Al Fondo Hay Sitio Cap 500 Completo 2024 - Al Fondo Hay Sitio Temporada 11 Cap 127 Completo 2024
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Al Fondo Hay Sitio Cap 500 Completo 2024:
#AlFondoHaySitio
#AlFondoHaySitio2024
#AlFondoHaySitioTemporada11
#AlFondoHaySitioCompleto
#AlFondoHaySitioCompleto2024
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FunTranscript
00:00Isara Calavera.
00:02Leave my papers and they're asking for me to go for an interview.
00:10Who are you?
00:12Speak!
00:13Frank.
00:14Frank.
00:15Frank.
00:16Frank.
00:17What's wrong?
00:18What's wrong with you?
00:19Oh my god, what's wrong?
00:20Imagine Jimmy ends up with you and at the same time he's getting fired.
00:29She's cheating on someone else.
00:31See? There's no justification.
00:34Yes, but if you were...
00:35But nothing, Ale.
00:37I already lost her.
00:50Who could have seen us?
00:52I don't know, I don't know, Fran.
00:54Well, let's not lose control.
00:58We have to be calm and think.
01:01This is the beginning of a blackmail.
01:03We have to be prepared.
01:05They're going to ask us an exorbitant sum of money.
01:08I wish that was all.
01:10I'm always going to love you.
01:35One moment.
01:38One moment.
01:41Yes, come in.
01:43Coqui.
01:44Coqui, you have to help me. I'm going crazy.
01:47What happened?
01:48I got a call with a distorted voice.
01:50It said they knew what we had done.
01:53It must be blackmail.
01:54I called the number and it doesn't exist anymore.
01:56But I'm sure they're going to call to ask me for money or something.
02:00And who were they referring to?
02:05You told me the voice said,
02:07I don't know what they've done.
02:10Well, I don't know what he knows or what he saw.
02:15But if you want me to help you, you have to tell me.
02:21Diego.
02:24What exactly happened at Campo's house?
02:33We killed her, Coqui.
02:35Francesca and I killed Claudia.
02:50What happened to the princess? Did she go crazy?
02:54I don't know, Pac.
02:58At first it was invisible to her.
03:01Then she began to idolize me.
03:05And now she treats me with a lot of contempt, Pac.
03:08I don't know if I can get rid of this from my mind, from my head.
03:11Oh, Pac, there's no right.
03:13One day you're not going to go up like the clouds.
03:14The next day she's going to leave you hanging.
03:17I don't care.
03:18I don't care, I don't care.
03:19Forget it.
03:20No, no, no, no, Pac.
03:21You don't have to go on.
03:22Look at me.
03:23Look at me.
03:25I'm more broken than a neighborhood ball.
03:27Yes, this little heart is very broken.
03:29But what do I do? I'm still ahead.
03:30You have to go on.
03:32I don't want to go on, Gaspar.
03:34But I laugh.
03:35Love is not for me.
03:37No, don't say that.
03:38Don't say that.
03:39Tomorrow is another day, okay?
03:41Tomorrow is another day, okay?
03:42Let's see, repeat.
03:43Tomorrow is another day.
03:45Come here.
03:46Come here.
03:47Come, come, come.
03:49There it is.
03:53Gaspar.
03:54What?
03:55I love this song to feel better.
03:58I can't think of anything right now.
04:00Give me a song.
04:02Look, I better stay here with a sponge to absorb everything, okay?
04:05This sponge, I'm going to use this sponge.
04:07Gaspar.
04:08Young.
04:09Gaspar.
04:10Young.
04:11Gaspar.
04:12Young.
04:13Gaspar.
04:14Gaspar.
04:15Young.
04:19Gaspar.
04:20Young.
04:21Young.
04:25Gaspar.
04:27Gaspar.
04:28Compadre.
04:29Do you think Gaspar Siamistin's theory is going?
04:33Poor guy.
04:34He came with the story of seeing Joel.
04:36No, no, no.
04:37No story.
04:38They have done well.
04:39No, I know.
04:40But he still came with his second one.
04:42It may be.
04:44I can't think of anything to cheer Joel up, compadre.
04:47I think any ingredient will be fine, right?
04:50Compadre.
04:51You are a genius.
04:53I am?
04:57No.
05:02Frank!
05:03Don't hit me.
05:05Don't hit me.
05:07For all the time you've done.
05:09I'm going to go home.
05:11No.
05:12No, no.
05:13If I can avoid it.
05:16We had no alternative.
05:20It was her or us.
05:22No, no, no.
05:23It's okay.
05:24I'm nobody to judge you.
05:25But I need you to give me details.
05:28I need you to make a reconstruction of the facts.
05:31To be able to tie ends and know who is threatening us.
05:34But I have to talk to Francesca.
05:36She doesn't know I just told you the truth.
05:38Well, talk to her and let me know.
05:45I don't know how I'm going to take it.
05:48Talk to her as soon as possible.
05:56No.
06:13This pepper and nut sauce was very good, right?
06:17But I think I like the one with cream and truffle better.
06:19Thank you, chef.
06:21And the one with mushrooms and red wine?
06:23Good, too.
06:25But...
06:28I was expecting a more personal touch.
06:31To surprise me with something different.
06:33I thought about it.
06:34But I decided not to take so much risk on the first day.
06:37There's the problem.
06:38The one who doesn't take risks, doesn't win.
06:41Go preparing the puree of sweet potato and ice cream that our customers always ask for.
06:44Yes, chef.
06:56I told Koki the truth.
07:01What have you done, you fool?
07:03He's the only one who can help us.
07:06How could you tell him without talking to me?
07:09I didn't think about it, I just did it.
07:11Did you betray me?
07:12No.
07:14We had a deal.
07:16You promised you wouldn't tell anyone.
07:18I told him it was just the two of us.
07:20I told him we'd both shoot.
07:22I was going to tell him I was going to kill him.
07:23I already told him we'd both shoot.
07:24I was going to tell him it was just the two of us.
07:26But I told him this voice was saying,
07:27They did it, they did it.
07:29But now he knows.
07:30There's no turning back.
07:34Koki comes from the underworld.
07:36He can help us.
07:38Yes, but...
07:40Do you think it's right to trust him?
07:44He's waiting for us.
07:46For what?
07:48He needs to know what happened that day.
07:50He wants us to reconstruct the events one by one.
07:53Oh my God.
08:17How did it go?
08:18Look, they gave me the job.
08:19Good, good.
08:21Oh, yes.
08:22I knew it.
08:23Thank you very much.
08:24Don't worry.
08:25Thank you, thank you to my aunt.
08:26I'm going to thank her.
08:27And also to your mom.
08:28Yes, of course.
08:29Your aunt is a cape.
08:30She's a cape.
08:31She has a great job.
08:32Yes, yes.
08:33And you?
08:34What job did they give you?
08:35And what would you do?
08:36Well, I'm going to start as a lingerie saleswoman.
08:37But I...
08:39But he told me that...
08:40that soon he can promote me
08:41if I show him a good performance.
08:43Good.
08:44I assure you that you are going to be his right hand.
08:45I'm also sure.
08:46Oh, thank you very much, Maximiliano.
08:47Thank you, Maximiliano.
08:48I really needed this job.
08:50Well, for...
08:52For us to be friends.
08:55Thank you, really.
08:56Where are you going?
08:57Do I take you?
08:59No, no, no.
09:00No, no, I'm leaving.
09:02Really, thank you very much,
09:03but I prefer to go alone.
09:06I understand you.
09:08Thank you, Maximiliano.
09:09Congratulations, congratulations.
09:10Thank you, thank you.
09:11See you later.
09:12Okay.
09:29I'm leaving.
09:31Goodbye.
09:35Are you talking to me?
09:37No,
09:38to the needle that I have in my hands.
09:44Thank you
09:46for coming to accompany Joel.
09:48He is devastated today.
09:50Your presence gives him strength.
09:52You are a good friend.
09:53I love Joel a lot.
09:55I love your family a lot.
09:58I love you a lot.
10:03How can you love someone you don't trust?
10:07How can you give your heart to someone you think
10:11can deceive you with the first person you see?
10:13I got carried away by insecurity, Teresa.
10:18You couldn't distrust me.
10:21Me.
10:23This has been very ugly.
10:25This has been very hard.
10:28This only shows me that you,
10:31that you really don't love me.
10:33Why do you say that?
10:35Look at everything you did for an innocent photo.
10:39I didn't want to lose you, Teresa.
10:41You lost me.
10:43A long time ago.
10:45Look,
10:49I have to go pick up my divine light from school.
10:53Goodbye.
10:57Tell Junior I miss him.
11:01Don't say anything.
11:04Don't say anything.
11:11Dad!
11:12Joel!
11:13Dad!
11:17Joel!
11:19Dad!
11:20Joel!
11:21Dad!
11:22I'm here.
11:24Joel!
11:25Dad!
11:26What happened?
11:27Joel!
11:28Dad!
11:32How could we have encouraged Joel?
11:37He was so excited
11:38that an unreachable girl would listen to him after so long.
11:44Mr. Gil!
11:46We know how to get the cookie, Joel.
11:52I don't know if it's a good idea to talk to Coqui.
11:55But you came up with a plan with him.
11:57Why do you doubt so much now?
11:59Nobody was supposed to be killed in the plan.
12:02Claudia was supposed to find out
12:05that I was counting the days and leave us alone.
12:09Anything could happen.
12:10That's why Coqui gave you a gun.
12:13Your idea of going to Campo's house changed everything.
12:16Things got out of control.
12:18Coqui will understand perfectly.
12:20What if it's too much for him?
12:21What if he betrays us?
12:22What if he betrays us?
12:32Why are you so quiet, Coqui?
12:35It's not like you've never been so loud.
12:38But at least tell me something.
12:39What do you think about the weather, the cold, the heat?
12:42No!
12:50It looks like the weather is getting worse.
12:53Oh, no!
12:54No, no, no, no, no, no!
12:55Don't tell me!
12:56Look, look, look!
12:57I'm starting to tremble from the cold!
13:01And this one?
13:03How mysterious!
13:04Ouch!
13:11Come in.
13:22Well,
13:24I shot first.
13:26Then Frank took the gun from me.
13:27Enough, Diego, enough.
13:29It was me. I killed her.
13:31I shot her four times.
13:33She would have kept shooting if the bullets hadn't run out.
13:37So you don't know that she was the one who shot me, who tied me up?
13:46Oh, what a laugh!
13:52Wait.
13:56So Diego doesn't know either.
13:57He doesn't know either.
14:01What a fool!
14:04He lost his mind because of Victoria's swindler.
14:09He was married to Francesca Maldini's ex-convict and murderer.
14:14And now
14:17he's a friend of the mafioso, looter and resourceful man of Coqui Reyes.
14:23Poor guy.
14:25Criminals are his weakness.
14:28Frank was out of control.
14:30He didn't know what he was doing.
14:32I already told you that I'm no one to judge them.
14:34The important thing here is to reconstruct the facts to try to discover the looter.
14:40Well, in the house there were only Francesca, Pacho, the lawyer and me.
14:44Nobody else.
14:47How did Claudia get to the house?
14:51Did they find a car around?
14:55No.
14:56There was nobody.
14:58Maybe he left it far away so we wouldn't hear the engine noise.
15:02Or maybe someone took her and left.
15:06Or waited for her.
15:11What did they do with the body?
15:17I buried it in the garden of the house.
15:19In the garden of the house.
15:22It was the best way out, but you have to get it out of ...
15:25It's mine.
15:26And the gun?
15:28I buried it with the body.
15:31The murder weapon?
15:32No, the one that Claudia shot, the one that has her fingerprints.
15:36The revolver with which I shot Claudia, I have it in my room, in the safe.
15:41What?
15:49No.
15:55That's the gun I shot her with.
15:58The one I gave her?
15:59Yes.
16:00I had mine, but I didn't use it.
16:03She also gave it to you?
16:05Yes, but I'm not going to give it back to you.
16:09Well, I'm going to get rid of this.
16:14And what do we do?
16:17Try to go on with your lives, so as not to raise suspicions.
16:35Mom, how did it go?
16:37They gave me the job!
16:40How exciting!
16:42What are you celebrating?
16:43They gave my mom the job of Sara Calavera.
16:47Congratulations, Lorena!
16:49Thank you!
16:50Family!
16:55Lorena earned the job of the skull.
16:57I knew it!
17:00Congratulations!
17:03How good! Right, dad?
17:05Yes, congratulations.
17:07How cute!
17:09What am I missing?
17:10It is a celebration only of the family.
17:12You don't paint anything here, Cinderella.
17:14I'm sorry.
17:15I'm going to teach you how to paint.
17:16Let's see.
17:21You're going to look beautiful, my love.
17:23Let's see, let's see, let's see.
17:24I'm not messing around.
17:25They don't eat bread in front of the poor.
17:45Who is it?
17:46Me, Claudio.
17:47Can I come in?
17:48No.
17:49What do you want?
17:50I just want to let you know that I'm going to take Mrs. Francesca to the corporation.
17:54Okay.
17:56Mr. Diego left to Francesca's.
17:59Okay.
18:00I'm going to take the opportunity to go out for a while.
18:02Where to?
18:03Can I know?
18:04Okay, okay, okay.
18:05Don't be a toad.
18:06Oh, I'm just curious.
18:14I'm just curious.
18:27Did you finish there?
18:28I need to add it.
18:32Hello, hello.
18:33Dad, I thought you weren't coming anymore.
18:35Chef Diego.
18:36Good afternoon.
18:37How's everything around here?
18:38Good, very good.
18:41I see you are working in harmony.
18:43Yes, we are settling in.
18:45Judas?
18:46Oh, he went out to have lunch.
18:47It's just that today we have the living room full.
18:49And you, did you have lunch?
18:50Yes, chef.
18:51We have turned them over.
18:52Anyway, right now we are advancing some things for dinner.
18:54Very good.
18:56Dad.
18:57Did you know that Salvador is your fan?
19:00You are a great reference for me.
19:02In this restaurant, few words and a lot of action.
19:05Yes?
19:06How about if you prepare something better and show me your talent?
19:09Of course, chef.
19:10Surprise me.
19:13Let's go.
20:13Can you bring me a cappuccino, please?
21:14So the new guy is going to prepare a dish for you?
21:16That's sadism.
21:18He has it hard.
21:20I wouldn't like to be in his place.
21:22Just...
21:23Dad.
21:25I ask you not to be so mean to him.
21:27You need hands in this kitchen, so please don't scare him.
21:32I'm not scared.
21:34I'm not scared.
21:35I'm not scared.
21:37I'm not scared.
21:38I'm not scared.
21:39I'm not scared.
21:40I'm not scared.
21:41I'm not scared.
21:42Please don't scare him.
21:45What?
21:46I'm talking to you.
21:47You're going to scare Salvador.
21:49Scare?
21:50Please, not even if I were a monster.
21:52Scare.
21:57Here it comes, here it comes, here it comes.
22:02Stuffed ravioli with veal in truffle cream sauce.
22:09Looks good.
22:10Smells good.
22:12Let's see.
22:36The sauce has a peculiar flavor.
22:39I took a risk
22:40and added a drizzle of Barbaresco.
22:46The plum
22:48and the cherry of the nebbiolo
22:50give it a special touch.
22:55And?
22:56What do you think?
22:57Your verdict, judge.
23:00I was not wrong to add you to the team.
23:03Thank you, chef.
23:04Chef.
23:09Aren't you going to say anything else?
23:12Do you need me to say anything else?
23:14No, chef.
23:15If I may,
23:16I recommend you accompany the dish with a glass of Barbaresco.
23:19Excellent suggestion.
23:20I'll bring it.
23:30This is delicious!
23:32Why didn't you tell him?
23:34What for?
23:35So that he gets drunk and then asks me for more salary?
23:37Don't even talk.
23:38Why are you like that, dad?
23:39Obviously.
23:40What's wrong with you?
23:44Joel's day.
23:45Yes.
23:46Joelito is going to love it.
23:48Of course.
23:49You had a very good idea.
23:51He's going to feel like a king.
23:53No, no, no.
23:54It's better not to mention royalty.
23:56I'm not going to make him remember his princess.
23:59Poor my nephew.
24:00He hasn't left his room all day.
24:02But it's okay for him to cry.
24:04That's important.
24:05I know.
24:06Tomorrow will be another day.
24:20Coqui told me that he spread the parts of the weapon
24:22in different places.
24:24That's fine.
24:26We hadn't thought of that.
24:28We're in good hands.
24:30Coqui knows what love does.
24:34And you?
24:35How did it go at the corporation?
24:36I didn't have much to do.
24:38But I was there for a long time.
24:41And you?
24:42Is it true that the new kitchen assistant
24:45is as wonderful as Alesia says?
24:47Well, it is.
24:49But I exaggerated a little to impress Alesia.
24:54It's the plan, right?
25:01Leave me alone.
25:26Today is a great day!
25:30The next day
25:35Why are they doing all this?
25:38Because we want to cheer you up, Joelito!
25:41Here's your coffee.
25:43It's not necessary, Grandpa.
25:44I'm fine.
25:46He must be very depressed.
25:47Shut up, beast!
25:48How do you feel, nephew?
25:51A little uncomfortable.
25:53Then let's start the show!
26:01No!
26:06I'm leaving!
26:31We are Querétaro!
26:34Rollero!
26:36La Vecina!
26:47I must confess that something is happening to me.
26:49Something that I can't explain.
26:51It's that right next to my house
26:53she just moved in.
26:55Look at her!
26:56She's so pretty.
26:57Enjoy her!
26:58She's smiling.
27:00Talk to her!
27:02What's wrong?
27:03I can't talk to her!
27:05I haven't slept in a week.
27:07I don't feel like studying.
27:09I look at her from my window
27:11but everything is still the same.
27:13I see her and I don't dare
27:15to tell her that I love her.
27:17Time goes by and yet
27:19I can't, I can't talk to her.
27:23As I was saying,
27:25when Charito got pregnant
27:28being so young
27:30despite that
27:31we were all happy.
27:33Luchito was happy too.
27:35They were going to have a baby.
27:38Well, the baby was born.
27:41The truth is that it was very ugly
27:43but with time it got better.
27:46Dad, please!
27:47Shorten the story of the baby
27:48we already know it.
27:50You're right, daughter.
27:52But we did it to make him happy,
27:54to cheer him up.
27:56What's next?
27:57We're going to end it...
27:58With what?
27:59With some horrors!
28:03Hip-Hop!
28:05Enough, enough!
28:06Don't you see that you only make me more depressed?
28:08Leave me alone!
28:11Poor thing.
28:12What do we do now?
28:14I think the best thing is to respect his decision
28:16and leave him alone.
28:18No, no, no!
28:20We still have a chance
28:21to get him out of the anemic misery
28:23he's in.
28:24Mmm?
28:39No, no!
28:40Keep going!
28:41Don't stop!
28:42What a mess!
28:43No, you sing well!
28:45My dad also loves opera.
28:48What are you doing?
28:49My risky version
28:51of pesto with spinach,
28:52pistachio and lemon.
28:54That's it?
28:56Just a touch.
29:03Are you adding chocolate to the pesto?
29:10Now, yes.
29:12Do you want to try?
29:13Yes, yes!
29:16Careful.
29:23Careful.
29:26It's good.
29:27Really?
29:28Yes, yes.
29:30Don't worry.
29:31I'll fix it.
29:32I would never have thought
29:33to add chocolate to the sauce.
29:35Oh, so you can see.
29:36I'm full of culinary extravagances.
29:38And you're going to have to teach me all of them, right?
29:40Yes, of course.
29:41Sorry.
29:42No, no.
29:43I'll fix it.
29:44Don't worry.
29:45If you want to try more, I'll fix it.
29:46I'll fix it, really.
29:47Sorry.
29:48Try it, eat it if you want.
29:49Can I?
29:50Yes, of course.
29:52Mmm.
29:54Delicious.
29:55What's going on?
29:56What do you want from me?
29:57Shh.
29:58We just want you to do us a little favor.
30:02Your phone has a Spanish code number, right?
30:05Yes, plus 34.
30:06Perfect, my father.
30:07Look.
30:09You're going to call someone
30:11and you're going to tell them what I said there, okay?
30:13With the feminine pump you have.
30:14Yes.
30:15Rump, but feminine.
30:18I don't understand.
30:19I don't understand.
30:20Do it, don't ask, do it.
30:47Where did you get this number from?
30:51Hello?
30:55Hello?
30:57Joel?
31:00That's me.
31:02Who is it?
31:04Don't you recognize my voice, darling?
31:07No, no, no.
31:08You know, I'm not here to guess,
31:10so tell me who you are.
31:12It's me,
31:14Fernanda.
31:16Fernanda?
31:18What did you say?
31:19Yes,
31:20the same one who wears pants and walks, darling.
31:23That miracle you call me?
31:25Well,
31:26that's how miracles are.
31:28Hey, Pepe!
31:33You have to move your bus,
31:34you've left it badly parked.
31:36Shh.
31:42I've missed you a lot, Joel.
31:45Look,
31:46the truth is that I've thought about it much better
31:48and I'm going to see you for Christmas.
31:50What do you say, darling?
31:53You don't say anything, darling?
31:56Darling?
31:57Darling?
31:58Hello?
31:59Hello?
32:01Hello?
32:05Hello, darling.
32:07They're clowns, aren't they?
32:08They forced me.
32:09Don't take it the wrong way, nephew.
32:10Yes, we just wanted to help you.
32:11Do you know how you can help me?
32:13How?
32:14Leaving me alone.
32:18Oh.
32:42Oh.
32:43Oh.
32:47Oh.
32:51Mom, is that you?
32:52Oh.
32:54Yes, my love.
32:56I didn't want to wake you up.
32:58Did you just get home from work?
32:59Yes.
33:01I go out late and the traffic is terrible.
33:05Poor mom.
33:07She's asleep.
33:08Oh, my love, but you know,
33:10I have work.
33:12So we don't have to complain.
33:17Oh, my love, you fell asleep.
33:35Well, I'm going to get ready because I'm going to bed.
33:37Of course, ready.
33:38I'm going to my cellar.
33:39We're going to do the route.
33:40Come on, buddy.
33:43Well, I'll work at the table.
33:44No, no, no.
33:45That's my job, Julie.
33:47Oh, but you haven't had breakfast.
33:49Yes, but Tito and Pepe say I don't deserve to sit at this table,
33:54so I'd better do my job.
33:56Oh, okay.
33:57Yes.
33:58I'm going to the institute.
33:59Have a nice day.
34:07What's up, kid?
34:09Hey, Joel, I want to apologize for what happened yesterday
34:14because of your ex on the phone,
34:16but your uncles forced me, you know?
34:19They really forced me.
34:20I didn't...
34:21I didn't have...
34:31I don't even have the will to say no to an asshole.
34:34What?
34:36What's going on with you, Xavi?
34:39Now you really are a dumbass.
34:51Hey, Joel, what's up?
34:53You look like a monkey.
34:55Moses, what's that?
34:57Like a monkey.
34:58Haven't you seen a small monkey?
35:00Very restless, and here it has some bumps.
35:02Oh, no, sorry, sorry.
35:04If my princess at least would have gone with someone else.
35:07But she left without leaving any explanation.
35:10Hey, hey, but I'm going to tell you something.
35:13Did Princess Jujitiva kiss you?
35:15Yes.
35:16And did you smell love?
35:17No.
35:18Come on, Joel, then she's not your princess.
35:20Come on.
35:21It's a pleasure to have you there.
35:23But I can't look at her.
35:26I'm going to help you.
35:27I'm going to make you forget her.
35:28Wait for me.
35:29Are you going to kiss me?
35:30What's going on?
35:35Here it is, Joel.
35:38Drink it all, drink it all.
35:40What's this?
35:41It's a drink they sent me from my land.
35:43They prepare it to forget the bad love.
35:45They sent it to me to forget my Zulimarcita,
35:47but in the end my Zulimarcita was not a bad love.
35:49She has left me for the love of her life.
35:55Why don't you drink it?
35:57No, because I don't want to forget her, Joel.
35:59I don't want to forget her.
36:01Well, as I was telling you,
36:02with this drink you're going to forget everything.
36:04The curse, the princess Bamba, the kiss.
36:07Everything, Joel.
36:08Drink it, drink it, drink it.
36:13Take this out and drink it.
36:15At once.
36:18Now, drink it.
36:32Drink it, drink it, drink it.
37:03Bingo.
37:09101, 20.
37:12Joel!
37:14What happened, Joel?
37:16Joel!
37:17Oh, God.
37:18Oh, what happened?
37:19I feel bad.
37:20What happened? Who are you?
37:21Oh, God.
37:22You're transparent.
37:23Oh, I'm cold.
37:24I feel bad, I'm dying.
37:25Oh, no, no, no, no, no, no.
37:26Oh, no, no, no, no, no, no.
37:27Oh, no, no, no, no, no, no.
37:28Oh, there it is.
37:29We have to take it to the clinic.
37:31Where are we going?
37:32Well, his car is outside.
37:34Okay, okay.
37:35It's okay.
37:36We're going to take him there.
37:38I'll drive.
37:39How are you going to drive?
37:40You don't even know.
37:41Who told you I don't know how to drive?
37:43Of course I know.
37:44Are you sure?
37:45Yes, yes, don't worry.
37:46We'll call you when we get there.
37:47You stay here.
37:48But I'll go with you.
37:49Okay, okay.
37:51No, no, no, calm down, calm down, calm down.
37:54The truth is that I've never driven.
37:56I only hit a tractor once on my land.
38:02Well, it had other levers.
38:04It was a transformer, I think.
38:05Oh, oh, oh, oh, oh, oh, oh, oh, oh.
38:08Oh, oh, oh, oh, oh, oh, oh, oh.
38:09We're through, we're through.
38:12Stop, stop, stop, stop, stop, stop.
38:13Oh, my God.
38:14We're almost there, we're almost there.
38:16Calm down.
38:17You're with me, you're with God.
38:18Are you okay?
38:19Are you okay?
38:21I still don't know what lines go through here.
38:23Oh, my God, I'm dead.
38:27What if I take a taxi back?
38:29No, no, it's very expensive, very expensive.
38:31I'll just wait.
38:38No, Caquetá, Puente Camote, New Loma, New Loma.
38:41New Loma, New Loma.
38:42Get in, get in.
38:43Get in.
38:44Hurry up, Petia.
38:45Take advantage of the traffic light.
38:46Why don't you use asphalt, Chibolo?
38:48Hurry up, hurry up.
38:49Get in, get in, get in, get in, get in.
38:51Safety!
38:54I know it's not your first day of work,
38:56but it's more of a surprise.
38:57Tito went to pick me up from school
38:59and we did everything we could.
39:01Let's see, let's see, that happy family.
39:03Take a seat, we'll continue with the route.
39:05Now, consume the torta.
39:08How nice.
39:18They are the characters of Shrek.
39:20Oh, just say it.
39:21The characters of Shrek.
39:22Julie has her classes and doesn't come until late.
39:25Oh, if you get older, I can't go to school.
39:27Get in, get in.
39:28No, no, no.
39:29I'm leaving, the light.
39:30No, no, no.
39:31The light.
39:32Hold on, hold on, Juanlito, hold on.
39:33The light, yes.
39:34I'm seeing the light.
39:35Oh, they'll get us a bed right now.
39:37Calm down, calm down, calm down.
39:39Damn it.
39:41Oh my God.
39:42With this seasonal flu,
39:43the polyclinic is full.
39:47Oh my God, I see you so bad.
39:49Damn it.
39:50Damn it.
39:52Damn it.
39:53Calm down.
39:54Damn it.
39:55Stay here, don't move.
39:57I'm going to look for a bed.
39:59Damn it.
40:01The characters of Shrek are in front of me.
40:06I'm so stupid.
40:09And I don't know if Salvador learns super fast
40:11or has hidden skills and releases them little by little.
40:14Like to impress the chef, you say?
40:16Because he got it.
40:17It's not about impressing me,
40:19Total already has the job.
40:20I'm just happy because it's a good element for Francesca.
40:23Yes or no, dad?
40:25Yes.
40:27Yes, yes, of course, of course.
40:28Mr. Diego, if you're sleepy, I can serve you another coffee.
40:31No, no, thank you, Claudio.
40:32You, Mrs. Francesca, anything else?
40:38For Christmas, the same.
40:40What?
40:47What?
41:03Coqui.
41:04Mrs. Francesca.
41:05Coqui, Coqui, how did it go?
41:07On your walk.
41:08Walk?
41:09Oh, why didn't they take me?
41:10Impossible, Claudio.
41:11They have to alternate the days off.
41:13Days off?
41:14Coqui has days off?
41:15You also have days off, only you don't realize it.
41:17Oh, what happens is that I have nowhere to go.
41:19It's not my business, let's go to the office, Francesca.
41:22Take them.
41:23Right away, Mrs. Francesca.
41:26Of course, all Coqui, all Coqui, all Coqui.
41:28What does he have that I don't have?
41:30Days off.
41:32Don't listen to him, Claudio.
41:34Why don't you sit down and have lunch with us?
41:36No, I don't want anything.
41:38Why?
41:39Oh, well, now.
41:40There you go.
41:41I'm very greedy.
41:42We know.
41:43Oh, thank you.
41:45What happened?
41:46Mrs. Francesca didn't even touch it.
41:48Yes.
41:49But don't laugh.
41:50Of course.
41:53I'm dreaming.
41:55It's the characters.
41:56Shrek.
41:58The donkey.
42:00Ping-pong.
42:02Fiona.
42:04The cookie.
42:07My God.
42:10It's the curse.
42:12It's the curse.
42:14Anastasia left me lying like a dog.
42:17There's no bed.
42:19I'm sick.
42:20I don't even have the urine to help me.
42:23This curse is never going to end.
42:26God.
42:27God.
42:30This curse is never going to end.
42:44The end.
42:46The end.
42:52There is no more homicidal gun.
42:54Did you throw it into the sea?
42:55Yes, I already disassembled it and made me decide each piece separately.
42:58Don't worry.
42:59It is impossible that you find her.
43:02What are we going to do now?
43:03We still need to find out if Claudia didn't have an accomplice.
43:06Well, someone had to take it to Pachacamac.
43:08Or it could have arrived driving.
43:11I know your car well.
43:12I told you to recognize him if he shows up.
43:14Where will he show up? There was nothing in that house.
43:17Yes, but everyone arrives in San Jacinto.
43:20We have to find out before they dismantle it.
43:22I already told my contacts.
43:24The underground.
43:25That's right. They will tell me if an abandoned car appears.
43:28But there must be thousands.
43:30Yes, but it must come from Pachacamac and surely intact.
43:33We have to find him before they sell him for parts.
43:36Who?
43:37I'm Claudio.
43:43Hello.
43:48I brought you a cup of muña tea.
43:51Leave the tray, please.
43:53Don't worry. Keep talking.
43:55Just pretend I'm not here.
43:57Anyway, I know there are two types of employees.
43:59Those who trust and those who don't.
44:02I'm not in the mood for jokes.
44:04Excuse me.
44:05Well, if the gentlemen don't need me for anything else.
44:08You can retire, Coqui.
44:09And take the non-trust staff.
44:11Why are they like that?
44:12Why are you like that?
44:14They are doing a lot of damage to my self-esteem.
44:41He thought he was going to impress me with his blueberry dessert.
44:44Nowadays everyone uses blueberries.
44:46On the other hand, I prepared a crunchy African pear that I had never tried.
44:51It's not that good, it's true, but it's completely original.
44:56Hey, are you listening to me?
44:57Uh-huh.
44:58Let's see what I said.
44:59That Salva has you making desserts.
45:01And I tell you that you haven't stopped talking about him all day.
45:04Nothing to see.
45:05Was it very difficult to find a place?
45:07Yes, there was no bed.
45:09Until they gave us this one.
45:12Oh no, Mr. Jalachaki.
45:15Poor thing.
45:16Huh?
45:17Well, it's the law of life.
45:18No, no.
45:19He sent me to a dead man's bed.
45:20How are you doing?
45:22Why don't you go to Pachacamaca to look for ...
45:24Skirts?
45:25Skirts?
45:26Why would you go to Pachacamaca for some skirts?
45:28Skirts.
45:29In Pachacamaca there are very nice skirts.
45:31And in your grandmother's house they are big, rich, beautiful.
45:35Yes, yes.
45:36I will gladly go for the skirts if I do not receive any news from my contacts.
45:41I'll go with you.
45:42No.
45:48Everything will be fine.
45:49You're going to get out soon.
45:50You're going to get out soon.