Salón de té La Moderna - Ep 251
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00:00I hope this time you won't repeat the same problems with Sagrario.
00:13Don't tell me that. Tell her.
00:16Yes, I'll tell her, of course, but I ask you to be calm, Esperanza.
00:20I'm very calm.
00:21You know what I want to tell you.
00:23At least I'm punctual, because she seems to be late.
00:27Good morning.
00:29Hello, good morning. You can't come in here.
00:32You have to go to the Moderna Tea Salon.
00:34I'm not going to the Moderna.
00:36Well, yes, but no.
00:37Ma'am, can I know what you're saying?
00:40You take, Don Fermín.
00:42How do you know my name?
00:44My sister, who apologizes personally.
00:47She has had a vocational crisis and now she is unloading anchovies in the port of Bermeo.
00:52But here I am to replace her.
00:55What do you mean your sister?
00:58Come on, what a fool, I haven't introduced myself.
01:01I'm Herminia, Sagrario's sister.
01:05Yes, yes, this is what Sagrario says in the letter, yes.
01:08Well, no, I have many more recommendations that testify to it.
01:13And are you as good a baker as your sister?
01:16Better.
01:17I taught her everything she knows.
01:20And now I come from doing a job in Paris itself.
01:24The luck that the Moderna is going to have with me.
01:29Don Fermín.
01:30What?
01:31It's not that I want to get into where they don't call me, but this seems very strange to me.
01:34Besides, Sagrario should have written, he should have warned, right?
01:38And he says it's his sister.
01:40But if he doesn't speak like her ...
01:42Because I've been away from home for so long that my accent is atrophied.
01:46And you must be Esperanza, right?
01:49Yes.
01:50Sagrario has already told me about you, yes.
01:52And what happened.
01:53Well, first of all, Elminia, let it be clear to you that here at La Moderna we are all worthy of the utmost respect.
01:59Starting with me and ending with the person in charge and responsible for cleaning,
02:04whom, by the way, I have a special esteem for.
02:08It has become clear to me.
02:10My only purpose is to perform my task in body and soul.
02:14Task? As far as I know, you are not yet hired.
02:17Well, but that's easy to fix, we'll fix it in a minute.
02:20Besides, we don't have time to look for any alternatives.
02:24We change the name and that's it.
02:28If you would be so kind as to sign the contract, please.
02:31Well, sorry, but if you don't mind, I'll read it in detail first.
02:36Sometimes there are people who want to take advantage of one.
02:39Of course, of course.
02:47Let's go.
03:01What did you want? To scare me to death or what?
03:04How did you get in?
03:06With the key you gave me.
03:11Paula, we have to talk.
03:13What's going on?
03:15Your father last night saw us kissing.
03:18What?
03:19What you hear.
03:21When I went to the office yesterday to pick up the jacket,
03:23I met him and then he told me.
03:25But what did he say to you?
03:27He got very violent.
03:29No, he was strangely calm.
03:31He just forbade me to see you alone again.
03:34What I am doing right now.
03:36No, no, no, no, let's see.
03:38You are not doing anything because nobody, not even he, can forbid us anything.
03:42And much less feel what we feel, you hear me?
03:44I hear you, but that will not change anything.
03:46You have never obeyed an order of his and I don't know how he could take it.
03:49Don't tell me you're afraid of him.
03:51No, I have respect for him.
03:53He feels that I have betrayed him, maybe we should ...
03:55We should what?
03:56Ask for permission? Do you think he would have given it to us?
04:03I understand.
04:04It's about saving your position, your future.
04:08Instead, I am willing to risk everything for you.
04:10That is very easy to say when you have a network below.
04:13But I don't have it.
04:15I can't allow myself to take a false step, nor can my mother.
04:18We've talked about this before.
04:21So?
04:22Are you going to obey him?
04:25We won't see each other again.
04:26Just for a moment, Paula.
04:28If we challenge him, the only thing we will achieve is to make things worse.
04:32What I propose is that we be smart.
04:34Let him think he has won this battle and later, when the waters calm down ...
04:38I can't live without you, Rodrigo.
04:40I can't.
04:42And if I tell him everything I've been thinking about this time,
04:46everything I've been hiding inside,
04:48that I want to marry you,
04:50that you are the love of my life.
04:52He knows that I am an adult woman, that I have never bowed to anything.
04:59No.
05:00Rodrigo.
05:01No, I can't.
05:02I'm sorry, I can't.
05:03Rodrigo.
05:13Well, well.
05:15So, it's true that you have all taken it out on us.
05:19Now I understand, because when we were kids, we played hide and seek and I was always left alone.
05:24You were left alone because no one could stand you like now.
05:27Of course.
05:28Even Katrina.
05:30When she told me, her ears were on fire.
05:33I knew you had a bad taste, sister.
05:36But not so much.
05:37Go to hell, Ivan.
05:39And you, Rodrigo.
05:41Rodrigo.
05:42How quiet you had it.
05:44It turns out that you are going to do a whole magazine.
05:47Yes, sir.
05:48Seducing the daughter of your boss to meddle.
05:51As original as pathetic.
05:53Shut up at once.
05:54Go ahead.
05:55Don't repress yourself.
05:57My parents would love to know that not only do you get along with your daughter,
06:00but you also attack her son.
06:02You will give them another excuse to kick you.
06:06As soon as you open your mouth again, I will be the one to close it.
06:10Wait, Rodrigo.
06:13Great.
06:14Perfectly written.
06:16So nice.
06:19Thank you very much.
06:21Well, here it is.
06:25Very good.
06:26I don't have much time, so please, Esperanza, be so kind.
06:30Why don't you introduce your new colleagues?
06:32And by the way, take a tour of all the dependencies of the salon.
06:35Agree?
06:36To our new ...
06:37Herminia, Herminia.
06:38Herminia, our new pastry teacher.
06:41What a remedy.
06:42Welcome to La Moderna.
06:43Thank you very much, Don Fermin.
06:47Well, I don't know what his sister will have told him about me.
06:51But let him know that I don't want trouble.
06:54Neither do I.
06:56I didn't know you had so much strength.
06:59I almost got injured before I started.
07:03Well, are you going to show me around the place?
07:07Yes, but first I have to do something very important.
07:10Well, are you going to show me around the place?
07:14Yes, but first I have to do something very important.
07:26Can you tell me what that is?
07:29What do you mean, what is that?
07:30A respect for San Peregrino.
07:32A respect for San Peregrino.
07:36San Peregrino, I entrust you to take care and protect ...
07:40From this moment on, this is my worker.
07:44And I'm not going to allow this to be like this all day,
07:48looking at me and giving me bad luck, for God's sake.
07:50Look, just so you know, I'm an atheist by birth.
07:53I think it's fine, but San Peregrino stays there.
08:03Well, we're off to a good start.
08:10What are you thinking about?
08:13The sequences they're going to write to me.
08:15I hope they're not too long, so I have time to learn them.
08:18Well, don't worry.
08:19I'll probably be in them too, so we'll study them together.
08:23Have I ever told you how much I love you?
08:25A thousand times.
08:27By the way, I didn't tell you, but yesterday when you left,
08:30Agustín apologized in case he bothered me
08:33that they had hired you as an actress.
08:36And I told him no, obviously, that I was delighted to work with you.
08:40I agree.
08:41And did he leave you anything else?
08:44Well, he also felt guilty for hiding it from me.
08:48But it's just that, all of a sudden, he told me a declaration of love
08:53that I thought he was proposing to me.
08:56This is fantastic, Inés.
08:58Congratulations.
08:59Well, he didn't really tell me with those words, but...
09:02I don't know, it made me understand that that was his intention.
09:09Laurita, forgive me.
09:11It's just that sometimes I forget that...
09:14No, no, Inés.
09:15There's nothing to forgive.
09:17If one day you'd rather not know, I'll tell you.
09:20My God.
09:25Laura, I'm glad you're here, because I have the sequences they wrote for you.
09:31Where are they?
09:33Fresh.
09:34I have to get them.
09:35I'm sorry, I have to go.
09:36But I have to go.
09:38I have to go.
09:39I'm sorry, I have to go.
09:40I have to go.
09:41I have to go.
09:42I'm sorry.
09:43I have to go.
09:44I have to go.
09:45I have to go.
09:46There's still the fresh quintet.
09:48I'm dying to know what you've prepared for us.
09:51Let's see.
09:57But...
09:59Are you sure it's these?
10:01Yes, of course.
10:02I just show up in one and say one sentence.
10:07I haven't read them yet. Let me see.
10:10What's this?
10:12I'm supposed to be the protagonist
10:14and these scenes are crucial to the plot.
10:18I hope the director hasn't forgotten.
10:20No, of course not. The director hasn't forgotten.
10:23The only thing is...
10:27I remember Ballesteros telling me
10:29that you gave so much strength, so much truth,
10:32so much emotion to the character that...
10:35It would be a bit redundant.
10:37So maybe the best thing would be to give you a break
10:41so that the audience longs for your presence.
10:43Do you understand?
10:46Yes, I understand.
10:48May I? I'd like to...
10:49Yes.
10:51Is your offer still on?
10:54Yes, of course.
10:55Of course.
10:56I'm glad you're so committed because we're shooting tomorrow.
11:02You said tomorrow?
11:03Mm-hm.
11:06At one o'clock.
11:07And, well...
11:10You're changing because Ballesteros is waiting for us for a rehearsal.
11:13A rehearsal? Now? But...
11:15When do I learn the text?
11:17On the way.
11:26The machinery must have left Germany.
11:29If there's no set time, I should be here by the weekend.
11:33KNOCK AT DOOR
11:36I want you to be prepared.
11:38I agree.
11:39Likewise.
11:43Who should be prepared?
11:46Machinery for the synthetic fiber factory.
11:49Anyway, work stuff, Ivan, you know.
11:52Boring stuff.
11:53I don't think you're interested.
11:56I'm surprised to see you here.
11:59You've lost weight.
12:02If I've ever been, I've found it now.
12:06Mom has told me everything.
12:09Who could have told you, right?
12:11That Rodrigo was just another opportunist trying to make a profit.
12:17What do you want, Ivan?
12:19To offer you my support and my loyalty.
12:23Having shown Paula's weakness,
12:26I'm willing to take a step forward.
12:29One question.
12:30Have you said goodbye to that ungrateful man?
12:33It won't be necessary for now.
12:37He's admitted his mistake. He won't go near Paula again.
12:41It's curious.
12:42I just saw them together at Paula's shop.
12:44What?
12:45They looked quite sweet.
12:48Although...
12:49I don't know.
12:50Maybe they were putting an end to that romance.
12:59Wait.
13:02I'm willing to change.
13:04I'll become the man you need by your side.
13:07Why now, Ivan?
13:08Why now and not before?
13:10Because after what happened with Rodrigo,
13:13your trust in him can't be the same.
13:15And because I think I'm more than capable of replacing him.
13:18Are you applying for his position?
13:22Who better than your own son?
13:24I don't know.
13:25Of course.
13:26Who better than your own son?
13:28I'll do everything you ask.
13:30Starting with controlling Paula.
13:32And...
13:33I could also be the one to say goodbye to Rodrigo.
13:38Don't worry about that.
13:39For now, we're not saying goodbye to anyone.
13:41And if you don't care about your sister, I'll take care of her.
13:45You're in charge.
13:46Wait.
13:50Maybe there's something you can do to help me.
13:56I'd need you to take a file to Mr. Cuadrado's office.
14:04Come and see me first thing in the morning.
14:06If you're able to get up early.
14:13I don't think the meeting was that bad, Inés.
14:16Ballesteros didn't even address me.
14:18He didn't even look at me. He was only looking at Laurita.
14:21I'm not mad at you.
14:22That's normal.
14:23The sequence was his and he wanted to explain it to you in detail.
14:26Besides, it's because I don't have any experience.
14:29I don't know, I'm sorry, but...
14:31Sometimes I think he doesn't like me, he's tired of me.
14:34That's absurd, Inés. Ballesteros loves you.
14:36You're his protagonist, his star.
14:38How are your rehearsals going?
14:41Why don't we sit down and talk?
14:45Can we?
14:46Well, I don't think it's a bad idea to rest for a while.
14:49Sure.
14:50Inés.
14:54I hope, Agustín,
14:56that neither you nor the director abuse my Laurita too much.
15:00One thing is that I do them a favour,
15:02and another thing is that I make her a film actress
15:05at night with all her behaviour.
15:07Don't worry, it's just a bit more,
15:09and besides, Inés will help me.
15:12Good morning.
15:14Do you know what you're going to drink?
15:16Well, coffee for everyone,
15:18and I'm told we have a lot of work ahead of us.
15:21By the way, Laurita,
15:23I'd like to congratulate you for your performance the other day.
15:26It was extraordinary. I cried and laughed.
15:28You have to be a very good actress
15:30to cause such mixed emotions.
15:32Let's say I learned it from the best.
15:34Inés is my teacher.
15:35Ah.
15:36Well, if you'll excuse me.
15:41Good morning, everyone.
15:43Especially you, Laurita.
15:45Don Fermín, I'm sorry to bother you.
15:47You don't know how Pietro's operation is going,
15:50as you're a doctor's friend.
15:53No, I don't have any news, Esperanza.
15:55I hope that means that everything is going as normal.
15:58San Peregrino will be doing his job,
16:00as he's in charge of serious illnesses.
16:02Of course.
16:03I'll stop by Antonio's house later to ask him.
16:06Here you go.
16:08You want me to sign an autograph
16:10before he makes you a star and forgets about the poor?
16:13No, the only star on this table is Inés,
16:16so I'll sign you after.
16:18Come on.
16:21Here you go.
16:23I'm going to frame you as if you were a painting.
16:27A Picasso or a Dalí painting.
16:29That's what you were in La Moderna for.
16:32Oh.
16:34Thank you very much.
16:36Come on, bye.
16:38I'm going to the bathroom.
16:42Agustín, what does that mean,
16:45that Laurita has to shoot more sequences?
16:48I don't understand.
16:51Well...
16:53The director was so delighted with her performance
16:57that he decided to expand her character.
17:00He's convinced that his niece will have a great career.
17:03Don't exaggerate.
17:04No, no, I'm not exaggerating.
17:06Yesterday he told me
17:08that he had never worked with a talent like yours.
17:11So natural, intuitive, right?
17:14Inés.
17:15I'm going home, I'm a bit tired.
17:17I'll go with you.
17:18No, no, you don't have to. You're not my assistant anymore.
17:36A lady coming out of the bathroom.
17:40A lady coming out of the back door.
17:44Let's get to the point, what do you want?
17:48Come on, Lazara, don't be in a hurry.
17:51We have a lot to talk about.
17:53Don't you miss me?
17:55I didn't even remember you.
17:57Come on.
17:59I don't care how well life has treated you.
18:02But what about that neighborhood girl
18:04with her socks tied up and her shoes holed up?
18:07Please, lower your voice.
18:10We've known each other for over 20 years,
18:13in the ceramics factory.
18:15And from the first day we became inseparable.
18:18They paid us a lot and we worked like donkeys.
18:22But we had each other.
18:25And we even laughed.
18:28Do you remember the manager, the one who winked at us?
18:31And the other one...
18:32Enough!
18:33Are you going to tell me what to do?
18:36Are you going to tell me what you want?
18:38I'm running out of patience.
18:42A lady shouldn't lose her form.
18:45Although you may never be, no matter how hard you try.
18:50When I read in the paper
18:52that you had married a rich businessman,
18:55I couldn't believe it.
18:57How did you win him over?
18:59Like the owner of the ceramics factory?
19:02You fooled that old man
19:05until you had him in your palm.
19:08Until you married him.
19:10Until he named you sole heir.
19:12You even left his family in ruin.
19:15That was his decision.
19:21You almost got yours.
19:24But of course, he had a son, a lawyer,
19:27who spoke to the judge and got him to be incapacitated
19:30and to cancel the will.
19:33I don't know why I'm telling you all this,
19:35if you already know.
19:37I don't understand anything, Juana.
19:40You can know what you want.
19:42Because this sad story doesn't end here.
19:45When the plan was twisted,
19:47you abandoned him like a dog.
19:50And the poor man, repudiated by everyone,
19:53threw himself into the tracks of stress.
19:55But I didn't push him.
19:56And I didn't encourage him to do it.
19:58It's not my fault he was a coward.
20:01Don't you realize?
20:03It's not even the tip of the iceberg.
20:06What do you know?
20:10For the last time,
20:13are you going to tell me what you want?
20:19I've been told that Mr. Germín, who's a good name,
20:22and I don't want you to have the same fate.
20:25He probably doesn't know anything about your past.
20:29Because you probably haven't told him anything.
20:32Am I wrong?
20:33Juana, have you seen yourself in the mirror?
20:35I would never believe you.
20:37Do you think so?
20:40Well, I could also go to the papers.
20:43With this kind of story, you can suck your fingers.
20:48But don't get me wrong, Lazara.
20:50I'm not a judge.
20:53And I'm not as stupid
20:55as to kill the chicken with the golden eggs.
21:00I just want what you have left over.
21:04Money.
21:09How much?
21:12Enough for me to forget about you.
21:17Make me an offer.
21:20You'll find it in this number.
21:26How?
21:45Well, if Antonio isn't home yet,
21:48he'll be in the hospital.
21:50He won't have finished the surgery.
21:52How many hours will the surgery last?
21:55I don't know, but a lot.
21:57They told him it would be long.
22:00Well, let's go.
22:03Teresa. Yes.
22:05Take advantage of any opportunity to show off.
22:08Why haven't they given me one, too?
22:11Should I ask Mr. Fermin why they haven't given me one?
22:14I think we should go back to La Moderna.
22:17We don't do anything here.
22:19Come on.
22:22Let's go.
22:31Antonio, how's Pietro?
22:34Tell me everything's fine.
22:36That San Peregrino did his job.
22:38I even prayed for him in Italian.
22:40Let him speak. How is he?
22:42I'm sorry, I'm still a bit short.
22:45The surgery went well.
22:48We still have to stay calm.
22:52We have to wait a bit.
22:54Dr. Quiroga told me everything they did.
22:57He was happy with the result.
22:59We have to wait a few hours to see how it evolves.
23:02That's normal.
23:04We don't have to worry.
23:06I'm sure he'll recover soon.
23:08When can we visit him?
23:10I can't wait to make him angry.
23:12No visit for now.
23:14I can only come in.
23:16I can only stay in the waiting room.
23:18I'm going to get a few things and go back to the hospital.
23:21But he just got here.
23:23I'd rather be close to him, even if it's in the waiting room.
23:27Wouldn't it be better if he stayed at home and rested?
23:30There's nothing he can do there.
23:33He's in the nurse's office.
23:35And with his lips and his Italian,
23:38I'm sure he'll put them in his pocket.
23:41Yes, but I'd rather be close
23:45and be the first thing he sees when he wakes up.
23:49So, I'm going to get a blanket and go back to the hospital.
23:53Was he able to see him when he left the operating room?
23:56Yes, just for a moment.
23:58I'm sorry.
24:00My heart sank a little,
24:03because he had the tubes and the bandage on his head.
24:08And with his eyes closed, he looked so weak.
24:11Don't worry.
24:13Pietro is a big boy. He'll make it.
24:15He'd better.
24:17We're going to the hospital tomorrow and we'll go with you.
24:20Oh, yes. And we'll take you a cup of coffee.
24:23I don't know what I'd do without you.
24:26Thank you so much.
24:35Oh, Teresa.
24:37Will you stop pulling my watch?
24:39For the love of God.
24:41Well, for the love of St. Petersburg.
24:47Let's go.
24:52Mother, where is Father?
24:54I went to the office and it was closed.
24:57I thought he'd come to eat.
24:59You thought wrong. I don't know anything about him.
25:03Mother, I understand that you're angry with me,
25:05but I need you to support me.
25:09Support you in what, Paula?
25:11In throwing your life away?
25:13In that?
25:15Look, daughter, there are whims and whims.
25:19Buying you a motorcycle was one of them.
25:22But being in a relationship with El Sepicio
25:24is an irresponsibility,
25:26as well as a lack of respect for your parents.
25:28What are you saying, Mother?
25:30Rodrigo is not a whim.
25:32I've always been in love with him.
25:34And I've never felt anything for anyone other than him.
25:37Don't you think that means something?
25:39Yes, that you're wrong. And a lot.
25:41No, I'm not.
25:43Feelings are not chosen, they choose you.
25:46Or have you never been lost in love?
25:50I've known Rodrigo since I was a child.
25:54And you know better than anyone the wonderful person he is.
25:57That doesn't matter now.
25:59What do you mean, it doesn't matter?
26:01I thought you wanted the best for your daughter as a mother.
26:04That's precisely why, Paula.
26:07You really don't understand.
26:09In the world we live in,
26:11no one would accept that you had a relationship
26:13with the maid's son, no one.
26:15It's a totally unspeakable prejudice.
26:17Not for me.
26:19I'm willing to do anything.
26:21Oh, anything. You're willing to do anything.
26:25To ruin your career before you even started it?
26:28For society to point you out and marginalize you?
26:30That's not going to happen.
26:32The worst thing is that your father is right.
26:35It's my fault.
26:37I should never have allowed Rodrigo to grow up with you and Ivan.
26:40And that he thought he was someone else.
26:42No, Mother. That wouldn't have changed anything.
26:45I would have fallen in love with him even if I had never seen him.
26:48True love is like that.
26:50And you can't fight it.
26:52I asked you a question before and you didn't answer me.
26:57If you've ever felt anything like it,
27:01you know exactly what I'm talking about.
27:04Or was it not like that, Father?
27:06We're talking about love, Paula. We're talking about marriage.
27:09And it's not always the same. Believe me.
27:11It is for me.
27:13And whatever you do, I'm going to marry him.
27:16No, Paula.
27:18That's not going to happen.
27:21Because your father will do whatever it takes to stop it.
27:26And you know it.
27:28So if you love that boy, if you really love him,
27:34don't complicate his life.
27:36And don't complicate yours.
27:38At least that way, you'll be happy.
27:42But not together.
27:44That's right. That's right.
27:47Mother.
27:49Can you forget, for a moment, who you are and what you represent?
27:54And look me in the face as what I am.
27:56Your daughter.
28:00How did you do it?
28:02Me?
28:05Yes, you. How did you do it? Marrying Dad.
28:08Did you do what your heart dictated or what you had to do?
28:11Daughter, things are not that simple.
28:14Don't go on, Mother.
28:16I understand that you're not happy.
28:18And you want me to repeat your mistakes.
28:29Poor Paula.
28:31I've come now because I couldn't wait to tell you this morning.
28:36Thank God my wife and mother-in-law are not here.
28:39In case you had an excuse to come with me.
28:42Anyway.
28:44I'm very sorry, Miguel.
28:46But when I thought I had motivated her enough,
28:49the memory of her failure has returned to her mind.
28:52The tragic day when Leonora gave him pumpkins.
28:55She has completely lost her mind.
28:57Look.
28:59Wait, Miguel, I'm remembering something.
29:02Many years ago, in one of my first job interviews,
29:05a guy told me what his trick was to get him hired.
29:08Do you want Leonora to hire Elias?
29:11No, no. We want Elias to stop feeling overwhelmed.
29:14Well, to what was going on.
29:16Well, the fool in question, actually what he was, a fool,
29:19told me that he imagined the interviewer in smaller clothes.
29:22And so he stopped feeling intimidated.
29:25He saw him so ridiculous that he was no longer afraid.
29:28I don't understand. Come on, help me.
29:32Me neither, but I did it and it worked.
29:35How did you imagine Don Fermín?
29:38Let's see, animal.
29:40That was many years ago, before the modern era.
29:43Let's see if I understand you.
29:45You're asking me to tell Elias to imagine my mother-in-law...
29:50Man, a little respect.
29:52You're talking about my wife's mother and my son's grandmother.
29:58That was my best idea. The other one is not so good.
30:01Well, I'm so desperate that I'm able to listen to her.
30:04As long as no one has to undress.
30:06Well, it would be to try to gather all the information
30:09you could about Leonora.
30:12Her tastes, her hobbies.
30:14And so Elias can go straight to the point and dazzle her.
30:26He was very kind to call to ask about me.
30:30But it's something that shouldn't be repeated, don't you think?
30:34I don't think he did anything wrong.
30:37As you pointed out, I just called to see how he was doing.
30:41The problem is that he's calling the house of a married woman.
30:44A married woman who just told me
30:47that she wouldn't be scared if the situation repeated itself.
30:54When you play with fire, it's normal for it to burn.
30:59I'm sorry, little brother, but I don't understand.
31:02Why her? What's so special about her?
31:04Little sister, I got the message.
31:07Now, if you don't mind, I'd like not to talk about this here.
31:10I do mind. Do you know what female intuition is?
31:13It's a power that only we have.
31:16And it allows us to see the future.
31:18I'm sorry to tell you that I don't like what I see.
31:21That family is very complicated.
31:26And for a sample, a button.
31:30Mercedes.
31:34Can you come closer?
31:40Good afternoon, Ivan.
31:42I have good news.
31:44I've got a job.
31:46And not just any job, but the one I really wanted.
31:49You mean one of the businesses you told me about?
31:53No. The nonsense adventures are over.
31:56I've spoken seriously with my father.
31:58I've offered him to be his right-hand man
32:00and run the business together.
32:02Do you think I've done the right thing?
32:04I think you'll do very well at work.
32:07And if it's for your father, honey on a stick.
32:10I'm not going to work for my father.
32:12I'm going to work with him, arm in arm, side by side.
32:15I'll be his trusted man
32:17and one day I'll inherit his business.
32:20And you'll be very close to seeing it.
32:23Sure.
32:25I'm going to get your glass.
32:27Bring one for you and a bottle of champagne.
32:29We thought we'd celebrate it together.
32:31Caprices, my prince.
32:40I remind you that you're not allowed to toast to the clients.
32:43And much less to that millionaire.
32:46And to close the bar to be alone with his mother?
32:49Don't the rules of the bar say that?
32:52The rules of the bar say that, as the owner,
32:54I can do whatever I want.
32:57I don't care.
33:08How is my dear family?
33:16Well, I'm going to change the diapers for the boy.
33:19There's something here that smells very bad.
33:22Wait, be careful with your head.
33:24Careful.
33:26Like this.
33:32I have to tell you something.
33:34What?
33:36I came to the conclusion that you were right and I was wrong.
33:39From now on, I'm going to give up my skin to win your mother over.
33:44Did you hit your head?
33:46No, quite the opposite. I've decided to use it.
33:50That's why I think it would be very useful
33:52for your mother to answer this little questionnaire
33:55in order to get to know her better.
33:57But this is going to take a lot of effort
33:59and there are a lot of questions here.
34:01Won't it be too much?
34:03Every detail can be crucial.
34:05That's why I prefer to sin of ambition than to be short.
34:08I want to know everything about your mother.
34:10Oh, I forgot.
34:12Elias is not having a very good time
34:15and Cañete has thought of inviting him to Madrid Cabaret.
34:18Do you mind if I go with them?
34:21It's a humanitarian task.
34:25EAT WITH ME
34:49Are you making a hole?
34:51Are you better in the stomach?
34:55Yes, I'm better.
35:01What are you doing there?
35:03Everything in due time.
35:07Inés, do you remember when we were little?
35:09One afternoon we were in the river and my mother gave birth to me.
35:13Yes.
35:15Your mother always gave birth to you.
35:18What was special about her?
35:20Well, it's true that she took advantage of any moment to remind me that...
35:24...you were her favorite and I was a kind of disaster with legs.
35:29But that day was special because...
35:32...for the first time I realized that I was starting to feel envious of you.
35:36And it scared me.
35:37It scared me a lot to start hating you.
35:40But you told me not to listen to her.
35:42That you weren't better than me.
35:47I had a palm tree of chocolate that was desiring to eat me.
35:50Yes.
35:51But instead of that, you gave it to me.
35:55And since that day you've always been by my side, supporting me.
35:57When I gave birth to the baby, you...
36:00...you faced mother and you risked everything for me.
36:03Well, it wasn't that bad.
36:06Besides, I did it for you, to get rid of that sick bastard.
36:11Inés, it's true that what happened with Agustín has hurt us a lot.
36:15But I don't want to let a simple movie separate us again.
36:17No, Laurita, it's just that...
36:20...it's not a simple movie.
36:22Not for me.
36:25If it's important to you, I'll leave without hesitation.
36:30No, it's just that...
36:32...I promise you that nothing will separate us again.
36:37But today I was the one who felt envious of you.
36:41But at the same time, I'm very proud of you and your talent.
36:45And I want you to stay by my side.
36:48Yes, you're not the problem.
36:51The problem is me and the insecurity I feel.
36:56Do you remember Estrella Castro?
36:58I met her better in Berlin.
37:00And she told me that she also felt insecure.
37:02It happens to all divas.
37:04In fact, she told me that if one day you go on stage and you don't feel anything...
37:08...it's because you're dead.
37:10But well, the important thing, my sister, is that today...
37:13...the day has come to pay off my debt.
37:25Come here.
37:27I love you.
37:28I love you.
37:30Cheers.
37:40I love you.
37:45Nice watch. Where did you get it?
37:48It's a gift from Don Fermín and Dona Lázara.
37:50I told you the other day and I showed it to you, but you didn't listen to me.
37:53Lately you've been in a bad mood.
37:59Do you think Lili will come?
38:00Well, I hope so.
38:01Because Trini has already passed the questionnaire to my mother-in-law.
38:05Let's see how she took it.
38:07They were three pages of questions, all very well thought out.
38:09Three pages?
38:10And it was a notary exam.
38:12Well, I'm playing a lot, Cañete. I can't leave anything to chance.
38:16I've divided the questions into thematic blocks.
38:18For example, hobbies, clothes, food, cities, history, animals...
38:23Animals?
38:24Favorite animals, Cañete.
38:26Those details unite people a lot.
38:29Well, with that information, Elías will be confident.
38:32And then you know what's going to happen.
38:34That Leonora will stop being an Olympian goddess.
38:36Or the Olympus will stop being an inaccessible place for Elías.
38:40Tell me something, Miguel.
38:42Why are my two best friends in such a bad mood?
38:47Here it is.
38:49Sorry for the delay, but my watch broke.
38:52Look, I was just thinking that you could lend me yours, the new one, Cañete.
38:57Why?
38:58Well, since it's a company gift, I think it's for both of us.
39:02And the best thing would be to share it for a week, each of us.
39:06I think that was Mr. Fermí's and Mrs. Bázaras' intention.
39:09Don't say nonsense, Elías.
39:10No, it's not nonsense. It's a test of self-confidence.
39:13Very good, Elías. Let's go down the right path.
39:15What path?
39:16Well...
39:18Gentlemen, I hope you enjoy the evening.
39:23Thank you very much.
39:24Don't trust the looks, Mercedes.
39:27Here, where you see them, they are very careful crickets.
39:31However, I would like to point out that the three of us are firmly committed.
39:36Yes, sir.
39:37Well, it will be you, because I am not.
39:39You too. You don't know it yet.
39:41And can I ask you what you are celebrating?
39:44Well, my friends who have been determined to see if I can win the woman of my dreams.
39:48But what is that? It's my dream. It's an intellectual. It can't be.
39:52There is nothing impossible. Everything can be.
39:56Yeah, well, for someone of your stature, of course.
39:59Don't worry. Imagine a Greek goddess and a poor servant by your side.
40:03You see, it's a matter of confidence.
40:05Neither of them for so much, nor he for so little.
40:07What would you advise him? To fight until the end or to give up with dignity?
40:12Giving up is never worthy.
40:15Enjoy the evening.
40:17You are invited to the first round.
40:19Thank you very much.
40:20Good luck.
40:23What did he want to say?
40:24I don't know.
40:25Handsome things.
40:26Well, I ...
40:27The truth is that, thinking about it, I'm not going to play with Leonora.
40:30Definitely, I have to find a woman who is at my level.
40:34An earthly woman.
40:35No, no, you can't do that to me.
40:38You've heard Mr. Morel.
40:39Giving up is unworthy.
40:40I don't know why you take it so seriously.
40:42Let's see, I thank you very much for worrying about me.
40:44For me, for you and for my son.
40:46I'm sure he likes Leonora.
40:49But she pretends to be interesting to make you believe the opposite.
40:52Well, he's doing very well.
40:54But Miguel is right.
40:55You have her in the boat, Elias.
40:56You just need a little push.
40:59In the boat, a little push.
41:01To get rid of me completely, right?
41:03No, Elias.
41:04To enter his heart.
41:05And if our plan works right now, Leonora will be thinking about you.
41:10By the way, do you like snails?
41:13Of course.
41:15For the snails.
41:16For the snails.
41:23FATHER
41:42Father.
41:48What are you doing?
41:49Give me that.
41:50I want to get your attention.
41:52Do I have it?
41:55Once you told me that disappointment was the anger of the weak.
41:59Neither you nor I are weak.
42:01And yet I have disappointed you.
42:07Instead of that silence, I would prefer you to explode.
42:09That you tell me something that ...
42:11No.
42:13You have not disappointed me.
42:15Indeed.
42:17That is for the weak.
42:19But I am not interested in your explanations.
42:21Nor your justifications.
42:23So what do you want me to do?
42:25I want you to do exactly the same as me.
42:28Erase from your memory that shameful episode as if it had never happened.
42:33And start behaving like a sensible and responsible person.
42:37Because I want to understand that the meeting you had this morning had only one purpose.
42:42To put an end to that relationship.
42:45Father, in case you haven't noticed, I'm not a girl anymore.
42:49You can't ask me that.
42:50I'm not asking you, Paula.
42:52I am ordering you, just as I have ordered Rodrigo.
42:55From now on, you will not see each other more than the essential.
43:00And never alone.
43:03And now, if you don't mind, I have a lot to do.
43:14I don't know if I haven't explained myself well.
43:16This conversation is over.
43:18No, father. It's not over.
43:20In fact, it has only just begun.
43:22So listen to me carefully.
43:24My life is mine.
43:26And you can't decide about it.
43:28And much less about my feelings.
43:30I'm sorry to tell you that your power is not so great.
43:33I'm not afraid of you.
43:35Do you know why?
43:37Because if you take everything from me, I will start from scratch again.
43:40With the support of my family or without it.
43:42But always with Rodrigo.
43:44I am not a weak woman, father.
43:47And if mother and you thought that the most important thing in my life was my career.
43:51It's just that you don't know me.
43:53It's just that you've never met me.
43:55I can't believe it, Paula.
43:57How can you be so naive with how smart you are?
44:02Don't you realize that you have grown in abundance?
44:05That you have had everything you wanted at hand.
44:09You have asked and it has been given to you.
44:11Are you really willing to give that up for a whim?
44:14Son of a maid.
44:16Yes, father. And a thousand times yes.
44:20Betty, Betty, Betty.
44:21There's one thing I don't understand.
44:23I've seen you raise Rodrigo since he was a child.
44:26You have always appreciated him until you turned him into your right hand.
44:30So if he's good for you, why can't he be good for me?
44:33Can you think of someone better to trust your daughter?
44:38It's okay.
44:41What did you want me to find? Well, you got it.
44:43Get away from Rodrigo.
44:46Get away from him, Paula.
44:48Or you'll regret it for the rest of your life.
44:51All of this can't be just because I'm Pepita's son.
44:54Why don't you think it's enough, Paula?
44:57Listen to me.
45:00There is a very thin line that separates people.
45:04They are two worlds that touch but never touch.
45:08They will always be down and we will always be up.
45:13People like Rodrigo, like Pepita, have only one function in this world.
45:18A function that they can be very proud of.
45:21To serve us.
45:24That's how it should be.
45:26And that's how it will be.
45:38Mother, what I feel for her is very big and very beautiful.
45:41It's the best thing that's ever happened to me.
45:43I'm not willing to give up.
45:46Rodrigo, I know what I'm going to ask of you is a very big resignation.
45:50But you have to leave her.
45:51Can you tell me why you bring me all the invoices together?
45:54Okay, Teresa. Thank you. You can go back to work.
46:01Well, we've come this far, Lazaro.
46:03You're going to explain to me right now what's going on with you.
46:06It's not normal for you to treat the employees with such disregard.
46:10Nothing happens to me.
46:11Paula, I'm worried about what I can do to you.
46:14And if you leave your family, you can ruin your projects, your career.
46:18You even legally depend on him.
46:20I'm not scared of anything.
46:22One way or another, we'll get through this.
46:24And understand that this adventure is over forever.
46:27Because you know that for nothing in the world am I going to allow you to grow older.
46:31You know that I am capable of putting Rodrigo in jail if necessary.
46:35With any charge. I would already invent it.
46:37I swear I can't take it anymore. I can't take it anymore.
46:39Miguel neither.
46:40It seems that he has surrendered to Leonora because he is defeated.
46:43Yes, well, I could do a little more for him.
46:45The truth.
46:46Because he is not doing anything to get along better with my mother.
46:50Well, how are you, Romeo?
46:52Willing to conquer your Juliet?
46:54Has everything gone well?
46:58It has been perfect. Perfect.
47:00Any problem?
47:03No, Ballesteros and I are considering adding some more sequences to further sharpen the argument of the film.
47:08I don't understand how you can continue to trust him after what he has done to your daughter.
47:12Because I need him at my service. And period.
47:14Today he has to wait for the reception of a new machinery for the factory.
47:18I could take care of that matter.
47:20And let him be the one who takes the documents to the registry.
47:23We have discovered that Paula has a sentimental relationship with Rodrigo.
47:27You are going to excuse me.
47:30I've had a terrible hangover.
47:32Ah, no. No, no, no. You're not leaving.
47:35We're not going to make our guests look bad.
47:37Mercedes.
47:39Take care of the bar, please. I'll take care of this table.
47:41Be careful. It looks like it's loaded.
47:45What would the gentlemen like to drink?
47:49No, no, no. Let him come back and serve us.
47:51You're not worth it.
47:53I'm afraid that won't be possible.
47:55In that case, they would have to leave because the young lady is very busy.
47:58If I see them together again, Pepita,
48:00I won't answer for what could happen.
48:03That letter is for me.
48:09Are you sure it's not dangerous for you to call me?
48:13Okay, I'll wait for your call that day.
48:15Yes, of course I'll remember.
48:17I'll write it down on the agenda.
48:19I miss you a lot too.
48:22It was logical to think that my father was going to get angry if he found out, but you?
48:27I didn't expect you to go against us.
48:29It's best for everyone. Believe me.
48:32For me, for Rodrigo, no, Pepita.
48:35I love your son with all my heart.
48:39Well, if you love him so much, the best thing I can do is stay away from him.