Kyoto Teramachi Sanjou no Holmes - 01
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00:00春 京都の桜が満開になるころ 賑わうお花見客の姿とは正反対に 私の心は深く沈んでいました 京都寺町山上 骨董品店蔵である人に出会うまでは
00:30お花見客の姿とは正反対に 私の心は深く沈んでいました 京都寺町山上 骨董品店蔵であるとは正反対に 私の心は深く沈んでいました
00:44Welcome
01:00Aoi-san, is something the matter?
01:06Aoi-san?
01:08Ah, no, it's nothing. I was just thinking about when I first came to the store.
01:14It's been about two weeks since then. That's pretty fast.
01:18Yes. Um, I'm done cleaning. Is there anything else you need to do?
01:25Well, I don't really have anything else to do, so let's start studying.
01:31Yes, Holmes-san.
01:37You always have those gloves on, don't you?
01:40I usually don't wear gloves to check my senses, but this is my style.
01:50What's this?
01:53It's a teapot made of kokaratsu. Please take a good look at it.
02:03It doesn't look very good, does it?
02:06Yes, but that's also because of the taste of kokaratsu.
02:11Kokaratsu is said to be the last ingredient for a grilled food lover.
02:17It's made of hard soil, and the shape is made by the wrinkles of the soil.
02:23This is called a chirimenjiwa.
02:26Chirimenjiwa?
02:29Aoi-san, you're always studying hard, aren't you?
02:32No, that's not true.
02:35This person's name is Kiyotaka Yagashira, also known as Holmes-san.
02:40It's been two weeks since I started working at the store.
02:43This is how I sometimes open a small art study session.
02:47This store is owned by Seiji Yagashira, who is known as a national swordsman of small arts.
02:54His grandson, Holmes-san, is just training.
02:57The owner is traveling around the world, and I haven't met him yet.
03:02The store manager is Takeshi-san, who is my father.
03:06But Holmes-san is mainly in charge of managing the store.
03:10Aoi-san, have you gotten used to the store yet?
03:14Yes, thanks to you.
03:17That's good.
03:19I'm going to have a meeting with the editor.
03:22I'll leave the rest to you.
03:24Yes.
03:26As expected of a famous artist.
03:29Thanks to you, I'm always in the spotlight.
03:35Welcome.
03:36Welcome.
03:38I'd like to ask you a favor. Is that okay?
03:42Yes, please have a seat.
03:47This is...
03:50My ancestors have been doing business in Osaka for generations.
03:54Isn't that the Kizeto bowl?
03:57I'm not really interested in bowls.
04:00I've seen the Kizeto bowl in a previous study session.
04:05But this is...
04:08Unfortunately, this is a fake.
04:12Wh-What did you say?
04:14The real Kizeto is called an oily bowl.
04:18The surface of the clay is oily and glossy.
04:22It also feels clean.
04:25But this one doesn't have that texture at all.
04:29The real thing is lighter than it looks.
04:33It's not as heavy as this.
04:36In addition, the green color of the bowl is vivid.
04:41But this one is very black.
04:45It's definitely a fake Kizeto.
04:50A fake?
04:51What would a young man like you know?
04:56I know.
04:58You probably brought this bowl in knowing it was a fake.
05:03What?
05:05You live in Osaka, don't you?
05:08But why did you bring this bowl into a store in Kyoto?
05:14I-I just happened to be here.
05:16I just happened to be in Kyoto, so I came here.
05:19In addition, after this bowl was made,
05:22it seems you were asked to work at a stainless steel store.
05:25If you're involved in such a profession,
05:28are you used to buying and selling fake things?
05:32That suit.
05:34Unfortunately, it's not the right size,
05:37and the shoes are worn out.
05:40I asked you where your father was going to pay,
05:42and you came to this store.
05:44You knew there was a weak and immature judge in Kyoto,
05:50so you probably wanted to trick him.
05:52Am I wrong?
05:54No, that's...
05:57I'm sorry to hear that.
05:59I may be weak,
06:01but I'm not that immature to be tricked by such a petty thing.
06:06I'll let you off the hook this time!
06:10I'm the one who should let you off the hook.
06:14I'm so angry.
06:16Aoi-san, please put some salt on it.
06:20Yes, salt?
06:22Yes, salt.
06:24Well, I only have seasoned salt for boiled eggs,
06:28so don't you think it's a waste?
06:33You're right. It's a waste.
06:37I know, right?
06:39Let's make some boiled eggs and eat them.
06:41Yes!
06:44It's so good!
06:45When I'm with you, I feel like I'm losing my strength.
06:49Why is that?
06:51After I've touched some bad stuff,
06:54I always get irritated.
06:57But when I saw Aoi-san with seasoned salt on her hands,
07:01I felt relieved.
07:04But I was surprised.
07:06I didn't know there were people who would bring in bad stuff.
07:09Bad stuff is...
07:11a lump of malice that deceives people and tries to steal their money.
07:15I can't forgive that malice.
07:19It's a blasphemy against those who love art.
07:23Holmes-san, you're a straightforward person, aren't you?
07:27Straightforward?
07:29Me?
07:30Yes.
07:32No, it's just that I hate the original work.
07:35My guts are twisted.
07:37Basically, I'm hungry.
07:39Hungry?
07:41You did sound like a black Holmes-san earlier.
07:46No, that's not true.
07:49When I first came to this shop...
08:04W-What should I do?
08:06It's really hard to talk to him.
08:10Welcome.
08:11Holmes, can you take a look at this?
08:14I'm not good at this.
08:15Can you stop calling me Holmes?
08:18Holmes-san?
08:21This is...
08:23Amazing.
08:25It's the Yokoyama Taikan's Fuji and Sakura.
08:28It's a pretty good item.
08:30Yeah, it's in pretty good condition.
08:33Well, it's the Yokoyama Taikan.
08:35It's not expensive.
08:37That's right.
08:38It's very beautiful and in good condition.
08:41Unfortunately, this is a work of art.
08:44Really?
08:45It's not real?
08:46Even though it's so beautiful?
08:48I see.
08:50I thought this might be...
08:52Huh?
08:53He just accepted it.
08:55Even though he's a young shop assistant.
08:59But, the shop's equipment and interior design are very elaborate.
09:05I don't really understand, but there's a lot of good things.
09:17Huh?
09:19This is...
09:20Do you like it?
09:22I don't really understand, but I think it's pretty good.
09:28Is that so?
09:30Please take a good look at it.
09:33Um...
09:35Yes?
09:37Why are you calling me Holmes-san?
09:42Hahaha...
09:44Is it because you know a lot of things like Sherlock Holmes?
09:48That's right.
09:50You're a student at Oki High School.
09:53You're originally from the Kanto area.
09:55You've been living in Kyoto for about half a year.
09:58I came to this shop because I wanted you to approve something.
10:02Huh?
10:03But, that item is not yours.
10:06Why do you want me to approve it after living in Kyoto for half a year?
10:09That's not good.
10:11I don't feel like I've just moved here.
10:14And I don't feel like I've gotten used to it.
10:17So, I think I moved here last summer vacation.
10:21T-Then...
10:23What you want me to approve isn't yours?
10:27I don't think a high school student has anything to approve here.
10:32Above all, it's not mine, so I hesitate to get it approved.
10:38Am I wrong?
10:40T-That's...
10:42But, you need money.
10:46That's why you took it without asking for permission.
10:51Isn't that right?
10:54Kiyotaka, you're scaring me.
10:57I told you to stop that.
10:59That's why you're Holmes.
11:02Oh, I'm sorry.
11:05I knew it. He's Holmes because he knows everything.
11:08No, that's not it.
11:10Holmes is a nickname.
11:12Huh?
11:13You read my mind?
11:15My name is Yagashira.
11:18I'm Yagashira Kiyotaka.
11:20My family name is Kashira, so I'm called Holmes.
11:25Oh, I see.
11:27That's why you're Holmes.
11:28Kiyotaka, you're amazing.
11:30You're going to be my brother's college student this spring.
11:34Brother?
11:35It's a transfer school from Kyoto University.
11:39It's easy to get into that college.
11:43You'll be a good brother's student.
11:47It's creepy.
11:49Did you think it was creepy?
11:51N-No.
11:53I knew it. He's Holmes.
11:55So, what's your name?
11:58My name is Aoi Mashiro.
12:01Aoi-san.
12:03That's a nice name.
12:05Do you live in Sakyoku?
12:08I used to live in Saitama, but now I live in Sakyoku.
12:11Is it close to Shimogamo Shrine?
12:14Y-Yes. How do you know?
12:18How do I know?
12:20Speaking of Aoi...
12:23Yes, that's right.
12:26Aoi-san.
12:28We don't buy souvenirs from minors.
12:32I-Is that so?
12:35However, we can do it if it's only for the emperor.
12:39Would you like to see it?
12:42If it's what you brought, it might be good.
12:46If it's what I brought...
12:49I'll make some coffee.
12:51Would you like some?
12:53If you have sugar and milk...
12:56Then, I'll make some cafe au lait.
13:01It's delicious.
13:04By the way, Holmes-san, your standard language...
13:07Where are you from?
13:10Yes, I'm from Kyoto.
13:13It's hard to understand because it's an honorific language.
13:17A-Again?
13:20Y-Yes.
13:22Do you always say that?
13:25No, I'm always careful not to say what I think.
13:30I don't know why today.
13:34This is...
13:36Hakuin Ekaku Zen.
13:38I was surprised.
13:40It's real.
13:42Hakuin...Ekaku?
13:45It's a Zen statue of Edo Chuuki.
13:50This Daruma is in good condition.
13:53It's wonderful.
13:55If you buy it, it'll be 2 million yen.
13:592 million yen?
14:01I'll show you another one.
14:04Ah, I think it's a picture of the same person.
14:07It's not a Daruma.
14:10Um...
14:13I was surprised.
14:16I've seen a picture of Hakuin's childhood,
14:21but I've never seen a picture of this baby.
14:24Is it amazing?
14:26That's right.
14:27How should I put it?
14:29I can't afford it.
14:33Aoi-san, who is this Kakejuku?
14:37Ah...
14:42It's my dead grandfather's.
14:44I like Komi-jutsu and collect it.
14:48Is that so?
14:50Aoi-san doesn't seem to be the kind of girl who takes out her family's things and sells them.
14:57But I saw it in action.
14:59In other words, it's really packed.
15:04I'm sorry to ask you this,
15:07but why do you need so much money to take out your grandfather's belongings?
15:22It's the Shinkansen.
15:24I wanted to go back to Saitama no matter what.
15:30Did something happen?
15:34Last month,
15:36I was told to break up with the man I was dating.
15:41I thought there was nothing I could do at that time.
15:46He said he couldn't meet me in Saitama,
15:49and he couldn't help it even if his feelings were separated.
15:53But after that, he immediately started dating another girl.
15:58That guy...
16:01It was very painful and sad.
16:04Is that so?
16:06So...
16:07I have a lot to say.
16:09I want to tell you both that it's terrible and unforgivable.
16:14Because it's really terrible.
16:17It's too terrible.
16:24Aoi-san.
16:26Look at this baby picture that Aoi-san brought me.
16:31A picture?
16:36There are two things in Surga.
16:40Mount Fuji and the white seal of the belly.
16:43It was a damaged white seal,
16:45but its reputation has fallen to the ground.
16:49At one point,
16:51the white seal's stepdaughter was pregnant.
16:55The daughter, who was puzzled by her father's question,
16:58lied that she was a child of the white seal.
17:01Her father was furious.
17:04He pushed the baby to the white seal, saying it was a ridiculous baby.
17:10The white seal didn't say a word,
17:12and took the baby.
17:15While being insulted by the people,
17:17he walked around desperately to his stepfather.
17:20The daughter, who knew that,
17:21told him the truth,
17:23and the father went to the white seal and apologized.
17:27Then the white seal said,
17:29Oh, I see.
17:30This baby also had a father.
17:33He said that and returned the baby.
17:36It seems that he didn't criticize his daughter or father at all.
17:40At that time,
17:42what do you think the white seal really felt like?
17:47Betrayed.
17:49Insulted.
17:51Even so, he raised the baby hard.
17:54But what did he feel when he returned the baby?
18:00What was he really angry about?
18:05What do you think?
18:07Isn't the feeling at that time
18:09shown in this picture?
18:13In this picture?
18:22Did you see it too, Aoi-san?
18:25The feeling of the white seal loving this child.
18:28And the feeling of him accepting everything and loving it.
18:36Yes.
18:38I hate myself for saying I can't forgive him.
18:44I sold such a wonderful treasure
18:47and I was going to vent my resentment.
18:52I'm really embarrassed.
18:55Aoi-san.
18:56If you don't mind,
18:58why don't you work here?
19:00What?
19:02You have a good eye.
19:05Why don't you work properly
19:07and earn your own transportation expenses?
19:10But...
19:12If you want to go back to Saitama by the time your expenses are accumulated,
19:16I think it's a good idea to go there and clear your mind.
19:24Yes.
19:26I'll do my best.
19:29That's great.
19:31Actually, I was looking for someone to help me.
19:37Knowing Holmes-san at that time,
19:40I was really angry.
19:42What do you think?
19:44Maybe you found a job that you can use conveniently
19:47and you're just using it.
19:50That's not possible.
19:53Why did you say I had a good eye at that time?
19:58Ah.
19:59That's...
20:01The bowl that Aoi-san stopped and looked at.
20:04This is Shino's bowl.
20:07Shino's bowl?
20:08It's one of my grandfather's treasures
20:10and it's a national treasure from the Momoyama period.
20:13It's said to be a masterpiece that can't be made again.
20:17The price is 60 million yen.
20:2060 million yen?
20:22There's such a great thing here?
20:24I'll tell you about it later.
20:27Hi, Kiyotaka.
20:29Are you enjoying yourself with your girlfriend?
20:32Owner.
20:34She's Aoi Mashiro, who helps out at the store.
20:38I told you on the phone.
20:40Ah, I see.
20:42Aoi-san.
20:43I'm Kawarimon's grandson.
20:45Nice to meet you.
20:47Ah, me too.
20:48Nice to meet you.
20:51You're welcome.
20:53Would you like to have a cup of coffee at the cafe over there?
20:56What?
20:57Owner.
20:58Please don't pick up my part-time job.
21:01More importantly,
21:02didn't you have something to do?
21:05Ah, that's right.
21:07It seems that there are a lot of masterpieces that have been made recently.
21:13You should be careful, too.
21:15Yeah.
21:16If that's the case,
21:17I just chased him back.
21:22I shouldn't have done this.
21:29Kiyotaka Yagashira.
21:32Do you remember that name?
21:35Thank you for your hard work.
21:37Yeah.
21:38It's getting dark.
21:39Be careful on the way home.
21:41Yes.
21:43How did you know that my house was on the way home?
21:47You'll find out soon enough.
21:54Are you saying that you can't go to the church?
21:57Ah.
21:58Didn't you know that, Aoi-san?
22:02I can't go to the church.
22:11A man who can't go to the church.
22:15There is a mysterious church called Homes in Kura, which is located in Teramachi-sanjo, Kyoto.
22:26This is the story of Kiyotaka Yagashira and me, Aoi Mashiro,
22:36who made Kyoto into a stage.
22:56This is the story of Kiyotaka Yagashira and me, Aoi Mashiro,
23:03who made Kyoto into a stage.
23:09This is the story of Kiyotaka Yagashira and me, Aoi Mashiro,
23:16who made Kyoto into a stage.
23:22This is the story of Kiyotaka Yagashira and me, Aoi Mashiro,
23:30who made Kyoto into a stage.
23:38Homes-san, it seems that the Supreme Court is involved in the case.
23:42That's right.
23:43I hope it won't be troublesome.
23:46Next time, on Aoi's Colony.
23:49I can't go to Homes-san.