• last month
Transcript
00:00Marvin, I'm sick. How many years of fitness do I have left?
00:04Do you have any idea?
00:06I need a real task.
00:08I don't know what I would do without you.
00:10Lately.
00:15It's smarter if you don't do it, isn't it?
00:19Smarter, yes.
00:26Hello, Jördis.
00:28What are you doing here?
00:30I thought you had to leave.
00:31Klaas sent me.
00:33He says he's too tired to meet you yet.
00:35That would be really stupid of me. I'll call Klaas.
00:37Give me that!
00:39Ouch! Ouch!
00:43You'll regret that.
01:27What?
01:35What?
01:37That you pushed me down the stairs.
01:39Valerie, I haven't even touched you yet.
01:41I see that differently.
01:49You pushed me.
01:53On purpose.
01:57I know what you're trying to do here.
01:59Well, what am I trying to do?
02:01Nobody will believe you and Klaas certainly won't.
02:03And with such lies you'll push him away from me even more.
02:09Who should let you check yourself in the hospital because of the child?
02:27Klaas, it's about Valerie.
02:29Please call me back as soon as possible.
02:41Are you okay?
02:43Yes.
02:45Yes, I'm fine.
02:51Ouch!
02:53How did that happen?
02:55Where did he go?
02:57I think I know where he went.
03:01Luis saw a garbage truck in front of the nursery yesterday.
03:03He just picked up the garbage cans.
03:05He was so excited.
03:07I barely got him out of there.
03:09And since then he's been playing with everything his toys give him.
03:13Picking up garbage cans.
03:15Loud and clear, of course.
03:19Maybe your former professional dream has come true.
03:21Have you ever regretted having children?
03:25I mean, there must have been difficult times.
03:29Difficult times?
03:31Yes.
03:33Regret?
03:35Never.
03:37No.
03:39Children are exhausting, of course.
03:41But also the most beautiful thing that ever happened to me in life.
03:43You know, children are one big adventure.
03:47Yeah, it's nothing to brag about.
03:49Not even a world trip.
03:53Not even a motorcycle trip to America?
03:57No.
03:59Not even that.
04:11Yes, you already told me that last week.
04:13Yes.
04:15Not you personally, but a colleague of yours.
04:17Well, that doesn't help me at all.
04:19Get out of the way!
04:23Yes, correct.
04:25The entire delivery was wrong.
04:27200 light bulbs with a wrong version.
04:29Yes.
04:31Yes.
04:33You caught it.
04:35No, not you.
04:37Yes, please. That would be fantastic.
04:39Just send me a new delivery.
04:41Yes.
04:43I've already said that four times.
04:45No.
04:47Not yet.
04:49Yes.
04:51Yes, I'm very curious.
04:55So, we're one. What are you?
04:57I'm a light bulb that just lost its control.
04:59Oh, you poor thing.
05:05Are we going to watch a chess tournament again?
05:07You better do that with your dad.
05:09Okay, let's read.
05:11Okay, go to my room. I'll be right there, sweetie.
05:15Poor light bulb.
05:17What about your version?
05:21I hope it will finally be delivered tomorrow.
05:23Allegedly.
05:25Until then, you'll have to put up with me like this.
05:29You saved me today.
05:31Your plans for the renovation are really good.
05:35I'm glad.
05:37How long did it take you?
05:39Two hours?
05:41And something like that
05:43makes up for his talent as a house technician.
05:45Well, a house technician
05:47who can devote his time to his job.
05:53That's the best thing that can happen
05:55for a six-year-old dad.
05:57Could be.
05:59But?
06:03What would you say
06:05if I wanted to live with you
06:07in Askania Park?
06:11The two of us?
06:13Exactly.
06:15And what would I be?
06:17A house technician?
06:19Well, because of the necessary renovations.
06:21Of course, first as a carpenter.
06:23But that would just be the beginning.
06:25And after the beginning?
06:29You can be whatever you want to be.
06:31Whatever I want?
06:43Valerie, what happened?
06:45Hey!
06:47She doesn't want to talk about it.
06:49Did you get hurt?
06:53Show me.
06:55Oh.
06:59It looks like a scratch.
07:01Probably a bruise.
07:03Valerie, what happened?
07:05You won't believe it anyway.
07:11I fell down the stairs.
07:13Yes, that pushed me.
07:16Knock, knock.
07:22Whatever she tells you, she's lying.
07:25Come in.
07:27I'll take a look at the hammer.
07:29Sit down.
07:37Carefully close your hand and open it.
07:39Is that okay?
07:41Okay, nothing broken.
07:43Did she tell you that I pushed her down the stairs?
07:45She did.
07:47Everything seems to be fine.
07:49You don't have to say anything more?
07:51Yes, of course.
07:53But she's pregnant.
07:55She has to go to the hospital first to check.
07:57The rest will be clear later, right?
08:13Yes.
08:29Franca?
08:31I'm leaving now.
08:33Yes, okay.
08:35Do you think so?
08:39Well, maybe.
08:41Maybe a little.
08:43Oh.
08:45Because I, an idiot, imagined
08:47how great it is to be a father.
08:49Hey.
08:51I'm sorry.
08:53It's not your fault.
08:55I...
08:57I don't know.
08:59Normally I don't cry from a high sky.
09:01It's just a little too much.
09:05The appointment at the youth office.
09:07Me too.
09:13Somehow I hoped
09:15that it could work out.
09:19The beautiful moment between us.
09:21So it's okay.
09:23Don't get me wrong.
09:27It's just a little too much.
09:29Yes.
10:07Wake up.
10:09What's going on?
10:13Jurek, I didn't want to overreact.
10:15You mean
10:17with the hotel project?
10:19Exactly.
10:21I really want to do it with you,
10:23but take your time.
10:25And if you decide against it,
10:27then I respect that.
10:29But I, Jurek,
10:31I really have to do it.
10:33I don't think
10:35I'll get a second chance like this.
10:39Yes.
10:43I'm just thinking
10:45about us.
10:47Our family life.
10:49About us as a couple.
10:51I mean, we wouldn't be the first relationship
10:53to eat up the work, would we?
10:55But I definitely don't want that.
10:57You're way too important to me for that.
10:59You know,
11:01this project
11:03practically fell at my feet.
11:07Because of Jolina.
11:09Her girlfriend is the head librarian
11:11at the Ascania Park.
11:13And practically,
11:15this lady owes me a favor.
11:19What favor?
11:21Or maybe I shouldn't ask?
11:23I got her this job.
11:25So,
11:27what do you say?
11:33I love you.
11:39I love you, you know that.
11:41But what does that have to do
11:43with the Ascania Park?
11:47Well, I think you should
11:49continue planning this project.
11:51But as far as I'm concerned,
11:53I...
11:55I'm not sure
11:57if I should risk my job
11:59in the Dreckkönig,
12:01but nothing has been decided yet.
12:25Are you laughing or crying?
12:27No, I'm laughing.
12:31What's that?
12:35I got this card from an attractive woman.
12:39A heart lady with a phone number.
12:41And? Have you called her yet?
12:43Nonsense, are you crazy? No.
12:45I'll give her some time,
12:47otherwise she'll think I'm desperate.
12:49What?
12:51Well, probably
12:53the cool woman just took you for a ride.
12:55The number doesn't exist,
12:57or is it the city library?
12:59It's a normal phone number.
13:01But a strange prefix.
13:03Hela, she's not kidding me.
13:05Then call her.
13:07You'll see.
13:19Uh, quiet and fast.
13:25Basically, you'll find the second of three
13:27if you call her.
13:31See?
13:33She's taking you for a ride.
13:35Well, have fun with the singing oyster.
13:37And please,
13:39don't let me down.
13:53Oh, man, thank you so much.
13:55That's really a great help.
13:57Mrs. Böttcher will contact you.
13:59Yes, I'd love to.
14:01Bye.
14:03Well?
14:05Hi.
14:07Would you like a coffee or something else?
14:09No, thank you.
14:11Oh, stay with it.
14:13I'll pick Louis up from the nursery, right?
14:15Without you, I really wouldn't know
14:17what to do right now.
14:19Oh, by the way,
14:21I just spoke to someone
14:23at the nursery.
14:25Mrs. Peters.
14:27Her daughter and Lily go to the same class,
14:29so I know her a little.
14:31I told her about you.
14:33I hope that was okay?
14:35Yes, yes, of course.
14:37And?
14:39Well, she offered you
14:41to call her.
14:43Then you could talk about everything in peace.
14:45Does that make sense?
14:47Well, with her, you'll definitely be
14:49absorbed again.
14:51Okay.
14:53Thank you very much, Ben.
14:55You can call her anytime.
14:57I'll write down her number.
14:59I...
15:01I don't want to be impulsive, but...
15:03you're really good to me.
15:11Hmm.
15:13Ballary.
15:15I don't even know if I feel like it.
15:17Family is always
15:19the most important thing, isn't it?
15:27Yes?
15:33Hey, Simon.
15:35I have one left.
15:37You can put it here at the bar.
15:39Ask Marvin about his date.
15:41Oh, the poker lady. Did you call her?
15:43The lady is a enchanted
15:45oyster and lives on the seabed.
15:47She comes to the bar at night.
15:49What is she talking about?
15:51I called her number,
15:53but there was a strange voice message.
15:55Wait.
15:57Basically,
15:59the singing oyster is the second
16:01of three.
16:03Interesting.
16:05She makes him go crazy.
16:07Well, it's a kind of game, isn't it?
16:09You'd better forget the lady right away.
16:11No, seriously.
16:13A woman who sells expensive cars,
16:15who often plays poker,
16:17she must have a claim to her dates.
16:19It could be some kind of intelligence test.
16:21Yes, I told you.
16:23Forget her.
16:25Simon, you're right.
16:27It could be a riddle.
16:29A riddle that I will solve.
16:31I think table 17 is still waiting for your order.
16:39It's all right.
16:41The child is fine.
16:43Nothing is missing.
16:47Do you have a headache?
16:49It's okay.
16:51The arm hurts more.
16:53But I can take it.
16:55What I find much worse is...
16:57What?
17:01Why did you do all this?
17:03Oh, God.
17:05How are you?
17:07It's all right.
17:09I...
17:11I can't believe that...
17:13that this really happened.
17:15To be honest, neither can I.
17:17Well, Jördis seems to have a side that nobody trusts her.
17:19Never.
17:21Jördis would never do something like that.
17:23She pushed me.
17:25I was there. On purpose.
17:27Nonsense.
17:29I know Jördis.
17:31I knew nobody would believe me.
17:35What am I supposed to do?
17:37I know it was an accident.
17:39So that you're all happy, I'm supposed to lie?
17:41You should calm down first.
17:43And then we'll solve this in peace.
17:45Tomorrow.
17:47It's definitely a misunderstanding.
17:49Take care of your sister.
17:51Yes, of course.
18:07I love you.
18:21You're still working?
18:23Yes.
18:25And you're done with daydreaming?
18:27Well, that's good.
18:29It's been two hours.
18:33And now we've fallen asleep together.
18:37Do you want some, too?
18:39Yes.
18:47Ellie is daydreaming about chess-playing unicorns.
18:49I've woken up from that.
18:55And you? What else do you have to work on?
18:57I'm still missing
18:59the brilliant idea for the potential donors.
19:01When do you have to be done?
19:03Tomorrow.
19:05You have a meeting with them.
19:07Well, speed is everything.
19:09At least with this project.
19:13I've already put a concept on it.
19:15But would you risk your millions for that?
19:21No.
19:23I'm not convinced.
19:25And I can't think of anything reasonable.
19:27I think I'll lie down for a while.
19:29I think I'll lie down for a while.
19:31And then I'll get back to it later.
19:33Really?
19:35Yes.
19:37I need a really convincing idea by tomorrow.
19:39Are you coming?
19:41Yes, right away.
19:43I'll take over the first two afternoons
19:45in the food truck.
19:47And then the day before, okay?
19:49Yes, great.
19:51We've already discussed that.
19:53Okay, perfect.
19:55See you later.
19:57I told Maja and Tore's mother
19:59that you wanted to see Louis.
20:01Yes, I'm on my way.
20:03I see.
20:05I wanted to thank you
20:07for your advice
20:09about Mrs. Peters.
20:11I've already contacted her.
20:13Ah, okay.
20:15And?
20:17Yes, as you said, she's very nice.
20:19We'll meet tomorrow
20:21and then we'll discuss everything else.
20:23That makes me happy.
20:25Ah, I have to go.
20:27Yes, to Louis.
20:29See you later.
20:31See you.
20:35Hey, Marvin.
20:37Hey.
20:39How are you?
20:41Good, really good.
20:43And you?
20:45Also good.
20:47Ben is living with me.
20:49Yes, I know.
20:51And everything is going well?
20:53We get along really well.
20:55But it's only temporary.
20:57Yes, exactly.
20:59The only one who worries me, as always,
21:01is Valerie.
21:03You're really lucky with your brother Tamu.
21:05You can't wish for a better brother.
21:11Yes, I have to...
21:13I have to go to the kitchen.
21:15But...
21:17I'm glad you're doing well.
21:23I'm glad you're doing well.
21:29Do you have to go to the dentist?
21:31Has someone fainted?
21:33I tried to call you, but you didn't pick up.
21:35Sorry, there was a lot going on.
21:37And? Did you examine Valerie?
21:39Yes, I did. Everything is fine with her and the baby.
21:41And afterwards you couldn't call me?
21:45It came shortly after an emergency.
21:47For a short moment it felt like
21:49you were on Valerie's side
21:51and not on mine.
21:53When she claimed that I pushed her,
21:55you just let me stand there.
21:57That was very hurtful.
21:59I'm sorry about that.
22:01Of course I know that you didn't push her.
22:03But the thought alone is absurd.
22:07But maybe she
22:09perceived it differently, you know?
22:11She fell from the sky
22:13to the ground.
22:15She's lying to break us up.
22:17Oh.
22:19Valerie must have been up to something.
22:21She'll probably see it more clearly tomorrow.
22:23Hey.
22:27I just have to call her.
22:31And then I'll go to this congress.
22:33And when I come back, she'll have her own apartment
22:35and everything will be easier.
22:37If you think so, okay.
22:48You'll find her
22:50at the bottom of the singing oyster.
22:52What's that supposed to mean?
22:54I don't know.
22:56I know how oysters taste.
22:58I'm pretty sure she doesn't sing.
23:00I got it.
23:02We're supposed to go to the sea.
23:04What kind of sea? That's nonsense.
23:06It must be something nearby.
23:08Something nearby.
23:10Yes.
23:12Concert.
23:14Shell.
23:16Concert singer?
23:18At the bottom of the singing oyster.
23:20The map must be here somewhere.
23:22So help me look for it.
23:38Marvin.
23:40Yes, yes, yes.
23:42Give me him.
23:46My heart is six.
23:48There's something written on it.
23:50Tomorrow, kiss the Queen of Hearts
23:52in the King's room,
23:54and you'll be there.
23:56I'll be there.
23:58What's that supposed to mean?
24:00King's room, seven.
24:02It's obvious, Simon.
24:04It said on one map
24:06that at the bottom of the oyster
24:08you'll find the second of three.
24:10The riddle goes on.
24:12There's another map.
24:14In the King's room.
24:16A poker lady wouldn't do it
24:18that easily, would she?
24:20She has a lot of guts.
24:22Where do we find a King's room?
24:24I don't know, but let's find out.
24:26It's more exciting than
24:28watching eggs hatch.
24:30I don't think so.
24:44Hi.
25:15What do you think of
25:17extra-luxurious tiny houses?
25:19What?
25:21No, not me.
25:23Rich golf-crazy people
25:25who want to live right on the golf course.
25:27You...
25:29You worked on the presentation?
25:31No, no, no.
25:33I just sketched a few ideas.
25:35I've got more out there.
25:37It's all on paper.
25:39Yes, well, we...
25:41We could...
25:43build more tiny houses
25:45behind the golf course
25:47with extra-luxurious equipment.
25:49Exclusively for the
25:51really rich golfers.
25:53It's all just an idea, of course.
25:55Everything made of wood.
25:57Very modern.
25:59And we'd be done with it
26:01relatively quickly.
26:03And then we could finance
26:05the hotel's renovation
26:07with the rent.
26:09Hm?
26:11Uh...
26:13What did you say?
26:15It's not such a...
26:17great idea, is it?
26:19The...
26:21idea is great.
26:23Yes?
26:25Well, of course I have to
26:27calculate everything first
26:29and see if the numbers work.
26:31But the idea is great.
26:33You're the best.
26:35Then we can stay in bed now.
26:37Without you, I'd be standing here
26:39without anything tomorrow.
26:57I'd like two coffees.
26:59Yes, please.
27:03Alright, let's go.
27:05I don't know where to start.
27:07It's very absurd.
27:09So...
27:11Valerie claims that Jöris
27:13pushed her down the stairs on purpose.
27:15What?
27:17No, that can't be.
27:19No, of course not.
27:21Okay, so Valerie's lying.
27:23Maybe that's how it felt to her.
27:25There was probably a fight
27:27and a fight.
27:29Oh, and...
27:31Valerie's okay? The baby?
27:33Yes.
27:35But Jöris thinks that there's a bad intention behind it.
27:37That Valerie only came up with the story
27:39to break us up.
27:43Wow.
27:45And Jöris is sure of that?
27:47Yes.
27:49On the other hand,
27:51Valerie was bleeding a lot recently.
27:53Jöris didn't believe her either.
27:55She thought she was just making it up
27:57to get Valerie's attention.
27:59I'd like to know
28:01why those two women met at all.
28:03What's that supposed to mean?
28:05Yes, and now?
28:07No idea.
28:09And if you
28:11sit down together
28:13and talk openly about it?
28:15Yes.
28:17I can't think of anything better.
28:19But do I feel like it?
28:23No.
28:25Yes, good morning.
28:27My name is Simon Dahlmann.
28:29I'm here with the Hühnerhof Mettmann.
28:31Great.
28:33I'd like to hand over six chickens.
28:35If you'll excuse me.
28:37Okay.
28:41Yes.
28:43All right.
28:45Thank you anyway.
28:47Nobody wants the chickens.
28:49Too few.
28:51As if I'd reach Mr. Lüder or Mr. Flickenschild.
28:53Simon, please don't be mean to me.
28:55I don't have a head for that.
28:57Why did I come up with this riddle?
29:01All right.
29:03In the front room of the King's house.
29:05In the front room of the King's house.
29:11What could that mean?
29:13I have no idea.
29:15Maybe a castle, a castle, or something else.
29:17It's not about that.
29:19I know, and it drives me crazy.
29:21In a good way.
29:23That's exactly the distraction I need right now.
29:25I met her yesterday,
29:27but it was like...
29:29Well, whatever.
29:31It doesn't matter.
29:33I'm over it.
29:35Yes, you thought that already
29:37when you started with Lotta again.
29:39That's how it is.
29:41Then she went to London.
29:43Boom!
29:45You ran after Frank again.
29:47Simon, I'm healed.
29:49Thanks to my new acquaintance.
29:51Yes, now you just have to find her again for the happy end.
29:53In the front room of the King's house.
29:55The Queen of Hearts in red.
29:57And you're in.
29:59Tomorrow is today.
30:01But what does the King's house mean?
30:05We're running out of time, Simon.
30:09I'll look it up on the Internet.
30:11Maybe I'll find a synonym for the King's house.
30:17Maybe that'll help.
30:19Yes?
30:23Yes, please.
30:25Oh, hi Hans. Come in.
30:27I just need a signature.
30:29Oh, the Glühbirne affair.
30:31Yes.
30:33Another wrong delivery.
30:35If this goes on like this,
30:37we'll soon be sitting in the dark.
30:39And what do you want to do?
30:41Well, study
30:43and sign the framework contract.
30:45Yes, good.
30:47The company has been supplying the Three Kings
30:49for ten years.
30:51It can't go on like this.
30:53And the management needs to sign the contract.
30:55I've already talked to another company
30:57and got the first replacement in the hardware store.
30:59Very good.
31:01Now I just have to change the Glühbirne in room 202.
31:03The guest has already complained to the receptionist for the third time.
31:05Without guests, the hotel would be
31:07an ideal workplace.
31:09Yes.
31:11Sometimes I really miss my old job as a carpenter.
31:13No public transport.
31:15The work with wood, the warmth,
31:17the smell.
31:19And in the evening you know what you've done.
31:21And of course, it's nice to be your own boss,
31:23isn't it?
31:25Do I still have to look for a house technician?
31:27No, no.
31:29I already know what I have in this job.
31:31A regulated income, flexible working hours.
31:33That's important for my daughter.
31:35The proximity to Amelie and, of course,
31:37a particularly nice boss.
31:39Thank you very much.
31:41Nevertheless, if anything should happen,
31:43as much as I appreciate you as an employee,
31:45I wouldn't put a stone in your way.
31:47Well, that's good to know.
31:49Thank you very much.
31:51I have to go. Room 202 is calling.
31:53Yes.
31:57When exactly is your appointment at the youth office?
31:59In an hour.
32:01Ah.
32:03I'm really excited.
32:05But Mrs. Peters was really nice on the phone.
32:07Yes, she is.
32:09Yes.
32:11Well, then I'll keep my fingers crossed for you.
32:15Are you coming with me for a bit?
32:17Uh, yes.
32:19I'm going shopping.
32:21I promised Tina I'd bring a few things
32:23that you can't find in Andalusia.
32:25Hey, Lüneburger Salz?
32:27Yes, something like that.
32:31Will you...
32:35Will you tell Tina that we slept together?
32:37Oh.
32:39Huh.
32:41I haven't thought about that at all.
32:43I don't think so.
32:47I think it's good.
32:49Good.
32:55I won't be there for a week.
32:57So...
32:59We...
33:01We shouldn't put any pressure on each other.
33:03Yes.
33:05Maybe we'll stay friends like before.
33:07Uh...
33:11Well?
33:13Did Henny actually take her chessboard
33:15with her to the kindergarten?
33:17No, of course not.
33:19She only plays against adults.
33:21Or against one.
33:23Oh.
33:25Did she remember the room?
33:27Are you coming with her to the hotel?
33:29Uh, no.
33:31I still have to talk to Glübe and Heini.
33:33They still haven't delivered.
33:35Jörg, could you sit next to me for a second?
33:41Yes.
33:47The idea with the tiny houses is good.
33:49Really good.
33:51I'm happy about that.
33:53And you know how much I'd like to have you on board.
33:57But I also know what role you'll play.
33:59Wow.
34:01I want you to be
34:03my equal partner.
34:05We'll build the Askania Park together.
34:07You'll be responsible for the construction
34:09and I'll be responsible for the hotel.
34:11But we'll make all the decisions
34:13together.
34:17Are you sure?
34:19Yes, I'm sure.
34:21Did everyone else say no?
34:23Jörg, you know
34:25I wouldn't offer anyone
34:27an equal partnership in the world.
34:29Except you.
34:33Yes, I...
34:35Well, I...
34:37I really appreciate the offer.
34:39But of course
34:41I also have to think about Heini.
34:43I understand that.
34:45But the project really touches me.
34:47I...
34:49I'd like to think about it a bit more.
34:51Hey, take all the time you need.
34:53But don't worry.
34:55We can do this.
34:57Together.
34:59Unfortunately, I have to go to the hotel.
35:03Bye.
35:05Take care.
35:15Hi, Joris.
35:17Hi.
35:19Look.
35:21Valerie was
35:23doing a check-up.
35:25And I thought this might be a good time
35:27to sit down and talk about
35:29yesterday's misunderstanding.
35:31Misunderstanding?
35:33Joris...
35:35I'm not going to justify myself here.
35:37I didn't push Valerie.
35:39And there's nothing more to say about it.
35:41Of course you did.
35:43Or don't you believe me?
35:45Sit down first.
35:47Come on.
35:51Of course I believe you.
35:53You didn't push her.
35:55But maybe there's another explanation.
35:57There was a fight between you two.
35:59Maybe you just fell for it.
36:01It wouldn't be a shame to admit it.
36:03Nobody would be mad at you, really.
36:05Should I admit that
36:07I just imagined it all?
36:09I was there, Klaas.
36:11I was there, too.
36:13She pushed me.
36:15But it was so obvious
36:17that you believed her and not me.
36:19Did you expect
36:21him
36:23not to believe me?
36:25You planned this
36:27from the beginning.
36:29It's so unfair.
36:37It's just
36:39unbelievable.
36:41What did you want
36:43on that staircase at Kalkberg?
36:45Why was there a fight?
36:47I wrote you a message
36:49that we should meet there.
36:51I didn't get a message.
36:53He deleted your messages
36:55and came there
36:57to start her intrigues.
36:59Here.
37:01It says sent and read.
37:09Do you believe me now?
37:11I've believed you all this time.
37:13I just couldn't believe
37:15that this whole thing
37:17was so complicated.
37:19What are you going to do now?
37:22Please, Jördis, let's find a solution as soon as I'm back. I can see for myself that it can't go on like this.
37:39I still don't understand the last part of the riddle.
37:42The woman in red kissing?
37:45In the front room of the royal house. But what is the royal house supposed to be?
37:50You're in the middle of it.
37:53Yes, of course, you're right, Leyla. The three kings are the royal house.
37:58And Mrs. Fairman is the woman in red who I have to kiss.
38:02I wouldn't do that.
38:04She's probably engaged.
38:05That could cost you your job.
38:06Don't say that now, Mrs. Fairman.
38:08Sorry, that was a misunderstanding.
38:15That will have consequences.
38:17Very serious consequences.
38:25Back there.
38:26I should have kissed the doll.
38:39Are we looking forward to a real game in Amsterdam? Your Pokerlady.
38:46I'm going to Amsterdam.
38:48After Mrs. Fairman kissed you.
38:57The worst part is, Jördis won't admit it.
39:00Klaas and I just talked to her again.
39:02Valerie.
39:04Is it theoretically possible that you want to make Jördis your stepson and get rid of her?
39:09You don't believe me either.
39:11You just told me that she doesn't care about the child.
39:14That you only want to get close to Klaas.
39:16I didn't mean it like that and you know that.
39:18And you also said that you don't want to get close to Jördis.
39:21That you only want to get close to Klaas.
39:23I didn't mean it like that and you know that.
39:25And you also said that you want to fight for him.
39:28And that's why I say that Jördis pushes me down the stairs, or what?
39:31Do you really believe that?
39:33Tell me.
39:44Mr. Böttcher.
39:46Can I talk to you for a moment?
39:47Can I talk to you for a moment?
39:49Ah, so that's what happened in the back?
39:51Yes, exactly.
39:53And Jördis is getting more and more indifferent every time I mention Valerie's name.
39:57Yes, I understand.
39:59Yes, but I can't just break off contact.
40:01Someone is going to get Valerie's child from me.
40:04Do you know that?
40:06Jördis is taking part in everything.
40:08You don't think he's a big deal?
40:10Yes.
40:13Yes, I think so.
40:14Hello, brother.
40:16Very good.
40:18Let's go.
40:20Yes, I understand you.
40:22My sister is, let's say, complicated.
40:25At least sometimes.
40:27Only now she's telling everyone that I pushed her down the stairs.
40:31Yes, as I said, she's special.
40:34She seems very desperate to me right now.
40:36Also because of what she's saying.
40:38That doesn't justify what she's accusing me of.
40:41Of course not.
40:42I know how uncomfortable it must be for you.
40:45But I still have a favor to ask of you.
40:48Would you tell Mo anything?
40:50I want him to hear my story.
40:52Of course.
41:01Yes, hello?
41:03Oh, Mr. Brenner, it's you.
41:05Yes, of course.
41:07What, right now?
41:08What do you mean, right now?
41:10Um...
41:12I have to see if I can make it.
41:14And I'll get in touch with you right away.
41:16All right, we'll do that.
41:18Okay, see you, bye.
41:20Oh, a customer.
41:22I'd have to leave for a moment.
41:24Yes, no problem.
41:26It's not for you anymore, I can do it on my own.
41:28Oh, great, thank you.
41:30Yes, and we'll see each other after the congress, or...?
41:32When I'm back from Lüttich.
41:34But...
41:35I have to talk to Jörg again.
41:37This shit with Valerie just ruins everything.
41:40And I love her, damn it.
41:42I trust her too, she just has to know that.
41:45Okay.
41:49The royal house.
41:51Three kings.
41:53Hey, we could have come up with that sooner.
41:55Well, sure, and the numbers on the map give the room number in the hotel.
41:58Oh, and the name of the hotel is written on the back.
42:01Okay, and what about that lady in red you were supposed to kiss?
42:06There was a little misunderstanding.
42:18I'll give you 20 seconds to explain yourself.
42:22You kissed Mrs. Fehrman.
42:24Yes.
42:26There's a very simple explanation for that.
42:28I got this game card, and on the game card it said...
42:31Mrs. Fehrman, I can testify that there was a misunderstanding.
42:35You thought you were invited.
42:37That's true.
42:39If that's the whole explanation, it will be a temporary termination.
42:43Wait a minute, wait a minute.
42:45Mrs. Fehrman.
42:47How about you both close your eyes, give Marvin another chance.
42:52And in return, I promise you, I won't stay until further notice.
42:57You still need people.
43:00I'm sorry, Mrs. Fehrman, I didn't want to be disrespectful to you.
43:05Accepted.
43:07And you'll get a warning, and you'll get away with it cheaply.
43:14Thank you, Simon. You saved my back.
43:17I can't believe I just did that.
43:20I can't believe I'm driving to Amsterdam.
43:22You did well with me.
43:24When you get home, there will be spicy noodles.
43:26Marvin, you have to promise me one thing.
43:32Nothing illegal happens in Amsterdam.
43:35I promise.
43:37It's clear.
43:39And Marvin, did you really kiss Mrs. Fehrman?
43:43Yes.
43:47Yes, yes, I'm leaving now.
43:50I'll be with him in half an hour.
43:53All right, see you then. Bye.
43:55Hi.
43:56Hi.
43:57Oh, I didn't expect you at all.
43:59I wanted to give this to you before you left.
44:02As a thank you.
44:03Okay.
44:04For what?
44:07Because you gave me the appointment at the youth center.
44:10And the conversation was really positive.
44:13And Mrs. Peters really explained everything to me in detail.
44:16Aha, and are there already concrete steps?
44:19So, next I need a credible plan on how I can be there as a single person, despite work for a child.
44:25But what you offered to help me, that improves my chances enormously.
44:31Here.
44:33The workshop.
44:39I just don't know if it will survive me.
44:42Little light, little water.
44:44Yes, yes, that's a cactus.
44:46A cactus?
44:47It's used to coma.
44:49Well, then...
44:51Yes, I know, I know.
44:52Actually, you don't give away cacti, because they stand for selfishness and stubbornness.
44:57But for me it's a sign of individuality and endurance.
45:01Ah, okay.
45:03Then he gets a place of honor with me.
45:09Ben?
45:10Hm?
45:13It's nice that you exist.
45:17Nice that you exist.
45:22See you.
45:24Yes.
45:26See you.
45:31Endurance and individuality.
45:35Okay.
45:51Hey.
45:52What are you doing there?
45:55Sit down.
45:57What's this going to be? Sex at the workplace?
46:01Well, then shut up.
46:03Yes.
46:10Amelie...
46:13This job is getting on my nerves.
46:16And I thought about it, and I...
46:19I think your idea is fantastic.
46:22You mean your idea with the tiny houses?
46:24Tiny houses.
46:27We could be a great team.
46:32Does that mean you're in?
46:35Yes.
46:36Oh, Jorik!
46:37That's me.
46:39This is going to be great. We're going to be a great team.
46:42I promise.
46:49I have to apologize to you.
46:52Come on in.
46:55Ben.
46:57Please.
47:04I...
47:07I put you in an awkward situation earlier.
47:10Instead of just realizing that you don't want to have anything to do with Valerie.
47:15Let's just forget about Valerie.
47:19Maybe we can do something nice before I go to Lüttich.
47:21Do something small.
47:22Go out to eat.
47:23Go for a walk.
47:27Isn't that right?
47:30Hey, I know I'm really encouraging you right now.
47:32But...
47:34I just don't want to allow Valerie to put our whole lives on the line.
47:38She already has.
47:40And Valerie won't let it go.
47:43And you can't just let it go.
47:45And I don't want that either.
47:46After all, you're getting older.
47:51But...
47:52Klaas...
47:53I can't do this anymore.
47:57What do you mean?
48:00I need a break, Klaas.
48:22Wow, this really isn't my world.
48:24But it's also exciting.
48:26If it helps, I can also say that I only imagined that they would push me.
48:30You can still use the apartment as long as I'm gone.
48:32When I'm back, I want my apartment back for me.
48:35Even if you manage to drive a wedge between Jördis and Klaas,
48:38Klaas will never fully and completely let you in.
48:40That must be the separation.
48:42Does your look have anything to do with Celeste?
48:44We broke up.
48:45What do you actually feel about me?
48:46We always talked when you were in love.
48:49I didn't know you were gay.
48:51I didn't know you were gay.