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00:00A FEW HOURS EARLIER
00:09Inés, if you don't see it, I'm not doing it.
00:11I wasn't going to accept it at first.
00:13And when I saw you weren't excited, I was less excited.
00:14But...
00:16The producer has become very annoying.
00:17But I didn't have a choice.
00:18I promise you, Inés.
00:20Really, I was even going to fire Ballesteros.
00:22But I can't do this.
00:23I can't delay the shooting any longer.
00:25We have to reschedule it as soon as possible
00:28to stop the losses.
00:29Yes, the truth is that the production
00:31is going through a terrible moment
00:33and we have to do whatever it takes to save it.
00:35And I promise you that if Ballesteros were any other way...
00:37Yes, I know him.
00:39And if he has insisted that Laurita be the actress,
00:40there is no way to get rid of him.
00:43So, you think it's a good idea?
00:45Of course I think it's a good idea.
00:47Laurita, I just wanted to protect you.
00:50Because Ballesteros is not the kindest director in the world
00:52and a shoot is very hard.
00:54Yes, I'm very clear about that.
00:56And even so, do you want to accept the role?
00:59Yes.
01:02It's a very nice gesture on your part.
01:04I really appreciate your understanding, Inés.
01:07I was afraid you would have another kind of reaction.
01:09Look, I just want the film to go ahead.
01:13And having you by my side surely makes the experience
01:15much more pleasant.
01:16I just hope not to hinder the work of the rest of the team.
01:20No, you won't.
01:22I will always be by your side, I will help you
01:24and I will make sure you feel comfortable.
01:27I appreciate it.
01:28And I hope I'm not wrong in making this decision.
01:31No, don't say that.
01:33When do you sign the contract?
01:35Well, it's waiting for me to give the order,
01:38they will write it down and give it to you.
01:40Very good.
01:41Well, before signing it, I want you to make sure
01:43that you are allowed to leave if you are not comfortable.
01:46Can I do that?
01:48Of course you can do it, you are the actress.
01:50Come on, let's see.
01:51We are going to put ourselves now in the option
01:53that someone can leave us stranded in the middle of the shoot.
01:56In any case, I will try to make that option clear
01:59within the contract.
02:00Well, let's trust that there will be no problem.
02:03Well, I already have a problem.
02:08Where do I get an assistant as good as you?
02:11Don't say nonsense, if I have a very small role,
02:14I'm sure I can combine both things.
02:17Well, then, is everything okay?
02:21Everything is fine.
02:24I really want to start working with you, little sister.
02:41So, have you seen him normal?
02:43They say that the procession goes inside,
02:45but undergoing such an operation must affect one a lot.
02:49Manolo.
02:51Really, poor Pietro.
02:53This is a disgrace.
02:54And Antonia, the woman who does not win for disgust.
02:57And that you say it.
02:58And how strong is that woman.
03:00She must be having as bad as Pietro,
03:02but she is working like the most.
03:05Wow.
03:06I am very happy to see you here, both hand in hand.
03:10I want you to do a task.
03:12To go over all the taps we have in the living room.
03:15But cleaning is a matter of hope.
03:17No, I mean to make sure that none of the taps drip
03:22or give any failure or anything like that.
03:24I don't want the same thing to happen to us as Miss Pedraza.
03:27Well, if you stay calmer, I'll do it.
03:31The only thing is that I don't know much about plumbing.
03:33I know something. Take care of them.
03:35At least enough to know if there is a problem in the pipes.
03:38Better let him be.
03:40Call a maintenance worker.
03:43God forbid that the living room is flooded.
03:45Ale, to work.
03:53But have you noticed the junk he carries?
03:55What junk?
03:56The rings, the earrings, the jewels.
03:59Come on, don't tell me you haven't seen them
04:01because they catch your eye.
04:02No, no, no.
04:03He has made a lot of effort to draw attention to them.
04:06Although if that is cheap jewellery,
04:08I am very afraid that I will never be able to give you a posthumous jewel.
04:11No, man, no.
04:12I was saying it in an ironic way.
04:14Yes, precisely the opposite.
04:15Those jewels must have cost a lot of money.
04:18I thought so.
04:19Well, yesterday I heard her talking to Don Fermín
04:22and she told him that she was going to go through the jewellery.
04:24And well, she has gone through.
04:26What scares me about this, Cañete,
04:29is that he now starts to squander Don Fermín's fortune
04:33and that he doesn't realize it
04:34and the day he least expects,
04:35he doesn't have money to even open the living room.
04:37Ma'am, please.
04:38Stop making exaggerated conclusions.
04:40One thing is that you have the woman in your throat
04:42and another very different thing is that you screw her up.
04:45What happens?
04:46Don't you think I have reasons to think this way?
04:48Well, no.
04:49Ma'am, the only thing he has done
04:50has been to allow himself a whim, now that he can.
04:53Something that you and I would do if we were in his place.
04:56I see.
04:57Well, maybe I'm taking things too far.
05:01What I would like is for that head of yours to stop going around
05:03and thinking so much about what I do
05:05that I stop being the manager.
05:09I see, I see.
05:10Well, from now on, I'll do my own thing.
05:13Just my own thing, because I have a lot of things to think about.
05:16Really? Something important?
05:17Yes, very important.
05:19Tonight I want to go for a walk with a gentleman
05:22and I have to think about how I can propose to him.
05:25I'm sure he'll accept.
05:27If you ask him, it's as you ask him.
05:28Yes.
05:34No.
05:44If you arrive a little earlier, it's your turn to open the gallery.
05:47I think you should have a coffee.
05:49And I know a place where the product and the attention are exquisite.
05:53And I have no doubt, Fermín, but...
05:56Unfortunately, I will have to decline your offer.
05:59I'm working my way up.
06:01I see.
06:03Problems with the business?
06:04No, no, no problems, no.
06:06Everything is in order.
06:07The thing is that I have accumulated the invoices
06:09and you receive them for reviewing.
06:11I'm glad that's the reason for your seriousness
06:13and not my indiscretion from yesterday.
06:17What are you saying? No, no.
06:20You don't have to have so many looks at me.
06:22I have no problem talking to you about my marriage.
06:25You're taking a weight off my shoulders.
06:27It's you who has put the weight on your shoulders.
06:29But if I've already told you that you're one of the only...
06:31Well, no.
06:32The only friend with whom I would dare to talk about certain things.
06:35Like, for example, the particularities of my marriage.
06:38I say the same, Emiliano.
06:39You know that our friendship is the most important thing for me.
06:42I don't want it to be tainted by any misunderstanding between us.
06:46You can be calm about that.
06:48Well, then.
06:50Case closed.
06:54Good morning, Iván.
06:55Let's see when you spend an afternoon having a snack at La Moderna.
06:58I haven't seen you since you came back.
07:00Yes, I'll look for a while.
07:02Of course.
07:09What a surprise you've woken up at this time.
07:12You didn't go out last night?
07:14A little.
07:15But that didn't stop me from waking up early.
07:18I've been thinking about the conversation we had the other day.
07:21About working at the factory.
07:23And I don't think it's the most convenient thing.
07:26So I'm willing to prove to you that I'm also capable of running my own business.
07:31Your own business? Wow.
07:33Well.
07:35Sit down.
07:38What are you thinking about?
07:41Something innovative and groundbreaking.
07:44Something like synthetic fiber. Something new.
07:47In which sector?
07:49Well, the truth is that I haven't decided yet.
07:51There are several that catch my attention.
07:54But at the moment I can assure you that I will do my best to make it work.
07:57Okay.
07:58Well...
08:00We'll talk about it as you have something more concrete to tell me.
08:04What do you think?
08:08I've seen that Paula's store is closed.
08:10I imagine that...
08:12The flood must have been a big setback for her.
08:14No, quite the opposite.
08:16Precisely yesterday she sold all her stock.
08:19She had no choice but to travel to Alcazar de San Juan to buy more merchandise.
08:25I see.
08:26First the store is flooded and now she has no genre.
08:30It seems that it's not an easy start.
08:32Starts, Ivan, are never easy.
08:36But Paula has shown to have tenacity.
08:38Tenacity and ability to overcome the obstacles that have come her way.
08:43You see?
08:44That's what running a business is all about.
08:48I see that you have a lot to teach me about how to run a business.
08:52Hey, what do you think if we spend the morning
08:55talking about the different ideas I have for the business?
08:58Ivan.
09:00When you have a concrete idea.
09:03Now I don't have time for digressions.
09:06And now, if you'll excuse me, I have an urgent call.
09:13Okay, I won't bother you anymore.
09:23Hello.
09:25Hey, Miguel, I wasn't expecting you so soon.
09:27A coffee, an apple juice, a beer?
09:30What I want is for Leonora to leave.
09:33At what point, Cañete?
09:34I haven't had such a bad time since you've been living with us.
09:38Thank you for the favor.
09:40No, no, no, I say it as a compliment.
09:42It's much better to live with you than with my mother-in-law.
09:44You had a great time with her,
09:46and I had a great time with you.
09:49It's much better to live with you than with my mother-in-law.
09:52You had your thing, but at least you weren't a sergeant.
09:55Maybe at first I was careless. I'm very sorry.
09:58Yes, and then you went to the other extreme with the household chores.
10:01But that was bearable.
10:03Leonora gets me out of bed.
10:05I can't even have my slippers at the door, like I always have.
10:08Miguel, that woman has to have something good.
10:11She's helping you with the kid, you can't deny it.
10:14At least you have someone to talk to at night, not like me.
10:17Talk? Leonora questions everything I say.
10:20And shamelessly.
10:21Don't you know how scared I am of opening my mouth at home?
10:24Maybe less. No, no, Francisco, no.
10:27I say A, she says B.
10:29I say C, she says B, and she says C, D, E, F, G, H, I, J, K.
10:33I wanted to be a father, and I'm enjoying Leon
10:36since my mother-in-law's earthquake broke out at home.
10:40That can't be, friend.
10:42You have the right to enjoy your family.
10:44Leonora walking around the house from top to bottom,
10:47that's a chimera.
10:50Was someone talking about my mother?
10:52We were just talking about how good of a couple she makes with Elias.
10:56How happy she was the other day after the walk.
10:58Can you imagine if they end up together?
11:00No, no, no, no, please. I'm not kidding.
11:02I don't want a boyfriend for my mother, much less for Elias.
11:05But it's true that you should start thinking
11:07about how to deal with my mother's laziness.
11:10Who, me?
11:10Yes, of course, you.
11:12I don't know, I get the feeling that you don't want to try
11:15to fix things with my mother.
11:17It's not a feeling, my love.
11:19Love, if you want things to start changing and getting better at home,
11:23I don't know, you have to come up with something.
11:25Like, I don't know, you can take her out for an ice cream,
11:28I don't know, something.
11:29Or you can take her to the Retirement Park.
11:30Look, this is a good idea.
11:32Of course it is.
11:33If the important thing is that you spend time together
11:35so that you realize that she is a wonderful,
11:39exceptional, fantastic woman.
11:43Do you see how I'm the last monkey in this family?
11:46Now I also have to come up with something to entertain my mother-in-law.
11:49Come on, Miguel, you're going to need it.
11:52And the coffee?
11:53Sorry.
12:13Son, what a joy to see you.
12:16Where have you been so early?
12:19To waste time with my father.
12:21What happened?
12:23The usual.
12:24I went to his office to talk to him about a business I want to start
12:28and he fired me, as usual.
12:32You know how your father is.
12:33I know it so well.
12:35I don't care how much he tries, he never takes me seriously.
12:38He's not even able to spend a minute of his precious time with me.
12:41That's not it either, Ivan.
12:43Your father is the first one who wants to see you sit your head down
12:45and in front of a business.
12:47Well, he hides it very well.
12:50Let's see.
12:52Tell me.
12:55Are you clear on what business you want to embark on?
12:59Well, I have several ideas.
13:03But I need to mature them.
13:06And above all, I would like to know that I have my father's trust
13:09so I can tell him about them and get his opinion on them.
13:13And if you start by telling your mother about them, would that change anything?
13:16Well, I knew you had business knowledge.
13:21After so many years in front of my foundation,
13:24I've learned something.
13:27What are you saying?
13:29Thank you for underestimating me, son.
13:31Let's see.
13:33I don't want to advise you on your business,
13:35but I've learned enough
13:38to know how to distinguish between a good business idea
13:41and another doomed to failure.
13:45Ivan, I trust you.
13:49And your father does too.
13:52In his own way, I know. But he does.
13:55I would like to believe you, Mom.
13:58But it's hard for me.
13:59I know you have me because I'm the black sheep of the family
14:01and that no one has hopes for me.
14:03No, that's not true, Ivan.
14:05Of course it is!
14:06You've shown it to me many times.
14:08You always put me behind Paula, or me being the eldest.
14:11Even the maid's son is more important to you than me.
14:15You give Rodrigo an importance he doesn't have.
14:18He'll never be more important to us than you.
14:20Maybe not to you, but Dad pays much more attention to him than I do.
14:24But because he...
14:24Mom, you don't have to lie to me.
14:27We both know that if we were both drowning,
14:30my dear father would save Rodrigo first.
14:32For God's sake, Ivan!
14:33Don't say that!
14:37You're his son.
14:38His blood.
14:40And no one can compete with that.
14:46What's the point of being his son
14:48if I can't get any support?
14:52When the time comes, you will.
14:55And in the meantime,
14:57I'll help you as much as I can
14:59so you can carry your ideas to the right place.
15:02If that's what you want, of course.
15:09Mother's word.
15:14Thank you, Mom.
15:16I know you're the only one who trusts me.
15:19I won't let you down.
15:22Wait, don't go.
15:27Maruja Pedraza on the line.
15:28Who would you like to speak to?
15:30Good morning, Mrs. Pedraza.
15:32César Morel speaking.
15:35Good morning.
15:36Although, I must confess,
15:37that was the last call I expected today.
15:40What a contradiction.
15:41I hope that doesn't mean
15:43that you're going to back out
15:43about organizing the Venice Gala at my place.
15:46I'm sorry, no.
15:47It's just that I had forgotten.
15:50That's more than forgiven.
15:51Be careful.
15:52I imagine you'll have a lot to think about.
15:55Well, you don't know
15:57how much work it takes to organize an event like this.
16:01I already told you that I agree with the budget.
16:04And as for the date,
16:05I haven't decided yet.
16:07I didn't call you to rush you on this matter.
16:11Oh.
16:12Well, I can't think of any other issues
16:15that we'd have to deal with.
16:17Mom.
16:18Well, I know who I'm talking to.
16:21We have a conversation in the middle
16:22and I was hoping we could continue with it
16:24where we left it.
16:28I'm sorry.
16:30I'm a little angry,
16:31but I have an appointment for dinner.
16:35I can't, Mr. Morel.
16:37It wouldn't be appropriate
16:39to let me see a man alone in a restaurant.
16:43Besides, I'm a married woman
16:44and you know that.
16:47At least you haven't said no.
16:51Trust me.
16:52I'll tell you everything.
16:54Trust me, I'm begging you.
16:56There won't be any problem.
16:57It's a business dinner
16:58to close the details of the charity gala.
17:00Being the owner of the place
17:02where I'm going to organize it,
17:03understand that I want to have everything well tied up.
17:07When?
17:09Tonight.
17:10If you like it,
17:11I'll see you at the Madrid Cabaret at 8.
17:13At the Madrid Cabaret?
17:15It's a place that my son usually goes to,
17:17as you know.
17:18I don't know if...
17:19If he prefers another place?
17:24It's fine.
17:27I'll be there.
17:30And I'll be waiting for you here.
17:32I won't take up any more of your time.
17:34See you tonight.
17:35See you tonight.
17:49Good morning, Pietro.
17:50I was told you wanted to see me.
17:52I wanted to see Cañeta and Elías too,
17:53but they're at the tables.
17:54They'll be here as soon as they can.
17:56Tell me.
17:57Okay.
18:00Hey, are you okay?
18:01You don't look well.
18:03I don't want to lie to you.
18:05I feel fine.
18:07Let me smell it.
18:11This is the sugar and cinnamon order.
18:14The only thing missing here are the quantities.
18:16But don't worry,
18:18the manager is here for that.
18:22What a disaster.
18:24I think I'm much worse
18:26than the doctors think.
18:28And so am I.
18:30Don't be sad, man.
18:32These suspicions he has
18:34are normal with his diagnosis.
18:36When they operate on him, he'll see that they disappear.
18:38Maybe forever.
18:40We have to consider the possibility
18:42that he won't get out of this operation.
18:44Don't say that.
18:46Pietro, everything will be fine.
18:51I hope so too.
18:53But I'd be irresponsible
18:55if I didn't take measures
18:57for the possibility of not surviving.
18:59What measures do you mean?
19:01This is what I want to discuss
19:03with you and Elias Cañet.
19:07We have a doctor here
19:09for what I need
19:11when I don't need it.
19:13I want to ask the three of you
19:15for a favor.
19:17Whatever you want, Pietro.
19:19Please,
19:21if you could be so kind
19:23here
19:25and write
19:27what I'm going to tell you.
19:29Of course.
19:37I,
19:39Pietro Faziello,
19:45in full use
19:48of my mental faculties
19:56with Teresa Soler as a writer
20:02and Francisco Cañete
20:06and Elias Tejada
20:10as witnesses
20:12as witnesses
20:16I have
20:18my last wishes.
20:22What are you saying?
20:24Please,
20:26I need you.
20:28It's very important to me.
20:30I need your help.
20:32I'm begging you.
20:34I need you as witnesses.
20:36Pietro, are you sure about this?
20:38Absolutely.
20:41Mrs. Antonia doesn't want to talk about it.
20:43I'm begging you,
20:45Mrs. Teresa.
20:53Look, Pietro,
20:55if you want me to write it, I will.
20:57But believe me,
20:59you won't have to.
21:01You're going to leave the hospital.
21:03And on your own terms.
21:05In a few months,
21:07this won't be more than an anecdote.
21:10I'll compensate you for the bad time.
21:14Well,
21:16we'll listen to you, Pietro.
21:24First of all,
21:26I leave
21:30my house
21:32to my wife,
21:34Antonia Iñonjosa.
21:36First of all,
21:38you can choose
21:40between vegetables or gazpacho.
21:42Second, we'll serve chicken
21:44with mushrooms and leek.
21:46Is that all
21:48you're going to tell me?
21:50If I prefer something else,
21:52I can talk to the cook,
21:54but I don't think it's funny
21:56to have to improvise with the menu.
21:58Come on, Pepita,
22:00I can't stand you talking to me
22:02from that distance.
22:05If our relationship were that of a man
22:07with his maid,
22:09but it's not the case.
22:11So come on,
22:13what the hell are you thinking?
22:15You know too much.
22:17Another thing is that you want to look
22:19the other way.
22:21We'll finish.
22:23This is for Rodrigo's scholarship.
22:25Is that it?
22:27You're still with that canteen?
22:29In part, yes,
22:31but not just for that.
22:33Another one would have left
22:35if they treated her like you did with me yesterday.
22:37You're not serious.
22:41No, you can't do that.
22:46I apologize.
22:48Don't take it to heart, woman.
22:50You know how I am.
22:52You can't leave.
22:54Of course I can, Emiliano.
22:56I'm not a slave.
22:58No, I'm not saying you are.
23:00Of course not.
23:03You were very important to us
23:05in everything that united us
23:07in those times
23:09when we were young
23:11in the hacienda.
23:13Do you remember?
23:15Of course I remember.
23:17But you don't live in the past.
23:19I'm only interested in the future.
23:25Would it help if I told you
23:27I was going to give a push
23:29to Rodrigo's scholarship?
23:32Is that a promise?
23:34Only if you assure me
23:36that you're going to forget
23:38all that nonsense
23:40about leaving the house
23:42or leaving the job.
23:44Get them to give him that help
23:46and you'll never talk to me
23:48about leaving again.
23:50All right, all right.
23:52That's it.
23:54Rodrigo will have his scholarship.
23:56But let it be known
23:58that I'm doing it for you.
24:00It's very good, it's loyal,
24:02it's intelligent, willing...
24:04I know I'm his mother by now.
24:06Yes, but...
24:08Please, I want you to appreciate
24:10the sacrifice I'm making.
24:12Right now, I don't want Rodrigo
24:14to cut my hand off.
24:16Everything is for his happiness.
24:18And for yours.
24:22I don't want you to leave
24:24for anything in the world.
24:26I'll treat you like a lady.
24:29I'll serve you right away.
24:31If you don't have anything else, ladies...
24:33Nothing else, Pepita. You may leave.
24:42Your work at the Foundation
24:44has really absorbed you.
24:46I've rarely seen you so absent.
24:51That's right.
24:55I can't get it out of my head.
24:59I'm sorry.
25:04Thank you very much.
25:10I'm very sorry for the bad time.
25:14But it was very important to me.
25:20Let's hope
25:22that this
25:24is something totally unnecessary.
25:26Not unnecessary, I'm sure.
25:28Because,
25:30even if I can survive this time,
25:32one day I'll have to die.
25:34Work comes first.
25:37Well, we have to get back to work.
25:41Thank you. I hope so.
25:56Pietro,
25:58what's going on with Teresa and the waiters?
26:00They're extremely serious.
26:02Even Elias is serious.
26:04They're crazy about work, Mr. Fermin.
26:06Well, well.
26:08I came to see how things were going around here.
26:10Do you have all the help you need?
26:12Yes, thank you.
26:14The guys are doing great.
26:16Perfect.
26:18Mr. Fermin,
26:20please give this to her.
26:26Pietro...
26:28Yes, Mr. Fermin.
26:30It's my last wish.
26:32I was going to go to the office to give it to her, but...
26:36But it's here.
26:40This is Teresa's letter.
26:42That's why they were so serious, right?
26:44Yes.
26:46Please keep it, Mr. Fermin.
26:48And keep it until...
26:52Pietro, look, I know this is appropriate
26:55when we're dealing with an intervention of this caliber,
26:57but I'm sure
26:59everything will be fine.
27:04But it may not be.
27:09Mr. Fermin, I want you to be my albacer.
27:13Please.
27:20It's very simple.
27:22I leave everything to my son
27:25and my wife.
27:27Pietro,
27:29I accept the task with the conviction
27:31that I will not have to carry it out.
27:33And listen to me well.
27:37If what we don't want to happen happens
27:39and it won't happen,
27:41know that Antonia will never be alone,
27:43much less helpless.
27:45As long as I have La Moderna or any other business,
27:47she will have a job.
27:49I assure you.
27:51Thank you, Mr. Fermin.
27:53You leave me calmer.
27:59I'm afraid, Mr. Fermin.
28:03I'm very afraid.
28:07I'm afraid that this operating room
28:09will be the last thing I see.
28:11No, Pietro, no.
28:13You're going back to Antonia's side.
28:15You're going back to this worker.
28:17Or do you think I'm going to allow myself
28:19to be left without the best baker in the world?
28:22Less work, I would say.
28:24Of the championship.
28:26Pietro, if we can trust someone,
28:30it will be Dr. Quiroga.
28:32He will cure you.
28:34Mr. Fermin, thank you.
28:38Thank you for everything you have said.
28:40Come on, let's go.
28:52I think I need to sleep three days in a row.
28:54What a beating we got, huh?
28:56Do you regret it?
28:58No, of course not.
29:00Seeing all the news in my store
29:02makes up for all the hours of sleep I have pending.
29:06We have been able to turn the tables.
29:08And that seemed to burn us all this time.
29:10And let it be.
29:12We have saved the situation in all lights.
29:14Although I would appreciate that for a while
29:16you could attend the store without so much overlap.
29:18Hopefully.
29:20I think you're going to have one of the most entertaining afternoons.
29:22That's for sure.
29:24In fact, we could open now.
29:26I'll show them the clothes
29:28while I take them out of the boxes.
29:30Can you imagine that I create a new fashion?
29:34Stop fantasizing, come on.
29:36What interest can it have to see a person unpacking boxes
29:38and showing what's inside?
29:45Good afternoon. Come in.
29:48Good afternoon, ladies.
29:50Let me tell you
29:52that you are going to see
29:54the new genre we have brought from Alcazar de San Juan.
29:56See if it's new.
29:58We haven't even taken it out of the boxes yet.
30:00Take your time to contemplate
30:02everything on the shelves
30:04and then we'll go with the inside of the boxes.
30:12What a face you make.
30:15Good afternoon, Paula.
30:17Good afternoon.
30:19Hi, Rodrigo.
30:21I have to tell you
30:23that you are being the food of the whole city
30:25with the new trends in your store.
30:27Excuse me, I leave you alone.
30:29I have to meet with Mr. Emiliano
30:31and he is not a man who tolerates delays.
30:33If you need anything
30:35I'll take care of it right away
30:37because I imagine you'll have to go to Madrid Cabaret.
30:39No, no. Today I have the day off.
30:41There is a private event
30:43and César is in charge of that kind of mess.
30:45In that case, look,
30:47whatever you want.
30:49And if you need anything, let me know
30:51because I imagine you have come to see clothes
30:53and not to warn me that Iván is still getting involved
30:55as always, right?
30:57Things are better with Iván than ever.
30:59Yesterday he was in our store,
31:01enjoying a first-row performance.
31:03There was no problem with anyone.
31:05Not even with César?
31:07Not even with César.
31:09Apparently, having older brothers
31:12And what do you say?
31:14They take one on the road to bitterness.
31:16Hey, what about private events?
31:18Is it done a lot in Madrid Cabaret?
31:20Sometimes.
31:22I can't tell you much either,
31:24but I guess
31:26some famous person or someone like that
31:28will have rented it.
31:30I already see you hanging out with the most prominent
31:32of Mercedes society.
31:34If that happens, I hope you keep wearing
31:36the clothes from my store.
31:38Count on it.
31:40I'm not so sure about
31:42hanging out with famous people.
31:44By the way,
31:46let me show you a blouse
31:48that I think will suit you great.
31:50With those eyes.
31:52Let's see.
31:54Hey!
31:56How is it?
31:58The color is beautiful.
32:00Do you want to try it on?
32:02You should have seen him
32:04writing his last wills.
32:06Don't do that to me, Miguel.
32:09When you want to dictate your last wills,
32:11you look for someone else.
32:13I'd rather not think about it.
32:15In fact, I'd rather stop talking
32:17about last wills.
32:19Hey, have you thought about
32:21where you're going to take your mother-in-law?
32:23Well, no.
32:25Anyway, I know she's going to refuse
32:27to hang out with me in Redondo.
32:29Maybe if you get Elías involved,
32:31she'll think about it.
32:33Not for you, for him.
32:35Does going by carabiner count
32:38as a solution to your problems?
32:40What if Elías went out with your mother-in-law
32:42this afternoon, but not just this afternoon,
32:44but every day?
32:46I don't know where you want to go.
32:48I want to get to the point
32:50where Leonora and Elías spend time together.
32:52That way, you'd get her out of your head
32:54because your mother-in-law would be out there
32:56peeling the turnip.
32:58Let's see, Francisco.
33:00Maybe the idea of finding Leonora a boyfriend...
33:02Okay, but the candidate?
33:04What's wrong with Elías?
33:06We've been doing well,
33:08and my mother-in-law made it clear
33:10that she didn't want to spend New Year's Eve with him.
33:12That can be reversed, Miguel.
33:14You know my theory.
33:16Insist, insist, and insist again.
33:18Don't tell me your theory.
33:20There are examples.
33:22Do you want me to give you one?
33:24I'll do it myself.
33:26If you want to keep looking for another candidate,
33:28go ahead,
33:30but between the ones you have at home
33:32and the specialist your mother-in-law is,
33:35you have to be quick.
33:37You're right about that.
33:39I'm not here to play house.
33:41That's the first thing.
33:43Besides, there's a spark between Elías and Leonora.
33:45We just need to give them a push
33:47for the flame to catch fire again.
33:49Yes, but that flame has risks.
33:51We're talking about Elías.
33:53With his overwhelming personality,
33:55it's easier to scare Leonora
33:57than to make her fall in love.
33:59You'd better do it.
34:01If she falls in love,
34:03she'll lose sight of him.
34:05In both cases, there's only one beneficiary.
34:07You.
34:09Elías is a winning horse.
34:11You look at him as you look at him.
34:13Let's say we give your idea a green light.
34:15What do we do with Trini?
34:17She doesn't want to see her mother
34:19in a relationship with anyone,
34:21especially not with Elías.
34:23That's because Trini is delighted
34:25that her mother is at home.
34:27But if her mother falls in love
34:29or decides to go back to Fuencarral,
34:32you're a genius.
34:34Your plan is perfect.
34:36Whatever happens, Leonora will leave my life.
34:38We'll have to act behind Trini's back,
34:40but it's worth it.
34:47Boss, I'm leaving.
34:49We had a deal with the boss.
34:51What's wrong with you?
34:53You look at me like a kid to a candy.
34:55Nothing.
34:57What? You look like a toy.
34:59No, thank you.
35:01I'm leaving.
35:09Yes, of course, they're of the best quality.
35:11Do you think they'll like it?
35:13Of course they will.
35:15Paula has known how to recommend us perfectly
35:17according to the personalities of the girls.
35:19I think we've hit the jackpot.
35:21Thank goodness I have you for these things.
35:23What do we do with the accessories?
35:25I think we should take it too.
35:27Paula knows perfectly well
35:29how you saw Laurita and how you saw Inés.
35:31Perfect.
35:33See? Each handkerchief is different.
35:35Sorry for the delay.
35:37You know we brought the genre today
35:39and everything is still a bit messy.
35:41No, there's nothing to forgive, darling.
35:43You've opened up the store a lot
35:45with all the setbacks you've had.
35:47Yes, yes, anyone would say that it flooded two days ago.
35:49You can't see a single flaw.
35:51There are, there are, Mr. Fermin.
35:53But they were caused especially in the back shop.
35:55A stroke of luck, given the circumstances.
35:57Your wife was very kind
35:59recommending me to the team that works for you.
36:01It's the least I could do.
36:03But getting back to the dresses,
36:05I brought these handkerchiefs that I think
36:07complement both sets perfectly.
36:09They're a first.
36:11The truth is that they seem to have been made for dresses.
36:13Well, we'll take them all.
36:15Yes? Great.
36:17Of course, Fermin.
36:19You are the client that any store would like to have.
36:21No, no, no, no, no.
36:23Don't even think about it, Mr. Fermin.
36:25You're like a brother to my father.
36:27I'll give you these dresses.
36:29No way.
36:31In these first moments is when a business
36:33needs all the possible income.
36:35And I refuse to pay you everything,
36:37everything you take from me.
36:39Look, I don't give a damn about my father.
36:41I don't give a damn either.
36:43And let's see how your father feels
36:45that his daughter wants to lose money on her own
36:47when she just opened a business.
36:49I'll charge you,
36:51but I'm going to give you a discount.
36:53And I won't deny that.
36:55I accept because I see that the store is going like a bullet.
36:57Because since we've been here,
36:59customers have stopped coming in.
37:01With 25% there will be enough.
37:03Well, and there's plenty left.
37:05Well, it's been a pleasure, Paula.
37:07I think we'll let ourselves fall a lot around here.
37:09Thank you very much.
37:11Ready, honey?
37:13Yes, yes, yes, yes.
37:15Goodbye, darling.
37:17Can I help you with anything?
37:47Yes.
37:53So you have an answer.
37:55I will join the French secret service.
37:57That's what they wanted, right?
37:59That's why they told me
38:01that Eduardo died fighting the Germans.
38:05Is that okay?
38:07Yes, very good.
38:09I don't know how you do it to keep all this text in your head.
38:11Well, one thing is to keep it
38:13and another is to say it with truth.
38:15Well, you do both.
38:17You pronounce it perfectly, Inés.
38:19Besides, you give the text a lot of intention
38:21and a lot of meaning.
38:23I think you have the character very well taken.
38:25No, what I have is a tremendous luck
38:27to have you as an assistant
38:29and as a partner.
38:31Stop it, those are big words.
38:33I have a very small, secondary role.
38:35I wouldn't have accepted anything more important either.
38:37Well, never say never.
38:39I'm sure Ballesteros has insisted
38:41to the point of satiety.
38:43I don't know very well
38:45what that man has seen in me.
38:47Don't laugh, Inés.
38:49I have a lot of pressure on me.
38:51No, it's just that I want to meet his expectations
38:53and I don't know what he likes about me.
38:55But that's not what makes me laugh.
38:57So?
38:59Do you remember the toy theater
39:01we had as kids?
39:03Of course, how not to remember?
39:05We spent hours and hours
39:07playing with those dolls on stage.
39:09Marina and Maria.
39:11Marina and Maria.
39:13The truth is that we weren't very original
39:15naming the dolls.
39:17No, and we made them interpret
39:19each and every one of the stories we knew.
39:21And sometimes you made them up.
39:23Well, none of them had the slightest sense.
39:25Do you remember
39:27what my favorite was called?
39:29The Altarin Dwarf, right?
39:31Yes.
39:33Well, I'm sure the dolls
39:35also remember.
39:37The times you made them sing
39:39were beautiful.
39:41And you still have that
39:43naturalness and that candidness
39:45you had as a child.
39:47And I guess Ballesteros
39:49has noticed.
39:51Well, whatever it is,
39:53my sister has a lot of text to review.
39:55Yes.
39:57So,
39:59does Hector know?
40:01His men told me
40:03all the details.
40:05And I remind him that we were engaged.
40:07I had the right to know what happened to him.
40:11Yes, yes, the text, yes, but
40:13you sounded a little strange.
40:15As if you didn't finish believing it.
40:17Try to say it with more conviction.
40:19Let's see.
40:21His men
40:23told me all the details.
40:25And I remind him that we were engaged.
40:27I had the right to know what happened to him.
40:29Yes?
40:31Yes, yes, yes.
40:33Much better. You do it like this time, okay?
40:35I have the best assistant
40:37in the whole world.
40:39You deserve that role in the movie.
40:45Thank you very much.
40:53And thank you very much
40:55for inviting me, Miguel.
40:57You're welcome, man.
40:59But let's go to what interests us.
41:01Let's not get distracted.
41:03You don't know how my mother-in-law is.
41:05If Elías this, if Elías the other.
41:07It's amazing how your personality
41:09has caught Leonora's attention.
41:11Well, I'm amazed.
41:13Because this is the last thing I could expect.
41:15Let's see, the last time Leonora
41:17told me, of course,
41:19she made things very clear to me.
41:21There couldn't be anything between us.
41:23You said it the last time, a long time ago.
41:25You know that people change, and where they say Diego,
41:27they say Diego. Or Elías, in this case.
41:29Oh, Miguel.
41:31That I'm using Leonora?
41:33I can't believe it.
41:35Well, believe it.
41:37There's just one little problem,
41:39without importance.
41:41She's very protective with her mother,
41:43and, let's say, reluctant to see her
41:45in a relationship again.
41:47A little problem?
41:49It's an infringement.
41:51No, no, man, no.
41:53Infringement, no.
41:55What I see that there can be
41:57between my mother-in-law and you
41:59Really, Miguel? Do you really think so?
42:03Cupid has shot his arrows.
42:05And Trini can't put sticks
42:07on the wheels of the love that has already begun to spin.
42:09Leonora and you are destined
42:11to be together.
42:13Now, Miguel, these are big words.
42:15But I didn't know I had given
42:17Leonora so much strength with me.
42:19And much more. How beautiful is
42:21the love that comes when
42:23you least expect it.
42:25Yes, I'm telling you. I didn't expect this.
42:27Well, let's see, if I look back,
42:29I shouldn't be surprised.
42:31So, when are you going to ask her
42:33to start relationships?
42:35Behind Trini's back, yes.
42:37Miguel, calm down, calm down.
42:39And good food.
42:41These things can't be taken lightly, man.
42:43Elias, courage and bull.
42:45Life is two days.
42:47We're not going to lose more wings.
42:49You'll see the joy we're going to give her.
42:51No, wait.
42:53Mother-in-law, come out, you have a visitor.
42:57But you can tell
42:59what that voice is coming from.
43:01You're going to scare my grandson.
43:03Oh, what a joy to see you, Elias.
43:05Oh, what a joy.
43:07Likewise, Leonora. Well, I mean, Nefertiti.
43:09Let's see what a coincidence.
43:11Yes, right?
43:13Well, no, not so much coincidence.
43:15Why?
43:17Because you're in the tavern of my Corrala.
43:19My Corrala, the tavern of my Corrala.
43:21Well, next time let me know
43:23and I'll make you a snack or something.
43:25Well, I'm going, my dinner is ruined.
43:27Hey, what did you say?
43:29What a joy to see you in that uniform.
43:31You look good in the jacket.
43:33Well, nothing.
43:35Goodbye.
43:39Oh, Miguel.
43:41It's going to be true.
43:43May the winds be with me.
43:45If all I'm saying is
43:47that it was very risky.
43:49That there were many things that could go wrong.
43:51But a good businessman taught me
43:53that those who don't take risks don't win.
43:55And you see I was right.
43:57And you say it.
43:59The maneuver has gone out of control.
44:01I'm exhausted, but it was worth it.
44:03It's a valuable lesson, Paula.
44:05You see,
44:07every sacrifice ends up having its reward.
44:09Keep that in mind.
44:11It will be very useful
44:13to survive in the business world.
44:15Right now, what I need to survive
44:17is to sleep long and tight.
44:19I'll have something to eat quickly
44:21before I go to bed.
44:23You've earned it.
44:25So you're not going to reproach me for anything?
44:29Of course not.
44:31I'm very proud of you.
44:33Seriously.
44:37You just have to come and work with me.
44:39Father,
44:41we've already talked about that.
44:43You know that doesn't go into my plans,
44:45neither short-term nor long-term.
44:47Yes, yes, no, no, I'm very clear, but what do you want?
44:49I want hope.
44:51Then you reproach me for being stubborn,
44:53but I have someone to turn to.
44:55No, no, Graciosilla, it's not the same.
44:57What I want is passion, it's different.
44:59Take my insistence as a compliment,
45:01because I only want the best for my side.
45:03And I am.
45:05You? You're a fighter.
45:07A tireless fighter.
45:09You suffered a setback
45:11and you knew how to turn it around
45:13to turn it into an advantage.
45:15I love that.
45:17Whether it's for the good of my business
45:19or yours.
45:21Daughter, if you're not working with me
45:23in my company, it doesn't mean
45:25you don't make me happy with your success.
45:27I want you to do well.
45:29You're an example of the commitment
45:31you need to have to start a business.
45:33Is that an indirect one?
45:35No, it's a direct one, Ivan.
45:37Because if you really want to
45:39start your own business,
45:41you're going to have to listen to a lot of advice.
45:43All possible advice.
45:45About how your sister works hard.
45:47She was almost better when you ignored
45:49my presence.
45:51Is that true, Ivan?
45:53Do you want to start your own business?
45:55I see you don't trust me.
45:57Don't worry.
45:59You're not the only one.
46:01No, it's not that.
46:03It's just that I was surprised.
46:05You've never mentioned anything about
46:07wanting to start your own business.
46:09What's wrong? Can't I be worried?
46:11No, of course you can.
46:13I can help you with any project.
46:15If you need my help, you can count on me.
46:17Please, don't come to me with those little sisters.
46:19We know that the only one
46:21who trusts me in this house is Mom.
46:23Watch what you say, Ivan.
46:25I also trust you.
46:27Please, Dad.
46:29Your mouth sounds much more false
46:31than Paula's.
46:33I'm going to take a walk.
46:35I'll leave you to the businessmen to talk about your things.
46:37If you go to Madrid Cabaret, you can save the trip.
46:39Mercedes told me before
46:41that today it's closed for a private event.
46:45It must be for events in Madrid.
47:07I'm glad to see you, Mrs. Paredes.
47:09The same to you.
47:13Is this closed for me?
47:15For us.
47:17I already told you that it would be a discreet place.
47:19Although that has meant
47:21that I have had to personally take care of the dinner.
47:25Let's see.
47:27Let me tell you that that table looks very good.
47:31Let me tell you
47:33that you also look very good.
47:39Did you prepare the dinner?
47:41No.
47:43I ordered it from one of the best restaurants in the city.
47:45I see.
47:47Then it would be better
47:49to notice her before it gets cold.
47:51Don't you think so?
47:53I think so.
47:55But first, if you don't mind,
47:57I usually have a glass of champagne
47:59before I start dinner.
48:01You have taken great care of the details.
48:05I didn't expect this reception
48:07or that we would have dinner here.
48:09I thought
48:11that I would have booked a private room
48:13in a restaurant.
48:15Don't you like Madrid Cabaret?
48:17No, no, of course I like it.
48:19The truth is that I like this idea more.
48:21I'm glad.
48:23Putting you in a commitment is the last thing I want.
48:25I appreciate it.
48:27There are few moments
48:29of tranquility and peace
48:31that I have.
48:33And this is one of them?
48:37Yes, that's how I feel.
48:39You see?
48:41Locked up
48:43between these four walls.
48:45I feel freer
48:47than when I'm on the street.
48:49You can be calm here.
48:51We can chat
48:53without being interrupted.
48:57Why should I be interrupted?
49:01Your smile.
49:03I would like
49:05you to be smiling
49:07all night long.
49:09I love you.
49:29Don't kiss me.
49:33I haven't kissed any other man
49:35other than my husband.
49:39I love you.
49:47And this phone number?
49:49It's from Elena Cavalieri.
49:51I'm officially on a hunt with some clients.
49:53You're the only one.
49:55I'm giving it to you so you can call me if something serious
49:57comes up.
49:59But really serious.
50:01I don't like this nonsense.
50:03I found out that yesterday,
50:05in the afternoon, you and Leonora...
50:07Don't tell me you won
50:09and he's so modest you don't want to show off.
50:13I think you forgot that you have
50:15a list of things to do
50:17since you moved in.
50:19A list of things? I don't know what you mean.
50:21You can start with my bedroom.
50:23What do you think
50:25if we get Sagrario back?
50:27What...
50:29What do you think?
50:31Pietro was talking to Don Fermin this morning
50:33about looking for a replacement.
50:35Oh, they already have someone.
50:37I don't know if he looks like Sagrario.
50:41Not at all.
50:43Mrs. Laura.
50:45I'm going to make her blush.
50:47They're going to film me with a camera
50:49and put it on the big screen.
50:51People will be able to see it.
50:53I'm so nervous.
50:55Have you seen Mrs. Lazara's jewelry?
50:57Why wouldn't I?
50:59And those boxes are from the jewelry store on the corner.
51:01I told you yesterday that I think this woman
51:03is crazy.
51:05We don't know what's in those boxes either.
51:09And action!
51:11I was waiting for you.
51:13Here I am.
51:15Is it something important?
51:17You're already working for Mr. Fritz.
51:19Are you finally going to organize a charity event
51:21in Madrid-Cabaret?
51:23I'm not sure yet.
51:25Have you gone crazy?
51:27Did you lose a screw or what?
51:29I can only speak for myself,
51:31but I have a feeling that someone is following me.
51:33Is it a pesado or something?
51:35No, it has nothing to do with that.
51:37I don't know.
51:39It's just a feeling.
51:41Bring us a bottle of champagne.
51:43And if anyone wants anything else,
51:45they can ask you.
51:47I don't know how you can stand her.
51:49Ivan?
51:51Yes, Ivan Pedraza.
51:53There are things that can't be chosen.
51:55I can't believe you like that kid.
51:57You don't need to listen to her
51:59I've never seen her like that, really.
52:01That candidness, that innocence,
52:03that truth.
52:05There is no trace of the interpretation.
52:07She does it all naturally.
52:13I trust you completely, Rodrigo.
52:15And I envy you.
52:17I envy you for that perfect harmony
52:19you seem to have with Paula.
52:21I know that being in your company
52:23I have nothing to worry about.
52:25This morning she thanked me for what I do for you
52:27Feeling bad?
52:29Why?
52:31Because I've felt like a fraud.
52:33An impostor.
52:35Let's see if now
52:37you're going to want to tell her about us.