Salón de té La Moderna - Ep 247
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00:00The next day
00:07Guys, could you please take them to the alley?
00:12To the left, not to the right.
00:15We have to leave the hallway free.
00:21Piedro, wouldn't it be better if you talked to Don Fermin?
00:24What for?
00:26So you can rest a little, so you can go home.
00:28But the two guys can do your job perfectly.
00:30No, no, no. I want to stay here.
00:32As I'm going home, I give more thought to the matter.
00:35No, I don't want to.
00:36I prefer fatigue to nervousness, Antonia.
00:39Okay, I understand.
00:41And if I tell you the truth, I also prefer to have you closer.
00:44Because if my soul falls at my feet, I'm sure you haven't slept at all.
00:46And neither do you. I know you.
00:53Do you want to talk? Maybe it will relieve you.
00:56I don't know, Antonia, I don't know.
00:59I'm afraid.
01:01I can't deny it.
01:05This feeling of walking between life and death.
01:08Honey, don't say that, please. You're going to get out of this.
01:10Yes.
01:11Yes.
01:12But only by operating, Antonia.
01:14Just like that.
01:17Good morning, Don Fermin.
01:19Good morning.
01:20I'm sorry, but I couldn't help but listen to you.
01:25I'm very happy that you have finally decided to carry on with the operation.
01:30Yes, that's right.
01:31There's no other way.
01:32Also, knowing that you are in good hands.
01:34In the best.
01:36Ramiro Quiroga is a great surgeon.
01:38One of the most reputed in Spain.
01:39An eminence, come on.
01:41Thank you, Don Fermin.
01:43I would always be grateful to him because I could never have paid for these medical expenses.
01:49Friend Pietro, this is the last time I repeat it to you.
01:52I don't want to hear you talk about money ever again.
01:56What I want is to hear you laugh and sing your tarantellas and your arias.
02:01Enjoy your ice cream and eat your sweets, as always.
02:04The other thing is trifles.
02:07Understood?
02:10And of course, I can stop working until the day of the operation.
02:13You just have to ask.
02:14No, no.
02:16I prefer to work, Don Fermin.
02:17Very well.
02:18Although I need help, but I prefer.
02:20As you wish.
02:21I'm going to tell Teresa and Mrs. Lázara.
02:24Have a nice day.
02:34It would be better if you leave.
02:37I don't want them to hurt you because of me.
02:41I love you.
02:42I love you very much.
02:43Me too.
02:44And everything will be fine.
02:52Ballesteros, just listen to me.
02:55Think about it, really.
02:58But are you sure?
03:00So you don't leave me another option.
03:04Can I?
03:08Of course I'll call you.
03:09Yes, when I finish managing all these matters.
03:13Goodbye, Ballesteros.
03:18Are you okay?
03:19I'm fine.
03:20I noticed something wrong with your phone.
03:22Do you already have the actress?
03:24Or do you need to do more tests?
03:25No, no, no.
03:26No more tests.
03:29Ballesteros has already decided.
03:32And the person he has chosen is you.
03:38It's a joke.
03:39No, no, no.
03:40It's not a joke.
03:41He is completely impressed with you,
03:43with your talent,
03:44with your spontaneity,
03:45with how you act in front of the camera.
03:46He is completely convinced that you are the only person
03:49who can play that character.
03:52But I'm not an actress.
03:53Well, you should be,
03:55because if something has Ballesteros, it's smell.
03:58I don't know if it has smell or not,
04:00but I don't want to put my life upside down,
04:02spend a thousand dead hours on set,
04:05those early mornings.
04:06Well, you don't get up so early either,
04:07and besides, you get paid well.
04:10Tell him thank you very much,
04:12but no.
04:14Anything else?
04:16No.
04:19You see...
04:23Laura, I know that the situation
04:27is not easy,
04:30and I wouldn't like to pressure you, but...
04:34Ballesteros has threatened me
04:36to leave the film if you don't accept this role.
04:40After the failure of The Shadow of Love,
04:42the company's numbers don't come out.
04:44Yeah, but I don't understand.
04:45What do I have to do with this?
04:47What does it have to do with me?
04:48No, no, no, this...
04:49This has nothing to do with you.
04:51It's just that...
04:54I've put everything I had
04:56at stake.
04:57And if Ballesteros leaves,
04:59it's over.
05:01I need you to accept that role.
05:03I beg you.
05:04It's not my fault that the film didn't work
05:06or that you invested all your money.
05:08Why do you blame me?
05:10I'm not...
05:11I'm not...
05:12explaining myself clearly.
05:14I've tried everything with this man.
05:16But he only loves you.
05:18You.
05:20I'm going to have to talk to Inés.
05:22Because I figure it's not going to be funny.
05:24And if it is, I'm sorry, but I'm not going to do it.
05:26I know I'm the last person
05:27who has the right to ask you for something.
05:29But if you don't help me,
05:31I'll ruin it.
05:32Agustín,
05:33it's not about whether you have the right or not.
05:35Inés is my sister.
05:37And she's also your partner.
05:42What's going on here?
05:48Well, well, well.
05:49It was special.
05:50Well, I say special.
05:51It was magical.
05:52Yes, because it's as if we hadn't stopped seeing each other.
05:57It seems you've spent half your life with Leonora
05:59and you've seen each other all the time.
06:00Well, but the important thing is quality,
06:02not quantity.
06:03Right?
06:06Well, and you don't blow that you should be happy
06:08to have Leonora as your mother-in-law.
06:10Being beautiful and attractive is vital.
06:13Eloquent.
06:14I like it more every day.
06:16Elias, I'll tell you just once.
06:18Stop trying to seduce my mother-in-law.
06:20Let's not go back to the old ways.
06:21Look, Floja, bookkeeper,
06:22I'm a respectful man.
06:24After Leonora gave me pumpkins,
06:26I'm not going to keep being mean to her.
06:28Well, I don't know about her,
06:29but you're all day going on and on
06:30about how beautiful she is,
06:31how good friends you are,
06:32how well you get along.
06:33But that's the way it is.
06:35And besides, how funny she is.
06:37Come on.
06:38If you're having fun,
06:39go back to the salon and take care of the clients.
06:40You've had enough rest.
06:41Right.
06:42I'm going inside.
06:43Excuse me.
06:47I can't take it anymore.
06:48I can't take it anymore.
06:49With Elias or with your mother-in-law?
06:50With Elias, with my mother-in-law, with the boy.
06:53And that I have you.
06:54I still haven't thanked you
06:56for the walk you gave Leon yesterday with Teresa
06:59and for leaving us alone with Trini for a while.
07:01That's what friends are for, right?
07:03Well, yes.
07:04Look, quite the opposite
07:05of what mothers-in-law are for.
07:06Or at least mine.
07:07It's going in through the house and I have her on top of me.
07:10Looking over my shoulder.
07:12Let's see.
07:13What has the lady of the house told you now?
07:14Look, I don't even know anymore.
07:16What I do know is that she doesn't stop repeating all the time
07:18that with you at home,
07:19she never knows what can happen to you
07:21and that I do everything for the good of the family.
07:23The colonel is here.
07:24I'm here.
07:25What is clear is that she is not a saint of your devotion.
07:28Well, neither are you.
07:29Hey, and Trini, what does she do with so much growth?
07:31Not half, among you.
07:32What is she going to do?
07:33She does what she can.
07:34After all, Leonora is her mother.
07:36It's hard for me to take the opposite.
07:37I mean, to be impartial.
07:42Don't look at me like that.
07:43It's true.
07:44Look, the other day,
07:45we wanted to make potato omelette for dinner
07:48and the lady shows up and says no.
07:50What about the omelette?
07:51Nothing.
07:52It's a lot of fritanga,
07:53a lot of oil is used
07:54and everything is lost.
07:55Come on, she likes to send it to her house
07:57and to everyone's.
07:58Besides, with an energy.
07:59I turn on the radio to listen to the news
08:02or whatever.
08:03Or whatever you do.
08:04And what does my mother-in-law say?
08:06That there is nothing.
08:07Indeed.
08:08That there is nothing because Leon is sleeping
08:10or because he doesn't like the news
08:12or because his head hurts.
08:13I don't know, what do you think?
08:14Well, terrible.
08:15Because in your house you live very well.
08:17Well, no.
08:18Leonora doesn't seem to live very well.
08:19Everything seems bad to her.
08:20Especially what has to do with the kid
08:21and how I do things.
08:23Don't worry, Miguel.
08:24We all have our manias.
08:26What happens is that your mother-in-law
08:27has hers and those of half Madrid.
08:28Yeah, but if it were just for the manias.
08:30I'm a zero on the left in my house.
08:34I don't want to get there tonight.
08:36How can I stay doing inventory
08:39to get there a little later?
08:41Well, at least you get some money out of the problem.
08:45And the suffering with rooms.
08:46It's less suffering.
08:47No way.
08:48Don Salvador doesn't pay me.
08:50But I prefer to lose money in the bookstore
08:52than to lose patience in my house.
08:56I would like to tell you
08:57that this is going to be a streak of nothing,
08:59but you have Leonora very excited.
09:02Don't bring her out with hot water.
09:12Are you going to explain it to me?
09:15Agustín, do you know something that I don't know?
09:18Well, there's something I could tell you, yes.
09:22Very good.
09:23And are you going to explain it to me, please?
09:26Ballesteros has decided for someone,
09:29but the actress doesn't want to do the role.
09:32And why doesn't she want to do it?
09:34Is she going to make another movie or what?
09:37I don't know how to tell you this
09:38and I don't know how you're going to take it either.
09:42The actress who has chosen Ballesteros is Laura.
09:48Are you kidding me?
09:49No, no, no, not at all.
09:50I already told you that he had reviewed
09:52the tests of all the actresses
09:54and he has seen how your sister has given the reply
09:56and he is sure that she has outdone them all in charisma.
09:59So I had no choice but to offer her the role.
10:03What have you done, what?
10:05But I told you I didn't see her working as an actress.
10:07Inés, I had no choice.
10:09Inés, I...
10:10Laurita, please.
10:13Agustín, give me an explanation.
10:24By the way, have you seen the Pedraza?
10:26They told me they were in the living room.
10:27Yes, yes, they have been here having breakfast.
10:29I have barely been able to talk to them.
10:31They were very worried about the flood of the store.
10:34It is not for less.
10:36I was there at the first hour.
10:37I wanted to see what state the store was in.
10:40Tell them not to worry.
10:41I have given Paula a card with the phone number
10:43of the squad, of the operators
10:45who usually come here to the living room.
10:50What's wrong with you? You are as if you had gone.
10:53Nothing.
10:54I was thinking about the Pedraza
10:56and the opinion you have of their marriage.
11:00So?
11:01I have been paying special attention to them this morning
11:04and it is hard for me to believe that they are not a well-meaning couple.
11:08It shows that you are a man without evil, dear.
11:12Does that mean that you have the evil that I lack?
11:15No.
11:16And excuse me if I am heavy.
11:19But it shows that your dear friend Emiliano
11:22makes love with other women.
11:24That marriage is a couple.
11:28It is not that I distrust your criteria, Lázaro,
11:31but I am very surprised.
11:34When Emiliano arrived at the boarding school,
11:36he was an inoffensive young man.
11:38Everyone messed with him.
11:40I did nothing but protect him
11:42because otherwise those kids would have eaten him.
11:46But people change, Fermín.
11:48Or you are still the same person as at that time.
11:51For God's sake, you were kids.
11:53Yes, yes, yes, of course.
11:54But there are features that accompany us all our lives and ...
12:00Emiliano has always been a very noble young man.
12:05It is strange that he spends his life alternating with women,
12:08what do you say?
12:10As you can see when you have a predilection for someone.
12:13You can see it in the look, that we are already getting to know each other.
12:16I have always considered him a little brother
12:18and I have been very proud of his achievements.
12:20That is why I invested all my capital in his company.
12:23Because I know that it will give us great benefits
12:26and also because it is a way to celebrate his return.
12:30I'm sure it's a good decision.
12:31Anyway, don't trust me on finance issues.
12:34No puncture, no short.
12:37This is the last one, right?
12:40Well ...
12:42By the way, have you talked to the boys?
12:46Yes, I have already talked to them.
12:48And I have made it clear to them that they do absolutely everything that Pietro needs.
12:53Perfect, then we are done.
12:56What plans do you have for later?
12:58Well, I had thought of going to the jewelry store in the square.
13:01Yes, my boss thinks it's very clear.
13:03Your boss thinks it's great.
13:05And by the way, tell Don Martín to put everything on my account.
13:09Sorry, sorry.
13:11On our account.
13:13Now it's both of us.
13:14True.
13:16My God, Teresa, how quiet she has become.
13:19No, I just arrived, but if I come at the wrong time ...
13:22No, not at all, I was leaving.
13:30Sit down, Teresa, please.
13:32Thank you very much.
13:35Can I help you with something?
13:38Look, Antonia, this shawl, this shawl would look great on you.
13:42Yeah, well, I'm not in a good mood right now, really.
13:45But woman, focus on these little rags and that way it clears up a little.
13:49I really appreciate your care, but ...
13:53I spoke to Pietro and he has decided to have surgery.
13:57But that's good news.
14:00Well, it's good to stay short.
14:02Yes, yes, it's the best for him, but ...
14:05Well, it takes away from us that it is a delicate situation and that he is having a very bad time.
14:09But has something else happened?
14:13Because I'm very afraid, Esperanza.
14:16We have been told that it is a risky operation and that ...
14:20that it can cause a spill.
14:22Since I thought about it, I get sick.
14:25Well, get rid of that bad body.
14:27Because if it is to endure, Pietro endures what is not written.
14:30That will not be able with him.
14:32And besides, you have it, right?
14:34That having someone important in these situations is a long time ago.
14:38Yes, yes, but ...
14:40but it is difficult.
14:41I really try to be encouraged and get him up.
14:45But there are times when it's hard for me to pretend that ...
14:49that the situation is very complicated and it hurts me.
14:52But that's normal.
14:54The weird thing would be that you don't worry about him.
14:56But come on, everything will be fine.
14:58Don't worry, huh?
14:59Yes, yes, after the operation he needs more time in the hospital.
15:02I double the shifts he needs, I swear.
15:05Trini, in the hospital he will be just in time.
15:07Because look, look what I have here.
15:09Oh, yes.
15:11What a bunch of stamps you bring me.
15:14Well, I have prayed for all of them for you two.
15:17First, the Virgin of the Victory of Lepanto, which Paula brought me,
15:21one day on a motorcycle excursion.
15:23Yes.
15:24Well, she took the Ottomans out of the country.
15:27Oh, imagine what she can do for Pietro.
15:29Of course.
15:30Then there is Saint Judas Taddeo, another one who dances.
15:32Look how handsome.
15:34He is the boss of the impossible causes.
15:36Of the difficult, but there is nothing difficult.
15:38There is nothing difficult here, because with such a good surgeon,
15:41this is going to be a piece of cake.
15:43Yes, that's true, because the doctor wants to achieve an eminence.
15:47Well, in fact, if Don Fermín trusts him so much, it will be for a reason, right?
15:50Well, of course.
15:51All this is a chore, but Pietro has everything in front of him,
15:54because he has the surgeon, you, the stamps.
15:58Well, and with how stubborn he is.
16:00Yes, it's true.
16:01If for one thing or another, it has to go well.
16:06For God's sake, let it go well.
16:08If something happens to Pietro, I'll die.
16:11But please, don't cry.
16:13If he starts crying, I'm going to start crying too.
16:16No, no, really, I'm not going to make up a number.
16:20What I'm going to do is take a little air.
16:23Shall we accompany you?
16:25No, no, I'd rather go alone.
16:30We have left her alone.
16:35Ma'am, sorry to bother you.
16:38Pepita, what did I tell you before entering the library?
16:41That I didn't want anyone to bother her, but she has a visitor.
16:45At this hour?
16:47Nobody is waiting. Who is it?
16:49It's Mr. Morel.
16:53César Morel?
16:56César Morel?
16:59How strange.
17:02Let him in.
17:16Thank you, Pepita. You can go.
17:18Excuse me.
17:22Very good, Mrs. Pedraza.
17:24I'm sorry for not warning you that I would come.
17:26Is it a bad time?
17:28Don't worry, it's not a bad time.
17:30Although I confess that I miss seeing you here.
17:34After that, let's say, conversation you had with Emiliano.
17:38Nothing to worry about.
17:41I think you underestimate my husband.
17:43No, I don't underestimate him.
17:45But I don't think he's committing any crime.
17:48Although he's taking a risk.
17:50And can you tell me why he's taking that risk?
17:54Because I don't think it's to give me the earrings.
17:57No.
17:59I've come to bring you your gloves.
18:02He forgot them at my place when he came for the budget.
18:08And was it really worth it to take that risk just to give me my gloves back?
18:13That's right.
18:15When I realized that I had left them, you had already left.
18:18I had no choice but to bring them to you.
18:21Is that wrong?
18:23No, not at all.
18:26Quite the opposite.
18:29You're a very brave and gentlemanly man.
18:32I suppose you'd learn that in France.
18:37I didn't know you were aware of my biography.
18:42There's a lot of mystery around you.
18:45And I like to be well informed.
18:49And what do you think of that information?
18:53It's not as fierce a lion as it looks.
19:01Thank you very much.
19:03I think this blouse is very modern.
19:06But it will look good on me.
19:08Yes, take it. There's always time to leave.
19:11Hello. How can I help you?
19:14I'm so glad it's over.
19:16Look, we have a big problem.
19:19What's the matter? Can't you decide?
19:22No, no. It's just that...
19:25...since the prices are so good, we've been fired.
19:29So fired that we've forgotten about the panel.
19:32What she's saying is that...
19:34...well, that we've come from home without money.
19:37But since the prices are so good, it's an opportunity we couldn't miss.
19:41So we're asking ourselves...
19:44...if it would be possible to buy some clothes...
19:47...and pay them at another time.
19:49Of course, without a woman. No problem.
19:51Well, that's great.
19:53I want this, and also this.
19:56And me.
19:57This one.
19:59And this one, too.
20:01When I wear it in town, I'll look like a rich girl.
20:05And Antonio's dress, too. He had to leave.
20:09That's all, right?
20:11Very good. Have you tried it on?
20:14It's so wet, I can't see what happened to the water.
20:17But don't worry.
20:19With these beautiful dresses and these serrano bodies...
20:22...we'll look great.
20:24We'll come back tomorrow, pay for the clothes and take them.
20:27As you wish.
20:28If you want, you can take them today, and we'll settle the bill tomorrow.
20:32Are you sure?
20:33In fact, they'd do me a favor.
20:35All the wet clothes you can take from the store are better.
20:38So I'll keep them, and you can go with them.
20:41No, no, no, no, no.
20:43There's no need, woman.
20:45If we take them like this, we'll have to put them in a bag in the wardrobe.
20:49Besides, we're going to the box.
20:51If this store didn't exist, we'd have to make it up.
20:55Thank you very much, beauties.
20:57You're welcome.
20:58Let's go.
20:59Bye.
21:08What the hell is this?
21:12Wow, little sister.
21:14I've been trying to cheer you up, but I see you're overdoing it.
21:17With your spirits and your customers.
21:19That's what it's like to sell clothes at half price.
21:22I don't make money, but at least with all that's been wet...
21:25...I don't lose money.
21:27I can see that.
21:28You're turning the tortilla.
21:30You're all over the place.
21:32Do you have any idea how this could have been flooded?
21:35Well, it looks like it was a pipe that broke in the back store.
21:39But I don't know, it's something that surprises me...
21:41...because when we set up the store, everything was in order.
21:44I don't know.
21:45But it's already fixed.
22:05Let's go.
22:06Man.
22:34Ivan?
22:35Ivan, are you listening to me?
22:38What were you saying?
22:40I don't understand what happened. Where were you?
22:42Remembering.
22:44Of?
22:45That I have things to do.
22:47See you later.
22:49Goodbye.
22:55Now you are the one who is mysterious to me.
22:58May I know what else you have discovered?
23:01That you are a man of many worlds.
23:04Many rumors.
23:06Surely some unfounded.
23:09But I know for a fact that you have no cause pending with justice.
23:14I see you very well informed.
23:17Do you take the same trouble with the biography of the whole world?
23:25That you will have to discover.
23:28It will be a pleasure.
23:30By the way, I have reviewed the budget
23:33and I see that it is also a man of his word.
23:35It is a very fair price.
23:37I already told you.
23:38Price of a friend.
23:40With everything that has happened between us, we had to fix the laziness.
23:44I believe so.
23:46My son has told me that he will stop by your place today.
23:49You and your sister have managed to convince him.
23:52I see that you are very persuasive.
23:55I could convince you too.
23:57I would love to be able to invite you to a cocktail at the Madrid Cabaret.
24:02It is very kind.
24:04But I don't usually go to nightclubs.
24:08At my age it is rare to go to such places.
24:11At your age?
24:12Yes.
24:13Is there an age limit to have fun?
24:16I assure you that the Madrid Cabaret is the perfect place to have a good time.
24:20I assure you.
24:22Even so.
24:24I am a married woman.
24:26And if I did, it would have to be with my husband.
24:30Then better another time.
24:33I won't steal more time from you.
24:36It has been a pleasure.
24:43It is fortunate that the flood stopped in time.
24:46Otherwise, it would have been a fatal start for your daughter's accident.
24:51It has been a good scare, yes.
24:53But look at Paula.
24:55She is smarter than hunger.
24:57In every crisis I see an opportunity.
25:00You must be very proud of her.
25:02I am.
25:03I have been for a while.
25:06It is very difficult, Fermin.
25:08It is very difficult.
25:09So for a while I am proud.
25:11And for a while I would prefer her to be with Chichi.
25:15But tell me what brings you here.
25:17I suppose you have come to be interested in your investment in my business.
25:20No, no, absolutely not.
25:21I have deposited my capital in your hands.
25:23So I am completely calm.
25:26Wow.
25:27I thank you for what I get.
25:30You seem to be in an excellent mood.
25:32How does it show that you are newly married?
25:33Yes, yes, yes.
25:34I must admit that I am very lucky.
25:37And in my best dreams,
25:39I thought that at this point in my life I would be so happy.
25:42And much less that I would be married to a woman who understood me so well.
25:46Yes, if she sees you happy, yes.
25:48Take advantage.
25:49I don't want to be cynical, huh?
25:51But that lasts as long as it lasts.
25:53I hope it lasts many years.
25:56And you, how are you with Maruja?
26:03Sorry, sorry.
26:04I didn't want to bother you with the question.
26:07You don't bother me.
26:09No.
26:10You are my soul mate.
26:12My brother.
26:13If I don't tell you these things, who am I going to tell them to?
26:16I'm glad to hear that.
26:18You'll see.
26:20When I returned to Argentina,
26:22after going through boarding school here in Spain,
26:25I fell in love with a young woman.
26:28Well, that would be before meeting Maruja, right?
26:32Yes.
26:33Young people.
26:35Uncautious.
26:37We started a relationship.
26:39It was a clandestine relationship.
26:41We were not of the same social class.
26:44But there, in the hacienda,
26:46I don't know.
26:47Everything seemed possible.
26:49The fact is that my father found out.
26:51At first he wasn't too angry.
26:54I suppose he considered it to be
26:57a kind of entertainment for me.
27:00Maybe he also had similar feelings.
27:03Judging by the look on your face,
27:05he sensed that for you it was more than just entertainment, right?
27:09And when I told him that it was serious,
27:12when I told him that I wanted a future with that woman,
27:16he told me that it would never be an option,
27:19that he would never allow me to marry someone who didn't have my status.
27:26And then I met Maruja.
27:28A good woman.
27:30With many qualities.
27:32But if you want me to be completely honest,
27:35I've never been in love.
27:38But if you want me to be completely honest,
27:41I've never been in love with her.
27:45We haven't even fully understood each other,
27:47beyond what was necessary to have our children.
27:53I never imagined that your relationship would be like this.
27:58I've never stopped thinking about that woman
28:02I abandoned.
28:05The one I gave up on.
28:07She made me feel alive.
28:10Happy.
28:13Cheerful.
28:17And I don't know, Fermin, I think...
28:19I think I've spent my whole life looking for what she gave me in other women.
28:26What Maruja has never been or will never be able to give me.
28:31I'm sorry, Emiliano, that you weren't free to choose
28:36the woman with whom you had to share your life.
28:39But even so,
28:41I still consider that Maruja is an exceptional woman.
28:46She is.
28:47Actually, she's had as little luck as I have.
28:51And how does she handle all this?
28:53I've never cheated on her.
28:55Never.
28:57One day I told her about the existence of this woman.
29:00I asked her to be discreet.
29:02And she does it with as much dignity as she can.
29:07I'm sorry, Emiliano, but...
29:09I'm not judging you, of course.
29:11But from the outside,
29:13you look like such a well-matched couple.
29:16Don't you think?
29:18Well, I suppose that the force of habit,
29:20the inertia of the times.
29:25Maruja and I are a perfect marriage for our children,
29:28for society, for business.
29:31She lives devoted to her foundation,
29:34and I like to support her.
29:36I respect her.
29:38I appreciate her.
29:40And do you still miss her?
29:42The woman you fell in love with, I mean.
29:58Mom.
29:59What's wrong, honey?
30:01Are you sick?
30:03Mom, you have to be nice to Miguel.
30:06Come on, honey.
30:08Sit on the couch.
30:10He'll give you a piggyback ride.
30:12You know what?
30:14Put your legs up.
30:16They say it's good for mobility.
30:18Like this.
30:20That's it.
30:24I don't know where to put my legs.
30:26That's it.
30:28I've been standing all day.
30:30You work too much.
30:32I don't know if being a bad worker is a good idea.
30:35Well, have you listened to me or not?
30:37You have to try not to cut Miguel short.
30:40He's very tired.
30:41We've had enough with Leon.
30:43Yes, yes, I understand.
30:45Talk, talk, I'm listening.
30:46You tell me.
30:47But later.
30:51Because now look what I have.
30:54I just made you a lemonade.
30:57Look, fresh, sweet, just the way you like it.
31:00Well...
31:02And then I'm going to make you a steak.
31:04No fried potatoes.
31:06But with peas.
31:07They'll suck your fingers.
31:11And that silence?
31:13Have you slept already, Leon?
31:15Today, yes, like a lion.
31:17I gave him a drink, I bathed him, and he fell asleep.
31:20Oh, you don't know how much I appreciate it.
31:22Oh, normal.
31:24Oh, daughter, thank goodness you see how good I am and how much I help you.
31:28What were you going to do without me?
31:30Yes, I see it, yes.
31:31And the truth is that I don't know how we could thank you.
31:34I know that women are more avid for these things.
31:37We know what to do.
31:38Well, we even know how to do several things at the same time.
31:41But Miguel, oh daughter, it seems that instead of blood he has horchata.
31:46That's it, that's it.
31:47One moment.
31:48That's what I was telling you, okay?
31:50You have to treat Miguel with more tact, with more affection.
31:53You can't say those things.
31:55That's enough.
31:56Yes, yes, enough, enough.
31:57I don't say them if you don't want me to.
31:58Okay.
31:59But, daughter, I have to be up all day so that he doesn't make a mistake after another, huh?
32:03Please, look, look, look, look.
32:05What a little handkerchief, huh?
32:06Not for the house, not for the child.
32:08It's like an elephant in a muck.
32:10I know that Miguel is not at your level, but to be a man he is not bad at all.
32:13Plants?
32:14Wow, much better than me.
32:15And about the child, well, I don't know, I don't know.
32:18We are learning.
32:20No, Trini, no.
32:21Don't make an effort.
32:22You already have very long days to cover up his shortcomings.
32:26Well, you and especially me.
32:28I have time for all this to be more or less in order.
32:30I don't complain.
32:31But daughter, daughter, daughter, you have to push him.
32:34I'm not going to be here forever.
32:39No, no, I'll take care of it.
32:48It's pure magic.
32:52It worked with you too.
32:54Do you think Miguel could do something like that?
32:57Well, no.
32:58Of course not, but neither do I.
32:59It's very difficult.
33:00I wish I had learned this when we were both alone,
33:03that we couldn't even sleep.
33:05Well, you don't need to because your mother is here to do it.
33:08Don't forget, my girl.
33:10Thank you, mommy.
33:11Are you going?
33:12Yes.
33:30Good afternoon.
33:31Mercedes.
33:33Here I am.
33:34I come in peace.
33:36Good afternoon.
33:37I'm glad to see you in such a good mood
33:39and that you accepted my invitation to return to our place.
33:42Well, I've decided that maybe it would be better to forget what happened.
33:45More than anything, because this is one of my favorite places in Madrid
33:48and because you are much nicer than your brother.
33:55I hope I can ease your laziness.
33:57It would be a shame to lose a client like you.
34:00Hi, Iván.
34:02I'm glad to see you here.
34:05I was just telling your sister that I came back because she is very nice.
34:10I don't know if I can say the same about you.
34:13I repeat my apologies and I hope I can change your mind.
34:17What happened will not happen again.
34:20I understand that you have re-trained,
34:22but I notice you are calmer than the other day and less aggressive.
34:26That's right.
34:27It won't happen again.
34:29I like your attitude, although there is something you shouldn't forget.
34:34The other day you caught me by surprise.
34:36What were you going to hit me with?
34:39Well, I think it's all said and done.
34:42We shouldn't talk about you again.
34:44Of course not.
34:45Because if you repeat yourself and you don't betray me, I'll kill you.
34:51I insist, I think we should change the subject.
34:55In fact, from today on, we will consider you our favorite client.
35:04Great.
35:05Now that everything is clear, let's do the usual.
35:08Of course.
35:09We have reserved a table next to the stage,
35:11so you can enjoy the jazz performance we have tonight.
35:16Thank you very much.
35:17Now we'll bring you your glass.
35:22Well, little brother.
35:24What's done is done.
35:26I see you are very optimistic with Ivan.
35:28I don't want to have problems, but I doubt he can have fun without them.
35:31But if we can avoid them and not lose a good client, it's better.
35:35If it weren't for the patience I've had, we would have had a problem again.
35:40It's better to be calm.
35:43I'm glad you're so calm.
35:45We get along very well, little brother.
35:47Yes, very well.
35:49By the way, have you talked to the distributor about the order?
35:53No.
35:55I'm sorry, I'll do it tomorrow.
35:56I've had more important things to do.
35:58More important things like what, for example?
36:01Well, for example, visit Mrs. Pedraza.
36:05Really?
36:06Have you gone back to Mr. Emiliano's house?
36:08That's right.
36:09I forgot my gloves at the restaurant and I thought it was convenient to take them with me.
36:12She's a very nice woman.
36:14Of course, of course.
36:17Let's see if you've gotten out of a mess and you're going to get into another much bigger one.
36:20Don't worry, everything is fine.
36:22Serve the glass.
36:31I can finally see you.
36:34What a longer and more complicated day.
36:37Thank God the flood of Paula's store has not gone any further.
36:42By the way, do you know what happened to my daughter?
36:46In view of the fact that she had been in a state of shock,
36:48she had been in a state of shock for a long time.
36:50She had been in a state of shock for a long time.
36:52She had been in a state of shock for a long time.
36:54She had been in a state of shock for a long time.
36:57By the way, do you know what happened to my daughter?
36:59In view of the fact that she had been in a state of shock for a long time,
37:01she had decided to put the clothes at half price.
37:03She took them off her hands.
37:05I think she inherited an instinct for business.
37:10Although I tell you something else, this actually gives me reason.
37:13Because I told her that at those prices,
37:15the working women would not be able to pay them.
37:19Well, if you lower it to half, yes.
37:21But that cannot be done continuously, right?
37:23It would not be profitable.
37:26No?
37:28Of course.
37:31Has something happened?
37:33No, no.
37:34It's just that I'm going around Rodrigo's studies a lot.
37:37You know that for me it is the most important thing.
37:40If you could give me a little bit of that scholarship, I would appreciate it very much.
37:43But, but Pepita, think a little.
37:47You pressured me to get him into my company.
37:49We have made him a man of law and order.
37:51And now you ask me to get rid of him.
37:53Rodrigo wants to be a doctor.
37:55I think that if he has worked for you, he has made so much effort,
37:58and he has assumed the great help you say,
38:00there is no reason for you to help him fulfill his dream.
38:06No.
38:07I need it.
38:09I'm sorry.
38:10I'm sorry, but there will be no scholarship for Rodrigo.
38:14But why?
38:15Don't you appreciate it?
38:17You have seen him grow up, you know what it is worth.
38:19It makes no sense that you don't want to help him.
38:21But I'm not helping him.
38:25In any case, he will not stay with you all his life.
38:27Why not?
38:28No, tell me, why not?
38:30What's wrong with that?
38:33Look, Pepita, I don't want to talk about this now.
38:36I come here to see you in a good mood and you receive me with long faces.
38:38That's why I already have my wife.
38:40It's Rodrigo's future.
38:42I'll have to say something, I'm his mother.
38:45Yes, woman.
38:47Now I don't feel like getting into bed with you.
38:49No, of course not.
38:51Or are you going to force me to stay by your side like my son?
38:54Don't talk to me like that.
38:59Are you going to force me, Emiliano?
39:01Are you going to force me?
39:04That's what cowards do.
39:06They don't know how to get things the other way.
39:19I love you.
39:49I love you.
40:00Hello, my love.
40:03Lower your voice, man.
40:05My mother is trying to sleep, Alejo.
40:07You don't know what I'm going to do.
40:10Why did you come so late?
40:12What happened? Did something happen?
40:14No, because I had to stay doing inventory
40:16because the bookshop was a bit messy
40:18and with the news and returns,
40:20there was no one to take care of it.
40:22If it weren't for my mother,
40:24next time try to come earlier.
40:26Because I also come back from work
40:28and sometimes I don't know how to sleep.
40:30Yes, yes, you're right. I'll take that into account.
40:32Hey, do you know where my slippers are?
40:34They're not in their place.
40:37It's just that my mother has changed them
40:39and has left them in the room
40:41because she says that at the entrance it's very vulgar.
40:43You're right.
40:44Sure.
40:45Whatever the sergeant says goes to mass.
40:47Look, Miguel.
40:48My mother is helping us a lot.
40:50Okay?
40:51If we're overwhelmed, for God's sake,
40:53can you make an effort and be a little more kind to her?
40:56Yes, I understand that she wants to help us.
40:58But what do you want me to tell you?
41:00I'm fed up.
41:01This is my house.
41:02And many times, no.
41:03Many times, no.
41:04Always, always.
41:05I feel like an intruder.
41:06It's temporary.
41:07Temporary? Until when?
41:08Until Leon reaches the age of maturity?
41:10No.
41:11Your mother came with the intention of staying.
41:13No, no, no.
41:14My mother didn't come with any intention.
41:16So please stop exaggerating and getting obsessed with the subject.
41:19When my mother sees that you and I get along better with Leon,
41:22she'll leave.
41:23And that's it.
41:24And look.
41:25Thanks to her, we can have these magnificent talks.
41:28You and me.
41:29Dinner is ready.
41:31Cacho Mollejas.
41:32Mollejas?
41:33Yes.
41:35Well, I'd rather have a can of tuna and a piece of bread
41:39and have a little peace.
41:40But why are you saying this?
41:42My mother doesn't stop making an effort.
41:44Yes.
41:45Making an effort.
41:46If I were a fly, I'd kill myself with a broom.
41:48But why do you say that?
41:49Well, because it could be a charm with you and the child.
41:52But as a mother-in-law, what do you want me to tell you?
41:54It's a disgrace.
41:55It doesn't even let me breathe.
41:57That loud voice.
41:58Temper it, you're going to wake up the kid.
42:00But I do have an angelic voice.
42:02Angelic voice with devil's tongue.
42:04I see you very strange.
42:05I see you coming.
42:06Look, Leonora.
42:07No.
42:08Be careful, son-in-law.
42:09Don't say anything you'll regret.
42:13You see?
42:14A charm.
42:15I'm the luckiest man on the planet.
42:17Look, Miguel.
42:18This is not easy for me either.
42:19Okay?
42:20But you're going to have to think of a way to get along better with my mother
42:24because it is what it is.
42:25Okay?
42:26She's behaving very well and she's helping us a lot, man.
42:28But if I...
42:29I understand that.
42:30But you don't realize that if we continue like this,
42:32our marriage is in danger.
42:34Our intimacy is in danger.
42:36Our communication.
42:37Our tranquility.
42:38Of course.
42:39Because you only think about the bad.
42:41Because you don't want to admit that if it weren't for her,
42:43we would be lost.
42:44But no, of course.
42:45You think about intimacy.
42:46About your panties.
42:48And...
42:49Look, please.
42:50Take it.
42:51Take a lemonade and refresh yourself a little bit
42:54and leave me alone.
42:56Very good.
43:00Well, it's good for you.
43:03My mother made it.
43:11You had a fantastic idea about taking down the garments.
43:14Existences have run out, haven't they?
43:17Yes, and I'm sure it was a good strategy to let us know.
43:21The best way out is for the women to wear the garments
43:24and talk to each other.
43:27Then why do I notice you're worried?
43:29Because between what we previously sold and the success of this campaign,
43:34we are practically without existences.
43:37Wow.
43:38From now on, it's impossible to put the genre back on.
43:41And it's a shame, because I'm sure this has caught the attention,
43:44the word has spread,
43:45and new customers will arrive that I won't be able to serve.
43:48Don't get too excited before the wound, woman.
43:50It's just that if you saw how happy they left,
43:53they were happy, and so was I.
43:55And it must continue to be,
43:56even if you have to close the store for a few days
43:58until the new merchandise arrives.
44:01How long will that take?
44:03A week, more or less.
44:05It's what they usually take, Paula.
44:08Closing the store for a week would be a complete disaster.
44:12Just now that we're starting to make noise,
44:14closing at night, in the morning...
44:17It's just that if you approach this store,
44:19because they've told you about it,
44:20and you find it closed, you won't come back.
44:22And couldn't the order be accelerated?
44:24That's very complicated.
44:25You know that the warehouse is in Alcazar de San Juan,
44:28in the middle of a railway junction.
44:30I'm afraid that the supplier has no choice
44:32but to send the clothes by train,
44:34and the trains have their times.
44:37What other alternatives could there be?
44:39Because, yes, closing the store now would be a disaster.
44:42I don't know if I can think of anything else.
44:45Don't worry.
44:47You always come up with something, and you solve it.
44:50This time, I don't know what to tell you, Rodrigo.
44:54I've been serving customers all day,
44:56and I'm completely exhausted.
44:58It's natural.
44:59You're taking on too many responsibilities.
45:01It's too much even for you.
45:04Maybe there's no choice but to close it for a week.
45:08Even if I don't like it at all.
45:11She kept me on the phone for about ten minutes,
45:15and in the end,
45:17I didn't want to scare her,
45:18but I did tell her about the operation, Pietro.
45:21I understand.
45:23Don't worry.
45:25Marta is like a daughter to us.
45:27She has every right in the world to know.
45:29I see.
45:30It's been an unfair day,
45:31but I think it's important that we count on her love and support.
45:35Yes.
45:36Really, don't justify yourself.
45:38She wouldn't have liked it if you hadn't told her.
45:41Well, no.
45:43She offered to come to the operation in case we needed her.
45:47What a good girl.
45:49Have you missed her a lot?
45:50Yes, a lot.
45:52And how is she?
45:53Good, good. She's doing very well.
45:56She's doing great.
45:57She's studying a lot,
45:58helping Salvita at the bookstore.
46:01Look, in the end,
46:02her plans, which seemed crazy,
46:04turned out well.
46:06They deserve all the luck in the world.
46:08Yes.
46:12How are you?
46:13Me?
46:14Fine.
46:15Fine?
46:16Fine, yes.
46:18Well, I try not to think about it too much, but...
46:23Well,
46:25you don't face such a complicated situation every day, darling.
46:29Yes, I know.
46:31The operation seems very complicated,
46:33but the alternative was worse, right?
46:37What am I going to do?
46:39I don't like any of the two options.
46:42Well, what you have to do is be positive, Pietro.
46:45Yes.
46:46Right now, a lot has progressed
46:48in these diseases.
46:50Right now, science...
46:52And besides, Dr. Quiroga is an eminence.
46:54The best specialist.
46:56I know, I know.
46:58But sometimes it happens to me that I think
47:01that not even the best doctor knows everything, right?
47:07The human body is a mysterious machine, Antonio.
47:12Something can go wrong, right?
47:15And...
47:16And one thing is to be positive,
47:19but another thing is to cheat.
47:21No, I'm not asking you that.
47:24Antonio, I...
47:25Antonio, I...
47:27I want to tell you something.
47:31If I don't get out of the operation,
47:33you have to promise me that...
47:35No, no, Pietro, don't go on.
47:37Don't even think about it, because that's not going to happen.
47:41Antonio.
47:43Antonio, listen to me.
47:45This can happen.
47:48You understand, right?
47:51It's better if you don't think about it.
47:53I understand.
47:55But look at me.
47:58I have to put my affairs in order.
48:03You understand, right?
48:09I need to write down my last wills.
48:13Antonio, I'm not very fine and I wanted to dictate it to you.
48:16Pietro, I'm not going to write any letter because it won't be necessary.
48:20I need to do it, Antonio.
48:21I'm sorry to say this, but I need to do it.
48:25I'm not going to write any letter, Pietro.
48:28Antonio, I'd be irresponsible if I didn't.
48:32I'm not going to write any letter because...
48:35we have all the time in the world left.
48:39All the time we deserve.
48:41After everything we've fought for, Pietro.
48:44Now that...
48:48No.
48:49No.
48:50Antonio, listen to me.
48:55We can't turn our backs on reality.
48:59You understand, right?
49:01Please, help me.
49:02Pietro, please, don't ask me to assume that you can die because I don't want to.
49:05Please, I can't.
49:07I can't.
49:08I can't.
49:17Are you clear about what business you want to embark on?
49:20Well, I have several ideas.
49:24But I need to mature them.
49:26And above all, I'd like to know that I have my father's trust
49:29to be able to tell him and get his opinion about it.
49:33What if you start by telling your mother to vary?
49:36I didn't have a choice. I promise you, Inés.
49:39I was going to fire Ballesteros, but I can't do this.
49:42I can't delay the shooting.
49:44We have to reschedule it as soon as possible to stop the losses.
49:48I've seen that Paula's store is closed.
49:50I imagine that the flood must have been a big setback for her.
49:54No, quite the opposite.
49:56Yesterday, she sold all her stuff.
49:59She had no choice but to travel to Alcazar de San Juan to buy more merchandise.
50:03Was someone talking about my mother?
50:05We were just talking about how good of a couple she makes with Elias.
50:09Can you imagine that they end up together?
50:10No, no, no, no, please.
50:12I'm not kidding.
50:13I don't want a boyfriend for my mother, much less Elias.
50:16But it's true that you should think about how to deal with my mother.
50:20Who, me?
50:21Yes, of course, you.
50:22I've been thinking about the conversation we had the other day.
50:25About working at the factory.
50:27And I don't think it's the most convenient.
50:29So I'm willing to show you that I'm also able to run my own business.
50:33Here you go, maestro.
50:35For what I need, when I don't need it.
50:37But, Elias, I want to ask the three of you for a favor.
50:41Whatever you want, Pietro.
50:42Count on us.
50:43You're already telling me what the hell is going on with you.
50:46You know too much.
50:47Oh, my God.
50:48To know what things I would have done to get you on your knees.
50:51Another one would have left if they treated her like you did to me yesterday.
50:54Are you serious?
50:58I'm sure everything will be fine.
51:00Everything will be fine.
51:02Tofemillo, I want you to be my albaceo.
51:06Please.
51:07Between Elias and Leonora, the spark has already jumped.
51:10We just need to give them a push so that the flame lights up again.
51:13Yes, but that flame behaves with risks.
51:14We're talking about Elias.
51:16It's easier to scare Leonora than to make her fall in love.
51:18You'd better put it on me.
51:20Because if she falls in love, take your mother-in-law out of the house to court her.
51:23And if she scares her, your mother-in-law takes the door and leaves.
51:27To lose sight of her.
51:28Maruja Pedraza speaking.
51:30Who do I have the pleasure of talking to?
51:32Mom, we have a conversation in the middle and I was hoping we could continue with it where we left it.
51:42Mrs. Pedraza, are you still there?
51:43Yes, yes, sorry.
51:45So, what do you say?
51:47I'm a little worried, but I have a gap at dinner time.
51:58Yes.
52:03Your work at the foundation has absorbed you.
52:07That's right.
52:11I can't get it out of my head.