開運！なんでも鑑定団 2024年10月01日 大発見！新時代日本画に挑んだ巨匠の＜新発見大作＞＆ずっと所在不明＜昭和傑作彫刻＞に驚天値
開運！なんでも鑑定団 2024年10月01日 大発見！新時代日本画に挑んだ巨匠の＜新発見大作＞＆ずっと所在不明＜昭和傑作彫刻＞に驚天値
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00I need somebody, I don't need nobody
00:05You know, I need somebody
00:30This is a work of modern Japanese calligraphy
00:34If it's expensive, I want to sell it and share it with my family
00:40What's the result?
00:46In the 6th collector's treasure hunting tournament, the best collectors are gathered
00:54Today's guest is
00:58He has published more than 150 history books
01:04Mr. Atsushi Kawai, a history writer
01:09He was born in 1965 in Machida City, Tokyo
01:14When he was a 5th grader, he found a piece of pottery in his backyard
01:20He was moved by the fact that people used to live here thousands of years ago
01:26He became interested in history
01:30When he was a junior high school student, he admired Mr. Kinpachi, a 3rd grader
01:36He decided to become a history teacher
01:39When he became a teacher at Toritsu High School, he wrote a paper on the history of Ono Castle
01:52When he published it in a history magazine, he won an award
01:57He took the first step as a history writer
02:01Since then, he has published a series of history books
02:07He has appeared in a lot of TV shows
02:12He has appeared on TV Tokyo and Nippon no Shinjyoushiki
02:20I want him to become a poet
02:25So, Mr. Imada, Mr. Fukuzawa and Mr. Sugai
02:31Here is the question
02:33What did Nobunaga Oda call Hideyoshi, the god of fire?
02:40This is...
02:42Sugai-chan
02:44What was it?
02:46Isn't this a famous one?
02:48Monkey?
02:50Kawai-san, please tell us the answer
02:55Here is the client
02:57This is Ms. Atsushi Kawai from Tsuruten
03:00Thank you for coming here
03:05This is a new way to come here
03:09But you came here the other day, right?
03:13So, what did Nobunaga Oda call him?
03:15Monkey
03:17It's like a bald guy
03:20I think bald is right
03:23Bald mouse
03:25Correct
03:27There is no letter that Nobunaga Oda called monkey
03:32It's a legend
03:35Really?
03:37Let's see
03:39Open
03:44What is this?
03:46This is an old picture book from Meiji to Taisho Showa
03:50I was studying the war in Japan
03:54This is a letter from a soldier
03:57A soldier sent a letter to his country
04:01I'm fine
04:03If you turn it over, you can see a picture of a beautiful woman
04:10This is a letter from a nurse
04:15You found this when you were studying
04:17I also buy letters
04:21Do you sell old letters?
04:24Yes
04:26This is a training school for 14 to 17-year-olds to become a pilot
04:34This is what I went to
04:37This is a commemorative picture of Kamikaze
04:42This is a plane that Asahi Shimbunsha flew in 1937
04:51It flew from Tokyo to London
04:54It was the fastest in the world
04:57There are many sunflowers on the right side
05:00This is a sports competition
05:04It is also called the Olympic of the East
05:07Sports competitions are held in Japan, China and the Philippines
05:12This picture is novel
05:15It looks like pop art
05:18This is a picture of the Great East Japan Earthquake
05:23This is a picture of the damage of the Ueno Hirokoji
05:27This is a great material value
05:30The Great East Japan Earthquake
05:33The Great East Japan Earthquake
05:36The Great East Japan Earthquake
05:40How much is it?
05:43150 sheets
05:45150,000 yen
05:47Let's open the price
05:521, 2, 3, 4, 5, 6, 7, 8
05:57Wow!
06:00Wow!
06:02How much is it for each sheet?
06:05This is a collection of airbrushes from the Meiji and Taisho periods
06:10This is a military mail
06:13The one from the Liaodong Garrison is the oldest in Meiji 38
06:18The military mail is about 13,000 yen
06:23The one from the Tsuchiura Navy Air Force is about 12,000 yen
06:28Airbrushes were very popular in this era
06:32There are quite a lot of them
06:36These old airbrushes should be looked at from a new angle
06:42I think they should shine more
06:47I'm glad I didn't throw this away
06:49My wife told me to throw it away because it's dirty
06:52When I'm in a hurry, I spread it out and go to the next room
06:56I draw a line like this
06:58I do it like this
07:00In the old days, when I was in elementary school, I was told not to get out of here
07:04Next is from Moriya City, Ibaraki Prefecture
07:10They are waiting at this public building
07:14Excuse me
07:17Hello
07:20Hello
07:22Hello, my name is Koyama
07:25The next client is Masako Koyama, 79 years old
07:30They all wear the same clothes
07:35What are they going to do today?
07:38We enjoy country line dance here every week
07:45Country line dance is characterized by dancing with the center of the foot, without moving the upper body too much
07:54Irish dance is also said to be the root of Irish dance
07:59The dance that everyone repeats the same step is now very popular in culture schools
08:07I think it's good for the body
08:09I saw it during my trip to the United States 20 years ago
08:13I started learning right after I came back, and I improved a lot
08:17Six years later, I participated in the world competition as a representative of Japan
08:22I won the championship
08:25It is said that country line dance had an unexpected effect
08:31I used to weigh 77 kg, but I started doing country line dance, and now I have lost 58 kg
08:41I see
08:44By the way, what is your treasure?
08:48This is a work of modern Japanese painting left by my father
08:54After graduating from Tokyo University, Tsunemasa worked as a makeup artist and even served as an official
09:05When Tsunemasa built a house in Ebisu, he received this treasure from the president of the company as a celebration of his new house
09:17It's a pretty big work, so my father didn't decorate it at all
09:22After my father passed away, no one was interested in it, so I left it in a box for nearly 30 years
09:30So I consulted with my family and relatives
09:35If it's worth it, I'll sell it, and everyone in the Koyama family will donate the money
09:46I look forward to working with you
09:51What is the work of modern Japanese painting?
09:55Let's take a look at it in the studio
09:58Here comes the client
10:00I'm Tsunemasa, and I'm from Shiranui
10:04Nice to meet you
10:07Anyone can learn it easily?
10:09Yes, it's easy
10:10Can these two people learn it?
10:12I want to try
10:13Sugai is a professional
10:17Sugai is still challenging country line dance
10:22It takes 3 minutes to practice
10:301,2,3,4,5,6,7,8
10:351,2,3,4,5,6,7,8
10:40It's not bad
10:46Let's open the treasure
10:53It's a masterpiece of Takeuchi Seiho
10:56West Seiho, East Taikan
11:00This is West Seiho
11:02I don't think there is a real one
11:05What did you think when you saw it?
11:07It was like a monkey
11:10It was powerful
11:12The eyes and the expression
11:15The monkey is too good
11:18The hair is also fluffy
11:20It's a picture that conveys the temperature
11:23The branches have various colors
11:26It's realistic
11:28It's like green
11:31How many people are there in your family?
11:35I have 3 families
11:37So I decided to divide them into 3
11:41Is your family's relative coming today?
11:44Yes, it's May
11:49Do you have any plans?
11:51I want to go to a hot spring and eat delicious food
11:54I want to be lazy as long as I have money
11:59With Taikan Yokoyama,
12:01Kyosho has built the foundation of modern Japanese painting
12:07West Seiho Takeuchi
12:11He was born in a small restaurant in Kyoto in 1864
12:16When he was 17, he decided to become a painter
12:21He opened the door of Kono Bairei, a Japanese painter
12:27He immediately became famous
12:29He became a disciple of Kono Bairei
12:31He was not tired of the example of death
12:34He absorbed the techniques of great predecessors,
12:38such as Sesshu
12:42He became famous when he was 36
12:47He visited Paris and other European museums for half a year
12:55He was greatly inspired by the works of Koro and Turner
13:02He published his work after he returned to Japan
13:06He published his work after he returned to Japan
13:11This is based on a portrait of him in a zoo in Belgium
13:16Seiho drew his face larger and more three-dimensional
13:21to create the power of the real Sanagara
13:26In addition, he drew the scenery of Italy like a landscape painting
13:31In addition, he drew the scenery of Italy like a landscape painting
13:36In the painting of Rome, he used sepia, a Western watercolor paint
13:41In the painting of Rome, he used sepia, a Western watercolor paint
13:46He also expressed the end of the Roman era
13:52Seiho continued to challenge himself to create Japanese paintings of the new era
13:57Seiho continued to challenge himself to create Japanese paintings of the new era
14:00He faced the challenge of his life
14:04He faced the challenge of his life
14:09Before he moves the brush, he observes the object carefully
14:16He consumed a lot of time for drawing frows
14:19He consumed a lot of time for drawing frows
14:22He continued to observe the object
14:26He drew the picture very carefully
14:35Seiho does not just imitate its shape
14:37Seiho does not just imitate its shape
14:39He draws the movements and curves of animals
14:43or love, to capture the essence of wildness.
14:53And that is how the important cultural property, Hanbyō, was born.
15:01This is a picture of a cat I fell in love with at a flower shop in Numazu,
15:06took many pictures of it, and completed it.
15:11A soft fur that makes you want to pet it.
15:16But it also has a mysterious shine that hides the instinct of wildness.
15:24It is the masterpiece of a painter who even depicts the smell of animals.
15:33Let's take a look at the request again.
15:36This is a painting of Takeuchi Seihō.
15:42By taking a large margin on the left side,
15:46he highlights a monkey standing on a wintry tree on the right.
15:55Seihō often draws monkeys at home,
16:00and his facial expressions and the way he draws hair are very much like Seihō.
16:07But how is it?
16:30Let's find out!
16:43How much is it?
16:451,500,000 yen.
16:471,500,000 yen!
16:48Let's open the price.
16:52How is it?
16:541,500,000 yen!
16:561,500,000 yen!
16:571,500,000 yen!
16:581,500,000 yen!
16:591,500,000 yen!
17:00300,000 yen!
17:01300,000 yen!
17:02Wow!
17:04Wow!
17:05Wow!
17:06Wow!
17:07Wow!
17:08Wow!
17:09Wow!
17:10300,000 yen!
17:11Wow!
17:12This is the true masterpiece of Takeuchi Seihō.
17:15There's no doubt about it.
17:16Wow!
17:17Seihō's countermeasures are not often seen.
17:20This is the face of a monkey.
17:25It's a very well-known line.
17:30Compared to that, the hair is drawn with brush strokes.
17:37This expression is from the late Edo period.
17:43I think he studied the techniques of his ancestors and drew it.
17:47And the trunk of the cherry tree.
17:51When you get close to it, it's like a abstract painting.
17:53It's a very bold pitch.
17:55When you get away from it, it's dry.
17:58That kind of texture comes up like this.
18:00In terms of composition, it's right-facing.
18:04Usually, byobu is a set.
18:07I think there was a byobu on the right.
18:11Oh, there's another one?
18:14Anyway, it's a new discovery of Seihō's byobu.
18:19I don't know if it will be cherished or sold.
18:24It's decided to be sold.
18:26It's written as a charcoal.
18:29Tonight, collectors from various genres will gather with their proud treasures.
18:36Nani no Shikai Collectors' Treasure Competition
18:43I have nine of these teeth.
18:47The guest commentator is Chiaki.
18:50I've been collecting a lot of things since I was a kid.
18:53Now I'm addicted to old tools.
18:55Old tools?
18:56I collect a lot of things.
18:58People who come here always have one thing.
19:01I'm shallow.
19:04The first collector is Takashi Tanaka.
19:07Look at my collection.
19:09This is it.
19:10What is it?
19:14This is a pile of gum.
19:17Really?
19:20There are 1,000 pieces in total.
19:25When I was in the 6th grade of elementary school,
19:27I started collecting because it was popular in my class.
19:31The method is...
19:33I picked it up.
19:35I didn't buy it.
19:37It's the same pattern.
19:39It's amazing.
19:41They were all sold in the early 1960s.
19:45The design was based on baseball players,
19:49writers, cartoon characters,
19:53and fortune-telling.
19:57It's interesting.
19:59What does gum mean to Mr. Tanaka?
20:03It's a destroyer.
20:06Mr. Tanaka's collection.
20:08New Best 3.
20:11No. 3
20:13Lotte's Cool Mint Gum.
20:16What's so special about it?
20:19What you see here are penguins and whales.
20:23There are no whales here.
20:26No whales?
20:28It's rare to see no whales here.
20:34No. 2
20:36Kanro's Zudon Gum with Vitamin B.
20:41The right and left look very similar,
20:44but there's a small difference.
20:48It's the same.
20:50It's the letter B in Vitamin B.
20:53The one on the left is Gothic.
20:57The one on the right looks like a ninja.
21:01No. 1
21:03Studio.
21:05You didn't buy it?
21:07No, I didn't.
21:09Mr. Tanaka made the Earth beautiful.
21:12It's clean.
21:14You can buy something rare with money.
21:17If I bought it, I'd go crazy.
21:19But if it's rare, you'd want it.
21:24What's wrong?
21:27Here are the treasures.
21:30It's colorful.
21:32It's cute.
21:33Morinaga's Disney Gum.
21:38There's Mickey, too.
21:40Yes, there is.
21:41There's Snow White, too.
21:43I want it.
21:45How did you get it?
21:47I picked it up.
21:48Don't ask me how I got it.
21:52These two are Mickey's.
21:55They look the same, but there's a difference.
22:00I know.
22:01It's clean and dirty.
22:03There's a big difference.
22:05Look at the letters.
22:07When you throw it away, use the paper.
22:10When you pick up the gum, throw it in the bin.
22:13It's totally different.
22:15The smallest one?
22:17I don't know.
22:18I didn't pay attention to that.
22:20When you pick it up, you think,
22:22Oh, the letters are different.
22:24No way!
22:26He enjoyed it by himself, so he doesn't know the value.
22:33His evaluation is 16,000 yen for 1,000 yen.
22:39I wonder if there's a teacher who judges the gum.
22:45I don't think so.
22:46Right, Chiaki?
22:47I don't think so.
22:49Do you get it?
22:50Yes, I do.
22:51You do?
22:52Yes, I do.
22:53The gum wrapping paper is a great collector's item.
22:56Shinobu Machida is the number one collector of gum wrapping paper.
23:01What's the result?
23:03Come on, Kojiro!
23:0511,000 yen!
23:07It's a big win!
23:10It's over 10,000 yen!
23:11It's over 10,000 yen!
23:14Morinaga Seika was released in 1935.
23:18It's 10 yen for three pieces.
23:21There were about 100 gum makers at that time.
23:24Among them, the Disney series was the most popular.
23:28This time, I spent 1,500 yen on the beauty of Nikkei Mouse.
23:32If it was more beautiful, it would have been over 2,000 yen.
23:35The rest is about 600 to 700 yen.
23:39The next collector is Eiji Fukui.
23:42Let's take a look at the collection room.
23:45Here you go.
23:49Wow, it's amazing!
23:51It's cute.
23:53It's amazing!
23:55It's a nostalgic company mascot.
23:58There are plastic models, holo signs, brown can TVs, and Famicom.
24:05There are about 1,000 Showa retro goods.
24:09It's amazing.
24:10At first, I started collecting Sato-chan.
24:13I fell in love with the retro atmosphere of Sato-chan.
24:16It's getting more and more.
24:18In fact, this room has a strong commitment.
24:22I don't have an air conditioner.
24:24If I turn on the air conditioner, it doesn't look like Showa retro.
24:28So I didn't turn on the air conditioner.
24:30I'm still sweating.
24:35What does Showa retro mean to Mr. Fukui?
24:39It's a space where you can change your feelings when you were a kid.
24:42It's a space where you can go to your friend's house when you were a kid.
24:45That's the concept of this room.
24:47I'm 100% satisfied.
24:49I think I can make my ideal shape.
24:52Fukui's collection.
24:54New Best 3
24:57No. 3
24:59It's a record player of Tentoumushi.
25:01Oh, I know this.
25:03I've seen it in my friend's house.
25:05I've seen a lot of red.
25:07I think this green is pretty new.
25:09I've never seen green before.
25:10It's hard to find green.
25:12No. 2
25:14It's Sato-chan's grandfather's doll.
25:16It's Sato-chan from the 1930s.
25:18It's not a regular one.
25:20It's the size of a counter at a pharmacy.
25:23I think the number is a little small.
25:25It's like a mall.
25:27It's almost out of stock.
25:29The point is that it's all there.
25:32No. 1
25:35How did you get it?
25:37I bought it at a flea market or an auction.
25:41There's a way to pick it up in the world.
25:43I learned it today.
25:45When a flea market app comes out, it sells right away.
25:48I can't calm down if I don't look at it all the time.
25:50I think something might be selling in the meantime.
25:52I'm nervous.
25:54You can look at it now.
25:56Here are the treasures.
25:59Wow!
26:01It's in the box.
26:03I found it on a flea market app five years ago.
26:08When I found it, it was sold for 1 million yen.
26:12I thought something was wrong, so I asked the seller.
26:17I'm sorry. I made a mistake. It's 100,000 yen.
26:19I said, I'll buy it, and I bought it.
26:21It's a meeting of fate.
26:23It's a meeting of fate.
26:25You didn't play with it?
26:27I put it out to take a picture.
26:29It's cute.
26:31You can put it in your hand.
26:33You can put it on or take it off.
26:35Normally, when the treasure is open, it comes out in that state.
26:39I was asked if I would put it out.
26:41I said, take a picture of it.
26:43I don't want to put it out.
26:45The price is 200,000 yen double when you buy it.
26:50At that time, there was no meeting.
26:52I borrowed 50,000 yen from my wife.
26:54I'd like to give my wife a good report.
26:58What's the result?
27:03I'm glad.
27:05That's how it is.
27:07It's just that I didn't put it out.
27:09It's really beautiful and it's not sunburned.
27:12This is the 1980s.
27:14It's a double name for BANDAI and POPPY.
27:17BANDAI and POPPY merged.
27:21It's a short-term name.
27:24This is also very valuable.
27:26Thank you very much.
27:28The next collector is Akio Hosokawa.
27:32He is displaying his collection in this building in Oketo, Hokkaido.
27:39What?
27:41Supermarket?
27:43Excuse me.
27:46It's decorated with money from all over the world.
27:51It has been collected for more than 20 years.
27:55There are various collections in Japan, Asia, Africa, Europe, and the South Pacific.
28:03How many collections are there?
28:05I think there are more than 10,000.
28:08I spent too much money.
28:12He closed the supermarket he ran seven years ago.
28:16He used the building as a museum.
28:21Is that so?
28:23What is the world's money to Mr. Hosokawa?
28:29I've never thought about it.
28:32How do you do that?
28:35It's a mirror that represents historical culture.
28:38It's amazing all of a sudden.
28:41Mr. Hosokawa's collection.
28:43New Best 3.
28:46No. 3.
28:48It's a Biafra Ishpond Satsu.
28:51Biafra?
28:52It was distributed in Biafra, which declared independence from Nigeria in 1967.
29:00However, it was defeated in the civil war and disappeared in just three years.
29:06It's gone.
29:09No. 2.
29:11It's a Yappu Island Sekika.
29:13What's that?
29:14It's money from the west.
29:16It was used in the Yappu Island in the South Pacific.
29:19It's money, but it wasn't used to sell things.
29:24It was used as a settlement for gifts from tourists and funerals.
29:32No. 1.
29:35I wanted to collect it to commemorate the 2000th anniversary of Obuchi Naekagaku.
29:43That's why I decided to collect it.
29:47If Mr. Obuchi didn't say he would give me 2,000 yen,
29:50I wouldn't have to spend money on this.
29:54His grandchild is cheering for him in the studio.
29:57How did you feel when you first heard about it?
30:00I thought a lot of new things had started.
30:02It was a bit like a convenience store.
30:05It was like a new store was opening again.
30:12The treasure is No. 5.
30:15It's a vase from a vending machine in the Edo period.
30:18It's worth 5 coins.
30:21I bought it from a coin shop 10 years ago.
30:24How much was it?
30:261.5 million yen.
30:291.5 million yen?
30:31If it's a fake, it's just a joke.
30:34But if it's a real one...
30:38It's related to my family.
30:41I have eight cousins, so I'd like to talk to them.
30:46He bought it for 1.5 million yen.
30:52He's been interested in it recently.
30:55He wants to prove it's a good thing for his grandchild.
30:59What's the result?
31:011.5 million yen!
31:04He did it!
31:07It's in good condition.
31:10It's very expensive.
31:1384.2%.
31:15But it's a four-piece and a two-piece.
31:20That's why it wasn't popular in the market.
31:25It's been in the store for eight years.
31:28In 2014, it was sold out.
31:31It's a very rare vase.
31:34Please take good care of it.
31:37The next collector is Mr. Katsuyuki Nakagami.
31:42This is my collection.
31:47It's a good vase.
31:50Since he was a kid, he's been collecting Tomica, Dia-Pet, and Eidai Grip.
31:57What he's most careful about when buying things is that there's a box.
32:04It's a boxed mini car.
32:06It's important.
32:10What does a mini car mean to Mr. Nakagami?
32:14It's like a partner in life.
32:17It's like a companion.
32:19Did I say too much?
32:22Mr. Nakagami's collection.
32:24Newest Best 3.
32:27Number 3.
32:29Tomica's Gloria Van.
32:32It's a model of a car from the Tokyo Gas Ebara Company.
32:36It's a new car that was only made 700 units.
32:42It's very rare.
32:44It's very relaxing.
32:47Number 2.
32:49It's a vintage car from the Kinkan Continental.
32:52A vintage car?
32:53It's a shiny gold decoration.
32:56It has an impact.
32:58The box is also gorgeous.
33:00It's a box that's too big.
33:03What's the surprising number 1?
33:07A vintage car is rare.
33:09Who would buy it?
33:11It would have been nice if it was number 1.
33:16To find a rare mini car,
33:18they're going to Tokyo from Shizuoka.
33:24There's a mini car shop around Yamate.
33:28Shinjuku, Nippori, Komagome, Tokyo, Osaka.
33:34Ega-chan!
33:37Here are the treasures.
33:39It's so small!
33:43It's a Honkon Tomica Galant GTO.
33:46It was made in a factory in Hong Kong for a few years since 1971.
33:52It's very rare.
33:55About 20 years ago, it was sold for 20,000 yen at a shop in Tokyo.
34:01I think it's a top-notch car.
34:05But there was a box.
34:09Where did the box go?
34:12Where did it go?
34:14A few years after buying the car,
34:16Ega-chan bought the box for 10,000 yen.
34:20It came out so that collectors could buy it.
34:23So I sold it.
34:26Ega-chan exchanged the box for a limited edition car.
34:32I told you the box was important!
34:36It's different from what I said.
34:39But I still want the Tomica.
34:42It's like a girl's heart.
34:45I want this, but which one?
34:48It's like two people in one car.
34:50That's right.
34:54The price is 30,000 yen.
34:57The box is 10,000 yen, and the car is 20,000 yen.
35:01So it's 30,000 yen.
35:03But the box is expensive!
35:05The contents and the box are important.
35:08It's like a girl's heart.
35:11Mr. Kitahara will understand.
35:14After this, we'll see the results.
35:18GALAN GT-R
35:36Hong Kong Tomica's GALAN GT-R.
35:39I let go of the box to exchange it for another minicar.
35:43What's the result?
35:46Ega-chan!
35:48700,000 yen!
35:56When I asked Tomica for a rare model,
35:59the GALAN GT-R of Hong Kong Tomica always came out.
36:03If I had a box in this state, it would be over 200,000 yen.
36:07I'm dizzy.
36:10But I understand it very well.
36:12It's a mistake to get a box again someday.
36:16It's hard to get a box.
36:19Tomica was made for 180 yen in 1970.
36:26Then there were a lot of orders.
36:29So I asked a factory in Hong Kong to make six cars.
36:34One of them is this GALAN GT-R.
36:37The reason why Tomica is expensive in Hong Kong is
36:40that the factory burned down and the mold disappeared.
36:46You can never make the same thing again.
36:49Stay tuned for the next episode!
36:53Next, we visit Oiso-machi, Kanagawa Prefecture.
36:58Hello.
37:01Hello. I've been waiting for you.
37:05This is Koizumi Masahiko, the next client.
37:09He is 69 years old.
37:12This is a modern sculpture research center.
37:17Actually, this place is my home.
37:22I made this place to let you know the charm of sculpture.
37:29I'm the only researcher here.
37:34Mr. Koizumi studied sculpture at an art university.
37:38After graduation, he worked as an art teacher at a language school.
37:44Ten years ago, he renovated his house and opened a museum.
37:50Not only did he decorate his collection,
37:53but he also worked as an atelier.
37:56He holds a sculpture class every week.
38:03Let's take a look inside.
38:13There are a lot of famous sculptures.
38:18How did you get them?
38:22I bought them online.
38:25I sold my real estate last year.
38:29I had a lot of money, so I bought them.
38:36They were quite cheap, so I couldn't stop buying them.
38:42He held an exhibition last year for free admission.
38:50But...
38:52Only three people came to the exhibition.
38:59He wanted a great work that would be the highlight of the exhibition.
39:05So he searched online again.
39:09This time, he came across this treasure.
39:13I think this is the best work of a sculptor who was active in the Showa period.
39:19Nice to meet you.
39:22Will he find a great work at the online auction?
39:26Let's meet him in the studio.
39:29Here is the client.
39:32This is Masahiko Koizumi from Kanagawa Prefecture.
39:37Nice to meet you.
39:40There are a lot of famous works at the online auction.
39:45By the way, how much was the work of Ko-un Takamura?
39:51800 yen.
39:55Did you hear that?
39:58If I hadn't heard it wrong, I would have said this.
40:01800 yen.
40:03This time, it's a little different.
40:06If this is the real thing and it's expensive, that museum will be interesting.
40:11From 800 yen to the real thing.
40:14Let's open the treasure.
40:22This is a good mystery.
40:25Whose work is this?
40:28This is the work of Seiko Sawada.
40:31This is the work of Kayanohime, the goddess of grass.
40:38She is a goddess.
40:40How much did she get?
40:42228,000 yen.
40:45It's too expensive.
40:47It's not like her.
40:49I wish I had bought it for a few hundred yen.
40:52What do you like most about this?
40:55The face.
40:58This gentle expression.
41:02This is in a very bad condition.
41:06What do you usually do with this?
41:08I put it outside the door.
41:11Outside?
41:13There is a ceiling above.
41:15Why do you put it in the doorway?
41:18The doorway is heavy and I can't get in.
41:22You brought it outside.
41:25Yes.
41:29Seiko Sawada is a sculptor who expressed the soul hidden deep inside the human body.
41:38She was born in Atamimachi, Shizuoka Prefecture in 1894.
41:44When she was 19 years old, she admired Rodin.
41:48She relied on the sculptor, Zui-un Yamamoto, who was a famous sculptor.
41:54But she was only able to work as a servant.
42:00Five years later, she finally won an award at the Pacific Museum of Art.
42:06She was famous for her drawings and sculptures.
42:10She became famous when she was 30 years old.
42:15She exhibited her Ginga no Yume at the 5th exhibition.
42:20It was based on Orihime Tanabata.
42:23She was praised for her romanticism and love for sculptures.
42:28She won a special prize.
42:31Her favorite subject was the world of myths and legends.
42:37Sawada was very positive about it.
42:42Her husband, Yamato Takeru no Mikoto,
42:46Oto Tachibana Hime,
42:48was said to have thrown herself into the sea.
42:53She realized her fate and stood still.
42:57She was engraved in the ruins of Marubashira,
43:00which was used as a temple in Mishima Taisha.
43:07Kasei Choshin is a story about a young woman with a bent body
43:13and a tall bird's lower body.
43:16It's a strange story, but it's full of vivid colors.
43:21It's a masterpiece of Sawada's devotion,
43:24a fusion of phantasmagoria and fantasy.
43:29Sawada's method of production is simple and straightforward.
43:34When the subject comes to mind,
43:37she draws the image,
43:40but she doesn't hold back until the image is solidified.
43:45She puts a picture book on the pillow in her bedroom,
43:49and writes down the subject that comes to mind in the middle of the night.
43:57However, after she turned 50,
44:01she began to look for the subject in a statue.
44:05Sawada thought that the source of the subject was in the statue,
44:10so she made a new decision to revive the statue,
44:15which was in decline, with modern subject art.
44:22The result is the Daishofudo Myo-o.
44:27It is known as an image that embodies anger since ancient times,
44:32but Sawada's work is very novel
44:35because it is relaxed in the tension between the body and the spirit,
44:40even though it is based on tradition.
44:46She won the Cultural Prize in 1979.
44:51She closed her life at the age of 93.
44:57Let's take a look at the request again.
45:00This is a colored wooden statue of Seiko Sawada,
45:03and it is 125 cm tall.
45:07It is carved from a single piece of wood,
45:11and it is a deer that is said to be the servant of Kayanohime,
45:16the goddess who rules the grass and the fields.
45:22Behind the pedestal is the name of Seiko,
45:25which was used between the ages of 80 and 61.
45:32After a thorough investigation,
45:34a drawing of Kayanohime was found at the Sawada Memorial Museum.
45:39Then, was the request made based on the drawing?
45:47What is the conclusion?
45:51Isn't the carving sweet?
45:54No, this is Seiko's carving.
45:59The touch of the deer and Kayanohime is different, isn't it?
46:06It's not balanced in size, isn't it?
46:09If the deer was this size, it would be a big woman.
46:14That's true.
46:17I'm sorry if this is real.
46:19If it's real, we're all going to get angry.
46:23After the commercial, the studio was shocked by the results.
46:28What is the price of Seiko's work?
46:44How much is it?
46:47It's 1.2 million yen.
46:49Mr. Imada?
46:50Oh, it's 800 yen for me.
46:55Let's open the price.
46:59One.
47:01Two.
47:02Three.
47:03Four.
47:04Five.
47:05Six.
47:06Seven.
47:07Eight.
47:08Nine.
47:09A hundred yen.
47:10It's real.
47:11It's real.
47:12I'm sorry.
47:13I'm sorry.
47:16I'm sorry.
47:22This is the masterpiece of the 10th century of the Sawada era.
47:27It's a masterpiece!
47:30I was finally able to meet the real work of this work.
47:34It seems that it was once exhibited at the Atami Art Museum,
47:41but no one knew where it was.
47:43This work is from the 18th century.
47:46This way of carving is that Japanese carving is made of wood.
47:49It is wrong to make a wood like a marble sculpture.
47:53The wood carving leaves a mark.
47:56This is a rough and rough way of carving.
48:03Only the sheath is colored,
48:05and the deer is made to feel the color only by the color of the wood.
48:10Unfortunately, the condition is too bad.
48:13If you leave the five minutes of the face part alone,
48:15it will be in a state where it will fall apart.
48:17And the right hand.
48:19There is a crack in the hand.
48:21If it is a new work of SAWADA,
48:25or if a large exhibition is held,
48:28please be careful about the condition and let it be released.
48:32At least at the entrance,
48:35you can put this at least.
48:37You can put this in the place of Takamura Kou.
48:40Please take good care of it.
48:42Thank you very much.
48:46We are looking for a client.
48:48If you want to sell a treasure,
48:52please apply to the address you see,
48:55including photos and episodes of the treasure.
48:59We are waiting for you.
49:01For more information, please see the program homepage.