Deceitful Love E02 Web Series
Category
🎥
Short filmTranscript
00:00You
00:23Does he fought navesta school
00:27Lad
00:29Look up here. Let me not straight. We're wrong
00:35Stephen meets at Rio Guarda Shantou
00:40a bar ladder
00:43Francese a pussy
00:46Pull out here
00:52Pull out here at lead new receipt
00:57Oh
01:27You
01:57I
02:27I
02:32Don't think that this career, sorry, it was so great
02:48Good morning. Good Gabriella. Good morning. I wanna make election. I yet
02:55Good morning, Sabina
03:06Yeah, baby I am a dumb latest
03:09Arriba, it's a collection hotel. Can you concept pieces? I like that. Thank you Sabina. I
03:25Thank you
03:28To my tomorrow had been a perfect. I can't tell her. I think it's name to Mojave the family's a be milwaukee
03:34Oh, well, it's not but I don't want like that. I must say be safe. I'm a tickle. I know
03:38Hi, yeah, but I think it's a pretty heck. He'll look at us. Okay. Yes. I'll be look at us
03:43Yeah, in logic, it's not make calm cookie. Oh, I think it's I'm gonna get me
03:48Casey image just a
03:50Key
03:52Yanni, Marissa, I think I'm gonna die. Look at him. Yeah, I think I got a poster like that
03:57Oh, what are you doing? Yeah, go but I think you don't marry a black man. Yeah, no, no, no, no. Come on. Come on
04:02Oh, man, I'm such a nut. I
04:05Don't know
04:08So just because I'm a giant up but I didn't look at you. What did you got boy toy? But Nika?
04:12Koi shop me. Yeah, so pick up and I chatted with them
04:15I
04:21Think the whole of just it'll be a big thing
04:24Which is solos a kiss in a was that I need a guy?
04:27Look, we've got which gala Sushma. I'm bad
04:30Okay
04:33So, can I only could you take me like that?
04:46I
04:49Need Serena's a co-operative cheating, but I think it'll make my uncle but I don't even eat the whiskey. He can't say
05:01Hey, don't be cool. Say it. Hey, what are you mom? Okay boyfriend? Okay, but I'm a coach Mila
05:07Sub e-mail curtain, but I'm gonna copy Lomba
05:11Don't you must have a name?
05:15Oh
05:40Hey Alia, hey Stefano
05:42I'm gonna sell to my mom. I'm a be a better person. We'll just about Kermit
05:45They call a Lear logo. Give her my cheese a pata lagana. Yeah, I'm gonna come to his side
05:49What cheese a job? Oh, it's a bugger. I can't talk to him
05:53What can I tell a guy to me?
05:55I don't know. Oh, wait a minute. Yeah, but you had to marry Kimmy
05:58I'm all set the fuckin the granite seat. He could've been better here
06:01Don't miss our social media accounts bunker D
06:03John to open a sling on the custom on a current and to me up the bank account be bunker D
06:08So to me it's me man, it's a a pata lagana. Kim is social media. Sepak. Yeah, but I'm not bank, but I'll do
06:14Barack you took a detective Nick. What's up? He may be pata lagana. Ketum can go
06:20But here we pata lagana. Ketum haranamic Spanish bank. He blacklist my shaman
06:25Man, I caught an opening. Come here. What's my room?
06:28Yeah, you know, I've got so much Nick. Let's do it. Now be a gunner
06:32To many more
06:35But I'm gonna John take it such a
06:38Hala, Kim. I took my return to visit Katana. Yeah, it's what watch on a night each other
06:42It's limit. What you need to know? No, no, no, no, but let's go
06:46Matt, I'm a paragon to date. Oh, yeah, it's a tough house. I'm a kid
06:49Mary mom's a cat in a kit. Oh, yeah, it's a challenge
06:51What you're gonna come just in time to Bahama banana. Oh, yeah. What's your name?
06:55I'm a good guy. What's my name? I don't know. I don't know. I'm a good guy
06:58So, but we're gonna change it now to me like that
07:01I
07:31Love
07:33Mom
07:35I'm
07:37Sophia
07:39Sorry
07:41I
07:43Don't know
07:45I
07:47Was
07:49Gone
07:51Battery
07:53Come
07:55Come
07:57On
08:00I
08:13Mean I got yeah, I've even a leg up
08:16That's yeah, he's so true. Maybe you said which one up
08:18Up, I'm a Shahzada. So, she's buzzy. Kiju. Mom. Shut up. Okay, got a family. I said, hey, yeah, it's a muddy date
08:26Mom, son, yeah, but you're back up at us up
08:29Look, I said, yeah, I've no job in a big bar. Come on. Here. Come on. I'll go bar. They don't do to me like that
08:35Well, no, yeah
08:36So, sorry, I'm late. Oh, yeah
08:40Yeah
08:42Yeah, okay, I'm so sorry Gabriela make sure we cheese
08:51Maybe
08:59Oh
09:29Ha
09:59It's a tomorrow co-elena Deena knee if they are killing me back
10:20They come here I'd mama Lisa plant Ibiza make shipping service
10:24Many of the best friend Francesco's a mirror business partner
10:27But Nico, can I name a he know that both men at the authorizations or permits Lana Kelly?
10:31Yeah, I can resist in loan heart may I am don't know. It's Nick. Hush. Wakey. I'm a poor Iraq be
10:37But it's not bought by the Dufan. I are ugly super. Sorry. Kisari boats taba. Okay, Francesco. Mojica's kiss. I'll show the guy
10:45Our curse key rakam get me to me. Let's give it to me. Give it to me. Give it to me. Yeah, I took out
10:51They can
10:54Joe boats, man, I carried the answer to eat karunga or I get to get them a bitch. Oh, no, they're dirty. They're a curse to cut them
11:03Mess around to come back
11:06Bess could get Nicky's everything
11:13Dear okay
11:20I
11:34Couldn't don't know some of your barker not shot at him. Keep your thoughts. I said nickel tea jar
11:39Aliyah, it took a buzzer, but I'm ready mom. Yes, I'm on the nature of it. Oh, no, man
11:43I'm gonna be cute. No, no, no, but I will catch a team. Oh, yeah
11:46Diagonal to Istanbul garage, you'll hear about the booty or what?
11:50Took a muzak. I don't know. I'm on a merry-go-round
11:54I pay a room key up me as he had she added a cube of them mom killin. It'll come to come
11:57I'm already a car. Oh, no hotel, but come suckers at the bank accounts. I mean, I'm gonna suck that
12:01Maybe pass up nagar. Tomorrow. I'm not gonna run up to pass up. Nip it. I think I'll put that. They go
12:05Mary pass my hair. I don't know how he passed it
12:10Okay, bro, it's a bad car key. I shall a go-kart. I'm a married event. I don't get a yard on a gun. This is funny
12:16Huh, Joe, it's a local so much to give us social media for Gomo Joe, I'll be family to ignore car. Oh, yes, he goes ready. No, don't
12:24I'm stuck in a hotel
12:45Saatma walk out Karen
12:48I'm with a problem me. Don't miss it. I'm not even some Joe. That's a B. So much each. Oh, yeah
12:57Say tell him a spot
13:03Later
13:06Okay
13:12No, you took what I saw here
13:25Take a bus buddy
13:28Oh
13:50Good night
13:58I
14:00Was here carry, okay, that's very much. Yeah, but I'm gonna take a graphics me so that's a
14:06Buon Giorno. Oh, yeah
14:09Aja Aja
14:11Giuseppe inseam, ilia marini
14:14Yeah, wait, I didn't I did
14:19Don't say we'll correct shall I go home with a
14:21Ilia
14:25Mary daddy hotel
14:29To come
14:32Humbus he's such a take a hotel. Can I shake? Oh better case abandoned. I can't open it. Which ride?
14:39Just a girl right now walk out Karen Jim
14:43Well, it's a hyper. Why couldn't house me?
14:45Marisa up say I could show her machines. Honey. Chai. Yeah, we didn't like that
14:49My reporting a customer's Amalfi Coast Jim Karnataka. They keep running to New York
14:53They will give her up a new market kotaka. There's a thing. Hmm
14:57What's up, bus? Yeah idea. Hey, man, who was hotel?
15:05My child
15:08Badminton
15:15I'll get them
15:18Mary van we are yeah, I'm such a monkey boyfriend go stalker. Yeah
15:23Aja, it's easy. I'm Joe to make a like that
15:25I mean, yeah, but I think I give a mom go Lulu banana
15:27I yeah, yeah, give her in case I'm supposed to kill you
15:29I'm going to stop everyone kiss I don't get back so kill you for boy. Yeah, but they don't only gonna
15:35Listen to me. I like that. What's up?
15:39Yeah, I love it
15:42Good night, bus. Good. She's a potato tea. I'll make a clear to sexual scope. I'll play down
15:51Mahalita, huh?
16:11You
16:41I
16:45Love Sabina
17:03Oh
17:11I'll let you know. I'll look into it.
17:13Sorry for the inconvenience.
17:15Don't worry.
17:53Why is he changing his clothes?
17:55I don't know.
18:09Maybe he's in the Secret Service.
18:11Maybe you're stupid.
18:16Shit!
18:25Guys, let's go.
18:56That's exactly what he does.
18:59He's a romantic, deceitful man.
19:01He seduces old women.
19:03He pretends to love them.
19:05And then he asks for money.
19:07Look, Mom, we'll face him together.
19:09I'll get him out of here.
19:11You won't even have to look at his face.
19:13Of course.
19:15Because you think I don't know how to take care of myself, right?
19:17No, I didn't say that.
19:19You've been deceived.
19:21There's nothing to be ashamed of.
19:23You're following someone.
19:25You don't care what I do or what Elia does.
19:29I'm just trying to save you.
19:31These pictures...
19:33These pictures don't prove anything.
19:39And I can save myself.
19:45Okay.
19:49I'm here if you need anything.
19:53Come on.
20:17He was very sweet.
20:19He took good care of us.
20:21We've known each other forever.
20:23I'll never forget that moment
20:25when he said,
20:27I love you for the first time.
20:29Then one day he said
20:31his daughter needed a heart surgery.
20:33And he didn't have the money.
20:35But the surgery had to be done at that time.
20:37He didn't know who to ask.
20:3910,000 euros.
20:41He promised
20:43that as soon as he got the money,
20:45he'd give it back to me.
20:47A week went by.
20:49The next time he...
21:01Here you go.
21:03This wine goes best with lobster.
21:07What did you do last night?
21:13Where were you last night?
21:15I was in my hotel.
21:17Were you there all night?
21:19Yes.
21:21I was very tired.
21:27Try it.
21:29If you like it,
21:31I'll give it to the chef
21:33and we'll put it on the menu.
21:35We'll put it on the menu?
21:37So we'll decide the hotel menu together?
21:41Will you tell me what happened?
21:43I don't know. You tell me.
21:45I don't like solving riddles.
21:47I don't either.
21:49So tell me straight.
21:51Are you here for the money?
21:53Again?
21:55You're thinking about your son, aren't you?
21:57You just opened a 500-euro wine bottle
21:59that you took from my basement.
22:01You're standing in my kitchen
22:03and making my lobster.
22:05And now you're behaving
22:07as if you're the owner of this hotel.
22:09Are you here for my money?
22:11Do you know why I'm with you?
22:13Because you're a slave to your children's thoughts.
22:15You know how to flip a coin, don't you?
22:17It's not about me or my children.
22:19It's about you.
22:21Sabina called.
22:23She told me
22:25that your cheque bounced.
22:27I had a problem with my bank.
22:29I went there to give the money.
22:31Just like your Spanish loans.
22:33Let's ask her.
22:37Go ahead.
22:39I'm leaving.
22:43Gabriella?
22:45Yes?
22:47I wanted to apologize for my mistake.
22:49Elia is a good man.
22:51He paid for everything.
22:53He even apologized.
22:55Elia?
22:57Elia!
23:01Where are you?
23:07Forgive me.
23:09Sorry.
23:11Sorry.
23:13Forgive me.
23:15For what?
23:17For treating me like a witch?
23:19No.
23:21Let me go.
23:23Wait.
23:41Wait.
23:43Wait.
24:09Good morning.
24:11Good morning.
24:13Get up.
24:15I want to take you out for breakfast.
24:17Can't we stay in bed all day?
24:21No.
24:25Get up.
24:27I'll take a shower.
24:41Get up.
24:43Get up.
25:09You're a bad man.
25:11I knew you weren't trustworthy.
25:15I knew you weren't trustworthy.
25:19You're a bad man.
25:21Go die, Elia.
25:23Go die somewhere.
25:31What are you doing?
25:33I should have done this long ago.
25:35I should have erased your name.
25:37I know who you are.
25:39And what you do.
25:41You're crazy. What do you want from me?
25:43I want you to leave.
25:47If I leave, I'll never come back.
26:09Mom.
26:29Mom.
26:31Are you okay?
26:33Yes, my son.
26:35I'm fine.
26:37Okay.
26:39I'm going to my room.
26:55Whatever happens, happens for the best.
27:01Aren't you going to say anything?
27:03What if it was the other way around?
27:05A 60-year-old man and a 30-year-old woman?
27:07Do you think he's a cheater?
27:09And your kids?
27:15Is that how they behave?
27:19I'm going to work.
27:35I'm going to work.
28:05Gabriella?
28:07Gabriella?
28:09Get up.
28:11Mario?
28:15How many pills did you take?
28:17One.
28:19Okay.
28:25What are you doing here, Mario?
28:27Nico had to go to a shop in Salerno.
28:29He said I should take him.
28:31He said I should take him.
28:33He said I should take him.
28:35He could have told me.
28:37Gabriella, you weren't getting up.
28:39We were worried.
28:41Look, if you're here to say,
28:43I told you to save your hard work, okay?
28:45Actually, I'm here to say sorry.
28:47Actually, I'm here to say sorry.
28:53Did you talk to Julia?
28:57The sponsor fired her.
28:59And replaced her with a young girl.
29:03What do I do?
29:07Everything happens for a good reason.
29:09This can be a chance for you.
29:11To do something new.
29:13To find a job?
29:15Don't put words in my mouth, okay?
29:17I'm just saying you'll get to rest for a while.
29:19I'm just saying you'll get to rest for a while.
29:21You've been worried for days.
29:23The truth is I like my job.
29:25The truth is I like my job.
29:27In fact, I should say I did.
29:29In fact, I should say I did.
29:31They don't understand a thing.
29:34You're so... so intelligent, so...
29:37Don't say that.
29:39You're so beautiful.
29:43I told you, didn't I?
29:44What's wrong with that? It's the truth.
29:46No, it's not the truth.
29:48They've replaced me with a 23-year-old girl who's taller and slimmer than me.
29:52I don't know why you're so obsessed with being slim and tall.
29:55No one makes progress because they're so...
29:57Mom, come to your senses. Come to your senses.
29:59There's always someone who's slimmer, taller and younger than me.
30:02I don't make the rules. It's the same for everyone.
30:04Even for Elia.
30:05Yes, Stefano has been mean.
30:07But how can you think that someone like Elia...
30:22Bye, Julia.
30:25Wait, Mom.
30:29Bye.
30:50Good morning.
30:51Good morning.
30:52I'd like to try that black dress.
30:54Please.
31:00It looks good on you. It's like it's made for you.
31:02Great.
31:03I'll take it. Thanks.
31:05And I'll take these shoes, too.
31:06Sure.
31:07And that red dress and that pink dress that I tried on.
31:12And that red bag, too.
31:13Yes.
31:14Do you want the whole wardrobe?
31:16No. Actually, I'm very angry.
31:18Okay.
31:19I'll get the bill ready.
31:25She's judging you.
31:27Delia.
31:29So you came here, too.
31:30I was just passing by and I saw you.
31:33What do you want?
31:34Mario told me what happened.
31:36I was sure.
31:37It was really bad.
31:38What did he say? Did he tell you who the other woman was?
31:41No, I didn't ask.
31:43And why would I ask, Delia?
31:44To put the garbage back in my head?
31:47I've been on that path before, Delia.
31:50It's all over now.
31:51Gabriela, why do you always say things like that?
31:53For you, everything is either right or wrong.
31:55There's nothing in between.
31:56Really? When you slept with my husband, what was it?
31:59Right or wrong?
32:00If I'm happy being humiliated, so be it.
32:02I just wanted to say that if you want to talk, I'm here.
32:05Okay, what should I talk about?
32:07About the fact that you cheated on me?
32:09About the fact that I was thought to be a fool?
32:11Is that what you want to talk about?
32:13And you know, after everything he did to me,
32:15what's the worst part?
32:17That I remember him.
32:19Even if he cheated on me, I remember him.
32:21I remember him.
32:22I'm such a fool to believe that whatever was between us was true.
32:27Maybe.
32:28Gabriela, it's hard to understand people.
32:33I don't know him.
32:34I don't even know who he is.
32:35But I know you.
32:36And you're neither a fool, nor do you understand.
32:39And whatever was between you, if you think it was true,
32:42then maybe it was true.
32:52Okay.
32:55If you need anything, I'm here.
33:08I met Mom.
33:10I talked to her rudely.
33:14What's new about it?
33:15What's new about it is that we all act like idiots.
33:18She's been through a lot because of Elia.
33:21She just needs some time.
33:23Maybe we shouldn't have said anything.
33:25I don't think so.
33:26She's in a terrible state.
33:28She's never been like this.
33:30Julia, I've seen it.
33:33What you've seen is nothing compared to what we've seen as kids.
33:36You may not remember, but I do.
33:38I remember what Mom was like when you were born.
33:42It would be nice if she could bear it now.
33:44It would be very difficult later.
33:45But if she's willing to pay the price for being with him,
33:48then who are we to judge her?
33:50What are you saying, Julia?
33:51Open your eyes.
33:52The world isn't a good place.
33:54It's always the same.
33:55You keep spreading trouble, and I keep cleaning it up.
33:58It's always the same.
34:07Are you sure?
34:08Elia Marini?
34:09He didn't stay here?
34:10Yes, ma'am, he didn't stay here.
34:12I checked the register.
34:13His name isn't on it.
34:14I'm telling the truth.
34:16Okay, thanks.
34:18If you want, you can look at it in Delfino Blue.
34:21I've already looked there.
34:35The guy you like is on Roxas.
34:37If you run fast, you might find him.
34:42I'm sorry.
34:58Yes, the three of us.
35:00What are you doing?
35:01What do you want?
35:02Can't you see what I'm doing?
35:03Come on, get out.
35:04What do you think?
35:06I'm not doing anything.
35:07Why are you getting worked up?
35:09The guy will hit you.
35:10The guy will hit me?
35:13Go.
35:15Stop.
35:16Elia, what are you doing?
35:18Don't get in my way.
35:21How dare you hit me?
35:23Elia.
35:24No, no.
35:37Take this.
35:38Keep it here.
35:40If this turns black, I'll be in trouble.
35:42Hey.
35:44In the near future, you'll be beaten up.
35:47This is just the beginning.
35:48I'll be beaten up?
35:50I'm Gen Z.
35:51We don't hit each other.
35:54Tell me something.
35:55How much do you earn?
35:57How much do I earn?
35:59Having fun with old women.
36:00What are you talking about?
36:02You know, I was with Stefano that day.
36:03And I saw you.
36:04And I have the photos.
36:07I don't know what you're talking about.
36:09I'm talking about him.
36:17What an idiot.
36:20You followed me?
36:21Mom didn't tell you?
36:23Listen carefully.
36:24You and your brother and sister
36:26learn to do your job.
36:27Got it?
36:28Got it?
36:31Huh?
36:32Here.
36:35Idiot.
36:40Idiot.
36:52Excuse me.
36:53Yes, ma'am.
36:55Do you know this man?
36:57His name is Elia Marini.
36:59Yes.
37:00I think he's in the last boat of the dock.
37:05Are you sure?
37:06You can't forget people like him.
37:09Thank you, ma'am.
38:07Gabriela?
38:09What are you doing here?
38:11So you live here?
38:13Without a bed or food?
38:19Yes.
38:21After what happened in Ibiza,
38:23I bought this boat with the money I had left.
38:25And now I live here.
38:27I was ashamed to tell you.
38:34I saw your picture with a woman.
38:37Who is she?
38:40Tell me the truth.
38:41No more lies.
38:42Please.
38:44She was my mom.
38:45You said you didn't have a family.
38:47Yes.
38:48And it's true.
38:49I never got along with my dad.
38:51And we used to fight all the time.
38:54It got out of hand.
38:56I'm telling the truth, Gabriela.
38:57Sometimes I felt like I was going to kill him.
39:01I hated my mom too.
39:02She always supported him.
39:05And that day I went to ask her for money.
39:08Because I didn't like it
39:10that you were paying for everything.
39:12I wanted to give you a gift.
39:14And I don't care what people think.
39:18Especially what you think.
39:22And then?
39:24You must have some secrets too, right?
39:33I want to meet your mom.
39:38Okay.
39:52Exactly.
39:53Let's leave the past in the past.
39:55Of course, my dear.
40:06Good afternoon.
40:08Here you go.
40:10And ma'am, the menu card is for you.
40:12Can you get us some champagne?
40:13Yes, of course.
40:14We have to celebrate.
40:15Great.
40:16What do we have to celebrate?
40:18That two women who are most important to me
40:20are meeting each other.
40:25Gabriela, did Elia tell you
40:27that you have a very beautiful hotel?
40:29Yes, my dad built it.
40:31I'm trying to save it from ruin.
40:33Elia was telling me
40:35that you're very good at business.
40:37You run your hotel alone.
40:38Excuse me, ladies.
40:39I'll be right back.
40:47How long have you known each other?
40:50It all happened so fast.
40:53I felt...
40:56bad.
40:59For whom?
41:01For you.
41:02For me?
41:04What do you mean?
41:08Because my son is not a good man.
41:13What are you trying to tell me?
41:17So?
41:20Have you decided what to order?
41:27Let me see.
41:32No, no, no.
41:33No, no, no.
41:34No, no, no.
41:35No, no, no.
41:36No, no, no.
41:37No, no, no.
41:38No, no, no.
41:39No, no, no.
41:40No, no, no.
41:41No, no, no.
41:42No, no, no.
41:43No, no, no.
41:44No, no, no.
41:45No, no, no.
41:46No, no, no.
41:47No, no, no.
41:48No, no, no.
41:49No, no, no.
41:50No, no, no.
41:51No, no, no.
41:52No, no, no.
41:53No, no, no.
41:54No, no, no.
41:55No, no, no.
41:56No, no, no.
41:57No, no, no.
41:58No, no, no.
41:59No, no, no.
42:00No, no, no.
42:01No, no, no.
42:02No, no, no.
42:03No, no, no.
42:04No, no, no.
42:05No, no, no.
42:06No, no, no.
42:07No, no, no.
42:08No, no, no.
42:09No, no, no.
42:10No, no, no.
42:11No, no, no.
42:12No, no, no.
42:13No, no, no.
42:14No, no, no.
42:15No, no, no.
42:16No, no, no.
42:17No, no, no.
42:18No, no, no.
42:19No, no, no.
42:20No, no, no.
42:21No, no, no.
42:22No, no, no.
42:23No, no, no.
42:24No, no, no.
42:25No, no, no.
42:26No, no, no.
42:27No, no, no.
42:28No, no, no.
42:29No, no, no.
42:30No, no, no.
42:31No, no, no.
42:32No, no, no.
42:33No, no, no.
42:34No, no, no.
42:35No, no, no.
42:36No, no, no.
42:37No, no, no.
42:38No, no, no.
42:39No, no, no.
42:40No, no, no.
42:41No, no, no.
42:42No, no, no.
42:43No, no, no.
42:44No, no, no.
42:45No, no, no.
42:46No, no, no.
42:47No, no, no.
42:48No, no, no.
42:49No, no, no.
42:50No, no, no.
42:51No, no, no.
42:52No, no, no.
42:53No, no, no.
42:54No, no, no.
42:55No, no, no.
42:56No, no, no.
42:57No, no, no.
42:58No, no, no.
42:59No, no, no.
43:00No, no, no.
43:01No, no, no.
43:02No, no, no.
43:03No, no, no.
43:04No, no, no.
43:05No, no, no.
43:06No, no, no.
43:07No, no, no.
43:08No, no, no.
43:09No, no, no.
43:10No, no, no.
43:11No, no, no.
43:12No, no, no.
43:13No, no, no.
43:14No, no, no.
43:15No, no, no.
43:16No, no, no.
43:17No, no, no.
43:18No, no, no.
43:19No, no, no.
43:20No, no, no.
43:21No, no, no.
43:22No, no, no.
43:23No, no, no.
43:24No, no, no.
43:25No, no, no.
43:26No, no, no.
43:27No, no, no.
43:28No, no, no.
43:29No, no, no.
43:30No, no, no.
43:31No, no, no.
43:32No, no, no.
43:33No, no, no.
43:34No, no, no.
43:35No, no, no.
43:36No, no, no.
43:37No, no, no.
43:38No, no, no.
43:39No, no, no.
43:40No, no, no.
43:41No, no, no.
43:42No, no, no.
43:43No, no, no.
43:44No, no, no.
43:45No, no, no.
43:46No, no, no.
43:47No, no, no.
43:48No, no, no.
43:49No, no, no.
43:50No, no, no.
43:51No, no, no.
43:52No, no, no.
43:53No, no, no.
43:54No, no, no.
43:55No, no, no.
43:56No, no, no.
43:57No, no, no.
43:58No, no, no.
43:59No, no, no.
44:00No, no, no.
44:01No, no, no.
44:02No, no, no.
44:03No, no, no.
44:04No, no, no.
44:05No, no, no.
44:06No, no, no.
44:07No, no, no.
44:08No, no, no.
44:09No, no, no.
44:10No, no, no.
44:11No, no, no.
44:12No, no, no.
44:13No, no, no.
44:14No, no, no.
44:15No, no, no.
44:16No, no, no.
44:17No, no, no.
44:18No, no, no.
44:19No, no, no.
44:20No, no, no.
44:21No, no, no.
44:22No, no, no.
44:23No, no, no.
44:24No, no, no.
44:25No, no, no.
44:26No, no, no.
44:27No, no, no.
44:28No, no, no.
44:29No, no, no.
44:30No, no, no.
44:31No, no, no.
44:32No, no, no.
44:33No, no, no.
44:34No, no, no.
44:35No, no, no.
44:36No, no, no.
44:37No, no, no.
44:38No, no, no.
44:39No, no, no.
44:40No, no, no.
44:41No, no, no.
44:42No, no, no.
44:43No, no, no.
44:44No, no, no.
44:45No, no, no.
44:46No, no, no.
44:47No, no, no.
44:48No, no, no.
44:49No, no, no.
44:50No, no, no.
44:51No, no, no.
44:52No, no, no.
44:53No, no, no.
44:54No, no, no.
44:55No, no, no.
44:56No, no, no.
44:57No, no, no.
44:58No, no, no.
44:59No, no, no.
45:00No, no, no.
45:01No, no, no.
45:02No, no, no.
45:03No, no, no.
45:04No, no, no.
45:05No, no, no.
45:06No, no, no.
45:07No, no, no.
45:08No, no, no.
45:09No, no, no.
45:10No, no, no.
45:11No, no, no.
45:12No, no, no.
45:13No, no, no.
45:14No, no, no.
45:15No, no, no.
45:16No, no, no.
45:17No, no, no.
45:18No, no, no.
45:19No, no, no.
45:20No, no, no.
45:21No, no, no.
45:22No, no, no.
45:23No, no, no.
45:24No, no, no.
45:25No, no, no.
45:26No, no, no.
45:27No, no, no.
45:28No, no, no.
45:29No, no, no.
45:30No, no, no.
45:31No, no, no.
45:32No, no, no.
45:33No, no, no.
45:34No, no, no.
45:35No, no, no.
45:36No, no, no.
45:37No, no, no.
45:38No, no, no.
45:39No, no, no.
45:40No, no, no.
45:41No, no, no.
45:42No, no, no.
45:43No, no, no.
45:44No, no, no.
45:45No, no, no.
45:46No, no, no.
45:47No, no, no.
45:48No, no, no.
45:49No, no, no.
45:50No, no, no.
45:51No, no, no.
45:52No, no, no.
45:53No, no, no.
45:54No, no, no.
45:55No, no, no.
45:56No, no, no.
45:57No, no, no.
45:58No, no, no.
45:59No, no, no.
46:00No, no, no.
46:01No, no, no.
46:02No, no, no.
46:03No, no, no.
46:04No, no, no.
46:05No, no, no.
46:06No, no, no.
46:07No, no, no.
46:08No, no, no.
46:09No, no, no.
46:10No, no, no.
46:11No, no, no.
46:12No, no, no.
46:13No, no, no.
46:14No, no, no.
46:15No, no, no.
46:16No, no, no.
46:17No, no, no.
46:18No, no, no.
46:19No, no, no.
46:20No, no, no.
46:21No, no, no.
46:22No, no, no.
46:23No, no, no.
46:24No, no, no.
46:25No, no, no.
46:26No, no, no.
46:27No, no, no.
46:28No, no, no.
46:29No, no, no.
46:30No, no, no.
46:31No, no, no.
46:32No, no, no.
46:33No, no, no.
46:34No, no, no.
46:35No, no, no.
46:36No, no, no.
46:37No, no, no.
46:38No, no, no.
46:39No, no, no.
46:40No, no, no.
46:41No, no, no.
46:42No, no, no.
46:43No, no, no.
46:44No, no, no.
46:45No, no, no.
46:46No, no, no.
46:47No, no, no.
46:48No, no, no.
46:49No, no, no.
46:50No, no, no.
46:51No, no, no.
46:52No, no, no.
46:53No, no, no.
46:54No, no, no.
46:55No, no, no.