Verdone Al mare con Nancy (Troppo forte)

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Verdone Al mare con Nancy (Troppo forte).like and subscribe
Transcript
00:00Do you know what I'm telling you? I don't want to think about anything anymore.
00:07I just want to take a nice bath.
00:09Cover yourself, are you stupid?
00:11Come on, you too.
00:12But I don't have a costume, I can't.
00:14Oh, come on, come on, come on.
00:16Come on, Oscar, come on.
00:19But I can't, come on. I don't have a costume.
00:23What do you care?
00:25I don't have a costume, stop.
00:28I order you to stop. Stop, Nancy.
00:38Let's go.
00:42Damn it.
00:49Come on, come on.
00:50But where is he, damn it? Can't you see I don't have a costume?
00:54Because that's not a costume.
00:56But these are slippers, and if they get wet, you can see everything.
00:59Good for you.
01:09Damn it, damn it.
01:12Yes.
01:13It's worse than in Malibu, damn it, the misery, damn it.
01:16You could also find it in the Tazza del Cesso.
01:23Come on, take off your slippers, you'll feel much freer.
01:25Oh, but you're monotonous, stop it.
01:26Come on, what are you waiting for?
01:27Leave me alone, come on.
01:28Oh, come on, come on.
01:30But where do you want to go?
01:31I often disperse these hands, I leave you alone.
01:33But why are you so full of modesty, huh?
01:36But it's not the fact of modesty.
01:38If there is a photographer with a zoom, who takes a picture of me,
01:41I'm ruined, I have images to defend, do you understand?
01:44Then I don't like this place, it's full of tracks.
01:47What are the tracks?
01:48They are fish that move, move.
01:50Ah, yes?
01:51Very bad.
01:52What are you doing?
01:55And plant it, come on!
01:57It's good, come on, please.
02:16Sergio, what are you doing with the slippers in Montpalat?
02:21Damn slippers.
02:25Come on, let's go.
02:43So I'm going up to make a phone call.
02:45Again?
02:46But be quick, I recommend it.
02:49I'll pay three million for the ticket here.
02:56Hey, Oriente Espresso is here.
02:58Hey, do you see how he's under the clothes?
03:01Again?
03:02Enough, come on, you're monotonous.
03:04Hey Rambo, when are these money from America coming?
03:07Look, you've got a stomach flu.
03:09But what do you care?
03:10I'm part of ESA.
03:11But it would be better if you threw us under the car, no?
03:14You're broken, you have two million of damages and a mouth to spit in.
03:17But what did you want to do?
03:19Yes, good.
03:20Don't tell me with the megaphone that I threw myself under it.
03:23Good, so I get to the fridge and I grab it.
03:25And shut up, shut up.
03:27Hey, what are you doing?
03:28Stop with the car.
03:29Give me the keys.
03:30Listen to me.
03:31With the last account of the pizzicato, we are at quota 7.
03:34Just the price of the motorcycle.
03:36But what does it cost you?
03:37Give me another day of extension, no?
03:38Tomorrow I'll come for you and you'll know everything.
03:40When the money arrives, you bring it to the baron and give him the keys.
03:43If not, you know what to expect.
03:44But he's a little comprehensive, give him the keys.
03:46Otherwise, this one here, without a motorcycle, he goes to sleep on the tree at night.
03:49Don't break it, I told you I'll pay you, I'll pay you.
03:51Go to the baron, go.
03:53Yes, yes.
03:54As you understand, no?
03:55But give me another extension, what are you doing?
03:57You leave me standing, you leave me?
03:58Come on, come on.
04:00Oscar, I want to give you the phone.
04:02Who is it? Who wants me?
04:03He says he has a phone from your house, but he's always worried about you.
04:06Damn it, the misery, damn it.
04:08Oh, Rambo, today he made you say it.
04:10To pay the bill of the phone, yes, because you bring it to the fridge.
04:14But did he tell you who it is?
04:16Yes, it's the American producer.
04:17The one from CinecittĆ .
04:19His name is Adams.
04:21That's what he told you, but are you sure he's looking for me?
04:23Yes, yes.
04:24He really said, I want to talk to Oscar, the actor.
04:26So I think you're wrong.
04:28No, no, he said right, he said.
04:29Other than, he's done, this bastard.
04:37Hello?
04:40Hey, hey, Oscar, let me hear, let me hear, come on.
04:42Yes, it's me, Scarpettinari, tell me.
04:50Hey, hey, tell him to shut up.
04:52Shut up, shut up, shut up, come on.
04:58Excuse me, could you give me an anticipation of what it is?
05:01Of work?
05:02It's a big opportunity for you.
05:04The role of the antagonist.
05:06But we'll talk about it tomorrow, calmly, okay?
05:09Are you listening to me?
05:11Hello?
05:13Yes, tomorrow, he says.
05:17Listen, just a moment, I'll check the agenda.
05:19Because, unfortunately, tomorrow I have a lot of appointments.
05:22And I want to see if you can find a boat.
05:24Wait a minute, please.
05:25But what do you have to check?
05:26Shut up.
05:27But check how much they eat.
05:29Shut up, come on, please, read me the game, come on.
05:31Oscar, what do you have to give him?
05:33Give him a look instead.
05:35Enough!
05:36Help me.
05:40Hello?
05:42We did it, we found a small boat.
05:44Listen, are you okay around 11.30, 11.45?
05:47Yes, I'm fine.
05:48We'll wait for you with great pleasure.
05:50Very well.
05:51See you tomorrow.
05:52See you tomorrow, then.
05:53Take care of yourself.
05:54Very well.
05:55Have a good day.
05:57See you tomorrow, okay?
05:58Thank you, goodbye, see you tomorrow.
05:59See you tomorrow.
06:06I'll just say one thing.
06:09That before he had a good face.
06:11Now he's become a coward, okay?
06:13What do you want?
06:14I'm looking for something.
06:15But it's about the film.
06:16Gentlemen, they offered me 20,000 dollars.
06:19I say 20,000 dollars.
06:20Multiplied by 2 in Italian lire, that's 40 million.
06:24Do you know why?
06:25The part of the antagonist.
06:27The antagonist.
06:29Do you know who the antagonist is?
06:31You know who he is.
06:33This is the film's manifesto, okay?
06:36At the top left, there's the protagonist.
06:37At the center, there's Fiat e Ming.
06:39At the top right, there's the antagonist.
06:41Did I explain myself?
06:42I told you, you have to make the plastic.
06:44You have to scratch it.
06:46You have to pull it.
06:49I knew that this face would work sooner or later.
06:51I knew it.
06:54Arigo.
06:56What are we going to do, Baron?
06:59Give me back the keys.
07:01We'll send everything back tomorrow.
07:03I'm sorry.
07:11Pick them up.
07:12And take them out.