sturm der liebe 4112 dailymotion
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00:00I want to talk about how you fell in love with my girlfriend and how you lied to me.
00:08I can only apologize again. I'm sorry, okay?
00:14I thought I had my feelings under control.
00:17I actually wanted to break up with Julian.
00:22Because of Leander, because I still love him.
00:27But now I'm pregnant.
00:33With Julian.
00:34You have no idea.
00:36Well, what do you mean?
00:42You were so excited about the menu.
00:44You can try to change my mind.
00:46I'll give you the chance.
00:49And how?
00:53Spend the night with me.
00:57I love you.
01:27Through the rainbow-colored night.
01:33Stay.
01:37Why don't you stay?
01:41Stay.
01:45Why don't you stay?
01:50Stay.
01:53I have no idea what you're talking about.
01:56Huh? Say it.
01:59About me.
02:00About you. What do you want me to say?
02:04Leave me alone.
02:06Ah, so you've got a big mouth again.
02:08Okay, shut up.
02:09I'm not doing anything.
02:10I have no idea what you're talking about.
02:12You should stop arguing right now.
02:16I don't care.
02:18You're behaving like grown men.
02:21And you pay attention to what you say.
02:34Is this your cheap return ticket for back then?
02:37I can't believe it.
02:38It's just an offer.
02:40No.
02:41It's abuse.
02:42I thought we had settled everything and we're good together again.
02:45I thought so too.
02:46But you only used me.
02:48What?
02:49That's not true.
02:50You were nice to me as long as the stars were in the sky.
02:52And now?
02:53Bye Mario.
02:54Over and out.
02:55Just like back then.
02:56I just wanted to make it clear to you that you can't hope for anything anymore.
02:58Just like back then.
03:01You still haven't gotten over it?
03:04Are you still dragging this around with you?
03:06That I broke up with you back then?
03:07Mario!
03:13No, I...
03:16Seeing you...
03:18brings up a lot of things.
03:21I...
03:23I have a boyfriend.
03:25And I'm happy with him.
03:28Can he also decide about restaurant stars?
03:31Think about who you want to be with tonight.
03:34You think about whether you want to keep your job.
03:37Because you're going to lose it.
03:39Because of sexual need.
03:43Did I say a word about sex?
03:45Spending the night can mean a lot.
03:47But if you're keen on it...
03:48Enough of this crap.
03:50I'll report this.
03:52And report you.
03:53Then it's statement against statement.
03:55I'll eat again tomorrow and find a lot.
03:58Why should I think about something so sick?
04:00As revenge.
04:01Because your career dream was shattered by the lost stars.
04:05I'll decide if you accept my invitation.
04:07What you want to do with it.
04:14Quite slim.
04:16Excuse me?
04:18The tax receipt.
04:20Oh, yes.
04:21Of course.
04:22That's only the current quarter.
04:23That's why it's so slim.
04:25I understand.
04:27Would you like another coffee?
04:29No, thank you very much.
04:30I'll get fresh croissants out of the oven.
04:32Very nice, but no.
04:33I have to go now.
04:34Dr. Niederbühl, wait a minute.
04:36We wanted to see the jazz cellar in Tölz.
04:40Yes, I know.
04:42Sissy Woodstock will perform there the day after tomorrow.
04:45Really?
04:46Yes.
04:47And after that, it's open mic.
04:48Would you like that?
04:50That would be wonderful.
04:52Yes?
04:54But...
04:56I...
04:58Unfortunately, I don't have time.
04:59Because we have a shortage of staff in the hospital.
05:02I won't have time for the next few weeks.
05:04Also because of the practice.
05:06Yes, okay.
05:07I'm sorry.
05:08The patients are leaving, of course.
05:09Yes.
05:10Well, maybe it will be less soon.
05:12Yes, maybe.
05:13So, see you soon.
05:27Hubert.
05:30I only brought you the tax form.
06:11Greta.
06:14You're just in time.
06:16I made fresh coffee.
06:18And you should definitely try this one.
06:21No time and no hunger.
06:24Is something wrong?
06:31My ex is pushing me.
06:33What?
06:35He wants me to spend the night with him.
06:39What do you mean?
06:40Otherwise he'll make the restaurant lose its stars.
06:42Are you crazy?
06:43You have to go to the police.
06:45What's the point?
06:47I don't have any proof.
06:49And he pretends it's just a nice invitation without any thought.
06:53His employer or publisher will fire him.
06:57Can you guarantee that?
06:59Do you want to be intimidated by him?
07:02Of course not, but...
07:06I just don't know if an ad is the right thing to do.
07:10Do you remember when he almost attacked me?
07:14You said I should report it to the management.
07:17I did.
07:18And I should report it to the police.
07:20I did.
07:21And it was true.
07:23What happened?
07:26Nothing.
07:28Very encouraging.
07:30Still.
07:32Mario and I...
07:34We were together once.
07:36It's a completely different situation than yours.
07:39And that we lose our stars...
07:42That can't happen.
07:44You don't want to go into it because of those few stars.
07:49I just have to find a solution for the problem myself.
07:53No, that's exactly not the solution.
08:03Mr. Licht, I'm looking for you.
08:05Why?
08:07Because of the first aid course.
08:09I forgot about that.
08:10Me too.
08:12I didn't.
08:13Please don't forget the following.
08:16The practical part will take place in the gym.
08:19Okay, see you later.
08:21How many are coming?
08:22You two.
08:23Is that necessary?
08:25Yes, Mr. Licht, it has to be.
08:27All new employees.
08:29Yes, Mr. Licht, it has to be.
08:31All new employees have to take this course.
08:34It's mandatory.
08:35I won't do it, but you'll stick to it.
08:38Yes, then we'll meet in the fourth room.
08:40Good.
08:41And if you want it to go faster,
08:43you can look at the documents and the notes.
08:47I already gave them to you.
08:50Yes.
08:53See you later.
08:59See you later.
09:05I'm coming.
09:09Hi.
09:10Hi.
09:11No, no, no, no, no.
09:12What am I doing?
09:16Yes, then welcome home.
09:20First of all,
09:22your key.
09:27I'm sorry,
09:28I don't have time to roll out the red carpet yet.
09:33Is everything okay?
09:35Yes, I ...
09:40Leander made such a strange indication earlier.
09:43What kind of indication?
09:45I have no idea.
09:49Of what?
09:50Yes, I asked him that too,
09:52but he didn't want to tell me.
09:54He was rather specific.
09:57Okay, and what happened?
10:00He noticed that I was moving here,
10:02and then he made this indication.
10:07Do you perhaps know what he meant?
10:11No.
10:14Would you like something to drink?
10:20Yes, I ...
10:22You leave the carton, I'll get it myself.
10:24Yes.
10:28I have to make Leander understand
10:30that he has to accept the situation.
10:33The way it is now.
10:36I can imagine how difficult it must be for him.
10:40With Julian, the child and me.
10:45With Julian, the child and me.
11:07Thank you very much.
11:08Have a nice day.
11:10See you soon.
11:15Is your finger feeling better again?
11:17Yes, everything is fine.
11:19Yes?
11:20Yes.
11:28Oh, except for the mumbling.
11:30Hey!
11:31The mumbling is one of my favorite songs.
11:36Why?
11:39Close your eyes.
11:41I think you can totally get lost in it.
11:44Yes, disorientation.
11:46You're right.
11:48Really?
11:50It's all a bit wild what they're playing, isn't it?
11:54But your father likes jazz.
11:55My father is 104 and has not heard music since 1970.
11:58Otherwise he would not have organized one of the best jazz singers for the Spring Festival.
12:02Yes, and one of the most expensive.
12:07Ah!
12:09This is swinging a lot more.
12:15Not my music.
12:17Come on.
12:18This is jazz.
12:20This is feeling in notes.
12:22Yes.
12:23Yes, it's a bit very adventurous and wild.
12:26I would prefer a little more structure and melody and something to sum up.
12:30Of course, but this is improvisation.
12:32You know, this is adventure.
12:33You never know what's next.
12:35You really don't know that.
12:37But hey, music taste.
12:39It is known to be controversial.
12:41Really?
12:42Yes, but it is certainly not controversial.
12:46These are the best straws and the best cakes in Bichtlein.
12:53I have to go.
12:54Okay.
12:57See you.
12:58Yes.
13:10If the complaints don't get better, come by again.
13:12I will.
13:14You're welcome.
13:15Bye.
13:16Ciao.
13:24Yes, but very briefly.
13:25I'm sorry about earlier, but ...
13:27Don't be mad at me.
13:28But I can't imagine that you'll win anything if you keep talking to Eleni and then
13:33talking to her all the time.
13:35With that, you only put her in need of explanation.
13:39Okay.
13:40Yes, maybe.
13:41But did you see this self-satisfaction in him?
13:43This stupid grin he's putting on.
13:45He absolutely has to push me in that he's moving in with Eleni now.
13:48Yes, then try to stand over it.
13:50And don't push him in that he would rather be with you.
13:54You always preach.
13:56He should listen to his feelings.
13:57That's exactly what she's not doing.
13:58Yes, that's true.
13:59But it's about the circumstances.
14:02Leander, a child changes everything.
14:06But she doesn't love him.
14:08At least she doesn't love him as much as she loves me.
14:11And she can't pretend that all the time.
14:14What if it comes out?
14:15What then?
14:16Then the two of them have to sort it out among themselves.
14:19You have no influence on that.
14:21No, I see it differently.
14:24She makes herself unhappy with it.
14:26She makes him unhappy with it.
14:28She makes me unhappy with it.
14:29And above all, she makes the child unhappy.
14:31She notices it.
14:32And what would be the alternative?
14:34The alternative is that ...
14:39The alternative is that we live together as a big family.
14:43Oh, like it's going on between you and the speech grave right now.
14:47Yes, maybe it doesn't work right now, but ...
14:51But she can feel it, Eleni.
14:54And she wants to protect her child.
15:01Yes, André, you heard right.
15:03We defended the stars.
15:05I thought you were interested in something.
15:08Yes, me too.
15:10Please say hello to Simon and Maike.
15:12Bye.
15:13André seemed almost insulted that we passed the test without him.
15:16Can we talk for a moment?
15:17Of course.
15:20Yes, so ...
15:21I have to get rid of something first.
15:23It's really important.
15:24You know, we had a bit of a bumpy start here,
15:26because my uncle had beautified your life.
15:28And in retrospect, I'm glad about it,
15:30because you are a real lucky charm for us.
15:33Yes, even recently, when I just ran out of here headlessly,
15:36and you just took over everything here,
15:38I'm really counting on you.
15:39That's understandable.
15:40No, no, no, no.
15:41No harm done.
15:42You did a great job.
15:43And as soon as it's official with the stars,
15:45I will of course send a press release
15:47where I will praise you and Hildegard.
15:49And what it means for our industry to be mentioned on a star level
15:52I don't need to mention again, right?
15:55So what is it?
15:58Nothing.
15:59I'm just so overwhelmed.
16:00I forget what I wanted to say.
16:02Okay, and what did you want?
16:06In all fairness, thanks.
16:07Your career is set in stone.
16:09Look forward to it.
16:11I look forward to it.
16:37I look forward to it.
16:39I look forward to it.
16:41I look forward to it.
16:43I look forward to it.
16:45I look forward to it.
16:47I look forward to it.
16:49I look forward to it.
16:51I look forward to it.
16:53I look forward to it.
16:55I look forward to it.
16:57I look forward to it.
16:59I look forward to it.
17:01I look forward to it.
17:03I look forward to it.
17:05I look forward to it.
17:07I look forward to it.
17:09I look forward to it.
17:11I look forward to it.
17:13I look forward to it.
17:15I look forward to it.
17:17I look forward to it.
17:19I look forward to it.
17:21I look forward to it.
17:23I look forward to it.
17:25I look forward to it.
17:27I look forward to it.
17:29I look forward to it.
17:31I look forward to it.
17:33Everything's quiet and still.
17:35I'm practically not even there.
17:57Stay seated for once, damn it!
18:03I'll leave that for now. I'm not the kind of theory guy.
18:07It's just a first aid course and not a physics exam.
18:10I'll leave you alone.
18:12Your map!
18:14Oh, right.
18:33...music playing...
18:42So it worked!
18:44That's wonderful!
18:45We really worked hard.
18:47Perfect, thank you.
18:48That's exactly what I needed for my sabayon.
18:50Robert?
18:51We got a real star for our spring festival.
18:54Yes, a jazz musician. I know.
18:56Yes, Rebecca Miller.
18:58Dr. Niederbühl also knows her and is a big fan of hers.
19:00Yes, she's a big fan. I adore her.
19:03She has a voice that is as tender as the first sunbeam in spring.
19:09And in the next moment, as strong as an apricot tree.
19:12An apricot tree. Yes, exactly what our guests want to hear.
19:15No, I mean she makes you feel like you're singing.
19:18When she sings about love, about anger.
19:21Music that makes you angry.
19:23Interesting.
19:25I have another appointment.
19:31So, if you want to get rid of something...
19:34Your bad mood, for example.
19:36This whole thing about jazz music.
19:39Yes, and?
19:40Nicole loves jazz.
19:42Not me. You know me.
19:46Dad...
19:50We are so different.
19:52My topics are food, wine.
19:55Nicole's topics are jazz, literature.
19:58Her opposites attract and complement each other wonderfully.
20:02I don't know.
20:04You understand each other.
20:06Yes, but you should have seen her when I didn't like her music.
20:09The way she looked at me.
20:11And if I were to tell her anything about this superb drop,
20:13zero reaction.
20:15Robert, I've told you before.
20:17Bring your interests closer to her.
20:19It can't be that hard.
20:22I would like to book the Kawendel hut for tonight.
20:25With everything around it.
20:27Wine, food.
20:29With pleasure, Mr. Pankratz.
20:31Then I'll have it prepared for you.
20:33Thank you very much.
20:35I don't have much time later.
20:37But you still have to work.
20:39Yes, still the cupboard for the coffee.
20:41Somehow I underestimated the whole thing.
20:43It's not as easy as it seems.
20:45I forgot my phone in the staff room.
20:47I'll be right there, okay?
20:49Thanks.
20:55Mario.
20:57Have you already made a decision?
20:59Can we please talk again reasonably?
21:01With pleasure.
21:03Tonight at the Kawendel hut?
21:05I've booked it.
21:07You know the way.
21:09I'm sure to be there at six o'clock.
21:11Come on, Max.
21:13And maybe you'd like to put on something nice.
21:19Okay.
21:25Hi.
21:27Hey.
21:31Julian told me what happened.
21:33Mr. Leander, please.
21:35Just leave it.
21:37You don't have to fight for me.
21:39I can decide for myself.
21:41And I have decided.
21:43But wrong.
21:45And you know that.
21:49I...
21:51I will leave Julian right now.
21:53Okay?
21:55I just lost control for a moment.
21:57It won't happen again.
21:59Okay, now it's better.
22:03I promise you
22:05that I won't interfere in your life anymore.
22:07Which doesn't mean
22:09that I don't love you.
22:11I will wait for you.
22:15Please, Leander. Don't do it.
22:19Mrs. Schwarzbach, thank you
22:21for taking care of the organization
22:23of the Spring Festival.
22:25After Valentina is unfortunately gone.
22:27Yes, I promised her
22:29to take over her tasks, so...
22:31I wasn't completely unemployed.
22:33I hired the famous jazz singer
22:35Rebecca Miller.
22:37It would be the first task
22:39to write an invitation
22:41for her performance.
22:43Yes, I can do that.
22:45I'll send you the contacts of her manager.
22:47That's good. And you'll take care of it?
22:49Sure, no problem.
22:51It would be nice if the family
22:53would form a team.
22:55Can you compete with Robert?
22:57You can't really win, can you?
22:59Yes, I can.
23:01Dance competition and barbecue
23:03are already organized.
23:05Do we have enough rowboats for the guests?
23:07There are enough rowboats.
23:09I already talked to Robert.
23:11The prize for the dance competition
23:13will be a five-course menu
23:15Can you do it together?
23:19I can do it alone.
23:21No, no, no. It's more work than you think.
23:23No one can do it alone.
23:27Okay.
23:29That would be the rough.
23:31I have more information here.
23:35After each.
23:37Press.
23:39Solve.
23:41So, plan?
23:45The accident victim is in front of you.
23:47So, what do you do?
23:51You talk to it
23:53and see if it reacts.
23:55Hey, does it react?
23:57Not so tight.
23:59It could have internal injuries.
24:01Okay, it doesn't react.
24:03What do you do now?
24:05You stretch your head back,
24:07free the airways
24:09and check at the same time
24:11if it's still breathing.
24:15It doesn't breathe.
24:17Right.
24:19Good. What do you do now?
24:21You make an emergency call.
24:27I don't have a hand with me.
24:31Good. Then you start
24:33with the cardiac massage.
24:35So, please.
24:39Oh, dear.
24:41So, both hands.
24:43So, both hands.
24:45Lay on top of each other.
24:47Lower third of the chest.
24:49Arms outstretched.
24:51Hold the upper body up.
24:53And now with full body effort.
24:55Press.
24:57Solve. And continue.
24:59Very good.
25:01And now
25:03100 to
25:05120 times
25:07per minute.
25:09Very good.
25:11Stronger.
25:15Very good.
25:17Would you like to try it?
25:19Yes.
25:21What's his name?
25:23A colleague named
25:25Michael.
25:27Michael.
25:29Can't he run away without legs?
25:31It seems to be his first emergency.
25:41A few minutes later
25:47It's absolutely correct
25:49what Mr. Lee has done.
25:51Very good music choice.
25:53In the Sting Ar Life
25:55the beat is exactly 100 times per minute.
25:57And Highway to Hell would work.
25:59Yes.
26:01Go on.
26:03I believe he is just getting there.
26:05You can do it.
26:07As I said, I am more the man for practical things.
26:11♪
26:41It's a great success and I think we should celebrate it.
26:43Maybe there will be a good concert in Munich.
26:46But we still have to work.
26:48Then afterwards.
26:50Here!
26:51Install a Canadian indie band with pop, rock, fog.
26:56To be honest, I'm exhausted.
26:59It was just a lot of stress the last few days.
27:02I understand.
27:04I just want to go to bed.
27:06We can also celebrate in bed.
27:08Alone in bed.
27:10I really have to sleep.
27:12We'll celebrate afterwards, okay?
27:14Good.
27:16The closet is calling.
27:18The prison yard too.
27:24Bye.
27:26Bye.
27:38I thought you were cheating.
27:40To be honest, I thought it was a joke when I read wine tasting.
27:45Welcome to my kingdom.
27:47Here, to neutralize the taste in the mouth.
27:49Okay.
27:52I have to choose young, fresh wines for the spring festival.
27:56And I'll do that with you today.
27:58But then I'm here as displaced as you at a jazz festival.
28:02Touché.
28:03And that's why I have this.
28:08Okay.
28:15That's music in my ears.
28:17Let's take a look at the corks.
28:19Regular coloration.
28:20Good smell.
28:21Not too hot.
28:22Not gassy.
28:23Not moldy.
28:24That means good quality.
28:25Okay.
28:26So, we're looking for nice, fresh red wine.
28:29Complex, but not too complex.
28:31With harmonious, but also somewhat contrary notes.
28:34And this musical comparison, that's on purpose, right?
28:37You know, wine is also a feeling in the back.
28:40And every tasting is an adventure in which you don't know what will happen next.
28:46So, we take the wine.
28:48Yes.
28:49We swing it a little, so that the air column forms.
28:51But first, let's look at what the streaks do here.
28:54These are the tears of the wine.
28:56And they say a lot about the alcohol content.
28:58The more tears, the more windows, the more streaks, the higher the alcohol content.
29:02Let's smell it.
29:05Okay, we swing it again, so that the air column forms, so that the aromas can fully unfold.
29:10Do we drink it?
29:11At some point.
29:12But first we have to recognize what this is about.
29:15Try to identify the aromas.
29:17What do we have here?
29:19Maybe cardamom?
29:20Maybe nutmeg?
29:21Something spicy?
29:22Or?
29:23Smells a bit like cinnamon.
29:25Exactly.
29:26Because young, fresh red wines often smell like cinnamon.
29:28And have a slight aftertaste, you know?
29:32And now?
29:33And now we drink.
29:35But?
29:36Swing?
29:37No, let it circle in your mouth.
29:39Okay.
29:40Swing, circle.
29:41No wonder I always talk afterwards.
29:59So, that's funny.
30:01First this huge theater, and then just spit it out.
30:04Besides, it's a total waste.
30:07How does the wine taste?
30:11Good.
30:14I can't say more about it.
30:16That's why I'm happy to help you.
30:17No, no, no.
30:18That's why it's perfect that we're doing this now.
30:20Because at the spring festival there will be a lot of people who can't say more about it.
30:24Okay.
30:25And how do you find him?
30:26He has a full, robust, relatively young, complex body.
30:29But not too complex.
30:30The tannic acid is well integrated.
30:32The fatty acids are fresh and ensure that the process is long, complex and long-lasting.
30:37Okay.
30:38And in short?
30:39It's good.
30:46Yes, slowly you got the twist out.
30:47Excellent.
30:49And the whole thing without singing.
30:51I pressed harder for that.
30:53Yes, and I broke my rib.
30:55Yes, but it's still better than if the brain doesn't get blood.
30:57But the whole thing is also not a competition.
30:59So, now to the living object.
31:03Mr. Licht, you are the victim.
31:06You have an accident with your bike and are now lying here on the floor.
31:10Oh, no.
31:11Ah, with a scooter.
31:13Or rather a motorcycle.
31:14So, with a robot.
31:15Topper.
31:16Which one?
31:19The one with the two wheels.
31:20Okay.
31:21So, you're lying here on the floor now.
31:23Yes?
31:25Mr. Licht, you ...
31:26Ouch!
31:31Mr. Licht?
31:32Is everything okay?
31:34Yes, of course.
31:37Okay.
31:39Good.
31:40Lale, please.
31:41You are first aid.
31:42What are you doing?
31:44Leave.
31:46What are you doing?
31:49I secure the accident site, call the emergency call and start with the first aid measures.
31:56I check if he is unconscious.
31:59Be careful.
32:00I actually still have a helmet on.
32:01Mr. Licht.
32:02Okay, I'm unconscious.
32:04I pay attention to audible breathing sounds ...
32:08... and noticeable breaths on my tub.
32:21Lale?
32:22Lale?
32:26That was very good.
32:28I know.
32:29Good.
32:31There was still a ... Lale?
32:34Lale?
32:36A few little things to criticize, but we'll just do the whole thing from the beginning.
32:40Okay?
32:41Okay.
32:45Mmm, tapas with you in the evening sun.
32:48Yes, I would like that now.
32:51No, I don't think I'm going to fly to Spain today.
32:57Oh, you?
32:58No, nothing at all.
32:59No, just the normal madness.
33:02Yes.
33:03Me too.
33:05Adios, mi amor.
33:07Oh God, I would have loved to tell Christoph.
33:09No word to anyone until the critical phase is over.
33:12No word to anyone.
33:14I told Noah, but he already knew.
33:17Yes, yes, I know, okay.
33:19God, I still can't believe that I'm really going to be a grandmother.
33:24That you are so happy to become a grandmother.
33:26Hey, my daughter is going to have a child.
33:28What do you think?
33:33Hey, I have a favor to ask you.
33:36Anything you want.
33:37What is it about?
33:38About the spring festival.
33:42Mhm.
33:48Excuse me.
33:50I just said that I don't tolerate much.
33:52Are you drunk?
33:53A little bit.
33:55So, we learned a lot today.
33:57What is your judgment about this white wine?
34:00So, pale to medium straw color.
34:04Mhm.
34:08Intense citrus aroma as well as stone fruit, peach, apricot, something like that.
34:18Mhm.
34:19Mhm.
34:20Mhm.
34:21Wow.
34:22He develops an exquisite freshness in his palate.
34:26An excellent acid structure.
34:29And...
34:31Yes, in terms of taste, he keeps his balance between acidity and fruityness.
34:37And...
34:41In the finish, he is really long, with a mineral undertone.
34:46Someone learned fast.
34:49But I don't really taste what you taste.
34:53Can you show me a little bit?
34:55What?
34:56No.
34:58You take me for a fool.
34:59No.
35:00Yes.
35:01No, never.
35:02I understand.
35:03Okay, but all these supposed aromas, you can imagine that.
35:09What's the point of all this?
35:11I mean, if I want to taste pineapple, then I eat pineapple.
35:18So you have to do with a small wine winery.
35:22What is your final judgment?
35:25Okay, so I would say the wines here, all of them, taste...
35:31Well, after the second glass they all taste the same anyway, but...
35:35I would say...
35:36Like dreams.
35:37Yes.
36:11Okay.
36:42Water
37:08Sorry, my change.
37:11Oh, excuse me.
37:13I'll be right back.
37:18I'm really sorry.
37:22It can happen.
37:23Have a nice day.
37:24You too.
37:27I just got off work.
37:30You still have to go, right?
37:33Is everything okay?
37:34I just got the message that I have another check-up appointment with Dr. Bender tomorrow.
37:38My angel.
37:39A check-up appointment.
37:40Everything will be okay.
37:41I have a good feeling.
37:42Can you come with me?
37:44Don't ask questions you don't know the answer to.
37:47And while we're at it, let's have a drink.
37:50See you soon.
37:51Eric?
37:52Yes?
37:54Thank you for being there for me.
38:08Always.
38:09Promise.
38:12See you soon.
38:13See you soon.
38:38We also need three more bullsets for ours.
38:41Do you have them?
38:42Yes, excellent.
38:44Yes, listen again.
38:46Are you done already, Eric?
38:48Yes, why?
38:49Great.
38:50Then we can start planning the guest care right away.
38:54What do you mean by we?
38:56Eleni asked me to take over the project for you.
39:00It's only natural that you're going to distance yourself now.
39:04Aha, okay.
39:05Thanks.
39:36But with Julian, can Eleni really be happy?
39:44I won't give up Eleni.
39:46Whether that suits you or not.
39:58Hello.
39:59Hello.
40:01A beer, please.
40:02With pleasure.
40:05Today I'm without Greta.
40:09Well, she wanted to go to bed early after all the stress with Tessa.
40:13And that without me.
40:15I understand.
40:20Is everything okay?
40:23I just saw Greta in the lobby.
40:27She was wearing high heels.
40:29High heels?
40:31Yes.
40:32And she didn't look like she was going to bed.
40:36At least not in her own way.
40:39Are you trying to say she's cheating on me?
40:43Not voluntarily.
40:44What do you mean not voluntarily? What's going on here?
40:46Mr. Schwarzwald, Greta is making a huge mistake.
41:02What?
41:32There you are.
41:33How nice.
41:36And how pretty.
41:38Sorry, it was open.
41:40I thought you weren't coming.
41:42You look really great, Greta.
41:45I mean...
41:47Look.
41:48This should be good.
41:50Let's talk.
41:52About what?
41:55About this.
41:58You shouldn't have come.
42:02You didn't give me a choice.
42:05I did.
42:08You said...
42:10Either I...
42:11You can leave at any time.
42:14No, because otherwise you would...
42:16Leave or stop being so hostile.
42:19You're just ruining the mood.
42:23Mood?
42:25First of all,
42:27I'm sorry you thought
42:30I was only nice to you because of the stars.
42:33That wasn't the case.
42:35Okay.
42:36That was beforehand.
42:37What were you going to tell me next?
42:41The main subject of the conversation.
42:44What happened back then.
42:47I don't know if I want to talk so much.
42:53I didn't say much.
42:58But I...
43:00think we should talk
43:02to leave the past behind.
43:06I mean our fight from back then.
43:09That it's not between us anymore.
43:23I'll be right back.
43:31Hello? Mr. Pankratz?
43:35Room service.
43:38Okay.
43:41Did you really steal the key from the receptionist?
43:44I didn't steal it. He just borrowed it.
43:46That could cost us the job.
43:48Is Greta important to you now or not?
43:50Yes, of course. But I can't imagine you being so oppressed.
43:55Where is he?
43:57See?
43:58That doesn't suit her at all.
44:00Such a guy makes a statement and they know.
44:03She doesn't like it at all.
44:09At least Pankratz hasn't left yet.
44:14What are you doing here?
44:16Mr. Pankratz ordered champagne and I didn't get the year.
44:20As far as I know, he spends the night in the Karwendel hut.
44:23In the Karwendel hut, Mr. Schwarzwald.
44:25I told you so.
44:30You have to go now.
44:32I can't. I have to go back to the bar.
44:35I'll take care of it.
44:36But call me as soon as you hear from me.
44:49No, no, no.
44:50Yes, yes, yes, yes.
44:52Wine is wine and just stays wine.
44:54And just stays wine.
44:56I don't hear anything yet.
44:58If you bake, you also have to taste the cardamom and cinnamon.
45:01Where did I put my cup?
45:02Of course, but with wine it's something else.
45:04Maybe it's because of the alcohol or the acid.
45:07You just want to pay me back that I called jazz cat music.
45:10Ouch.
45:11Oh, don't call jazz cat music, please.
45:13More.
45:14More.
45:15You just called a 300 euro expensive cabernet sauvignon,
45:18several times distinguished,
45:20stored in a small barricade for five years,
45:22Fusel.
45:23Yes.
45:24You know, all this talk about wine and this ritual,
45:27that's so exaggerated.
45:28Not at all, Yasin.
45:29She doesn't mean it that way.
45:30But everyone has a hobby.
45:32That's not a hobby.
45:33Wine is passion, science, art.
45:35Wine is art.
45:36Jazz too.
45:38I'll get a corkscrew.
45:40Okay.
45:41I actually just want to drink some water.
45:42Me too.
45:43But you know what I really liked about this wine tasting?
45:46What?
45:47That you're insanely sexy when you talk about wine.
45:51Don't you think so too?
45:58I have to confess something to you too.
46:00Okay.
46:01Please.
46:03I thought about it and I think I didn't run away from you back then,
46:09but much more from my own feelings.
46:12I said that back then.
46:14Yes, you looked through me.
46:17I felt a lot for you back then.
46:22I know.
46:24But it scared me.
46:27Because you never learned to really let yourself go.
46:30But you could have trusted me.
46:33You still can.
46:35Between us, that's something special.
46:38You won't experience that with any other man.
46:41And if I do what you want from me now,
46:46and sleep with you,
46:50won't you take the stars away from the restaurant in return?
46:54And won't you oppress me anymore?
46:56No more oppressions.
46:58I'm also not happy that I had to put pressure on you.
47:02But I was angry because I thought you just wanted to take advantage of my contact.
47:06You should.
47:12Thank you, Mario.
47:14For what?
47:20I...
47:23I have everything I need.
47:25What?
47:29Your confession.
47:32What confession?
47:36I recorded everything.
47:37And the whole thing is going like this now.
47:39If you keep oppressing me, I'll go to the police and your employer.
47:42Hey, no!
47:43Give me your hand!
47:44Don't let a step further!
47:48Hey!
48:02The poster is going again.
48:07Oh!
48:08You mean that Eleni still has something left for him?
48:11She told him about the pregnancy in front of me.
48:24What I said was impossible, really mean.
48:27I have to apologize to you.
48:29Can I invite you to dinner?
48:33And is everything going well in the bar?
48:35Yes.
48:36This is repression and physical abuse!
48:38Shh!
48:39That's what your stars are for.