La Promesa Ep 446 Completo - La Promesa Cap 446 Completo - La Promesa RTVE Serie
La Promesa Ep 446 Completo:
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La Promesa Cap 446
La Promesa Ep 446
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La Promesa 446 Completo
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La Promesa Ep 446 Completo:
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La Promesa Cap 446
La Promesa Ep 446
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La Promesa 446 Completo
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00:00But how is it possible that in that village no one will remember your parents?
00:07I don't explain it either.
00:09Pasegos is a very small village and everyone knows each other.
00:13In those places, some people know the life and miracle of others.
00:17And they usually get into fights.
00:19Well, my parents, as if they had swallowed the earth.
00:24No one remembers a couple with a small child who lived there like two decades ago.
00:30No.
00:31Maybe you asked a few people and it was a coincidence that they were not the ones who knew the most about the village.
00:37No, Mrs. Narcos.
00:38I interrogated half of the village.
00:40And many of those people were, well, the typical old woman who knows everything.
00:44And nothing?
00:48No one heard the name Ricardo.
00:50And much less the last name Pellicer.
00:53And that's not a very common last name.
00:56Yeah.
00:58I don't know, Santos.
00:59You mentioned ...
01:02You mentioned your mother's death.
01:05Because a mother who dies leaving an orphan or a small child is ...
01:09It is a very sad event that is easily forgotten.
01:17Everyone swore that had not happened.
01:21In fact, I was so frustrated that I decided to go to the cemetery to see if I could find the grave.
01:27And?
01:34I didn't find it.
01:41Do you understand now why I'm so upset?
01:44It's not for less.
01:46What's going on, Mrs. Narcos?
01:48I don't know, Santos.
01:50But even if you don't want to talk to him,
01:53the only one who has the answers you're looking for is your father.
02:01Well, it's clear that all roads lead to him.
02:06But I know he's not going to tell me the truth.
02:10Well, then, entrust yourself to patience.
02:13Because it is evident that your father ...
02:15Your father has deceived you in a deliberate way.
02:19And you're right, Santos.
02:20If you go face to face with him, he will try to deceive you again.
02:27So what you have to think about very well is the next step.
02:31But for now, be careful, Santos.
02:35Very careful.
02:38Do you agree?
02:39Very careful.
02:42Do you agree?
02:43Very careful.
03:09Why did you do it, Pelayo?
03:11There was no need to admit in front of everyone that the son I'm pregnant with is yours.
03:19Of course there was no need.
03:22If I did it, it was simply because I wanted to.
03:26But lately you have made it very clear to me that you were not able to assume my son's paternity.
03:32And I regret it, Catalina.
03:35I am no one to judge you. We all make mistakes.
03:39That is a saying.
03:41We both know that not all mistakes are of the same kind.
03:46Of course, we agree on that, but not so much for the mistake itself, but for its consequences.
03:52A consequence for life.
04:00Catalina, you know too well the pain I felt when I found out that you had slept with another man.
04:08But I have realized that it is more a matter of hurt pride.
04:12Understandable.
04:16But my love for you is much stronger than that pride.
04:21And I would be a fool if I lost my future.
04:26Because I can't imagine life without you by my side, Catalina.
04:30I don't want to live it without you.
04:32I don't want to live it without you.
04:35But are you sure that this is not just a robbery and ...
04:39And then you're going to regret it?
04:42The only thing I'm sure of is how much I love you.
04:48And I commit myself to you, to love that baby as if it were my own.
04:54Sorry, my last doubts and indecisions have been a bit cruel and insensitive with you.
05:03Well, enough with big words.
05:07The eyes don't lie, Catalina.
05:10Neither mine nor yours.
05:24You know that I love you with all my soul, right? You know it.
05:31And I'm going to love you with all the consequences.
05:53Here.
06:03Come in.
06:08Eugenia.
06:11I thought you were my parents.
06:14You were prepared to argue, weren't you?
06:17Unfortunately, it's the only thing we've been doing lately.
06:21And I already found out about your last fight.
06:27From what I see, the informants on the service floor are still working perfectly.
06:32Well, from what I've been told, it wasn't a cordial conversation that went unnoticed.
06:37I have a house full of spies.
06:40Tell me what happened this time.
06:46The same as always.
06:47No news? Variations on the same?
06:50Or on the same.
06:52Because I'm sure I was the center of the conversation again.
07:05You are always at the center of everything.
07:08Especially in the center of my heart.
07:13Manuel, we're serious.
07:17I want you to tell me. I want you to give me details. Why did you leave?
07:22The same as always. I've already told you.
07:25My parents don't accept that we get married. That's all.
07:30But they won't have a choice.
07:33Because I'm willing to argue with them every time they need to.
07:37In the end, they will accept.
07:39Even if it's just not to hear it.
07:41No.
07:46You are the most important thing in my life.
07:50And I plan to fight with the next nail if necessary.
07:54I give you my word.
07:57Yes, I'm hallucinating.
08:00But that doesn't mean that I'm suffering a lot because of all this.
08:03And that's my fault.
08:05No.
08:08It's not your fault.
08:11If there's someone to blame here, it's my parents for their clumsiness.
08:17If you accept our love, all this would be easier.
08:21But I want one thing clear.
08:24You and I are not the culprits, but the victims of all this.
08:30Don't forget it.
08:41I love you.
08:56It's so hard to leave things in their place.
09:00Mera, what are you supposed to be doing here?
09:04Mrs. Argos, I came for something.
09:06Yes, but you shouldn't be here.
09:07Assigned tasks should not be changed.
09:10Because it's hard for me to adjust the schedule so that you come and mess it up.
09:14Yes, but there has been an unforeseen event.
09:16Well, you tell me which one.
09:18It's Mrs. Margarita.
09:20She asked me for a handkerchief because she's a little affected.
09:24You?
09:26The poor woman is crying and I offered to help her.
09:29Since we're here, I'd like to tell you something.
09:33Say it.
09:39I would like to tell you that I quit.
09:45Are you firing me?
09:48Yes, I'd rather see it that way.
09:50Yes.
09:52I quit.
09:54I quit.
09:55But yes, yes.
09:58And can I know the reasons?
10:01They are personal reasons.
10:03Come on, you don't want to tell me.
10:05I would rather not do it, Mrs. Argos.
10:10It has been a decision that has been very difficult for me to make, but at the same time I have meditated for a long time.
10:16In La Promesa they have always treated me very well and I have always felt at home.
10:20Well then ...
10:22Then I don't understand why you want to leave.
10:25I have already told you that I prefer not to talk about the reasons.
10:28But right now it is the best thing I can do.
10:32Okay.
10:34Don't tell me if you don't want to.
10:37But I understand that I have had to put some weight on you.
10:40Because one does not leave a job as good as this one just because.
10:44And more if, as you say, you feel comfortable here.
10:48A lot.
10:51But I have to leave it.
10:52Seeing discretion is an admirable virtue.
10:56But it is also confidence in your superiors.
10:59Please, Mrs. Argos, don't insist.
11:01I have told you that I cannot tell you more than what I am telling you.
11:08What is nothing?
11:11And I'm sorry I can't be more explicit with you.
11:15But my decision involves other colleagues, so ...
11:17I think the most sensible thing is to keep discretion so that it does not affect them.
11:23I see.
11:25You have had a problem with Lope, your boyfriend.
11:28That's it, right? A love sickness.
11:30No. It's none of that.
11:33I suppose you are aware that it is not easy to beg a maid from one day to the next.
11:40You make it very complicated for me, Vera.
11:43And I hope you have thought about it.
11:44Yes, Mrs. Argos, I know perfectly well.
11:47That is precisely why I wanted to let you know in advance,
11:50so that I could find a substitute and reorganize the service.
11:54I see you have things very clear.
11:58And I really can't do anything to make you reconsider your departure.
12:04No.
12:08And now, if you'll excuse me, I have to take this to Mrs. Margarita.
12:30Why did you leave like that in the middle of breakfast?
12:34I'm not in the mood to listen to Ignacio's comments.
12:37And much less Lorenzo's jokes.
12:40The truth is that those two can be very annoying.
12:43They enjoy making firewood from the fallen tree.
12:46And they don't know about the mass at noon.
12:47What don't they know?
12:49What's going to be, Alonso? What's going to be?
12:52That absurd idea of Manuel to bring us to that whore, to this plant.
12:56Yes, that is a nonsense.
12:58For most people, with two fingers in front, it is.
13:01But it seems not for our son.
13:03This time he has exceeded all limits.
13:06I have not been able to keep an eye on him, thinking of such a trickery.
13:11Sit down to that don Nadia at the table?
13:13Where has something like that been seen?
13:15And what does he intend later?
13:16Also sit down to the mozos del colmado?
13:18Or to the gardeners?
13:20Or to the horses?
13:25The truth is that we have done wrong with Manuel.
13:28Why has he become a capricious, unable to understand his obligations?
13:31He should assume his role.
13:33He is the future Marquis of Lujan, for God's sake.
13:35Anyway, this attraction of your children for the lower classes is worthy of study.
13:42First it was Tomás.
13:44Then Catalina brings us that immodest shelter.
13:47And now Manuel wants to marry a maid?
13:50He should be more responsible, yes.
13:53And now you're laughing?
13:55Manuel and Catalina are spoiled brats.
13:58Is it so difficult to find a partner among their equals?
14:01There is no one in the family for whom they feel minimally attracted?
14:05What a mania to mix with gossip.
14:08It can't be.
14:11Well, I've been telling you for a long time.
14:13But of course, for you everything is fine.
14:16Everything is fine until the fire starts to burn your feet, of course.
14:20If you had not been so permissive with your son's eccentricities,
14:23we would not be in these circumstances now.
14:26I assume my part of the blame.
14:28I have given too much freedom to Manuel.
14:30I just wanted him to be able to choose.
14:32That he did not feel drowned by the ties, but ...
14:35Well, you see how well that strategy has worked for you.
14:38I didn't count on him wanting to marry a maid.
14:41I did not contemplate that possibility.
14:43You have to contemplate all the possibilities, Alonso.
14:46Look, I'm not going to be the one to justify Manuel.
14:49But in honor of the truth, he was not educated to be the heir to the marquis.
14:54That's true.
14:56It was Tomás who received the proper preparation.
14:58And Manuel did not see the possibility until his brother died.
15:02Well, let's hope that sooner or later he will end up understanding it.
15:06What happens is that he is more stubborn than a mule.
15:08And we already know that by facing him, we can only get him to curl up even more.
15:12And what are we going to do?
15:14Wait with our arms crossed for Hanna to have breakfast with us?
15:16Well, I don't know what we have to do, Alonso.
15:18But I do know what I don't.
15:20Well, tell me.
15:22What we can't do is let ourselves be carried away by impulses.
15:24Well, my blood boils, Cruz.
15:26Well, you tremble, dear. You tremble.
15:28You are not willing to hit her again.
15:31Head before heart.
15:33Right now we have to be very smart.
15:36If we don't want to risk losing our son forever.
15:39Get it in your head.
15:41Well, I don't agree.
15:43This way we would only give him false hopes that things can be the way he wants them to be.
15:47False hopes? You have been feeding his false hopes for years.
15:52Whoever sows winds picks up storms.
15:55And now it's time to bite your fists and hold on.
15:59That's right.
16:01I would like a portrait with my wife so that she can preside over the living room of our palace.
16:10No, no.
16:12We would prefer if she painted it in person, yes.
16:20Well, it's not a problem if we have to wait.
16:25No, it will be worth it.
16:28Yes.
16:36Look, aunt, I'm not someone to lecture anyone.
16:39But I have the firm suspicion that the Count of Ayala wants to marry you to get his share of the promise.
16:46And that has made him overcome his reluctance to the commitment.
16:50Otherwise, the fixation he feels for Martina is sick.
16:53He has done everything possible to get rid of her.
16:56And nothing guarantees that he will continue to do so until he gets it.
17:01I'm sorry to be as crude as you are.
17:04I am the first to understand that a person can make mistakes, but ...
17:08it seems dangerous to forgive someone who does not regret their actions.
17:12And the Count seems not to regret anything.
17:14Not at all.
17:23It has been difficult for me, but I have finally achieved it.
17:26Manuel Benedito will paint us a portrait in oil.
17:30His oil is inaccessible.
17:32It is framed in a commission from the Americans of the Hispanic Society.
17:37But Benedito is making a good name for himself.
17:39In fact, he has already painted a few portraits to personalities of high society and they are all enchanted.
17:45And who knows, maybe history and time put Benedito in a more prominent place than his teacher Sorolla.
17:56What's wrong?
17:58Don't you like this painter?
17:59If you want, we can find another one that is more to your liking.
18:01No, no, no.
18:02No, the truth is that I do not know the work of that artist, but I fully trust your judgment.
18:08Well, then I still understand less your face of concern.
18:12Well, I was just turning to another matter.
18:16How can you know what it is?
18:20Well, everything seems very strange to me.
18:23Until recently I did not know you and now we are going to get married.
18:29So are the crushes.
18:32Yes, I have been strongly impacted.
18:35But even so, there are many things about you that I do not know, Ignacio.
18:39No, you can get to know us little by little, we have our whole lives ahead of us.
18:46Let's see, what do you want to know?
18:48Do you know that I have two sisters?
18:49Yes, yes, Angelina and Pilar.
18:52You have told me a lot about them, but I do not mean your family.
18:56I mean, for example, your sentimental past.
19:01Are you jealous?
19:03No, not at all, it's just curiosity.
19:07I don't know, I think that a man your age must have some great love behind him.
19:14You are my great love, Margarita.
19:16Well, yes, I mean someone else.
19:19You have been waiting all your life for me to appear.
19:21Yes, and you finally did it.
19:23Ignacio.
19:24Let's see, Margarita, of course there have been other women.
19:26I am not a Trappist monk, but I am a gentleman.
19:30And it is not elegant to air these matters and much less the names of those involved.
19:35But really, no other woman has stolen your heart so far?
19:43If you are so interested in knowing it ...
19:47Yes, I lost my mind for a moment.
19:51Yes, I lost my mind for a woman.
19:55So you were really in love?
19:57I was in love. She never belonged to me.
20:01Poor thing.
20:03The truth is that it was very difficult, yes.
20:05So much so that I decided to put earth in the middle and dedicate myself to traveling the world.
20:11And you managed to forget her?
20:14With time and distance, yes, but it was not easy.
20:17It broke my heart.
20:20And I thought it would continue like this, for years.
20:25Until you arrived.
20:28And I felt that flame again.
20:32With the difference that this time, that love was corresponding.
20:40In this way I have been able to prove that love can mean pain.
20:44Pain.
20:46But also joy.
20:48And excitement.
20:50Like ours.
21:00Life has given me a second chance, Margarita.
21:03I would be a fool if I didn't take advantage of it.
21:15I love you.
21:21How are you?
21:23Fine.
21:28Vera, I can't stop thinking about what you said yesterday.
21:33I need to know if what you said about leaving the promise was serious or if it was just a robbery.
21:39Do you think I'm for chances, Lope?
21:41If I said it, it's because I'm going to do it.
21:45But my love, you can't leave for a nonsense.
21:48Nonsense?
21:50Do you think it's nonsense that you have betrayed my trust, you have revealed my secret and you have told the cooks who I am?
21:55No, it's not nonsense and that's why I've apologized hundreds of times.
21:59But Mrs. Simona and Mrs. Candela will not say anything.
22:01I promise you.
22:03Your secret will not reach anyone's ears, my love.
22:05Please trust me.
22:10Lope, after everything you've done to me, you can't ask me to trust you.
22:15And then what's going to happen to us?
22:22Does it mean until the end of our relationship?
22:27I don't know.
22:30The fact that my secret can come to light changes everything.
22:34So as you understand, I'm not here to think about romantic matters.
22:40Are you going to throw everything we have overboard for a mistake?
22:44Forgive me, please.
22:46Forgive me.
22:48My love, forgive me.
22:49You don't have to keep asking for forgiveness.
22:52I've already forgiven you.
22:55Then ...
23:03Isn't it worth fighting for what we have?
23:06Because what we have is precious.
23:08Don't be so realistic.
23:10As soon as it becomes clear that I am not a simple maid
23:12and that I am the daughter of the dukes of Carril,
23:14they will break their promise.
23:16So I prefer to leave before all that happens.
23:18That will not happen.
23:20The cooks will not say anything, my love.
23:24Please get rid of the idea of leaving the promise.
23:26It's not a simple idea.
23:29This morning I spoke to Mrs. Arcos and I have conveyed my intentions to her.
23:36When I have a substitute, I'm leaving.
23:39Goodbye.
23:56And wouldn't it be better if we portrayed ourselves in the garden?
24:01It's more ladylike in the living room, isn't it?
24:03Well, honestly, I think it's an abuse.
24:07I don't understand why.
24:09Well, because we are going to take over the living room with all the painter's trinkets
24:12and that can cause many inconveniences.
24:15You're right.
24:16Seen that way ...
24:18In fact, maybe we could expect to be settled in your palace.
24:23I just met Pelayo and Catalina, who were going to take a walk in the gardens.
24:26They are happy.
24:28And can you tell me why you say it so outraged?
24:31Man, it surprises me that they are leading such an embarrassing situation,
24:35never better said, with so much mischief.
24:38The mischief with which Catalina is assuming her pregnancy is insulting.
24:44I don't understand why you say that.
24:46What would you prefer? For her to be bitter?
24:50I don't know, maybe ... I don't know.
24:54Some guilt.
24:56Not in vain, my niece has allowed me to give moral lessons
24:59about the way she treated my wife or how she educated Curro
25:02and now she is reluctant to show her lack of decency to the four winds.
25:06Well, it seems to me that it is very good that you show your chest,
25:08the thing has no turning back.
25:10Yes, you are showing my chest and belly.
25:13Please, Lorenzo.
25:14To comments of bad taste, you are unbeatable, of course.
25:17Look, words are words.
25:19They neither hurt, nor kill, nor get pregnant.
25:23The truth is that Catalina's pregnancy has caught us all by surprise.
25:27No, not so much.
25:29I have never felt so close to the count and my niece,
25:32and in front of everyone.
25:33In any case, Catalina's pregnancy is almost the least of the problems
25:37that the Marquis will have to face.
25:39I consider that Manuel's romance with that maid is much worse.
25:44You're right.
25:46It seems that in the promise, the scandals overlap with each other.
25:51I admit that I'm having a great time with all this.
25:54Lorenzo, please.
25:55Margarita.
25:56If you want me to lie to you, I'll lie to you, but it's the truth.
25:59If you want me to lie to you, I'll lie to you, but it's the truth.
26:02Not in my best dreams would I have imagined that I would have so much fun
26:05inside the same house.
26:06It's a very unpleasant moment for the family.
26:09So we have to have a little understanding.
26:11And I have it.
26:12But understanding is not ruled by enjoyment.
26:15There is time for everything, right?
26:30So things are going well with Salvador?
26:33Very well.
26:34And even more so after our last meeting.
26:37Yeah.
26:38Can you pass me the spoons?
26:41Are you going to have a soup now?
26:45You don't say it very convincingly.
26:47And how do you want me to tell you?
26:49With a smile, at least.
26:50Sure.
26:51If you want, I'll jump on your lap.
26:53Sorry.
26:55I wanted to get in where they don't call me.
26:58Don't worry.
26:59You're right.
27:01It was weird.
27:03Because nothing happened.
27:04Special.
27:05Neither good nor bad.
27:07I understand.
27:08And the point is that Salvador and I put everything on our side, but nothing.
27:12When the work has no milk, no matter how much you milk it ...
27:17Yes, it's another way of saying it.
27:19More vast, but yes.
27:21Sorry.
27:22Sometimes I'm very rude.
27:24I don't know.
27:25I wasn't well with her.
27:28The point is that I miss the closeness and trust I had with Salvador when I lived here in La Promesa.
27:36I don't know.
27:37Since I haven't had that, look what I would like.
27:41You've never been in love.
27:42Not even the girl steals your heart.
27:45I'm a lover.
27:46But as it comes, it goes.
27:49That's because it's not true love.
27:51I guess.
27:52Uh-huh.
27:54But I confess that I would like to fall in love and be reciprocated.
27:58That now is not the time.
28:01I see.
28:03Yes, because of your situation with Teresa, I think it is impossible, right?
28:07After all, I am a married man.
28:12Marcelo, and what was that so serious that happened?
28:15That you had to take refuge here in La Promesa and pretend to be married?
28:19Don't even try, Maria.
28:20Uh-huh.
28:21Don't you want to tell me?
28:23Yesterday I was talking to Teresa and she didn't say anything.
28:28Don't talk to me.
28:30I don't know. It seems that I am a gossip.
28:32And all I want is to understand it better.
28:36If my sister hasn't said anything, I haven't either.
28:40Something very big has to be done for you to keep that silence.
28:44Stop insisting, Maria, please.
28:45Uh-huh.
28:48What I can tell you is that I am not a criminal.
28:52And I have never hurt anyone on purpose.
28:55Come on, look, we already have a wheel made.
28:58Good job, Marcelo.
28:59Your effort has cost, but yes, it is ready.
29:02We are already taking a walk, all with the bicycle.
29:05Exactly.
29:06Uh-huh.
29:16Good.
29:29Miss.
29:30Miss Espósito.
29:32How are you, Andra?
29:33Fine.
29:34Fine.
29:36I think you're lying to me.
29:37Well, I'm not going to deny that I've had better times, but ...
29:41Well.
29:43It seems that this cell is very humid.
29:46Do you sleep well? Are you cold?
29:48No, no, no, not at all.
29:49Not since Mr. Manuel brought me that blanket.
29:52So you sleep well for sure.
29:54Yes.
29:55And do you eat well?
29:57Don't insist here, Miss Espósito.
29:59Don't look for pants where there aren't any.
30:02Besides, it's quite tedious to be here alone,
30:05to waste the visits talking about myself.
30:08And I assure you that I, as a topic of conversation, am very boring.
30:13Besides, I still have a lot of things to do.
30:16I'm not going to be hungry.
30:18Well, as soon as you're done, I'll bring you more.
30:22You know what I like?
30:23That you come to visit me so often.
30:26It cheers me up.
30:28It cheers me up to see you too.
30:30You are always so kind and with such good predisposition that you like to see you.
30:35And tell me,
30:36are you still so nervous about the snack you have to attend to with Mr. Manuel?
30:42No, I'm not nervous because there won't be a snack anymore.
30:45Well, I'm sorry.
30:47Well, the truth is that I had had illusions.
30:51But I don't know, I think it was a good time because Manuel and I are better than ever.
30:56I'm glad to hear that.
30:58But I guess it's not just the two of us in the world.
31:02I notice a certain resentment in that comment and even pain.
31:06It may be.
31:07Manuel is very irascible because of the continuous discussions he is having with his parents and ...
31:12he ends up paying with anyone, even with me.
31:15Yes, the man must be going through a hard and tiring moment dealing with this issue every day.
31:22Well, I'm afraid that all this affects us both.
31:24No, there is no need.
31:27We have fought a lot for our love.
31:30We have fought a lot for our love, so ...
31:34it hurts me to confess that I am also a little exhausted.
31:37Well, you are going through a very complex moment.
31:42You are releasing a pulse with the Marquises.
31:46And neither of you can get out of this confrontation happy.
31:51I know.
31:53And look, I shouldn't say this because I owe Mr. Marquez, but ...
32:00you have love on your side.
32:03There is nothing more important.
32:08Hold on.
32:10Every minute that passes is less.
32:22I love you.
32:41Julia.
32:42Wait.
32:45Where are you going?
32:47Were you avoiding me?
32:49I thought I would find Martín in the gardens, but ...
32:52I guess he's in his room.
32:55Wait, Julia.
32:56I have a certain dizziness.
33:00Are you mad at me for something?
33:03No.
33:07Come on, Julia.
33:08This morning we crossed paths.
33:10You didn't even say the word.
33:13I was in a hurry.
33:15Yeah, in a hurry.
33:18I think we have enough confidence for you to tell me what's wrong with you.
33:27Come on, Matilde.
33:29Be honest with me, please.
33:32Sincerity?
33:33Do you really think you are willing to ask me for sincerity?
33:36Yes.
33:37I don't know what this is about, I don't understand.
33:40You will find it very funny to have lied to me about all this about Hanna.
33:44But it hasn't been funny to me.
33:46Look, Julia ...
33:47I don't look at anything, I work.
33:48You will find it very funny to laugh at me like that.
33:50But I think it's a terrible pleasure.
33:52I haven't laughed at you.
33:53Stop the farce.
33:56How are you so sure that I'm cheating on you?
33:58Because it's obvious.
33:59No, it's not.
34:04Julia, tell me who told you that I'm cheating on you.
34:10You haven't told anyone, have you?
34:16No.
34:17Of course not.
34:20I've just been thinking about it and ...
34:24what you told me seems so impossible to me that I assumed it was a lie.
34:30But ...
34:32maybe I'm wrong, I don't know.
34:34Because the alternative is that Hanna and you are ...
34:36Enough, Julia.
34:39Between Hanna and me there is only fraternal love.
34:41And that's it.
34:42And I don't want to keep talking about this.
34:47I'm sure ...
34:49if you did it with that vehemence ...
34:53I would have drawn wrong conclusions.
35:00Then don't do it.
35:16I love you.
35:26The news of the pregnancy has completely misplaced us.
35:30It's not something we had planned either.
35:32No, it's clear.
35:34You have acted without a minimum of head.
35:36And this news is a disgrace to the family.
35:39For me, it's also a personal disappointment.
35:43I didn't expect this from you, daughter.
35:45And I feel that you have abused my trust.
35:50I am as guilty as she is, if not more.
35:52Of course you are.
35:55I haven't trusted you in a long time, young man.
35:58And once again, your actions have given me the reason.
36:02We shouldn't have given you so much freedom of movement.
36:06That you went alone to the count's palace, without a carabiner, and to your free bedroom.
36:10It was more than obvious that this was going to happen.
36:13Well, I understand your reproaches, but we are talking about a pregnancy.
36:17It's not a crime.
36:20A pregnancy out of wedlock is a shame.
36:23A shame for immoral women.
36:27I understand your anger, Marqués.
36:29It's more than justified.
36:30That's why I reiterate my apologies, with all humility.
36:34I wish I could step back to fix this mess, but I'm afraid it's too late.
36:38I'm afraid that when I should have stepped back, it was before dishonoring her.
36:45But it's true that at this point,
36:48the best thing is to celebrate that wedding as soon as possible.
36:52If we can turn this pregnancy into a premature birth.
36:57I'm with you, Cruz.
36:59It's the most sensible thing.
37:01It's not the first birth that comes a few months ahead.
37:05And it's what's going to happen to you two.
37:09I'll do whatever it takes to make Catalina's wish come true.
37:14I also think it's for the best.
37:17Well, in that case, I promise to get to work as soon as possible to celebrate an unforgettable wedding.
37:26Unforgettable, but only for a few, Mr. Conde.
37:29Given the circumstances, it's best to organize a wedding as intimate as possible.
37:35The less striking the link is, the less margin we will give for speculation.
37:40Look, we agree on that.
37:43I've never liked multitudinous celebrations.
37:47All I care about is the love I feel every year. Nothing else.
37:51Well, that romanticism will be better if you leave it for when you are alone.
37:56After all, there is no longer any danger of you getting pregnant.
37:59Because you already are.
38:01Anyway, it's been made clear, right?
38:04We have to do the relevant management to celebrate that wedding as soon as possible.
38:14Well, not an iron mass that looks more and more like a bicycle.
38:18A bicycle without wheels.
38:20Well, Marcelo put it on today. He has it ready right now.
38:24Take it off, take it off. I don't get on one of those things for all the gold in the world.
38:28I have a lot of appreciation for my teeth.
38:31Well, anyway, there is still a little bit left for it to be ready.
38:34The pedals are still missing and straighten the handlebar.
38:36My pleasure.
38:38Yes, and a little patience. Marcelo can't go faster than he goes.
38:42The truth is that the boy is making an incredible effort.
38:45As clueless as it seems. For some things, he takes care of others.
38:54How is Mr. Baeza?
38:56How have you seen him?
38:58Have you already found the real culprit?
39:00It doesn't look like your name is coming today.
39:02It didn't go well, did it?
39:04Let's see. Honestly, I'm more worried about what had gone wrong.
39:08Mr. Baeza has made an effort to pretend that everything is fine, but it is obvious that he has lied to me.
39:13And I don't want to deceive you, but ...
39:16I've seen him worse than the last time I saw him.
39:19I think all this isolation and confinement is costing him.
39:24And what have you noticed that is so bad that it's getting worse?
39:26Did he have a fever?
39:28Cough. Mucus.
39:30Well, what he had was a very hoarse voice and also a very bad cough.
39:35Let's see if he's going to have what he had the other time.
39:38That the man had such a bad time.
39:40That he had his lungs taken.
39:42I wouldn't know how to tell you, but it could be.
39:44In any case, the next time I go, I'm going to bring him a coat.
39:47Because I know he has a blanket there, but I don't think it's enough.
39:50Well, if anything, he'll get over it.
39:52And cheer up as he is.
39:53It is important that he does not lose his morale and that he does not come down.
39:56Well, I wouldn't know how to tell you either, because ...
39:59When Mr. Baeza is with me, he is just as kind and polite as ever.
40:04Don Rómulo! No way!
40:07Let's see if he gets out of the dungeon soon, because that's the only important thing.
40:11Yeah, I think that's going to be complicated, because I was talking to one of the guards there.
40:16And what he told me is that ...
40:19The longer he spends locked up, the harder it will be for him to be released.
40:23As little as I have been able to listen to the gentlemen, they are also pessimistic.
40:27They don't see any solution, at least in the short term.
40:30But the Marquis' contacts will be useful.
40:33The fact that they have told us on the street that this man spends all day on the phone.
40:37I have faith in that.
40:39And also that Manuel is doing everything possible to get him out of there.
40:43Although I already tell you that it is not easy.
40:45Or we will have to do something.
40:47Because we cannot let that man consume himself little by little in that hole in the world.
40:53Yes.
41:17Mrs. Simón has prepared coffee.
41:19I thought you might want some.
41:22Thank you for the detail, Santos.
41:24Now I have to go. I have a lot of work to do.
41:41You told us you had a lot of work.
41:44Yes.
41:52But first you are going to tell me what's going on.
41:59Okay.
42:01I admit that I am very affected by the wedding of Count de Ayala and Mrs. Margarita.
42:07And that?
42:11We have known each other for a long time.
42:16Yes, I understand that you have been friends with Mrs. Cruz all your life.
42:21That's right.
42:23And I had the opportunity to get to know him well.
42:27In fact, I came to develop a relationship with him.
42:31A very close relationship.
42:35And that's why I know firsthand that Count de Ayala is not clean.
42:40Do you really think so?
42:43It's not that I have any special affection for Mrs. Margarita, but ...
42:47That woman must know things she doesn't know.
42:49Believe me, this wedding is not good for anyone.
42:53Especially for her.
42:56Are you serious?
43:00I know Count de Ayala too well, believe me.
43:04And he's not a good person.
43:08How good is he?
43:16It doesn't matter, Santos.
43:17No.
43:19It doesn't matter, Mr. Arcos.
43:21You speak with pain.
43:25A pain that can only shelter a broken heart.
43:31You can trust me, I guarantee it.
43:42Count de Ayala and I have been in a relationship for a long time.
43:49As a result of which my son Feliciano was born.
43:54Are you telling me that Count de Ayala is Feliciano's father?
43:57Yes.
43:58But that man never had a relationship with his son.
44:01In fact, it was only after his death that I met him again.
44:06He made me hope that we could relive what once was between us.
44:13But instead, he cheated on me again.
44:17And this is what you think Ms. Margarita should know?
44:24I think she should know the man she's going to marry.
44:27Of course.
44:29She should know the truth as soon as possible, so that man doesn't keep cheating on everyone.
44:34I understand that this is an advice.
44:38You would tell me the same thing.
44:41If I wasn't so involved in the matter.
44:43But luckily I'm not.
44:47And I can see things a little better from the outside.
44:53You're right.
45:26Sergeant.
45:28Good afternoon.
45:29Thank you for coming to the promenade.
45:31I was told this morning in the barracks that you had been there looking for me.
45:35Yes, but you didn't have to come this far.
45:37Don't worry.
45:38This palace was on my way.
45:40I had to cover an altercation nearby.
45:43Really?
45:44May I ask what this is about, if I may be so curious?
45:47Some landless day laborers were committing acts of sabotage against the landowners, burning crops.
45:55It's normal that there weren't many.
45:57Let's hope there aren't other men following their example.
45:59That's the main problem.
46:00The contagion.
46:02I'm worried that these acts of sabotage are becoming more and more frequent in the Andalusian countryside.
46:07It can be seen that the anarchists are gaining strength outside the cities.
46:12Anyway, what was so important that you had to tell me?
46:17Yes.
46:21Here.
46:25There are three names on this list.
46:29Who are they?
46:31They are the people with whom Gregorio fought the day I mentioned him for the first time.
46:36I see.
46:38And how did he do it?
46:41I've asked around here and there.
46:43In the village, especially in the tavern.
46:45Sergeant, it took me time and money.
46:47You shouldn't have done it.
46:49Investigations are a matter of the Civil Guard and not something you should do on your own.
46:54I'm very sorry for my interruption.
46:56But as I've told you several times, my greatest desire is to prove Mr. Baeza's innocence as soon as possible.
47:02It's up to you if you want to find and interview those men.
47:07But I assure you that there is a very real possibility that one of those three people is the real murderer of Gregorio.
47:13You know, I'm still puzzled by your confidence in Mr. Baeza's innocence.
47:22Sergeant, I've known Rómulo since I was born.
47:25And I assure you that if that man has declared himself guilty, it was only to free me from prison.
47:31We've already talked about this, sir.
47:34Yes.
47:35So please, look for the men on that list.
47:40Have a good afternoon.
48:02How did it go in Puebla de Tera?
48:05In Puebla de Tera?
48:07You were there, weren't you?
48:08Ah, yes. Yes, I was also in Villalquino, in addition to Puebla de Tera.
48:13Forgive me, I got lost for a moment.
48:15You were able to fulfill the order that Mr. Baeza gave you.
48:18That's right. I had planned to get close to the barracks to get him going.
48:22I see.
48:23It's true that I have a lot of accumulated work. I don't know if I'll find the space to do it today.
48:28Well, tell me what you have to tell him and I'll make sure to pass it on to him.
48:35Now?
48:36Yes. Yes, now. When the shift is over, I'm going to visit the cell, so tell me whatever it is, if it's so important.
48:43Don't worry, Father. Thank you very much for the offer, but I prefer to do it myself, personally.
48:48Stop lying!
48:52You've been avoiding me since you got here.
48:56No. No, it's not true. I already told you that I arrived very tired yesterday and that I had a lot of homework today.
49:02I've told you to stop lying and you're fooling me again.
49:06But why do you get like this?
49:08Don't treat me like I'm stupid, Santos.
49:10Yesterday I was talking to Don Ropulo and he confirmed to me that he hadn't given you any orders.
49:18Where the hell have you been during these days?
49:23Answer me.
49:26I swear that even if you are my son, I will not tremble to kick you in the street.
49:32I swear that even if you are my son, I will not tremble to kick you in the street.
49:58All right, ma'am?
50:00Yes, everything is perfect, Petra.
50:03And is there any news about your wedding?
50:09About my wedding?
50:10With the Count of Ayala.
50:12Yes, I know it's with the Count of Ayala, Petra.
50:15I just missed a personal question.
50:19It was just in case I could help you with something, ma'am.
50:26No, not everything is in place yet.
50:30In fact, Ignacio has commissioned one of Sorolla's best disciples to do our first wedding portrait.
50:38I see.
50:40You will be a beautiful bride.
50:44Well, I find it strange to be a bride at my age.
50:49There is no age for love.
50:53I must admit that I am a little nervous about my next birth.
50:57But you are already an experienced woman.
51:00I can, but this time it is different.
51:05The first time I married Fernando ...
51:08Well, I didn't know anything about life.
51:10Everything was new and exciting, but now things are different.
51:16Well, but I suppose that now you will also be excited.
51:21Yes, yes, of course.
51:24But I also have other mixed emotions that I don't know how to identify with.
51:29I see.
51:31And not all are good emotions.
51:36I understand.
51:38Like the first time, none.
51:43But I believe, ma'am, that a wedding must always be a reason for joy.
51:48Petra, I notice a certain ring-ting-ting in your tone.
51:55That's right, ma'am.
51:58Because I have not tried to hide it.
52:03Well, what do you mean?
52:05Speak clearly.
52:07Go ahead, I am very glad that you can start your life again after the sad death of Don Fernando.
52:15Yes, ma'am.
52:16Petra, to the point.
52:19First of all, I ask you to excuse my frankness, ma'am, but ...
52:24I think that Count de Ayala is not the most suitable person for you.
52:29What?
52:31What do you mean?
52:34Something that only I can tell you, ma'am.
52:40Because I know Count de Ayala very well.
52:44Too well.
52:47And if you allow me, I am willing and delighted to tell you.
52:53Tell him everything.
53:01Isn't badminton a couple sport, like tennis?
53:05Yes, the thing is that we asked Julia, but she couldn't come.
53:09I wasn't thinking of Julia.
53:11Hanna, I'm sorry, it's just that ...
53:13Well, since you can't play ...
53:15No, don't worry.
53:16Why can't she play? Is she a bad player?
53:18No, but she's a maiden.
53:20And my fiancée?
53:21It's an invention of Lope.
53:24It's one of his secrets, one of the best kept.
53:27I see, I see.
53:28If it's a secret, it's better to leave the recipe here.
53:31It's a way of speaking.
53:33Besides, we're with trustworthy people, right?
53:36Yes, yes, of course.
53:38Miss Expósito is not a fragile porcelain doll.
53:44She doesn't need protection.
53:46She's a stronger woman than you and me.
53:49She doesn't make the mistake of keeping her locked up in a glass cabinet,
53:53as if it were a trophy.
53:54I imagine her giving herself airs of grandeur,
53:57all because she's my son's lover, as if she saw her.
53:59I don't even know what tasks to assign to her.
54:02Put her to clean the paintings, but with her hands naked,
54:06so that she can't get the manure under her nails.
54:09Let's see if my son opens his eyes at once.
54:11I have many ways to get rid of you.
54:13I already sent you to a asylum,
54:15and I locked you up in prison.
54:17Do you remember?
54:18I'm not scared of his games,
54:20because I know what he's made of.
54:24If you knew, you wouldn't be so calm.