Ο ΤΙΜΩΡΟΣ Επεισόδιο 5 HD | O TIMOROS Epeisodio 5 HD
Ο ΤΙΜΩΡΟΣ Επεισόδιο 5 HD | O TIMOROS Epeisodio 5 HD
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#otimoros #timoros #alphatv #otimorostrailer #timorostrailer #otimorosalpha #timorosalpha #otimorosalphatv #timorosalphatv #otimoross1 #timoross1 #otimorosS1 #timorosS1
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Short filmTranscript
00:00How are you?
00:01He's out. He's talking on the phone.
00:04Ah, that's nice, now that the three of us are together.
00:07Tell me, Angela.
00:09I don't want you to misunderstand me, but I want to ask you something.
00:14What is your relationship with Mark?
00:17We grew up next to Gerasimos. We were neighbors.
00:24When Gerasimos was left alone with a child, his mother helped him.
00:30And when we got married, he took care of us.
00:35We became like a family.
00:38He was a tough man at times.
00:41Illegals, scams...
00:44We heard a lot about him.
00:46But he raised us with love.
00:49He was like a father to us.
00:52Maris, Gerasimos' son, was like a brother to us.
00:58And when we lost him, Mark was like a servant to us.
01:04In business, in our lives, in our hearts, everywhere.
01:08Of course.
01:10Since you mentioned business, what kind of life is this?
01:15Legal or...?
01:22We speak openly.
01:24Well, don't say anything.
01:27We won't get you out of jail.
01:30No, Gerasimos didn't make so much money from business.
01:34It's just not so legal.
01:37But his son has invested in legal projects.
01:41Mostly in tourism.
01:43And that's exactly what we're going to do.
01:45We bought a large plot of land in Ermioni.
01:51It's called Antisymptosis.
01:53I read in the paper that a hotel will be built there.
01:57You'll have nice neighbors.
02:00I don't think it will be built there.
02:03Why, Mark? What did you do?
02:05What I understood, Angela.
02:07We got it by force.
02:09Do you want to expel him?
02:11That's exactly what I'm aiming at.
02:13I see.
02:15I understand that you want to take revenge on them.
02:19But...
02:21How far can you go?
02:24There's no other way.
02:28Please, sit down.
02:32Don't make a fuss. I can smell it.
02:41You have to do everything.
02:43Even the smallest things.
02:45You'll lose everything.
02:47I know.
02:48I signed it.
02:50What?
02:52Are you crazy?
02:55Don't worry. I'm bluffing.
02:57I'll give it to Leonidas and the matter will be settled automatically.
03:01Are you playing with fire, Natalia?
03:03Have you thought about agreeing to it?
03:05I won't. Leave it to me.
03:08I wanted to know why you're so sure.
03:12I just know how to read people and take advantage of their weaknesses.
03:17That's all.
03:19Yes, that's all.
03:21You know how to do it very well.
03:23Not here, I said.
03:25Fine. I'll wait for you tonight at my place.
03:27You know it's hard.
03:28I don't care.
03:31Find a way.
03:32Wait.
03:36I want you to be close to Alexi.
03:38I don't want him to cause me any more problems.
03:40You never know what he's thinking.
03:42He smashes you with a smile on his lips.
03:45That's what it looks like.
03:48Don't send me away again tonight.
04:03Do you want to tell me that the curse of the family
04:06meant that his father's death might not have been an accident?
04:10I don't know. Maybe I'm just so confused.
04:14On the one hand, Dominiki wasn't that good.
04:18On the other hand, she might not be that crazy.
04:21After Kominos gave the order to kill Markos,
04:25he couldn't have done the same for his father.
04:28That's a very strange coincidence.
04:30Nothing is a coincidence in this story.
04:33Someone is hiding behind it.
04:35I still don't know if we can take Dominiki seriously.
04:39She's gotten much worse lately.
04:42But the question is, why did he want to get you out of the middle?
04:45He must have had a reason.
04:47Your father was a lawyer.
04:49What was he doing back then?
04:51Let's start from there.
04:52We're looking for high-ranking officials.
04:54It's been 20 years since then.
04:56Yes, his office at the prosecutor's office no longer exists.
04:59But his office at home, I didn't bother him.
05:03I had no idea back then, but if it was really a murder,
05:07we could find something specific.
05:10We could find the end of the story.
05:15I'll find out who's hiding behind this story.
05:19And he'll pay for it.
05:21Bravo.
05:23You asked me before,
05:26how far I'm willing to go.
05:29I'll answer you now.
05:32As far as I can.
05:35It's a long story.
05:38When you get to the end, Markos, you lose control.
05:42When you want to take revenge, you lose yourself.
05:47And you lose him once.
05:50Be careful not to lose him again.
05:57That's his number.
05:59Call him. Now.
06:02Let's leave it for a few days. It's not like it's just me.
06:05No, we don't have time to lose.
06:08Now.
06:24I'll leave it for a few days.
06:27I'll call them and tell them
06:30that I want to work with them.
06:32We didn't agree on that.
06:34I've decided now. I think that's the best idea.
06:41Unknown number.
06:43Four.
06:47Yes, please.
06:48Yes, Mr. Giannoulas, good evening.
06:50My name is Ellie Galanou, I'm an architect.
06:56Mr. Giannoulas, can you hear me?
07:01Yes, I can hear you, please.
07:04How can I help you?
07:06I'd like to book a meeting up close.
07:09I'm calling you on behalf of Milou Komnenou.
07:13Do you have some time?
07:15I understand that your program may be very busy,
07:18but I'd appreciate it if you could give me some time.
07:21I can come to your company.
07:23I'd like to show you some of my plans.
07:27Plans?
07:30I heard you're planning to build a big resort in Ermioni, right?
07:35I was hoping that we could work together.
07:41Yes, let me look at my program
07:45and I'll talk to you.
07:49Thank you very much.
07:52Who was that?
07:54Komnenos?
07:56No.
08:00Him.
08:14What did they say?
08:16Space and time.
08:22He'll call me in a minute to answer me.
08:25Ellie.
08:27You have to convince him.
08:30The rest of the company is in your hands right now.
08:34I'll do what I can, but don't expect miracles.
08:45He was very in love with her, wasn't he?
08:48You can't imagine how much.
08:50These are the lovers of the South.
08:53One of those that nothing can compete with them.
08:57They met in Morocco, he proposed to her
09:01and Ellie accepted.
09:04We were waiting for him to come back so we could start preparing.
09:08He was crazy and crazy about her.
09:24What happened to you?
09:26I thought she was a good girl.
09:29I thought she loved Mark.
09:32But it seems I was wrong.
09:36It's not worth risking his life to take revenge on them.
09:40He did it. He's alive.
09:43That's what matters.
09:45You have to help him understand.
09:48What he's doing is wrong.
09:50What if the communists killed his father?
09:54What if Christoforos died because of them?
09:57He didn't have a second chance like Mark did.
10:03It's been a long time.
10:05The idea of revenge keeps him alive there in England.
10:21Antonis, get to the point. I have work to do.
10:24I'm going around all the time.
10:26Look, Alexi.
10:28It's not easy for me either.
10:31I don't want to put you in a difficult position again, but...
10:34We're a family, you understand?
10:37I'm trying to cut it.
10:40How much?
10:43So much?
10:45I don't know.
10:49I don't know if I can keep cold-sheltering Ellie.
10:52Please.
10:54Don't worry.
10:56You'll get used to it.
10:58That's not the point.
11:00The worse it gets, the worse it gets.
11:02If she finds out from somewhere else, I'll have a problem with my wife.
11:07What's going on?
11:09You tell us what happened to Giannulato.
11:11Everything's fine. We talked and I hope he'll call me for a date.
11:15He's very busy.
11:17You were right about the plans.
11:19I can't let them go to waste. I'll try to convince him.
11:22Good. I'll leave you to talk.
11:25Alexi, think about what we said.
11:27He's gone.
11:35What do you mean, he's gone?
11:37Nothing. You know that from your father.
11:42What's important is that you focus on Giannulato's case.
11:49Although I'm sure you've warned him.
11:52He's calling me.
11:57Yes, Mr. Giannulato?
11:59Mrs. Galanou, I looked at my schedule.
12:01I can only do it tonight.
12:03Tonight? You mean tonight?
12:06Yes, unfortunately, there's no other time.
12:08Otherwise, we'll leave it.
12:10No problem. What time do you want and where?
12:13Let's say, at nine.
12:16I'll send a co-worker to pick you up.
12:18No, you don't have to. I'll come on my own.
12:20Send me your address and we'll talk tonight.
12:23Okay. Thank you.
12:27She's calling.
12:28She says someone's coming to pick me up.
12:41Thank you very much for everything.
12:44Be well, my girl, and come whenever you want.
12:47You are welcome.
12:50What happened?
12:52Tonight I'll meet the woman I've been longing for.
12:59I'll take this. I'll take it to the car. Thank you very much.
13:02Be well, my boy. And be careful.
13:05Everything will be fine.
13:18Be well, my boy. Don't look into my eyes.
13:22Angeliki, I used to believe in people, too.
13:26But not anymore.
13:29Take care of yourself, Markos.
13:31Now that I've found you, I don't want to lose you again.
13:36You won't lose me.
13:39This path you've taken is dangerous.
13:43You're protecting me, aren't you?
13:45These people are relentless.
13:48That's how I understand you.
13:50They want to destroy you.
13:52And that's why I'll be decisive.
14:05I love you.
14:11What?
14:13What's wrong? Did you forget something?
14:15I think I forgot something. You have your father's photo.
14:17I'll put it all here.
14:20I'll take your things. I'll leave your car. I'll wait for you downstairs.
14:28Ellie, how did you get here?
14:30We're in a hurry.
14:32I'm going on a date with John Blanton. You can ask him to work with us.
14:35Good idea.
14:36Alex's idea.
14:37My friend knows what he's doing.
14:39Just don't spend too much time with your friend.
14:42I wonder where he is.
14:45What do you mean?
14:46About yesterday. About the drinks you went to. He came back in the morning.
14:51Oh, you weren't together.
14:54Oh, sorry. I misunderstood.
14:56The lipstick. Thank you.
14:58Good night.
14:59Bye.
15:03What's up with Alex and his wife?
15:06I don't get it.
15:32Is it that bad?
15:34We have a problem.
15:38What about Hermione?
15:43There's more.
15:45We have to look for it carefully.
15:49I think they sent this.
15:52I'm sorry.
15:59Do you take a shower in the middle of the night?
16:01Yes.
16:04What are you doing here?
16:06Take yours.
16:08I want to know if...
16:10...if there's anything on the gas.
16:12He's a fatass. I saw him.
16:14Shut up.
16:15That's enough.
16:17I want to know...
16:19...what he wants from me.
16:23The only thing I'm sure of is that he wants to continue.
16:27We have to take our measures.
16:29We increased the security.
16:31That's enough.
16:34Antonis, you have to find out who planted the bomb.
16:40I told you, I haven't started.
16:43I'll see what else I can find out, but do it quickly.
16:47I have to make it in time for his next move.
16:51I don't have time to be with him.
16:53Anyway, in order to send a message to you...
16:56...not only Alexis is in danger, but the whole family is.
17:00The rest of us have to worry, but...
17:05...we're all in danger.
17:08I can feel it.
17:16I can feel it.
17:22You'll have to eat pasta all day long.
17:26You got it, right?
17:43Are you sure you can do it?
17:46Good.
17:48Meet her tonight.
17:51The two of you. Alone.
17:55It'll be a bit strange.
17:57I'll be here too.
18:01No.
18:03This is something I have to do alone.
18:06And if she recognizes you...
18:08...if she tells you something and you lose it, if anything happens...
18:12...it's out of the question.
18:14Angeliki recognized you with the first one.
18:17Eli, who was your greatest love, why not?
18:23It's not like that, man.
18:27I don't believe that...
18:30...she truly loved me.
18:32Never. She didn't forget me instantly.
18:36I have to find out who I am.
18:40Go.
18:42Don't worry.
19:12Shit.
19:42I'm coming.
19:46Yes?
19:48You're back.
19:50I was waiting for you to make me a little mood.
19:53Forget it.
19:55What's this?
19:57The proposal you asked Alex to make.
19:59I signed it.
20:01What?
20:02Proposal?
20:04I told you that my love for you has nothing to do with wealth or your money.
20:08And I'm glad he gave me the chance to prove it to you.
20:11Who the hell are you? I had no idea.
20:14Leonidas...
20:16...I thought you asked Alex.
20:18Of course not.
20:21I don't understand what my son is doing.
20:23With a suspect behind my back.
20:25Don't take it that way. He did it for good.
20:27He wants to protect his family.
20:28Because what are you? A stranger?
20:30I didn't say that.
20:31Okay, it's logical for him to be suspicious.
20:33Natalia, you are my family.
20:35And if he can't understand it, I'll have to do it myself.
20:37Let's end this.
20:38Leonidas, Leonidas, I don't want you to tell him anything.
20:40We won't end it. I'll handle it.
20:42I wonder how you defend him.
20:44My love, I don't want you to fight with him.
20:46I'm not going to fight with him. I'm just going to put things in their place.
20:49Out!
20:55Natalia, why is dad yelling? What happened?
20:57Alex made a contract. He gave it to me and I signed it.
21:01I thought it would be worse. How could I know? I had no idea.
21:04Did Alex take such an initiative on his own?
21:06Strange.
21:07Okay, he did a good thing. I don't blame him.
21:10He was afraid that in the future I might have values.
21:12Judging by dad's voice, I don't think he has the same idea.
21:22I'm going somewhere. I'll call you back.
21:29I'm going in.
21:38What are you doing here at this hour?
21:40I have to tell you something very important.
21:48You didn't tell me anything about my father.
21:50He seemed strange to me.
21:52Nothing.
21:53It's the explosion and the story with the resort.
21:56He's upset.
21:58That's all?
21:59Leonidas is pressuring him. Don't you understand?
22:03Are you sure?
22:05He mentioned something urgent.
22:07I'm sure, since you know.
22:09I never hide anything from you.
22:11No, never.
22:13Yesterday you told me you were with Petros, but you weren't.
22:18And? Are you jealous?
22:20No, I just dropped by Petros' company and he told me you weren't together.
22:24Last night.
22:26I didn't mean any harm.
22:29I didn't mean any harm.
22:31I would have liked you to be jealous.
22:34Anyway, I couldn't find Petros and two of his men came out.
22:37Stan and Dimitris.
22:38Don't worry, I don't need details.
22:40I trust you.
22:41And I hope you do the same.
22:44That's what I'm doing.
22:48That's why I'm sending you to a stranger and a beautiful woman.
22:55I'll be late and we'll want it.
22:58I'll be late and we'll want it.
23:06What happened?
23:07You're in Atalia's theater in half an hour.
23:10I can't.
23:11It's not a question, Alexi.
23:13You'll tell me, please.
23:18What happened again?
23:21My father. He's making a decision.
23:24You know that.
23:28Yes.
23:40Come on.
23:41No tonight?
23:44I want us to move on right now.
23:46I'm under pressure.
23:48Fine.
23:49What time?
23:52Half past seven.
23:54I'll fix it.
23:56I'll be right back.
24:10I have something to tell you.
24:12What is it?
24:13I want to talk about what I told you.
24:15Tell me, kid.
24:17I want to make a donation for the homeless.
24:20About that again?
24:21About the agreement.
24:22I have to tell you something.
24:24Alexi.
24:28My love.
24:29You're here.
24:30What happened again?
24:32Big companies, big problems.
24:34What did you prepare for?
24:36To send them.
24:38Wish me good luck now, because it's serious.
24:40Mom, can you talk to him about a project I want to do with a team?
24:44Yes, but you'll tell me tomorrow, because I'm in a hurry.
24:48Here you go.
24:52So?
24:53It's an action to help homeless people who are not integrated in social structures.
24:57They do great work. They deserve our help.
24:59Do you want me to show you the photos?
25:01Yes.
25:02So.
25:11I still love her.
25:14You won't forget me.
25:18But you don't exist anymore.
25:20You're dead.
25:43I love you.
26:09It's very good, Isabella.
26:12This book is full of truly romantic elements.
26:15It has values, it has the aura of another era.
26:18It's very good. They shouldn't lose it, Isabella.
26:21It could even be a movie.
26:22Even a series could be made of this book.
26:24You're obsessed with romance, aren't you?
26:26Not just me.
26:28And do you know why they sell romance books, Isabella?
26:33Because people need to get away from this half-baked everyday life.
26:37And it's OK.
26:39We have good proofs of emotional capitalism.
26:42We have good evidence.
26:43We have good evidence.
26:44We have good evidence.
26:45We lost Alem Boton.
26:46But we need something logical.
26:48A reading that brings the reader to this cloud.
26:52Secured by a better cloud.
26:55And to be able to see the relationship with something higher.
27:01The reader.
27:03The reader.
27:05You need it.
27:08Hi, Smyrta.
27:10How are you?
27:11Good evening.
27:13Are you going to the restaurant?
27:14Dad left. He said he wouldn't be late.
27:17Me too.
27:18I'm going to see a friend.
27:19Bye, girls.
27:20Bye.
27:27Natalia found her prince and princess, didn't she?
27:31Yes, she did.
27:35She's lucky, Natalia.
27:38What do you want?
27:40We all have the other half, I suppose.
27:43I'm not so sure.
27:46This half may be there, but it doesn't take notice.
27:51Then you have to do it, to make it notice.
27:55The other half?
27:56But it's not that easy, Smyrta.
27:58Especially when you have it on your feet every now and then.
28:01The other half?
28:03He's somewhere else.
28:05Did something happen with Petros and you didn't tell me?
28:07Nothing at all.
28:09Yes, but you still want him.
28:12And, of course, you still sit with your hands crossed.
28:16But you have to do something to show him that you care.
28:20How many times have I told you, Avela?
28:22You've lost me.
28:23Have you shown him that you care?
28:25But he doesn't seem to care.
28:27Yes, but he cares about you.
28:29Relationships are a game for two, good or bad.
28:33I'm not disappointed.
28:35I'll find him, too, the prince, as you say.
28:46Thank you very much.
28:49You'll tell me why you're calling me Aaron, Aaron.
28:52What are you drinking?
28:53What's up?
28:55It's their time.
28:57Twice, on the same day, here.
28:59We have to celebrate something. What are you going to say?
29:02A glass of red wine for me, too.
29:05I see.
29:07Natalia told you, didn't she?
29:09Listen.
29:10No, you listen.
29:13Do you see this here?
29:17This is Natalia's dream.
29:21To create a place where she can take care of people.
29:24And it became my dream, too.
29:27Without asking me for it, without blaming me for giving it to her.
29:32Because I needed it.
29:35Because she's my family now.
29:39This woman was like a rock to me when I was in trouble.
29:45Do you know how much I owe her?
29:47I understand.
29:48You understand, but you don't respect her.
29:52And, at the same time, she didn't respect me, either.
29:55It was this piece of paper that made you sign it.
30:02And she signed it.
30:04She did a very good job.
30:05You're insulting my wife.
30:09Alexi, with what right?
30:11Listen, father. Natalia...
30:13Natalia is the most important thing I have in my life.
30:16I'm sorry, but I can't.
30:17What did you say?
30:18I'm not going to accept this marriage without the contract.
30:34You did it.
30:36What happened?
30:38I gave the contract to Leonid, as we agreed.
30:41And? How did he get it?
30:43I had to see him.
30:45It was a beast.
30:47He got out of the car.
30:49Your poor friend didn't know what to do.
30:53I'm glad.
30:55I'm sorry, my friend.
30:58And that's how you managed to get out of here.
31:02Natalia, we have to continue like this.
31:06If we manage to break them, it won't be easy.
31:10It started, thanks to Alexi.
31:15It's going to be very difficult to break them.
31:18As long as they have two goals.
31:20But that won't last long.
31:25Alexis...
31:27He won't go easy on his father.
31:29He'll probably leave.
31:31He doesn't care about the present.
31:33He's family, Petros.
31:40We're not in a hurry.
31:42After all, the biggest crimes are committed in families.
31:47You know that better than anyone else.
31:59I missed you.
32:10I don't understand why you're so sensitive.
32:13Myrto, I want to publish books that fit our style.
32:17Modern books.
32:19Books that will be discussed.
32:21Books that will have something to say to the world out there.
32:23Because doesn't a great lover have something to say to the world out there?
32:27Absolute emotions.
32:29Personal relationships.
32:31Connection.
32:34From Dickens to Nisiguro, a great lover is timeless.
32:42These two, in this book, have been together for so many years.
32:47And when they met again, their connection was there.
32:51Now you believe them.
33:04Yes.
33:23Yes.
33:25When you find the love of your life, you'll never forget it.
33:30The people who have lived inside us, we have them with us.
33:34Like our fingers, like our hands, like our eyes.
33:37They're there.
33:42I can hear the horse's hooves.
33:44It must be the prince.
33:47Okay, I'm hanging up.
33:49I'm getting bored of your cell phone.
33:51Well done, because it's 12 o'clock and your car has become a pumpkin.
33:56Things don't get that easy in life, Myrto.
33:59See you tonight.
34:22I told Mr. Giannoulas it wasn't necessary.
34:25Not at all. We'll be there in 20 minutes.
34:41Does Mr. Giannoulas get used to it?
34:45To what?
34:47To send a chauffeur to pick up his contacts.
34:49He's his co-worker.
34:53It's just that he left very late.
34:56Mr. Giannoulas told me to bring you some rest.
35:01Have you been co-workers for years?
35:04Quite a few.
35:08Have you been out of your homes for years?
35:12Where are you from?
35:14I'm from security.
35:17I was wondering.
35:19How long will the police make it?
35:21Athens has become a jungle.
35:24Yes, things are happening.
35:26What you call it.
35:28Stupid thefts.
35:31And you?
35:33Are you afraid of anything?
35:35No.
35:37It's just that my husband is a bit overprotective.
35:41You'll be glad to know that I let you go.
35:44And that you didn't come alone to Greece.
35:46That's right.
35:57I think I'll ask for your permission to marry Alex.
36:01You're free to marry whoever you want and I'll take my own measures.
36:05Let me tell you one last time.
36:07You had no job to deal with this issue.
36:10I'm sorry, but I'm the lawyer of this story.
36:13This is exactly my job, to deal with this issue.
36:18What is it, Alex?
36:20Are you trying to sabotage my wedding?
36:22Is that why you're moving behind my back?
36:30Thank you very much.
36:34What if Natalia doesn't want the contract?
36:36Natalia signed the contract.
36:38She doesn't care about that.
36:40I'm glad she doesn't care about that.
36:43But me and my brothers, who are your legal heirs,
36:47we care a lot about these issues.
36:49I'm not going to let a woman appear out of nowhere
36:51and stand by our side.
36:53Also,
36:55apart from your own wealth, there is also your mother's wealth.
36:59What does that mean?
37:01That means I'm not going to let Natalia
37:05get any inheritance that belongs exclusively to me and my brothers.
37:11I have a son, and I have to protect him.
37:15She did well to sign the contract.
37:17She has a lot of money.
37:19She signed it, but I'm not going to accept it.
37:23You even went to the trouble of reading the contract.
37:25I didn't read it, and I'm not going to read it.
37:28I'm not going to read it.
37:34Do you want me to remind you that I'm not dead?
37:36Not yet.
37:38I'm going to fix this issue.
37:40Me, Alexi, and only me.
37:43Make sure you don't get involved in this issue again,
37:46if you want us to get along.
37:48Okay?
37:50This discussion is not over.
37:52We'll do it again when you'll see it more clearly.
37:54Sit down.
37:56Can we talk about something else?
37:58There's one more serious issue.
38:00What is it?
38:02We're waiting for someone.
38:04When he comes, we'll tell him everything.
38:06Please.
38:09One more serviette, and I'd like a list of today's expenses.
38:18I don't pay you enough to know.
38:21I'm in danger here.
38:23You're emotional, not complaining.
38:25I am.
38:29Two years now, I thought the wait would never end.
38:32It wasn't easy to convince a young woman of his life.
38:35You know how many have passed through his bed.
38:38I never doubted that you were the best.
38:40Should I take this as a compliment or an insult?
38:47We're entering the final straight.
38:49Two more years of patience, and then?
38:52And then the world will belong to us, baby.
38:57Of course, Alexis can cause us trouble.
39:01If we continue with the plan, I'll blow it all up.
39:04No one will stand in the way, Alexis.
39:06We've been planning it for so long.
39:08Don't worry. Together we can achieve everything.
39:11You and me.
39:23CINEMATOGRAPHER
39:26CINEMATOGRAPHER
39:49Miss Cardona, enjoy yourself.
39:56I'm sorry. I know you from somewhere.
40:01I don't think so.
40:04Aris Giannoulatos.
40:06Nice to meet you.
40:19I thought we'd meet at your office.
40:22Or at a restaurant.
40:24My schedule is very tight.
40:27This is the only place available.
40:30Thank you for your understanding and your effort.
40:35Are you staying here?
40:37Yes, for dinner.
40:39Come in. The view is beautiful.
40:55THE RESTAURANT
41:04Did you go to see Markos?
41:06That's where we come from.
41:13What do you think of Ellie?
41:15I've never seen her in a restaurant.
41:17She doesn't impress me.
41:19I talked to her.
41:21She's a beautiful woman.
41:23She's smart.
41:24She's a person.
41:26And she has a great aura.
41:28Now I understand why Markos is still in love with her.
41:31He was.
41:32Twenty years ago.
41:34And she betrayed him in the worst way.
41:37Yes.
41:38Maybe that's how it is.
41:40I don't know.
41:42Anyway, she doesn't want her passion to come back.
41:45Markos wants revenge from everyone.
41:48And from her.
41:50Yes, that's what she says.
41:52You believe it, because I keep my mouth shut.
42:00Where are you going?
42:02For a walk.
42:05THE RESTAURANT
42:22Beautiful view.
42:25Yes.
42:26I like places by the sea.
42:30I love her too.
42:33A freedom.
42:36For me, it's very important to feel free.
42:40As far as I know, you lived in Sicily for years.
42:43It makes sense for you to be away from the sea.
42:46The environment you live in affects you, even if you don't want to.
42:51I believe...
42:53the opposite, that...
42:55people are what we have.
42:57Not the environment.
43:00Do you disagree?
43:03Actually, I believe that neither places nor people define us.
43:09We are our dreams, that's what I believe.
43:13Now you disagree.
43:17Not exactly, but...
43:20life has taught me that things come differently.
43:24This seems to me somehow...
43:29stupid.
43:32Much like a child's illness.
43:45I prefer...
43:47in general...
43:50to be realistic and...
43:53practical.
43:56I prefer to combine them.
43:58That's my job, by the way.
44:01I brought you a portfolio of my works.
44:09And here, in this drawer, is my proposal for the resort.
44:17As you can see, I don't create new constructions.
44:21All my buildings have the tendency to blend into the landscape,
44:25as if they don't exist, as if they've always been there.
44:30They have no purpose.
44:32For me, it comes from the obligation to serve people,
44:35not the needs of the Mediterranean tourism.
44:38To speak to their soul, to be one with the environment, with nature.
44:42To respect them.
44:46It impresses me.
44:49I thought we'd have a conversation as...
44:53right capitalists.
44:55We'd talk about profit,
44:57capital development...
45:00I'm not against the numbers, of course.
45:03I just believe that they should include...
45:08nature, life, beauty.
45:13Mr. Giannoulas, I strongly believe in this project.
45:16And I'm sure that the proposal I've brought you
45:21is the most ideal way to make use of this magical place.
45:26It's useful when people...
45:30have a passion for their work and follow their dreams.
45:34I love this project very much and I want to make it a reality.
45:41How...
45:43How would you feel if I proposed to you...
45:47to work independently, to buy the plans and to work for me?
45:52You mean, I'm alone with you?
45:56Yes. Unless...
45:58you're tied to me somewhere else.
46:01THE END
46:12Eli came by.
46:14I didn't tell her anything.
46:16About what?
46:17About your problems.
46:19Our problems.
46:21We don't have any problem. I solved it.
46:25How?
46:26You're not the best at words.
46:28Eli doesn't need to know.
46:30Eli Antonis.
46:31Do you have any way to find money and I don't know it?
46:35You can't ask for money all the time.
46:38Money from our son-in-law.
46:40Don't you understand? You're embarrassing us.
46:46You won't criticize me again.
46:48Do you hear me?
46:53And be careful not to let Eli know.
46:56I don't want her to be sad.
47:00I got it!
47:05Yes.
47:07Yes, I got it.
47:09What about my house?
47:11It's getting expensive.
47:14I'll bring it to you.
47:17I told you, I have it.
47:19Yes. No, no.
47:21I won't be late like last time.
47:24I'll bring it to you.
47:28So...
47:30You didn't answer me.
47:33You were working for me.
47:36Are you used to be so straightforward, Mr. Giannoulatos?
47:40In my job, yes.
47:42I'm sorry to insist, but...
47:44You really remind me of something.
47:48And your voice, I don't know.
47:53What?
47:55I don't know. It reminds me of something, but I can't understand what.
47:59Tell me...
48:02How did you get into architecture?
48:07It was my dream job.
48:09I didn't know if I would do it, but...
48:14You know, sometimes in life you catch something and it becomes the whole world.
48:20Did you catch something to overcome some difficulties in your life?
48:28We all have gone through difficulties in our lives.
48:31My job helped me a lot.
48:35Then, at some point, I won two international competitions and...
48:40Then, somehow, I came alone.
48:44This resort...
48:47It's Milou Komninos' dream, right?
48:50But my vision is mine.
48:52I came with my own initiative to present you my idea.
48:57I see. I'm interested.
48:59Are you married?
49:01What does that have to do with my job?
49:04I like to get to know better the people I'm going to work with.
49:08Is that bad?
49:09Mr. Giannoulatos...
49:11You can call me Aris. Let's leave the plural.
49:15Are you flirting with me?
49:20Of course not.
49:21But I want to understand...
49:23You...
49:24You came on their behalf. You are, let's say, their man.
49:28I told you, I don't believe that we are...
49:32The people we have a relationship with.
49:35I'm here as an architect with a vision. Let's focus on that.
49:39I like everything you said.
49:41And your plans.
49:43But I will ask you again.
49:45Because you avoided answering me.
49:48Will you work exclusively with me?
49:50Unfortunately, I have an exclusive contract with the Komninos family.
49:54The contract is...
49:56For them to break up.
49:58Not specifically.
50:00Mr. Giannoulatos, let's be honest.
50:03I love my job very much.
50:05I've worked hard. I'm not afraid of the job.
50:09And yes, I'm married.
50:11I love my family, my child, my husband.
50:15To some extent, they have helped me a lot for what I am today.
50:20And unfortunately for you, I belong to the Komninos family.
50:25I'm married to Alex Komninos.
50:28So we're talking about a collaboration package with Omelos.
50:33I'm glad we're talking openly.
50:35Let me make it clear to you.
50:37Just because I'm not human, doesn't mean I will betray you.
50:43I'm glad we're dealing with people who never betray their principles.
50:47My family is the most important thing I have.
50:50So working with me means working with them.
50:55Are you giving me terms?
50:58It's legal.
51:00I have no power to force it, but it's take it or leave it.
51:04Take it or leave it.
51:07Who is the tough negotiator now?
51:10It's up to you.
51:12I don't like to be pressured, Mrs. Galan.
51:15I totally understand.
51:17That's why I will leave you to study the project.
51:21And when you have an answer, call me to meet again.
51:25In the meantime, I will work on the last details.
51:28And when you take me, the plan will be ready for the license.
51:33Are you so sure?
51:35For my job, yes.
51:37Believe me, it's worth the effort.
51:40It will be one of a kind.
51:42Its architecture will turn it into an international tourist destination.
51:48I hope you make the right decision.
51:54I'm sorry, but we won't cooperate.
51:59Do you think it's a good idea?
52:01Don't be in a hurry to refuse. Think about it.
52:04It's a great coincidence that we met.
52:07Together we can do something great.
52:10Coincidence?
52:12We will make it on our own.
52:20I will wait for your call. I have to go now.
52:23Shall I call you later?
52:25No, it's okay. I'll take a taxi.
52:28Good night.
52:55I'm sorry.
53:15I'm sorry.
53:17I'm sorry.
53:19I'm sorry.
53:25I'm sorry.
53:29I'm sorry.
53:37Come here.
53:39You know each other.
53:41Of course I know you, Mr. Ioannou.
53:44Konstantis is an old friend of mine.
53:47Come, sit down.
53:49He has helped me a lot.
53:52It's time for our friendship to move one step further.
53:56What do you mean?
53:58I will go straight to the point.
54:01Elections are coming and we have to be united.
54:04I totally agree with that.
54:07I don't understand what we are talking about.
54:10We have been discussing with Stathis for a long time
54:13what will be the representation of the party in the elections.
54:16Yes.
54:18We have to leave the anti-population and form a government.
54:21And a Skomlinos is a strong card.
54:24The president is excited about this possibility.
54:27He approves it and wants us to confirm it.
54:29There is no time.
54:31So?
54:36Are you planning to go down to politics?
54:39You didn't understand.
54:41You didn't tell him.
54:43What should he tell me?
54:45You will go down to politics.
55:16It's for you.
55:21I have to go.
55:29Markos?
55:31It's me.
55:41It's for you.
55:45How are you?
55:48You are in pain because you saw her.
55:50Isn't that right?
55:52What happened?
55:57I didn't expect that.
56:00The woman I saw today
56:03had nothing to do with the girl I knew.
56:08You can't even say her name.
56:11You don't know me.
56:15I was waiting to meet you.
56:18And you wanted that.
56:38I came to learn the truth.
56:41The whole truth.
56:44It's you, isn't it?
56:52Stay away from her, Markos.
56:55Keep your distance.
56:57Let's see what we can do.
56:59Let's approach them, see the ugly parts and then hit them.
57:01Now, what has changed?
57:02Where is Natalia?
57:03She's not here.
57:04Did she tell you where she went?
57:06When we decided to wrap up Komlinos,
57:08I never imagined that you would get married so soon.
57:10But we did.
57:12It's going up very fast.
57:14This is the best time to be with him.
57:16I'll pass by Petros.
57:18Perfect.
57:19Tell him to go eat with us.
57:21Kalassoumi, you don't look good at all.
57:23What are you talking about?
57:24Natalia says the same thing and I don't like it at all.
57:26You like me.
57:27Don't look at me like that.
57:29Mr. Komlinos.
57:33I'm telling you, Lavrakis.
57:35The word Komlinos is getting ready to go down the political ladder.
57:38I won't cover for you again,
57:40and most importantly, I won't hide it from Eli.
57:43It won't be the first or the last thing you hide from me.
57:47What would you say if we got to know each other better?
57:49To get to know each other better?
57:51Yes. Would you like to come and have dinner at my house tonight?
57:55Tonight will be a big night.
57:58Surprises are waiting for us.
58:00I'm invited to Komlinos' house for dinner.
58:03You don't like me, do you?
58:06That's him.
58:10THE END