Khyber Beats Classic Musical Program # 1 Ep # 03 || Sardar Ali Takkar Say About Pushto Music History..
Khyber Beats Classic Musical Program # 1 Ep # 03 || Sardar Ali Takkar Say About Pushto Music History..
HOST : Zaki
GUST : The Legend Sardar Ali Takkar
HOST : Zaki
GUST : The Legend Sardar Ali Takkar
Category
📚
LearningTranscript
00:00I will go to the mountains, I will go to the mountains, I will go to the mountains, I will go to the mountains,
00:08I will go to the mountains, I will go to the mountains, I will go to the mountains,
00:16I will go to the mountains, I will go to the mountains,
00:18I will go to the mountains, I will go to the mountains,
00:20I will go to the mountains, I will go to the mountains,
00:22I will go to the mountains, I will go to the mountains,
00:24I will go to the mountains, I will go to the mountains,
00:26I will go to the mountains,
00:28I will go to the mountains,
00:30I will go to the mountains,
00:32I will go to the mountains,
00:34I will go to the mountains,
00:36I will go to the mountains,
00:38I will go to the mountains,
00:40I will go to the mountains,
00:42I will go to the mountains,
00:44I will go to the mountains,
00:46I will go to the mountains,
00:48I will go to the mountains,
00:50I will go to the mountains,
00:52I will go to the mountains,
00:54I will go to the mountains,
00:56I will go to the mountains,
00:58I will go to the mountains,
01:00I will go to the mountains,
01:02I will go to the mountains,
01:04I will go to the mountains,
01:06I will go to the mountains,
01:08I will go to the mountains,
01:10I will go to the mountains,
01:12I will go to the mountains,
01:14I will go to the mountains,
01:16I will go to the mountains,
01:18I will go to the mountains,
01:20I will go to the mountains,
01:22I will go to the mountains,
01:24I will go to the mountains,
01:26I will go to the mountains,
01:28I will go to the mountains,
01:30I will go to the mountains,
01:32I will go to the mountains,
01:34I will go to the mountains,
01:36I will go to the mountains,
01:38I will go to the mountains,
01:40I will go to the mountains,
01:42I will go to the mountains,
01:44I will go to the mountains,
01:46I will go to the mountains,
01:48I will go to the mountains,
01:50I will go to the mountains,
01:52I will go to the mountains,
01:54I will go to the mountains,
01:56I will go to the mountains,
01:58I will go to the mountains,
02:00I will go to the mountains,
02:02I will go to the mountains,
02:04I will go to the mountains,
02:06I will go to the mountains,
02:08I will go to the mountains,
02:10I will go to the mountains,
02:12I will go to the mountains,
02:14I will go to the mountains,
02:16I will go to the mountains,
02:18I will go to the mountains,
02:20I will go to the mountains,
02:22I will go to the mountains,
02:24I will go to the mountains,
02:26I will go to the mountains,
02:28I will go to the mountains,
02:30I will go to the mountains,
02:32I will go to the mountains,
02:34I will go to the mountains,
02:36I will go to the mountains,
02:38I will go to the mountains,
02:40I will go to the mountains,
02:42I will go to the mountains,
02:44At that time there were singers like
02:46Abdullah Jan,
02:48Ustad Sabzali Khan,
02:50Muzaffar Khan,
02:52and
02:54Sobat-e-Marghoz,
02:56Chisht-e-Chaman,
02:58Sultan Mahur Mehran Naysa,
03:02Nazir Jan,
03:04and many other singers,
03:06such as
03:08Gul,
03:10Khanzada,
03:12Akram,
03:14these were the singers of that time,
03:16and
03:18at that time,
03:20I have said this before,
03:22and I will say it again,
03:24that
03:26there were a few names,
03:28that
03:30at that time
03:32they had songs,
03:34songs,
03:36songs,
03:38songs,
03:40songs,
03:42songs,
03:44songs.
03:46in the past they called
03:48sound of
03:50the land
03:52as
03:54land,
03:56land,
03:58land,
04:00land.
04:02Speaking about the land,
04:04that was called
04:06to be an absolutely
04:07It would have been very difficult if our singers were still alive today.
04:12Our standards of music were very high at that time.
04:17It was very simple, but it was very good and very enjoyable.
04:22I would also like to mention Ustad Sardali Khan.
04:29Ustad Sardali Khan was a very skilled musician.
04:35Ustad Sardali Khan was a very skilled musician.
04:40He was a master of his art.
04:43He also had a lot of talent.
04:48He had a lot of songs, he had a lot of fat, he had a lot of changes.
04:54At that time, our music was very successful.
04:58I would like to mention that users were sincere, but at that time it was hard to get them.
05:06I would like to mention that users were sincere, but at that time it was hard to get them.
05:15So those people who are sincere people and their sincerity is transferred to their music.
05:23I will tell you a very strange thing.
05:27Sometimes I hear such things.
05:30There are many people who do not have this kind of authenticity.
05:35So different questions come up.
05:38People ask questions like, this is like this, this is like that.
05:41But this is a matter of authenticity.
05:43For example, in Pashtun history books have been written about Pashtun people.
05:50But if you look at the authenticity, you will see that there is a lack of authentic books.
05:57It means that all kinds of things are based on history and evidence.
06:02It is very important to have evidence and to have historical evidence.
06:11I will give you an example.
06:14Ustad Sabzali Khan recorded a Sufi poem at that time.
06:20It was called Tarza Tar Qayamata de Gulzar de Mohammad.
06:23It was recorded in Delhi.
06:25Shamshad Begum was in the studio.
06:27He listened to this Tarz.
06:29He took this drum from Pukhto.
06:33And he was singing the song,
06:36This Tarz was sung by Ustad Sabzali Khan.
06:40Ustad Sabzali Khan was in front of him.
06:42And Shamshad Begum was behind him.
06:44Because these people were interacting with each other in Delhi.
06:47Yes, they were in the studio together.
06:49Yes, they were in the studio together.
06:51And another strange thing is that there were very few instruments at that time.
06:57One was a clarinet.
06:59One was a serenda.
07:01One was a tabla.
07:03And the second instrument was a male voice.
07:06Because at that time, the tradition of singing was very high-pitched.
07:12Let's talk about the high-pitch.
07:14Let's see how many musicians and singers are there today.
07:20What is the standard of their voice?
07:24You know that.
07:26What is the standard of their voice?
07:28I was asked to balance the computer and the equalizer.
07:37Because all the sound is arranged by the computer.
07:40The computer makes the sound.
07:42My question is this.
07:44At that time, there were no such things.
07:47There was a high-pitched voice in the background.
07:51But when the high-pitched voice came in,
07:55why is this feature not present in today's singers?
07:58The main reason is that at that time,
08:02there was no such thing as a natural voice.
08:07If you talk about singers,
08:09you will find that very few people have such a voice.
08:12Very few people have such a voice.
08:14Their music was passed down from generation to generation.
08:18In fact, all of them were musicians.
08:20In fact, all of them were musicians.
08:22At that time, all the musicians,
08:24even if they were not professional musicians,
08:27they were musicians in their minds,
08:29in their hearts, in their hearts.
08:32They had a natural talent.
08:34They had a natural talent.
08:38When we listened to their voices,
08:40we knew that they would promote themselves.
08:43They had a natural talent.
08:45They were in the houses,
08:47They were in the houses,
08:49They were in the houses,
08:51They were in the houses,
08:53They were in the houses,
08:55They were in the houses,
08:57They were in the houses,
08:59They were in the houses,
09:01They were in the houses,
09:03They were in the houses,
09:05They were in the houses,
09:07They were in the houses,
09:09They were in the houses,
09:11They were in the houses,
09:13They were in the houses,
09:15They were in the houses,
09:17They were in the houses,
09:19They were in the houses,
09:21They were in the houses,
09:23They were in the houses,
09:25They were in the houses,
09:27They were in the houses,
09:29They were in the houses,
09:31They were in the houses,
09:33They were in the houses,
09:35They were in the houses,
09:37They were in the houses,
09:39They were in the houses,
09:41They were in the houses,
09:43They were in the houses,
09:45They were in the houses,
09:47They were in the houses,
09:49They were in the houses,
09:51They were in the houses,
09:53They were in the houses,
09:55They were in the houses,
09:57They were in the houses,
09:59They were in the houses,
10:01They were in the houses,
10:03They were in the houses,
10:05They were in the houses,
10:07They were in the houses,
10:09They were in the houses,
10:11They were in the houses,
10:13They were in the houses,
10:15They were in the houses,
10:17They were in the houses,
10:19They were in the houses,
10:21They were in the houses,
10:23They were in the houses,
10:25They were in the houses,
10:27They were in the houses,
10:29They were in the houses,
10:31They were in the houses,
10:33They were in the houses,
10:35They were in the houses,
10:37They were in the houses,
10:39They were in the houses,
10:41They were in the houses,
10:43They were in the houses,
10:45They were in the houses,
10:47They were in the houses,
10:49They were in the houses,
10:51They were in the houses,
10:53They were in the houses,
10:55They were in the houses,
10:57They were in the houses,
10:59They were in the houses,
11:01They were in the houses,
11:03They were in the houses,
11:05They were in the houses,
11:07They were in the houses,
11:09They were in the houses,
11:11They were in the houses,
11:13They were in the houses,
11:15They were in the houses,
11:17They were in the houses,
11:19They were in the houses,
11:21They were in the houses,
11:23They were in the houses,
11:25They were in the houses,
11:27They were in the houses,
11:29They were in the houses,
11:31They were in the houses,
11:33They were in the houses,
11:35They were in the houses,
11:37They were in the houses,
11:39They were in the houses,
11:41They were in the houses,
11:43They were in the houses,
11:45They were in the houses,
11:47They were in the houses,
11:49They were in the houses,
11:51They were in the houses,
11:53They were in the houses,
11:55They were in the houses,
11:57They were in the houses,
11:59They were in the houses,
12:01They were in the houses,
12:03They were in the houses,
12:05They were in the houses,
12:07They were in the houses,
12:09They were in the houses,
12:11They were in the houses,
12:13They were in the houses,
12:15They were in the houses,
12:17They were in the houses,
12:19They were in the houses,
12:21They were in the houses,
12:23They were in the houses,
12:25They were in the houses,
12:27They were in the houses,
12:29They were in the houses,
12:31They were in the houses,
12:33They were in the houses,
12:35They were in the houses,
12:37They were in the houses,
12:39They were in the houses,
12:41They were in the houses,
12:43They were in the houses,
12:45They were in the houses,
12:47They were in the houses,
12:49They were in the houses,
12:51They were in the houses,
12:53They were in the houses,
12:55They were in the houses,
12:57They were in the houses,
12:59They were in the houses,
13:01They were in the houses,
13:03They were in the houses,
13:05They were in the houses,
13:07They were in the houses,
13:09They were in the houses,
13:11They were in the houses,
13:13They were in the houses,
13:15They were in the houses,
13:17They were in the houses,
13:19They were in the houses,
13:21They were in the houses,
13:23They were in the houses,
13:25They were in the houses,
13:27They were in the houses,
13:29They were in the houses,
13:31They were in the houses,
13:33They were in the houses,
13:35They were in the houses,
13:37They were in the houses,
13:39They were in the houses,
13:41They were in the houses,
13:43They were in the houses,
13:45They were in the houses,
13:47They were in the houses,
13:49They were in the houses,
13:51They were in the houses,
13:53They were in the houses,
13:55They were in the houses,
13:57They were in the houses,
13:59They were in the houses,
14:01They were in the houses,
14:03They were in the houses,
14:05They were in the houses,
14:07They were in the houses,
14:09They were in the houses,
14:11They were in the houses,
14:13They were in the houses,
14:15They were in the houses,
14:17They were in the houses,
14:19They were in the houses,
14:21They were in the houses,
14:23They were in the houses,
14:25They were in the houses,
14:27They were in the houses,
14:29They were in the houses,
14:31They were in the houses,
14:33They were in the houses,
14:35They were in the houses,
14:37They were in the houses,
14:39They were in the houses,
14:41They were in the houses,
14:43They were in the houses,
14:45They were in the houses,
14:47They were in the houses,
14:49They were in the houses,
14:51Keep smiling !
14:53Keep smiling !
14:57And our artists,
14:59They're scrutinizing
15:01And they're scrutinizing
15:03We are doing a lot from radio
15:05We are doing a lot from radio
15:07Most of our singers are from Peshawar
15:09The people in Peshawar
15:11They were also in Peshawar
15:15By reserving from the road
15:17And melody
15:19We have also established a standard poetry tradition.
15:21Of course.
15:22The standard poetry has been passed on to the people.
15:25Because in our time, there were a lot of illiterate artists.
15:31They did not have much education.
15:33In this regard, they did not have much study in literature and literature.
15:39The lack of education is due to our producers.
15:43They have worked very hard.
15:46And there is no answer to the question of the poets.
15:49The poets are our ancestors.
15:52I have a question.
15:55In the past, when we talked about music,
15:58the poets were used a little.
16:02I have said this in the last program.
16:06In those days, there was no such tradition as Ghazal.
16:10There was no Ghazal tradition.
16:12There was Misraiza, Tapa, Charbait, Badala, Bagate, Nimake, Loba.
16:20The poets who did not write on their own were called Akhun.
16:27For example, I will take the name of Akhun Noradin.
16:32Noradin wrote on Charbait.
16:34And I say that Noradin wrote on his own Charbait.
16:37Akhun basically.
16:39Charbait was published in 1960.
16:41Noradin's book.
16:43Charbait was translated by people.
16:45And in this regard, I would like to say a very important thing.
16:50In this regard, a person from France,
16:53his name was Darmesteter.
16:55He had published a book in Pakhtunkhwa, Sher, Baghobahar.
16:58And all the poets of Pakhtunkhwa, Badala, Charbait,
17:01all the poets, the folk poets of Pakhtunkhwa,
17:03had published this in their own book.
17:05And he had made a lot of contributions to this.
17:08He had contributed to all of them.
17:10And he had translated all of them.
17:12And at that time, this Charbait,
17:14and there are many, many Charbaits,
17:16like Kastad, Tor, Zulf, Sifat, Kand, Rebaran,
17:19Terzi, Buida, Kafur,
17:21Qatar, Nader, Malgalil, Sromoran,
17:23Sifat, Lareda, Huru.
17:25All of them were used,
17:27all of them were poems.
17:29But he changed to Charbait.
17:31And then there was also the fact that
17:33in every war,
17:35or in every battle,
17:37he had encouraged the people.
17:39He had encouraged them.
17:41And all of them have been mentioned in his poems.
17:44For example, there is a poem by Bakhmunir,
17:46from Germany, Takarazin, Vakhmaz Pakhin.
17:48And then there is another poem,
17:50I don't know if you have seen it,
17:52either it is a poem by Umar Khan,
17:54or it is a poem by Ramdad Kopar,
17:56or it is a poem by Patakar Jang,
17:58Gule Warigi, Oni Panori, Jabila.
18:00Or there is a poem,
18:02where he encouraged the British,
18:04and they encouraged the British.
18:06All of these different wars,
18:08have been mentioned in Charbait,
18:10and in Dali.
18:12But you said that in Dali,
18:14there was no Ghazal.
18:16No, there was no Ghazal.
18:18No Makkah, no Charbait.
18:20In Radio Pakistan,
18:22in Peshawar,
18:24when the Pashto music came,
18:26at that time,
18:28a poem became very famous,
18:30about Ghazal,
18:32and about Charbait,
18:34and about Makkah.
18:36At that time,
18:38when I was young,
18:40I remember one person,
18:42who was called Abdullah Jan,
18:44because in general,
18:46there was no Ghazal.
18:48But Abdullah Jan,
18:50his father,
18:52wrote a poem about Ghazal,
18:54but it was very little.
18:56It was very little,
18:58but it was very little,
19:00and it encouraged Charbait.
19:02And then,
19:04when Radio Pakistan,
19:06started in Peshawar,
19:08at that time,
19:10in Charbait,
19:12and this music was very famous,
19:14it was a historical continuation.
19:16And the Ghazal tradition.
19:18And the Ghazal tradition,
19:20started Radio Pakistan,
19:22in music.
19:24And at that time,
19:26Khayal Ahmed, Khayal Sultan,
19:28Hidayatullah,
19:30and all these people,
19:32were known as Kishore Sultan,
19:34Gulnar Begum,
19:36and the people of that time,
19:38were known as Ghazals,
19:40Khatak Sehb Ghazal,
19:42and all of them.
19:44And I say,
19:46Khayal Ahmed, Hidayatullah,
19:48Gulnar Begum, Kishore Sultan,
19:50the most hit items,
19:52were on the radio.
19:54and when it is broadcasted on TV, it becomes a radio item that is broadcasted on TV again.