first.
00:55:10Are you here alone?
00:55:12No.
00:55:17Sir?
00:55:24Open up, you witchy pricks!
00:55:26Kat?
00:55:27Kat!
00:55:28Kat!
00:55:34Don't worry, babe, I'm here!
00:55:37About time, too.
00:55:43It's nearly midnight, you know.
00:55:46What?
00:55:48Apologies, my celebrant.
00:56:37BELL RINGS
00:56:45The sacrament?
00:56:47Blessed.
00:56:49The sigil?
00:56:50Branded.
00:56:52And a supplicant?
00:56:54Found.
00:56:55Lovely.
00:56:57Right then.
00:56:58Enumerate the offering, please, love.
00:57:01A finger.
00:57:02BELL RINGS
00:57:03FINGER!
00:57:05And a hand raised in violence.
00:57:09An eye.
00:57:11BELL RINGS
00:57:12Eye.
00:57:13The sought-out.
00:57:15The profane.
00:57:17And a tongue.
00:57:19BELL RINGS
00:57:21That never once spoke truth.
00:57:27And another fucking earring, too.
00:57:30HE GROANS
00:57:36Do you, Stephen Keith Collins...
00:57:40The unworthy.
00:57:42..hereby give penance?
00:57:46Will you ever again betray your solemn vow
00:57:49through the craven weakness of your flesh?
00:57:55And do you wholly, truly and forevermore
00:57:59pledge to me alone your heart?
00:58:04HE WHIMPERS
00:58:07HE SNIFFS
00:58:10Is the right answer?
00:58:11HE GROANS
00:58:12APPLAUSE
00:58:16That's a good joke, too, cos we sort of started without you.
00:58:20DRUMMING
00:58:25DRUMMING
00:58:36Happy anniversary.
00:58:42What the hell was that?
00:58:44HE LAUGHS
00:58:46It's a life lesson, Mark.
00:58:48Well, he didn't learn anything, did he? Because he's dead.
00:58:51HE LAUGHS
00:58:52Well, the lesson wasn't for him.
00:58:58Be appreciative of what you have in this life.
00:59:01Exactly.
00:59:03So if you have a good life, you won't have a horrible death?
00:59:06Oh, no.
00:59:08You do.
00:59:13Good and bad doesn't come into it.
00:59:18What's going to happen...
00:59:22..it happens.
00:59:24Well, I will always be appreciative of what I have.
00:59:27Yeah, exactly, or you're going to get steam.
00:59:29That's messed up.
00:59:31I loved it, Donna. You've got a wicked mind.
00:59:37There's one more to go.
00:59:41Do I have to?
00:59:43HE CHUCKLES
00:59:44Save the best till last.
00:59:47Fine, give it to you.
00:59:50HE CHUCKLES
00:59:55This better not be a chapter from one of the books you're writing.
00:59:58HE CHUCKLES
01:00:00No interruptions, OK?
01:00:03Right.
01:00:06OK.
01:00:10Faint sound of Hollywood trailers can be heard.
01:00:14Come on, you must have an opinion.
01:00:17I do, but I'm just not getting involved in that bullshit conversation, sorry.
01:00:21Come on, mate, you must have one.
01:00:23Rather can't.
01:00:25No, look, I'm sorry, I'm sorry,
01:00:27you can't have a sequel that's based on a TV series.
01:00:30Who said that? Who? Everyone.
01:00:32Everybody knows the rules.
01:00:35OK, well, that's just bollocks then, isn't it, mate?
01:00:38Sorry, no.
01:00:41HE CHUCKLES
01:00:52Sorry for your wait.
01:00:55No worries, sir.
01:00:59Could we get one sweet popcorn?
01:01:02One salted for this weirdo.
01:01:05Three Cokes.
01:01:07I'm sorry, I'm going to have to call my supervisor.
01:01:10No worries.
01:01:12Mr Robinson, it's happened again.
01:01:22What have I told you about overusing the radio?
01:01:26It's happened again. The screen's crashed.
01:01:29It's not crashed, you just didn't use it properly.
01:01:32That's a completely different problem, isn't it?
01:01:35I'm sorry...
01:01:39I'm sorry for the unnecessary delay.
01:01:57Jesus Christ, this place is just abundant with fun, isn't it?
01:02:00Do you even understand how to alter the...
01:02:03I'm sorry.
01:02:05It's a waste of my time when I've got other things to be doing.
01:02:10Oh, God.
01:02:13Beat the crowds.
01:02:15Whose idea was it to see a premier film at a midnight showing?
01:02:19It's like a fucking morgue in here.
01:02:21I'm trying to avoid the spoilers, aren't I?
01:02:24So, how come Matt Damon's in the trailer?
01:02:27Didn't he fall off a building in the first one?
01:02:31Could be a ghost.
01:02:33Twin brother.
01:02:36Sorry, what, mate?
01:02:38You're incessant talking, yeah? Ruining the film.
01:02:43Mate, the film, it's an advert for washing up powder.
01:02:46Do you mind?
01:02:48Just keeping your voices to a respectable level.
01:02:50Fucking twat.
01:02:52I'm a...
01:02:54I'm sorry.
01:02:57I'm going to go for a piss before we get in more trouble.
01:03:03I said I'm sorry.
01:03:05Don't expect to hold your hand your entire shift.
01:03:07But... I don't want to hear it.
01:03:09You're fired.
01:03:15Yep.
01:03:17Yeah, we've run out of 3D passes.
01:03:21Tell them to close one eye.
01:03:24What are you still doing here?
01:03:27I thought I asked you to...
01:03:29Why...
01:03:31Why are you wearing that?
01:03:47Gareth.
01:03:49That's... That's my best phone.
01:03:51Then...
01:04:13No. Gareth.
01:04:15Please, you can have your job back.
01:04:17You can have a new job.
01:04:20Gareth.
01:04:22Please.
01:04:28No.
01:04:30Please.
01:04:35Shit.
01:04:49Shit.
01:05:12Quick.
01:05:14He's getting close. We need to go. Come on, quick. Quick.
01:05:16We need to go. Come on.
01:05:18He's dead. He's dead.
01:05:20We fucking killed him. He's dead.
01:05:22Hold on. I thought you said you hadn't seen the film.
01:05:24Shh.
01:05:26Oh, my God. If he does that again...
01:05:28So my Damon does it.
01:05:30Just listen, all right? I've got to go to the toilet.
01:05:35Are you fucking kidding me?
01:05:37This is outrageous.
01:05:40Excuse me. Excuse me. Stop. Stop there.
01:05:43Please. Please. Just stop there. Just wait.
01:05:45Well, kindly step out of my way.
01:05:47Just fucking listen.
01:05:49All right. All right.
01:05:51All right. I'm sorry.
01:05:53The, um...
01:05:55The big guy from before, yeah?
01:05:57He's just killed the manager.
01:05:59All right.
01:06:01All right.
01:06:03Yeah, the fire exit. Quickly.
01:06:05Why aren't you moving? Quick. Come on.
01:06:09Fuck.
01:06:11Fuck!
01:06:13Fuck. He must have blocked it or locked it or something.
01:06:15What's wrong with you lot?
01:06:17If you go out there, you're going to die, all right?
01:06:19OK. All right. OK.
01:06:21I see what's fucking going on here.
01:06:23It's a shit joke, isn't it?
01:06:25I mean...
01:06:27What?
01:06:29How and why would I have turned off this film?
01:06:32And why the fuck would I joke about someone being brutally fucking murdered?
01:06:35That's not in the slightest bit funny, is it, Matthew?
01:06:38No, it's not.
01:06:40What this is is a disgrace.
01:06:42No, wait, please! Don't go out!
01:06:44Now you've gone and done it.
01:06:46Come on! We need to stop him.
01:06:48All right, OK. We'd better stop him.
01:06:50Just in case he blames us for the fire.
01:06:52No, not him! The killer, you prick! Come on!
01:06:54All right, all right.
01:07:00Oh, yeah, you.
01:07:02Excuse me.
01:07:04I'd like to make a formal complaint, please,
01:07:07and request a full leave.
01:07:09Now, I don't know if you care about the value of your customer experience,
01:07:12but it's bloody bedlam in there.
01:07:14What's with the...
01:07:16the early Halloween incident?
01:07:18There he goes.
01:07:20You know what he's going to complain about, don't you?
01:07:22Oh, they were speaking from my favourite porthole's original advert.
01:07:25It was based on me and that dick cricket.
01:07:27Not only is the screen blank,
01:07:29there's a game you...
01:07:33Ah!
01:07:35Ah!
01:07:57Oh!
01:07:59Holy shit!
01:08:02Fucking shit! Jesus Christ!
01:08:04Did you just see what he did to that guy?
01:08:06No, do you believe me? We have to get out!
01:08:08All right, we need to keep our voices down.
01:08:10We can't just go walking out there, can we?
01:08:12You've got to call out for someone.
01:08:14I remember a concrete ceiling in a soundproof room, so...
01:08:16So? So what do we do?
01:08:18What do we do? What do we do?
01:08:20I don't know.
01:08:22We've seen enough of these bloody films to know what happens.
01:08:25Fucking hate horrors as well.
01:08:27We all rush in. Three versus one.
01:08:29He won't stand a chance.
01:08:31All right. And when was the last time you had a fight?
01:08:33I've had love. The last time you had a fight,
01:08:35you was eight years old and it was on the playground
01:08:37against Sarah with the eyebrows.
01:08:39And she beat you to a pulp.
01:08:41She's not too bad now.
01:08:43I mean, I've been out on a date with her once.
01:08:45Not the time, mate. Sorry.
01:08:47Fuck! It can't be that strong.
01:08:49Do you want to test that theory, do you?
01:08:51We can't just wait here. OK.
01:08:53OK.
01:08:55We'll sneak out to the foyer.
01:08:57Just hear me out.
01:08:59We sneak out there together.
01:09:01We get just enough signal to phone the police.
01:09:03We'll tell them what happened and then we just...
01:09:05We'll hide and wait for them to come.
01:09:07OK. So, yeah, go out to the foyer,
01:09:09the fucking kill zone. Is that your idea?
01:09:11OK, then. We'll stay in the dark room
01:09:13and wait for the Prometheus Man to arrive.
01:09:15I'll just keep it that way.
01:09:37Think of the lights, not of anyone.
01:09:45Just...
01:09:51He's got the power.
01:10:15OK.
01:10:29Which way now?
01:10:41Run! Run!
01:10:45RUN!
01:11:15RUN!
01:11:45Run!
01:11:47Run!
01:11:51Shall we crack on?
01:11:59Excuse me.
01:12:03You don't have to do this. We can figure something...
01:12:15Run!
01:12:41How is it, Dick?
01:12:45How are you, Dick?
01:13:15No!
01:13:27It's us.
01:13:45It's us.
01:14:15It's us.
01:14:45It's us.
01:14:59You're in the wrong room.
01:15:01What?
01:15:03Yours is the little stick figure without the dress on,
01:15:05or was that too confusing for you?
01:15:07No, no, no. I'm sorry. I'm just... I'm trying to hide.
01:15:09In the women's toilets?
01:15:11Well, that's a perfectly normal opening gambit, isn't it?
01:15:13Pervert!
01:15:15No. No, I'm not a pervert.
01:15:17Says the sweaty man, standing in the women's toilet,
01:15:19holding a...
01:15:21Pervert.
01:15:23Can you stop saying that, please?
01:15:25Everyone, listen. The tall guy that works here,
01:15:27do you know him?
01:15:29Gareth, yeah. Obviously, yeah,
01:15:31cos I fucking work here. Genius.
01:15:33And if you don't get out, I'm calling on them.
01:15:35He is out there, and he is killing people.
01:15:37He's mashed them bloke's head in.
01:15:39Right.
01:15:41This is what gets you off, you know.
01:15:43You're just chatting shit to strangers.
01:15:45Oh, my God.
01:15:47Everyone's gone mad. Look, just watch this.
01:15:49If this is a penis, I swear to God...
01:16:01Listen, we need to stick together
01:16:03if we're going to get out of this alive.
01:16:05Well, I'm not going on a date with you afterwards,
01:16:07if that's what you're thinking.
01:16:09That's my manager.
01:16:11Look, he's dead.
01:16:13Hide!
01:16:39Go and have a look.
01:16:49Oh, fuck.
01:16:55OK.
01:16:57You got me.
01:17:01Let's just talk about it, yeah?
01:17:03You're going to have to do this.
01:17:05You hate your job, I mean.
01:17:07I get that.
01:17:09I mean, you're just angry.
01:17:11Let's just...
01:17:13Let me go.
01:17:15I don't want to say anything to anyone.
01:17:21I don't want to have to use this!
01:17:23Hey, asshole!
01:17:25I don't want to have to use this!
01:17:27I don't want to have to use this!
01:17:29I don't want to have to use this!
01:17:31Hey, asshole!
01:18:01Fuck.
01:18:23Bastard!
01:18:25Hey!
01:18:27Hey!
01:18:29Run!
01:18:39Just fucking die!
01:18:47I've got the keys!
01:18:49Let me go!
01:18:51Which key is it?
01:18:53How many of you bloody were here?
01:18:55We only started on Saturday.
01:18:57For fuck's sake!
01:18:59Why are there so many keys?
01:19:01Who needs this many keys?
01:19:07Yes!
01:19:09Come on, man!
01:19:11Hurry up!
01:19:13That's enough.
01:19:15Go, go, go!
01:19:21Get you out of there.
01:19:23Come on, get through.
01:19:31Shot in the head.
01:19:33Oh, shit.
01:19:35Taken out by the poo-poo.
01:19:41You fed them well.
01:19:45Who?
01:19:47Oh, the ghosts.
01:19:52Well, aren't you going to tell a story?
01:19:56I wouldn't dare.
01:20:02Well, good night.
01:20:05And good luck.
01:20:13Farewell.
01:20:15Good luck with what?
01:20:17Staying alive, maybe?
01:20:21I don't know.
01:20:31Aren't we supposed to be going hiking about Fruit Loop tomorrow?
01:20:51I don't know.
01:20:58I don't know.
01:21:00I don't know.
01:21:20Oi, you lot.
01:21:24Hey.
01:21:26Huh?
01:21:28What?
01:21:33That guy is gone.
01:21:36He's probably just out killing a defenceless animal.
01:21:39Nah, it's tense. Go on.
01:21:44Well, he's out to left midnight.
01:21:53Well, that was a waste of money.
01:21:58Maybe it's part of the experience.
01:22:02Don't want to check your wallet?
01:22:13My phone. I swear I have my phone on me.
01:22:22My phone's gone.
01:22:24What?
01:22:26He's robbed us.
01:22:28It'll be in your sleeping bag.
01:22:30It's not. I checked.
01:22:34Wait.
01:22:44It's taken my dad's watch.
01:22:46My fucking phone.
01:22:48Your wallet's gone.
01:22:50Your notebook. It was in my pocket.
01:22:52It's fine.
01:22:53Why would you take your shitty notebook and my £1,000 phone?
01:22:55That makes no sense.
01:22:57I'm going to kill him.
01:22:59What an absolute creep.
01:23:01Can we complain about him on TripAdvisor or something?
01:23:03TripAdvisor?
01:23:05Not even got insurance?
01:23:07No.
01:23:23No.
01:23:25Mum?
01:23:51Mum?
01:23:55Mum?
01:23:59Mum?
01:24:01I'm home.
01:24:25Mum?
01:24:55Mum?
01:25:11So who's brave enough to speak with your dad?
01:25:17I'll go first.
01:25:25Mum?
01:25:41There was once a young woman.
01:25:45She was a talented novelist.
01:25:47She lived to write, to create.
01:25:51She was working in a studio
01:25:53in a house she lived in with her mum.
01:25:57She was young,
01:25:59but already worked for one of the biggest publishers in London.
01:26:05She had just finished the final chapter of her book
01:26:07when BAM!
01:26:09The bird hits the window.
01:26:23Trust me.
01:26:25They are listening.
01:26:53BAM!
01:26:55BAM!
01:26:57BAM!
01:26:59BAM!
01:27:01BAM!
01:27:03BAM!
01:27:05BAM!
01:27:07BAM!
01:27:09BAM!
01:27:11BAM!
01:27:13BAM!
01:27:15BAM!
01:27:17BAM!
01:27:19BAM!
01:27:21BAM!
01:27:23BAM!
01:27:25BAM!
01:27:27BAM!
01:27:29BAM!
01:27:31BAM!
01:27:33BAM!
01:27:35BAM!
01:27:37BAM!
01:27:39BAM!
01:27:41BAM!
01:27:43BAM!
01:27:45BAM!
01:27:47BAM!
01:27:49You
01:28:19You