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01:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
01:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
02:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
02:30Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
03:00Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
03:3050 pounds.
03:3250 pounds?
03:3350.
03:34You get the wedding, the door, and the bill.
03:37Okay?
03:38Deal?
03:39Deal.
03:40Get out of the car.
03:41Okay.
03:47Don't be late.
03:49How much is the rent?
03:50What?
03:51How much is the rent?
03:545 pounds per month.
03:55How much is the last one?
03:564 pounds.
03:573 pounds.
03:58That is my rent!
03:58What's with him?
04:01Was he serious?
04:02Yeah, we were taking advantage of him.
04:03What are you reading, Doctor?
04:05A book on the婀tories of housewives living in evil spirits.
04:07I want to know exactly what happened to Zampanita and how she turned from a normal
04:13The bride is normal. The bride talks about you and Doron.
04:17Don't ask her. She's sitting with us.
04:20Yes, that's true. But you said you wouldn't answer me.
04:24Tell me the secret of the profession and the work of the artists that you know.
04:28I'm not going to talk to anyone but my friend Sa'ada.
04:30She's in front of her lawyer.
04:32No secret, no nothing. You're done.
04:35You're no longer things. You're now servants.
04:38Servants? Sir, this is a great honor. We don't deserve it.
04:41The story is that there was a lady on TV called Tawheed.
04:47She was in charge of the store where me and the rest of the old team were.
04:52This lady was a magician.
04:55And on a beautiful moonlit day, she decided to seduce us.
04:59She turned us from a bride to a bride.
05:02But a bride with a soul.
05:05May God have mercy on her.
05:07We used to call her Tawheed.
05:09I missed her so much.
05:11Tell me.
05:13May God have mercy on you, Ikhlas.
05:15Stop this nonsense.
05:17Enough, enough.
05:19Ikhlas, she's here.
05:21What's this?
05:23Why didn't she bring my colleagues with her?
05:25We'll know who she is now.
05:28Get out.
05:30Get out of where?
05:32Where's the bride and her friends?
05:34Look at them.
05:36What?
05:38Look at them?
05:39Tawheed was working at a store called Shemaa.
05:42The owner of the store took her there because she's from the north.
05:45What about Uncle Balamita?
05:47There are two stories about Uncle Balamita.
05:49A bad story and a good story.
05:51The bad story is that someone had coffee and decided to open a cafe.
05:55And the good story?
05:57The good story is that the cafe is very close to us.
06:05Are you sure this is the place?
06:07Yes, I'm sure.
06:09May God have mercy on us.
06:11We're in the middle of nowhere.
06:13We have Uncle Balamita with us.
06:15And no one's coming after us.
06:17Listen to me.
06:19I'll be the father.
06:21And you'll be the son.
06:23Do you know how to be a child?
06:25Shut up.
06:27Shut up.
06:32We're Balamita.
06:34Come here.
06:36I don't love you.
06:37Leave him alone.
06:39I love you.
06:41Leave him alone.
06:43That's enough.
06:45Is this how you hit him?
06:47I hit him with my hand.
06:49He's a bride.
06:51You should respect the white hair in her head.
06:55Do you know that those who hit a bride
06:58get a lot of money at night?
07:00What are you talking about?
07:02She's young.
07:04Look at her.
07:05He's sleeping.
07:07He's sleeping.
07:09He's acting like a baby.
07:11Don't you like him?
07:13Don't you want to tell him?
07:15Don't be a baby.
07:17Tell him, Mom.
07:19Tell him, Mom.
07:21He's not a baby.
07:25Don't be a baby.
07:27Don't be a baby.
07:29Don't be a baby.
07:31You look like a baby.
07:33Because I'm a baby.
07:35We didn't know you were a baby.
07:38No, he is not a child.
07:40The Prophet is a child.
07:42And he isn't a child.
07:44You have to make fun of him.
07:48Don't be sad, uncle.
07:50That's the way of the world.
07:52They talk about something else.
07:54Where's Captain Magid?
07:56I'm not ready to talk about him.
07:58Do you treat kids like children?
08:01Why do you call them a child?
08:03We love them.
08:05I don't get it. The bride is a little girl and she's very sensitive.
08:08Imagine a mother working in Kuwait for 13 years, suffering until she gathers 8 brides.
08:12Or when she gathers 8 brides and buys them, the kids take them from her.
08:15God forbid!
08:16God forbid? This is a child's game.
08:18You're not allowed to be here at all.
08:20What is this nonsense?
08:22You left the bride to be humiliated.
08:24And we're not allowed to be here?
08:26Humiliated, sir? This is a game.
08:30No, no, no. I'm sorry, Hamada.
08:32What is this nonsense? You have no mercy.
08:34This is just a game.
08:36You've never seen a movie about a game?
08:38No.
08:39You've never seen a movie about an insect?
08:41No.
08:42An ant scream?
08:43No.
08:44Don't you watch TV at all?
08:45You're a little crazy.
08:46Who are we?
08:47You're a little crazy.
08:48This is crazy? Look at his face?
08:50Yes.
08:51Look at his face?
08:52This is the truth.
08:53Prince, we're coming straight to you because you look like a good man.
08:57We have to buy this bride.
08:59How much is it?
09:00This is not for sale.
09:02It's not for sale.
09:03It's not for sale?
09:04Yes.
09:05What do you think?
09:06Should we buy this bride and this bride for sale?
09:09Or should we ask her?
09:10Do you want to come with us or with Mrs. Balamita?
09:12With us.
09:13With us. Yes, I saw her.
09:14Let's go.
09:15Let's go.
09:21Did you see what they did to me, you bastard?
09:24Enough, Hajji.
09:25Nothing happened after that.
09:26Young people play with you.
09:28No, son.
09:30If there is no problem with the beating of the children,
09:33they are the first and the last.
09:35Children are God's loved ones.
09:39I remember what happened to me at night.
09:46At night, there was one of the workers,
09:49tall,
09:51big,
09:53a monster.
09:54He made me a pillow, put his head on it and sleep.
10:01I don't have a problem.
10:05I know I'm making a pillow.
10:08But he was
10:10a monster.
10:12A monster.
10:18So I
10:20was sleeping.
10:24Forgive me.
10:25I said I was sleeping with you.
10:28And then I woke up.
10:31Don't worry, Uncle Balamita.
10:33Zambalita is with you.
10:34She won't leave you.
10:36Now there is only a needle and an oil with Shayma.
10:39The girl who was working at the store.
10:41Look, I gave you her number.
10:42Someone of you can call her.
10:45Shayma, is this girl strong?
10:47Strong.
10:48Enough.
10:49Enough.
10:50I will call her and meet her.
10:52Mom.
10:54Then mom, until the last day of my life,
10:59I will make her a statue,
11:01to put her heart above the imagination.
11:05I will make her a statue.
11:06She became a statue.
11:12Are you Bim Bim?
11:13Yes, I am Bim Bim.
11:14Who are you?
11:16I am Shayma.
11:17What is this in your hand?
11:19This is my wife.
11:23Who are you?
11:25Who am I?
11:26Get in.
11:28Okay.
11:33Good evening.
11:34Good evening.
11:35Tell me, are you a customer on the street?
11:37Or do you want to make a statue?
11:39I am not a statue maker yet.
11:40But if you are cheap, I can make a statue.
11:42You will have fun with me.
11:44God willing.
11:45Is it a car or an apartment?
11:46This is my house.
11:47But we have a company, unfortunately.
11:49Okay, let's go.
11:51What?
11:52I can't, I can't.
11:53My mom will see us.
11:54What is this?
11:55You look like a thief.
11:57I am not a thief.
11:58You are a thief.
11:59Okay, wait.
12:00I will untie you.
12:01Okay.
12:02I am sorry.
12:05What are you doing?
12:06What are you doing?
12:07What are you doing?
12:08What are you doing?
12:09He will untie you,
12:10and make you look like a criminal.
12:12What is this?
12:13I don't want drugs.
12:14I want something else.
12:16Look, I am telling you,
12:17but don't be surprised.
12:19What am I telling you?
12:20Why?
12:21You look like one of those gangsters.
12:23Are you serious?
12:24No, I am not.
12:25I am telling you,
12:26I am from a conservative family.
12:27My customs are traditional.
12:28Grandma, I don't want anything
12:29that is in your mind at all.
12:31What am I telling you?
12:32I have broken bones.
12:34I have an order in half an hour.
12:37I want a needle.
12:38Where?
12:39Where is it?
12:40Someone told you
12:41that you are a drug addict.
12:42Don't finish, uncle.
12:43Grandma, I want a needle.
12:44I want this bride's needle.
12:45The bride's needle?
12:48Can someone leave this mouse
12:50and look at the bride?
12:52And what is the name of the needle?
12:53It's okay.
12:54Everyone sleeps next to the one
12:55they don't like.
12:56And then you understood.
12:57I want to go back
12:58because of scientific things.
12:59I am telling you,
13:00neither scientific nor traditional.
13:02Everyone sleeps next to the one
13:03they don't like.
13:04Come on,
13:05I will give you 500 pounds.
13:06500 pounds for what?
13:07I will give you my price.
13:08Don't you like it?
13:10Get out of my car.
13:11Get out of my car,
13:12for 500 pounds.
13:17Wait a minute.
13:18Did you see what I did for you?
13:21Okay, let's shake a little.
13:23500.
13:24No, not 400.
13:25500.
13:27For God's sake.
13:32I am your customer, by the way.
13:33500.
13:36One, two, three, four, five,
13:39or fifty.
13:40Here you go.
13:41It's hot.
13:42I brought it for you.
13:44Thank you, brother.
13:45Goodbye.
13:46Goodbye.
13:47I told you to wait.
13:48What?
13:49Wait.
13:50That's enough.
13:51That's enough.
13:52Take your hand off me.
13:53Come on, brother.
13:54We are late.
13:55How can he get out?
14:01That's enough, Ibra.
14:02That's enough.
14:03Drink this lemonade.
14:05Calm down, Ibra.
14:06Tell me what happened.
14:08What happened was terrible,
14:09Zanzibarita.
14:11Terrible.
14:13I lost my father.
14:16My childhood was destroyed.
14:18My man was raped.
14:20What happened to your man?
14:22He was raped.
14:23Don't talk to me about yourself, Ibra.
14:25You are like art,
14:26and your man is like it.
14:28Tell me what happened exactly.
14:30I'll tell you later.
14:33Why are you laughing?
14:35Trust me on Zita, Ibra.
14:37You don't know anything about them.
14:42Yes, yes.
14:43We laughed with you and the Prophet.
14:44I'm not laughing.
14:45Yes, you are.
14:46But I can't do my actions because of my wife.
14:49Zita.
14:51Zita, you live, Zanzibarita.
14:53What?
14:55There is no power or strength except with God.
14:58There is no god but God.
15:00Zita is a good woman.
15:02There is no god but God.
15:04There is no god but God.
15:05Was he complaining about anything before he died?
15:07Like, was he complaining about the pressure or the heart?
15:09Or was he complaining about the sewing?
15:11What exactly happened?
15:12It was a terrible crime.
15:14Terrible.
15:16The more I think about it, the worse I feel.
15:19It happened in the car when Shaima was arguing with a client.
15:24They were hitting each other,
15:26and Zita was among them.
15:29They hit him.
15:31They hit him hard and he split in half.
15:33Everything about it was so bad,
15:35that the mark on your body was so bad,
15:37that Shaima cut herself.
15:38What?
15:41And after they finished,
15:43they threw him in the car.
15:47And I wish it was just like that.
15:49There was a dog with me.
15:51I stood on it and it made a sound.
15:53It means it died a bad death.
15:58Enough laughing.
15:59Enough laughing.
16:00Dogs.
16:01They killed the dogs.
16:02The dogs.
16:03They killed it.
16:05No, no.
16:06The dogs just made a sound.
16:07Don't tell her.
16:08That's enough, guys.
16:09That's enough.
16:10These two are not like that.
16:11Zita, my love.
16:13Zita, my love.
16:15Zita.
16:16Zita, my love.
16:18Zita, Zita.
16:20Zita, Zita.
16:22My love.
16:34The song.
16:38It was cut.
16:39You were cut off from the world just like that.
16:41The rest is in your life, Zambaleta.
16:44May God forgive you.
16:47The rest is in your life.
16:50Zambaleta, you are a faithful bride.
16:53And I know that Ayaat will never bring him back.
16:57Pull your hair like this, my love.
16:59Pull it, for God's sake.
17:01Who is he?
17:03Who is he?
17:04Stop talking.
17:06What happened is in God's hands.
17:08No one has a say in it.
17:09But if the theater hadn't been sold,
17:12and Zita,
17:13Zita, too, who was sold, my love,
17:15as if she were a vase or an old chair,
17:18she would have been living in our midst now.
17:21From her to God.
17:22She is the reason for all of this.
17:24Who is she?
17:25Raja.
17:26There is no one else.
17:27She is the one who threw them out on the streets,
17:29like dogs in a cage.
17:31But every word of love is beautiful,
17:33I said to her, Zita,
17:35to make her cry instead of tears,
17:37I gave her a shot.
17:38A shot.
17:39To burn her eyes.
17:41Like I burned my heart.
17:43My heart.
17:44For God's sake, Ms. Zambaleta,
17:46you broke the law.
17:48And forget about Raja and what she did.
17:50I am sorry.
17:51I mean, she,
17:53her idea,
17:54and you three,
17:56what are we?
17:58No, no, no,
17:59nothing, nothing.
18:00No, and kill the tears.
18:01I want everyone to get ready.
18:03I want everyone to get ready,
18:04so that we can strike our blow.
18:06What blow, Zambaleta,
18:07that we want to strike with you,
18:09after what happened to me?
18:11I don't know.
18:12I don't know how the face of society,
18:14and people,
18:15and their views,
18:16and their words,
18:17will be silent.
18:19Silent,
18:20cutting through me.
18:22Don't walk in it,
18:23if you want to move like this.
18:26You stay,
18:27Ibra, my son.
18:29I am the one who will go out
18:31Zambaleta, look at this.
18:34Who is Zambaleta?
18:37Yes, but you,
18:38nor your age,
18:39nor your battery,
18:40will they allow you to do this operation with us,
18:41uncle Balaita?
18:42Balaita?
18:43Her name is Balamita.
18:44Age and battery,
18:45what are we afraid of?
18:46We don't even know
18:47what Zambaleta is doing.
18:49Are you sure?
18:50Tell us.
18:51We are going to strike our blow
18:52when the wind blows.
18:54And I will take it from the wind,
18:56on the walls of her house,
18:57on the seventh floor.
18:59And I will live.
19:00Don't walk in it,
19:01if you want to move like this.
19:02And I will go,
19:03Ibra, I will go.
19:04No, no, no.
19:05What does Amour look like?
19:06You look like Amour Tarsh.
19:08God.
19:09Do you know that you were the third
19:10most beautiful woman in our street?
19:11I know.
19:12And I used to live in the same street.
19:13Really?
19:14Yes, my son.
19:15He used to call me the original gentle.
19:16No, I am sorry,
19:17we made a mistake.
19:18He used to call you the original gentle,
19:19because of all the things you did.
19:20And you,
19:21I don't want to hurt you,
19:22but you can't talk at all
19:23about the way you look
19:24when you are full of energy.
19:26I swear to God,
19:27I didn't attend the party with you
19:28because of your looks.
19:29Our looks?
19:31Do you understand me in fashion?
19:33What?
19:34Do you understand me in fashion?
19:35Sometimes.
19:36No, sometimes you don't understand me
19:37in fashion,
19:38because the clothes I am wearing
19:39is what Jim Carrey wears.
19:40Actually,
19:41all my clothes are from
19:42John M. Suleiman.
19:43What?
19:44Are you serious?
19:45Do you know that this clothes
19:46is from Taha Hilfiger?
19:47Taha, is this from Taha?
19:48Yes, yes.
19:49No, show me.
19:50What is this?
19:51I am sorry,
19:52I can't say it.
19:53You are right.
19:54I am sorry.
19:55And then,
19:56I forgot to wear the pocket.
19:57Here are the pants.
19:58I told you,
19:59I love the pants.
20:00Then,
20:01go and get it.
20:03Our God is with you,
20:04you monsters.
20:05God,
20:06don't you discover
20:07God,
20:08God,
20:09and the Lord is God.
20:10Don't you call God
20:11with me,
20:12you scoundrel.
20:13Oh,
20:14wasn't it your dirty ways
20:15to make you talk
20:16instead of me sitting
20:17and not finding anyone
20:18to say this to me?
20:20God,
20:21and the Lord is God.
20:22God,
20:23and the Lord is God.
20:24I am sitting now
20:26God is the greatest.
20:28Praise be to God,
20:29praise be to God,
20:30praise be to God,
20:31praise be to God,
20:32praise be to God.
20:34Come on guys,
20:35stand by.
20:36We have exactly half a minute
20:37before we go out.
20:38Ok, ok.
20:39Ok, gentlemen.
20:40Come on guys,
20:4110 seconds
20:42and then we go out,
20:43God willing.
20:45Come on,
20:46let's go.
20:48Are you ready?
20:4910 seconds exactly
20:50and then we go out,
20:51God willing.
20:53Stand by.
20:554,
20:563,
20:572,
20:581.
21:26Dr. Gamgoon
21:27wanted to tell you something.
21:30Go ahead.
21:35I wanted to tell you,
21:36Mrs. Raja,
21:37that we love you
21:39and we love your show
21:41and we watch it every day.
21:43Every day?
21:44It's a weekly show
21:45and this is the first episode of it.
21:51We watch it every week,
21:52God willing.
21:53Ok,
21:54so what did he tell you?
21:55That we brought you a gift
21:57and you're going to accept it
21:58or are you going to make fun of us?
21:59What did he tell you?
22:00No,
22:01not at all.
22:02Of course,
22:03this is a very nice compliment
22:04from all of you,
22:05but don't you notice
22:06that we're in the mood?
22:07There's nothing,
22:08Mrs. Raja.
22:09You're the gift
22:10and you're the mood.
22:11Hurry up,
22:12we're in a hurry.
22:13Hurry up.
22:14Let's go.
22:15Let's go.
22:16Let's go.
22:17In the name of God.
22:18In the name of God.
22:19In the name of God.
22:20In the name of God.
22:21In the name of God.
22:22In the name of God.
22:23In the name of God.
22:24In the name of God.
22:25In the name of God.
22:26In the name of God.
22:27In the name of God.
22:28In the name of God.
22:29In the name of God.
22:30In the name of God.
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23:00In the name of God.
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25:00In the name of God.
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25:02In the name of God.
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25:04In the name of God.
25:05In the name of God.
25:06In the name of God.
25:07In the name of God.
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25:13In the name of God.
25:14In the name of God.
25:15In the name of God.
25:16In the name of God.
25:17In the name of God.
25:18In the name of God.
25:19In the name of God.
25:20In the name of God.
25:21In the name of God.
25:22In the name of God.
25:23In the name of God.
25:24In the name of God.
25:25In the name of God.
25:26In the name of God.
25:27In the name of God.
25:28In the name of God.
25:29In the name of God.
25:30In the name of God.
25:31In the name of God.
25:32In the name of God.
25:33In the name of God.
25:34In the name of God.
25:35In the name of God.
25:36In the name of God.
25:37In the name of God.
25:38In the name of God.
25:39In the name of God.
25:40In the name of God.
25:41In the name of God.
25:42In the name of God.
25:43In the name of God.
25:44In the name of God.
25:45In the name of God.
25:46In the name of God.
25:47In the name of God.
25:48In the name of God.
25:49In the name of God.
25:50In the name of God.
25:51In the name of God.
25:52In the name of God.
25:53In the name of God.
25:54In the name of God.
25:55In the name of God.
25:56In the name of God.
25:57In the name of God.
25:59The most important thing is that we have reunited.
26:02And we will live together again.
26:04But where will we live after Egypt has taken back?
26:07My dear, we will live in any place as long as we are together.
26:11We will live in Cookie Park.
26:12It's closed.
26:13Is that possible?
26:15We will live in Luna Park.
26:17It's closed.
26:18Again?
26:19My dear, we will live in a place that is more important.
26:21It's closed again.
26:22Your son and his neighbor.
26:24Are you with me or not?
26:25I'm telling you anything to leave.
26:27We are used to this.
26:28Go.
26:29We will live in any place.
26:32We will go to Farghali to drink mango.
26:34The important thing is that we leave here.
26:36How can we leave here after what you did?
26:39Do you think Raja will let us leave like this?
26:41Raja, who will let you leave?
26:43I don't believe you.
26:48Yes, yes.
26:52Peace be upon you.
26:53Peace be upon you.
26:54Do you still remember?
26:55Do you still remember?
26:56The program will start.
26:57Didn't you see Jamjoum's mother?
26:58I've been looking for her since morning.
26:59I didn't find her.
27:00Your mother is sitting inside.
27:01She was walking on the balcony a while ago.
27:03Did she say anything?
27:04No, nothing.
27:05She must have entered from the roof.
27:07Your mother is like a cat with seven lungs.
27:10I personally saw her die in front of me three times before that.
27:13Yes, we have to keep in mind that there are only four lungs left.
27:15Thank God, she is fine.
27:18Hold this, doctor.
27:19What is this?
27:20I told you not to go empty-handed.
27:22What is this?
27:23It's for you, brother.
27:24What did you bring?
27:25I brought some spices, salt, and pepper.
27:28You put tomatoes on a chicken, and some vegetables and rice.
27:31I'll eat them all after I watch the program.
27:33Oh, and your father.
27:34He should remove the wings and the neck for Hajj.
27:37Oh, you are very ambitious.
27:40Watch the program, brother.
27:42Sit down.
27:45Dear viewers, good evening.
27:48We all have problems in our lives.
27:52We all have a lot of problems.
27:55There are problems that we can hide, and we can deal with.
28:00But there are other problems that have no solution.
28:03And because of that, we have to...
28:05From here, from the land of Al-Mahrousa, the land of the Nile and the Haram,
28:11I would like to tell you that since the country is one, and the pain is one,
28:17we have to give you the problems that our women are facing,
28:21with all our courage and honesty.
28:25And now, we have an artistic break.
28:29I would like to welcome the viewers, and as we always do,
28:33we bring you the latest artistic news, exclusively from us.
28:39After the break, we will see the reality of the song
28:42that is played between the young man, Khaled, and Kusbawa and Hanjawa.
28:45And will the competition be between Figo and Dakhlawi?
28:48And we also have the latest news of the conflict between the artists,
28:52titled No. 9.
28:54Stay with us.
28:56We will know all of this after the break.
28:58Beware, the place has changed.
29:06I would like to understand.
29:08What are you doing?
29:10What are these stupid and stupid moves that you are doing
29:14to deceive the camera?
29:16What do you think you are?
29:18And what is this strange introduction that you wrote?
29:21It has nothing to do with what I am saying.
29:23What is it?
29:25Have you forgotten who you are and who I am?
29:27Keep in mind that I am the primo here.
29:29And if you don't know what primo means, it means number one.
29:32It means that all the announcements come to me.
29:35Who are you, my dear?
29:37Have you forgotten who you are?
29:39Look carefully.
29:41Yes.
29:42Raga Al-Gaddawi.
29:44The Queen of Egypt.
29:46Samra Al-Qahira.
29:48Art, my dear. Art.
29:50Etiquette.
29:51Show of fashion.
29:53We have fashion.
29:55And don't forget that I am Zambaleta.
29:57It means history and experience.
29:59Yes, Zambaleta.
30:01It means a wedding dress made by one of your grandmothers.
30:04It is a classic, my dear.
30:06If you wear it, no one will doubt you.
30:09You will be famous.
30:11Do you understand?
31:36Yes!