Jyothirmayi & Kunchako Boban Interview | Team Bougainvillae | അമൽ നീരദിന്റെ സിനിമ എന്നുപറഞ്ഞാൽ ധോണിയുടെ CSKപോലെ | Jyothirmayi & Kunchako Boban Interview
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00:00This look is a true signature.
00:02It's an international look.
00:05Whether it's Jyothirmayya that we see, or the girl in the picture.
00:08Oh!
00:10I wanted to ask Anwar to make a movie with me.
00:13But Amila did it first.
00:15With me.
00:15Untold stories.
00:17Oh!
00:18He has an opinion about everything.
00:21He has an opinion about cooking at home.
00:24I cook a little.
00:25If I can impress her.
00:26Oh, please don't.
00:28So, it's a cooking interview.
00:30Cooking with Intellect.
00:33Amal Neeraj's movie is like MS Dhoni's CSK.
00:36I wanted to come into that frame as an actor.
00:42Fahadh's father brought me into cinema.
00:45My father brought Fahadh's father into cinema.
00:47What did Amal Neeraj say to you?
00:50He didn't say anything special.
00:52When this movie is released, I expect a call from Amal.
00:55Jagathy sir has said,
00:57I have seen some actors who are not insecure.
01:02Jyothirmayya is one of them.
01:04I thank him for saying that.
01:07Mamooka Bheeshma said,
01:08Sushin will rock the theatre.
01:11What does Sushin mean to you?
01:14I think he will rock the theatre.
01:16Should I say that?
01:17If we get an interview, what should we do?
01:21He is asking for an interview.
01:25If we get an interview, what should we do?
01:27He is asking for an interview.
01:34Hi, hello viewers.
01:35Welcome to our show, Untold with Ajin.
01:37Today, we have some untold stories with us.
01:39On October 17th, we are at Bougainvillea Theatre.
01:42We have Chakochan, Jyothirmayya, Swintha and Veena.
01:45So, welcome to all four of you.
01:47When was the first time you saw Amal Veeradhan as a creator?
01:51Do you remember?
01:52Let me tell you first.
01:55In college.
01:57Yes, Myragesh.
01:58Yes, he was our chairman.
02:01Tell us.
02:02Untold stories.
02:05That's what I said.
02:06I saw him for the first time in Myragesh.
02:09He was our chairman.
02:11We knew each other even before the film.
02:14Our first project was an ad.
02:18Both of us were in the film before this.
02:21Only a few people have seen it.
02:25That's all.
02:27What about you?
02:29I saw him only after he came in the film.
02:36I saw him for the first time in a common space.
02:42What about you?
02:43I saw him for the first time when Big B was released.
02:46I was a kid then.
02:48My hometown is Ottappamalai.
02:50There was a promotion for River Street in Shorinur.
02:54Before Big B was released.
02:56Mammootty was there.
02:58I was a kid. I went to see him.
03:00That's how I saw him from a distance.
03:02That's how I got to see him for the first time.
03:05I saw him for the first time when Bheeshma was asked to narrate a story.
03:11I saw him for the first time when Kadavandhra Javarnagar Abadham was running a minicooper.
03:23I got to know him when I went to Kumarnasana Nagar to see Anwar Rashid.
03:39I went to Anwar to ask him to do a film with me.
03:42But Amil did it first.
03:46Amal Neerath's films are like MS Dhoni's CSK.
03:52Everyone has a very evident role.
03:55When everyone comes into that role, the film itself has a totality.
04:00What was your first impression of Amal Neerath's films?
04:03When you watch a film, there is a thrill to the audience.
04:07There is a feeling of intoxication.
04:15The films give you that.
04:17There is happiness.
04:19It lingers in your mind.
04:21We can say that Amal Neerath's films have that impact.
04:31That is why when I act with Amal Neerath,
04:40when we watch the film, we get a level of confidence.
04:52It reaches the audience.
04:55The audience gets the feel that we get.
04:58That feel is very important.
05:01It touches our memories.
05:09Everyone likes it.
05:11Amal Neerath has that magical effect.
05:17What is Amal Neerath's film?
05:19It is a visual treat.
05:23It is not just a visual treat.
05:25It is imprinted in our mind.
05:27We know when we see an Amal Neerath frame,
05:32that it is an Amal Neerath frame.
05:34Like everyone, I wanted to come into that frame as an actor.
05:40When it becomes a film like Bhogan Villa,
05:44we believe that there is a difference from Amal Neerath's films.
05:51I feel that is an X-factor.
05:54It should do that magic.
05:57That is why I am waiting.
05:59As an actor, as an audience,
06:02waiting for Bhogan Villa to come in theatres.
06:05Do you feel that way?
06:07You wanted to act in at least one Amal Neerath film.
06:10Definitely.
06:12Even before seeing Amal Neerath's films,
06:19I felt that I should come into that frame.
06:24That is what I thought before becoming an actor.
06:27That is what I thought after becoming an actor.
06:31For me, this is a bonus.
06:33It is the second time.
06:35I think everyone would want to do a film by Amal Neerath.
06:42I was able to do a film.
06:45I am happy that I was able to do a film again.
06:50As you said, I am a fan of Amal Neerath.
06:54Even if it is Big B, his directorial debut,
07:01I am a fan of his cinematography.
07:07I am happy that I was able to do a film again.
07:13What is Bhogan Villa?
07:15What is this film all about?
07:17Is it all that we hear?
07:19Can we read the glimpses?
07:23What is the story behind it?
07:25That is why...
07:27I think it would be better if you read the story
07:29and then explain it to us.
07:33We have to experience it in theatres.
07:37It is not as if we read what we hear.
07:42We have to experience it in theatres.
07:47We cannot go into too much detail.
07:50Even a small detail can be a complete...
07:55Destroy.
07:57Spoiler.
07:59Fahadh had a desire to do a film under his banner.
08:04Amal Neerath is a desire of Chacko.
08:07It is a coincidence of two desires.
08:10How did you create the personal excitement?
08:12All three of them wanted to do a film.
08:18They had a passion for cinema.
08:21Fahadh's father brought me to cinema.
08:24My father brought Fahadh's father to cinema.
08:27We all know the rapport between Fahadh and Amal.
08:31When Fahadh was associated with Amal,
08:36there was a bonding between us.
08:42That is what is shown there.
08:45When you are associated with a good film,
08:49you feel it is a good thing.
08:55It happens between the two of us.
08:58I think it happened because of the love for cinema.
09:04It gave me a lot of happiness and pride.
09:09To work with such talents.
09:12I was able to be a part of the production of the film.
09:17I have asked you before.
09:19Are you a part of the manual focus?
09:22The line-up that excites us.
09:24Are you a part of the manual focus now?
09:27Almost.
09:29We are trying different things.
09:32We are trying to find the right focus.
09:35We are trying to find the right focus.
09:38Like Jagathy said,
09:41I have seen actors who are not insecure.
09:46Jothurumma is one of them.
09:49Why am I doing this?
09:52I thank him for saying that.
09:55I have heard a lot about other actors.
10:02I am just a newcomer to him.
10:11I am very thankful for that.
10:14Some people say that they like me honestly.
10:21They believe in my artistry.
10:24How did you motivate the artist in 10 years?
10:31Through watching movies.
10:36I can't say reading books.
10:39I have been reading books for a long time.
10:42But through watching movies.
10:44Definitely through living with Amal Neerath.
10:48Amal Neerath is not interested in anything other than cinema.
10:55He is someone who tries to do his best in everything.
11:05I think that is the reason for my creativity.
11:09Even if there is something inside me,
11:12it is these things that nourish it.
11:17How did it happen in Bogan Villa?
11:20Was there a convincing factor there?
11:23I didn't know if I would do cinema.
11:27No one had called me for cinema.
11:32I didn't have the desire to do just one or two movies.
11:38I didn't have the desire to do something great.
11:45There were a couple of stories.
11:49When Amal decided to do this movie,
11:53he told me that he wanted to do it.
11:58He convinced me that I could do it.
12:01I didn't have the confidence to do it.
12:08I did it with the courage of Amal.
12:12How does an actor give clarity to an actor?
12:18I have heard that the character's dress and colors are in the script.
12:23How does an actor give clarity to the character?
12:28Since you have such clarity, it is easier for me.
12:35I am going in a clean slate.
12:38I will definitely read the script.
12:41When I read the script for this movie,
12:45I was very excited to experience the shooting.
12:50It was the first time I got to work so closely with Amal.
12:57Even though I worked with Bheeshmuram,
13:00it was the first time I got to see his filmmaking so closely.
13:06I will read the script.
13:09I will have all the details.
13:12Because everything was in such clarity.
13:15I am going in a clean slate.
13:19It is the same for most movies.
13:22When we read the script,
13:24we conceive things in a larger picture.
13:30We don't have to think too much.
13:34I always follow my director.
13:38I always follow the director's instructions.
13:45I feel this is his collaborative work.
13:50He takes our input and what we have to say.
13:56He asks for suggestions.
13:59Amalettan, do you have to ask like that?
14:01You might get upset.
14:03When he asks, it is different for us.
14:05It is a mutual respect.
14:07It is a mutual collaborative process.
14:14It is a space where we can work together.
14:18Everyone in the set has that space.
14:21Not just the actors.
14:24Everyone has that space.
14:27It is interesting to work with a filmmaker like that.
14:31It is an unlearning process for us.
14:34We get to see a lot of new things.
14:39I feel it is a growth in the actor space.
14:45Did you have a good take away from Bheeshma Parvatham?
14:49I only had that space in Bheeshma Parvatham.
14:55I couldn't do much.
14:58In Bheeshma Parvatham, I got to spend more time with him.
15:05I got to discuss a lot of his knowledge.
15:12He is very clear about what he wants his artists to wear.
15:17In Bheeshma Parvatham, my dresses were in pastel shades.
15:24He gives us that space.
15:26If we ask him to wear a certain style,
15:31If Amalettan feels it is okay, he will say okay to it.
15:34We get that space as an artist.
15:36Not even in styling.
15:40Are you still tensed about dubbing?
15:42There was a sing sound in this.
15:45I have heard that the dubber has to see the character's intensity.
15:54How do you get that intensity in dubbing?
15:59Once we get the hang of the sing sound,
16:03Dubbing becomes more difficult.
16:07I have done a lot of sing sound movies.
16:13When I went to dub another movie,
16:16I couldn't connect everything.
16:19Even a small dialogue wouldn't be perfect.
16:24Our sound is not perfect in a normal conversation.
16:29There will be some cracks.
16:32Without that, we have to dub in a polished way.
16:39Some sound engineers say,
16:41There is a crack in the sound.
16:43There is a bell ringing.
16:45In a real scene, there might be a crack.
16:50When it comes to dubbing, it disturbs me a lot.
16:57I feel dubbing is tougher now.
17:00Once we get used to the sing sound.
17:04You are a voice actor.
17:08What do you learn from dubbing?
17:16I have understood that dubbing is not difficult.
17:21What about from the throat?
17:23I had studied the entire dialogue in blank.
17:30I had to react to Pothanchettan's dialogue.
17:33I had to react to Pothanchettan's dialogue.
17:39I had to react to Pothanchettan's dialogue.
17:42It was a new and interesting experience.
17:46When we do something, it is easier.
17:51We know the pace.
17:56When people who don't know Malayalam speak,
17:59there is a limit.
18:01There is a limit to improvise.
18:04It is not easy.
18:06The people who do it are amazing.
18:09I had seen you drawing in the song.
18:12I had seen you drawing in the song.
18:13Salimettan had told me that you know how to draw.
18:16Salimettan had told me that you know how to draw.
18:17Is that true?
18:19When I was painting, Salimettan came to see me.
18:22When I was painting, Salimettan came to see me.
18:23But he didn't encourage me.
18:29When I saw him, I started to feel bad for him.
18:43But he came to see me.
18:45But he came to see me.
18:47Rest is his cooking story.
18:49Rest is his cooking story.
18:50When it comes to songs, this is not the first song of Jyothirma's address that has been a hit.
18:55There have been a lot of sensational songs in the past.
18:59How do you recognise a new song when you go out?
19:04Is this from the last 10 years?
19:06No, not 10 years.
19:08Generally, now when I listen to the songs.
19:10Now?
19:11People are happy when they see me.
19:13Whether it is a person who is coming to deliver something to me,
19:19or an Uber driver,
19:23when they realise that it is me,
19:27they recognise me with love.
19:33They are very happy.
19:35Even if they are people I don't know,
19:38or people I have seen after a long time,
19:42I feel that warmth more now.
19:47Many people see it as their achievement.
19:59I enjoy that a lot.
20:02I am thankful to all of them.
20:05I don't have to encourage them.
20:08Sometimes, even I say,
20:11what will happen to them if I say this?
20:14How do I respond?
20:17Sometimes, I get angry.
20:20I don't say that to people.
20:23They will be very happy.
20:26I feel that when I see their reactions.
20:30What did Mammootty say?
20:32When you said that you wanted to do a film with Amal Neeru?
20:37Mammootty...
20:39Don't say anything special.
20:42He is a person who has a big impact on your life.
20:46Mammootty says things only when I make a film.
20:50Mammootty talks about the film or the character only after the film is released.
20:57Hopefully, when the film is released,
21:00I expect Mammootty's feedback.
21:03An actor is always seen in style.
21:07How has he come in style?
21:13He has told us not to do anything in style.
21:17Behave normally.
21:20Act normally.
21:22How does the character react to different situations?
21:27I try to do that very naturally.
21:30But when Amal Neeru comes in the frame,
21:33it will have a different style and impact.
21:36To see that, I wait as an actor and as an audience.
21:40When you went behind to take the shot,
21:43were there any moments where you were surprised?
21:46It's true. I personally felt that.
21:50When I shoot, I look at the monitor.
21:54I have a lot of courage to look at the monitor.
22:00I don't do it because I don't believe in it.
22:07I said the same thing earlier.
22:10When we see it, we don't believe in ourselves.
22:14It's not just because we are good at it.
22:17When the director, Kapithan,
22:20brings all the factors into our acting,
22:24there is an impact.
22:27When we see that as an actor,
22:30it is a huge energy booster.
22:33That way, it has helped.
22:36How much has Amal Neeru influenced you personally?
22:40We still see his old interviews.
22:43See, if we get an interview,
22:46we don't know what to do.
22:51He rarely gives interviews.
22:58In the old days,
23:01I used to get excited when an actor was close to me.
23:05I still get status on WhatsApp.
23:08That's why I asked.
23:11As a journalist,
23:14what should we do to get an interview?
23:17I don't know how to say it.
23:30Getting an interview is harder than getting a side role.
23:34We have a lot of discussions in the media.
23:38I am not in that zone.
23:41I don't know what to get excited about.
23:44Persuade him.
23:47If you have a tactic to impress him,
23:50do it.
23:53Your interviews are the best.
23:56Make him feel like he can interview you.
23:59Use your creativity.
24:02When you do that,
24:06it's simple, right?
24:09I was thinking about the meter.
24:16How do you influence him in real life?
24:19With the new stands and the way you watch movies.
24:22You can interview him.
24:25If we get someone, we can do it.
24:28You can ask him about this.
24:32He is not a director at home.
24:35He is my husband.
24:38He is a simple man.
24:41Like I said,
24:44he has a perspective.
24:47He has an opinion about everything.
24:50He has an opinion about everything.
24:53He has an opinion about cooking at home.
24:56He does everything.
25:00He has an opinion about everything.
25:03He is a good cook.
25:06He is a good cook at home.
25:09He is a good cook at home.
25:12I am not a good cook.
25:21He enjoys good food.
25:24He is a good cook.
25:27You can improve your cooking skills.
25:30Cooking with interview.
25:33I was thinking about that.
25:36Seriously,
25:39do you think a partner needs to find meaning?
25:42do you think a partner needs to find meaning?
25:45Not everyone likes that.
25:48I think there is no need to find unnecessary meanings.
25:51Finding meaning is not wrong.
25:54Finding meaning is not wrong.
25:57Finding meaning is not wrong.
26:00Do you have such thoughts when you conceive?
26:03Do you have such thoughts when you conceive?
26:06No, never.
26:09No, never.
26:12We thought it was only the positive side.
26:15What is Sushan's goal for Bohemville?
26:18What is Sushan's goal for Bohemville?
26:22Mamooka Bhishma said,
26:25Mamooka Bhishma said,
26:28Sushan will rock the theatre.
26:31That was a big signal.
26:34That was a big signal.
26:37Sushan's brand is working in the theatre.
26:40Sushan's brand is working in the theatre.
26:43I want it to continue.
26:46I want it to continue.
26:49I want it to continue.
26:52I want it to continue.
26:55I want it to continue.
26:58I want it to continue.
27:01I want it to continue.
27:04I want it to continue.
27:07I want it to continue.
27:10I want it to continue.
27:13I want it to continue.
27:16What is the pressure, generally?
27:25Before that there is a craving for an Amal Neeraj film.
27:29There is a craving for an Amal Neeraj film.
27:32I will try to watch it at the theatre.
27:35Chakrachan will always ask this question.
27:38In all these years, have you really avoided non-English films?
27:43Do you have any hit films?
27:45That question...
27:47I came to the office a long time ago.
27:50I haven't really looked into it.
27:53I don't remember.
27:56But what was the no-burn at that time?
27:59At that time, I wasn't interested in films.
28:02I wasn't interested in Malayalam itself.
28:07So I wasn't interested in going into non-English.
28:10That's the truth.
28:12But now, when Malayalam cinema gives me good opportunities,
28:16when it opens up such a different scenario and space,
28:20I utilize it as much as I can and enjoy it.
28:23So I'm happy with that.
28:25Has the question of what's next started coming up?
28:29From whose side?
28:31From the audience's side?
28:33I don't know.
28:35The film itself hasn't come out yet.
28:37How will people react when it comes out?
28:40When good films come out, we'll see.
28:45This look is really a signature.
28:48You can say it's an international look.
28:51Is there anything behind this look?
28:54Behind the look?
28:56It's all for this character.
28:58First, during COVID, I just had an egg.
29:03After that, for this film, I repeated it again.
29:08I trimmed my hair a lot.
29:11What's everyone's reaction?
29:14Some people ask if this is the Jyothirumai we see.
29:18Many people have different reactions.
29:21Some young people say it's great.
29:25Some people say I should have dyed my hair more.
29:29I see many reactions like that.
29:32I listen to them and laugh.
29:35We're waiting for an artistic celebration on October 17th.
29:40I hope you're also waiting for that.
29:44Elavidashan Sir is arriving at the Bougainvillea Theatre.
29:48May you all have a successful career in Bougainvillea.