• last month
Transcript
00:00So Markus is supposed to convince him to sell his shares to you?
00:09Under the condition that you both leave the prince immediately afterwards.
00:18Mr. Saalfeld?
00:23I'll try.
00:30You have the deal not to thank Philipp, but to thank his father. He made the contact to the breeder.
00:40Yes, and that you transfer your problems with Philipp to him?
00:43Are you serious? And you are now making me jealous?
00:46It's just a question.
00:49Anna, please think about it again.
00:52Step back from the purchase.
00:56You already know that it is quite difficult to find something in Bichelheim.
01:01It wasn't that difficult, to be honest.
01:03Are you moving in with us?
01:07That's great!
01:08By the way, I changed my mind.
01:10No lasagna after all.
01:12What? Yes, of course. No, I mean, I would invite my father to our wedding after all.
01:18Really?
01:19Well, provided it's okay for you.
01:21Of course it's okay. Why all of a sudden?
01:24Good news!
01:26Heinz has called.
01:28He just sent the contract.
01:31Already? So fast?
01:34Yes, he should be here tomorrow.
01:36And then you just have to sign it.
01:40Anna?
01:48Great, then I'll come by tomorrow and sign it.
01:53Yes, then the two beauties belong to you.
01:56Clever decision.
01:58Yes, I think so too.
02:00Yes, you have recently seen in the equine passes that the two have an excellent lineage.
02:06Yes, the trees were really very impressive.
02:08And without your mediation, I would never have found the two of them.
02:11Thank you again.
02:12Not at all.
02:13With Cassiopeia and Cleopatra, you will build up a successful breeding.
02:18I hope so, because the two are really not cheap.
02:21The money is well spent. Believe me.
02:24So, then we'll see each other tomorrow, as soon as the contracts are there.
02:27See you tomorrow.
02:32Anna, why don't you listen to me?
02:37Vincent, I really appreciate how much you've put into it.
02:41Anna, we'll find other studs.
02:43Please don't make a hasty decision now.
02:45I really believe that you are worrying unnecessarily.
02:49If I didn't have serious concerns, I wouldn't say anything.
02:54I have a good feeling, okay?
02:57Trust me.
03:03Yes, the beauty.
03:20Hi.
03:22I didn't hear you coming.
03:24You were really deep.
03:25Are you feeling better again?
03:27Yes.
03:28What do you have that's so beautiful?
03:30It's a brochure of a winery near Baden-Baden.
03:35And what are you going to do with it?
03:37I actually wanted to order wines for the hotel.
03:40But now I saw by chance that it was for sale.
03:43Look here.
03:45How beautiful.
03:46It's quite nice.
03:47And the Bavarian wines are not to be despised either.
03:49How nice?
03:51Look at this house.
03:53In the middle of the vineyards.
03:54Yes, it's on the west side.
03:55Wonderful.
03:56Not too hot in summer.
03:58Yes, and the view from the terrace.
04:00Imagine that at sunset.
04:02Hey, we could live together there.
04:08Now you've really spilled blood.
04:12You're already a proud owner of a winery.
04:15Yes, but I'm legally bound to the prince's court.
04:18At least you have guaranteed annual income.
04:23Imagine.
04:24We would really be independent.
04:27That's what we've always wanted.
04:29And our wine, it could also be in Tuscany.
04:33Or in Spain.
04:35The wines in the Torotal are a sensation.
04:38And Noah would be pretty close.
04:41He could come visit us with the children.
04:44What children?
04:45You didn't tell me he's going to be a father.
04:47No, he won't.
04:48But until then, he'll hopefully have some children.
04:51If we live there and are old and grey.
04:54Why old and grey?
04:56Well, I would say we still have 20 to 30 years.
05:00Or what did you think when we sat down to rest?
05:05That means the tax report should be here soon.
05:08All right.
05:09Thank you for the information, Mrs. Krodinger.
05:11Yes.
05:12Thank you. Bye.
05:14Come in.
05:16Hi.
05:17Hi.
05:18Yes, I'm glad to see you too.
05:20Do you have a moment?
05:22I would always remember you.
05:24What's on your mind today?
05:26Okay, Philipp.
05:27It's clear, we won't be friends in this life.
05:30But not by chance, in your opinion.
05:32I need your help.
05:34It's about Anna.
05:37Something's wrong with this horse deal.
05:39Are you starting with that again?
05:41Philipp, please.
05:42I have a really bad gut feeling.
05:44Does Anna feel the same way?
05:45No.
05:46Anna wants to sign the deal tomorrow.
05:48You see?
05:49Her money, her decision.
05:50Just accept it.
05:51I can't.
05:52I would if I were you.
05:55Philipp.
05:56If you were me,
05:58and you were sure something was wrong,
06:00you would do everything to protect Anna.
06:03Right?
06:06Please.
06:07Let's talk to her together.
06:09Then she'll think about the whole thing again.
06:11And we'll gain time to check it thoroughly.
06:14But you don't have any proof.
06:16Your bad gut feeling is just based on prejudices
06:19you have against my father.
06:21Do you remember when Anna fell off the horse
06:23and we were looking for her?
06:25You only had your gut feeling.
06:27Yes, and?
06:28If I hadn't listened to you,
06:30we would never have found her in time.
06:32That's something completely different.
06:35Listen.
06:36I trust my father.
06:38And I'm not going to meddle in Anna's deal.
06:42If your trust in your father turns out to be wrong,
06:46Anna will be compensated for it.
06:51But if you don't care...
07:08I love you.
07:28Darling, I'm home.
07:30Ah, hey.
07:31Hi.
07:32I made caprese.
07:33And after that,
07:34there's lemon tagliatelle with cherry tomatoes.
07:37How did I get the honor?
07:39Well, last time you cooked me.
07:41Now it's my turn.
07:42Please, take a seat.
07:44Just a moment.
07:45It's about to start.
07:46Just a moment.
07:47Wait.
07:48First,
07:49I have to welcome
07:51the most beautiful woman in the world.
07:55What's that?
07:57Open it.
08:02Michael, you're crazy.
08:05Don't you like it?
08:07Yes, it's beautiful,
08:09but I can never accept it.
08:11Why not?
08:14Is today a special day?
08:17I don't need a special day
08:19to give you a little something.
08:24Okay, it's far too valuable.
08:28I'm just happy
08:31that you like it,
08:33my darling.
08:38There.
08:44Wow.
08:47The Venus of Botticelli
08:49couldn't be more beautiful.
08:57Hey, there you are.
08:59Sorry, I had something to do.
09:03Are we going to have a nice drink?
09:06It's non-alcoholic.
09:08And no,
09:09there's nothing to drink nicely.
09:11I wanted to toast with you.
09:13There are other great news.
09:15Mr. Seidel called me earlier
09:17and he said the construction work on the stable
09:19is going really well.
09:20That means we can put the stables under construction soon.
09:23Nice.
09:24And that's why I had another idea.
09:27What do you think
09:29if we have a commemoration
09:31for Wilma at the stables?
09:34With family and friends.
09:36That's a nice idea.
09:38Yes, without Wilma,
09:39you couldn't realize the dream.
09:41Exactly.
09:42And I've never really celebrated my inheritance
09:44and I'd like to do that now.
09:46Good.
09:49You're still angry
09:50because I didn't listen to you.
09:52Anna, I'm not angry.
09:53I'm just thinking seriously.
09:55You don't have to.
09:58I know what I'm doing.
10:01And I've made up my mind.
10:03Please accept it.
10:06Please.
10:10Okay.
10:11You know what you're doing.
10:16To Wilma.
10:17And to our future together.
10:19To Gut Talheim.
10:27To Gut Talheim.
10:33Good evening.
10:34Christoph.
10:39Oh, Mrs. Saalfeld.
10:42Because of the inconsistencies
10:44in this wine delivery,
10:45have you already moved on?
10:48I'm on it.
10:50Good.
10:51Be so kind
10:52and take care of it.
10:53The sooner it's settled,
10:55the better.
11:10Oh!
11:12Wait.
11:13We'll have that in a minute.
11:14Do you have a towel?
11:15Yeah, yeah, yeah.
11:16We'll have it in a minute.
11:26Merkel,
11:27luckily there are no wine stains in the water.
11:32But what's going on?
11:39Christoph Saalfeld
11:40is killing me.
11:42What?
11:44But he just asked you
11:45a professional question.
11:48Yes, but...
11:49I'm tense all the time.
11:52A little thing is enough
11:53and I lose my nerves.
11:55Oh.
11:57Is that why you started
11:58with Alexander yesterday?
12:00Yes.
12:02I'm not myself anymore.
12:04But...
12:05because of Christoph
12:06you don't have to worry
12:07about best wishes anymore.
12:09You say that so easily.
12:10With him, you never know
12:11when his peace of mind
12:12will come to an end.
12:13Yes, well,
12:14you always have to be
12:15a little bit on your toes.
12:16But hey,
12:17you yourself pleaded
12:18for us to all
12:19travel together here.
12:21Yes,
12:22I did, but...
12:24I underestimated
12:25the whole situation.
12:28It's really killing me.
12:32I even dream about it,
12:33when I'm sleeping at all.
12:36And drawing,
12:37look,
12:38I can't concentrate
12:39on drawing anymore.
12:40Oh, you.
12:42That's not so bad.
12:44But not good either.
12:45Oh, you.
12:47I understand you.
12:48Christoph is, God knows,
12:49not a dream roommate.
12:50But hey,
12:51that will change soon.
12:52As soon as he lives
12:53with Alexandra
12:54in the new apartment,
12:55then she has him
12:56on her back
12:57and here the situation
12:58will calm down again.
12:59And if not?
13:00After all,
13:01I also have to work
13:02with him.
13:03Katja, so black-eyed.
13:04I don't even know you like that.
13:06That will settle down
13:07again, definitely.
13:22Philipp!
13:23What's up?
13:24What are you doing here?
13:25Morning.
13:26Morning.
13:28Tell me, Roland,
13:31how well do you really know
13:32this breeder?
13:34Heinz?
13:36Half an eternity.
13:41I don't know.
13:42I don't know.
13:43I don't know.
13:44I don't know.
13:45I don't know.
13:46I don't know.
13:47I don't know.
13:48I don't know.
13:49I don't know.
13:51Why?
13:54Vincent has doubts.
13:59The vet, huh?
14:00Do you want a coffee?
14:02No, thanks.
14:05Did you get infected by him?
14:08It's not about me at all.
14:09It's about Anna.
14:13And what about her?
14:14Does she have doubts too?
14:16She
14:17still wants to buy the studs.
14:19Yeah.
14:20That's not a problem, is it?
14:21Yeah, but Vincent advised her
14:22to think about it again.
14:23Oh, man, really.
14:24This guy, really.
14:26So much mistrust.
14:28Terrible.
14:31But for Heinz
14:32I'll hide.
14:35Roland,
14:38are you sure about that?
14:41Heinz is an honest person.
14:45Look,
14:46we'll do the following.
14:47We'll both go through the liquid tests again.
14:50Okay?
14:51I don't know.
14:52Yes.
14:53Vincent probably already did that anyway.
14:55Doesn't matter.
14:56Double is better.
15:01I'm glad you like the room.
15:04Yes, it's really nice.
15:05Thank you very much.
15:06And it's really not too small for you?
15:08No, I don't have that much stuff anyway.
15:10Since the separation from my ex-girlfriend,
15:12I've shrunk quite a bit.
15:14Well, then I'd say
15:15let's sit down,
15:16have a coffee
15:17and discuss all the formalities.
15:21Oh, yes, of course.
15:22The rental contract.
15:23Yes, well,
15:24we'll do it like this.
15:27Welcome to the new home.
15:29Thank you very much.
15:30And I'll join you.
15:31Oh, thank you.
15:33We're really very grateful
15:34that you're renting the room, Louis.
15:35Yes, that saves us a lot of time.
15:38And we're looking forward
15:39to a nice room.
15:42And what are we doing
15:43for the celebration of the day?
15:44A nice picnic special.
15:47That won't work.
15:49The move-in transporter will be here soon.
15:52Oh, you've already organized everything?
15:53Yes, of course.
15:54I just wanted to read it as soon as possible.
15:57Okay, then I'll help you.
16:05Hello.
16:07Nicole!
16:08Good morning.
16:09Oh, hello.
16:10Did you bring the extra supplies
16:11for the seminar group?
16:12Yes.
16:13Ribbly cake
16:14and blackberry cherry cake,
16:15as ordered.
16:16That will sweeten up
16:17the lectures for you.
16:19How are you?
16:21Come on,
16:22sit down for a moment.
16:31Is everything okay
16:32between you and Michael again?
16:34Yes,
16:35he's making a lot of effort now.
16:37That sounds good.
16:38But...
16:39sounds like a...
16:40but?
16:41Yes,
16:42he's exaggerating a lot.
16:44Can you exaggerate?
16:46The Aphrodite of Botticelli.
16:49Me, exactly.
16:51Yes,
16:52those were his words
16:53when he gave me
16:54a beautiful,
16:55but far too expensive necklace yesterday.
16:59That's probably
17:00his way of making up
17:02after it didn't go so well
17:03with you recently.
17:05Yes,
17:06but he's never given me
17:07such an exaggerated gift.
17:08He just wants to show you
17:09what you mean to him
17:10and how much he loves you.
17:12Yes,
17:13he said that too.
17:14Yes, you see.
17:15Nevertheless,
17:17somehow
17:18he's different.
17:20His behavior
17:21is sometimes
17:22almost as if imposed.
17:23I just feel
17:24that there is
17:25something between us.
17:30Excuse me
17:31if I ask you again,
17:34but
17:35your bad conscience
17:36about Eric Klee
17:38doesn't matter at all?
17:40Your kiss,
17:42that you feel
17:43drawn to him?
17:45Yes,
17:47no,
17:48well,
17:49the kiss
17:50was a mistake.
17:51That's not a question.
17:54But
17:56it's something else.
18:13Thank you very much
18:14for telling me
18:15about this immunotherapy.
18:17Without my research
18:18you would have found out
18:19by yourself.
18:20Yes,
18:21but not quite so quickly.
18:22And you told me yourself
18:23that speed
18:24is crucial
18:25in Manus Immobilis.
18:28When do you start
18:29with the therapy?
18:30Today.
18:31I've already
18:32talked about it
18:33with my colleague.
18:36I see.
18:38I see.
18:39I see.
18:40I see.
18:42Oh,
18:43excuse me.
18:44That's
18:45nice to hear.
18:48For me,
18:49it's still
18:51a shock
18:53not to know
18:55whether I can continue
18:56to practice.
19:00I understand.
19:02Yes,
19:03and I haven't found
19:04a mode
19:05of operation
19:06to deal with
19:07the situation.
19:09Have you already
19:10told your
19:11girlfriend about it?
19:14No.
19:16I think
19:17it's best
19:18not to involve her.
19:20And actually
19:22it's not right
19:23to burden her
19:24with this.
19:25You should
19:26focus on your
19:27doctor's work.
19:28You can talk to me
19:29about this
19:30at any time.
19:31That's
19:32not a question.
19:33And
19:34about your
19:35life partner...
19:36She would only
19:38know.
19:39And she can't
19:40help me.
19:41Yes,
19:42but keeping
19:43a disease
19:44quiet
19:45only makes
19:46everything
19:47worse.
19:48And
19:49at some point
19:50she would
19:51realize
19:52that she
19:53is keeping
19:54something
19:55quiet.
19:56And
19:57even more
19:58important,
19:59she needs
20:00you by her
20:01side.
20:03You're
20:04right.
20:07You don't
20:08have to
20:09emphasize it
20:10every time,
20:11Roland.
20:12No,
20:13I'm just
20:14happy.
20:15Now you
20:16just have to
20:17get to the
20:18mice.
20:19Can you
20:20remember
20:21that?
20:22Of course.
20:23It was
20:24about 4
20:25o'clock
20:26on Christmas
20:27and you
20:28were totally
20:29excited
20:30about getting
20:31your first
20:32bike.
20:33You were
20:34unpacking
20:35the whole
20:36thing.
20:37Okay.
20:38Which
20:39leg do we
20:40start with?
20:41Pick
20:42one.
20:43We'll
20:44start here.
20:45Yes.
20:46Here.
20:47Equine
20:48pass
20:49Cleopatra.
20:50Compare
20:51the drawn
20:52drawings
20:53with the
20:54drawings on
20:55the skin.
20:56You mean
20:57this one?
20:58Yes.
20:59Okay.
21:01They
21:02are
21:03identical.
21:04Exactly.
21:05An
21:06equine
21:07pass is
21:08something like
21:09a perso
21:10without a
21:11photo.
21:12And the
21:13drawings
21:14in combination
21:15are so
21:16unique.
21:17It's
21:18like a
21:19fingerprint.
21:20So,
21:21with this
21:22pass I can
21:23actually
21:24identify
21:25every horse.
21:26That's
21:27exactly
21:28how it
21:29is.
21:30Here.
21:31Let's
21:32look at
21:33Cassiopeia.
21:34Okay.
21:35Yes.
21:37Yes.
21:38The
21:39Stimmixer.
21:40What did
21:41you expect?
21:42I
21:43don't
21:44know.
21:45I
21:46don't
21:47know.
21:48I
21:49don't
21:50know.
21:51I
21:52don't
21:53know.
21:54I
21:55don't
21:56know.
21:57I
21:58don't
21:59know.
22:00I
22:01don't
22:02know.
22:03I
22:04don't
22:05know.
22:06I
22:07don't
22:08know.
22:09I
22:10don't
22:11know.
22:12I
22:13don't
22:14know.
22:15I
22:16don't
22:17know.
22:18I
22:19don't
22:20know.
22:21I
22:22don't
22:23know.
22:24I
22:25don't
22:26know.
22:27I
22:28don't
22:29know.
22:30I
22:31don't
22:32know.
22:33I
22:34♪
22:43That Werner hasn't woken up yet?
22:46Well, I don't have the slightest problem
22:48having breakfast with you alone.
22:50Oh.
22:54From Eleni.
22:55Oh.
22:56She's asking if we'll come to her when it's time.
22:59What kind of question is that?
23:00We have to welcome our grandchild.
23:03Then I'll write it like that.
23:09You're the most beautiful granny I know.
23:14My grandson can call me granny.
23:16My fiancé can't.
23:17Well, then I'll call you Bibi.
23:19No.
23:20Call me Grandma on Swahili.
23:22You know something like that.
23:24Well, thanks to the Internet.
23:26I'll look for flyers in my office.
23:33Wait a minute.
23:35Eleni writes she wants Markus to come with her.
23:39Would you mind if all three of us flew together?
23:43As long as he's not sitting in front of me on the plane
23:46and his back is bent backwards.
23:49Eleni will be happy.
23:50And I'm happy that you and Markus
23:53have finally changed your grave fights.
24:07It's a shame that your father had to leave.
24:09But nice of him to invite us to breakfast.
24:12Yeah, he's really making an effort lately.
24:17I'm just about to go over to breakfast.
24:19Do you want to come with me?
24:20I'd love to, but I still have to wash clothes
24:22and do a few other things in the household.
24:24Okay.
24:25Come on.
24:31What do you think of a second breakfast?
24:34Actually, I'd love to, but I still have work to do.
24:37Hey, come on.
24:38The horses are taken care of
24:39and the paperwork can wait.
24:42Huh?
24:45Okay, fine.
24:46But let's take a nap, okay?
24:48I've heard about that.
24:49But I wasn't there yet.
24:51Then we'll have time.
24:52Good.
24:54Hey.
24:55Hi.
24:56Hi.
24:57I thought about what you said again, Vincent.
25:00Okay.
25:01And?
25:02I've compared the equine passes
25:04with the studs with the drawings,
25:06and everything fits.
25:07Yeah, you're right.
25:08My son is very penniless.
25:09He could have become a bookseller.
25:11Huh.
25:12Yeah.
25:13Anna, you can buy the studs without hesitation.
25:17Great.
25:18Thank you, Philipp.
25:19Thanks.
25:20Hey.
25:21How's it going?
25:22We're throwing an invitation party at Talheim soon,
25:25when the new stud is finished.
25:27There will also be a memorial for Wilma.
25:29Come too.
25:31Yes.
25:32That would be nice.
25:35Yeah.
25:36Thanks for the invitation, but better not.
25:39Well, Talheim, it's your project now,
25:42and I wish you all the best in the world.
25:45Thanks.
25:46Thanks.
25:47Danke.
25:48Danke.
25:51Okay.
26:17Okay.
26:43Eat your soup, or it'll get cold.
26:45Yeah.
26:47And have fun with the others.
26:49Danke.
26:50Don't worry.
26:51I'll be back soon.
26:52No, no.
26:53Please, stay as long as you want.
26:56Have fun.
26:57Smoke the dance floor.
26:59Okay.
27:14Okay.
27:16I'll help you.
27:17Sorry.
27:18I'm sorry.
27:22You're fine, Michael.
27:23I'm sorry.
27:29My phone is ringing.
27:31Michael?
27:34Nicole?
27:36That was fast.
27:38What's going on?
27:40It sounded important on the phone.
27:50Michael?
27:52You're really making it exciting.
27:55I didn't expect to see you.
27:57It was really exciting.
28:00Nicole, what I'm trying to tell you is...
28:11Let's go for a ride tonight.
28:15Let's rock the dance floor.
28:19Is that what you wanted to tell me?
28:21And for that, I'll leave everything in the café and come running here?
28:27Yes.
28:30Come on, let's put this away first.
28:33We need the bookshelf first, so we can put everything in there.
28:36I'm thirsty.
28:38Practically set up, or are you already fixed and ready?
28:41I just didn't know you were such a reader.
28:44Yes, my cookbook collection has to go with it, of course. It's a small weakness of mine.
28:48And what's your big weakness?
28:51You know that very well.
28:53The transporter is already here.
28:55When I think about the fact that we have to clean all of this up...
28:58Because of what? I don't have much stuff.
29:00Well, probably not as much as you do.
29:02Come on, let's not talk anymore.
29:05Mr. Kleber, where are we now?
29:07What's that?
29:09You dragged me into this.
29:12But you can at least help the litigant, can't you?
29:15Where should I go?
29:17If you move in, yes.
29:19See, that's what I mean.
29:21It's so nice of you to help everyone.
29:22Yes, really, thank you very much.
29:24If we all pack up, then we'll have all the things upstairs very quickly.
29:28All together.
29:30Okay, let's go.
29:32Oh, by the way, I have a little surprise for you later.
29:36Oh, really? That would be great.
29:38Do you want to see it?
29:42What kind of surprise is it?
29:44Up the stairs, then it's not a surprise.
29:47Where is he?
29:49Keep quiet.
29:50Oh, no.
29:52Oh, no.
29:58Do you want one, too?
30:00Yes.
30:01Mmh.
30:17Mmh.
30:19This stew is really fantastic.
30:22Mmh.
30:24Mmh.
30:26But don't you like yours?
30:28Mmh?
30:29Do you want some?
30:33No, keep your head up, boy.
30:36Yes.
30:38That's easy to say.
30:40Earlier, you showed me the true size of the two of them.
30:47I know, it's hard.
30:51You actually wanted to get along with Anna,
30:54and now she switched you out with another guy.
30:56That's nonsense.
30:57I've wanted her for a long time.
31:00But I don't want to talk about it as much as you did when you were in jail.
31:05Well, it's over.
31:07You're right.
31:09You have to look ahead.
31:11I have nothing else left anyway.
31:13It's not the same from now on.
31:15You're still attached to her, aren't you?
31:20Roland.
31:22I love Anna.
31:23I love Anna.
31:26But unfortunately, it doesn't depend on each other.
31:32You can do it, boy.
31:34Believe me.
31:36What makes you so sure?
31:39We have the same genes.
31:41We always get up when we're lying on the floor.
31:46The priest in jail,
31:48he said a really good sentence to me.
31:54When you let go of something,
31:56something new always comes to you.
31:58And usually the new is better than the old.
32:09It would be nice.
32:12You definitely deserve it.
32:16Oh, the strudel.
32:18It's fantastic.
32:21Don't you want a little something?
32:23Huh?
32:25No, thanks.
32:27Really?
32:29I can actually do it myself.
32:32Come on, give it to me.
32:34Oh, I'll have it right away.
32:36Mommy, what's going on?
32:39I just can't stand it anymore with Christoph Saalfeld.
32:44I'm not a big fan of him either,
32:46but he's moving out soon
32:48and at least he gave me the sleeping pill.
32:53And you also have something like a ceasefire, don't you?
33:00I'm supposed to convince Markus to sell his shares to you.
33:04Under the condition that you both immediately leave the FĂĽrstenau.
33:08Assuming I succeed
33:10and Markus and I are gone,
33:12then you really leave the matter with Maxi to rest.
33:20That was really generous of him.
33:23I wouldn't have expected that.
33:27There.
33:29Bam.
33:31It's done.
33:33You're the best.
33:35I have to go to the clinic.
33:37Blood pressure check with my patients.
33:39I'll steal it, okay?
33:41Sure.
33:42Bye.
33:43Oh, Mrs. Neubach.
33:44Oh, hello.
33:45How's your study going on the way to the doctor's degree?
33:47Great, thanks.
33:49I'm just in a bit of a hurry.
33:51Goodbye.
33:52Goodbye.
34:02Have you reached Markus yet?
34:08I need your help
34:10if I'm supposed to convince him to sell his shares to you.
34:13I'm fine with him ending up behind bars.
34:16You have to make a decision and then deliver,
34:18otherwise things will get awkward for your daughter.
34:20You'll never get rid of him as easily as you're doing now.
34:23You just have to help me.
34:28How do you plan to do that?
34:33Just be yourself
34:35and finish me off in front of Markus.
34:36Markus is done.
34:46When Philipp Bohin refused to come to the party in Thalheim
34:51and me and Vincent wished for all the happiness in the world,
34:55it sounded final.
34:58Whether he really broke up with me,
35:00that would be the best thing for the three of us.
35:02I should be happy when he looks forward.
35:06But why does it hurt me then?
35:09I don't understand.
35:12Probably because it always feels weird
35:15when a section is finally over.
35:19And so it is now with Philipp.
35:32I would recommend a Chardonnay aged in a wooden barrel to the Steinbud in Bourblon.
35:37Sounds wonderful.
35:39Thank you. Thank you very much.
35:41Thank you. I'll take it with me.
35:46Mrs. Thies and her husband would like to have the Chardonnay No. 22 for the main course.
35:50All right, I'll bring it to you.
35:54Mrs. Thies and her husband would like to have the Chardonnay No. 22 for the main course.
35:58All right, I'll bring it to you.
36:06I don't have much time.
36:09Let's go.
36:11This is the second table that has complained about your wine recommendation.
36:16The gentleman wanted a light Grauburgunder for his Lammkrone.
36:20And if the guest orders vinegar, that's his business.
36:23The guest is king and not an Egelerian student.
36:33He felt insulted.
36:35And he's not the only one.
36:37The guests feel insulted by their eternal flattery.
36:40Christoph, what's gotten into you?
36:42Our guests want to take a vacation here and not complete a wine study.
36:46But I...
36:48If this happens again, Mrs. Saalfeld,
36:50you have been a sommelier at the FĂĽrstenhof for the longest time.
36:53Do we understand each other?
36:56You don't talk to our guests like that.
36:58You don't talk to our guests like that.
37:01I won't allow that!
37:11Yes.
37:13You two, we'll bring you to your new home soon, okay?
37:19You here?
37:21You seem to be here too.
37:30I have to thank you.
37:33You took my concerns seriously.
37:35I appreciate that.
37:37I only did it for Anna.
37:39Yes, I know.
37:42And it seems that everything is fine with the two of them.
37:49Yes.
37:51I have no idea what was going on with my gut feeling.
37:54I don't understand it.
37:58Hello?
38:03Ritter?
38:06Mrs. Selbig.
38:08It's about the cataract.
38:12Teeth are bleeding?
38:14Okay, then please come to the office today.
38:28No.
38:31I can't do that.
38:43Stop it!
38:45I'm doing it!
38:47You better turn the pedals a little more.
38:49Excuse me, please.
38:51I'm taking off one here and you're just steering.
38:53I'm turning it too.
38:55Yes, I can see that.
38:56We're going to swap seats.
38:58Yes, quiet on the cheap seats back there.
39:00I have to concentrate on the way here now.
39:02Let's see.
39:04No, that's unfair.
39:06That's not fair at all.
39:09Where are we going anyway?
39:11Yes, you'll see in a moment.
39:13Isn't there a little picnic?
39:15Oh, there's the lake up ahead.
39:17Yes.
39:19Not bad, right?
39:21Because of no gear shift, I can't ...
39:23Not far anymore.
39:24If we drive back, I'll sit in the front.
39:27I'm not so sure about that yet.
39:29We'll see.
39:31Oh, it's so beautiful here.
39:33Oh, a dream.
39:35Stop!
39:37Okay.
39:39Wait.
39:41Ah, the sunbeds, they are so great.
39:44Yes, first they provide us with quick move-in helpers.
39:47And then such a tandem and a wonderful picnic.
39:51Yes, you did a great job with them as renters.
39:55Definitely.
39:57So.
39:59Okay.
40:01Makes it comfortable.
40:02Here.
40:11So.
40:16Wow.
40:19And the best thing is that in the future
40:22we can do things like this much more often.
40:33So, again.
40:38Yes, please.
40:41Dr. NiederĂĽhl.
40:43Ah, from Neubach.
40:45With the best regards from Dr. Röhler.
40:48Thank you very much, I know.
40:50My colleague has already told me
40:52that you will bring me the medication.
40:54Thank you very much for that.
40:56I was in the clinic anyway, no reason.
40:58Um, I can't ...
41:00No.
41:02I haven't told Nicole anything yet.
41:07I wanted to tell her something, honestly,
41:10but I didn't mean it.
41:14It's really a difficult situation.
41:19Yes.
41:21I decided to tell her something
41:23only when I know that the immunotherapy is working.
41:26Probably I would do the same in her place.
41:29And also wait until there is hope.
41:36It's not what I think.
41:47Calm down, Cleopatra.
41:49Calm down.
41:51It's just water.
41:53Calm down.
42:20Calm down.
42:45Here is water, Mr. Seinfeld.
42:51What was that with Katja Seinfeld?
42:54Hello, Lexi.
42:56The corridor radio is faster than our Wi-Fi.
42:59I should talk to Mr. Licht about that.
43:02Was it necessary?
43:04Yes, it was.
43:06But not like this, and not in front of all the guests.
43:09It is always most effective to discuss things immediately.
43:13Oh.
43:15Then you cancel the staff meetings in the restaurant,
43:17on the terrace, in the gym?
43:18May I bring you something, too?
43:20A glass of water, please.
43:22With pleasure.
43:26Do you think Katja Seinfeld is still angry
43:29that she reported it to the police with the candlesticks?
43:32What? It's long forgotten.
43:34Why are you humiliating her?
43:36You just reached out to her.
43:38Some guests have problems with their way of speaking.
43:43I hear that for the first time.
43:45Mrs. Seinfeld is the best sommelier we've ever had.
43:48According to Markus, you were often insulting.
43:52I will soon put my criticism in cotton balls,
43:55with flowers around them.
43:57That's not funny, Christoph.
44:00What were you thinking?
44:02Yes?
44:05Katja.
44:09My God, I'm so sorry.
44:12It was terrible.
44:15I just called you.
44:17I'm so sorry.
44:19I'm so sorry.
44:21I'm so sorry.
44:23I'm so sorry.
44:25I'm so sorry.
44:27I'm so sorry.
44:29I'm so sorry.
44:31Why didn't you speak to Alexander?
44:33He probably takes Christoph to his chest right now.
44:36That's useless.
44:38He can't jump around with you.
44:40You see he can.
44:46When Christoph and Alexander have left here,
44:52it doesn't matter.
44:54He is and remains my boss.
44:56Then I will have to force him back.
44:59It's useless,
45:01He's got a personal grudge against me.
45:05But you're a Saalfeld, you're related.
45:09He's still making my life hell.
45:11You saw it with your own eyes.
45:15Oh God.
45:18My darling.
45:21I can't stand this guy anymore.
45:27He's horrible.
45:32Is there anything I can do for you?
45:37I want you to be happy again.
45:56Go away with me.
46:01Far away from the princely court.
46:08Please, Markus.
46:10Go away with me.
46:30Hey, Philipp. What's up?
46:32I just went to the students again.
46:34What?
46:35Their drawings are just painted!
46:37Philipp, calm down. This is a noble hotel.
46:39You and your draughtsman. You want to pull Anna over the table.
46:41No.
46:42Nonsense.
46:43Damn it, Roland. You're in there with her. Don't lie to me now.
46:45What are you talking about, Philipp?
46:47You know what? I'm going with Vincent and Anna to Koppel.
46:49I'm going to call her with the liquid pills and then your deal will explode.
46:52No. No. Stop it. Wait. Stop it. Don't do it.
46:55Yes, you're right.
46:58Why do you want to hurt Anna?
47:00Why? She brought you down.
47:02She's doing good with her boyfriend now.
47:05If it weren't for her, you'd be living there.
47:07You'd have taken care of her until the end of your life.
47:09No. That was aunt Wilma's last will.
47:11But that's not fair.
47:13Both of us. We're the only relatives.
47:16Vincent was right about his concerns the whole time.
47:18Don't you get it?
47:20I'm just getting back what's ours.
47:23Are you in?
47:28You really think I don't have a style?
47:30No taste? No idea?
47:33No, no. But a wedding dress is something else than your cute pyjamas or something.
47:39I'll show you.
47:42I'm worried about Philipp.
47:44But Anna, there can be a lot of reasons why someone doesn't answer their phone.
47:48What happened to him?
47:49I don't know, but I just have this stupid feeling.
47:52Congratulations from the great-grandfather to the great-grandmother.
47:55Isn't she charming, little Nala?
47:57Ha ha. Clever. What a pretty name.
48:00What do you say?
48:02Okay?
48:04Okay what? Okay cool or okay that's not possible?
48:09I don't like it.