Rote Rosen Folge 4034

Rote Rosen
Rote Rosen
  • 2 days ago
Transcript
00:00Marvin, I'm sick. How many years of fitness do I have left?
00:04Do you have any idea?
00:06I need a real task.
00:08I don't know what I would do without you.
00:10Lately.
00:15It's smarter if you don't do it, isn't it?
00:19Smarter, yes.
00:26Hello, Jördis.
00:28What are you doing here?
00:30I thought you had to leave.
00:31Klaas sent me.
00:33He says he's too tired to meet you yet.
00:35That would be really stupid of me. I'll call Klaas.
00:37Give me that!
00:39Ouch! Ouch!
00:43You'll regret that.
01:27What?
01:35What?
01:37That you pushed me down the stairs.
01:39Valerie, I haven't even touched you yet.
01:41I see that differently.
01:49You pushed me.
01:53On purpose.
01:57I know what you're trying to do here.
01:59Well, what am I trying to do?
02:01Nobody will believe you and Klaas certainly won't.
02:03And with such lies you'll push him away from me even more.
02:09Who should let you check yourself in the hospital because of the child?
02:27Klaas, it's about Valerie.
02:29Please call me back as soon as possible.
02:41Are you okay?
02:43Yes.
02:45Yes, I'm fine.
02:51Ouch!
02:53How did that happen?
02:55Where did he go?
02:57I think I know where he went.
03:01Luis saw a garbage truck in front of the nursery yesterday.
03:03He just picked up the garbage cans.
03:05He was so excited.
03:07I barely got him out of there.
03:09And since then he's been playing with everything his toys give him.
03:13Picking up garbage cans.
03:15Loud and clear, of course.
03:19Maybe your former professional dream has come true.
03:21Have you ever regretted having children?
03:25I mean, there must have been difficult times.
03:29Difficult times?
03:31Yes.
03:33Regret?
03:35Never.
03:37No.
03:39Children are exhausting, of course.
03:41But also the most beautiful thing that ever happened to me in life.
03:43You know, children are one big adventure.
03:47Yeah, it's nothing to brag about.
03:49Not even a world trip.
03:53Not even a motorcycle trip to America?
03:57No.
03:59Not even that.
04:11Yes, you already told me that last week.
04:13Yes.
04:15Not you personally, but a colleague of yours.
04:17Well, that doesn't help me at all.
04:19Get out of the way!
04:23Yes, correct.
04:25The entire delivery was wrong.
04:27200 light bulbs with a wrong version.
04:29Yes.
04:31Yes.
04:33You caught it.
04:35No, not you.
04:37Yes, please. That would be fantastic.
04:39Just send me a new delivery.
04:41Yes.
04:43I've already said that four times.
04:45No.
04:47Not yet.
04:49Yes.
04:51Yes, I'm very curious.
04:55So, we're one. What are you?
04:57I'm a light bulb that just lost its control.
04:59Oh, you poor thing.
05:05Are we going to watch a chess tournament again?
05:07You better do that with your dad.
05:09Okay, let's read.
05:11Okay, go to my room. I'll be right there, sweetie.
05:15Poor light bulb.
05:17What about your version?
05:21I hope it will finally be delivered tomorrow.
05:23Allegedly.
05:25Until then, you'll have to put up with me like this.
05:29You saved me today.
05:31Your plans for the renovation are really good.
05:35I'm glad.
05:37How long did it take you?
05:39Two hours?
05:41And something like that
05:43makes up for his talent as a house technician.
05:45Well, a house technician
05:47who can devote his time to his job.
05:53That's the best thing that can happen
05:55for a six-year-old dad.
05:57Could be.
05:59But?
06:03What would you say
06:05if I wanted to live with you
06:07in Askania Park?
06:11The two of us?
06:13Exactly.
06:15And what would I be?
06:17A house technician?
06:19Well, because of the necessary renovations.
06:21Of course, first as a carpenter.
06:23But that would just be the beginning.
06:25And after the beginning?
06:29You can be whatever you want to be.
06:31Whatever I want?
06:43Valerie, what happened?
06:45Hey!
06:47She doesn't want to talk about it.
06:49Did you get hurt?
06:53Show me.
06:55Oh.
06:59It looks like a scratch.
07:01Probably a bruise.
07:03Valerie, what happened?
07:05You won't believe it anyway.
07:11I fell down the stairs.
07:13Yes, that pushed me.
07:16Knock, knock.
07:22Whatever she tells you, she's lying.
07:25Come in.
07:27I'll take a look at the hammer.
07:29Sit down.
07:37Carefully close your hand and open it.
07:39Is that okay?
07:41Okay, nothing broken.
07:43Did she tell you that I pushed her down the stairs?
07:45She did.
07:47Everything seems to be fine.
07:49You don't have to say anything more?
07:51Yes, of course.
07:53But she's pregnant.
07:55She has to go to the hospital first to check.
07:57The rest will be clear later, right?
08:13Yes.
08:29Franca?
08:31I'm leaving now.
08:33Yes, okay.
08:35Do you think so?
08:39Well, maybe.
08:41Maybe a little.
08:43Oh.
08:45Because I, an idiot, imagined
08:47how great it is to be a father.
08:49Hey.
08:51I'm sorry.
08:53It's not your fault.
08:55I...
08:57I don't know.
08:59Normally I don't cry from a high sky.
09:01It's just a little too much.
09:05The appointment at the youth office.
09:07Me too.
09:13Somehow I hoped
09:15that it could work out.
09:19The beautiful moment between us.
09:21So it's okay.
09:23Don't get me wrong.
09:27It's just a little too much.
09:29Yes.
10:07Wake up.
10:09What's going on?
10:13Jurek, I didn't want to overreact.
10:15You mean
10:17with the hotel project?
10:19Exactly.
10:21I really want to do it with you,
10:23but take your time.
10:25And if you decide against it,
10:27then I respect that.
10:29But I, Jurek,
10:31I really have to do it.
10:33I don't think
10:35I'll get a second chance like this.
10:39Yes.
10:43I'm just thinking
10:45about us.
10:47Our family life.
10:49About us as a couple.
10:51I mean, we wouldn't be the first relationship
10:53to eat up the work, would we?
10:55But I definitely don't want that.
10:57You're way too important to me for that.
10:59You know,
11:01this project
11:03practically fell at my feet.
11:07Because of Jolina.
11:09Her girlfriend is the head librarian
11:11at the Ascania Park.
11:13And practically,
11:15this lady owes me a favor.
11:19What favor?
11:21Or maybe I shouldn't ask?
11:23I got her this job.
11:25So,
11:27what do you say?
11:33I love you.
11:39I love you, you know that.
11:41But what does that have to do
11:43with the Ascania Park?
11:47Well, I think you should
11:49continue planning this project.
11:51But as far as I'm concerned,
11:53I...
11:55I'm not sure
11:57if I should risk my job
11:59in the Dreckkönig,
12:01but nothing has been decided yet.
12:25Are you laughing or crying?
12:27No, I'm laughing.
12:31What's that?
12:35I got this card from an attractive woman.
12:39A heart lady with a phone number.
12:41And? Have you called her yet?
12:43Nonsense, are you crazy? No.
12:45I'll give her some time,
12:47otherwise she'll think I'm desperate.
12:49What?
12:51Well, probably
12:53the cool woman just took you for a ride.
12:55The number doesn't exist,
12:57or is it the city library?
12:59It's a normal phone number.
13:01But a strange prefix.
13:03Hela, she's not kidding me.
13:05Then call her.
13:07You'll see.
13:19Uh, quiet and fast.
13:25Basically, you'll find the second of three
13:27if you call her.
13:31See?
13:33She's taking you for a ride.
13:35Well, have fun with the singing oyster.
13:37And please,
13:39don't let me down.
13:53Oh, man, thank you so much.
13:55That's really a great help.
13:57Mrs. Böttcher will contact you.
13:59Yes, I'd love to.
14:01Bye.
14:03Well?
14:05Hi.
14:07Would you like a coffee or something else?
14:09No, thank you.
14:11Oh, stay with it.
14:13I'll pick Louis up from the nursery, right?
14:15Without you, I really wouldn't know
14:17what to do right now.
14:19Oh, by the way,
14:21I just spoke to someone
14:23at the nursery.
14:25Mrs. Peters.
14:27Her daughter and Lily go to the same class,
14:29so I know her a little.
14:31I told her about you.
14:33I hope that was okay?
14:35Yes, yes, of course.
14:37And?
14:39Well, she offered you
14:41to call her.
14:43Then you could talk about everything in peace.
14:45Does that make sense?
14:47Well, with her, you'll definitely be
14:49absorbed again.
14:51Okay.
14:53Thank you very much, Ben.
14:55You can call her anytime.
14:57I'll write down her number.
14:59I...
15:01I don't want to be impulsive, but...
15:03you're really good to me.
15:11Hmm.
15:13Ballary.
15:15I don't even know if I feel like it.
15:17Family is always
15:19the most important thing, isn't it?
15:27Yes?
15:33Hey, Simon.
15:35I have one left.
15:37You can put it here at the bar.
15:39Ask Marvin about his date.
15:41Oh, the poker lady. Did you call her?
15:43The lady is a enchanted
15:45oyster and lives on the seabed.
15:47She comes to the bar at night.
15:49What is she talking about?
15:51I called her number,
15:53but there was a strange voice message.
15:55Wait.
15:57Basically,
15:59the singing oyster is the second
16:01of three.
16:03Interesting.
16:05She makes him go crazy.
16:07Well, it's a kind of game, isn't it?
16:09You'd better forget the lady right away.
16:11No, seriously.
16:13A woman who sells expensive cars,
16:15who often plays poker,
16:17she must have a claim to her dates.
16:19It could be some kind of intelligence test.
16:21Yes, I told you.
16:23Forget her.
16:25Simon, you're right.
16:27It could be a riddle.
16:29A riddle that I will solve.
16:31I think table 17 is still waiting for your order.
16:39It's all right.
16:41The child is fine.
16:43Nothing is missing.
16:47Do you have a headache?
16:49It's okay.
16:51The arm hurts more.
16:53But I can take it.
16:55What I find much worse is...
16:57What?
17:01Why did you do all this?
17:03Oh, God.
17:05How are you?
17:07It's all right.
17:09I...
17:11I can't believe that...
17:13that this really happened.
17:15To be honest, neither can I.
17:17Well, Jördis seems to have a side that nobody trusts her.
17:19Never.
17:21Jördis would never do something like that.
17:23She pushed me.
17:25I was there. On purpose.
17:27Nonsense.
17:29I know Jördis.
17:31I knew nobody would believe me.
17:35What am I supposed to do?
17:37I know it was an accident.
17:39So that you're all happy, I'm supposed to lie?
17:41You should calm down first.
17:43And then we'll solve this in peace.
17:45Tomorrow.
17:47It's definitely a misunderstanding.
17:49Take care of your sister.
17:51Yes, of course.
18:07I love you.
18:21You're still working?
18:23Yes.
18:25And you're done with daydreaming?
18:27Well, that's good.
18:29It's been two hours.
18:33And now we've fallen asleep together.
18:37Do you want some, too?
18:39Yes.
18:47Ellie is daydreaming about chess-playing unicorns.
18:49I've woken up from that.
18:55And you? What else do you have to work on?
18:57I'm still missing
18:59the brilliant idea for the potential donors.
19:01When do you have to be done?
19:03Tomorrow.
19:05You have a meeting with them.
19:07Well, speed is everything.
19:09At least with this project.
19:13I've already put a concept on it.
19:15But would you risk your millions for that?
19:21No.
19:23I'm not convinced.
19:25And I can't think of anything reasonable.
19:27I think I'll lie down for a while.
19:29I think I'll lie down for a while.
19:31And then I'll get back to it later.
19:33Really?
19:35Yes.
19:37I need a really convincing idea by tomorrow.
19:39Are you coming?
19:41Yes, right away.
19:43I'll take over the first two afternoons
19:45in the food truck.
19:47And then the day before, okay?
19:49Yes, great.
19:51We've already discussed that.
19:53Okay, perfect.
19:55See you later.
19:57I told Maja and Tore's mother
19:59that you wanted to see Louis.
20:01Yes, I'm on my way.
20:03I see.
20:05I wanted to thank you
20:07for your advice
20:09about Mrs. Peters.
20:11I've already contacted her.
20:13Ah, okay.
20:15And?
20:17Yes, as you said, she's very nice.
20:19We'll meet tomorrow
20:21and then we'll discuss everything else.
20:23That makes me happy.
20:25Ah, I have to go.
20:27Yes, to Louis.
20:29See you later.
20:31See you.
20:35Hey, Marvin.
20:37Hey.
20:39How are you?
20:41Good, really good.
20:43And you?
20:45Also good.
20:47Ben is living with me.
20:49Yes, I know.
20:51And everything is going well?
20:53We get along really well.
20:55But it's only temporary.
20:57Yes, exactly.
20:59The only one who worries me, as always,
21:01is Valerie.
21:03You're really lucky with your brother Tamu.
21:05You can't wish for a better brother.
21:11Yes, I have to...
21:13I have to go to the kitchen.
21:15But...
21:17I'm glad you're doing well.
21:23Yes.
21:53When she claimed that I had pushed her, you just let me stand there.
21:57That was very hurtful.
21:59I'm sorry about that.
22:02Of course I know that you didn't push her.
22:04Just the thought of it is absurd.
22:08But maybe she perceived it differently, you know?
22:11She fell from the sky to the ground.
22:14She's lying in order to break us up.
22:19Valerie must have gotten into something.
22:21She'll probably see it much clearer tomorrow.
22:23Hey.
22:28I have to call her.
22:31And then I'll go to this congress first.
22:32And when I come back, she'll surely have her own apartment.
22:35Then everything will be easier.
22:36If you think so, okay.
22:38I love you.
22:50You'll find her at the bottom of the singing oyster.
22:53What's that supposed to mean?
22:54I don't know.
22:55I know how oysters taste.
22:56I'm pretty sure that they don't sing.
22:58I got it.
22:59We should go to the sea.
23:01What kind of sea?
23:02That's nonsense.
23:03It must be something nearby.
23:04Yeah, something nearby.
23:08Yeah.
23:10What? Concert?
23:12Shell?
23:14Oysters?
23:15Oysters, shells, concert, singer?
23:18At the bottom of the singing oyster.
23:21The map must be here somewhere.
23:22So help me look for it.
23:38Marvin.
23:41Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
23:42Give me him.
23:46My heart is six.
23:47There's something written on it.
23:49Tomorrow, kiss in the front room of the King's house.
23:52The Queen of Hearts in red.
23:54And you're in.
23:56I'm in.
23:58What's that supposed to mean?
24:00King's house.
24:01It's obvious.
24:02Simon.
24:03It was written on one map.
24:05At the bottom of the singing oyster
24:06you'll find the second of three.
24:08The riddle continues.
24:09There's another map.
24:11Ah, okay.
24:13In the front room of the King's house.
24:16Well, a poker lady doesn't make it that easy, does she?
24:19She dares a lot.
24:21Yeah, well, and where do we find a King's house now?
24:23I don't know, but let's find out.
24:25It's more exciting than watching some eggs hatch.
24:29I don't think so.
24:30The King's house
24:52I don't know what that light is.
24:54Oh, Simon.
24:57How long have I been asleep?
25:00Almost two hours.
25:01What?
25:02How late is it?
25:03Just before eleven.
25:05No.
25:06I just wanted to take a power nap.
25:08Here, look.
25:10I really don't have time.
25:12I have to get to the presentation.
25:15What do you think of extra-luxurious tiny houses?
25:19Are you going to the store?
25:20No, I'm not.
25:23Rich golf-madmen who might want to live right on the golf course.
25:26You...
25:27You worked on the presentation?
25:30No, no, no.
25:31I just sketched a few ideas.
25:33I have more outside.
25:34All on paper.
25:37Yeah, well, we...
25:41We could build tiny houses behind the golf course
25:46with extra-luxurious equipment.
25:49Exclusively for the really rich golfers.
25:53Of course, it's all just an idea.
25:57Everything made of wood.
25:59Very modern.
26:00And we'd be done with it relatively quickly.
26:03And then we could finance the hotel's renovation with the rent.
26:09Hm?
26:12What did you say?
26:16It's not such a great idea, is it?
26:19It's a great idea.
26:22Yeah?
26:24I mean, of course, I have to calculate everything
26:26and see if the numbers work,
26:29but the idea is great.
26:32You're the best.
26:34Then we can stay in bed now.
26:35Yes, we can.
26:36Without you, I'd be standing here tomorrow without anything.
26:49I'd like two coffees.
26:51Yes, please.
26:54All right.
26:55Let's go.
26:57I don't know where to start.
26:59It's very absurd.
27:01So...
27:03Valerie claims that Jöris pushed her down the stairs on purpose.
27:08What?
27:09No, that can't be.
27:11No, of course not.
27:12No, of course not.
27:13No, of course not.
27:14No, of course not.
27:15No, of course not.
27:16No, of course not.
27:17No, of course not.
27:18No, of course not.
27:19Okay, so Valerie's lying.
27:22Maybe that's what it felt like to her.
27:24Apparently, there was a fight and...
27:26also a fight.
27:28Oh.
27:29And...
27:30Valerie's okay?
27:31The baby?
27:32Yes.
27:34But Jöris thinks there's a bad intention behind it.
27:37That Valerie only made up the story
27:39to break us both apart.
27:43Wow.
27:44And Jöris is sure of that?
27:47Yes.
27:48On the other hand, Valerie was in a lot of pain recently.
27:52Jöris didn't believe her either.
27:54She thought she was just making it up
27:56to get Valerie's attention.
27:59I would be interested to know
28:00why those two women even met.
28:02What's that supposed to mean?
28:06And now?
28:08No idea.
28:10And if you sit down together
28:12and talk about it openly?
28:15Yes.
28:17I can't think of anything better.
28:20But do I feel like it?
28:23No.
28:25Yes, good morning.
28:26My name is Simon Dahlmann.
28:28Am I speaking to the chicken farm, Mettmann?
28:31Great.
28:32I have six chickens to hand over.
28:34If you'll excuse me.
28:37Okay.
28:41Yes.
28:42Yes.
28:43All right.
28:44Thank you anyway.
28:45No one wants the chickens.
28:47Too few.
28:48They all say that.
28:49As if I were going to reach Mr. Lüder
28:51or Mr. Flickenschild.
28:52Simon, please don't be mean to me.
28:54I don't have a head for that.
28:55I was awake all night
28:56and thought about this riddle.
29:00Okay.
29:01In the front room of the king's house.
29:03In the front room of the king's house.
29:11What could that mean?
29:12I have no idea.
29:14Maybe a castle, a castle or something else.
29:16It's not about that.
29:17I know, and that drives me crazy.
29:19In a good way.
29:20That's exactly the distraction I need right now.
29:24Franca.
29:27I met her yesterday,
29:28but it was like...
29:29Well...
29:30Doesn't matter.
29:31It doesn't matter.
29:32I'm over it.
29:33Yes, you thought about that
29:35when you started something with Lotta again.
29:37It's like that.
29:38You see her going to London.
29:40Bam!
29:41You ran after Franca again.
29:43Simon.
29:44I'm healed.
29:45Thanks to my new acquaintance.
29:46Yes, now you just have to find her again
29:48for Sabine.
29:50Listen.
29:51It's called
29:52Kiss Tomorrow
29:53in the front room of the king's house.
29:54The queen of hearts in red.
29:55And you're in.
29:57Tomorrow is today.
30:00But what does
30:01the king's house mean?
30:05We're running out of time, Simon.
30:09I'll look it up on the internet.
30:10Maybe I'll find a synonym for the king's house.
30:13Maybe that'll help.
30:16Yes?
30:19Yes, please.
30:20Oh, hi Lars.
30:21Yes, come in.
30:22Um...
30:23I need a signature.
30:25Oh, the Glühbirne affair.
30:27Yes,
30:28another wrong delivery.
30:29If this goes on like this,
30:31we'll soon be sitting here in the dark.
30:33And what do you want to do?
30:35Well, study.
30:37And?
30:38And?
30:39And?
30:40And?
30:41And?
30:42And to cancel the framework contract.
30:45Yes, good.
30:47The company has been supplying the three kings for ten years.
30:50It can't go on like this.
30:52And the management needs to cancel it.
30:55I've already talked to another company
30:57and got the first replacement in the hardware market.
30:59Very good.
31:00Yes.
31:01Now I just have to exchange the Glühbirne in room 202.
31:03The guest has already complained to the reception for the third time.
31:05Without guests, the hotel would really be an ideal workplace.
31:08Yes.
31:09Sometimes I really miss my old job as a carpenter.
31:13No public transport,
31:14the work with wood,
31:15the warmth,
31:16the smell.
31:17And in the evening you know what you've done.
31:20And of course,
31:21it's also nice to be your own boss, isn't it?
31:23Do I still have to look for a hair technician?
31:26No, no.
31:28I already know what I have in this job.
31:30A regulated income,
31:31flexible working hours.
31:32It's important for my daughter.
31:34The proximity to Amelie
31:35and of course
31:36a particularly nice boss.
31:38Thank you very much.
31:39Nevertheless,
31:40if something should happen,
31:42as much as I appreciate you as an employee,
31:44I wouldn't put a stone in your way.
31:46Well, that's good to know.
31:48Thank you very much.
31:50I have to go.
31:51Room 202 is calling.
31:52Yes.
31:55When exactly is your appointment at the youth office?
31:58In an hour.
32:01I'm really excited.
32:03But Mrs. Peters was really nice on the phone.
32:06Yes.
32:08Yes, she is too.
32:10Yes,
32:11then
32:12I'll keep my fingers crossed for you.
32:16Are you coming with me for a while?
32:18Yes.
32:19I'm going shopping.
32:21I promised Tina
32:22to bring a few things
32:23that you can't find in Andalusia.
32:26Lüneburger Salz?
32:27Yes.
32:28Something like that.
32:31Will you...
32:35Will you tell Tina
32:36that we slept together?
32:38Oh.
32:40I haven't thought about that yet.
32:44I don't think so.
32:47I think it's good.
32:50Good.
32:55I won't be there for a week.
32:57So...
33:00We shouldn't put any pressure on each other.
33:02Yes.
33:03Maybe we'll stay friends
33:04like before.
33:05Exactly.
33:08Uh...
33:12So?
33:13Did Henni Eschachper
33:14really take you to the kindergarten?
33:17No, of course not.
33:19She only plays against adults.
33:20Or
33:21against one.
33:22No.
33:24Does she
33:25remember the rooms?
33:28Are you coming to the hotel?
33:29No.
33:30I have to talk to
33:31Glübe and Heini.
33:32They still haven't delivered.
33:34So...
33:35Jurek,
33:36could you sit down
33:37next to me?
33:41Yes.
33:47The idea with the tiny houses
33:48is good.
33:49Really good.
33:51I'm happy about that.
33:53And you know
33:54how much I'd like you to be there.
33:57But I also know
33:58what role you'll play.
34:00Wow.
34:01I want
34:02you to be my
34:03equal partner.
34:05We're building the Askania Park
34:06together.
34:07You'll be responsible
34:08for the construction.
34:09I'll be responsible
34:10for the hotel.
34:11But
34:12we'll make
34:13all the decisions
34:14together.
34:16Are you sure?
34:17Yes, I'm sure.
34:20Did everyone else
34:21say no?
34:24Jurek, you know
34:25I wouldn't offer
34:26an equal partnership
34:27to anyone
34:28in the world
34:29except you.
34:33Yes, I...
34:36I really appreciate
34:37the offer,
34:38but I also
34:39have to think
34:40about Henni.
34:41I understand.
34:44But the project
34:45really upsets me.
34:48I'd like
34:49to think about it
34:50a bit more.
34:51Hey,
34:52take all the time
34:53you need.
34:54But don't worry,
34:55we can do this
34:56together.
34:59I have to go to the hotel.
35:06I have to go.
35:15Hi, Joris.
35:16Hi.
35:22Valerie was
35:23doing a check-up
35:24and I thought
35:25this might be
35:26a good time
35:27to sit down
35:28and clear up
35:29the misunderstanding
35:30from yesterday.
35:31What misunderstanding?
35:33Joris...
35:34I won't
35:35justify it.
35:36I didn't hit Valerie
35:37and there's nothing
35:38more to say about it.
35:39Of course you did.
35:43Or don't you believe me?
35:45Sit down first.
35:52Of course I believe you.
35:53You didn't hit her.
35:54But maybe
35:55there's another explanation.
35:56There was a fight
35:57between you two.
35:58Maybe you just
35:59broke up.
36:00It wouldn't be a shame
36:01to admit that.
36:02Nobody would be mad at you.
36:03Really.
36:04Should I admit
36:05that I just
36:06imagined it all?
36:08I was there, Klaas.
36:09I was there, too.
36:12She hit me.
36:15But it was so obvious
36:16that you believe her
36:17and not me
36:19that you expected
36:22that he wouldn't believe me.
36:26You planned that
36:27from the beginning.
36:29That's so unfair.
36:34That's just
36:35unbelievable.
36:38What did you want
36:39at that staircase
36:40at Kalkberg?
36:41Why was there a fight?
36:43I wrote you a message
36:44that we should meet there.
36:45I didn't get a message.
36:46Yes, exactly.
36:47Because Valerie
36:48read it and deleted it
36:49and came to your place
36:50to start her intrigues.
36:52Here.
36:55As sent
36:56and marked as read.
36:58Here.
37:00As sent
37:01and marked as read.
37:09Do you believe me now?
37:10I've been believing you
37:11the whole time.
37:13I couldn't believe
37:14that the whole story
37:17is so complicated.
37:20What are you going to do now?
37:23Please, Jördis.
37:24Let's find a solution
37:25as soon as I'm back.
37:26I can see
37:27that it can't go on like this.
37:39I still don't understand
37:40the last part of the riddle.
37:42The woman in red kissing?
37:45In the front room of the royal house.
37:46But
37:47what is the royal house supposed to be?
37:50You're in the middle of it.
37:53Yes, of course.
37:54You're right, Leila.
37:55The three kings
37:56are the royal house
37:58and Mrs. Fairman
37:59is the woman in red
38:00that I have to kiss.
38:02I wouldn't do that.
38:04She's probably engaged.
38:05That could cost you your job.
38:06Don't say that.
38:07Mrs. Fairman...
38:12Sorry.
38:13That was a misunderstanding.
38:15This will have consequences.
38:17Very serious consequences.
38:18Back there.
38:32I should have kissed the doll.
38:34Let's watch a real game
38:35in Amsterdam.
38:36Your PokerLady.
38:41I'm going to Amsterdam.
38:43To see a real game?
38:45Yes.
38:46I'm going to Amsterdam.
38:48After Mrs. Fairman kissed you.
39:04The worst part is
39:05Jördis won't admit it.
39:07Klaas and I just talked to her again.
39:09Valerie.
39:11Is it theoretically possible
39:12that you still want to
39:13cheer Jördis up
39:14to get rid of her?
39:16You don't believe me either.
39:18You just told me
39:19that she doesn't care about the baby
39:20and that you only want Klaas.
39:22I didn't mean it like that
39:23and you know that.
39:24And you also said
39:25that you want to fight for him.
39:27And that's why I'm telling you
39:28that Jördis is pushing me
39:29down the stairs?
39:31Do you really believe that?
39:33Tell me.
39:44Mr. Böttcher?
39:46Can I talk to you for a second?
39:49So it all started in the back?
39:50Yes, exactly.
39:52And Jördis is getting more and more
39:53indifferent every time
39:54I start talking about
39:55Valerie's accusation.
39:57I understand.
39:58But I can't just
39:59break off contact.
40:01Valerie will get a child from me.
40:04Do you know that?
40:05Jördis is taking part in everything.
40:07You don't think
40:08he's a big deal?
40:09No.
40:13I think so.
40:15Very good.
40:17Let's go.
40:19Yes, I understand you.
40:20My sister is
40:22let's say
40:23complicated.
40:24Sometimes at least.
40:26But now she's telling everyone
40:27that I pushed her
40:28down the stairs.
40:31Yes, as I said
40:32she's special.
40:34She seems very desperate to me
40:35also because of
40:36what she's saying.
40:38That doesn't justify
40:39what she's accusing me of.
40:41Of course not.
40:43I know how uncomfortable
40:44it must be for you
40:45but I still have
40:46a favor to ask.
40:48Would you tell Mo
40:49anything?
40:50I want him to hear
40:51the story about me.
40:53Of course.
41:01Yes, hello?
41:03Ah, Mr. Brenner, it's you.
41:05Yes, of course.
41:08What, right now?
41:11I have to see
41:12if I can make it
41:13and I'll call you
41:14right away.
41:15Yes?
41:16All right, we'll do that.
41:18Good, see you, bye.
41:20A customer.
41:21I would have to
41:22leave for a moment.
41:23Yes, no problem.
41:24It's not too late,
41:25I can do it on my own.
41:26Ah, great, thank you.
41:28Yes, and
41:29I'll see you after
41:30the congress, or?
41:32When I'm back from Ludwig.
41:34But
41:35I have to talk to
41:36Jördis again.
41:38This shit with Valerie
41:39just ruins everything
41:40and I love her.
41:41I trust her,
41:42I just have to know that.
41:44Okay.
41:49The royal house.
41:50Three kings,
41:51we could have
41:52come up with that earlier.
41:53Of course,
41:54and the numbers
41:55on the map
41:56give the room number
41:57in the hotel.
41:58Oh, and the name
41:59of the hotel
42:00is written on the back.
42:01Okay, and
42:02what about that
42:03lady in red
42:04you were supposed to kiss?
42:06There was a little misunderstanding.
42:11Okay.
42:18I'll give you
42:1920 seconds
42:20to explain yourself.
42:21You kissed
42:22Mrs. Fehrman.
42:24Yes.
42:26There is a very simple explanation
42:27and I got this
42:28game card
42:29and on the game card
42:30Mrs. Fehrman,
42:31I can testify
42:32that
42:33there was a misunderstanding.
42:34Marvin thought
42:35they were engaged.
42:37That's true.
42:38If that's
42:39the whole explanation
42:40it's a temporary termination.
42:42Wait a minute.
42:43You don't have to do that.
42:44Mrs. Fehrman,
42:47what would it be
42:48if you close your eyes
42:49and give Marvin
42:50another chance
42:52and in return
42:53I promise you
42:54I'll stay behind
42:55until further notice.
42:56You still need people.
43:00I'm sorry, Mrs. Fehrman.
43:01I didn't want to be
43:02disrespectful to you.
43:05Accepted.
43:06And you get
43:07a warning
43:08and you get
43:10a warning.
43:15Thank you, Simon.
43:16You saved my ass.
43:18I can't believe
43:19I just did that.
43:20I can't believe
43:21I'm going to Amsterdam.
43:22You did a good job.
43:23When you get home
43:24give me spicy noodles.
43:25Yes.
43:27Marvin,
43:28you have to promise me
43:29one thing.
43:33In Amsterdam
43:34nothing illegal happens.
43:36I promise.
43:37It's clear.
43:38And Marvin,
43:39did you really
43:40kiss Mrs. Fehrman?
43:43Yes.
43:47Yes, yes,
43:48I'm leaving now.
43:49I'll be with him
43:50in half an hour.
43:51All right,
43:52see you then.
43:53Bye.
43:54Hi.
43:55Hi.
43:56Oh,
43:57I didn't expect you at all.
43:58I wanted to give this to you
43:59before you left.
44:01As a thank you.
44:03Okay,
44:04what for?
44:05Because you gave me
44:06the appointment
44:07at the youth center
44:08and the conversation
44:09was really positive.
44:10And Mrs. Peters
44:11really explained
44:12everything to me
44:13in detail.
44:14Aha,
44:15and are there
44:16concrete steps?
44:17Uh-huh.
44:18So next
44:19I need a credible plan
44:20how I can be there
44:21as a single person
44:22despite work
44:23for a child.
44:24But the fact
44:25that you offered
44:26to help me
44:27improves
44:28my chances enormously.
44:29Ah.
44:31Here,
44:32for your workshop.
44:38I just don't know
44:39if it will survive
44:40with me.
44:41Not enough light,
44:42not enough water.
44:43Yes,
44:44it's a cactus.
44:45A cactus?
44:46He's used to coma.
44:47Hm,
44:48well,
44:49then...
44:50Yes, I know,
44:51I know,
44:52actually you don't give away
44:53cacti because
44:54they stand for egoism
44:55and stubbornness.
44:56But for me
44:57it's a sign
44:58for individuality
44:59and endurance.
45:00Ah,
45:01okay.
45:02Then he gets
45:03a place of honor with me.
45:04Hm.
45:08Ben?
45:09Hm?
45:12It's nice
45:13that you exist.
45:17Nice that you exist.
45:22See you.
45:24Yes,
45:26see you.
45:30Endurance
45:31and
45:32individuality.
45:34Okay.
45:50Hey.
45:51Ah.
45:52What are you doing there?
45:53Here.
45:54Sit down.
45:58What's this?
45:59Sex at the workplace?
46:01Yes, then close up.
46:02Yes.
46:04There.
46:10Amelie,
46:13this job is getting on my nerves.
46:16And I thought about it
46:17and I
46:18think
46:19your idea is fantastic.
46:21You mean
46:22your idea with the tiny houses?
46:27We
46:28could be a great team.
46:31Does that mean you're in?
46:34Yes.
46:35Oh, Jochen.
46:36That's me.
46:38This is going to be great.
46:39We're going to be a great team.
46:41Promise.
46:48I have to apologize to you.
46:51Come on in.
46:57Please.
47:04I
47:06I put you in a very uncomfortable situation earlier.
47:10Instead of just realizing
47:11that you don't want to have anything to do with Valerie.
47:15Let's just forget about Valerie.
47:18Maybe we can do something nice before I go to Lüttich.
47:20Something small.
47:21Go out to eat.
47:22Go for a walk.
47:26Isn't that right?
47:29Hey, I know
47:30I'm really encouraging you right now, but
47:32I just don't want to admit
47:34that Valerie is putting our whole lives on the line.
47:37She already has.
47:39And Valerie won't let it go.
47:42And you can't just let it go.
47:44And I don't want that either.
47:45After all, you're getting older.
47:50But
47:51Klaas
47:52I can't do this anymore.
47:56What do you mean?
47:59I need a break, Klaas.
48:02I need a break.
48:05This whole Amsterdam thing
48:07is going to get pretty expensive, isn't it?
48:09It's less about the game
48:11but more about the poker lady.
48:13And the potential investors.
48:14Don't you think it's strange
48:16that you want money for a hotel
48:18that's not even for sale yet?
48:20They're also benefiting from my information.
48:22Well, that's really not my world.
48:24But it's also exciting.
48:25If it helps,
48:26I can also say
48:27that I just imagined
48:28that they bumped into me.
48:29You can still use the apartment
48:32as long as I'm gone.
48:33When I'm back,
48:34I want my apartment back.
48:35Even if you manage
48:36to drive a wedge
48:37between Jördis and Klaas,
48:38Klaas will never fully
48:39and completely let you in.
48:40That must be the break.
48:42Does your look
48:43have anything to do with Celeste?
48:44We broke up.
48:45What do you want from me?
48:46We always talked
48:47when you were in love.
48:49I didn't know you were gay.