Sueños de libertad Cap 165 (15-10-24)
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00:00What are you doing here?
00:14Can't you imagine?
00:16I guess Maria told you what our intentions are, right?
00:22At least dare to look me in the face.
00:30Do you want to ask for a marriage annulment?
00:33When we got madly in love, no more, no less than the annulment.
00:37What do you think you can argue before the court?
00:40Come on, tell me.
00:41Or are you going to tell me that you didn't marry me absolutely convinced and in love?
00:45That love happened in history.
00:47Right now, all I need is to erase you from my mind and your passage through my life.
00:51Begoña, know well that this will never happen.
00:55We are married in holy marriage and we will be together until the end.
00:58And what do you gain from that, Jesus, if you hate me and despise me?
01:02And I'm in love with someone else.
01:04Do you really want to continue in this relationship just out of pride?
01:06It's not pride.
01:07It's the law of God and men.
01:09And my punishment is against you.
01:10And against you, Jesus.
01:12Because you know I'm not going to change my mind.
01:14I'm not going to forgive you and I'm not going to get close to you again in life.
01:18What do you want?
01:19To fill you with rage until you shoot me again?
01:22Do you want to end up ruining your life by killing me?
01:26My life was ruined by the arrival of my brother.
01:28And that my wife, my dear wife, succumbed to his charms.
01:32You started this war.
01:34Your violence had nothing to do with it.
01:36Not even your controlling desire.
01:39Jesus, I loved you.
01:42But you've been ending my dignity.
01:45And that's why you've ended mine.
01:48At least admit that you liked my brother from the first moment you saw him.
01:53Admit it!
01:56See?
01:59I tried to hold on to you, Jesus.
02:01To you and the family we were trying to form with Julia.
02:04But the lies started.
02:06And then I found out about Elena and your mistreatment.
02:09Don't look for excuses.
02:10The adulteress and the one who has abandoned the marital home is you.
02:15Our marriage is dead.
02:16It's dead and buried.
02:19The ecclesiastical court will never accept nullity.
02:21If you're so sure, I don't know what you're worried about.
02:26And you're very confident, aren't you?
02:28Why?
02:30What are you going to say?
02:32I can say so many things, Jesus.
02:35That you tried to kill me.
02:37That I married a liar because I didn't know your sterility.
02:39I didn't know any of that either, Begoña.
02:41It's very easy to prove that Julia isn't your daughter.
02:44How dare you?
02:45You forced me.
02:46I know you're looking for a good lawyer.
02:48Because with everything you've done, you can't get away with this.
02:50I haven't done anything that can be proven.
02:54Wait a minute.
02:56Didn't you tell Andres about Clotilde and Valentín?
03:01Tell me you haven't.
03:03Have you?
03:05Answer me!
03:06Answer me!
03:09What does this mean?
03:10This has nothing to do with you, Doctor.
03:11Get out of here!
03:12Leave her alone.
03:13This is my consultation and you don't even work in this factory.
03:16You have no right to be here.
03:19Get out or I'll call the Civil Guard right now.
03:22Get out!
03:28We'll talk later.
03:44Are you okay, Begoña?
03:45Did he do something to you?
03:49This can't go on like this.
03:52Either you report him or I will.
04:08Hurry up.
04:09The sooner we leave, the better.
04:12Are you nervous?
04:13A little.
04:14I had to supervise a case that was delayed.
04:16Andres!
04:18Your brother.
04:21Jesús, what do you want?
04:23Where are you going?
04:24I have to go to my cousin's husband's funeral in Guadamur.
04:27I was in front of you when his father gave me permission.
04:30I see.
04:31And you?
04:32Nowhere.
04:33I don't have to tell you what I'm doing, son of a bitch.
04:37Isidro, go there.
04:38I was in a hurry.
04:39And get me the stamps I needed.
04:41Okay.
04:42I'll be late because I have a long journey to the village and then back.
04:45Have a good trip, Isidro.
05:02And those stamps?
05:03Now you collect stamps as a father?
05:06And what are you doing here?
05:08For a walk.
05:09You were the one who influenced Begoña to ask for the marriage annulment, right, you bastard?
05:13Begoña is very free to make her own decisions.
05:15And I have nothing to say.
05:17So don't undervalue her.
05:20What a romantic act, huh?
05:21Are you going to ask both of them at the same time to get married together?
05:24Well, you know you're wasting your time.
05:26I don't see it that way.
05:28You're not going to get anything.
05:29The ecclesiastical court of Toledo is very serious and they don't care about the puerile enamorments like yours.
05:35It's possible.
05:36But both of us have reasons to argue it.
05:38So don't doubt that we will fight to be free.
05:41To be together once and for all.
05:43You?
05:44Yes.
05:45And what can you claim?
05:46If you begged Maria to marry you when you could prevent it?
05:49You married her consciously, even if you already had a lover.
05:53You can't have everything in this life, little brother.
05:56You've talked to her, haven't you?
05:57Of course.
05:58Your wife always comes to tell me the humiliations to which you submit her.
06:01And a good husband, as they say, you are not a good husband, Andrés.
06:04If you are so outraged, forget us.
06:08I'm going to destroy you.
06:10Go ahead.
06:11Hit me in front of the people who were your workers.
06:13So they will know the bastard they have lost in the direction.
06:17I swear you're not going to get away with yours, even if it's the last thing I do.
06:22Time will tell.
06:23Let's go.
06:34This week I'm a little tense, Mariano.
06:36I've had some really big fights in the bathroom.
06:39And if you could trust me, the bottle of wine ...
06:44Well, if there is no money, there are no bottles, friend.
06:47But man, don't do this to me, please.
06:49I'm sorry, Gaspar.
06:54Well then.
06:59How is it that there is no wine to dispatch?
07:03Well, you see.
07:04He doesn't want to leave me trusted.
07:06The cheap guy.
07:08But don't you have a reserved money for the suppliers?
07:11Well, yes, but when an unforeseen event arises ...
07:15But come on, they're expensive.
07:17I already wanted to send it to Freire and Esparragos.
07:20And this time they look bad.
07:22Gaspar, come for a moment, please.
07:29How unexpected.
07:31Is it because of my salary?
07:32Or because of the advance you've given me to buy me clothes?
07:34No, no, no, that has nothing to do with it.
07:37But let's see, Gaspar.
07:40Did you need someone in the canteen or not?
07:45This morning with the raffle, yes.
07:48But, I mean, no.
07:49Then why did you hire me?
07:52Because you were very desperate, Mateo.
07:54Man, and if a friend can't help another friend,
07:56then you tell me, right?
07:57But doesn't it cost you to run out of white?
07:59Well, nothing happens, man.
08:01In the end, everything comes out.
08:02God squeezes, but does not drown.
08:04Besides, we are not going to allow Claudia to have a bad time in her state,
08:07man, being as poor as she is.
08:09But what you can't do is a bread with some cakes,
08:11just for us.
08:12Well, that's it.
08:13I can't allow you to go to another town,
08:15far from the people who love you and who will take care of you.
08:18No, Mateo, no.
08:20Gaspar, you are a beautiful person,
08:23but I can't allow you to make a sacrifice of this caliber.
08:27No, what sacrifice?
08:29But I do it with pleasure, really.
08:31I promise you.
08:33And are you going to spend a week losing money in your business?
08:36No, no, no way, no.
08:38Look, look, it's fine.
08:39I thank you very much, but I limit myself.
08:42Mateo, I really want you to keep working with me, really.
08:45No way.
08:46It's one of the ways.
08:47And besides, the only thing I feel is the money you've lent me,
08:50which I've had to spend on a shirt and pants.
08:52But come on, I promise I'll give this back to you,
08:54until the last cent.
08:55No, it's not necessary, man.
08:58The hurry you're giving me, and all because of the rat,
09:00I'm dizzy.
09:01No, no, Gaspar.
09:02Look, I'm very glad we were able to talk about this.
09:06I was there with the fly behind my ear.
09:10Okay.
09:12But the hours you've worked today, I'll pay you.
09:14Shut up, please.
09:17I thank you very much for what you've done for me.
09:20And Claudia also thanks you.
09:23But I can't stay here.
09:28I'm going to look for my life, Gaspar.
09:46I love you.
10:16Okay.
10:27Isidro.
10:29Where are you going?
10:30I've been looking for you to take a look at the car.
10:33It makes a strange noise.
10:34I've had to go out and do a message.
10:36If you want, I'll take a look at it now.
10:38No, no, no.
10:39There's no need.
10:40I left it in the workshop, back from the factory.
10:43I just needed that now, for the car to break.
10:48And where was that message?
10:49In the middle of nowhere?
10:51I had to go to a friend's garden.
10:53It's in a well.
10:57It's very easy to prove that Julia is not your daughter.
11:00How dare you?
11:01You forced me.
11:02So you're already looking for a good lawyer,
11:04because with everything you've done, you can't get away with this.
11:06I haven't done anything that can be proven.
11:09Wait a minute.
11:12Didn't you tell Andres about Clotilde and Valentín?
11:16Tell me you haven't done it.
11:19Have you done it?
11:21Answer!
11:26Jesus, what do you want?
11:28Where are you going?
11:29I have to go to my cousin's husband's funeral in Guadamur.
11:32We were in front of it when his father gave me permission.
11:35Yeah.
11:36And you?
11:37And you?
11:38Nowhere.
11:39I don't have to tell you what I'm doing, son of a bitch.
11:43I can't believe it, damn it.
11:50What are you drinking at this hour?
11:52What do you want, to sleep on the couch again?
11:55I don't think I can sleep at all tonight.
11:58Well, if you keep drinking like a drunkard, you're going to fall flat.
12:01How not to do it?
12:08Have you told Andres where we bury Valentín?
12:12Are you crazy?
12:13How can I say such a thing?
12:15Because lately my father, my dear father, keeps attacking me.
12:18And I wouldn't be surprised if he did something like that.
12:21Well, I haven't done that barbarity.
12:23Nor would I ever do it.
12:25I've had enough already.
12:26Well, we'll have to see about that.
12:28Because maybe you'll end up betraying me yourself
12:30so that Andres and my wife are happy and eat perdiz.
12:32I believe it all.
12:34Listen, Jesus, I don't want to be condemned.
12:37Nor do I want to be condemned by an accomplice.
12:40Why are you telling me all these things?
12:42Because I had my suspicions and I have finished giving orders.
12:46What suspicions, Jesus?
12:49I know that Andres and Isidro are up to something
12:51and that they are moving land.
12:53I just hope it's not for the plow.
12:58Since 1928, our brand has tried to reach all Spanish homes
13:02at the same time as...
13:05At the same time as...
13:08At the same time as we tried to change the history of our country's perfumery.
13:11At the same time as we tried to change the history of our country's perfumery.
13:14The soap remittances have arrived
13:16and I've started making the inventory.
13:18Thank you very much, Jacinto.
13:20Do you want me to explain how I'm doing it?
13:22No, no, it's not necessary.
13:23I have to go now to the inauguration of the store.
13:26It's true, of course, today is the inauguration.
13:28Yes, the inauguration of the expansion.
13:31And I don't get this in my head.
13:33You've prepared a speech and everything.
13:36Well, I had written a few words, but...
13:38Mrs. Marta wants me to say this address.
13:41Yeah, and there's no way, right?
13:43And especially with the nerves because of the lack of time.
13:45Am I wrong?
13:46No, no, you're not wrong.
13:48Yeah.
13:49Mrs. Marta trusts me, she gave me this opportunity
13:51and I can't fail her.
13:53You know what can make you fail?
13:55Repeat a speech like a parrot that you don't feel
13:57as if it were a school lesson.
13:59Yeah, but what do I do?
14:00What address does she want me to say?
14:01Well, I...
14:02I'm sorry to meddle, but I think what Mrs. Marta wants
14:05is for you to represent her in terms of conditions,
14:07not that she obeys without saying anything.
14:11In moments like this, Carmen, where there's no time
14:13and there's so much at stake,
14:16the best thing is to be authentic.
14:18And I'm telling you, someone set up a number
14:20to hire her in a store run by women
14:23and look at me, I'm still here.
14:26And all for a snatch of authenticity.
14:28That's right.
14:30Come on, why don't you show me what you had prepared?
14:37Isidro, what does this look like?
14:40Didn't Isidro tell you he had to go to a funeral?
14:42Well, I just saw him at the factory talking to my brother.
14:45Well, he'll be late and he'll be out later,
14:47don't be so suspicious.
14:48They were going to leave together in the car,
14:50but when I arrived, they hid and each one went somewhere,
14:53but I don't care, no.
14:55I think you're starting to see things that aren't.
14:58The other day they went out for a walk
15:00and came back with their boots full of dust
15:02because they were moving dirt, for sure.
15:04Are you sure they went together in the car?
15:06Yes, but when they saw me, they hid.
15:08But I bet my neck that my brother went after them
15:10and then they found each other.
15:12They're looking for something, Father, they're looking for something.
15:14Don't shoot your imagination.
15:16Haven't you noticed something strange, Isidro,
15:17in the last few days?
15:19Right?
15:20The other day, I couldn't even look myself in the eyes.
15:23Well, it's impossible, Jesús, impossible.
15:27Andrés and Isidro don't know anything.
15:29And you didn't miss anything in front of Isidro about Valentín?
15:32Something that didn't matter to him?
15:34Look, I've always told him
15:35that he shouldn't have so much confidence in a simple driver.
15:38No, I've never missed anything.
15:41But...
15:44But what? Speak.
15:46What?
15:49The next day, when they moved Valentín's remains to the bonfire,
15:54something happened.
15:56Don't scare me, Father.
15:58Yes, Isidro had to work on the car
16:01and inside the trunk,
16:03he found Valentín's ring.
16:06There it is.
16:08That's what made him suspect.
16:10But he told me that you had found it.
16:12Why did you lie to me?
16:14It was a big trick, wasn't it?
16:16Because I didn't want you to get nervous unnecessarily.
16:19Unnecessarily?
16:21Yes, I justified everything.
16:23I told him that you had found it among Clotilde's things
16:27because you assumed that Valentín had given it to him
16:30and you wanted to get rid of those painful memories.
16:33Are you sure he believed you?
16:35Because I don't.
16:36But we can easily verify this.
16:42Ask.
16:43Ask if my brother is at the factory or not.
16:48Come on, ask!
16:56This is Damián de la Reina.
16:58I want to talk to my son Andrés.
17:00It's urgent.
17:04And...
17:05Does he know where he's gone?
17:07You knew he knew.
17:10Yes, ask.
17:14Yes, I'm still here.
17:17Yes, I understand.
17:24Andrés has gone out
17:26and no one knows where.
17:29I see it.
17:30It's not my imagination.
17:32What's happening is clear.
17:34Either we do something about it or we'll both end up in jail.
17:37Jesus, don't rush.
17:38Let's not do anything until we're sure.
17:40Don't rush me, Father.
17:42They're looking for our death sentence
17:44and we have to stop them at all costs!
17:53Perfumerías de la Reina has been offering its clients
17:56a range of modern perfumes and touch products
17:59for decades.
18:00They want to empower women
18:02with a groundbreaking aesthetic
18:04and the most avant-garde fashion.
18:06We've expanded all over Spain
18:08and luckily we haven't stopped growing.
18:12That's why I'm proud to present to you
18:14this new space
18:16for the expansion of our central store in Arenal
18:19that wouldn't have been possible
18:21without your support and affection.
18:24Perfumerías de la Reina wouldn't be what it is today
18:27without you.
18:29Thank you very much for coming
18:31and enjoy the afternoon.
18:33You did very, very well.
18:35Really?
18:36Of course.
18:37Your speech is much better than what's written.
18:40It has more soul.
18:41You put yourself in the client's shoes.
18:43It's very good, really.
18:44Yeah, but I'm afraid that Marta...
18:46Carmen, the important thing today
18:48is that you show that you're capable of showing
18:50the position you hold.
18:51And you're only going to show that
18:53with confidence and passion.
18:55And I honestly...
18:56It's what I see in your speech.
18:58Thank you very much.
18:59By the way, you look gorgeous.
19:01Really?
19:02Yes, but maybe showing a little more body...
19:06You think?
19:07Just enough.
19:08To make it look elegant.
19:09Listen to me.
19:10May I?
19:11Yes, of course.
19:13Look.
19:14This.
19:15Like this.
19:17Do you have a fork?
19:18Yes.
19:19Yes?
19:20Yes, yes.
19:21Give it to me.
19:30Do you have it?
19:31Yes.
19:34Now, yes.
19:38You're perfect.
19:39Spectacular.
19:40Look, I trust you.
19:41Trust me.
19:42And if you don't, trust the mirror
19:44and judge for yourself.
19:46Hey.
19:47Hey, it's true.
19:48With these two touches you've given me,
19:50I look like...
19:52I don't know, more glamorous.
19:54You're beautiful and very elegant.
19:56Thank you very much, Jacinto.
19:58I'm going to run.
19:59Come on, to success.
20:00Tomorrow you'll tell me all the details.
20:02Thank you very much.
20:03You're welcome.
20:04Really.
20:05Good luck.
20:08Bye.
20:30María, you can't go on like this.
20:32You'll get a nervous attack.
20:35I'm sorry.
20:36I'm desperate.
20:38Come on, calm down.
20:39Calm down, I need your help.
20:42I can't, Gemma.
20:43I need to be alone, really.
20:45María,
20:46turning the subject around
20:47in an obsessive way
20:48doesn't do you any good.
20:50And I'm lost
20:51and I need your help
20:52to start organising the charity evening.
20:56Gemma, I already told you
20:57I don't give a damn about that.
21:00I know you do it for me
21:01and to entertain me
21:02and I thank you, but...
21:03No, but nothing, María, really.
21:05I'm serious.
21:06I need your help.
21:08Listen to me,
21:09it's very important to me.
21:10Please.
21:12Why do you care so much
21:13about Casablanca?
21:15Well, the cause seems important to me.
21:19But above all,
21:20I want Joaquín and the others
21:22to see that I can be up to it
21:25now that the tournament
21:26has changed to the Merini.
21:29And for that,
21:30I need the help
21:31of the most elegant
21:32and polite lady in this house.
21:36Really?
21:38Are you really not going to lend me
21:39your wisdom,
21:40the true lady of the queen?
21:44You're one of a kind.
21:48You do have a point.
21:51Of course I do.
21:52I'm so happy to hear that.
21:54Wait a minute, I'll be right back.
21:56Okay?
22:05Are you going to tell me
22:06why you asked me out or not?
22:07You already know.
22:08I'd like to talk about
22:09your relationship with Claudia.
22:11Well, we love each other madly.
22:14I'm going to make her my wife
22:15and we're going to start a family.
22:16I already told you.
22:17You don't need to repeat it, son.
22:18That's obvious.
22:20Then there's nothing else to talk about
22:21because there's no one
22:22who's going to separate us.
22:23Don't be so impatient.
22:24Sit down.
22:26It's not my intention.
22:28I've been thinking about it
22:31and I'm not going to oppose
22:32that relationship.
22:33In fact,
22:34I'm going to respect
22:35what you decide to do with your life.
22:38And that change?
22:39What's it for?
22:41Because I've seen it together
22:42and that love you have for each other
22:43is sincere and very beautiful.
22:45And it moves
22:46even me.
22:48It's true that your mother and I
22:49understand each other
22:50and we get along very well,
22:51but
22:52the way you have to look at each other,
22:54to be aware
22:55of each other
22:56is extraordinary.
22:59I may be very skeptical,
23:00very pragmatic,
23:01but
23:02I don't have as little heart
23:03as to deny you happiness, son.
23:07Father,
23:09that attitude
23:11makes me very happy
23:12and I appreciate it with my soul,
23:13but what is Mother going to think
23:14about all this?
23:15I'll take care of your mother.
23:17She made me come
23:18to fix your situation
23:19because you didn't want to listen to her.
23:21But there's nothing to fix here.
23:25Here.
23:27This is for you.
23:28A little pillow
23:29so you can start
23:30your life without worries.
23:31No, no, no.
23:32I can't accept this.
23:33Don't be so proud, son.
23:35It's just that your father
23:36can't give you a wedding gift.
23:39No, no, don't cry.
23:41You'll make me cry
23:42and I won't forgive you for that,
23:44especially not here on the street.
23:46Come on, take it.
23:50And spend it wisely
23:51because from now on
23:53you'll have many obligations,
23:54my son.
23:59Son.
24:03Let's go.
24:05I've been looking
24:06at all these magazines
24:07and the most talked about
24:08social act in recent times
24:10was one organized
24:11by the Dukes of Alba.
24:12Man,
24:14you're not young.
24:16Cayetana de Alba
24:17is the woman
24:18with the most nobility titles
24:19in the world.
24:20Well, since we're here,
24:21it's better to think big.
24:23The act in question
24:24was the extension
24:25of the Duke's niece.
24:28They threw away the rest.
24:29Food, drinks,
24:30crystallization,
24:31manteleries, everything.
24:32Dances.
24:33They were even surrounded
24:34by the best paintings
24:35of the best painters.
24:36A dream, come on.
24:39That's great,
24:40but what does this have to do
24:41with your charity act?
24:43Oh, girl, it was to get ideas.
24:45And they also put
24:46a flamenco board
24:47with Antonio, the dancer.
24:48What do you think?
24:50Well, since you don't make
24:51Gaspar dance at the canteen,
24:52he doesn't have much art either.
24:56I thought
24:57we could serve coffee
24:59and some uglies
25:00that I'm pretty good at,
25:01to be honest,
25:02and also some pastas.
25:03But I need more ideas.
25:05You're going to make the uglies.
25:07What do I do?
25:09Look, I think you should
25:10take care of all the pecking
25:11somewhere other than the canteen.
25:13The Azucena, for example.
25:14They make everything delicious.
25:16They serve it at home.
25:17And they have some French-style
25:18pastries.
25:19Delicious.
25:20Good idea.
25:21Well, I'll write it down.
25:22And most importantly,
25:23the guests.
25:25What about that?
25:27Well, I don't have a relationship
25:28with the ladies
25:29of Bien de Toledo.
25:31I mean, I know their names,
25:32yes, but...
25:33You did...
25:35treat them better
25:36when you collaborated
25:37in the parish, didn't you?
25:39Yes, I have their phones,
25:40but it would be a bit strange
25:41to call them
25:42if I'm not going.
25:44And how are you not going to come?
25:45If I ask you?
25:47Gemma, because I'm not in the mood.
25:48Please, don't ask me for impossibles.
25:51Well, I really think
25:52it's an opportunity
25:53for you to prove
25:54that you're still the Lady of the Queen,
25:55the wife of Andrés de la Reina.
25:57Look,
25:58if it were up to him,
25:59he'd kick me out.
26:01Well, for now,
26:02you're still his wife.
26:04María, don't throw the towel.
26:06Prove to him
26:07that you're the best wife
26:08he could ever want.
26:11So, what?
26:13Are you going to come
26:14to the charity vigil
26:15and prove to the whole of Toledo
26:18who you are?
26:23I'm going to do it for you.
26:26And because you're right.
26:28I'll always be
26:29the wife of Andrés de la Reina.
26:32What did you say her name was?
26:33Azucena.
26:34Azucena.
26:36How many crimes
26:37against the French style?
26:47I'm sure the Pope
26:48only has to comb
26:49this quadrant.
26:51From that hill
26:52to these bushes.
26:54Well, he has to be there
26:55yes or yes.
26:56Let's go then.
26:57No, no, no.
26:58I don't want him to get tired.
26:59In the first hour,
27:00we'll find the remains.
27:02We have to be very close.
27:03Come on, Andrés.
27:04What can I do?
27:05We're going to solve this
27:06by the river.
27:07There's no way.
27:08He's exhausted.
27:10And I don't want to scare you
27:11like the other day.
27:12Your health is first.
27:13Besides,
27:14it's not convenient
27:15for us to be at home.
27:16Yes, that's right.
27:17Don't suspect us.
27:18But we've already played
27:19the guy with your brother.
27:21And thank God
27:22I could pick him up at home
27:23before they saw us leave.
27:24And if I told him the truth,
27:25nothing would have happened
27:26and I'd be alone
27:27after the scare of the other day.
27:28Oh, you're exaggerating.
27:30Do you think
27:31I was going to let him go?
27:32No.
27:33I found out
27:34that if Valentín is at the bonfire,
27:35I care as much as you do.
27:38It's a promise, right?
27:39Yes.
27:41It hurts too much
27:42that I can't bury his son
27:43the way he deserves.
27:45Hey,
27:46what are you going to do
27:47when we find him?
27:49The first thing
27:50is to notify the police
27:51to identify the body.
27:52Depending on how you are,
27:53I don't know if it will be possible
27:54six years ago.
27:55I know, I know.
27:57But I don't know.
27:58The bruises are well preserved.
28:00My cousin had a gold amulet.
28:02Let's see if they can identify him
28:03with that.
28:05And then Begoña
28:06will report to the police
28:07all the crimes of Jesus.
28:09Yes, but it will be his word
28:10against his husband's.
28:11Well, plus the fourth.
28:13If you still doubt that...
28:15That's right.
28:17We've all witnessed
28:18many lies.
28:20We've seen many lies
28:21about illegal acts
28:22like the falsification
28:23of the death certificate
28:24of Valentin's cousin
28:25in Brazil.
28:26And we will all support Begoña
28:27with our statements,
28:28of course.
28:30I will have to tell
28:31Valentin's son-in-law myself,
28:32I suppose.
28:33No, Isidro.
28:35Now that we can have
28:36this proof of charge,
28:37we have to go for all of them.
28:40Andres,
28:42are you aware
28:43that your father
28:44will also go down
28:45because that is
28:46what I'm worse at?
28:48Yes, I know, Isidro.
28:49But he has done
28:50too terrible things
28:51to infect Jesus.
28:52And it is justice
28:53that pays for it.
28:55Since you were a child,
28:56you have been grateful
28:57for justice.
28:58In that, you are more
28:59of a basket than a queen.
29:01I suppose.
29:03Anyway, let's go now.
29:04It would be better
29:05if we went home
29:06before tonight.
29:07And when we get there,
29:08don't come in together.
29:09Now that we are
29:10in the final stretch,
29:11we must go
29:12with our feet on the ground.
29:24Miriam Velasco.
29:26She looks very young
29:27in the picture.
29:28Yes.
29:29And yet,
29:30she has a lot of experience.
29:31But not in perfumery.
29:33No.
29:34But she will learn fast.
29:36And she is the one
29:37who has shown me the most desire.
29:38Is that why you have chosen her?
29:40And because I know
29:41that she will get along
29:42very well with you.
29:43Very well.
29:44I trust you.
29:45I trust you.
29:46I trust you.
29:47I trust you.
29:48I trust you.
29:49I trust you.
29:50I trust you.
29:51I trust you.
29:52I trust you.
29:55Tell her to come
29:56tomorrow if possible.
29:59I'll call her right now.
30:03And Marta,
30:04regarding
30:05what you told me
30:06this morning,
30:08the old soap room
30:09is still unused.
30:12And I think it would be
30:13the ideal place
30:14to set up the house.
30:16Do you think it would be hard
30:17to set it up?
30:20I'm not going to lie to you.
30:22There is still
30:23a lot of obsolete machinery
30:24in there.
30:26Come on.
30:27It would cost a lot
30:28to decentralize the space.
30:30Yes.
30:31But you should value it.
30:33And if necessary,
30:34I'll call a company
30:35to get all that junk out of there.
30:38I'll keep that in mind.
30:53Are you here?
30:54Yes.
30:56How did you leave your cousin?
30:58Well,
30:59as well as possible.
31:01I can imagine
31:02how the poor woman
31:03must be feeling.
31:05Being alone
31:06at the end of her life
31:07when she needs
31:08to be with someone else.
31:10Yes, very sad.
31:11Yes.
31:15Has it affected you a lot?
31:16I don't like
31:17funerals at all.
31:18Who does?
31:20But you have to cheer up.
31:23Why don't you go see Fina
31:24and have dinner with her?
31:26Yes, maybe I will.
31:28I'm leaving.
31:30Dinner is ready
31:32and I'm leaving.
31:34Can you wait five minutes?
31:36Yes, of course.
31:37Is something wrong?
31:38No, no, no.
31:40It's just that I was surprised
31:41that you came back home
31:42and well,
31:43we haven't had a chance
31:44to talk since then.
31:47Lina,
31:49knowing how you know
31:50what you did to Gervasio,
31:51how can you go back
31:52to work near Damián?
31:55I thought
31:56it would be impossible for me
31:58but after assessing
31:59a few things,
32:00I think it's the best
32:01I can do.
32:03I don't like
32:04that humiliation at all
32:06and sooner or later
32:07you're going to repeat yourself
32:08for being so understanding.
32:09I'm not understanding.
32:10Don't get me wrong.
32:12But then,
32:13if you haven't forgiven him,
32:14what are you doing?
32:15Are you punishing yourself?
32:17Are you judging me?
32:18No, no, no.
32:19I just want to understand
32:20why you came back to this house.
32:21That's not worthy
32:22of what I know.
32:25Well,
32:28for me,
32:29the important thing
32:31was to recover
32:32my husband's legacy
32:34and the position
32:35we deserve in the company.
32:38Damián
32:40put it as a condition
32:41that I come back
32:42to this house.
32:44Yeah,
32:45he's as insistent as always
32:46but don't you realize
32:47that what he wants
32:48is to seduce you again.
32:49He won't get anything.
32:51Well,
32:52you're not so sure about that.
32:53I am.
32:54He can believe whatever he wants.
32:58The disappointment
32:59will be harder.
33:06Despite having sold
33:07almost all the papers,
33:08we have realized
33:09that the money
33:10doesn't even reach us
33:11to settle
33:12the place
33:13the nuns have left us.
33:14I understand.
33:15Speaking of which,
33:16we still have a lot
33:17to buy.
33:18A crib,
33:19a bathroom,
33:20a bottle...
33:21Anyway,
33:22we also have to hire someone
33:23to take care of the babies.
33:25It seems
33:26it's more complicated
33:27than we expected.
33:29But I called you
33:30because I've also been
33:31doing my homework
33:33and maybe
33:34I can help you.
33:35Please, have a seat.
33:42You see,
33:46Joaquín has found
33:47an area
33:48within the colony
33:49where we could organize
33:50the crib.
33:51That's great,
33:52Mrs. Marta.
33:53That way,
33:54the mothers
33:55won't have to move
33:56to the nuns' place.
33:57I hadn't thought of it
33:58before because it's a place
33:59that's been in disuse
34:00for many years
34:01and it would be difficult
34:02to settle the place.
34:03The factory doesn't have
34:04that kind of money.
34:05That's why I said
34:06maybe.
34:07So,
34:08we're in the same boat.
34:09No, of course not.
34:11Since it's so close
34:12to the colony,
34:13the mothers
34:14could organize
34:15their shifts
34:16and have a baby.
34:17That way,
34:18we wouldn't have to hire anyone.
34:19Well,
34:20if Mrs. Director
34:21makes it easy
34:22for you to do it.
34:24There won't be
34:25any problem
34:26from Mrs. Director.
34:27In fact,
34:28if we all agree,
34:29I'll talk to Tassio
34:30so he takes it into account
34:31when it comes to planning.
34:33Now,
34:34let's start celebrating.
34:35We're making progress.
34:36We had to have faith,
34:37Doctor.
34:39Let's see.
34:40If we have to condition
34:41the space,
34:42we'll need money.
34:43You should talk to Gemma.
34:45She was aware
34:46and wanted to organize
34:47a charity event
34:48where donations would be accepted.
34:49Really?
34:50Yes,
34:51I think she was already on it.
34:53So,
34:54everything's in motion.
34:55There can't be
34:56more hopes for us.
35:00Thank you very much,
35:01Mrs. Director.
35:02Thank you very much.
35:05I hear you talk
35:06and I get the impression
35:07that you're playing with him.
35:09He doesn't deserve it.
35:10So,
35:11what do you want to do?
35:12What do you want?
35:13You've always been
35:14too loyal
35:15to Damian.
35:16I was loyal
35:17when I thought
35:18he was a good person.
35:19He's not anymore.
35:20Isn't it obvious?
35:21No.
35:22He's done too many
35:23childish things.
35:26Well,
35:27I'll tell you.
35:30But I can only tell you
35:33that I'm going to get
35:35him to pay
35:36for each of his actions.
35:40So,
35:41what you want
35:42is revenge.
35:44Tell me,
35:45what are you planning?
35:46Don't put yourself in danger,
35:47please.
35:48Tell me,
35:49what do you want to do?
35:53Good afternoon.
35:55See you tomorrow.
36:10It's weird
36:11to see you in the bedroom.
36:13I came to change.
36:15I see.
36:17You're staying with her, right?
36:19Was it necessary
36:20for you to tell her?
36:22I was in a fight with Jesús before.
36:25He told me that
36:26both Begoña and I
36:27were going to ask for
36:28the ecclesiastical nudity.
36:29And what did you expect?
36:30For me to stay in this room
36:31without moving a finger?
36:32Jesús is the only one
36:33who understands me
36:34because he's going through
36:35the same hell as me.
36:36And you think
36:37Jesús can help you?
36:38You've been looking for him
36:39every day.
36:40He's not going to stop Begoña.
36:41Neither he nor I
36:42will allow you
36:43to go out with yours.
36:45It's because I'd rather
36:46not meet you.
36:47Very well,
36:48then go.
36:49Pack your things
36:50and go to that damn apartment
36:51with your beloved.
36:52Let's see if,
36:53in addition to being rude,
36:54I can denounce you
36:55for leaving home.
36:56Do it.
36:57Look, I swear on my life
36:58that you won't be able
36:59to cancel our marriage.
37:00There is no argument.
37:02María,
37:03don't talk without knowing.
37:04So,
37:05what allegation is there?
37:07We got married in love
37:08and did everything possible
37:09to be an exemplary wife.
37:11I'm afraid there is.
37:14Really?
37:15Tell me, which one?
37:16María,
37:17I'd rather not hurt you.
37:20Come on, talk.
37:21If it bothers me,
37:22I have the right to know.
37:23It's true.
37:24You have every right.
37:25Come on, talk.
37:26Tell me.
37:27I got married
37:28because of your father's letter
37:29to fulfill his last wish.
37:30You don't remember.
37:32That letter was fake.
37:35What are you saying?
37:37Your father's letter.
37:39He didn't write it.
37:43Andrés,
37:44please, Andrés,
37:45don't go there.
37:46I'm warning you.
37:47They faked it
37:48so I could marry you
37:49despite my doubts.
37:50There were many.
37:51What are you saying?
37:52That's absurd.
37:53Yes.
37:54You're not accusing me
37:55of doing something like that.
37:56No, no, no.
37:57I know you didn't do it.
37:58Then?
37:59Who could be interested
38:00in forcing you to marry me?
38:02My father.
38:03He confessed it to me this morning.
38:06Why?
38:07Maria, because he's a manipulator.
38:10He thought it was best
38:11for this family.
38:16I knew your doubts.
38:19I knew how you felt about Begoña.
38:22I didn't want you to ruin
38:23Jesús's marriage.
38:24And that's why he lied to me.
38:26He used me like a puppet
38:27without taking into account
38:28my feelings.
38:29My God, this is disgusting.
38:31My God.
38:34Maria, I'm so sorry.
38:37I don't know what happened
38:38to you or me.
38:41But please,
38:42the manipulations are over.
38:44We have to keep living.
38:45Damn you, Luz de la Reina.
38:47I wish we had never met.
38:49You never hear me.
38:55No, don't leave me.
38:56Don't leave me.
38:58Don't leave me.
38:59Don't touch me.
39:02Leave.
39:06I said leave!
39:07Leave!
39:24Mateo, I need to go to the bathroom.
39:26My tongue is stuck.
39:27Go out.
39:29You'll see how it's worth it.
39:31I hope so.
39:32What about you?
39:33You've had your free afternoon
39:34in the canteen.
39:36You shouldn't abuse
39:37Gaspar's trust, Mateo.
39:38I don't work with Gaspar anymore.
39:41What did he say?
39:42He fired you?
39:43Well, actually,
39:44it's just that...
39:46Look,
39:47he had hired me
39:48to do us a favor.
39:50And it was hard for him
39:51to pay my salary.
39:53This week,
39:54the poor guy ran out of wine.
39:57You're so nice, Gaspar.
39:58Yeah.
39:59What are we going to do now?
40:00Again?
40:01Just with a salary?
40:02I can't take it anymore.
40:05What's this?
40:07Open it.
40:09It's ours.
40:12For our wedding
40:13and for our son's sustenance.
40:16Where did you get this money?
40:18My father gave it to me.
40:21I don't understand.
40:22He wants what's best for me.
40:24And after meeting you
40:25and seeing us together,
40:26he thinks our love
40:27is extraordinary.
40:29He's given us his blessing, Claudia.
40:32No, it's great for me,
40:33but I think it's weird
40:34that you accepted this money.
40:36But do we need it or not?
40:37Yes, of course.
40:38Besides, your father
40:39doesn't care about money.
40:41Yeah, well, that's it.
40:43Mateo, if you want,
40:44let's play a game.
40:47What are we going to do with this?
40:49Well, first of all,
40:51we'll have a nice dinner
40:52and then we have to think
40:53about the long term.
40:54And I thought
40:55I'd invest it
40:56in a small business
40:57here in Toledo.
40:59A bookshop.
41:01What do you think?
41:03Bookshop?
41:04Paper shop, right?
41:25Hello.
41:26I thought there was no one.
41:27What are you doing here?
41:28Nothing, I was waiting for you.
41:29Tell me, how did it go?
41:30You were right.
41:32I've been myself all along.
41:34As I am, passionate,
41:35talking to the audience.
41:37And they loved it.
41:38Come on, they laughed at me.
41:40Well, if they laughed at you,
41:41they laughed at me too.
41:43I don't know.
41:44I don't know.
41:45I don't know.
41:46I don't know.
41:47I don't know.
41:48I don't know.
41:49I don't know.
41:50I don't know.
41:51I don't know.
41:52I don't know.
41:53I don't know.
41:54I didn't know either.
41:55I didn't know either.
41:56I already knew
41:57that the key
41:58was in being authentic.
41:59And I'm sure
42:00they would have praised
42:01how beautiful you were.
42:02Well, yes.
42:03Two or three customers
42:04asked me about my beauty salon.
42:05And what did you tell them?
42:06That the latest retouch
42:07was done by the best
42:08stylist of Toledo.
42:09Over the top.
42:11Oh, thank you very much.
42:12Really, Jacinto.
42:13And now tell me the truth,
42:14what are you doing out here so late?
42:16Trying to finish the inventory.
42:18As it is my first time,
42:19I'm resisting a bit.
42:20Boy,
42:21it's very late.
42:22No, I'll leave it done today.
42:23What, are you going to give it to her so much?
42:25Well, unless I help you.
42:27No, no, no, Carmen, please, you'll be exhausted.
42:29Yes, come on, between the two of us, we'll do it in a pinch.
42:31No, really.
42:32Jacinto, it's the least I can do after the help you've lent me.
42:36And with this divine bow, what else have you done?
42:39Come on, what are you missing? Let's see.
42:41You are very generous, Carmen.
42:43You deserve it.
42:47Well, look.
42:48Carmen, honey, I've seen the light from outside.
42:51I don't understand why you didn't go straight home.
42:53Well, because I came to leave some posters
42:55for today's inauguration.
42:57Hey, by the way, you look very pretty today.
42:59Thank you very much.
43:01I hope those bastards from Madrid
43:03didn't throw you a lot of trash.
43:05Don't be stupid, okay?
43:07Besides, most of them were clients.
43:09Well, I don't know, let your employee close
43:11and I'll invite you to dinner tonight in Toledo,
43:13I don't know, somewhere you like, like El Greco.
43:15Thank you very much, my dear,
43:17but Jacinto and I are doing the inventory
43:19Well, let him finish it, come on.
43:21Yes, I can try, go without a problem, boss.
43:23No, no, no, no, I want to give some indications to Jacinto.
43:25Well, give them to him, I'll wait for you, come on.
43:27Tassio, really, go home,
43:29go to the table and now I'm going.
43:31And what do you intend to do,
43:33walk home alone or what?
43:35Well, I can go with her, huh?
43:39That's why I came here, right?
43:41Tassio, really, go home,
43:43go get a cold bottle
43:45and now I'm going and we'll celebrate it.
43:48Well, nothing, if you insist, woman, I'll see you later.
43:50Come on.
43:54So, what remedy are you missing?
43:56This is the one I can't find.
43:58I've been looking, looking
44:00and there's no way.
44:02I can't believe I was able
44:04to do something like that.
44:06That shows once again that your father has no scruples.
44:08He has played with my life,
44:10with Maria's.
44:12With everyone's, with everyone's.
44:14You know how much I'm sorry.
44:17Do you know why?
44:19Because in the end I have the argument of weight
44:21to ask for marital nobility.
44:23I hope we get it.
44:27Soon all this will be real, Begoña.
44:31And there will be no need for Luz and Luis to go to the cinema
44:33so that we have a little intimacy.
44:37We could walk around Toledo together,
44:39holding hands along the main road.
44:43We could live our lives together,
44:45with everyone's eyes.
44:47As long as Jesus leaves us, of course.
44:51They can't do anything from the cartel.
44:53We're going to find Valentín.
44:57I don't know if tomorrow or the day after, I don't know.
44:59But I feel we're very close.
45:01Deep down, I think
45:03that if there's going to be a trial
45:05and a big uproar is going to break out,
45:07it's better that Julio is far from here.
45:09Yes, it's for the best.
45:11And when all this is over, we'll find out where he is.
45:14And we'll go together to look for him.
45:16I promise.
45:24It must be Luz.
45:26She forgot her keys.
45:34Good evening.
45:36What are you doing, Jesus? You're not welcome here.
45:38Am I interrupting the party?
45:40I was afraid you were playing couples.
45:43Don't be silly. You'd better leave.
45:45Relax, I was just joking
45:47so you could relax a bit before receiving the news I have to give you.
45:49Say what you have to say and leave.
45:51Ask me where I'm from.
45:53Jesus, stop playing games.
45:55Come on, it's not that hard.
45:57You'll see me here, full of dust.
45:59If you think a little, you'll surely guess it.
46:01Let's go.
46:05You're looking at each other. That's because you already know.
46:07Maybe it was Lalo.
46:09You thought I was going to be so stupid
46:11as not to notice me.
46:13Isidro and you are useless, incapable of deceiving me.
46:15I've seen you inspecting the area
46:17and I knew perfectly well what you were looking for.
46:19What have you done?
46:21Please, and you still ask me?
46:23What have you done, Jesus?
46:25To finish off the last remnant of the bastard
46:27who took my wife from me. That's what I've done.
46:29And you don't need to come back, brother.
46:31You won't find anything.
46:33The fire has erased everything.
46:35Nothing disappears.
46:37There are always remnants, Jesus.
46:40You're right.
46:46This is all that's left.
46:52You'll never be able to prove that I did it.
46:55By the way, Isidro, I haven't asked you
46:57how was the funeral of your cousin's husband
46:59in Guadamor.
47:01What am I going to tell you?
47:03These things are very sad.
47:05Of course.
47:07Are you backing out?
47:09No, of course not.
47:11But it hurts me.
47:13I don't know what to do.
47:15I don't know what to do.
47:17I don't know what to do.
47:19I don't know what to do.
47:21I don't know what to do.
47:23It hurts me, Andrés and Marta.
47:25They haven't done anything wrong.
47:27Then try not to think about it.
47:29Last night I told him and Begoña
47:31that they wouldn't find what they were looking for.
47:33What have you done?
47:35How can you be so stupid?
47:37I've moved Roma to Santiago to find a gap.
47:39You can't say no because you're going to get something
47:41with the girls.
47:43And do I have to leave everything
47:45every time you move Roma to Santiago
47:47and find a moment for me?
47:49Are you kidding?
47:52Yes, and what I don't know is the answer.
47:54I'm willing to give the capital we're talking about
47:56a third of the initial investment
47:58for the business of the spa.
48:00Finally, Andrés and I agree on one thing.
48:02You're a manipulator without scruples.
48:04I'm very sorry,
48:06but I've invested all your money.
48:08What have you done?