Sueños de libertad Cap 163 (11-10-24)
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00:00How are you, Luis?
00:25You're just in time. I'll make you a sandwich.
00:27Do you want some?
00:28No, don't worry about it.
00:29Well, a glass of wine, I won't refuse it.
00:32Okay, go get that glass and I'll get another one.
00:36Since we had the meeting with my father, I haven't seen you again.
00:39And I wanted to tell you that I'm very proud of you.
00:41For you and for Joaquín.
00:43In the end, you have what you deserve.
00:46Thank you very much, cousin.
00:47And you should be very proud because you paved the way.
00:51What do you mean?
00:52That you asked for a percentage of the sales of essences
00:55and that you asked for a position in management
00:57when my father didn't even value that stage.
01:01Thank you, really.
01:03Sit down, come on.
01:04Sure.
01:07How are you?
01:09Good.
01:11Luz has already told me that Begoña has left the house.
01:15Is it that bad?
01:17Frankly, it's bad.
01:18Begoña's marriage has been hell for a long time.
01:22In fact, she's going to ask for an ecclesiastical annulment.
01:25Wow.
01:26So it has already come to that point, huh?
01:28Yes, there is no need to maintain a marriage that only brings pain and suffering.
01:32I think we're not just talking about Begoña anymore.
01:35Luis, I've been thinking about it and maybe I should do it too.
01:44What do you think?
01:46Well, I've always tried to convince you otherwise.
01:50But for some time now, I don't see you well.
01:52The truth is that I'm in a mess.
01:55Because although I would like to move on with this annulment,
01:59my word is the most precious thing I have.
02:02And if I comply with something, my principles tell me that I have to go to the end.
02:06Do you think that by keeping your word you are going to do Maria a favor when it is just the opposite?
02:11You are condemning her to be a wretch.
02:15Without your love, her life will be a damn condemnation.
02:19But she is already in love with me, Luis.
02:21Until she opens her eyes and realizes that this situation hurts her,
02:24and she will open them, you will see.
02:27Andrés, I think you should follow in Begoña's footsteps and ask for the marriage annulment.
02:34You both deserve to make your lives again.
02:39Why are you doing this, Luis?
02:41You said it.
02:43We deserve things to change.
02:47We deserve to be happy, right?
02:50Despite the ups and downs of fate.
02:55Thank you for helping me, really.
03:00It's Maria Calas.
03:03Marta, I already know.
03:04And you can't even imagine how angry I am not being able to go.
03:07But I can't ask Jacinto.
03:10Are we really not going to spend the night together?
03:12Because you are not able to face the situation with maturity.
03:15I see that you are not up to it.
03:16Well, I'm going to have to go alone.
03:18Marta, listen to me.
03:20Look, really, Jacinto doesn't know how angry I was
03:23when they gave me a chair that was missing a leg and part of the upholstery.
03:27People give away anything they have left over at home.
03:30Well, yes.
03:31It's a shame, Jacinto.
03:32Yes, yes.
03:33Look, if you want an advice, throw it in the trash.
03:35Because it takes away the value of the rest of the products.
03:37That's what I'm going to do.
03:38I'm going to throw it away.
03:39Come on, do you think someone can give me a broken chair?
03:42Come on, what is this?
03:43As if I had taken it from the trash.
03:45I can't talk right now.
03:46We'll talk later.
03:48As you wish.
04:03Now that you're both here, I have to go out for a moment.
04:06But are you okay, Fina?
04:07Yes, yes, yes, I'm fine.
04:08I just have to finish an order.
04:16See you later.
04:32I appreciate that you've made room for me.
04:34No problem.
04:35The truth is that I don't have much time.
04:37In an hour I have a meeting at the factory of Talavera shock absorbers.
04:40As you wish.
04:42Well, let's get to it then.
04:44Don Pedro, as I told you this morning,
04:46now I'm focused on matters that have little to do with the queen's perfumes.
04:52And as far as I know,
04:53you are a man with a sense of smell for future business.
04:56Like the one you're going to propose to me right now, you mean.
04:59Exactly.
05:02And it's about a balneary.
05:06Are you kidding me?
05:08A balneary is not a profitable business.
05:11This one is.
05:12It has made an estimate of profits and the numbers speak for themselves.
05:16And let me tell you that we are not talking about a luxury balneary,
05:19but about the largest complex of thermal waters that has ever been seen.
05:22Never.
05:40Oh, how I want to go out today for a walk.
05:43Yeah.
05:45What are you going to do?
05:47Well, I don't know.
05:48I'll go home and prepare dinner while I listen to the soap opera.
05:51No, look, you know how to cook.
05:53And besides, I'm very good at it.
05:54It's bad that I say it.
05:55My specialty is garlic soup.
05:57How clever.
05:59And you?
06:00No, I don't even know how to fry an egg, really.
06:02No, I mean if you're going to do something else this afternoon,
06:05apart from going for a walk.
06:07Well, yes.
06:08Yes.
06:09I think I'm going to invite Fina a soda.
06:12Because today I had tickets to go to the Teatro Madrid,
06:14but since it has to be closed, she won't be able to go.
06:17Wow.
06:19It's a shame, really.
06:20Because I know she was very excited.
06:22And I don't know if it's a miracle.
06:24Oh, what a bad leg, Fina.
06:26Yes.
06:27Yes, the truth is that yes, Acinto.
06:29Because we usually solve this here between us in the store.
06:32Well, that's very good.
06:34As soon as one has a problem, the other is there to solve it.
06:37Because that's what colleagues do, right?
06:39I guess so, I don't know.
06:41Because today for you, tomorrow for me.
06:44Claudia, honey.
06:45I wouldn't mind staying until the closing.
06:48Really, you wouldn't?
06:49As long as it's Fina who asks me.
06:52Do you pick up the box?
06:59The truth is that it doesn't seem like a bad project,
07:01but it's not a type of investment that interests me a priori.
07:03I'm sorry.
07:04But if you've only taken a quick look at the dossier.
07:07Look, Jesus, my father gave me some advice when I was little.
07:10Never dedicate yourself to something you don't know.
07:12It's a maxim that I've always followed.
07:14Mine is self-motivation.
07:15So I appreciate that you thought of me, but no.
07:18Running a rubber factory,
07:19I don't think it's worth it to run a spa.
07:21In the end, it's about squaring up some accounts, right?
07:24You are a worthy son of Damien de la Reina.
07:27You have the same persistence.
07:29Let's say that when something gets between my eyebrows,
07:32I don't stop until I get it.
07:34And above all, if I see that it is a great opportunity.
07:36And this is it.
07:39Don Pedro, when I was a kid, my father also gave me some advice.
07:42You just need to put your heart into what you do
07:44so that everything goes well.
07:46My friend is always so idealistic.
07:48Yes, but he won't deny that he's been doing well
07:50following that maxim.
07:52Listen to me.
07:53It's a round business.
07:54All are advantages.
07:56And you don't even have to worry about acquiring those lands
07:58because they are mine.
08:00Lands with such pure thermal waters
08:03that we are going to leave the great spas in Spain
08:05at the height of concrete.
08:09Okay.
08:11I'll talk calmly and I'll call you.
08:15You're welcome.
08:23I don't see it.
08:28Things disappear here.
08:32Are you looking for something?
08:34The band of the queen, but I don't see it.
08:36I don't agree with your organization or it must have ended.
08:40It may be.
08:41I'll write it down.
08:43Ah, and what you have to ask for is
08:45essence of rose.
08:46So fast because they take it away from us.
08:48It's the favorite of the clients.
08:50And violets like you, right?
08:53No, of course.
08:54As you two are two good examples of male gorilla,
08:57you have the right to humiliate anyone
08:59you consider less than you.
09:04Hey, hey, hey.
09:05Don't think you're going.
09:06Don't get so close.
09:07I don't get in, I get in if I want to, Pascual.
09:09He has responded to you at the height of your comment.
09:11Hey, hey, hey.
09:12What's going on here?
09:13Calm down.
09:15What did you say to Mikao?
09:16To me?
09:17Ask them.
09:18They've gone too far with Jacinto.
09:20Good thing he put them in their place.
09:22Who put them in their place?
09:24Hey, watch what you say.
09:26Don't worry.
09:27They must be kidding.
09:28Sure.
09:29Right?
09:30I can imagine what happened.
09:32The other one is a little soft,
09:33and this is the opposite.
09:35Neither they nor you have the right to insult him.
09:38To begin with, because it's offensive.
09:40And then because it's part of everyone's private life.
09:43Ah, so you're telling us the truth.
09:46That the boy is from the back.
09:48What don't you understand, Estasio?
09:50That selling perfumes and soaps doesn't mean anything.
09:53No, no.
09:54It doesn't mean anything.
09:55Well, come on.
09:56Everybody out.
09:57Come on, to the Cargaba dock.
09:59You're a little more humorous, aren't you?
10:01I thought you were on my team.
10:03On your team for what?
10:04You've been with him since he arrived.
10:06You don't understand what a weird guy does
10:08selling make-up.
10:09But there's nothing wrong with him selling make-up
10:11or wanting to be dependent.
10:13Because what would happen
10:15if I wanted a truck stop now?
10:17Or I wanted to load trucks?
10:18What would happen?
10:19What would happen, Fina?
10:20That you'd be the fucking queen of the whole neighborhood.
10:22Everybody would be distracted all day,
10:24looking from top to bottom,
10:25you'd load less weight,
10:26you'd do more trips,
10:27the job would feel new.
10:28In the end, you're worth what you're worth.
10:29What do you think?
10:30That I'm really stupid?
10:32Listen to me carefully.
10:34In this store, we're like a pineapple.
10:36And if you mess with Jacinto,
10:38you mess with me.
10:39What are you, the Three Musketeers?
10:41And the D'Artagnan?
10:42What's this?
10:43No, we're partners.
10:44But that damn head of yours
10:47is unable to understand
10:48what a word like that means.
11:04Did he tell you that?
11:06Word for word.
11:07He said I was too modern,
11:08and that's why I managed to make Jesus go mad.
11:11Now it's going to turn out
11:12that my brother hasn't done everything he's done
11:13because you made him go mad.
11:15In the eyes of Don Agustín, yes.
11:16Well, not just that.
11:18He finished by saying
11:19that only with my love and my dedication
11:22would I be able to heal my husband's wounded pride.
11:24I'm not surprised at all.
11:26A few days ago, I also lost my mind
11:27because I said a few words.
11:29Really?
11:30Yes, I didn't tell you anything
11:31because I didn't want to throw firewood at Maria.
11:33And what did he say to you?
11:35After he forgave her for her lies,
11:37he encouraged me to have a child with her.
11:40He said that this way
11:41only our problems would be solved.
11:44What's clear is that Maria
11:45won't stop until we're separated.
11:48And now that Don Agustín has told her,
11:49maybe he won't either.
11:51I'm very sorry for Maria and Don Agustín,
11:53but I'm not going to leave this we have
11:55for anything in the world.
11:57Egoña,
11:59I love you.
12:04I love you too.
12:06Me too.
12:08I'm wishing to grant you
12:09marital validity
12:11so that we can be happy once and for all.
12:13Speaking of which,
12:15I've been contacted by a lawyer in Toledo
12:16who has requested several.
12:17His name is José Manuel Zahera.
12:19Does it ring a bell?
12:20No, it doesn't, but I'll go with you.
12:23When are you leaving?
12:24Well, I have the appointment in half an hour,
12:26but you don't have to go with me.
12:28Yes, yes, I want to do it
12:29because I want you to advise me too.
12:34Are you going to ask her out?
12:37I don't want to feel like I'm wasting time
12:39with someone I don't want to be with.
12:41And besides, she's suffering because of me.
12:44But there's an even more important reason.
12:49What?
12:51I want to marry you.
13:04Here's a box of lavenders from La Reina.
13:06Wow, that was fast.
13:07How did you get it?
13:09Well, the important thing is that it's here, right?
13:12Of course.
13:13Well, look,
13:14one less problem.
13:15I'm in trouble.
13:17What's that?
13:18Nothing, nothing.
13:19They've released Marilyn's latest album
13:21and my friends are meeting tomorrow
13:23to go see the Gran Vía de Madrid.
13:25Well, I don't see the problem.
13:28It's just that tomorrow,
13:30I have to stay until closing time.
13:32Now that I think about it,
13:34could you change shifts for me?
13:37Me?
13:38Yes, I'd love to get off work tomorrow and not today.
13:42Yes, of course, I don't have a problem.
13:45Well, you don't know how much I appreciate it.
13:48You see, it's not hard for me.
13:50It's just that it's not the only reason
13:52why I have to thank you.
13:55It's been a long time.
13:57I have to thank you.
14:00You've been listening to me before.
14:02You've given them a good scolding,
14:04almost mine.
14:06I would have said the same thing.
14:08I know you and I have had our ups and downs,
14:12but above all, there's respect.
14:16And you have to act tough.
14:19You have to act tough against abusers.
14:22In the end, I feel like I've entered the store
14:24like Attila and Los Unos
14:26because I got involved with that lady.
14:28With that lady and many others, boy.
14:35Well, I'll moderate my masculine impetus.
14:38I'll also moderate mine.
14:40But that client was very heavy
14:42and it was clear that she wasn't going to take anything.
14:44Why didn't you leave me?
14:46You were pretty rude and a bit cocky,
14:48the truth has been said.
14:49Hey, Jacinto, we're trying to make up for it in good terms.
14:52Please.
14:53I'd better go get my things.
14:56One more thing.
14:57Tell me.
14:58The boxes of the band of the queen are upstairs,
15:01on the first shelf.
15:03For the next one.
15:05So you knew and you kept quiet like a dead man.
15:09Look, I'm going to make up for it.
15:11We're trying to make up for it in good terms.
15:27I'm going to make up for it in good terms.
15:38The band of the queen, tell me.
15:40You won't believe it.
15:41What?
15:42I have the afternoon off.
15:44Maria Cales is waiting for us, my love.
15:46Great.
15:48I know you don't know how to do things.
15:50It would have been more romantic if I had knelt down
15:52and pulled out a ring from my pocket.
15:55But the important thing is not how things start,
15:57but how they end.
16:00What do you say?
16:02Do you love my wife?
16:05Of course I do.
16:07But something happens.
16:10I don't want to be too optimistic.
16:12The annulment is a very long process.
16:14Andrea is very, very unpleasant.
16:16And they may not give it to us.
16:18What if they force us to stay married?
16:22I want to think once and for all
16:24that everything will go as we want.
16:26That would be wonderful.
16:28That we will get married and we will go to Northern Libya.
16:31That we will have a huge house at the foot of the mountain
16:35near a river where we can fish for trout.
16:38No, not trout. I hate them.
16:40You don't like trout.
16:42And do you like carps?
16:44Yes, I do.
16:45Then there will be carps in our river.
16:48And what else do you want?
16:51A rowing boat.
16:53You will have one.
16:54And a swing on the porch so that Julia can play.
16:57I will build it myself.
16:59But I will have to make two.
17:01Two?
17:02You also want one.
17:04Well, one for Julia
17:07and one for our baby.
17:10If you want us to form a family.
17:14I have put on my wedding ring.
17:19That's a yes.
17:21When I was a child, my father always asked me
17:24what I wanted to be when I grew up.
17:26And I always answered the same thing.
17:29That I wanted to be a mother.
17:32So, feeling it a lot, yes.
17:36You will have to build that swing for our baby.
17:40Now I have goosebumps.
17:49Yes.
18:07Thank you for accompanying me to the archbishopric, Father.
18:09I will accompany you wherever I need to.
18:11I told you that it is still early for them to have this papal dispensary.
18:14You requested it only a few days ago.
18:16I know, but I wanted to make sure that there was no problem with the request.
18:19You seem very anxious.
18:21I am. I want to get married as soon as possible, no matter who it is.
18:24Mateo, your mother...
18:25Don't tell me that you only look at my good side.
18:27We both look at your good side.
18:28This is your duty as a father.
18:30I thought she was more understanding than you, really.
18:33Until now, she has always been like that.
18:34But after what happened yesterday,
18:36you don't know how much I appreciate that you have been so affectionate with Claudia.
18:39She has taken a great impression of you.
18:41She looks like a good girl and pretty.
18:43She is beautiful.
18:44That is why you are so in love with her.
18:46No, it is much more than that.
18:49It is a feeling in here.
18:52I only know that I love her forever.
18:55Look, when you are young and you lack certain experiences,
18:57it is normal to confuse love with desire.
18:59What you are saying offends me.
19:01Look, son, there was a time when I was your age
19:04when I also let myself be carried away by passions.
19:06But then, with time and maturity, I realized
19:09that I should always look for my future.
19:11First of all.
19:13And have enough patience to choose the right woman.
19:16Claudia is the right woman for me.
19:19Are you sure of what you are saying?
19:21Of course I am. Why do you ask?
19:23You don't realize, son, that girl is not good for you.
19:25But why?
19:26Because you don't leave the same circumstances.
19:28And that makes me doubt.
19:29Are you trying to warn me about her?
19:32There are women who know very well who to approach
19:34to have a guaranteed future.
19:37Claudia is not with me to win a position.
19:39If not, look at me.
19:40I work in the canteen of a factory, please.
19:42But she is not stupid, son.
19:43She knows that it is for a short time that your family
19:45will not leave you on the shelf,
19:46that she will always be behind you,
19:48attending to your needs.
19:49If Claudia is as she says,
19:50she would have accepted the money that her mother offered her,
19:52don't you think?
19:53And how long would that money have lasted her? A year?
19:55It is better to be hidden all your life, don't you think?
19:58Mateo.
20:00Be reasonable, son, and come to work with me.
20:03I will teach you everything you need to know about this business
20:06so that when the time comes, you can take over.
20:09And I guess what the condition is.
20:13Yes, my son, yes.
20:14You will have to forget this girl
20:16and wait for the one who suits you most for your future to appear.
20:19I've heard enough.
20:20Mother and you are the same.
20:22You don't know anything.
20:32Hey, Chivi!
20:33Hey!
20:34What's up?
20:35I caught you with your hands in the dough.
20:37Please, what a scare you gave me.
20:39Have you already eaten one?
20:41No more, I'm going to eat.
20:42No, no, stay still,
20:43Gemma has prepared it for you.
20:45I don't know what raffle they have organized in the factory.
20:47Oh, it must be because of the one at Casa Cuna.
20:50Oh, yes, yes, yes, that's why.
20:52I don't know who came up with it,
20:54but I think it's a great idea.
20:55Dr. Borrell.
20:57Speaking of her,
20:58we should ask her
21:00if it is necessary for her to continue taking so much medication.
21:03I think we could lower the dose
21:05as recommended at the beginning of the treatment.
21:08No, leave it.
21:09We'll talk to her.
21:10Will you stay for dinner?
21:13I imagine.
21:14No, I won't be able to.
21:17I have plans.
21:19Do you know who Maria Calas is?
21:22I don't know, she wants to call me, but ...
21:24She is a soprano
21:25and it is seen that she is very important.
21:27She gives a recital in Madrid
21:29and Marta has bought two tickets.
21:31In fact, she also gave me a dress,
21:33but beautiful, beautiful,
21:35that will fall on its back
21:36when I see how beautiful it is.
21:38Wow, what a detail.
21:40Yes, the truth is that I needed it so much.
21:43To feel that I am a fundamental part of his life,
21:46that I occupy an important space.
21:52Oh, what face has he put on?
21:54Me?
21:55I think I'm going to put it on.
21:57Father, we already know each other at this point.
22:00And I know there's something that doesn't quite convince you.
22:04Look, daughter,
22:06I've been working in this house for 20 years
22:09and I know the family very well.
22:12No, please, father.
22:14Don't tell me now that for the family,
22:16the company is the most important thing and blah, blah, blah.
22:19Yes, yes, daughter,
22:20because their priority order is not ours.
22:23You said it,
22:24first the company,
22:25then the money and their status.
22:27But Marta is not like Don Damián,
22:29or like Jesus.
22:30Marta is very clear about her priorities.
22:32But it's what she's known since she was a child.
22:34You yourself have told me that this is her job.
22:38Yes, but father,
22:39Marta is a woman in a position
22:41that is mostly occupied by men.
22:44So of course she has to take more time to prove what is worth
22:47and that she is running a factory, for God's sake.
22:49Yes, very good.
22:50And that will always be her priority.
22:52And you can stay for the second course.
22:55I don't like that for you.
22:57But let's see, father,
22:58if you are happy for me,
22:59it seems that you want everything to go wrong for me.
23:02But how am I going to want that, daughter?
23:04You are the greatest thing I have.
23:08Then wish me to have a great time in Madrid,
23:10just that.
23:11Come on, yes.
23:12Go and have a great time at the opera.
23:16I'll bring you something.
23:18Let's see if I can get a picture of Maria Carla,
23:20it's free.
23:22No.
23:23A little kiss.
23:25Goodbye.
23:26Goodbye.
23:27Perfect.
23:28See you later.
23:29See you.
23:35I'm coming from there right now and everything is in motion.
23:37The new Queen's Essences remit is about to come out
23:39to start distributing it.
23:41Thank you, Joaquín.
23:42You're welcome, if you need anything else.
23:44Well, look, now that you say it,
23:46I want you to help me find a director's secretary.
23:49These are the curricula.
23:50Me?
23:52You are the manager,
23:53the staff selection is in your hands,
23:55and you have experience
23:56looking for the right person for each position.
23:58Yes, Marta, but I've always moved between warehouse and distribution.
24:01I, as a secretary, well ...
24:04What?
24:06Well, I don't know what qualities a good secretary should have.
24:10Basically,
24:11not like Isabel or Elena.
24:15No, seriously now.
24:18Don't worry,
24:19you just have to make sense of it
24:20and all that is left over.
24:22I'm sure you'll choose the right person.
24:24Good.
24:25Oh, by the way,
24:26how do you want the business cards to come out?
24:29What business cards are you talking about?
24:31The ones I'm going to hand over to the company
24:33with your name and your new position.
24:36Do you want to come out with a surname or both?
24:42I've always felt very proud to be the son of ...
24:45my father and my mother.
24:48Then, Joaquín Merino Vázquez.
24:52Yes, please.
24:55You don't know what this means to me.
24:59I know.
25:03Yes?
25:05Marcelino?
25:07Yes, we've had a small failure in the production of essences,
25:10as I told you, but ...
25:12You don't have to get like that.
25:13No, you see ...
25:15Today ...
25:16Today, no ...
25:18Of course, they've always been my favorite clients,
25:20but no ...
25:22No, of course, of course,
25:23we'll meet in person and talk ...
25:25about how to fix this setback and ...
25:27and how we can ...
25:30Okay, thanks.
25:35What does it say?
25:37Pérez Yiancos,
25:38who wants to break the commercial agreement with the factory
25:40because we haven't served the queen's essences in time.
25:46It's not for you, it's for me.
25:48Yes, you're a good kid, but ...
25:50I'm going very fair, man.
25:54Gaspar.
25:55Gaspar.
25:56Are you talking to me or who are you talking to?
26:01No, I was here with my things and ...
26:04With your things.
26:06Let's see what you think.
26:07Gassio.
26:10It's not for you.
26:11It's for me.
26:12You're a good kid, but ...
26:14I'm going very fair.
26:18But I think you're in trouble, I don't know.
26:21I'm telling you.
26:22I have to fire Mateo and I don't know how to tell him.
26:25You have to fire him, but why?
26:27Well, damn it, Gassio,
26:28my earnings are not enough for two salaries.
26:31Gaspar, let's see.
26:32If you have the same clientele practically every day,
26:35this is full.
26:36What happened so you can't pay him now?
26:38No, no, I've never been able to.
26:39It's just that you think I'm a millionaire, but come on.
26:41That my margins are very small.
26:43Well, what a mess he's going to get into, right?
26:45No, no, I'm helping.
26:47Gaspar, what do you want me to tell you?
26:48That it's good news?
26:49Because it's not.
26:50It's a job, really.
26:51Shut up.
26:52You're going to make me feel worse than I am.
26:53As if I were to blame that the situation is what it is.
26:57Gaspar, if you had been honest from the first day,
26:59maybe.
27:00Well, when I could.
27:01And period.
27:03Let's see how Mateo takes it.
27:05He's coming around.
27:07Hi guys.
27:08Hello.
27:17I knew this could happen.
27:18But if he's going to get the shipment soon, please.
27:21I don't know.
27:22I tried to explain to him, but he was very nervous.
27:24You've seen that he hasn't let me talk.
27:27So I'm going to go see him to calm him down.
27:30And you're going to go to Torrijos, now?
27:32Whatever it takes to not cancel the agreement.
27:33Very good, very good.
27:34Yes, yes, I understand.
27:35If he does, it's going to hurt us a lot.
27:36We're going to stop having presence in many cities.
27:41Do you want me to help you with anything else?
27:43No, I have to do this myself.
27:47Make sure everything is in order while I'm not at the factory.
27:49I'll take care of it.
28:00Perfumería de la Reina, talk to the store.
28:02Jacinto, I'm Marta de la Reina.
28:03Is Fina at the store?
28:05She left a while ago.
28:06Do you need anything?
28:07No, no, don't worry.
28:18I'm sorry, Gaspar.
28:19I got carried away with my father.
28:21Is there anything else to do?
28:22Should I wash the pots or...?
28:23No, no, no.
28:24You don't need to wash anything, Mateo.
28:26Ah, well, then I'm going to go outside and see if there's anything you can do.
28:28No, no, no, no, no, no, no, no, no, no.
28:30It's not necessary.
28:33You're acting weird.
28:36It's just that I have to tell you something
28:38and it's not easy to say.
28:42Ah, well.
28:43Tell me, what's wrong?
28:47You're a beautiful person, Mateo.
28:49And how can I tell you this?
28:52Gaspar, please.
28:53Tell me.
28:55I know I told you you could,
28:58but you shouldn't be here.
29:03You're the second person to tell me this today.
29:06What do you mean, the second?
29:08You're the second person to tell me this today.
29:10What do you mean, the second?
29:13My father has insisted on the same thing.
29:16That this is not the place for me.
29:18Don't tell me, man.
29:20He even offered me a job at his company.
29:23Don't annoy me.
29:25But God has come to see you.
29:28I mean, this is a great opportunity for you, man.
29:33Don't worry about me.
29:34I understand perfectly well that you're leaving, that you're leaving me.
29:36I'd leave if there wasn't a condition.
29:38And I'm afraid I guess what it is.
29:41First, I have to leave Claudia.
29:44But then, working with your father...
29:47I'm never going to accept a blackmail like that, Gaspar.
29:51Of course, man.
29:54First, my mother's reaction.
29:57And my father, no matter how much he wants to deceive me,
30:00I wasn't going to expect much from him, of course.
30:03I'm very sorry, Mateo.
30:05Deep down, I know how you feel.
30:08It's just that I don't understand why my family puts me in this situation.
30:11And all because Claudia is not like they would like her to be.
30:14That's because they don't know her either.
30:15They don't want to know her either, Tassio.
30:17All they care about is money and looks.
30:23When I left my house years ago to become a priest,
30:28I was somehow running away from something like that.
30:31I didn't want to become someone like them.
30:34And today, well, my convictions have been reaffirmed.
30:39So, what are you going to do, Mateo?
30:42Well, the only option they've given me.
30:45I'm going to break up with them and I'm going to move on with my life.
30:49I'm going to marry Claudia and I'm going to start a family.
30:53In my opinion, that's the right thing to do.
30:56And with the money in the cellar,
30:59even though I can't afford great luxuries,
31:02but at least we're going to have a clear conscience, Gaspar.
31:06Of course, of course, man.
31:08And all thanks to you.
31:10That I'm going to be able to support my wife and our son.
31:14Thank you very much.
31:18You don't know how grateful I am.
31:19You're welcome, man.
31:24I'm going to leave you for a moment, taking care of this.
31:27I have to go to Charo in Quiniela.
31:33It's better if I get a 14,
31:35because if not, I don't know how I'm going to get out of this.
31:38See you later.
31:57The lawyer didn't have such a bad time either, did he?
32:01Your ability to always see the glass half full.
32:04Because it is.
32:06Andrés, please, I was at that meeting too.
32:09I just said it wasn't easy to get the annulment,
32:12as we thought, but it's not impossible either.
32:15No, we have sinned naively.
32:19In your case, it's easier.
32:21You can claim that he is a bad husband and that you got married out of fear.
32:25But I got married convinced that he was the ideal man.
32:28The monster appeared later.
32:30That you don't know.
32:31No, but I would be lying.
32:33No, you would be saving yourself.
32:35Andrés, Jesus was going to be left standing.
32:38And it's okay, let's suppose I do it.
32:39And it works out.
32:41What would I do?
32:42If you were still married.
32:44You would be free.
32:47You were going to do it, or I would be there, right?
32:50Yeah.
32:53In my case,
32:55I can convince Maria to help me.
33:00Maria?
33:01Are you crazy?
33:03Nothing better than to testify that you got married without a child,
33:07without being aware of the true meaning of your marriage.
33:10Maria would never do something like that.
33:12She's not going to make it easy for us.
33:14She made it very clear to me the other day.
33:16My God, what are we going to do?
33:21I don't know.
33:25But please,
33:27don't give up tomorrow.
33:30I'm trying.
33:32But I can't.
33:35I don't know how we're going to fix it, but...
33:38I promise you I'll find a way.
33:40I'd love to let myself be carried away by that optimism, but...
33:44Maybe we're going to assume that we're doomed to live
33:47a life we don't want.
33:50No, no, no.
33:52I refuse to do it.
33:53And you shouldn't either.
33:55But there's no time to breathe.
33:57I feel like I'm in the middle of the sea,
33:59trying not to sink with the waves.
34:03My love.
34:05And when I feel like I'm finally out at sea,
34:07another one hits me again, I don't even know where it's coming from,
34:10and it takes me back to the bottom.
34:13Begoña.
34:15Look at me.
34:17Don't you feel anguish?
34:20I can't take it anymore.
34:22Of course you can.
34:24And I'll be by your side.
34:25Hold me when you think you're going to sink.
34:28And I'll hold you so you don't drown.
34:32Don't promise me.
34:34I promise you.
34:36I won't give up on you.
34:43I think you're wonderful, come on.
34:47Yes, Carmen.
34:49Don't you think I'm a little disguised?
34:51Disguised? I wish I could dress like that every day.
34:54You're going to the opera with the director.
34:58Look at you.
35:00What a fine touch.
35:02You should go over your lips a little bit.
35:10How beautiful.
35:12Especially because I've relaxed this gap.
35:15Oh, Carmen.
35:17Since you crossed your legs,
35:18my God, your face.
35:20But, well, he's told me that Abel Limón is lazy.
35:24Let's see.
35:26The boy is a bit of a punchbag,
35:28but the truth is that he doesn't do it with bad intentions.
35:30He's like that, and that's it.
35:32He's a bit particular, but he's a very good person.
35:34I told you, but you have to remember
35:37that no one beats you in a fight.
35:39Now, are you going to mess with me or what?
35:41No, it's a joke.
35:43But I don't like that you're so stubborn.
35:45In the end, you're the one who has a hard time.
35:46Yeah, that's true.
35:48That's weird.
35:50No, it's Lucy.
35:52I left her two pesetas for the designer.
36:01Well, I'm going to the canteen.
36:04And if I don't see you, have a good time.
36:10Goodbye, Carmen.
36:17Well, what do you think?
36:20You look beautiful.
36:22Doesn't Carmen seem a bit exaggerated to you?
36:25Not at all.
36:27And you're going to leave like that?
36:29Gina,
36:32there's been a setback.
36:35Have they canceled the recital?
36:38Not that I know of.
36:41But I won't be able to go.
36:42I know it's a disgust.
36:44I'm like that too.
36:46You know we're having problems
36:48with the production of Esencias de la Reina.
36:50And there are a lot of customers
36:52who aren't satisfied.
36:54Well, you see, I have to meet urgently
36:56with one of them
36:58because he wants to break the commercial contract with us.
37:00And no one else can go?
37:02I'm the director.
37:04No one else can or should go.
37:06Not even your brother?
37:08You think I haven't thought about it?
37:10But Andres doesn't know
37:12about the contract.
37:14And if the client leaves us,
37:16we could be in a very vulnerable position.
37:19With so much change,
37:21I'm carrying a lot of weight on my shoulders.
37:23And I'm not alone in the company anymore.
37:25The Merinos are there.
37:27I can't give in to them.
37:32I know it's a disgust,
37:34but you understand, right?
37:38I understand it perfectly.
37:39You don't have to stop going.
37:43And what am I going to do without you?
37:46Well, it's an opportunity
37:48and you're gorgeous.
37:50Tell Carmen.
37:52She'll be thrilled and then you'll go dancing.
37:54No, Marta, I'm not going without you.
37:56Are you sure?
37:59Very sure.
38:03Are you angry?
38:07I understand you're angry
38:09because the company is the first thing.
38:11No.
38:15I know it's a disgust,
38:17but thank you for being there
38:19and understanding it.
38:22Wish me luck with the lucky client.
38:25Good luck.
38:39Good luck.
39:10Maria, can I come in?
39:12Of course, come in.
39:16I need to talk to you.
39:19I have nothing to talk to you about.
39:21You can go wherever you came from.
39:23Maria, it's important.
39:25It'll only be for a few minutes.
39:27I'll look at it later and leave you alone.
39:29I'm sorry.
39:31I'm sorry.
39:33I'm sorry.
39:35I'm sorry.
39:37I'm sorry.
39:40Two minutes.
39:44I know you won't see it now,
39:47but prolonging this situation
39:49will do us both a lot of harm.
39:51I agree, Andrés.
39:53This has to change.
39:55And I want you to know
39:57that what I'm going to do
39:59is what's best for both of us.
40:01What do you mean?
40:03I'm going to request the marriage annulment.
40:06What?
40:07Maria.
40:08Leave.
40:10Maria, I love you very much,
40:11and that's not going to change.
40:13Even if we're not married.
40:14Leave, please.
40:16I understand your reaction,
40:18but we can't let ourselves be carried away by inertia
40:21and keep something that doesn't work.
40:32Fina,
40:34what are you doing here?
40:35Hey, hey, hey.
40:37That dress you're wearing
40:39is as beautiful as you told me.
40:41It's beautiful.
40:44Weren't you supposed to be at the opera?
40:46What was the singer's name?
40:48Maria Calas.
40:50But no, we couldn't go in the end.
40:54Wow.
40:56Something's happened to Marta, hasn't it?
40:59Yes, Father.
41:01At the last moment,
41:02when she was already dressed and everything was fine,
41:03she told me she had to go to Torrijos.
41:05To Torrijos?
41:07For a very important client.
41:09Apparently, she wanted to cancel the contract
41:10because of the stock problems
41:11they're having with Essentias.
41:14And you're waiting for her to arrive?
41:18Well, we didn't make it to the opera,
41:19but
41:21we could go get a drink later.
41:23Milk, cookies,
41:24I think you've already ruled them out.
41:27Put it on my face, Father.
41:29Put it on my face.
41:30You already warned me it could happen,
41:31and look, it did.
41:33No, daughter, no.
41:34I have nothing to put on your face.
41:35I'm not like that.
41:37And if I insist so much
41:38on warning you about that,
41:39it's so that you're prepared
41:40for these situations.
41:42I hate to see you disappointed.
41:46Daughter,
41:47the management of a company
41:48involves a lot of responsibilities.
41:50There are a lot of people
41:51who depend on it,
41:52but you already knew that.
41:54Yes, Father.
41:55Of course.
41:57We're both aware of that.
41:59But when Marta admitted to me
42:00that she wasn't spending time with me
42:02because of the company,
42:04I could only tell her
42:06that I understood.
42:08Of course.
42:09And I'm sure you said it
42:10with all your heart.
42:11But now,
42:12your generosity is starting to weigh on you.
42:15No matter how much I try to understand it,
42:16it hurts.
42:17It hurts and it bothers me
42:18to be the second dish.
42:22And if it were the other way around,
42:24what would you do?
42:28Well, I can't even
42:29make a judgment, Father.
42:30I can't even imagine it.
42:31I've never wanted
42:32a position like this for myself.
42:34And it scares me,
42:35I won't deny it.
42:37Because pressure and responsibilities
42:38change people.
42:41Carmen has changed
42:42since she was in charge.
42:43I know you love Carmen a lot,
42:44that she's very close to you,
42:45but Marta is something else for you
42:48and her commitment to the company
42:49is much greater.
42:51Don't you think it would be better
42:52to talk to her?
42:54Yes, yes, I guess so,
42:55but not today.
42:58And I feel like a broken toy
42:59replaced by another
43:00and I don't like feeling like that at all.
43:03Don't say that, daughter.
43:04I'm sure Marta feels the same
43:05for you as she did before.
43:07And you'll see how
43:08as soon as she takes a little shooting,
43:10she'll make time for the two of you.
43:12And if she doesn't, what, Father?
43:14Do I have to resign myself
43:15to occupy her dead time?
43:17Satisfy myself with the gifts
43:18she gives me to compensate?
43:20No, no.
43:22That's what the dears do.
43:23No, no, daughter,
43:24I'm not telling you
43:25to stay at home
43:26waiting for the phone to ring.
43:27No, no.
43:28Don't do anything wrong.
43:29Live your life. Have fun.
43:32If you don't,
43:33you'll end up hating Marta
43:34for what she made you feel.
43:36Think how you should think.
43:38Be selfish with yourself.
43:40Really,
43:41this seems like a contradiction,
43:42but it works.
43:44Yes, yes.
43:45I'll try.
43:47But right now
43:48it seems impossible to me.
43:51Well,
43:52let's see if this helps you.
43:55Think about your life
43:56before Marta gets to her.
43:58Right?
43:59Your world didn't start
44:00or end with Marta.
44:02Well,
44:03that's how it should work.
44:05Your life is the most important thing, daughter.
44:07Live for yourself,
44:09not for others.
44:11Okay?
44:14Come on,
44:15good night kiss.
44:18Good night, Father.
44:20Maria, I'm sorry.
44:22I was very honest the other day
44:23when I asked you.
44:24No, you weren't
44:25and you never will be.
44:27You told me you wouldn't leave me
44:28helpless,
44:29that I wouldn't lack anything.
44:31But I know what your word is worth.
44:32Maria, you won't lack anything.
44:34You want to marry her, right?
44:37As you want to marry her
44:38when you find the right man.
44:40You are the right man.
44:42Maria,
44:43I'm sorry.
44:45I'm sorry.
44:47I'm sorry.
44:49You get stuck in something
44:50that can't be
44:51and it hurts you a lot.
44:52Don't you realize that?
44:54I'm not going to tell you
44:55what you want to hear.
44:56Neither will I.
44:58Even if you don't realize it,
44:59I'm looking at it for both of us.
45:04Have you really come here?
45:07Because I don't think
45:08it's about telling me your intentions.
45:12I need you to help me with Nolida.
45:15Tell her you got married
45:16when you were too young,
45:18without really knowing
45:19what marriage was.
45:21What?
45:23Listen to me.
45:26We got married in love,
45:27or that's what you swore to God.
45:29Just like you swore
45:30to always be by my side.
45:31So you have nothing
45:32to say to that court.
45:33Do you hear me?
45:34You will keep your promise
45:35until you die.
45:36Maria, please.
45:37And now leave.
45:39Leave if you don't want
45:40everyone to tell me
45:41how miserable you are.
45:44Okay.
45:47I love you.
46:17I love you.