Sturm der Liebe Folge 4289 Markus' Auftritt

  • 2 days ago
Transcript
00:00Your parents are still in the U.S.?
00:07They have to wait until they release Tamara's body.
00:14Does your offer still exist?
00:16What offer?
00:17The one with the walk.
00:19I really want to go to Vincent's later, but I still have some time before that.
00:23Unfortunately, I don't have any time.
00:25Please excuse me.
00:31Did you not want to go in?
00:35I don't want to talk to anyone, except you.
00:50I can't tell you how incredibly happy I am right now.
01:00I'm sorry.
01:16What was that?
01:18Vincent and me?
01:22It was so real.
01:24My feelings, so real, but...
01:27After everything he did for me, it makes sense that I think of him.
01:32He risked his life for me.
01:36I would do anything for him.
01:39But do I really love him?
01:57So, this will be your seat, Mr. Müller.
02:04Manuel, come here.
02:08We'll take care of the rest.
02:10Thank you, Mr. Schwarzwald.
02:11You're welcome.
02:19Aren't we too old for games like this?
02:22Games?
02:23I don't feel like going for a walk, and I have a lot to do.
02:26Going for a walk was your idea.
02:29Markus, I didn't want to distract you.
02:32You were so worried about Vincent.
02:34But now he's doing better.
02:37The trial against me has been suspended.
02:40I have nothing to do with this sleeping pill with Christoph.
02:44You even said that you believe me again.
02:46I believe you, too.
02:47But then I don't understand.
02:49There's nothing to understand.
02:51The thing with the two of us...
02:53It just doesn't work.
02:55Please accept it, finally.
03:00Yes.
03:01All right.
03:02All right.
03:19That was 10 euros for Tamara.
03:21I only found out a few years ago.
03:25My schoolmates always laughed at me because I never got anything from the kiosk.
03:30My parents didn't have a lot of money, you know.
03:33She put the money on the street so you could find it.
03:37And persuaded me to take it and keep it, because we couldn't find the owner anyway,
03:42and I should buy something from the kiosk.
03:48Those were all her savings.
03:54She always protected me.
03:56And now she...
03:59I can't believe it.
04:01I'm so sorry.
04:07It's okay.
04:10I have to go now.
04:12Can I leave you alone?
04:14Yes, it's totally okay. I'm pretty exhausted, too.
04:17I'll try to sleep in a minute.
04:19Okay.
04:20You'll call me if you need anything.
04:22Yes. The zombies will be there soon.
04:28Tell me, if you really meant it with the help at the funeral.
04:33I would be so grateful.
04:35Do you have time tomorrow?
04:37I'll take the time.
04:40And now go to your Theo and greet him nicely in front of me, okay?
04:44I hope you'll get some rest.
04:59THURSDAY
05:06Tamara! Hi!
05:08Sorry I'm calling you back now. I had visitors.
05:11Yes, everything is great!
05:13It's going better than I thought.
05:15How are you?
05:20Vincent.
05:23I'm so happy and relieved that you're feeling better again.
05:28I was very worried about you.
05:31When I woke up earlier, Anna was there.
05:37I think she sat here for hours.
05:43Man!
05:46Maybe there's still a chance for Anna and me.
05:50Anna is the woman of my life.
05:59But you really have a long history.
06:02So much has happened.
06:05You mustn't forget that, Vincent.
06:07Yes.
06:09I'm getting my jealousy on Philip under control.
06:12Okay.
06:16I would really like you to be happy together.
06:21But...
06:23In order to succeed...
06:26...you have to leave your past behind.
06:30And you have to start anew.
06:36How's it going with Katja?
06:39How's it going with Katja?
06:42Sometimes we're very close again and I can feel her feelings for me.
06:47And then she pushes me away again.
06:50As if I only wanted to imagine it.
06:55Maybe she still doesn't forgive you for the painting of Anton Hagen?
07:00Even if she forgave me, I lied to her.
07:04I lied to her.
07:07She can't trust me anymore.
07:10Maybe that's why she keeps me at a distance.
07:14Vincent, what else should I do?
07:21You'll make me happy.
07:29I'm sorry.
07:36Now. A bit further...
07:38Higher.
07:40Careful.
07:41Higher.
07:43Don't be afraid.
07:44Keep going.
07:46Now more to the left.
07:48and stop for a moment.
07:50How long will it take?
07:52We'll be ready in a minute.
07:54Yes, you said that before.
07:57Why are we even in Tölz?
07:59I really don't have that much time.
08:01We're totally overslept and I have to go back to work.
08:12Welcome...
08:14...to Lois.
08:17Wow...
08:21You've already told me a lot, but...
08:24...that it turned out so beautiful.
08:27Did you expect a breakfast?
08:29Lois.
08:30A beautiful restaurant with a beautiful name.
08:39I want to go on.
08:41I have to go, unfortunately.
08:43Yes, and I have to prepare the main course.
08:45I came up with something very special for tomorrow.
08:47And what are you cooking?
08:49Yes, you'll find out when the restaurant opens tomorrow.
08:51Is it fusion cuisine or maybe vegan?
08:54Come on, give me a hint.
08:56It's the fire department.
09:07Damn.
09:08What's going on?
09:10Well, they wanted to come this afternoon to take over the kitchen.
09:13But they postponed it.
09:15When?
09:16It's not on the menu.
09:17I mean, if they don't take over, I can forget about the opening tomorrow.
09:21Call them and explain the situation to them.
09:24They can't do that.
09:26The authorities can do anything.
09:28I have to call them urgently.
09:30Let's see.
09:31If they can't change anything here, it'll look really bad.
09:39I can't imagine how terrible it must be to lose your sister.
09:42I can't either.
09:44I think it's good for you that I'm here for her now.
09:47Yes, absolutely.
09:48She needs you now.
09:50How are you?
09:52You seem to be relatively fit.
09:54Relatively, yes.
09:56But I'm fine.
09:59I mean, Vincent gave me a new life.
10:02I heard he's better now.
10:04Luckily.
10:05He's over the mountain.
10:06I'm really happy that with the internal bleeding,
10:09if something had happened to him because of that,
10:12I would never have forgiven myself.
10:14But everything went well.
10:16You two will now lead a healthy and normal life again.
10:19A beautiful one.
10:21I dreamed of him.
10:23And?
10:24And?
10:26We kissed.
10:27What?
10:28Lale, it was just a dream.
10:30Dreams often tell us the truth that we can't see for ourselves.
10:35I was worried about Vincent.
10:37And I thought about him all the time.
10:39And I was just so incredibly grateful to him.
10:41And that's probably why I kissed him in my dream.
10:44Or you kissed him because you love him.
10:46Could be.
10:48Still team Vincent, right?
10:50No.
10:51Anna, I'm totally neutral.
10:52Don't you see that?
10:54You know, I'm just in chaos.
10:57I don't know what I feel or what I don't.
10:59And for whom.
11:00And if at all.
11:03It was just a dream.
11:04Okay.
11:08I have to go, unfortunately.
11:09I'll help Stella with the preparations for the funeral.
11:12Tell her all the love from me, okay?
11:14I will.
11:18You tell me if you need anything.
11:20I will.
11:26What can I bring you?
11:28Oh, please bring me a green tea.
11:30With pleasure.
11:31Thank you, Sabrina.
11:33Good morning, Mr. Director.
11:35Morning, Sabrina.
11:40Good morning.
11:42Morning.
11:43Oh, sorry.
11:45I didn't want to bother you.
11:47But...
11:49I need your help.
11:51Did something happen?
11:52No, no, no, no.
11:53Don't worry.
11:54It's about Anton Hagen's painting.
11:56I see.
11:58A journalist contacted you.
12:00From the art magazine we signed up for.
12:03That's great.
12:04That's exactly what we wanted.
12:06The perfect opportunity for a good PR for the Fürstenhof.
12:09And how can I help you?
12:11The journalist is traveling with a colleague today.
12:16You could take care of her.
12:19And give a short lecture about Hagen.
12:23A lecture?
12:25I'm not an art expert.
12:27But you know everything about him.
12:29Yes, I've dealt with his life and his art.
12:33But if there are any technical details...
12:36Oh, you're talking to me about Hagen's art with such passion.
12:40You'll feel it and get infected.
12:44It's the chance for the Fürstenhof.
12:47And you're family.
12:49Do you want to get me in trouble?
12:51It's limited to emotional oppression.
12:55You're talking about the painting.
12:57Hagen's art.
12:59He shows you the places where he got his inspiration.
13:02And the rest?
13:04The rest is your charm.
13:06I can't get out of this, can I?
13:09No.
13:12Yes, of course.
13:13I know you have fixed dates.
13:15But I had a fixed date.
13:18I mean, what should I do?
13:20If you don't come by today, I can forget the opening tomorrow.
13:23Yes, I understand.
13:25But you have to do something.
13:27I don't know what...
13:28Tomorrow morning?
13:30That would be...
13:31Okay, tomorrow morning.
13:33Wonderful.
13:34Then come by tomorrow morning.
13:35You're invited, of course.
13:37Okay.
13:38Thank you very much.
13:39See you tomorrow.
13:40Bye.
13:41The reception won't be long.
13:42And then you'll have the kitchen available tomorrow.
13:44Yes, but I wanted to rehearse the menu.
13:47I didn't think about that.
13:49Oh, it doesn't matter.
13:51I'll just jump into the cold water.
13:53Or you can cook the menu in another kitchen rehearsal.
13:57That's nice, but your living room kitchen isn't much bigger than mine.
14:01It's just clearly too small.
14:03But the kitchen at the prince's court isn't.
14:07Really?
14:09That would be perfect, of course.
14:11But what will your chefs say?
14:13They probably don't agree, right?
14:15You take care of the ingredients.
14:16I'll take care of my chefs.
14:21I love you.
14:34Maybe Lale is right.
14:36The dream showed me my true feelings for Vincent.
14:40But are they really strong enough?
14:44I have to be 100% sure that I love him.
14:48Otherwise I'll only hurt him.
14:55Yes?
14:59May I?
15:01Come in.
15:02I'll be gone in a minute.
15:04Okay.
15:16I want to apologize to you.
15:18I should have understood that you were very worried about Vincent.
15:25I was at his intensive care unit.
15:27Thanks to Michael.
15:30I heard he's getting better.
15:34Yes, the antibiotics worked.
15:36I'm glad. Really.
15:40I hope he'll get well soon.
15:43He will.
15:49And...
15:50Between us...
15:54Is everything okay?
15:57Can you accept my apology?
16:02I accept your apology, yes.
16:09Is there anything else I can do for you?
16:12I'm free right now. We could go for a walk.
16:14Thank you, but my mother will be here soon.
16:20Okay.
16:25Oh, yes.
16:26Apollo is doing really well. He is...
16:29Fit.
16:31Yes. Fit.
16:32Nice. I'm glad.
16:52I don't know how to handle this.
16:55I have no idea about burial.
16:57We'll do it together. I have a list.
17:00Hi, Stella.
17:02I'm really sorry.
17:04If there's anything I can do...
17:06Sit with us.
17:07No, I'm in a hurry. I have to work. I'll get something to take with me.
17:11Okay.
17:12Well...
17:13It's best if we contact a burial institute in Cologne.
17:17Your parents live in Cologne, right?
17:19Have you talked to them about whether it should be a burial or not?
17:24They leave the decision to me.
17:26Okay.
17:27What about the transfer from the USA?
17:30I don't know.
17:31Maybe we can call your parents. They can sort it out on site.
17:34You know, my parents are totally overwhelmed.
17:37They want me to take care of everything on my own.
17:39And when I think about it, about cemetery and burial...
17:43I'm so scared of it.
17:47Phew.
17:49What about a forest cemetery? Is there one in Cologne?
17:53I don't know.
17:54We'll figure it out.
17:56Uh...
17:57Is there one here?
17:59A very nice one, actually.
18:02Lale...
18:04Would you accompany me?
18:06I'd like to see what it's like.
18:08And I don't dare to go alone.
18:10Of course. I've already moved all the appointments to the afternoon.
18:13Oh, thank you.
18:14Great.
18:15I mean, I don't know how I'd manage without you.
18:22Hello?
18:28Is no one here today? I have to...
18:30Take mine.
18:32Really?
18:56These are just key points.
18:58Hagen's artistic progress, his preferred motives.
19:01Yes, how the goal has changed with the progress of his mental illness.
19:05Yes, the notes from his son's diary.
19:09Mr. Sonnbichler just told me that we're expecting two journalists from an art magazine.
19:14We were just talking about that.
19:15That's wonderful.
19:16I mean, a good article.
19:17That's a wonderful PR for the Fürstenhof.
19:19I can welcome the two ladies and tell them a little bit about Anton Hagen.
19:23Yes, how they tried to sell the hotel and get it torn down.
19:27So that you can come to the painting.
19:30I will hold the lecture about Anton Hagen.
19:32Very good. I can gladly support you.
19:35Thank you. I've got it under control.
19:38Katja, I really like to help.
19:40Positive PR is also in my interest.
19:42Yes, but the lecture is almost finished.
19:44Yes, but...
19:45It's taken care of. Come, Katja, let's go.
20:02Come in.
20:06Am I disturbing you?
20:08Huh?
20:09I've been here for three minutes. How do you know I'm here?
20:12I have connections.
20:14Ah, yes.
20:16How are you today?
20:19Much better.
20:21Now that the fever is gone.
20:23And now that you're here.
20:26You really scared me.
20:32Anna.
20:33Sit down.
20:36We'll be out of here in a few days.
20:40Then we'll go visit Apollo.
20:42And we'll play darts with Lalo and Tiro.
20:44Yes, but you get well first, okay?
20:48Don't take any risks, promise me.
20:51Promise.
20:53I'm sorry.
20:59Today's the 20th, the farewell concert of Bernd Baru.
21:03I completely forgot.
21:05You bought a ticket a few weeks ago, didn't you?
21:09Yes.
21:10He's just one of the best guitarists there is for me.
21:14And it would have been the last opportunity to see him.
21:17Oh, man, I'm sorry.
21:20It's okay.
21:22Maybe you can play something for me?
21:26Believe me, you won't hear that.
21:29I'll see, maybe there's a live transmission.
21:36I completely forgot.
21:38Michael wanted me to come to the blood pressure test.
21:41But I'll come back later, okay?
21:43Okay.
21:44I'm here.
21:52I'm here.
22:06So, come in, please.
22:13Here we have the work.
22:16You must be proud to have such a treasure in your possession.
22:19Absolutely.
22:20It's a huge win for our hotel.
22:22And for me personally, too.
22:24I've admired Anton Hagen's work for a long time.
22:27And that he created his last work here,
22:30makes it something very special.
22:33Absolutely.
22:34Yes, and now I hope that I can tell you something new about Anton Hagen in my little lecture.
22:40You know the artist much better than I do.
22:42That remains to be seen.
22:44We look forward to any new information.
22:46All right.
22:47Please take a seat.
22:48With pleasure.
22:55So, you have already heard that the artist has spent his last years here in the area.
23:00We have now excavated the diaries of his son.
23:04In them he describes in great detail the daily routine of his father.
23:08Is there also something about Hagen's mental illness?
23:11Yes.
23:12Hello?
23:14Ah, there you are.
23:15Excuse me for the interruption.
23:17I would like to welcome you personally.
23:19Hello.
23:20Markus Schwarzbach, co-owner of the Fürstenhof.
23:23Lisa Bühm.
23:24Hello.
23:25My colleague Roberta Reit.
23:26Nice to meet you.
23:27Nice to meet you, too.
23:29Yes.
23:30Wonderful work, isn't it?
23:32You have to know that I am, to a certain extent, the rediscoverer.
23:37But crazy, isn't it?
23:38Hidden behind a wall for centuries.
23:42You know, I'm a huge fan of Anton Hagen.
23:45Would it be okay if I stayed?
23:47Yes, please.
23:48Of course.
23:50Yes, then please go on.
23:52I'm a big fan.
23:56So?
23:57We have discovered and cultivated our passion for an artist together.
24:04Back to your question.
24:05The artist's mental illness can be clearly read from the diaries.
24:11Ah, yes.
24:12Okay.
24:16Oh, that was so romantic.
24:18The perfect evening.
24:19I'm glad.
24:20Michael and I really needed that.
24:23We are both so busy and then here ...
24:27Hey, if you're going to be released soon, we'll have a really nice girls' evening, okay?
24:34Well, Dr. Weber hasn't decided yet, but it shouldn't take long.
24:42And how are you, Vincent?
24:44Does he belong back at the normal station?
24:46Yes, luckily.
24:47He's doing better.
24:49And I would like to do something good for him.
24:52Something that makes him happy.
24:54Have you already thought about something?
24:57Yes.
24:58The guitarist Bernd Barrow is giving his farewell concert tonight.
25:02And Vincent is a huge fan.
25:04Okay.
25:05But also in the wheelchair is such a concert ...
25:08No, no, no.
25:09I don't want to bring Vincent to the concert, but rather the concert to Vincent.
25:13I know you are very grateful to him, but just because you inherited a lot ...
25:17I don't want to engage Bernd Barrow, but rather persuade him by telling him Vincent's story.
25:23Ah, okay, yes, maybe.
25:25Isn't this Barrow known for his social commitment?
25:29And I researched and tried to call the concert organizers and his agents, but unfortunately no one reached.
25:36I think that's a bit difficult.
25:38I also read on his fan page that he was housed in Fürstenhof.
25:44But unfortunately I can't go there.
25:47Ah, okay.
25:49So you want me to persuade him.
25:51I also read that he loves apple strudel.
25:56Well, mission accepted.
25:58But without guarantee.
26:03Yes, I'm happy too.
26:05Yes, you are a cook.
26:07He is a wonderful cook.
26:09Yes, not too bad, but ...
26:12Can we visit?
26:14Or do you want to leave us for a while?
26:16Not at all.
26:18But it could happen that I get sick or need my vacation.
26:22And it wouldn't be bad if we had a worthy representation.
26:26Yes, it wouldn't be bad.
26:28Louis has an excellent reputation.
26:31A lot of experience, the best testimonies.
26:33And Mrs. Sonnenbichler also appreciates him very much.
26:35I like to cook passionately.
26:37Passion is important.
26:39But it also has to taste good.
26:41How about if Louis cooks in our kitchen today?
26:45You try and judge whether he is in question as a representative.
26:49Yes, that's a sensible suggestion.
26:51Let's see if you convince me as much as Mrs. Bergmann.
26:57Thank you very much, Mr. Saalfeld.
26:59And see you tonight for dinner.
27:01Thank you very much. See you tonight.
27:09Classically for art in the 18th century, Hagen also painted in the Bucolic style.
27:14This rural idyll, he really succeeded in it.
27:17Yes, I think so too.
27:19Especially this utopia of a harmonious, nature-bound life in an idyllic landscape seems to be particularly important to him here.
27:26Well, utopia ...
27:29Well, when I look at the painting like that, it has a lot of current, concrete.
27:37Look, for example, at the two main protagonists.
27:41At first glance, they seem to be turning around in a love dance.
27:45But on the second level, below that, it's about something completely different.
27:50This is about the mystery of the woman.
27:53Look at the deviant attitude of the dancer.
27:57The gaze turned away from her admirer.
27:59He, on the other hand, is naive, swaying in the moment.
28:02Desires her love.
28:05Maybe the dancer just doesn't know how it feels about the lady.
28:09Yes, exactly.
28:11The misunderstanding is written in his face.
28:15He asks himself, where is the dance leading to?
28:20And, of course, that raises completely different questions.
28:23Is this due to the Bucolic style, or is the mood of the scenery actually as gloomy as it seems?
28:30In art, a lot of things are not as they seem.
28:34Yes, but that's rather devastating in the long run.
28:38Than exciting.
28:40The viewer wants to be able to rely on something.
28:45What do you think this supposed love dance of the two will lead to?
28:50Oh, well, I think maybe they're just dancing together.
28:56No, no, it's much more than that. It's not that simple.
29:00Well, for me, this scene is very clear.
29:03The dancer turns away because she finally wants to look ahead.
29:06This is, so to speak, the intersection between her past and her future.
29:10Art.
29:13Really.
29:14Really.
29:18Well.
29:22Art, yes, it really opens up interpretations in many directions.
29:30But thank you, thank you for your assessment.
29:35Yes, well.
29:36If I'm not needed here anymore,
29:42then I wish you a wonderful time here at our prince's court.
29:46Thank you very much.
29:57Good. So, where was I?
30:06You were right, he's really beautiful.
30:08Yes, the one near Cologne should be beautiful too.
30:12Yes, Tamara will like that.
30:16She loved nature so much.
30:20Oh, I miss her so much.
30:24I miss her so much.
30:27I miss her so much.
30:30I miss her so much.
30:33I miss her so much.
30:36I miss her so much.
30:42She also loved the water.
30:45Swimming, surfing, diving.
30:52Is it okay for you if we stay here for a moment?
30:54Sure.
30:55It's just a little cold.
30:57I see.
30:59I also have hot tea with me and something to eat.
31:06Did you plan a picnic?
31:08No, I just thought, when we walk through the cold forest,
31:12I don't want you to catch a cold.
31:16Besides,
31:19when we went to the cafe this morning, I didn't get a bite either.
31:23Sorry, that was stupid of me.
31:25It's okay.
31:28Yes.
31:34Fresh cheese with tomatoes.
31:57Yes, Mr. Barros is sitting at breakfast right now,
32:01but just talking to him like that, that's not possible.
32:04Okay, that means, if I were to go to the restaurant now,
32:08then I could meet him there by chance.
32:11Yes, possibly.
32:13But unfortunately that doesn't necessarily mean
32:15that he would also talk to you.
32:17I can be very charming.
32:19There is no doubt about that.
32:22I can be very charming.
32:24There is no doubt about that.
32:26But Mr. Barros is a, well, let's say, a bit of a complicated guest.
32:31Especially when a concert is about to start,
32:33then he doesn't want to talk to anyone.
32:35And you're not allowed to talk to him either, because of the concentration.
32:40I would still try it, hypothetically.
32:43Anna needs my help, she really wants to surprise Vincent.
32:46Hey, Nicole.
32:47Philipp, hey, excuse me, I have to do something.
32:53What's going on with her?
32:56Yes, you heard her, she has to do something.
33:00I just heard that it's about a surprise.
33:03Maybe I could be helpful in some way.
33:06Yes, but unfortunately I can't tell you,
33:09because I don't know exactly what it's about.
33:13Okay, no problem.
33:16Yes.
33:23Auri, could you get me Majorano and Estragon from the greenhouse?
33:27That can go away, I need pastis very quickly.
33:30Come on, what are you waiting for?
33:32She can do that as soon as she gets my herbs.
33:35Your herbs can wait, I have to flambe now.
33:38But my herbs don't like to wait,
33:40because they are the herbs for the head chef in this kitchen
33:43and therefore feel very important to us.
33:45Oh, and my pastis feels even more important,
33:47because the head chef will try the flambéed dish right away.
33:51Did someone forget that he is a guest in this kitchen?
33:57Oh, I'm sorry, I misunderstood.
34:02Well, in our kitchen there are rarely any contradictions.
34:05Then it's time for you to get to know a decent working climate.
34:09In my kitchen, we all treat each other kindly.
34:13Yes, boss.
34:15Oh, no!
34:18Annalena, could you get a bottle of pastis, please?
34:21I'll do it.
34:28Hey, what are you doing here?
34:31I thought you were taking care of two important guests.
34:34Yes, they are eating right now.
34:37Hopefully they won't mind this action.
34:40What action?
34:42Markus just phoned me in the middle of the lecture.
34:45What kind of lecture? Why?
34:48He totally ignored me in front of the journalists.
34:51I can only hope that they didn't understand what was going on.
34:56I thought you two got along again.
34:59What do I know?
35:02It was about Anton Hagen.
35:04Markus provoked me and then it somehow escalated.
35:08In any case, I made it clear to him in front of the journalists
35:11that this has no future with us.
35:13What?
35:15But you love him, don't you?
35:18And now you lied to him because of me.
35:21It is what it is.
35:24But actually, you're even now.
35:27I mean, you both lied to each other once.
35:30Nonsense! As if it had anything to do with it.
35:36Mom, I just want you to be happy.
35:38And it's all my fault.
35:41I just don't want to talk about it anymore.
35:43Enjoy your break.
35:52And?
35:56Are you torturing me?
35:59Is this your revenge for what?
36:03My honest opinion?
36:05Yes, tell me.
36:07Is it as I see it?
36:10Excellent. It tastes fantastic.
36:13You can save it for the torture.
36:16I'm glad you like it.
36:18Poor Mr. Saalfeld.
36:19If he tries this and I have to teach him
36:21that you can't make a representation here after all.
36:23Now wait for the opening.
36:24Who knows, maybe I'll have a lot of time soon.
36:27The restaurant will be a huge success.
36:30I owe it to you, too.
36:32You're just...
36:36What's going on here?
36:40Is passion cooking for you?
37:01Yes, please.
37:08So...
37:10Juwelier Schneider sends his regards
37:12and hopes that the present will arrive safely.
37:14Yes, I had so much on my mind.
37:16I didn't manage to pick it up myself.
37:18No problem.
37:19For Mrs. Schwarzbach?
37:21Let's say for the future Mrs. Saalfeld.
37:24Ui.
37:25You must have chosen something beautiful
37:27and she will be very happy.
37:28That's the plan.
37:31Oh...
37:32Mrs. Johannsen will die in the next few days
37:35because of a death in the family.
37:38Uh-huh.
37:39Uh...
37:44How is she doing now?
37:48Well, I followed her advice and was nice to her
37:51and even took a mistake she made on me.
37:55And that didn't work?
37:58Yes, we're friends now.
38:02But Stella is so exhausted because of her sister's death
38:06and Lale is of course standing by her side.
38:08I can understand that.
38:11But?
38:15I don't know either.
38:17When I came from Juwelier,
38:19the two of them were sitting by the lake and had a picnic.
38:22Stella smiled so happily.
38:26And you think she's just pretending to be sad to her girlfriend?
38:30I don't know, something's wrong again.
38:33I mean, her parents don't even care about the funeral of their own daughter.
38:38And this morning in the Liebling,
38:41she looked so satisfied.
38:43No one looks like that who's sad right now.
38:46Wouldn't it be possible that she's pretending to us all?
38:51Well, you were right about your suspicion.
38:55Yes, but that's a completely different matter.
38:58I mean, deceiving your own sister's death.
39:00Who does something like that?
39:03Tom Dammann.
39:05He deceived his own death to get me out of the way.
39:11There's nothing that doesn't exist.
39:18Of course we have the facilities for your conference.
39:22Yes.
39:25That's how we do it.
39:26Goodbye.
39:33Anna again?
39:38I think that's it.
39:40Did she say that?
39:44We had a disagreement yesterday.
39:51She did forgive me, but...
39:54she was very reluctant.
39:57Actually, she just wanted to get rid of me.
39:59Maybe she's still a little angry.
40:02But if she has accepted your apology,
40:05that doesn't mean for a long time...
40:06She has a special surprise for Vincent.
40:08Yes, because she is grateful to him.
40:10And what are you doing here?
40:12You blow the trumpet.
40:13Do you think that will help you?
40:15Do you have any other instructions for me?
40:17Yes, act!
40:19Before it's really too late.
40:21You love this woman.
40:23So fight for her.
40:33You're right.
40:50Hey.
40:52Hey.
40:54How are you?
40:56Good.
40:58Like before when you were here.
41:00And like ten minutes ago when you wrote to me.
41:04What?
41:06Close your eyes.
41:08What?
41:10Close your eyes.
41:12What?
41:14Close your eyes.
41:16What?
41:18Close your eyes.
41:20Why?
41:21Vincent, close your eyes.
41:24What are you up to?
41:25Don't cheat.
41:30Wait.
41:32In a minute.
41:47Bernd Barrow?
41:49If you can't go to the concert,
41:51the concert will come to you.
42:10I hate it.
42:12I hate it.
42:35What the hell was that?
42:37That's what you're asking me?
42:39You made a fool of me in front of the journalists.
42:41I don't care about those two.
42:43Oh yeah?
42:44And you don't care about the PR for the Fürstenhof either?
42:46In that case, yes.
42:48Markus, why can't you just shut up?
42:50I'm just fed up with the way you treat me.
42:54I can feel that there are feelings.
42:56But every time we get closer,
42:58you push me away again.
43:00That's not true.
43:01It is.
43:02But it's still about that stupid painting.
43:04I thought you'd forgive me.
43:05I did too.
43:06Katja, I was there for you.
43:08I supported you with the wine.
43:10I thought I showed you that you can trust me.
43:13What's the matter with you?
43:15What's the problem?
43:16I won't let you talk to me like that.
43:18Katja!
43:20Katja!
43:27I'm looking for Philipp Brandes.
43:29Yes.
43:30May I ask you for your name?
43:32You're not allowed to.
43:35If anyone asks about me, I'm out of the house.
43:37Yes.
43:39Philipp Brandes.
43:41Philipp.
43:43Excuse me, I don't have time right now.
43:46Just for a moment, please.
43:49Do we know each other?
43:51Not as well as we should.
43:55You still have the same eyes as your mother.
43:58Yes.
44:00I'm your father.
44:27Thank you very much.
44:28That was incredible.
44:29I'll never forget that.
44:30My pleasure.
44:31I couldn't refuse such a wish.
44:33All the best to you and...
44:36get well soon.
44:40Thank you, too.
44:41It was beautiful.
44:49It's okay.
44:51You're incredible.
44:57You've said that a few times now.
45:03I love you.
45:06And I never stopped loving you.
45:12I don't want to put pressure on you.
45:14And I don't expect anything from you.
45:16But I have to...
45:18I have to ask you that.
45:22Can you imagine...
45:25that we try it again?
45:45That's enough.
45:46You can't just burst in like that.
45:50I'm so sick of you running away from me.
45:54We'll sort this out.
45:58You're right.
46:02It can't go on like this.
46:08I...
46:13It's true.
46:15I...
46:19Me, too.
46:28I love you, too.
46:39If it's true...
46:41What?
46:42That Stella's sister is really dead...
46:46What?
46:48Stella behaves strangely.
46:50One moment she's crying, and the next...
46:54I saw her smile.
46:56Your menu will be perfect.
46:57At least the main course I got to try yesterday.
47:00Yes, I hope the guests think so, too.
47:02And the restaurant critics.
47:04I just miss Mara so much.
47:06Tears are not a sign of weakness.
47:11It's not the only reason I cried.
47:14She always says her family is poor.
47:16How could she leave for the U.S.?
47:18She told me something about savings and inheritance.