RÍO DE VENGANZA LEJANO OESTE RPLAY PELICULA COMPLETA EN ESPANOL

  • 2 days ago
RÍO DE VENGANZA | LEJANO OESTE | RPLAY PELICULA COMPLETA EN ESPANOL

En 1875, Chino Bull, un ex alguacil, asume temporalmente el cargo de marshal del pueblo después de que su compañero de búsqueda de oro es robado y asesinado en el territorio de Powder River, pero se encuentra con los sanguinarios hermanos Logan.

CAST: Rory Calhoun, Corinne Calvet, Cameron Mitchell
Transcript
00:00:00Music
00:00:11Music
00:00:19Rio de Polvora
00:00:21Music
00:00:31Music
00:00:41Music
00:00:51Music
00:01:01Music
00:01:11Music
00:01:17Music
00:01:32Music
00:01:42Music
00:01:52Music
00:02:02Music
00:02:12Music
00:02:22Music
00:02:31Hello
00:02:33Good morning
00:02:34That's a nice saddle, I can keep it
00:02:36We want to change our horses for yours
00:02:40That's not in my schedule
00:02:42I've seen it somewhere, sir
00:02:45My name is Bull
00:02:46Bull?
00:02:48What kind of name is that?
00:02:51The good stuff fills up at once
00:02:54Sure, you're Chinese, Bull
00:02:56Some call me Chinese
00:02:57Yes, I've heard of you
00:02:59They say you're very fast with the revolver
00:03:02A great reputation
00:03:04Thanks to idiots like you who laughed at my name
00:03:09You don't seem so tough to me
00:03:11But you have a big mouth
00:03:12Take it easy
00:03:15I've heard you've hung up the guns
00:03:17That you've had enough of killing and you've hung them up
00:03:21I see you don't have a revolver in your belt, so be polite
00:03:24I haven't been taught that
00:03:26I can be your teacher
00:03:28Where are the kids?
00:03:32Don't even think about blinking
00:03:34Lend me a revolver
00:03:36You said you'd left it
00:03:38I don't like this idiot, give it to me
00:03:46I'll leave it laced
00:03:48Take it out
00:03:50Whenever you want, you idiot
00:03:54I don't believe you, Mr. Bull
00:03:58Take it away, out of my sight
00:04:02I'll remember you, and you, Johnny
00:04:07Of course
00:04:08We'll meet again some day, somewhere
00:04:10Let me know
00:04:21The one who knows me is Lonnie Logan
00:04:23He's worse than a purge
00:04:25Him and his brother, both of them
00:04:29I've lost my nerves again
00:04:31Yes, but this time no one has died
00:04:34You're getting better
00:04:38What did those Russians want?
00:04:40Our horses
00:04:43I was going down to the village when they showed up
00:04:45They wanted to trade us
00:04:48And with very bad manners
00:04:50I'm glad you're back in the gold laundry
00:04:53Yes, I was right
00:04:58Look
00:05:01Pepitas
00:05:03From the grave we found there
00:05:05It's the biggest I've seen in my life
00:05:07Keep it and make sure the villagers don't see it
00:05:09I like to be in private up here
00:05:11Yes
00:05:12I'll keep these in our bank
00:05:14Yes
00:05:16Keep your eyes wide open during my absence
00:05:49Hey, Chino
00:05:54I've made a list of things for you
00:05:56I've got a list of everything
00:05:58Yes, but this one is special
00:06:04Candies?
00:06:06And jellies?
00:06:08Where am I going to get the jellies from?
00:06:10The other day the vendor told me that when he came back he would have jellies in a can
00:06:13Jellies in a can?
00:06:14Yes
00:06:15How do you put them in?
00:06:16I don't know
00:06:17Why don't you ask him?
00:06:20What's this?
00:06:22What's that?
00:06:23Cigarettes, custom-made
00:06:25They smoke them in the East
00:06:26Very elegant
00:06:29Besides, no one will see me from here
00:06:32All right, my friend
00:06:34When I buy these crap, I'll tell them they're for you
00:06:37Don't you put your seatbelt on?
00:06:40No, as soon as I put on my seatbelt, all the bandits in the region show up
00:06:43ready to challenge me
00:06:44I'm better off unarmed
00:06:46Don't mess with anyone
00:06:47Same here, watch the bank
00:07:17Here you go, ma'am
00:07:18Thank you
00:07:25What would you like, young man?
00:07:26I have a list
00:07:28Sit down for a moment
00:07:30I'm going to be late
00:07:31Please
00:07:32Put this on too
00:07:36Do you have what it says here?
00:07:38Jellies in a can?
00:07:40It's the last thing that came out
00:07:42Drummer says they won't put everything in cans very soon
00:08:02Here you go
00:08:03Thank you
00:08:05You're a peasant, right?
00:08:07Yes
00:08:08What's your name, peasant?
00:08:10Bull
00:08:11Bull
00:08:12Bull
00:08:13Chino Bull
00:08:15And you?
00:08:17Logan, Harvey Logan
00:08:19I play Black Jack in the Peña Union
00:08:22And I talk too much
00:08:24Do you have a brother named Lonnie?
00:08:26Yes
00:08:27I don't like him either
00:08:41Good
00:08:47Good
00:08:58What's going on?
00:08:59Sam Harris is drunk
00:09:01Marshal Simpson and I went to stop him
00:09:03And he killed Marshal
00:09:05Any volunteers to help Harris?
00:09:07I don't
00:09:09Don't be so brave
00:09:11It's not my business
00:09:13If it was, I'd go in and drag him out
00:09:34Now it's become your business
00:09:37Yes, it seems so
00:09:39Do I have permission?
00:09:40By virtue of the power vested in me as mayor of this community
00:09:43I appoint you temporary assistant to Marshal
00:09:46And I hope you know what you're doing
00:10:07Excuse me
00:10:22Are you the idiot who's shooting at the people?
00:10:25Because if you are, go out and shoot yourself
00:10:28What are you looking at?
00:10:30Excuse me, I've never seen a lady smoke
00:10:37Excuse me
00:11:07Excuse me
00:11:34Is he dead?
00:11:35No, I hit him with a bottle
00:11:37You're very brave
00:11:39I'd like to shake your hand, sir
00:11:41He's very Chinese, mayor
00:11:43More reason to shake your hand
00:11:45Thank you
00:11:46Marshal is dead, and if you're looking for a job...
00:11:48No, thank you
00:11:49It's over with Marshal
00:11:50I've had enough of this
00:11:53It seems so
00:11:54Yes
00:11:55I've lost my mind
00:11:56The job is still up
00:11:58300 a month
00:12:00I've heard it's good for the people
00:12:02But I have other business, thank you
00:12:05He's locked up
00:13:06Well done
00:13:22The office is closed
00:13:28Yes
00:13:30It's Marshal's job
00:13:32He's still free
00:13:33Why did he change his mind?
00:13:35He killed my partner.
00:13:37I'm sorry to hear that.
00:13:39Where can I find Lonnie Logan?
00:13:41I don't know.
00:13:43He's not like his brother.
00:13:45He doesn't move. He distributes cards in the union.
00:13:47Lonnie is like a coyote.
00:13:49One day here, the next day there.
00:13:51But he always comes back to Powder River.
00:13:53I'll wait for him.
00:13:55It may take a while.
00:13:56I have plenty of time. I'll wait.
00:13:58No one has been able to prove anything against him.
00:14:00No one will have to.
00:14:03Well, the people will sigh in relief.
00:14:06However, I warn you.
00:14:08Kill him legally or simply kill him.
00:14:11Harvey will not stand it. They are very united.
00:14:13Take my word.
00:14:15It's a pleasure.
00:14:17Raise your right hand.
00:14:19In virtue of the power that I have been invested...
00:14:33INAUGURATION NEXT WEEK
00:14:36SALON PALACE
00:14:38HARVEY LOGAN OWNS
00:14:51Smoking.
00:14:53Does your husband like it?
00:14:58A little competition doesn't hurt anyone, Frenchie.
00:15:00The town is getting bigger and bigger.
00:15:02Yes.
00:15:04But one of my distributors is inaugurating his own place.
00:15:07Where will he get the money from?
00:15:09That's a matter for Harvey and you.
00:15:12Of course.
00:15:30INAUGURATION NEXT WEEK
00:15:35Are you protecting us, Marshal?
00:15:37Yes.
00:15:38There's a lot of work to be done here.
00:15:40You won't get much sleep.
00:15:42I don't need it.
00:15:56Now I understand.
00:15:58Why did you change your mind?
00:16:00I want to live closer to the melocotones in the city.
00:16:03A toast to my place, Marshal.
00:16:05It's the first time I'm in a business.
00:16:08From now on, this will be your bottle.
00:16:10Don't ever empty it.
00:16:13You're investing a lot of money.
00:16:15Yes.
00:16:18Did you save it working at the Beauty Union?
00:16:21Yes, it's savings.
00:16:23I'm still working there until next week.
00:16:25Let's go, Beverly.
00:16:27I've heard comments about the Logan brothers.
00:16:30Were they referring to you and your brother, Lonnie?
00:16:32Yes. Who makes comments about the Logan brothers?
00:16:35What does your brother do? Is he in your business?
00:16:38Lonnie travels. He doesn't like cities.
00:16:40Then he won't see you much.
00:16:42He's coming to see me.
00:16:44Let me know when he comes. I'd like to meet him.
00:16:47Why?
00:16:48Meeting him is part of my job.
00:16:51I'll let you know.
00:17:05What's up, Marshal? Frenchie wants to see you.
00:17:08Who's Frenchie?
00:17:10Beauty Union.
00:17:12She said you'd invite me if I came to see her.
00:17:16That's not true.
00:17:18I bet she's already invited you twice.
00:17:28Good morning, Marshal.
00:17:30Good morning.
00:17:32Oh, Speedy. I know you.
00:17:35Yes, it's me.
00:17:37The new corset.
00:17:39I was trying on my new corset yesterday.
00:17:42Well, Marshal, you know a lot about me.
00:17:45I'd like to get to know you.
00:17:48I'd like to get to know you.
00:17:51I'd like to get to know you.
00:17:54I'd like to get to know you.
00:17:59Here.
00:18:00Drink up.
00:18:01From now on, this bottle is yours.
00:18:03Everyone's so generous this morning.
00:18:05It's early.
00:18:07Early in the day, or early for our friendship?
00:18:11Simply early.
00:18:13It's nice to see an attractive face on that plaque.
00:18:17The last Marshal?
00:18:19He was so handsome.
00:18:21I'm glad he thinks my face is better.
00:18:23That's right.
00:18:24Keep it up.
00:18:25Life is hard in a town like this.
00:18:28You know, today Marshal, tomorrow corpse.
00:18:32Of course, you can live longer if you get to know the right people.
00:18:38And those right people are Harvey Logan and his brother?
00:18:42His brother is a cheap whore.
00:18:44But Harvey...
00:18:46Harvey is the best postman.
00:18:48He's going to inaugurate his own place.
00:18:51You'd better keep an eye on him.
00:18:53There will be traps at his tables.
00:18:55Then it won't last long.
00:18:57And I mean all the tables in town.
00:18:59Mine too?
00:19:01I'd go to jail.
00:19:03Don't blink.
00:19:08I had a deal with the previous Marshal.
00:19:11The usual.
00:19:12A few dollars here and there for small favors.
00:19:15And his private bottle.
00:19:18I'm a business woman.
00:19:20What do you know about this town?
00:19:22I'm learning.
00:19:24Have you learned anything about Mitch Harvey?
00:19:27No.
00:19:28The Logan brothers are dangerous, but Mitch...
00:19:31He's fast with the revolver.
00:19:33The best.
00:19:35And he's my...
00:19:37protector.
00:19:40That's good luck.
00:19:43Good luck.
00:19:47Let's go.
00:19:48I'll follow you.
00:19:52Give me the dice.
00:19:54Let's go again.
00:19:57Five and two.
00:20:00No, seven.
00:20:04I'm on a roll.
00:20:06You're going nine times.
00:20:08This time, six and five.
00:20:10I'm on a roll.
00:20:12I'm on a roll.
00:20:14I'm on a roll.
00:20:16Six and five.
00:20:18Six and five.
00:20:20I'm on a roll.
00:20:22I'm on a roll.
00:20:24Give me the dice.
00:20:26Here you are.
00:20:28Mademoiselle in person.
00:20:30Maybe a lady will change his mind.
00:20:32Three more rolls and I'll stay with the local.
00:20:40Two sixes.
00:20:42Double your bets.
00:20:44The lucky man is still rolling.
00:20:46Stop.
00:20:48This is for fun.
00:20:50Let's go.
00:20:56Bank.
00:20:57Roll again.
00:20:59What's going on here?
00:21:01One moment.
00:21:09Who's going to pay that beer?
00:21:11Those dice can pay for everything.
00:21:13Let's go.
00:21:14Where to?
00:21:15To the dungeon.
00:21:17You can't put me in jail.
00:21:19No?
00:21:20No, if you want to live.
00:21:22You forget Miss Harding, Marcel.
00:21:25Yes, I know.
00:21:26You're her guardian and you don't like to be mistreated.
00:21:28That's it.
00:21:30Do you have any complaints, sir?
00:21:31I'm not afraid of Harding.
00:21:33I'll tell him.
00:21:35As for you, you can turn around and get out of here.
00:21:39Miss Harding, no, no.
00:21:40These dice are tricked.
00:21:42You're coming with me.
00:21:46Let me go.
00:21:51Miss.
00:21:52Miss Harding.
00:21:55Here, darling, here.
00:22:10Hello, Mitch.
00:22:11It's been a long time.
00:22:12Tell me who Marcel is.
00:22:14It was a misunderstanding, Mitch.
00:22:15Believe me, we'll fix it.
00:22:16I told you to tell me who Marcel is.
00:22:18That tall guy at the dice table.
00:22:21His name is Poole.
00:22:35You.
00:22:36You, the one with the badge.
00:22:38They tell me your name is Bull.
00:22:40Bull who?
00:22:43Call me sir.
00:22:44I'm Miss Harding and I don't call anyone sir.
00:22:48They say it's very fast with the revolver.
00:22:51When do I have it?
00:22:53And now I don't have any.
00:22:54Get one.
00:22:56Immediately.
00:22:57If that's the case, here's Marcel.
00:23:00Take mine.
00:23:02Who are you betting on, Harvey?
00:23:04I don't care.
00:23:05One or the other.
00:23:06Come on, hurry up.
00:23:19Leave the village.
00:23:29If that happens to you often, control your temper.
00:23:34It's over.
00:23:37Let's have a drink, Mr. Bull.
00:23:40It will be a pleasure, Mr. Harding.
00:23:43If you want to answer your prayers, Harvey,
00:23:45you'd better go to church.
00:23:47I'll see you at the parish school.
00:23:49Come on, friends.
00:23:50Let's play.
00:23:55Whiskey?
00:23:56Good.
00:23:58You have a very nice belt.
00:24:00From the Indies?
00:24:01Yes.
00:24:02It was from a friend of mine.
00:24:04A gunman.
00:24:05He gave it to me when he was dying.
00:24:07My friend had the idea that the ornaments would protect his belly.
00:24:11Thank you, Mitch.
00:24:13He was wrong.
00:24:15Who killed him?
00:24:16Me.
00:24:21Where is Frenchy?
00:24:23She's a woman.
00:24:24I've cycled 40 miles to see her.
00:24:27Your witness has just left the village.
00:24:29I'm going to let her out.
00:24:31On one condition.
00:24:32What condition?
00:24:34That you protect me.
00:24:41Save me the ride.
00:24:43Go to the dungeon and let Miss Dumont out.
00:24:46Cell 8.
00:24:47Cell 8.
00:24:48Yes, sir.
00:24:49And then lock yourself up inside tonight.
00:24:51Lock me up inside.
00:24:52Yes, sir.
00:24:53You're a good man, Marshal.
00:24:55We'll get along.
00:24:56Without further ado.
00:24:58I must keep the order.
00:25:00Even if it's a gunfight?
00:25:02That's right.
00:25:05They say he's good.
00:25:07I am too.
00:25:09Maybe better.
00:25:10Maybe.
00:25:12He seems fast.
00:25:13He is.
00:25:14I've seen many kinds of them.
00:25:16Pistol guns,
00:25:18arm guns,
00:25:19crossbows, individual ones.
00:25:21But I've only heard of the knee guns.
00:25:24He seems fast.
00:25:25He is.
00:25:26The fastest I've seen was a revolver.
00:25:29A revolver?
00:25:30One with a gun on a revolving plate.
00:25:33He'd push the stock down and shoot.
00:25:35Very fast.
00:25:37As fast as this?
00:25:41More.
00:25:43He saved my life.
00:25:45I can do it.
00:25:46I can do it too.
00:25:48Aren't you nervous?
00:25:50You'd make me ride the Percutor.
00:25:53You're a good man.
00:25:55A good man.
00:25:56We'd better be friends.
00:25:58Or would you like to take your revolver?
00:26:01It's on a hook in my office.
00:26:03I'll leave it there.
00:26:05What if you need it?
00:26:08You can always borrow one.
00:26:29How stupid.
00:26:31You have a very intelligent air around you.
00:26:35Jerk.
00:26:37The Great Waltz.
00:26:39Imminent performance.
00:26:41A manipulator who defies gravity.
00:26:59Miss.
00:27:02Are you the actor from Chicago?
00:27:05The Great Waltz?
00:27:07At your service, ma'am.
00:27:14You've got a lot of money, Frenchie.
00:27:18I hope you're a good actor.
00:27:20We had to bury him.
00:27:22Why?
00:27:23Because he was dead.
00:27:25Let's go.
00:27:29Here she is.
00:27:30Do you know where Dr. Harding lives?
00:27:32Dr. Harding?
00:27:33Michelle Harding.
00:27:34Marcia.
00:27:35Yes.
00:27:36This lady is looking for Miss Harding.
00:27:38She lives here in the hotel.
00:27:40Your luggage?
00:27:41Yes.
00:27:42I'll get it.
00:27:45Mac.
00:27:47Mac.
00:27:49There's no one here.
00:27:51Let's see if we can find him a good room.
00:27:54Let's see.
00:27:56207.
00:27:58The best room.
00:28:00Go upstairs.
00:28:01I'll write it down.
00:28:03It's at the end of the stairs.
00:28:07207.
00:28:08The best room.
00:28:10Go upstairs.
00:28:11I'll write it down.
00:28:12It's at the end of the stairs.
00:28:15I'm Deborah Allen.
00:28:17Where are you from?
00:28:18New Haven, Connecticut.
00:28:20Can you tell me where Dr. Harding lives?
00:28:23Yes, ma'am.
00:28:37Pretty girl.
00:28:38You should know.
00:28:39I told her the room was 207.
00:28:41Perfectly.
00:28:42Which room is Miss Harding in?
00:28:44Why do you want to know?
00:28:45Who told you it was her?
00:28:47In that case, it's 210.
00:28:51Leave them there.
00:28:53Very well.
00:28:59I advise you to lock the door at night.
00:29:01It gets a little noisy in the street.
00:29:03What do I have to do to take a shower?
00:29:05If you scream for a bathtub, I'll scream for you.
00:29:08That's very kind of you.
00:29:09Thank you, Marshall.
00:29:10You're welcome.
00:29:11The room number you wanted to know is 210.
00:29:14If you happen to see Dr. Harding, don't tell him I'm here.
00:29:18Do you want to surprise him?
00:29:20Go ahead.
00:29:23Hey!
00:29:24Who's that for?
00:29:26For the actor.
00:29:27Let him wait.
00:29:48Knock on the door.
00:30:18You're welcome.
00:30:36What are you doing here?
00:30:42Debbie...
00:30:45Hello, Mitch.
00:30:47I've come to take you home.
00:30:49It's been a year.
00:30:51More.
00:30:53How have you found me?
00:30:56You're quite famous.
00:30:59It's been easy for you.
00:31:01Very well.
00:31:02You know where I am.
00:31:04And what I am is enough.
00:31:06The agency travels in both directions.
00:31:08Do you want me to leave?
00:31:10That's the message I'm sending you.
00:31:12Go home.
00:31:13No.
00:31:14Not without you.
00:31:16You're coming back with me.
00:31:18Look at me, Debbie.
00:31:19Who am I?
00:31:20Dr. Mitchell Harding.
00:31:22The man I'm going to marry.
00:31:24No, I'm not a doctor anymore.
00:31:26Ever since I had the bad habit of losing consciousness after opening up to a patient.
00:31:31No, I'm not going to marry you.
00:31:33I've found out why I fainted.
00:31:35Do you know what a brain tumor is?
00:31:37I have a railroad in my head.
00:31:39And it's more devastating every day.
00:31:41But you're a doctor.
00:31:42You've saved the lives of other men.
00:31:44There are men who can save yours.
00:31:46The same Debbie who still believes in Santa Claus.
00:31:49In a few months, the medical students will be practicing with my body.
00:31:54I have no intention of becoming a married corpse.
00:31:57Don't forget what I told you.
00:31:58It's my farewell gift.
00:32:00I won't come back without you, Mitch.
00:32:02Yes, you will.
00:32:04I've learned to be unpleasant.
00:32:06I don't care if others like it or not.
00:32:09I don't care.
00:32:10You're not ready to bear my deeds.
00:32:13Ask anyone in town for me.
00:32:16Ask her.
00:32:18She knows a lot about me.
00:32:20More than you.
00:32:21What do you think, Frenchie?
00:32:23Have you noticed any sweetness in my character lately?
00:32:25An inclination towards mercy?
00:32:27Who is that little doll?
00:32:30The good old Frenchie.
00:32:32No false feelings.
00:32:33Directly to the point.
00:32:34That's what I like about you.
00:32:36Who are you, Debbie?
00:32:37She wants to know.
00:32:42No false feelings.
00:32:44Directly to the point.
00:32:45Do you think I'm an insensitive wood?
00:32:48Do you think I've been making love to you all this time?
00:32:51Without thinking about a wedding?
00:32:53That's enough, Frenchie.
00:32:54Shut up.
00:32:59Mitch.
00:33:00Oh, Mitch.
00:33:01My love.
00:33:03When does the first shift start?
00:33:06Tomorrow morning.
00:33:07I want a ticket.
00:33:08You just got here, didn't you?
00:33:10Then why...
00:33:12Sorry, it's none of my business.
00:33:14My name is Deborah Allen.
00:33:16Yes, miss.
00:33:17I like to sit in the direction of the march.
00:33:21And you will, miss.
00:33:23The shift starts at six.
00:33:33The hotel is over there, Miss Allen.
00:33:35That is, if you have a reason to go.
00:33:37If not, maybe...
00:33:38Maybe what?
00:33:39I don't have the opportunity to talk to many women.
00:33:42I'm shy with them.
00:33:44My father always told me to talk to women.
00:33:46That would overcome my shyness.
00:33:48Until now...
00:33:49I haven't done it.
00:33:50I'm going to the Oskrig mine.
00:33:52The field is very beautiful.
00:33:54Much more than the hotel wallpaper.
00:33:57We could talk.
00:33:59We could talk.
00:34:01And so I would also practice a little.
00:34:04I'm not in the mood to talk.
00:34:06I'll just look at you.
00:34:08My father said it was also a good practice.
00:34:29Can you tell me the name of those flowers?
00:34:53They look like azaleas.
00:34:55Azaleas?
00:34:56I had no idea.
00:34:58Shall we take some?
00:35:24I miss my home.
00:35:26Who are they for?
00:35:27A person I know.
00:35:28Is she pretty?
00:35:30What's her name?
00:35:32I grew up next to her.
00:35:34She liked these flowers a lot.
00:35:36Azaleas.
00:35:38She also got nostalgic.
00:35:40A strange thing, because neither of us had a home.
00:35:44We spent our lives wandering from here to there.
00:35:56How did he die?
00:35:58They killed him.
00:36:00In an ambush.
00:36:02He couldn't defend himself.
00:36:05He liked azaleas a lot.
00:36:07He waited for them every year.
00:36:10Although he didn't know what they were called.
00:36:12Maybe now he does.
00:36:33This is beautiful.
00:36:35There are many places like this.
00:36:37I should stay a few days to see the surroundings.
00:36:42You must be wondering why I'm leaving so soon.
00:36:45I don't ask questions, Miss Allen.
00:36:47If you want me to know something, I imagine you'll tell me.
00:36:51Why are you leaving?
00:36:54Mitch wants me to leave.
00:36:56He's reasonable.
00:36:57He's very sick.
00:36:59How do you know?
00:37:00He fainted on an occasion when I was present.
00:37:06We were going to get married.
00:37:08But he got sick and disappeared.
00:37:11I came here to take him home.
00:37:14But...
00:37:16He's very sick.
00:37:18He wants me to leave.
00:37:20And I'm leaving.
00:37:22It's logical, but tell me.
00:37:23What is the real reason?
00:37:26Frenchie.
00:37:29It's getting late.
00:37:32Yes.
00:37:33It's getting late.
00:37:56Thank you for coming with me.
00:37:58I hope it's not a bad idea to leave.
00:38:00Don't ask me.
00:38:02Goodbye and thank you.
00:38:04Goodbye.
00:38:11300,000 dollars in gold bars.
00:38:13I'm worried about my safe.
00:38:15I have to send them out.
00:38:16Mr. Purdy from the Holmstedt mine is going to send gold.
00:38:20Bring the gold bars on Monday morning.
00:38:22It will be convenient to escort.
00:38:23I'll send Chino.
00:38:25Why don't you save the boys the trouble of robbing the bank?
00:38:28Put the gold in plain sight and tell them to come get it.
00:38:30Escorting is a very clear message.
00:38:33Are you afraid to risk your neck?
00:38:35Maybe.
00:38:36Gold is easy to find.
00:38:37Necks are more scarce.
00:38:39I know someone who should be hanged.
00:38:41Chino.
00:38:42Lonnie Logan has returned.
00:38:44Lonnie.
00:38:45Mr. Purdy saw him when he came from the mine.
00:38:47It will be difficult for us if he finds out about this.
00:38:50Loverick, when are we going to respect the law?
00:38:53This town will not prosper until our investments are not protected.
00:38:57Don't worry, it will be protected.
00:38:58Where is Lonnie now?
00:38:59He's always camping on the outskirts of town.
00:39:02It would be a suicide to go looking for him.
00:39:04I'll have him come to me.
00:39:07I had a case like this in Cheyenne.
00:39:09We used a bait.
00:39:11The leadership was escorted out.
00:39:13The real shipment left three hours later.
00:39:16Tomorrow morning I'll go up to his mine.
00:39:18Have some boxes ready, filled with sand or gravel, but they have to look authentic.
00:39:22Tomorrow? But it's Sunday.
00:39:24That's why. The leadership never goes out on Sunday.
00:39:26And it will look like a special job.
00:39:28We'll keep watch on Sunday.
00:39:30His women will scream in heaven.
00:39:32Peck's wife, Hendrick, no.
00:39:33They hate Logan.
00:39:34What are you going to do to make Lonnie find out?
00:39:36He doesn't have much time.
00:39:38No, but I have an idea.
00:39:39Harvey works very fast.
00:39:41Ah, one more thing.
00:39:43No passengers.
00:39:44Cancel Miss Allen's request.
00:39:47How's that going?
00:39:59Look.
00:40:01With a dollar of silver, you pay a drink at Frenchie's.
00:40:04But you need almost two at Harvey's.
00:40:07You know what?
00:40:09I'll give a dollar to anyone who forgets they saw me talk to Mr. Purdy at the office.
00:40:16You know how people talk.
00:40:18Mr. Purdy, the Homestead mine, a big gold shipment.
00:40:22No, I haven't seen anything.
00:40:24Great.
00:40:25So when you go to Harvey's, don't say a word about a big gold shipment tomorrow morning.
00:40:30Not even if he gives you another dollar.
00:40:33That Harvey would only pay for having something to gossip about.
00:40:36No, I wouldn't say anything to anyone.
00:40:38I'm sure.
00:40:39So forget everything and go get a drink.
00:40:43Gracias, Marshal.
00:41:14I can't find that actor.
00:41:18What actor?
00:41:19The one I hired.
00:41:21He was supposed to be entertaining my clients.
00:41:23Well, have a drink.
00:41:25The brandy will fix everything.
00:41:28How do you feel?
00:41:29Alive.
00:41:30That's good.
00:41:31Feeling alive?
00:41:32Not feeling anything at all.
00:41:34That's good.
00:41:35Mitch, what am I going to do with you?
00:41:38Who wants you to do anything?
00:41:40If you left me alone, I'd appreciate it.
00:41:42Where's the actor?
00:41:43He's late.
00:41:44I sent the guys to look for him.
00:41:49The brandy won't fix anything.
00:41:51It makes you even worse.
00:41:53Yes, like a scorpion.
00:41:56The brandy and the young girls from Connecticut.
00:41:59Shut up.
00:42:01The damage you don't want to do to her, you do to me.
00:42:03Shut up.
00:42:08I know one thing.
00:42:10What do you know?
00:42:12It's worth a dollar.
00:42:14Okay.
00:42:16Tomorrow there will be a big shipment of gold from the Holmstein mine.
00:42:19So what?
00:42:20Marshal is going to escort him.
00:42:22So what?
00:42:24That Harvey Logan has found out and warned Lonnie.
00:42:28I haven't told him.
00:42:30And then Marshal will be shot.
00:42:32That's what they pay him for anyway.
00:42:34He's a good man.
00:42:36Not so much.
00:42:38It's time to change.
00:42:40My dollar.
00:42:42Go tell the bartender to serve you a drink.
00:42:47I don't like your new friend, Marshal.
00:42:51I'll never like him.
00:42:52Why?
00:42:53Why does he always make fun of you?
00:42:55Of me?
00:42:56Of me?
00:42:57You should take my actor's place.
00:43:00You're funnier.
00:43:02Where was your friend going all day in his carriage?
00:43:06And who was with him, smiling and enjoying himself?
00:43:11The pure and sweet lady from the East?
00:43:15When she's with you, she cries.
00:43:17But when she's with him...
00:43:22Marshal is winning.
00:43:25That's exactly what I was telling Mr. Harvey.
00:43:31At least.
00:43:35Good evening, Miss Dumont.
00:43:37Good evening.
00:43:39I'm going.
00:43:40I see him, and I know.
00:43:44I'm not going.
00:43:47So you don't force your sight.
00:43:49A very boring hand.
00:43:51Harvey Logan has kidnapped your actor.
00:43:53What do you mean?
00:43:54He took him.
00:43:57My actor was taken by Harvey Logan.
00:43:59What are you going to do about it?
00:44:02I'll talk to him.
00:44:03No more talking, no more shooting.
00:44:05This time, take a gun.
00:44:10No, thank you.
00:44:11This gossip is dangerous.
00:44:17Put this away.
00:44:18Yes, sir.
00:44:19Where are you going, Mr. Poole?
00:44:21I'm going to talk to Harvey Logan.
00:44:23May I go with you?
00:44:25Nothing I like more than a pleasant conversation.
00:44:41I haven't always been so good.
00:44:46How much do you pay this clown?
00:44:48Nothing.
00:44:49Too much.
00:44:52No.
00:44:56This one is easier.
00:44:59This one is a little more difficult.
00:45:04This one is very difficult.
00:45:06What you have to worry about is this one.
00:45:08It should fall in the other eye.
00:45:10In the good one.
00:45:20I'm going.
00:45:32Do you work here?
00:45:34He prefers to work for me.
00:45:36Ask him.
00:45:37You're in the wrong place, sir.
00:45:39I'm in the wrong hemisphere.
00:45:41Get off.
00:45:42We're going over there.
00:45:43Come back here.
00:45:44You're not worth much, but it's all we have.
00:45:46Get back.
00:45:47You're in the wrong place.
00:45:50I was waiting for you.
00:45:56The drum doesn't turn.
00:45:57That's why you can't shoot.
00:45:59Don't forget that.
00:46:06Harvey!
00:46:10Anyone else?
00:46:16No one else?
00:46:19Great inauguration.
00:46:21Free beer.
00:46:22Harvey Logan.
00:46:23No, miss.
00:46:24There may be many more shots.
00:46:25Mitch Harden is facing Harvey Logan's gang.
00:46:28Come on, Mitch.
00:46:31Put your gun away.
00:46:32Why?
00:46:33They've been looking for it.
00:46:35Mitch.
00:46:36Brandy.
00:46:47Don't miss it.
00:46:50Come upstairs, Mitch.
00:46:51I've already been upstairs.
00:46:52Go take care of your clients.
00:46:58I've been told that if you drink a lot of that,
00:47:00Mrs. Belquadro will start moving.
00:47:02Yes, I'll find out tonight.
00:47:05Thanks for helping me out, Mitch.
00:47:07You're welcome.
00:47:09It's a shame that Logan didn't die.
00:47:12I don't know how he managed to stay alive.
00:47:15Because I don't go around unarmed.
00:47:17And because I don't care.
00:47:18And above all, because I take care of my business.
00:47:21Don't give me that.
00:47:22You have no reason to do it.
00:47:23Where did he go?
00:47:24This afternoon.
00:47:25With his carriage.
00:47:27With what?
00:47:28That's it.
00:47:29First he tells you to leave.
00:47:31And then he's willing to challenge whoever talks to her.
00:47:33We've talked about you.
00:47:35You talk a lot, don't you?
00:47:37She loves you, Mitch.
00:47:39Why? I don't know.
00:47:40But that's the way it is.
00:47:42What are you going to do with her?
00:47:43Nothing.
00:47:44Nothing at all.
00:47:46And as for you, Mr. Bull,
00:47:48stay out of my life.
00:47:51In my opinion, it's worth saving her.
00:47:53I don't agree with you.
00:48:00No.
00:48:03There's nothing more to do with a man like me.
00:48:06This.
00:48:09Mitch!
00:48:10What did you do to him?
00:48:11I hit him.
00:48:12You didn't have to.
00:48:13He was looking for a fight and he won't find it.
00:48:15Let the monkey sleep.
00:48:30Mitch!
00:48:50Mitch!
00:48:53Major!
00:48:57Mitch!
00:49:08Here!
00:49:22The driver told me he was here.
00:49:24And that there are no passengers on this trip.
00:49:26And what did you say?
00:49:27I said, well.
00:49:29It's a special job, there's a certain danger.
00:49:31I don't care about the danger.
00:49:32On the contrary, I like it.
00:49:34He gave me a good night's sleep.
00:49:37When I get drunk, you'll be able to take revenge.
00:49:39I can't wait.
00:49:42I'm going to take revenge right now.
00:49:45Very well.
00:49:46But why?
00:49:47Isn't it because I hit you?
00:49:49Lovery told me he convinced Debbie to stay.
00:49:52He liked it.
00:49:53But I'm not laughing.
00:49:56Mitch.
00:49:57You've been pretending to be a murderer for so long.
00:50:00Don't worry about the cigarette.
00:50:01He's not going to smoke it.
00:50:03I think so.
00:50:05I don't have a six-shot.
00:50:07And you'd be ridiculous trying to get it out sitting down.
00:50:11Especially with this on your chest.
00:50:14Let's try it.
00:50:16Very well.
00:50:17Let's do one thing.
00:50:18Take out your revolver.
00:50:19But don't hammer it.
00:50:20I get nervous when you do.
00:50:23And now what?
00:50:24Now we count to five and shoot.
00:50:27You tell me.
00:50:28It'll be a murder.
00:50:29That's what you wanted, right?
00:50:30Tell me.
00:50:32One.
00:50:33Two.
00:50:34Three.
00:50:36Four.
00:50:38Five.
00:50:42It's not loaded.
00:50:45No.
00:50:47You knew.
00:50:49Yes.
00:50:50And that you weren't going to shoot me.
00:50:53You wanted me to shoot you.
00:50:56No, thank you.
00:50:57If you want to die, kill yourself.
00:51:04Don't aim for me.
00:51:35Hello, Pike.
00:51:36Are you ready to hunt a bear?
00:51:38I'm ready for Logan.
00:51:40Very well.
00:51:41Take out those boxes.
00:51:42Put them in the car.
00:51:43This one inside and the other one upstairs.
00:51:45Don't give him the good ones, my friend.
00:51:47Come on, guys.
00:51:48Let's go.
00:52:04Hoy.
00:52:22¿Sabes qué es domingo, muchachos?
00:52:24¿Sí?
00:52:25Es que vamos a la iglesia.
00:52:26Arre.
00:52:27Buenos días.
00:52:28Good day to you.
00:52:45Come on, everyone aboard.
00:52:50Come on, get on, son.
00:52:55Here, help me.
00:52:58Come on.
00:53:14Come on, pull.
00:53:19You heard him. Pull.
00:53:24But be careful and slow.
00:53:28You always do.
00:53:34Go with him, Will.
00:53:58Come on.
00:54:28Come on.
00:54:53Cover me. I'll cut the bow of the boat.
00:54:58Come on.
00:55:18Go get it.
00:55:21Come on.
00:55:28Come on.
00:55:39Stop the fire.
00:55:41Bring the horses.
00:55:50Keep an eye on Pyte.
00:55:58Keep an eye on Pyte.
00:56:28Keep an eye on Pyte.
00:56:32Keep an eye on Pyte.
00:56:44Are you hurt?
00:56:46Don't worry, I'm fine.
00:56:49Those fast ones are going to cut us to pieces.
00:56:51We have to get to the shore.
00:56:54Give me that shovel.
00:57:07We don't have the gold yet.
00:57:09We'll have to fish a little when the diligence breaks in the fast ones.
00:57:19Go ahead, I'll throw it to you.
00:57:24They're leaving the boat.
00:57:29Throw it, Mitch.
00:57:34Mitch, throw it.
00:57:53Throw it.
00:57:55They got it.
00:57:57Let's get out of here.
00:58:25The diligence has returned.
00:58:45Tell the doctor.
00:58:47He's in Whitaker and he won't be back until the day after tomorrow.
00:58:50It doesn't matter. He's dead.
00:58:52He died on the way.
00:58:56Is that for Mr. Harding?
00:58:58Yes, Miss.
00:59:00He shouldn't drink, you know that.
00:59:02Yes, Miss, I know.
00:59:04But anyone can tell him.
00:59:06Let me tell him.
00:59:08Yes, Miss.
00:59:14Go ahead.
00:59:16Leave it there.
00:59:18Then go down to the farm and get my horse ready.
00:59:20As soon as I'm better, I'll leave town.
00:59:23As soon as I'm better, you'll leave town.
00:59:25Isn't that right?
00:59:27You're running out of my patience.
00:59:29Why don't you leave me alone?
00:59:31All I want is to die in peace and no one will cooperate with me.
00:59:34You're a good doctor, Mitch.
00:59:36You need faith in yourself.
00:59:38Faith and a wedding ring.
00:59:40Forget about me. I don't care.
00:59:42I didn't stay for me, I stayed for you.
00:59:44What I want is to help you.
00:59:46So you can believe in yourself again.
00:59:48You talk just like a Marshal.
00:59:50He's also your friend, Mitch.
00:59:52Yes, Debbie.
00:59:54He's really my friend.
00:59:56I'll tell you something.
00:59:58Do you know why Mr. Bull took Marshal's position?
01:00:00Someone killed his partner.
01:00:02His comrade.
01:00:04A man named Johnny Slater.
01:00:06I've heard about him.
01:00:08He liked to gamble.
01:00:10I didn't know.
01:00:12What I do know is who killed him.
01:00:14And he stole his gold.
01:00:16He was carrying it in a leather bag.
01:00:19Have you ever seen a bag like that?
01:00:22That's right.
01:00:24It was me.
01:00:26I killed Johnny Slater.
01:00:30Why don't you tell Marshal?
01:00:34He'll kill you if he finds out.
01:00:38Yes.
01:00:40I was going to tell him.
01:00:42But we became friends.
01:00:44He was my friend.
01:00:46And I don't like to lose friends.
01:00:50Why did you kill Johnny?
01:00:52It was an accident.
01:00:54I approached his camp and he saw me coming.
01:00:56He probably mistook me for someone else.
01:00:58He shot me.
01:01:00But you stole it.
01:01:02Yes, I stole it.
01:01:04After I died.
01:01:06I stole it.
01:01:08Because I cared.
01:01:10That's all, Miss Allen.
01:01:12What are you going to do, Miss Allen?
01:01:16I'm going to tell them to prepare your horse.
01:01:18So you can leave.
01:01:38You can't put a man in jail for what his brother did.
01:01:40Who says I can't?
01:01:42Does anyone say I can't?
01:01:44I know my rights.
01:01:46Write a letter to the president.
01:01:48And while we wait for the answer, he'll be at ease in jail.
01:01:50They say she's very welcoming.
01:01:52Or maybe she prefers to wait for Kendrick's friends to decide what knot to make on that rope.
01:02:04I'll go with you.
01:02:06Step aside.
01:02:14If any of you go looking for Belloni,
01:02:16who's carrying a shovel,
01:02:18he's digging graves.
01:02:20Tell him the ground is softer here in town.
01:02:28Is he in cahoots with Lonnie?
01:02:30If he is, he'll try to get him out of jail.
01:02:32Why wait?
01:02:34It's Lonnie he's after.
01:02:36We're not that smart.
01:02:38If you want emotions, get ready to help.
01:02:40When Lonnie finds out that Harvey is in jail,
01:02:42there will be emotion for everyone.
01:02:44I guarantee it.
01:02:46Mayor, take three or four men and take care of him.
01:02:48You, you and you.
01:02:58This is going to get ugly.
01:03:00Mr. Harding wants his horse.
01:03:02He's leaving right now.
01:03:04Yes, miss, I'll show him.
01:03:08Hey, Jack.
01:03:10Mitch is leaving.
01:03:12So am I.
01:03:14As soon as they fix the boat,
01:03:16they told me it will be working on Wednesday.
01:03:18I'll talk to Mitch.
01:03:20Maybe he'll change his mind.
01:03:22No, it's too late for that.
01:03:24I want him to leave.
01:03:32Step aside.
01:03:34Marshal!
01:03:38I'm going to get the doctor.
01:03:40He's not in town.
01:03:42Mitch.
01:03:44Tell Mitch.
01:03:46He's a doctor.
01:03:48Get Mitch.
01:03:50Give me a hand, boys.
01:03:52Be careful.
01:04:04The bullet is three centimeters from the heart.
01:04:06We need a good doctor.
01:04:08She told me you're the one.
01:04:10I can't do anything.
01:04:12Are you going to let her die?
01:04:14I don't have any instruments or chloroform.
01:04:16We brought her everything from Dr. Palmer's office.
01:04:18Mitch, if you know what to do, do it.
01:04:20You'd enjoy seeing me kill her.
01:04:22Mitch.
01:04:26Please.
01:04:28Bring me a hand mirror.
01:04:30Something to sterilize.
01:04:32Whiskey.
01:04:34Bring me six bottles of whiskey.
01:04:36Good.
01:04:40That's it.
01:04:46Do you want to leave?
01:04:48I've seen blood before.
01:04:50If you want to help, stay.
01:04:52But if you're waiting for the knife to escape,
01:04:54get out of here.
01:04:56Whiskey.
01:05:00I'll stay.
01:05:08Down.
01:05:12More.
01:05:14There.
01:05:16Quietly.
01:05:26There.
01:05:34Chloroform.
01:05:38There it is.
01:05:40There's the bullet.
01:05:56There.
01:06:02Don't move, Debbie.
01:06:20Chinoo?
01:06:22She's in her office.
01:06:24She waited until she saw that she was saved.
01:06:26And I'm saved.
01:06:28Yes.
01:06:32I've done a good job, Debbie.
01:06:34As good as I did before.
01:06:36And I'm going back.
01:06:38Let's see if they can do something for me.
01:06:40I want to live.
01:06:42I have a reason to live.
01:06:44After all,
01:06:46we're going back together.
01:06:50You don't need me anymore.
01:06:54You don't need anyone.
01:06:56I'm staying.
01:06:58Yes.
01:07:06I'll tell her you're awake.
01:07:24Ten.
01:07:42Hello, Mitch.
01:07:44Good morning, Mitch.
01:07:46Hello.
01:07:48Any sign of Lonnie?
01:07:50Not yet.
01:07:52How's Debbie?
01:07:54Out of danger.
01:07:56I left instructions for Dr. Palmer at the hotel.
01:07:58Make sure she follows them.
01:08:00Are you going to bed?
01:08:02Yes.
01:08:04Would you like some coffee?
01:08:08Frenchie's packing up.
01:08:10Let's go.
01:08:18Attack!
01:08:40Harvey.
01:08:42Break the wall.
01:09:04Lonnie's waiting for Harvey at the end of the street.
01:09:06Good.
01:09:10Hey, Lonnie.
01:09:12Do you want Harvey?
01:09:14Come and get him.
01:09:40You're staying?
01:09:42No.
01:09:44I'll get another horse.
01:09:46Take mine.
01:09:48No, thank you.
01:09:50Don't argue.
01:09:54What do you have here?
01:09:56A gun?
01:09:58No, a tool.
01:10:00I'll take it.
01:10:02I'm not stupid.
01:10:04Is Frenchie coming with you?
01:10:06Yes.
01:10:08It's better for everyone.
01:10:10If I'm not here to protect you,
01:10:12Frenchie's very difficult to control.
01:10:14Yes, too much for me.
01:10:16There he is.
01:10:18Bluebell, with four legs.
01:10:20You'll like him.
01:10:22Nice horse.
01:10:24And a nice chair, too.
01:10:26Hey!
01:10:28It looks like a stray bullet
01:10:30made a hole in you.
01:10:32Ur?
01:10:38What?
01:10:40Nothing.
01:10:42It's just a bullet.
01:10:44A bullet.
01:10:46A bullet.
01:10:48A bullet.
01:10:50A bullet.
01:10:52A bullet.
01:10:54A bullet.
01:10:56A bullet.
01:10:58A bullet.
01:11:00A bullet.
01:11:02A bullet.
01:11:08Johnny shot first.
01:11:10I don't know why he shot me.
01:11:12And I instinctively killed him.
01:11:14Wait.
01:11:16Are you going to get your gun?
01:11:18Wait.
01:11:20Chino, things have changed.
01:11:22I'm sorry about Johnny.
01:11:24But I won't let you kill me.
01:11:26I want to live.
01:11:28And I'll kill you, too,
01:11:30if you get in my way.
01:11:32You'll have your chance.
01:11:34Chino, I'm faster than you.
01:11:38Let's go.
01:11:40Let's go.
01:12:06Buena suerte, amigo.
01:12:08Desenfunda.
01:12:12Te lo advertí.
01:12:14Soy más rápido que tú.
01:12:38Mitch.
01:12:44Mitch.
01:12:50Mitch.
01:12:52Mitch.
01:12:54Amor mío.
01:13:08¿Seguro que estás curada?
01:13:10Has estado muy poco tiempo en la cama.
01:13:12Mitch decía que el momento de levantarse
01:13:14es cuando tengas ganas de hacerlo.
01:13:16Oh-oh.
01:13:18Aquí estamos.
01:13:20Por fin nos vamos.
01:13:22Y Paul de River me olvidará
01:13:24al cabo de dos días.
01:13:26¿Por qué se va?
01:13:28Sigue siendo su pueblo.
01:13:30No tenía por qué vender la Bella Union.
01:13:32¿Mi pueblo?
01:13:34¿Con otro banco que abre las puertas?
01:13:36¿Con otro banco que abre la semana que viene?
01:13:38No, señor.
01:13:40Cuando un pueblo comienza a crecer
01:13:42y los hombres ahorran su dinero,
01:13:44ya no es lugar para mí.
01:13:46Adiós.
01:13:48Una cosa más.
01:13:50Es una tontería
01:13:52porque yo no soy una sentimental,
01:13:54sino una mujer de negocios.
01:13:56Pero la próxima vez
01:13:58que le lleven flores a Mitch,
01:14:00¿harían el favor de ponerle algunas de su parte?
01:14:02Se lo ruego.
01:14:04Adiós.
01:14:06¡Adelante, en marcha!