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00:30I don't know what to do with my son.
00:34Alya?
00:36Yes, I'm Alya Tant.
00:38Do you know who killed Mr. Talbasha?
00:40His blood will go to Tiz.
00:42And he won't stay from the story except for the scandals.
00:54How long will he be afraid of me like this?
00:57Until you stop being afraid of him.
00:59You didn't answer me.
01:01What brought you here?
01:03What brought us here is what brought you here.
01:05Al-Fatihah.
01:06If it was Al-Fatihah, I would have read it to him from my house.
01:08Hold this, son.
01:12But I came to visit him at his house.
01:15I came to sleep in his arms.
01:17How will you sleep in his arms?
01:19Like this.
01:23Will you sleep in the grave?
01:30Don't call it a grave.
01:32Until you find out who killed my son,
01:34call it his house.
01:36It's my son's house, and I came to live in it.
01:38Do I have a right to do that?
01:42Come on, son.
01:44Light the fire.
01:46I don't want to go to my house.
01:48Come on, son.
01:55Do you want a young child to sleep in a grave?
01:57Do you want a young child to sleep in a grave?
01:59But it's not a grave.
02:01I told you, but it's not a grave.
02:03Even a mosquito is not a grave.
02:05Its dust will be more painful than your chest.
02:09Don't worry about the mosquito, Alya.
02:12Alistair.
02:14Thank us for Al-Fatihah.
02:18Alya!
02:20Alya!
02:22Alya!
02:26No, Zainab.
02:28It's not like that.
02:30He'll grow up and come to me,
02:32and I'll tell him stories that only I know.
02:34I'll tell him about the cinema.
02:36A drop or two.
02:38You're just like me, and you don't know.
02:40My son, I taught the girls,
02:42and you're still talking about sugar.
02:44Who told you that I stopped talking about sugar?
02:47If anyone asks me who I'm with,
02:49I'll tell him about sugar.
02:51And I'll lie to him.
02:53And tell him that I'm the one who gave birth to your father, not him.
02:56I really don't know.
02:58I'm sorry.
03:03And he'll laugh at us.
03:05His mother, who slept with him,
03:07and his father, who covered her,
03:09and left without anything happening to us.
03:11And after I tell him all this,
03:13I'll dance with him.
03:15And I'll teach him to dance like I taught Mohab.
03:17And then I'll take him in my arms,
03:19so that he can sleep next to me.
03:46What do you mean, I'm a stranger and I need your help?
03:48You don't need to be a genius, Mr. Shahrazad.
03:50Every time you talk about it,
03:52you make me stop so that you can continue later.
03:54At first, I really needed it.
03:56Until I found out why you're doing this.
03:58Why?
04:00Are you afraid of flying a plane, Mr. Sultan?
04:02Or is your interview taking too much time?
04:05Neither.
04:07You probably didn't discover that I'm like the pigeons
04:09that try to hang themselves.
04:11I don't know.
04:17Well, since I'm so obvious,
04:19I think it's time for me,
04:21the happy and wise king,
04:23to look for him before I look for him,
04:25and when I find him, he looks for me.
04:27Back then, I played the most famous role
04:29of a woman in the history of women.
04:32I moved on.
04:34I felt that he was the one who was waiting for me.
04:37From a private exhibition to a restaurant,
04:39until we entered the cinema together.
05:03I didn't come yesterday or the day before
05:05to laugh at myself and tell you
05:07that I fell in love at first sight.
05:10But I slept.
05:12For the first time, I slept
05:14when I was 13 years old without sleep.
05:18When someone has a concussion,
05:20it's a one-hour concussion.
05:22It breaks his brain.
05:24When you're inside your brain,
05:26it's a 24-hour concussion.
05:29The good guys only have their ideas.
05:32The bad guys only have their mess.
05:35From the restaurant,
05:37to the cinema,
05:39to the house,
05:41to the radio.
05:43I didn't even hear them.
05:46I only heard his thoughts
05:48and I didn't hear his music.
05:51And I'm all alone
05:53and I didn't see any pictures.
05:56And we didn't know that we were completing each other.
05:59And I'm always next to him.
06:01I won't hear anyone
06:03and I won't see any pictures.
06:06But I slept.
06:09I slept.
06:12I couldn't leave this place for a second.
06:16It's strange that he's the first guy
06:18I loved and loved me.
06:20He thinks he can cover me before he leaves.
06:23No, no.
06:26He's a bad player.
06:29But when we were in Pursuit,
06:32he used to sleep in the humidity
06:34without a blanket.
06:36And he gave me a blanket on top of a blanket.
06:39That's fair.
06:42He doesn't wear fire water or laser on his face.
06:52Honestly,
06:54I want to know what's behind you.
06:57Because of my beauty?
06:59Because of your beauty?
07:04I don't know what's behind you.
07:08And if I want something from you,
07:11something from your side,
07:13I'll ask for it with this blanket.
07:16I told you everything.
07:18You didn't show up in the photo.
07:20I honestly don't understand you.
07:22What do I mean?
07:24How did you know?
07:26You're amazing.
07:28I swear, you're amazing.
07:30I have to divorce you after I marry you.
07:32You're amazing.
07:34Will you marry me?
07:36No.
07:38Don't get me started.
07:40This wasn't a movie.
07:42It's a song.
07:44No, no, no. Don't get me started.
07:46Why?
07:48Will he say that I took her back?
07:50Age isn't a number.
07:52It's just a number.
07:54Stop being a philosopher.
07:57I'm telling you,
07:59why are we celebrating tonight?
08:01It's our night off.
08:03What's this?
08:05It's a private project.
08:07No one else does it in Egypt.
08:26No one else does it in Egypt.
08:30Even Fadi writes?
08:32Yes.
08:38But you're not in it.
08:56You're not in it.
09:18What's up, Fadi?
09:21I'm Al-Shahawi.
09:23I'm not coming back.
09:25You've been waiting for me for an hour.
09:27Who's the one who's been waiting?
09:29The trash or the guy with the glasses?
09:31Who's the one who woke up and said,
09:33if you answered one of the 50 messages I sent you,
09:35he would've been dead by now.
09:37Is Saher still mad?
09:39I've decided he's mad.
09:41It's obvious you're a Dracula
09:43because you come back before the sun rises
09:45to hide in the coffin
09:47and avoid getting burned.
09:49Your way of responding is worse
09:51than the way you react
09:53and the way we all live.
09:55It's not better than you at all.
09:57I'm worried about you.
09:59If something happens to you,
10:01I don't know.
10:03Don't open the door.
10:05If it opens, it won't close.
10:07Hey!
10:09Don't open the door.
10:11Don't open it.
10:13Don't open it.
10:15Don't you know how to open
10:17the coffin?
10:19Saher.
10:21What don't you lie about in your life?
10:23All the time.
10:25Only two things I don't lie about.
10:27My drawings and my designs.
10:31What about this?
10:37Where were you?
10:39Swimming for good.
10:41And if I tell you
10:43to swim for evil,
10:45you'll enjoy it more, believe me.
10:49You stay calm and don't lie.
10:51Your life is beautiful.
10:55Who's more beautiful?
10:59Unfortunately, you are.
11:15I'm sorry.
11:17I was wrong.
11:21I won't let this happen.
11:23I have to make you...
11:25I won't allow this to happen.
11:27Let's go.
11:29Let's go.
11:31Saher.
11:33Saher.
11:35Saher.
11:37I'm sorry.
11:39I didn't mean to.
11:41It's my fault.
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17:59What pictures did you steal?
18:01Is this what you're worried about?
18:03Don't you see what's going on in my head?
18:06Hello.
18:08By the way, the first time I spoke to you, I came empty-handed.
18:10You came empty-handed?
18:12Because of me or because of the pictures?
18:14Is that a question?
18:18Yes, Adam, it's a question.
18:20And I'd like to know the answer right now.
18:24You know I don't know how to lie.
18:27I came because of the pictures.
18:29Then there's no need to be so polite.
18:31Let's go stand next to the pictures and say hello.
18:34But I don't care.
18:36Your pictures are with you.
18:38I don't give a damn about them.
18:40Especially about the dead man you're photographing,
18:42him and his wife.
18:49What do you mean?
18:51I'm telling you, I'm the only one who knows
18:53that you didn't report these pictures to the prosecutor's office
18:55and that you didn't give them to Herz.
18:57And that's a very strange thing in itself.
18:59Especially that she doesn't like the head of the prosecutor's office,
19:01who doesn't know how to lie,
19:03or even his wife,
19:05whose blood is boiling.
19:07I told you all this in the office,
19:09and you let yourself get close to it.
19:11Because I don't want to stand in front of you.
19:13Huh?
19:15When we got together, it all fell apart.
19:17I mean, he could have taken everything he wanted.
19:19He left the pictures and went to the barbershop.
19:21I held him with my hands and my teeth.
19:23I called the police, and I called you.
19:27I'm sorry.
19:31Go to sleep.
19:37I swear, Adam, I don't know what to tell you.
19:39There's nothing coming to my mind
19:41but the sound of Firooz saying,
19:43this is my creation.
19:45This is my creation, Adam.
19:47Enough.
19:49Can we go to the doctor?
19:51Go and look at these pictures of yours,
19:53and leave me in this miserable situation.
20:07God forbid.
20:09I went down and left him.
20:11I'll go to Dr. Mahmoud
20:13to see what's going on in this miserable situation.
20:15And for God's sake.
20:17It's no use.
20:19I'm going to kill you.
20:21What did you do?
20:23Didn't we agree that we're going to be together
20:25until he gets out of the coma?
20:27And then what?
20:29I'm telling you,
20:31I did what I had to do.
20:33That's enough.
20:35This is what you've been looking at all day.
20:37This is what Osama Anwar Okasha did to me.
20:39I don't want anyone to suggest anything but him.
20:43What's so funny about what I'm saying right now?
20:47What's wrong with my suggestions?
20:51Okay.
20:53Fine.
20:55Bye.
21:11And what does this Zeyoudeh guy do?
21:17Unbelievable.
21:19You have a world-class production company
21:21and you don't know what Mustafa Moharram does?
21:23He's a screenwriter, baby.
21:27I live with a guy named Zarqali, Mama.
21:29And you don't even have a house of poetry.
21:33Either I'll read
21:35or I'll add my head to the bank.
21:41Either I'll read
21:43or I'll add my head to the bank.
21:45The important thing is that I know myself.
21:47Instead of opening her head,
21:49I'll open her ears.
21:51Come on, let's go.
21:53I'll tell you what.
21:55You're both crazy.
21:57Really, you're both crazy.
21:59What's the matter, Mr. Mustafa?
22:03You're the one who's crazy.
22:05You're the one who's crazy.
22:07Me? No, I swear.
22:09He's from his own country.
22:11Forget it.
22:15What's the matter?
22:17Unfortunately, I can't reach Ayman.
22:21It's a disaster.
22:23A real disaster.
22:25It's not a disaster, unfortunately.
22:27It's nothing.
22:29It's a step that's expected to be a million percent.
22:31Ayman could put all of us in trouble.
22:37I'll change the name of the group.
22:39I'll call it 12.
22:41Then his brothers will feel it.
22:47I'm sure that when I propose a proposal,
22:49it won't be less than Bill Gates' proposals.
22:55Bill Gates?
22:57Your colleague, Mustafa, is also a writer.
23:01Yes, there are writers
23:03who know how to propose a proposal like this.
23:11Ayman!
23:19How are you?
23:21I told you that you'd be fast asleep.
23:23I didn't wake you up.
23:25It's Fajr, so I prayed and then I woke up.
23:27Did you do as if it was Fajr and then woke you up?
23:29Of course.
23:31Fajr and Dhur and Asr and Maghrib and Eisha too.
23:35Those who work in my business,
23:37Ayman, ask 24 hours.
23:39Yes, I'm ready to continue or I can't. If I can't, I can postpone it for later.
23:45No, you can, and you're ready, and you're comfortable too.
23:50And I'm sure that when I finish my speech, I'll walk like Mary did.
23:54Great. Write it down, my son is still on the way.
23:58Go ahead.
24:00What I told you about him falling from his height, you found out later.
24:06When I insisted that he should go to the doctor.
24:09Of course, on the contrary, he rejected this idea from all people.
24:13He agreed with me.
24:29You're exaggerating, Ayman, by the way.
24:31This is just a taste of the food.
24:34What taste? You were in a coma.
24:36And what kind of food is this? It's fake.
24:38Mohib, enough. It's just a simple analysis, you have to believe me.
24:45I'm just looking for these things, I don't see them in a movie or a photo.
24:48I feel like a ghost is coming out of them.
24:50Imagine what I feel when I go inside.
24:55Mohib is afraid of death.
24:57Don't worry, son.
24:59And who doesn't fear him?
25:02I'm not talking about the balance of my good deeds or not fearing death.
25:07Who told you that we're going to be judged by the balance of our good deeds?
25:10We're not going to be judged by the mercy of God.
25:14And I'm sure that God has seen a lot of your heart.
25:18If I were a man, I would have seen this.
25:23Shut up, Ayman, shut up.
25:25He won't shut up.
25:30Let's go, let's go.
25:32Mohib.
25:34Leave me alone, I want to be alone.
25:40Dad, I'm telling you, something strange is happening in the villa.
25:43If you could prove it, everything would be over.
25:46He's not the one who will satisfy you.
25:48But he's not the one who will satisfy me.
25:50When I fail in the movie, I'll do it and then I'll do it for you.
25:52Salam, let's go to the court.
26:22Dad.
26:52Dad.
27:06Get away from me, you son of a bitch.
27:09Do you think I don't know how to get you?
27:13You're going to go to hell.
27:15I'm going to get you and I'll let you burn.
27:19Enough, enough.
27:22Why are you running away from me?
27:24Why are you running away from me?
27:26Why are you running away from me?
27:28Answer me.
27:30I'm going back to my words.
27:32Yes, what do you mean?
27:34What do you mean?
27:36What do you want from me, son?
27:38I'm not going to let you take from me.
27:41If you were a man, would you have felt what I felt now?
27:45Yes.
27:47I would have known that you would take from me, lazy man.
27:52Eleven.
27:56Eleven.
27:58Where is eleven?
28:00Eleven took it from me.
28:03For free.
28:07They told me he was dead.
28:10I didn't take his number like you did.
28:14I took it and I didn't count the twelve.
28:18Everything you want from me, I have it all.
28:22And I don't need it.
28:24Whatever is in my stomach, I will take it.
28:28I will pay a high price.
28:31You don't know how much I love you.
28:48What do you want from me?
28:51Are you crazy?
28:54What are you doing to the kids?
28:56What are you doing to the kids?
29:06What are you doing to the kids?
29:08Peace be upon you, mother of God.
29:10Did anyone tell you that he looks like you?
29:15No.
29:18They told me he looks like me.
29:21Okay.
29:23Think of me as Afrida.
29:25And now come in front of me to your room.
29:29By the way, I am the owner of the house.
29:32No, Ayman.
29:34You have never been the owner of a house.
29:39You are a stranger.
29:41You were born a stranger.
29:44And you lived a stranger.
29:45And you will die a stranger.
29:48What are you saying?
29:50You will never find another land or another sea.
29:57Shut up.
30:00The country you left behind you.
30:05Enough.
30:12You will walk in the same streets.
30:15You will walk in the same streets.
30:17I will walk in the same streets.
30:32I am not a ship for you.
30:35As long as you have ruined your life here.
30:39On this small boat.
30:42It is ruined wherever I am.
30:46When I found out that she is blind.
30:49But only the sight.
30:52But the sight is from here to years ahead.
30:55The important thing is to be afraid of her.
30:57To smell you when you are afraid.
30:59Like any dog guarding its head.
31:01This was her role in the Wushain incident.
31:04She was about to succeed in this.
31:07But fear took over her.
31:09Instead of pulling me in front of her, it dragged me.
31:12Is it logical?
31:14Is it logical?
31:16To believe that her father was in front of her.
31:19He must have had someone like her in his life.
31:23Is it logical?
31:26And you were still afraid?
31:28I was afraid of him.
31:31But for the sake of what I came for.
31:34Whether God will please me or my father.
31:37I had to stop being afraid of her.
31:40Since I studied science, I was not in front of her.
31:43I was afraid.
31:46Fear.
31:48Fatigue.
31:50Blood.
31:52Amphetamine.
32:13I'm going to bed.
32:43I'm going to bed.
33:14Don't look at me like that.
33:17I'm afraid.
33:20I'm not the one who dug the grave to lay the bodies.
33:25I'm not the one who smashed the cross in your children.
33:29I made them a disgrace.
33:31I'm not the one who spent a night in love with the king.
33:35I'm not the one who spent a night in love with the king.
33:39I'm not the one who spent a night in love with the king.
33:43I'm not the one who spent a night in love with the king.
33:46I'm not the one who spent a night in love with the king.
34:02Can you not look at me like that?
34:07How should I look at you?
34:11Like you were looking at me yesterday.
34:13You were one yesterday, and today you're a completely different person.
34:18You're like two skewers.
34:20Yesterday, you were skinned.
34:23But today, you're a skewer.
34:27Keep going, Ayman.
34:32Mom's life has become very stressful since I haven't been able to go to the palace.
34:38She's been suffering a lot because of you.
34:41She forgets her keys.
34:43She forgets her bags.
34:45Her safe is open.
34:48But it's not my fault.
34:49She was able to take me to something,
34:51because I broke my plan.
34:55I had to go back to the plan.
34:58The plan that I came for.
35:02Come in!
35:11Good morning.
35:13Good morning, my love.
35:17It's my birthday today.
35:19Today?
35:23Happy birthday, my love.
35:27My love.
35:31I made you a party plan, but it didn't work out.
35:34Blue! Blue!
35:36Blue!
35:41If I were here, I would have bought you a party on your shoulders.
35:46I wish I could turn it around.
35:48But no.
35:49I just want us to celebrate.
35:52This is the day before when you and I were one.
35:55I want us to be one again today.
36:00I'm glad we're apart.
36:02I'm glad we're apart.
36:08I'm your birthday, you're my birthday.
36:11I'll be right back.
36:14You're so sweet, my love.
36:16You're sweet.
36:20There's a teacher outside.
36:22He brought this cake.
36:24He's waiting for you.
36:29Let him in.
36:32Let him in.
36:59Sorry to bother you.
37:01Happy birthday, sir.
37:03Thanks.
37:04Go.
37:32The experiment will make you believe it or not.
37:35Save it for the wedding.
37:42Yes, Pakina.
37:44I need someone from the legal department.
38:02I'm sorry.
38:04I'm sorry.
38:06I'm sorry.
38:15By the way,
38:18I was thinking about you when I came into your room.
38:21I found your bag on the floor.
38:23I told you to hang it up.
38:25But a glass fell from it and broke.
38:32It wasn't broken.
38:34I thought it was a vitamin.
38:36So I got you a new one and fixed it.
38:51Don't be afraid.
38:55Didn't you put poison in my food?
38:58I changed it.
39:01I'm sorry.
39:08How did you know?
39:10Did you find Zarka?
39:23He's the one who created Zarka.
39:25He didn't create anyone else.
39:31Zarka.
39:33Zarka.

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