El Diario (2024)
كارلوس وأولغا هما والدا فيرا، وهما الآن مطلقان وأولغا تشهد بعض الأنشطة الخارقة للطبيعة في منزلها الجديد، والشيء الوحيد الذي يمكن أن يعطيها إجابة عما يحدث هو صندوق خشبي قديم في علية منزلها ولا أحد يعرف من أين جاء.
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Short filmTranscript
00:00:30Nelson!
00:00:33Don't go too far, okay?
00:00:37Yes, no.
00:00:41Nelson!
00:00:51Nelson!
00:01:01Vera!
00:01:09Vera!
00:01:10Vera!
00:01:11Vera, my love!
00:01:12Vera!
00:01:16Don't stop crying, okay?
00:01:30I said yes, let's play with Nelson.
00:01:46Vera?
00:01:50No puppy.
00:01:53And don't call him Nelson again, please.
00:01:57Okay.
00:02:10Daughter, is breakfast ready?
00:02:12Did you prepare breakfast for school?
00:02:15Yes, everything is ready.
00:03:09Vera, your stuff.
00:03:19You didn't even put your backpack down, Vera.
00:03:21Oh, sorry.
00:03:32Don't open the fridge if the light is doing weird things.
00:03:35I want to show you something.
00:03:37But I'm hungry.
00:03:41What are you going to make for me?
00:03:43Pizza.
00:03:45Pizza?
00:03:46Two nights in a row? Forget it.
00:03:49Well, pizza and salad.
00:03:52Pizza, salad, bathroom and no cell phone.
00:03:57Or salad, cell phone, bathroom and no pizza.
00:04:04I prefer pizza.
00:04:05Girl, ready.
00:04:07Go take a shower then.
00:04:08Okay.
00:04:15Hi, Victor.
00:04:17Let me know when you're done, girl.
00:04:19Yes, mom.
00:04:20Well, we brought you good luck to share with you how she's been doing in the sessions.
00:04:27What Carlos says is that there are several advances.
00:04:31She talks a lot more.
00:04:33She's adapting very well to her new life.
00:04:36She likes her new house, which makes me very happy.
00:04:40But, well, you know.
00:04:43The recurring theme is Mariana.
00:04:47It's just that she doesn't get along with her.
00:04:51I wouldn't even have to ask, but take care of your relationship with Vera, okay?
00:04:57And talk to Carlos too, so we're on the same page.
00:05:02What else, what else?
00:05:04Well, nothing.
00:05:06See you soon.
00:05:17Bye.
00:05:35Bye.
00:05:46Bye.
00:05:51I choose the third option.
00:05:54Do you know what the third option is?
00:05:55No.
00:05:56You have to go from here to there.
00:06:01Finito and back.
00:06:04Very finito.
00:06:05Very finito.
00:06:08We're not sleeping anymore.
00:06:10We'll leave tomorrow morning.
00:06:17Descanso.
00:06:19Descanso.
00:06:46Descanso.
00:07:16Descanso.
00:07:46Descanso.
00:08:07Vera.
00:08:08Vera, my girl, go back to your bed, please.
00:08:16Vera.
00:08:20Vera.
00:08:35I understand, Majo.
00:08:36But the trunk is not ours.
00:08:39Surely the previous owners forgot it and when they realize it, they will want it.
00:08:45Okay.
00:08:46You call me.
00:08:48Ah, one last thing.
00:08:49The light is still not working properly.
00:08:51Could you send someone?
00:08:55Goodbye.
00:08:58Ma'am, this is Mr. Victor.
00:08:59Yes, Pedro, let him in.
00:09:01Okay, ma'am.
00:09:06My girl.
00:09:08Your dad is here.
00:09:15Vera.
00:09:18Hello.
00:09:19Hello.
00:09:22I put on four clothes and two pajamas for you.
00:09:25And Fanti, right?
00:09:26Fanti.
00:09:27Fanti.
00:09:28No, Fanti.
00:09:29Vera.
00:09:30We don't want last week's disgust.
00:09:31No, we don't want it.
00:09:32Ah, I brought it.
00:09:35Daddy.
00:09:36My girl.
00:09:37Come here.
00:09:39Come here.
00:09:40I'm coming, I'm coming, I'm coming.
00:09:41I'm coming.
00:09:42Look what I brought you.
00:09:43Look what I made you.
00:09:46For me?
00:09:47Yes.
00:09:48Oh, my love, this is incredible.
00:09:53Hey, are you ready for a spectacular weekend?
00:09:55Yes, super ready.
00:09:56Yes?
00:09:57Well, first we go to ...
00:09:59The horses.
00:10:01First we're going to finish your room.
00:10:04Well, you and me alone.
00:10:06Yes, and Mariana is going to help us a little.
00:10:09Mariana?
00:10:10Uh-huh.
00:10:14How?
00:10:16Remember the deal we made.
00:10:27Well, plans change.
00:10:29Plans change, sweetheart.
00:10:31Besides, it's wise to change plans.
00:10:34Right?
00:10:37Come on, sweetheart.
00:10:38Let's go.
00:10:39It's incredible.
00:10:42In fact, you're going to choose a movie at night
00:10:45and while I can make some popcorn.
00:10:47Right?
00:10:48Hey, you stick it even in the soup.
00:10:51You can't separate a single day from Mariana.
00:10:56Just don't lie to her.
00:10:57I'm not lying to her.
00:10:59Oh, and don't forget to call Carlos.
00:11:02I will.
00:11:04Whenever I can.
00:11:09Say goodbye to your mom.
00:11:12Goodbye, mom.
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00:12:43Do you know who it is?
00:12:50It has to be someone.
00:12:56Yes.
00:12:58I'll do it then.
00:13:01See you later.
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00:17:07No, that's not it.
00:17:12How did this happen?
00:17:16Actually I have no idea.
00:17:18I have no idea, honestly.
00:17:20I was just about to start cooking.
00:17:22And all of a sudden, my wife cut the scallion from the garlic.
00:17:26I told her it was very dangerous.
00:17:28I begged her to leave the knife.
00:17:32No, no lo dejó.
00:17:34Fui, le quité el cuchillo, lo metí al cajón,
00:17:37me volte al refri,
00:17:39y cuando volteé, ya se había cortado.
00:17:47¿Cómo? ¿Lo agarró y se cortó?
00:17:50¿Así nada más?
00:17:58¿Vera Rodríguez Chamarria?
00:18:03¿Lo hizo a propósito?
00:18:07No, no sé.
00:18:10No, no, seguro no, no.
00:18:13No, obvio no.
00:18:17Buenas tardes, soy el Dr. Mendiola.
00:18:19¿Qué tal?
00:18:20Acompáñeme, por favor.
00:18:23Yo sé que los niños son muy inquietos,
00:18:25y les cuesta tener paciencia,
00:18:27pero es importante que no fuercen la mano,
00:18:29ni escribir, ni dibujar.
00:18:31Que coman con la mano izquierda.
00:18:33Y en tres días vayan a que la vea su doctor, ¿de acuerdo?
00:18:35Bien, gracias.
00:18:36Al contrario, permiso.
00:18:38Va a querer venirse conmigo, y conmigo no puede estar.
00:18:40No puede venir a la casa.
00:18:42¿Por?
00:18:45Hay un olor muy fuerte, una fuga de gas que no he arreglado,
00:18:48y como me vine corriendo al hospital,
00:18:50ahorita me imagino que no hay nadie que me pueda ayudar.
00:18:54¿Yo te puedo ayudar?
00:18:56¿Qué necesitas?
00:18:59Pues...
00:19:01un lugar donde dormir.
00:19:07Bueno, si quieres, te puedes quedar en la casa con nosotros,
00:19:10sin problema.
00:19:11Yo me puedo quedar en casa de Brenda,
00:19:13aún tengo cosas ahí que no mudé.
00:19:15¿De verdad?
00:19:16Sí.
00:19:17Yo necesito descansar.
00:19:18Sí, pero...
00:19:19Tú también.
00:19:20Mira, nos va a venir bien a todos.
00:19:22Yo mañana les llevo un desayunito.
00:19:29Adiós, Olga.
00:19:30Bye.
00:19:36¿Está viviendo en la casa?
00:19:41Neta.
00:19:44Luego te cuento, ¿sí?
00:19:47Toma tu agua.
00:19:51Esta parte de aquí es sin quesito.
00:19:53¿En serio?
00:19:54Es que me estoy cuidando.
00:19:55Ah, te estás cuidando.
00:19:56Me estoy cuidando.
00:19:57¿Por qué te estás cuidando?
00:19:58Oye, y esta...
00:19:59El búho va aquí.
00:20:00¡No es cierto!
00:20:01!
00:20:02A ver, a ver, a ver, a ver, a ver, a ver, Víctor.
00:20:04Mi niña, no forces la mano.
00:20:06Te hiciste una buena cortada.
00:20:08Pero no me duele.
00:20:09No hasta que te duela.
00:20:12¿Cómo te cortaste?
00:20:18Corazón, vete a la sala y escógete una película
00:20:20y ahorita nosotros te alcanzamos, ¿vale?
00:20:22Okey.
00:20:27What are you doing?
00:20:31What are you doing?
00:20:33Talking.
00:20:35What for?
00:20:37What do you mean, what for, Victor?
00:20:39Yes, what do you mean, what do you want to talk about?
00:20:41Your daughter is going through a time when she doesn't want to share her things.
00:20:44Don't you see?
00:20:46Vera doesn't want to talk about her.
00:20:48And yet, she goes every Monday, right?
00:20:50With the psychologist, because that's what you wanted.
00:20:52Well, that's fine, that's fine.
00:20:54But if she doesn't want to talk, that's fine too.
00:20:56How is it going to be fine if she cuts her hand on her own?
00:20:59That's nonsense. It was an accident.
00:21:01What if it wasn't an accident?
00:21:03Victor, you weren't there. You don't know what happened.
00:21:06You're going to complicate it.
00:21:08With this idea that I talked to you, that I talked to me, that I talked to the psychologist.
00:21:11Enough, enough.
00:21:13The dog thing wasn't an accident.
00:21:15And back then, she didn't talk to anyone.
00:21:19Do you know what's going to happen?
00:21:21Next time something happens to her, she's not going to tell you.
00:21:24Do you understand?
00:21:27Well, just make sure it doesn't happen again, right?
00:21:55Here you go.
00:22:01Aren't you going to have breakfast?
00:22:03No, I'm going to see if the gas problem is solved.
00:22:06I'm going with you.
00:22:08No, my girl, you're staying with your dad.
00:22:11Hello!
00:22:12No, yes, I'm going with you.
00:22:14Yes, take it off. You're staying with your dad, okay?
00:22:17Hello!
00:22:18No, yes, I'm going with you.
00:22:20Yes, take it off. You're staying with your dad, okay?
00:22:26Honey, are you leaving?
00:22:28I'm leaving.
00:22:29Oh, how delicious, what is this?
00:22:31Hello.
00:22:35And you stay until I tell you, okay?
00:22:38What do you mean, until I tell you?
00:22:40I'll let you know when that's ready.
00:22:42She's not going to want to.
00:22:43Victor, please.
00:22:44Hey, she's not going to want to.
00:22:45Please.
00:22:46Thank you for the bread, Mariana.
00:22:48You're welcome. Have a nice day.
00:23:03Hello.
00:23:07Is everything okay?
00:23:11No.
00:23:13The truth is, I don't know who to ask for help.
00:23:17Please come with me to my house.
00:23:23You don't believe me.
00:23:25Look, it's not that I don't believe you,
00:23:27but you told me there was an identical one of these in the garbage containers and it wasn't there.
00:23:31The garbage must have taken it.
00:23:34Okay, yes.
00:23:36It's hard for me to believe you.
00:23:38I don't understand, but we're already here.
00:23:40Let's go upstairs, right?
00:23:57You're getting dizzy.
00:23:59A little.
00:24:00Let's get some water.
00:24:01No, wait for me.
00:24:03How the hell is this possible?
00:24:04I don't know.
00:24:06I swear I don't know.
00:24:10What's inside?
00:24:13X.
00:24:15Notebooks, programs, personal stuff.
00:24:19Personal? Whose?
00:24:22It turns out that the trunk doesn't belong to anyone.
00:24:26I'm sure that when we got here, all of this was empty.
00:24:28I even doubted it, but I swear it wasn't empty.
00:25:10Carlos.
00:25:34Carlos.
00:25:35What was that?
00:25:37Did you see it?
00:25:38What was it?
00:25:40Nothing.
00:25:52Martín Muñoz Araujo is the victim of this diary.
00:25:58Age?
00:25:5932.
00:26:00No.
00:26:08Neither.
00:26:13It's as if the victims don't exist.
00:26:16They don't appear on the internet.
00:26:21Do you think all of this is real?
00:26:23It's real.
00:26:28He killed all of those people.
00:26:34Look.
00:26:383.49.
00:26:40He's losing consciousness.
00:26:42I'm increasing the dose to 200.
00:26:454.14.
00:26:46He's starting to convulse.
00:26:51Time of death.
00:26:526.35.
00:26:55These are too many details to be a fantasy, right?
00:27:00If he didn't do it, if he didn't kill anyone,
00:27:02he didn't lack the desire.
00:27:06I don't think it's a fantasy.
00:27:09And he talks a lot about his past.
00:27:11About a shake-up, above all.
00:27:15Everything was shaking.
00:27:17Where he lived, with whom, how.
00:27:20My life wasn't mine.
00:27:22And I warned.
00:27:23I never lied.
00:27:25I wanted order.
00:27:26A solution.
00:27:27I asked.
00:27:28They didn't give it to me.
00:27:30I had to do it.
00:27:32The shake-up
00:27:33only confirmed everything.
00:27:36I had to take control.
00:27:40Luckily,
00:27:41provoking death
00:27:43isn't always murder.
00:27:52I put all my savings in this house, damn it.
00:27:59What am I going to do?
00:28:10Can I come in?
00:28:15Do you want coffee?
00:28:16Yes, thank you.
00:28:18Look, I've been thinking and
00:28:19I'd like to show you the notebooks of a friend of mine.
00:28:23She was actually my teacher.
00:28:25She's a calligrapher.
00:28:27And?
00:28:29I don't know, I think
00:28:31if we identify the author,
00:28:33we'll find a path to follow.
00:28:35Don't you know how many details calligraphy throws?
00:28:38I don't know, I'm not sure.
00:28:42I don't have to give her a detail.
00:28:43I don't even have to tell her where the notebooks came from.
00:28:45Look,
00:28:46she's a guide.
00:28:47She can give us ideas,
00:28:48she can...
00:28:50I don't know,
00:28:51give us a point of view.
00:28:59Ma'am, it's Mr. Victor.
00:29:00No way, it's Victor and my daughter.
00:29:02What?
00:29:04The trunk.
00:29:06We have to hide the trunk.
00:29:07Let them in.
00:29:08Help me hide the trunk.
00:29:12What?
00:29:13What?
00:29:15It's mine.
00:29:16It's mine, you have to hide it.
00:29:18I don't think it's a good idea for Vera and Victor to see me here in the kitchen and...
00:29:22Take care of the trunk.
00:29:24Olga, don't let Victor in.
00:29:27Mommy!
00:29:29Verita.
00:29:31What happened?
00:29:33You couldn't answer a call.
00:29:35I wasn't looking at the phone.
00:29:37I saw that.
00:29:38What happened? What are you doing here?
00:29:39I wanted to be with you.
00:29:42Is it too complicated to take care of your daughter?
00:29:47What's the gas leak called?
00:29:51Olga,
00:29:52my intention is to ruin your plans,
00:29:54but answer my calls.
00:29:55No, please,
00:29:56it's not that.
00:30:00She does whatever she wants with you.
00:30:02Give it to me.
00:30:03Say hello to the gas leak.
00:30:08Vera,
00:30:09Vera, my child, I need to tell you something.
00:30:20Is he your boyfriend?
00:30:22No, of course not.
00:30:23No, my child, of course not.
00:30:24I called him because
00:30:26I needed his help.
00:30:29Why?
00:30:31What happened to your hand?
00:30:34An accident.
00:30:43What happened to him?
00:30:44He cut himself.
00:30:46They're living together.
00:30:48I see.
00:30:57Hey, Mommy.
00:30:59What?
00:31:00Hey, Mommy.
00:31:03Did Carlos come to see my things?
00:31:06What?
00:31:07I mean, did he come to see my things?
00:31:12No, my child, how can you think that?
00:31:14He came to help me.
00:31:17Help you with what?
00:31:20Well, to be with me.
00:31:23I was a little scared.
00:31:25Well,
00:31:26next time
00:31:27you can call me
00:31:29and I'll come here with you.
00:31:31I'll take care of you.
00:31:34No, my child.
00:31:36I'll take care of you.
00:31:46Mommy.
00:31:48I'm sleepy.
00:31:49Can we sleep?
00:31:52We can sleep.
00:31:57Can you hug me?
00:31:59I'll hug you.
00:32:30I don't know.
00:32:33Hello, Victor.
00:32:35Hey, your daughter needs furniture to put her toys.
00:32:39Are you going to give her the gift you promised her?
00:32:42Well, let me know.
00:32:59Hello, Carlos.
00:33:01He took him out.
00:33:03Don't go far, okay?
00:33:08Wait.
00:33:09Wait, my love.
00:33:14Hey, wait.
00:33:15Don't go.
00:33:17Don't go.
00:33:18Let me help you.
00:33:19Sir.
00:33:20Wait.
00:33:21Don't go.
00:33:22Don't go.
00:33:23Let me help you.
00:33:24Sir.
00:33:25Wait.
00:33:26Don't go.
00:33:27Don't go.
00:33:28Sir.
00:33:29Go away.
00:33:30Really, sir.
00:33:31Go away.
00:33:32Go away.
00:33:33Don't worry.
00:33:34What I'm telling you is serious.
00:33:36The animal is suffering.
00:33:37Let me be responsible.
00:33:38I can't help myself.
00:33:40Ma'am, tell him to calm down.
00:33:42I can't help him.
00:33:43I'm not going to be responsible.
00:33:45Don't worry.
00:33:49Did I stop crying?
00:33:58¿Verdad?
00:34:01¿Y si lo hubieras hecho mal?
00:34:03Te pudiste haber causado más dolor a Nelson.
00:34:08Lo hice bien.
00:34:12¿Y no crees que tus papás también lo pudieron haber hecho bien?
00:34:16Mis papás no hicieron nada.
00:34:18Ese señor nos dijo que no lo dejáramos sufrir.
00:34:20Y ellos no hicieron nada.
00:34:23Ya.
00:34:26Por eso tus papás están de espaldas en el dibujo.
00:34:30Que no hicieron nada.
00:34:40¿Hubieras hecho lo mismo si te hubieran estado viendo?
00:34:48Porque eso fue lo que pasó cuando te cortaste la mano.
00:34:52Nadie te estaba viendo, ¿verdad?
00:34:55Esa fue culpa de Mariana.
00:34:57No me sabe cuidar.
00:35:01Por eso te cortaste la mano.
00:35:02Para demostrar que no te sabe cuidar.
00:35:05Mi papá me tenía que cuidar.
00:35:07No ella.
00:35:08Y eso fue un accidente.
00:35:11¿Quieres que hablemos de eso?
00:35:14No.
00:35:16Todo fue tan rápido, Carlos.
00:35:18Tan loco.
00:35:19Ninguno de los dos supimos qué hacer.
00:35:22Mira, yo no decido lo que está bien y lo que está mal.
00:35:25Pero Vera pidió que le dieran un cachorro moribundo lleno de sangre y se lo dieron.
00:35:29Se lo dio Víctor.
00:35:30Ok, sí, se lo dio Víctor.
00:35:32Pero entiéndeme, yo no lo estoy criticando.
00:35:36¿Ese es el problema? ¿Que le cedimos la responsabilidad a ella?
00:35:40Sí.
00:35:41Un poco sí.
00:35:43Mira, Vera en este momento está creando su estructura de comportamiento que mejor le parece.
00:35:47Sí, estamos dejando que desarrolle su identidad, sí.
00:35:51No, esto no se trata de su identidad.
00:35:53Esto se trata de que está imponiendo sus condiciones y todo el mundo la sigue.
00:35:57Ella cree que no hace nada malo.
00:35:59Y es lógico, porque nadie la cuestiona.
00:36:02No le puedo quitar la razón cuando la tiene.
00:36:04Se la puedes quitar cuando agarra un cuchillo.
00:36:09A ver, entiéndeme.
00:36:11Lo que pasa es que con la separación de ustedes se abrió una brecha
00:36:14donde Vera puede tomar el control.
00:36:16Y no es el mejor momento para que lo haga.
00:36:21¿Y esto se lo podrías explicar a Víctor?
00:36:26Ven, es aquí.
00:36:31Entonces sí los mató a todos.
00:36:33Sí, sí, obviamente.
00:36:35A ver, les explico.
00:36:37Alicia Kleinberg y Manuel Arguello ya estarían muertos.
00:36:41A Martín Muñoz solo empezó a torturarlo.
00:36:44Aún no lo mató.
00:36:46Pero existe otra víctima.
00:36:49Alguien de su pasado lejano.
00:36:52De su círculo cercano.
00:36:55Pero esto fue un acto involuntario o tal vez un accidente.
00:36:59O simplemente improvisó.
00:37:02Esta mujer está obsesionada con el sufrimiento.
00:37:05Tiene de todo.
00:37:06Tiene dolor de cabeza.
00:37:08Tiene de todo.
00:37:09Tiene dolor y tristeza y angustia.
00:37:13A ver, espérame, espérame.
00:37:15¿Es mujer?
00:37:17Sí, sí.
00:37:18Sí, sí, sí, es una mujer.
00:37:21Tiene alrededor de 40 años.
00:37:26Lleva una vida discreta, llena de contenciones.
00:37:30Pero perfectamente insertada en la sociedad.
00:37:35¿Sí me explico?
00:37:36Sí, sí, intenta parecer normal.
00:37:38Pero no lo es, no lo es.
00:37:40Ella es esto.
00:37:42Este cuaderno es su conversación más sincera.
00:37:45¿Y es posible saber su identidad?
00:37:48Ah, no, eso no aparece.
00:37:50Pero sí, sí pueden empezar a buscar una mujer que tenga cierta discapacidad motriz.
00:37:59Porque su forma de sostener la pluma es, digamos, peculiar.
00:38:04Algo como así.
00:38:09O sea, ¿tú crees que la podamos encontrar hoy en día?
00:38:12Claro.
00:38:13Estos rasgos son actuales.
00:38:15Esto acaban de escribirlo.
00:38:17¿Cómo?
00:38:18¿Pues esto no es de hace muchos años?
00:38:19No, no.
00:38:20Sus rasgos son actuales.
00:38:22¿O sea que está aprendiendo a escribir?
00:38:24No, no.
00:38:25Es adulta.
00:38:26Es maestra de primaria.
00:38:28¿Maestra de primaria?
00:38:29¿Con ese nivel de conocimientos clínicos?
00:38:32O tal vez mató a más personas de las que te ama.
00:38:35¿Te acuerdas de ese caso que tuvimos hace años en Guadalajara?
00:38:38Perdóname, perdóname.
00:38:43¿Estás bien?
00:38:45Se tiene que ir con su papá.
00:38:47Al menos hoy no se puede quedar conmigo, pero...
00:38:50¿Qué le digo?
00:38:51Que se la lleve y ya, así nada más.
00:38:53Carajo, mi hija me va a odiar.
00:38:55No, a ver, espérame.
00:38:56Yo le voy a escribir a Victor y le voy a pedir por favor que la recoja en el colegio y te la entrega mañana.
00:38:59¿Ok?
00:39:04Listo, ya está.
00:39:07¿Vera y yo vivimos con una asesina?
00:39:11A ver, no exactamente.
00:39:15Pero lo acabas de escuchar, ¿no?
00:39:18Se sigue escribiendo ahora.
00:39:21En mi casa pasan cosas raras y ese baúl sigue ahí.
00:39:26¿Metí a mi hija en la casa de una asesina?
00:39:39Acuérdate que máximo dos al día.
00:39:41Una cada doce horas.
00:39:48Venga.
00:39:49¿Por qué no te das un baño calientito?
00:39:51Trata de descansar, te va a caer bien.
00:39:55Gracias, Carlos.
00:40:26¿Estás bien?
00:40:27Sí.
00:40:55¿Estás bien?
00:40:56Sí.
00:40:57¿Estás bien?
00:40:58Sí.
00:40:59¿Estás bien?
00:41:00Sí.
00:41:01¿Estás bien?
00:41:02Sí.
00:41:03¿Estás bien?
00:41:04Sí.
00:41:05¿Estás bien?
00:41:06Sí.
00:41:07¿Estás bien?
00:41:08Sí.
00:41:09¿Estás bien?
00:41:10Sí.
00:41:11¿Estás bien?
00:41:12Sí.
00:41:13¿Estás bien?
00:41:14Sí.
00:41:15¿Estás bien?
00:41:16Sí.
00:41:17¿Estás bien?
00:41:18Sí.
00:41:19¿Estás bien?
00:41:20Sí.
00:41:21¿Estás bien?
00:41:22Sí.
00:41:23¿Estás bien?
00:41:24Sí.
00:41:26¿Estás bien?
00:41:28Sí.
00:41:32¿Qué pasa?
00:41:36Cuiderman, ¿estás bien?
00:41:39Cárquete, cuérdete.
00:41:41Tú cálmate.
00:41:42Tú cálmate, ya.
00:41:43Venga.
00:41:45Si estás bien, cálmate.
00:41:46¡Pues claro que está bien!
00:41:47¿Estás bien?
00:41:49Si estás bien, estás bien.
00:41:50Las verdaderas pruebas no han creado ninguna precisión climática en nuestro peligro.
00:41:53Okay.
00:41:54♪♪
00:42:00-♪♪
00:42:05-♪♪
00:42:12-♪♪
00:42:19I don't know what I'm doing.
00:42:21I don't know what I'm doing.
00:42:23I don't know what I'm doing.
00:42:25I don't know what I'm doing.
00:42:27I don't know what I'm doing.
00:42:29I don't know what I'm doing.
00:42:31I don't know what I'm doing.
00:42:33I don't know what I'm doing.
00:42:35I don't know what I'm doing.
00:42:37I don't know what I'm doing.
00:42:39I don't know what I'm doing.
00:42:41I don't know what I'm doing.
00:42:43I don't know what I'm doing.
00:42:45I don't know what I'm doing.
00:42:47Ah
00:42:49Ah
00:42:51Olga
00:42:53What are you doing?
00:42:55What happened?
00:42:57I kept writing in the notebooks of Martín
00:42:59Here it is
00:43:01Here it is
00:43:03Martín Muñoz Araujo
00:43:05Martín Muñoz Araujo
00:43:07Martín Muñoz Araujo
00:43:09Martín Muñoz Arajo
00:43:11Martín Muñoz Araujo
00:43:13Martín Muñoz Araujo
00:43:15I'm going to the hospital.
00:43:30Oh.
00:43:31Calm down, calm down.
00:43:35I saw it, Carlos.
00:43:39Oh, no, this wound is very deep.
00:43:42I think you need to see a doctor.
00:43:48I swear I saw it.
00:43:53I saw it in my room, I swear.
00:43:55I'm telling you not to believe you.
00:43:57But you're not telling me to believe you.
00:44:00I'm not doubting you, but I gave you a very strong drug.
00:44:03No.
00:44:04Look at me.
00:44:08It's me.
00:44:10Did the newspaper know?
00:44:12Did he know I was going to end up with a broken eyebrow?
00:44:14Did he know?
00:44:16Or did he provoke it?
00:44:24I don't know what to tell you. I have no idea.
00:44:27I would like to look for Martin Muñoz.
00:44:37And what do you think we're going to find?
00:44:39I don't know.
00:44:40Any clues?
00:44:42Family members? Acquaintances?
00:44:45Something?
00:44:49I don't know.
00:44:51I don't know.
00:44:53I don't know.
00:44:55I don't know.
00:45:20Hello.
00:45:21How are you?
00:45:22Good afternoon.
00:45:23How can I help you?
00:45:25We are from the trade registry.
00:45:27We are looking for the owner of the place, Martin Muñoz Araujo.
00:45:30Who?
00:45:32I am Maria Araujo, the owner of the restaurant.
00:45:36Who are you?
00:45:41We are from the trade registry.
00:45:44Are you Araujo?
00:45:47We are looking for Mr. Martin.
00:45:50Martin.
00:45:53I'll be back in a minute.
00:46:03Is he Martin?
00:46:09My ex-husband sent you, right?
00:46:13Excuse me.
00:46:15Is the boy Martin?
00:46:17Is the boy Martin?
00:46:21Don't get tired, bastard.
00:46:28Juan!
00:46:30Juan!
00:46:31Don't worry. We're on our way.
00:46:43What's going on, Carlos?
00:46:47This is a nightmare.
00:46:49Right?
00:46:51I don't understand anything.
00:46:55The newspaper says that the boy will die at the age of 32.
00:47:00But that hasn't happened yet.
00:47:02But it's happening.
00:47:06The newspaper says that this man is many years old.
00:47:09And if it's not a primary school mass and the woman is learning to write...
00:47:33Don't force your hand, girl.
00:47:35But mom...
00:47:36Don't force your hand, girl.
00:47:38But mom...
00:47:39Until the wound is not closed, it's better that you don't write or color or anything.
00:47:42But it doesn't hurt anymore.
00:47:44My girl.
00:47:47Your dad is here.
00:47:48My dad?
00:47:49Open, open.
00:47:50Your dad?
00:47:51My dad?
00:47:56Oh, shut up.
00:47:57Daddy!
00:47:58Hi!
00:47:59Wow.
00:48:00Wow.
00:48:01I found it outside.
00:48:03That's weird.
00:48:04Yes.
00:48:05Open the door, please.
00:48:06Okay, okay, okay.
00:48:07I don't know how to open the door.
00:48:10Very nice.
00:48:11It's a gift from Mariana and my daughter.
00:48:13I wanted to thank you.
00:48:14That's weird, but it's beautiful.
00:48:16It's beautiful?
00:48:17I'm glad you liked it.
00:48:19Look, mommy!
00:48:21Wow.
00:48:23There are a lot of things here.
00:48:25My hair.
00:48:26That's good.
00:48:27How nice.
00:48:28It's beautiful.
00:48:29Look.
00:48:32Wow.
00:48:49Do you recognize any of these things?
00:48:56Are you sure?
00:48:59Yes.
00:49:46Is Vera at home?
00:49:47Yes.
00:49:48What?
00:49:49Upstairs.
00:49:50What happened?
00:49:55Martín is dead.
00:49:57Vera killed him.
00:50:10When did this happen?
00:50:17What did I do wrong?
00:50:20Carlos, what did I do wrong?
00:50:22Nothing.
00:50:23You didn't do anything wrong.
00:50:27Agonizo lasted four days.
00:50:32Four days.
00:50:34A little bit.
00:50:38And Vera didn't do anything.
00:50:39But she's going to.
00:50:41The Vera I'm trying to consult isn't this woman.
00:50:46Your daughter isn't a murderer.
00:50:48She's an eight-year-old girl
00:50:51who's learning to handle her emotions.
00:50:53Shh.
00:50:57Why is she okay?
00:51:01How?
00:51:24No.
00:51:26She killed a person.
00:51:29An adult.
00:51:31Close to her.
00:51:33The accidental death
00:51:35happened early in her life
00:51:37when she was just a little girl.
00:51:41There's still no evidence
00:51:43that she killed a person.
00:51:45No.
00:51:47No.
00:51:49No.
00:51:51No.
00:52:03I don't understand.
00:52:16But...
00:52:17But who's trying to kill her?
00:52:20Does it happen in her childhood or in her adult life?
00:52:24It's after her first victim, but that's how it is.
00:52:27She's the same age. She's still a little girl.
00:52:31I'm very sorry.
00:52:33Really, but I have to go.
00:52:35Yes.
00:52:37Thank you very much, Andrea.
00:52:41And Carlos,
00:52:42be careful with what you're doing.
00:52:45Yes.
00:52:46Bye.
00:52:47Thank you, Andrea.
00:52:50Bye.
00:53:20I smell good.
00:53:51An adult.
00:53:54Close to her.
00:53:58The accidental death
00:54:00happened early in her life
00:54:03when she was just a little girl.
00:54:21Three...
00:54:44Three...
00:54:46Three...
00:54:47Three...
00:54:49Three...
00:54:55Oh, look.
00:54:56This is normal.
00:54:59I love it.
00:55:04Hey, Verita.
00:55:05Yes?
00:55:06Who's this girl?
00:55:09I don't know about the girl.
00:55:10It's Mariana.
00:55:17Hello?
00:55:28What's wrong?
00:55:31What do I have to do to not go back to that house?
00:55:40Nothing.
00:55:43Nothing. You don't have to do anything, you hear me?
00:55:46No one, ever.
00:55:59Mommy,
00:56:01can I sleep with you?
00:56:04Yes, little girl.
00:56:07Come here.
00:56:16Yes, it's been six days.
00:56:18Yes.
00:56:20She's been sick.
00:56:21That's why I haven't taken her to school.
00:56:24No, I'm not going to wake her up
00:56:25just because you feel like talking to her.
00:56:28Victor.
00:56:30Hello?
00:56:35Victor.
00:56:37Victor.
00:56:39Victor.
00:56:41Victor.
00:56:43Victor.
00:56:45Victor.
00:57:16Wait.
00:57:24Wait.
00:57:32Wait, can you hear me?
00:57:42I'm your mom.
00:57:45I'm your mom.
00:57:51My little girl, I want to help you.
00:57:58But I need to know what happened.
00:58:16What is shaking?
00:58:22Where I am hasn't happened yet.
00:58:24Can I help you?
00:58:32My little girl, can you hear me?
00:58:36Can you hear me?
00:58:39Can you hear me?
00:58:41Can you hear me?
00:58:43Can you hear me?
00:58:45Can you hear me?
00:58:55I need you to tell me who's going to try to kill you.
00:59:04Wait.
00:59:08No.
00:59:15No.
00:59:26Dada!
00:59:31Dada, no!
00:59:32Dada, no!
00:59:45No.
00:59:50My little girl.
00:59:53I did this to you.
01:00:05Softly.
01:00:06Softly.
01:00:07Ready.
01:00:11Ready.
01:00:12Ready.
01:00:13Then, Germany, Berlin.
01:00:16France, Paris.
01:00:18Denmark, Copenhagen.
01:00:21Sweden.
01:00:25What's the capital of Sweden?
01:00:26Yes, Pedro, come in.
01:00:31Who is it?
01:00:34Mommy.
01:00:35Where is the capital of Sweden?
01:00:38The capital of Sweden...
01:00:42What's the capital of Sweden?
01:00:44I don't know.
01:00:46Stockholm.
01:00:47Stockholm.
01:00:56Hello.
01:00:57Hello. Are you okay?
01:00:58Yes.
01:00:59What are you doing here?
01:01:00I came to see my daughter. We're worried.
01:01:03We're fine.
01:01:04Can I come in?
01:01:05Yes.
01:01:10Vera?
01:01:14Olga, are you okay?
01:01:16I'm fine.
01:01:19Where's Vera?
01:01:20Vera?
01:01:22Vera?
01:01:25Honey?
01:01:27Vera?
01:01:28Vera?
01:01:34Hello, honey.
01:01:36Vera, go to your room.
01:01:42What happened to your face?
01:01:44Nothing happened.
01:01:46What did you do to her?
01:01:47I didn't do anything.
01:01:48She has bruises on her face.
01:01:49Victor, please, calm down.
01:01:51Calm down.
01:01:57You just lost your daughter.
01:02:11What's going on?
01:02:13Vera is not going to her session. You don't answer her calls.
01:02:15We haven't heard from you for a week and a half.
01:02:19What are you doing locked up here?
01:02:20Taking care of her.
01:02:22That's what I'm doing.
01:02:23What are you doing here in my house with Victor?
01:02:25You're playing the guardian, Olga.
01:02:27What are you doing?
01:02:28I can't leave my daughter, Carlos. Don't you understand?
01:02:31What the newspaper says happens.
01:02:35I can't leave her alone.
01:02:37I'm alone in all this.
01:02:39No, you're not alone.
01:02:42I'm here with you. Let me help you.
01:02:45Don't worry.
01:02:46Don't worry.
01:02:53Don't worry.
01:02:57I swear it was an accident.
01:02:58The other one was there and I pushed the door really hard.
01:03:02But did Vera see her?
01:03:05Did she see Vera, right?
01:03:07No.
01:03:09Did you see her again?
01:03:11No, she didn't leave.
01:03:14But I have the feeling she's angry.
01:03:17The trunk is empty. There's nothing there.
01:03:20Olga, you have to let Vera go with her dad.
01:03:23No, Carlos, no. Vera can't go with her dad.
01:03:28Vera hates Mariana. She hates her with all her might.
01:03:32Mariana is her first victim.
01:03:34You're taking Vera away from the world.
01:03:36This is sick. It's dangerous. Don't you realize?
01:03:39Are you listening to me?
01:03:40Vera is safe with me. That's all.
01:03:43If I let her go with Mariana...
01:03:45She's eight years old.
01:03:46The notebook says so. The graphologist, your friend, says so.
01:03:49The earrings, damn it.
01:03:50No.
01:03:51No notebook ever mentions Mariana.
01:04:01Good afternoon, ma'am.
01:04:02Mr. Victor is here with some policemen.
01:04:04Mr. Victor is here with some policemen.
01:04:13This is a mistake.
01:04:18This is a mistake and everyone will regret it.
01:04:24I'm going to prepare my daughter.
01:04:27Everything will be fine, my girl.
01:04:29Your dad and Mariana will take good care of you.
01:04:32But I want to be here with you.
01:04:34I know, little girl.
01:04:37But if you behave well, they'll let you come back soon.
01:04:44Vera!
01:04:48Little girl, you just don't do anything wrong.
01:04:52Little girl, you just don't do anything wrong.
01:04:56Behave the best you can.
01:04:58And you'll be back in two days.
01:05:00Okay?
01:05:05Promise me.
01:05:09Promise me.
01:05:14But we have to put an order.
01:05:16We have to find a solution.
01:05:19Vera!
01:05:22Are you coming back with the police?
01:05:24I'm coming.
01:05:27Here.
01:06:10Angela gave me some tickets to the aquarium.
01:06:14Can we go tomorrow?
01:06:18Mariana, stop.
01:06:19You're not Emilio.
01:06:21She's Victor's girlfriend.
01:06:24Victor?
01:06:27So I'm not even your dad anymore?
01:06:31Vera, you weren't sick, were you?
01:06:41I mean, I understand that your mom lies to me.
01:06:44I understand.
01:06:47But you lying to me...
01:06:53That hurts.
01:06:56Victor, please.
01:07:00You lie to me too.
01:07:02All the time.
01:07:04But I don't force you to do anything.
01:07:12I'm going to my room.
01:07:13No.
01:07:14Finish this.
01:07:15No.
01:07:16Tell her.
01:07:19All that fuss.
01:07:22Where she lived, with whom, how...
01:07:27What's gotten into her?
01:07:35Victor needs to know this.
01:07:36We have to teach him.
01:07:38You haven't understood anything. It's over.
01:07:41What are you doing? You just drank one.
01:07:43Uh-huh.
01:07:47It doesn't work on me.
01:07:49What do you mean? How many do you have?
01:07:51Four.
01:07:53Do you have milk?
01:07:55Olga.
01:07:56Milk?
01:07:59Here it is.
01:08:02You have to drink this.
01:08:03No, Carlos.
01:08:05It's not necessary.
01:08:06No, it is necessary. You have to drink it.
01:08:08You have to throw up.
01:08:13Come on.
01:08:20I came for you.
01:08:22Okay.
01:08:26Let's go.
01:08:29It's shaking.
01:08:32It's there.
01:08:34It's shaking.
01:08:35The girl, the girl, the girl.
01:08:36My daughter, my daughter, my daughter.
01:08:39No, no, no. Wait, wait, wait.
01:08:41Come on. Give me a...
01:08:43Open up.
01:08:45Open up, my heart, my heart. It's shaking.
01:08:47No, it's not a game.
01:08:48Open up.
01:08:50Be careful. It's over.
01:08:52It's over.
01:08:54It's shaking.
01:08:56It's shaking.
01:08:59It's shaking.
01:09:02They saw my daughter today.
01:09:06They saw my daughter today.
01:09:13They saw my daughter today.
01:09:44They saw my daughter today.
01:09:54Give me a hug, my love.
01:09:56Give me a hug, my love.
01:09:58Do you want to go to the beach?
01:10:00Hug me, son.
01:10:13Let's go.
01:10:39Let me see what happened.
01:10:44How are you? Good evening, young man. What happened?
01:10:46There was a landslide, sir.
01:10:47Because of the earthquake.
01:10:48And the road is closed at the moment.
01:10:50And how long will it take?
01:10:52I think about two hours, more or less.
01:10:54Two hours?
01:10:55We are doing our best.
01:11:13We are doing our best.
01:11:43We are doing our best.
01:11:57Vera?
01:11:58Vera?
01:11:59Vera, my love.
01:12:00Vera, are you okay, my love?
01:12:02Are you okay?
01:12:03What happened, my love?
01:12:05It was a nightmare, wasn't it?
01:12:08Okay, my love.
01:12:14What are you doing?
01:12:15Get out.
01:12:16What happened?
01:12:17Close the door.
01:12:18Close the door until I tell you.
01:12:22What's wrong, my love?
01:12:23You're scaring me.
01:12:24What's wrong?
01:12:25What are you doing with the scissors?
01:12:28Go to your room and don't leave until I tell you.
01:12:30No.
01:12:31Go to your room and don't leave until I tell you.
01:12:35Get in.
01:12:37Get in.
01:12:38Come on, Vera.
01:12:40Get in.
01:12:41Get in your room and that's it.
01:12:43You're hurting me.
01:12:44What do you mean you're hurting me, my love?
01:12:45What are you doing, my love?
01:12:47What were you doing?
01:12:48You're scaring me.
01:12:49Here, here, here.
01:12:50Wait for me.
01:12:51Here, here, here.
01:12:52Wait for me.
01:12:56What were you doing with those scissors, please?
01:12:59Tell me what you were doing with those scissors.
01:13:00I'm asking you, please.
01:13:01You're scaring me.
01:13:05You're scaring me.
01:13:07Come with me, my love.
01:13:08That's not going to happen.
01:13:09That's not going to happen.
01:13:10That's not going to happen.
01:13:11That's not going to happen.
01:13:12That's not going to happen.
01:13:36What happened?
01:13:37My God.
01:14:08No.
01:14:09No.
01:14:35Señora.
01:14:36Tienen que salir.
01:14:39Fuera.
01:14:40Es importante que sepas que Vera no se va a prohibir contigo, ok?
01:14:41We're leaving.
01:14:42Fuck off, Alberto.
01:14:43I'm not going with you.
01:14:44No, no, no, no.
01:14:45I won't.
01:14:46I'm going with you.
01:14:47No.
01:14:48I'm going with you.
01:14:49I'm not going with you.
01:14:50I'm going with you.
01:14:51Alberto.
01:14:53Alberto.
01:14:54Alberto.
01:14:55Alberto.
01:14:56Alberto.
01:14:59Alberto.
01:15:00Alberto.
01:15:06Alberto.
01:15:08Can I come with you? I need your statement.
01:15:11Yes.
01:15:19Can you give me some water, please?
01:15:22Water?
01:15:24I'm dizzy.
01:15:39Come on.
01:15:47Get in the car.
01:15:51Get in, get in.
01:16:08I won't have to go back to that house, will I?
01:16:28You know what happened to your dad, don't you?
01:16:35Your dad is dead.
01:16:38It doesn't matter.
01:17:08Get in.
01:17:38Shit.
01:18:08Get in.
01:18:38Get in.
01:19:08Mom.
01:19:15Mom.
01:19:23Did you want to kill me?
01:19:38No.
01:20:08I love you.
01:20:09I love you.
01:20:10I love you.
01:20:11I love you.
01:20:12I love you.
01:20:13I love you.
01:20:14I love you.
01:20:15I love you.
01:20:16I love you.
01:20:17I love you.
01:20:18I love you.
01:20:19I love you.
01:20:20I love you.
01:20:21I love you.
01:20:22I love you.
01:20:23I love you.
01:20:24I love you.
01:20:25I love you.
01:20:26I love you.
01:20:27I love you.
01:20:28I love you.
01:20:29I love you.
01:20:30I love you.
01:20:31I love you.
01:20:32I love you.
01:20:33I love you.
01:20:34I love you.
01:20:35I love you.
01:20:36I love you.
01:20:37I love you.
01:20:38I love you.
01:20:39I love you.
01:20:40I love you.
01:20:41I love you.
01:20:42I love you.
01:20:43I love you.
01:20:44I love you.
01:20:45I love you.
01:20:46I love you.
01:20:47I love you.
01:20:48I love you.
01:20:49I love you.
01:20:50I love you.
01:20:51I love you.
01:20:52I love you.
01:20:53I love you.
01:20:54I love you.
01:20:55I love you.
01:20:56I love you.
01:20:57I love you.
01:20:58I love you.
01:20:59I love you.
01:21:00I love you.
01:21:01I love you.
01:21:02I love you.
01:21:03I love you.
01:21:04I love you.
01:21:05I love you.
01:21:06I love you.
01:21:07I love you.
01:21:08I love you.
01:21:09I love you.
01:21:10I love you.
01:21:11I love you.
01:21:12I love you.
01:21:13I love you.
01:21:14I love you.
01:21:15I love you.
01:21:16I love you.
01:21:17I love you.
01:21:18I love you.
01:21:19I love you.
01:21:20I love you.
01:21:21I love you.
01:21:22I love you.
01:21:23I love you.
01:21:24I love you.
01:21:25I love you.
01:21:26I love you.
01:21:27I love you.
01:21:28I love you.
01:21:29I love you.
01:21:30I love you.
01:21:31I love you.
01:21:32I love you.
01:21:33I love you.
01:21:34I love you.
01:21:35I love you.
01:21:36I love you.
01:21:37I love you.
01:21:38I love you.
01:21:39I love you.
01:21:40I love you.
01:21:41I love you.
01:21:42I love you.
01:21:43I love you.
01:21:44I love you.
01:21:45I love you.
01:21:46I love you.
01:21:47I love you.
01:21:48I love you.
01:21:49I love you.
01:21:50I love you.
01:21:51I love you.
01:21:52I love you.
01:21:53I love you.
01:21:54I love you.
01:21:55I love you.
01:21:56I love you.
01:21:57I love you.
01:21:58I love you.
01:21:59I love you.
01:22:00I love you.
01:22:01I love you.
01:22:02I love you.
01:22:03I love you.
01:22:04I love you.
01:22:05I love you.
01:22:06I love you.
01:22:07I love you.
01:22:08I love you.
01:22:09I love you.
01:22:10I love you.
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01:22:12I love you.
01:22:13I love you.
01:22:14I love you.
01:22:15I love you.
01:22:16I love you.
01:22:17I love you.
01:22:18I love you.
01:22:19I love you.
01:22:20I love you.
01:22:21I love you.
01:22:22I love you.
01:22:23I love you.
01:22:24I love you.
01:22:25I love you.
01:22:26I love you.
01:22:27I love you.
01:22:28I love you.
01:22:29I love you.
01:22:30I love you.
01:22:31I love you.
01:22:32I love you.
01:22:33I love you.
01:22:34I love you.
01:22:35I love you.
01:22:36I love you.
01:22:37I love you.
01:22:38I love you.
01:22:39I love you.
01:22:40I love you.
01:22:41I love you.
01:22:42I love you.
01:22:43I love you.
01:22:44I love you.
01:22:45I love you.
01:22:46I love you.
01:22:47I love you.
01:22:48I love you.
01:22:49I love you.
01:22:50I love you.
01:22:51I love you.
01:22:52I love you.
01:22:53I love you.
01:22:54I love you.
01:22:55I love you.
01:22:56I love you.
01:22:57I love you.
01:22:58I love you.
01:22:59I love you.
01:23:00I love you.
01:23:01I love you.