**Seven Cemeteries (2024)** is a horror-thriller film that delves into the eerie secrets hidden within an isolated, rural town. Directed by a visionary filmmaker (director details not specified), the story follows a troubled investigator who is sent to a small, mysterious town known for its seven ancient cemeteries. As the investigator begins to unravel the chilling history behind these graveyards, he uncovers a series of unsolved disappearances linked to the cemeteries, stretching back centuries.
The locals are tight-lipped, haunted by superstition, and fearful of something lurking beneath the surface. Each cemetery holds dark secrets tied to strange, supernatural occurrences, and the deeper the investigator digs, the more he is drawn into a sinister conspiracy involving an ancient curse. As tensions rise and the line between reality and the paranormal blurs, he must confront his own demons and survive the terrifying forces at play before becoming the next victim of the cemeteries' grim legacy.
With suspense, atmospheric dread, and a slow-building sense of horror, *Seven Cemeteries* weaves together elements of folklore, psychological terror, and dark mystery. The film explores themes of fear, loss, and the haunting power of the past, creating a chilling cinematic experience for horror fans.
The locals are tight-lipped, haunted by superstition, and fearful of something lurking beneath the surface. Each cemetery holds dark secrets tied to strange, supernatural occurrences, and the deeper the investigator digs, the more he is drawn into a sinister conspiracy involving an ancient curse. As tensions rise and the line between reality and the paranormal blurs, he must confront his own demons and survive the terrifying forces at play before becoming the next victim of the cemeteries' grim legacy.
With suspense, atmospheric dread, and a slow-building sense of horror, *Seven Cemeteries* weaves together elements of folklore, psychological terror, and dark mystery. The film explores themes of fear, loss, and the haunting power of the past, creating a chilling cinematic experience for horror fans.
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00:00:00You
00:00:30I
00:01:00Don't know I go for power
00:01:30I
00:01:37Don't think you'd be back so soon
00:01:41On my age time is not something you take for granted
00:01:47You have an answer for me the offer is very generous in your
00:01:51But I cannot accept
00:01:53Our family has worked this land for generations
00:01:56So we have
00:01:59But that's worth a lot more than money
00:02:02Family right
00:02:05History I
00:02:07Can respect all those things
00:02:10That's just a widow of course
00:02:19But you misunderstand one thing this was in a negotiation
00:02:28I
00:02:46Face to be the last thing you see
00:02:58I
00:03:04Have a new offer much simpler turn over your ranch
00:03:12All right
00:03:16Yes, my men know me back it down for your answer
00:03:23Your choice
00:03:26I
00:03:30Was so sorry for your loss
00:03:36No, no
00:03:55I
00:04:25I
00:04:55I
00:05:25I
00:05:55I
00:06:11Miss me go on
00:06:15Santana Bravo
00:06:19My husband Mateo sent you that note
00:06:23That's his blood on the ground
00:06:26I
00:06:27Need protection I
00:06:31Can pay you Texan
00:06:34Who?
00:06:36Ella bueno
00:06:39He wants my ranch and he'll be back at dawn to take it
00:06:44Lady
00:06:46Unless you've got an army in your pocket. I
00:06:50Suggest you just give him what he wants
00:06:53Call it a day. I can't do that not anymore
00:07:05I'm sorry, but you need anger
00:07:22I
00:07:37Everything all right Carmela
00:07:41Mr. Bravo
00:07:43Heard you just got released from Huntsville
00:07:46That's right, sir
00:07:48He came looking for work. I
00:07:51Told him we had none and that was the end of it
00:07:55And Mateo's old Henry rifle
00:07:59Like I said all the same I think we best bring mr. Bravo back to the station have a little chat
00:08:06All right, sir
00:08:08Turn on that body camera
00:08:12Funny thing it was working fine this morning, but oh well
00:08:18There's two
00:08:21Go on now get in I
00:08:27Said get in I
00:08:31Ain't gonna ask you again unless you got a warrant Jake you can get off my property
00:08:35You might want to think twice about pointing that blunderbuss as an officer of the law Carmela
00:08:41Assuming it actually fired
00:08:43I
00:08:50Tell you what
00:08:52Let's just forget the whole thing the lady here obviously doesn't want to press any charges
00:08:58You're free to go
00:09:09That's for all the times you didn't get busted
00:09:13Now get
00:09:18Not that way that way Jake
00:09:25Just seeing them all
00:09:33You believe in justice Bravo
00:09:36But there's somebody bigger than both of us making sure that the good prevail and the bad get their justice hurts
00:09:43Take this old hog killer
00:09:46Probably ain't been fired in decade
00:09:49Got no idea if it still even shoot
00:09:52Now stands to reason that if there's a grand design in heaven
00:09:57All I got do is pull trigger and find out what it is
00:10:01What do you think Bravo
00:10:04Into the line
00:10:07Or are you destined for better things
00:10:14Oh
00:10:16Damn Susie, maybe this is your lucky day after all
00:10:30Hallelujah
00:10:38Sorry
00:10:43You
00:11:13By the way, my boy low sends his regards
00:11:33Sorry you had to be a part of this Carmela Julia
00:11:36I
00:11:41Fuck you Jake
00:12:36Oh
00:13:06Oh
00:13:32You're up
00:13:34Listen sorry, I couldn't keep the kidney. Okay. It's over there in a mason jar if you want it
00:13:41Keepsake or whatever. It's not like I could sell it or anything. Oh
00:13:45smells like Miss Scarlett
00:13:47practice
00:13:51Anyway
00:13:53Welcome back. Oh, what if I didn't want to be back?
00:13:56Well, maybe I don't want to squeeze my dog's anal glands to make healing paste
00:14:01Like miss Paul so Miguel over there he didn't want to come back. Did you really do?
00:14:13Don't let the silent treatment fool you they'll talk to hide off a car when he gets going ain't that right me got your room
00:14:23You know, I hate that
00:14:31I'll get me some corn
00:14:42I
00:14:43prefer Dona Celia, but
00:14:46no, how works as
00:14:48does enchantress
00:14:51You're no wife still
00:14:57I'm dead
00:15:00I'm fucking dead. It's like
00:15:09That's pain
00:15:10That's what the dead crave most they want to feel again to feel anything you consider yourself lucky that I got to you just in
00:15:18time
00:15:20Like baby kicks over here. Why do you think he doesn't just walk out the door and keep white I'm going
00:15:24Yeah, I get I hear it goes because he knows that I could give him life
00:15:29And not just any life not like you're walking dead variety
00:15:33I mean real life the kind that you're born into
00:15:36full of pain and joy and
00:15:40satisfying sex
00:15:43But first he has to earn it she is pure fucking evil
00:15:53If you're looking for another plaything forget it, I'm not playing
00:15:59I'm looking for a man
00:16:03Who can stand up to an abuelo I know who you are bravo
00:16:10And what he did to you I know what he did to your wife
00:16:14I
00:16:26Dreamed of different ways
00:16:30He was dying but dreaming and doing
00:16:35Are two different things, but you are a legend problem
00:16:40Legends they don't give up
00:16:44They don't quit
00:16:46They do now
00:16:49I don't believe you back then. I had a crew
00:16:53About those they would
00:16:55Have my back
00:16:57No matter what
00:16:59now
00:17:01I'm nothing like I used to be
00:17:04You need a new crew
00:17:08And a kick in the ass
00:17:10There's nobody alive crazy enough to stand up to a way alive maybe not
00:17:18No
00:17:19Nah, no way
00:17:22No fucking way. Come on. Come on. Yeah drink this drink. You'll feel better
00:17:29I squeezed it just for you
00:17:31Oh
00:17:33Oh
00:17:35Wow, come on, come on get rest
00:18:00the Aztecs believed that the Sun gave life to all
00:18:05But the sun's light could not reach the underworld and the souls who were trapped there.
00:18:12For that, they needed the mother of all blades.
00:18:16Blessed by the sun god, Huitzilopochtli.
00:18:20Only human blood can harness the sun's power and channel it down to the earth and create...
00:18:27A shorter version?
00:18:29Because we only got till dawn to save this lady's farm.
00:18:33Just stand over a grave and...
00:18:36Bleed.
00:18:38That's it.
00:18:39That's it? No special words?
00:18:42Ouch.
00:18:44I'm gonna need your keys. Take your truck.
00:18:47Eggs, come on. Here.
00:18:49And I'm gonna take him with me.
00:18:51Miguel? He's as useless as weak old fish.
00:18:56Yeah, but he can stop a bullet. That's good for starters.
00:18:59Ah.
00:19:01Bring him back in one piece.
00:19:04And you know the piece.
00:19:12So what's it like?
00:19:15What?
00:19:17Being dead.
00:19:20Like you're locked in the trunk of your stepdad's Buick Century Regal.
00:19:26I know. Weirdly specific rights.
00:19:30And now?
00:19:33I mean, being one of the living dead.
00:19:36The world's a bit thin after a while, for sure.
00:19:39But I kinda like it in a way.
00:19:42No pain.
00:19:44No expectations.
00:19:47Wish I didn't feel any pain.
00:19:56Are you looking?
00:20:07I don't know his name.
00:20:09Eugene. His name is Eugene.
00:20:21Friend of yours?
00:20:23Hardly. I put him there.
00:20:25Call of a first draft pick.
00:20:34I must be gone in the head.
00:20:47What?
00:20:49Just never got to enjoy the process from up here before.
00:20:56You might want to stand back a little.
00:21:02The hell?
00:21:04A little more.
00:21:06A lot more.
00:21:09Más, cabrón.
00:21:16More back.
00:21:18More back.
00:21:24Holy shit!
00:21:35Perhaps you used too much blood.
00:21:48Fuck!
00:22:13Way too many.
00:22:19I was dead?
00:22:21Crazy, right?
00:22:23Did you do this?
00:22:29Bravo.
00:22:34Easy now, big fella.
00:22:42Damn, Bravo.
00:22:44You still hit like a bitch.
00:22:49Oh, that felt good.
00:22:51Come on!
00:22:53All right, easy.
00:23:05I didn't feel a thing.
00:23:07Whatever you did to me, I liked it.
00:23:11I'm back!
00:23:14Say no free ride.
00:23:16Say no free ride.
00:23:18Huh?
00:23:19I got a job.
00:23:21No.
00:23:23See, this dog don't bark for nobody.
00:23:26Especially not your ass.
00:23:28You see, the world is gonna remember Eugene P.
00:23:32No, Bravo!
00:23:34I think about that, Hoffs.
00:23:36One week in the Texas sun,
00:23:38you're gonna fall apart like pulled pork.
00:23:42Only thing the world will remember about you
00:23:45is your smell.
00:23:49What the hell you know about that?
00:23:52I can give you life.
00:23:54Real life.
00:23:56What you got right now is just a down payment.
00:23:59So when do I get paid in full?
00:24:01When the job's done.
00:24:08Oh, hell no.
00:24:10Man, I ain't going nowhere looking like the fucking butler from the Adams family.
00:24:14If the shoe fits.
00:24:17Who the fuck is he?
00:24:24You know I could rip your head clean off right here, right now.
00:24:29Shit down your neck and it wouldn't mean nothing.
00:24:33Actually, you couldn't.
00:24:35Your shit ain't fucked.
00:24:37Listen here, pencil neck.
00:24:39Why don't you do yourself a favor
00:24:42and shut the fuck up?
00:24:50So how does this zombie shit work?
00:24:53I don't think of myself as a zombie.
00:24:56More like a revenant.
00:24:58Like the copy of Minus the Bearer.
00:25:00So we can't die?
00:25:02Shot in the head or nothing?
00:25:04Honestly, I've taken a bunch of bullets,
00:25:07but none to the brain.
00:25:11Problem, jefe?
00:25:15You know what? I know he's around here somewhere.
00:25:17I just don't know exactly where.
00:25:19What's his name again?
00:25:20He wasn't buried under his real name.
00:25:23Had to do with his fortune in red diamonds that went missing
00:25:27when he did his last bank robbery.
00:25:30Marty Philander?
00:25:32Tovo Wallace?
00:25:34Whoa.
00:25:35Tell me less order.
00:25:36I didn't know he was buried here.
00:25:38Tell me less order.
00:25:39With a real crappy headstone, too.
00:25:58Yep.
00:25:59Dead as this go.
00:26:03So why Tommy Lasorda?
00:26:05Well, you know I've always been a Braves fan,
00:26:08so Hank Aaron's my first choice.
00:26:10You wouldn't dare.
00:26:13You look familiar.
00:26:15I know you.
00:26:19Oh, yeah.
00:26:21Used to be tight with the H-Town mob back in the day.
00:26:25Listen to you.
00:26:27Yeah, you're the dumb motherfucker
00:26:29tried to ice my man Bravo here.
00:26:32How'd that work out for you?
00:26:34Ha-ha-ha-ha!
00:26:37One more room, please.
00:26:39Hey, hey, hey!
00:26:42Ha-ha-ha-ha!
00:26:56Oh, my neck!
00:26:59Sons of bitches!
00:27:03Dude!
00:27:04Help me out here!
00:27:08Listen!
00:27:09You do pull that shit again,
00:27:11and I'm putting your boat back in the ground.
00:27:15Damn.
00:27:17Sorry, compadre.
00:27:18Sorry ain't getting it.
00:27:20What are we gonna do now?
00:27:33There.
00:27:37Idiots.
00:27:40Oh.
00:28:08She won't be alone.
00:28:09I fight with her.
00:28:13And I can't ask you to stay.
00:28:15Then you can't ask me to leave.
00:28:17If this is where I die, so be it.
00:28:20My life has been good.
00:28:23And not that good.
00:28:25But good.
00:28:27Carmela, there are no time for tears.
00:28:30We have work to do. Come.
00:28:38So what now?
00:28:40Looks like hitchhiking is pretty much off the table.
00:28:43Hey!
00:28:44Look what I found.
00:28:46They buried you with your phone.
00:28:48Yeah, I guess so.
00:28:50Let's see if it works.
00:28:54Wakey, wakey, my little chupacabra.
00:28:58I'm back.
00:29:03My ex.
00:29:04I like fucking with her.
00:29:06Oh, shit.
00:29:08Dead battery.
00:29:12Tommy, you had a phone,
00:29:14and you called your ex.
00:29:16What the hell is wrong with you?
00:29:19We got five hours to sun up,
00:29:22more cemeteries to hit, and you...
00:29:24Hey, it's gonna stop, right?
00:29:26It's gonna stop, right?
00:29:36You get 20 to life in this state for hitting on.
00:29:40Hello, pretty ladies.
00:29:42Allow me to escort you out of your caravan.
00:29:51We need a ringer.
00:29:53I mean, a veritable bonafide superstar.
00:29:57What about Quasimodo?
00:30:01Quasimodo the Rassler?
00:30:03I know where he's buried.
00:30:05What?
00:30:07Let's take him up.
00:30:15What the...
00:30:24Yeah, I've been asking the same thing.
00:30:36What's happening?
00:30:38Shh. He's making the pitch.
00:30:42Her name was Dolores.
00:30:47She was his Juliet.
00:30:50The love of his life.
00:30:52He died for her, and now he wants her back.
00:30:55What? This ain't fantasy island.
00:30:57We need fighters, not lovers.
00:30:59Yeah, you say we.
00:31:03In the ring, they call her La Banshee.
00:31:09She can kill six men with a number two pencil.
00:31:15A dozen more if she had a pencil sharpener.
00:31:18Hell, that's my kind of woman.
00:31:20But still...
00:31:23He says, you get them both, or you get neither.
00:31:31We can go for a twofer.
00:31:34Oh!
00:31:37That's the Banshee?
00:31:39That's her.
00:31:41Dolores.
00:31:50Mi amor.
00:31:54Dolores.
00:31:57Dolores.
00:31:59Dolores.
00:32:01Mi amor.
00:32:06Mi amor.
00:32:11Mira.
00:32:13Mira lo que hago con tu mi amor.
00:32:31Banshee! Banshee!
00:32:40What if I killed myself to be free of you?
00:32:47What do you think of that?
00:32:49Oh, you're looking at 350 pounds of sad right there.
00:32:55You're not helping at all.
00:32:57Hey! Don't wind me up, Missy.
00:32:59I don't wind down easy.
00:33:01Plus, I have a pension for marriage.
00:33:03All right!
00:33:05Oh!
00:33:07Damn it!
00:33:09That's my best nose picker, that little...
00:33:11I'll bite that nose of yours off and stick it up your ass.
00:33:14Oh, you want to try it? Come on, huh?
00:33:16Try it, then you'll see!
00:33:18Hey! Shut the fuck up!
00:33:30Hey.
00:33:35Hey.
00:33:37Fifteen.
00:33:39That's it.
00:33:41That's all we got.
00:33:44Fuck.
00:33:56No te preocupes, huh?
00:33:59Fuck, man.
00:34:04Niña que niña.
00:34:14You put this on me after I was dead?
00:34:18¿Cómo pa' qué?
00:34:20Solo pensé...
00:34:21¿Solo pensaste qué qué? ¿Y con eso qué?
00:34:23¿Que yo era tu decirme adiós?
00:34:25Mira. Mira lo que hago con tu pinche loquecito, ¿eh?
00:34:29Mira el corazón. ¿Ya lo viste?
00:34:31Bye.
00:34:38What is he good at?
00:34:41What is he good at?
00:34:43Busting heads with a stick.
00:34:47Fuck.
00:35:06So you a real hockey player or you just like playing dress-up?
00:35:10And what's your name, huh?
00:35:12Stick Face.
00:35:14Stick Face.
00:35:16What the hell kind of name is that?
00:35:19¡Volte!
00:35:21Like stick plus face.
00:35:24Just like that.
00:35:35Ah, shit.
00:35:37Whoa.
00:35:39Hey, let's keep it on the road, boss.
00:35:43Uh-oh.
00:35:44Why are we stopping?
00:35:46Everybody out. Let's go.
00:36:05They're here.
00:36:13Lemon, they're coming.
00:36:16Oh, my key.
00:36:43Buenos días, Carmela.
00:36:47Hope you all had a restful night.
00:36:51Now, honey, I know you ain't happy with the choices in front of you right now,
00:36:56but it's time to pick your switch.
00:36:59What do you say you just come on out with your hands on your head
00:37:02and we just ride on out of here, start over fresh?
00:37:06I ain't saying you ain't brave and all,
00:37:08but the way I see it, you're all having no cattle in this match-up.
00:37:12So, El Abuelo asks you for the very last time,
00:37:15do you accept his demand?
00:37:20¡Chúpame la verga, pendejo!
00:37:24What?
00:37:26You weren't going to accept?
00:37:29¡Ah!
00:37:30¡Fuck him up!
00:37:31¡Fight him up!
00:37:32¡Ah, motherfucker!
00:37:39¡Ah!
00:37:43¡Ah!
00:37:51¡Hey, cabrón!
00:37:53¡Ah!
00:38:04¡Ah!
00:38:08¡Ah!
00:38:10¡Ah!
00:38:12¡Ah!
00:38:15¡Fatimao!
00:38:17¡Ah!
00:38:19¡Ah!
00:38:24¡Basketball!
00:38:27¡Ah!
00:38:29¡Ah!
00:38:30¡Ah!
00:38:31¡Ah!
00:38:32¡Ah!
00:38:33¡Ah!
00:38:35¡Ah!
00:38:36¡Ah!
00:38:45¡Ah!
00:38:47¡Hey, Miguel, get over here!
00:38:51¡Ah!
00:38:52¡Ah!
00:38:53¡Ah!
00:38:58¡Ah!
00:39:00¡Ah!
00:39:01¡Ah!
00:39:07¡Ah!
00:39:08¡Ah!
00:39:21Welcome to the party, Miguel.
00:39:32¡Ay, gracias!
00:39:33¡Ay!
00:39:37Pablo, I thought you were...
00:39:43Don't worry, they're with me.
00:39:45They're...
00:39:46Use your words.
00:39:48Holy fuck.
00:39:50You told me to get some help.
00:39:52This is what I got.
00:40:06¡Ah!
00:40:08¡Oh!
00:40:14I'm Tommy.
00:40:15Camila.
00:40:17¡Ah!
00:40:18Ashanti.
00:40:20Camila.
00:40:25Ma'am.
00:40:27No.
00:40:29No, no, help me.
00:40:36Motherfucker.
00:40:43Good evening, ma'am.
00:40:50We're working with demons.
00:40:52Not a problem at all.
00:40:53Oh, yeah!
00:41:01Oh, fuck me running!
00:41:03I've turned into my fucking grandmother.
00:41:06Yep.
00:41:07The stinkers pretty much take a vacation.
00:41:10All right.
00:41:12Time to put out your pet tote.
00:41:16It's time for me to turn into a real boy.
00:41:19George Foreman's got a point there, boss.
00:41:22He did make a promise.
00:41:24I said when the job was done.
00:41:26It ain't done yet.
00:41:27Hold on, hold on, hold on.
00:41:29Can't be moving the goalposts now.
00:41:31If we got here before sunrise,
00:41:34we bitch-smack Abuelo's men,
00:41:38the job is done.
00:41:44Abuelo's gonna be back.
00:41:46He's gonna have an army with him.
00:41:48You afraid, Eugene?
00:41:52Well, nothing scare me.
00:41:54Then prove it.
00:41:57I'll keep up my end of the deal.
00:41:59I'll keep up my end of the deal.
00:42:01You keep up yours.
00:42:05So what'll it be?
00:42:07We gonna save this lady's farm, or what?
00:42:14I fight with Bravo.
00:42:20I fight with Bravo.
00:42:22Yo también.
00:42:24My grandma's in it.
00:42:27Me too.
00:42:29Shit.
00:42:31This shit ain't over, Bravo.
00:42:36All right, Miguel.
00:42:37Yo.
00:42:38We need a look-up.
00:42:39Go out and watch the main road.
00:42:41The rest of us, we have a house to fortify
00:42:44and an abuelito to kill.
00:42:46Show me all the entry points.
00:42:48Entry points?
00:42:49Shut up.
00:43:00Hey, tú, mi capullo de rosas.
00:43:10Pon tu linda mano en mi corazón
00:43:15y hazlo latir de nuevo
00:43:20este corazón frío y duro
00:43:24inservible organo en mi interior.
00:43:28Ay, ay, ay, mi reina.
00:43:46Libera a esta pobre bestia y déjale
00:43:51que vuele sobre el cielo
00:43:55de tu amor.
00:43:58Ay, ay, ay, mamacita.
00:44:13Esta bestia, este monstruo
00:44:18se ha muerto por ti.
00:44:21Se ha muerto por tu amor.
00:44:52Shit.
00:45:00Héctor,
00:45:02is it your intention to kill me?
00:45:06No.
00:45:08Abuelo, never.
00:45:10Then why do you come to my home
00:45:12to inform me that Santana Bravo is still alive
00:45:15instead of doing something about it?
00:45:17I mean, we couldn't.
00:45:19There was just nothing we could do.
00:45:21Go on.
00:45:23Well, you gotta understand,
00:45:25he has a new posse now.
00:45:27How many?
00:45:29A hundred? Two hundred?
00:45:31No.
00:45:35Six or seven.
00:45:39A hundred?
00:45:43I told you,
00:45:45a total.
00:45:51Total?
00:45:55I see.
00:45:57So you run away
00:46:01to the better little feet,
00:46:04like a little girly girl,
00:46:09screaming.
00:46:11No, look, Abuelo,
00:46:12you gotta understand,
00:46:14there was nothing we could do, all right?
00:46:16I mean, we tried everything, man.
00:46:18This guy just, he couldn't be stopped.
00:46:20You see that, Barry?
00:46:22Yeah.
00:46:24I didn't shoot him.
00:46:26I killed him with a bent stick and a pinecone.
00:46:36Abuelo, please.
00:46:38Everything can be stopped.
00:46:42Not this.
00:46:44This building.
00:46:58It helps if you have a gun.
00:47:02We're gonna have to board up every entrance.
00:47:05Cellar?
00:47:13What's this?
00:47:15Tunnels.
00:47:18My grandfather used these tunnels to smuggle our family
00:47:21and other people in need across the border.
00:47:23It's been sealed up for years.
00:47:25Then Trump built his wall,
00:47:27and the cartel started looking for ways
00:47:29to move their product across the border.
00:47:31That's why Abuelo wants this place.
00:47:33He thought that it was ready to dynamite the thing
00:47:35so they'd leave us alone.
00:47:37But he didn't get the chance.
00:47:39Turn the lights.
00:47:46Why didn't you tell me about this before?
00:47:49I don't know, I guess I didn't want you to think we were...
00:47:52I don't know.
00:47:54I just wanted to know.
00:47:56I don't know.
00:47:58I don't know.
00:48:00I don't know.
00:48:02I don't know.
00:48:04I don't know.
00:48:06I don't know.
00:48:08You weren't involved.
00:48:10Lady, listen to me.
00:48:12I did 28 years in prison.
00:48:1418 in the hole.
00:48:16I don't judge anyone.
00:48:39Oh, give me a home
00:48:42Where the buffalo roam
00:48:45Where the deer and the antelope play
00:48:52Where seldom is heard
00:48:55A discouraging word
00:48:58In the sky of the cloudy old bay
00:49:09Let me guess.
00:49:11Old A, old B?
00:49:26Emelo.
00:49:39What's wrong with your face?
00:49:42What's wrong with your face?
00:49:45Not a time for glibness, amigo.
00:49:49What happened to my men?
00:49:51Do you want a clinical explanation?
00:49:54Let's take a trip to the Olive Garden.
00:49:57I love the Olive Garden.
00:50:01Stop, you're hurting me!
00:50:04Who are you?
00:50:09No!
00:50:11No!
00:50:13No!
00:50:15No!
00:50:17No!
00:50:19No!
00:50:21No!
00:50:23Look.
00:50:25I have a few teensy-weensy boundary issues.
00:50:28Why? I'm going to do off my finger?
00:50:30The thumb isn't technically a finger.
00:50:33Well, neither is the apple.
00:50:35What?
00:50:44Shoot him in the balls.
00:50:46No, no, no, no, no, no.
00:50:48Not the dandlers. Tito, Manolo.
00:50:50Right? Those are your names?
00:50:52We're friends.
00:50:54We're friends, cabrón. Friends.
00:50:56Yes? You have TikTok?
00:50:58Yes? No?
00:51:00We have connection. Yes?
00:51:02In the mood to talk now?
00:51:04Yes, yes, yes, yes.
00:51:06We could do that whole TikTok thing.
00:51:08Just don't shoot me in the...
00:51:10That was totally unnecessary!
00:51:15I'm a fucking Barbie now!
00:51:18You.
00:51:20You.
00:51:23And since we're being so gratuitous.
00:51:29Jesus Christ.
00:51:32More like Nick Fury.
00:51:37And to think I walked out of the house looking like this.
00:51:50Kill him.
00:51:52Kill him!
00:52:01Just thought you might want to know,
00:52:03what are you up against?
00:52:05The others are like me,
00:52:07but way less chill.
00:52:20You have been to see the bruja?
00:52:22The bruja has been to see me.
00:52:26Which explains the ride.
00:52:28Comes with the package, I'm afraid.
00:52:31And they say she restores a person to full life,
00:52:35not whatever you are.
00:52:37That's premium package.
00:52:39Is that what Bravo promised your compadres?
00:52:42Vámonos.
00:53:13Okay.
00:53:15Okay.
00:53:17Well.
00:53:21I'd call this place the stitching post.
00:53:24You are a Rembrandt of sewn, senor.
00:53:28Eugene!
00:53:30Eugene!
00:53:32Looking good!
00:53:34Look at you!
00:53:36Why don't you try to make it look better?
00:53:38Oh.
00:53:40Okay.
00:53:42If I had a hand.
00:53:44Let me ask you a question.
00:53:47Do you think we can really trust Bravo?
00:53:51I do.
00:53:54Well, you know, we haven't even seen this bruja
00:53:57and her magical friolis.
00:53:59And what if she doesn't exist?
00:54:02What if he's just been playing us this whole time?
00:54:05Guess we'll find out.
00:54:08Oh, man.
00:54:09Oh, man.
00:54:11Really?
00:54:14A little help?
00:54:18Come on, I'll finish up.
00:54:31You know,
00:54:33it's funny how we spend our time
00:54:35until we lose it.
00:54:37You're a poet.
00:54:39Wait a minute.
00:55:09No!
00:55:25What am I doing?
00:55:28I don't even want to live.
00:55:40Everyone's in position.
00:55:42We have to get inside.
00:55:44How did you do it?
00:55:47How did you bring them back?
00:55:55Have you ever been married, Mr. Bravo?
00:55:58Once.
00:56:00A long time ago.
00:56:03Her name was Guadalupe.
00:56:07She was my wife.
00:56:09She died because she loved me.
00:56:14Wouldn't you bring her back?
00:56:17If you could.
00:56:34They're back!
00:56:35They're back!
00:56:38Huh.
00:56:39One car.
00:56:41Unless they're superhuman clowns or something,
00:56:44color me unimpressed.
00:56:46One car?
00:56:47Yeah.
00:56:48Oh, let me see.
00:56:50I'll be damned.
00:56:52It really is one car.
00:56:54That's some shit.
00:56:56Where the hell's Miguel?
00:57:01I think, uh,
00:57:03Get down!
00:57:13Who's that?
00:57:15La Bruja.
00:57:18Well, we got to do something.
00:57:21Please, Bravo, don't let me die!
00:57:23Don't let me die!
00:57:24Bravo, please!
00:57:26He only wants you, Bravo.
00:57:28You might want to do what the lady says.
00:57:33Move, Mia.
00:57:55I'm scared.
00:58:03He wants you, Bravo.
00:58:08Don't let me die.
00:58:10Don't let me die.
00:58:12It's gonna be okay.
00:58:13Don't worry.
00:58:16I'll take care of this.
00:58:18I swear.
00:58:19I'll take care of this.
00:58:20I swear.
00:58:33You're looking good.
00:58:39She was mine, Bravo.
00:58:43You of all people should have known that.
00:58:46She made her choice.
00:58:48Sadly, the wrong one.
00:58:50We're all concerned.
00:58:57Isn't it amazing how times have changed?
00:58:59I don't even need a detonator.
00:59:01I just have three.
00:59:06Let's me and you finish this.
00:59:08Or, well, just me and you.
00:59:11No, no, no.
00:59:14I'm full.
00:59:15I'm water.
00:59:18Look at me.
00:59:20These days,
00:59:21I fight for my life just going up a flight of stairs.
00:59:24Tell me this.
00:59:27How do you think your undead friends are gonna react
00:59:30when they find out their only chance of life
00:59:34goes boom?
00:59:36They'll want your head on a stick.
00:59:39Well, right next to yours.
00:59:43Imagine that.
00:59:45Two brothers.
00:59:47Side by side.
00:59:48Imagine that.
00:59:50Two brothers.
00:59:52Side by side.
00:59:54Heads on sticks.
00:59:56We were never brothers.
00:59:59Well, not by blood.
01:00:01But in blood.
01:00:04And that's the stain you don't wash off.
01:00:08No matter how hard you scrub.
01:00:19Heh.
01:00:22Go!
01:00:24Get him! Go!
01:00:32Bill!
01:00:34Mayday! Mayday!
01:00:37Shit!
01:00:44Man, this changes everything.
01:00:49Brew gone.
01:01:08No, no, no!
01:01:19No!
01:01:32You got some balls coming back here.
01:01:49I'm so close.
01:01:52I'm this close.
01:01:54You'll get another chance.
01:01:57You will.
01:02:00You still have me.
01:02:04And a little old lady who's pretty good with a shotgun.
01:02:08And your posse.
01:02:12I have to go.
01:02:14And your posse.
01:02:18I have nothing to offer them now.
01:02:20Just be honest with them.
01:02:21I love you.
01:02:43Time to do God's work, brother.
01:02:46Whatever the hell that means.
01:02:52Four!
01:02:54That's the best they can do!
01:02:57Come on!
01:03:04Hey!
01:03:11What are they doing now?
01:03:13Nothing.
01:03:14Nothing.
01:03:20Not a damn thing.
01:03:25Tepacito, Mira Soto.
01:03:28Huh?
01:03:31I'm gonna put some biscuits in the basket.
01:03:34Oh, you go get them, Stanley Cup.
01:03:37He got planned.
01:03:45Fuck this.
01:04:01Time to get stick-faced.
01:04:10Uh-oh.
01:04:12Oh, shit!
01:04:14They blow sticky!
01:04:17Shit!
01:04:19I think that was a missile!
01:04:21Damn it!
01:04:23Fuck!
01:04:25That fixin' to blow us all up!
01:04:29Yeah!
01:04:31Damn, that's sticky!
01:04:33Well, sticky.
01:04:38Holy shit!
01:04:41That just ain't fair!
01:04:46What are we gonna do now, Bravo?
01:05:07So, what's plan B?
01:05:11Where does this thing spit out?
01:05:13An abandoned factory on the Mexican side.
01:05:17Bravos!
01:05:31Don't you let him get away, you motherfucker.
01:05:39Keep moving! Keep moving!
01:05:42Oh, shit!
01:05:45Stay back!
01:05:47Get him!
01:05:55I can't get to Bravo on the limit!
01:05:57Fuck!
01:06:05Take it further!
01:06:12Charlie!
01:06:36All right, Lasorda, come on.
01:06:37Come on.
01:06:55I thought there'd be more.
01:06:57There will be.
01:06:59Come on. Any minute.
01:07:01If you stay, I stay.
01:07:03We'll be right behind you.
01:07:05No, Bravo!
01:07:07Let's go.
01:07:18Okay.
01:07:20Let's gather up all these grenades
01:07:22and blow the hell out of this joint.
01:07:24Not you, old friend.
01:07:26You're all done here.
01:07:28Hey, this ain't none of you.
01:07:31Actually, it is.
01:07:33It's where we belong.
01:07:34You still got some life.
01:07:36Put it to good use.
01:07:38Yeah, go out there and do something nice,
01:07:40like save some kittens or something.
01:07:45Let's do it again sometime.
01:07:47You remember them red diamonds
01:07:49that went missing during that San Antonio job?
01:07:52Damn, you nasty.
01:07:55Put them to good use.
01:08:01Let's blow this joint.
01:08:02Like you read about.
01:08:04It's been a hoot, muchacho.
01:08:33Bravo?
01:08:45Where's Bravo?
01:08:47I don't know, mija. We gotta go.
01:08:49We gotta go!
01:08:51Dolores.
01:08:56I'd rather be in oblivion with you
01:08:59than in this world without you.
01:09:02Let's go.
01:09:03Let's go.
01:09:04Let's go.
01:09:31Mi poeta.
01:09:33Mi monstruo.
01:09:48You mother...
01:10:00Bravo!
01:10:03Bravo!
01:10:08Get me out of here!
01:10:15Everyone!
01:10:22Stupid!
01:10:28You don't get to die on me, Bravo.
01:10:33He's digging!
01:10:41He's here!
01:10:42He's here!
01:11:02Bravo!
01:11:06He's not breathing.
01:11:07I know.
01:11:08He's not breathing.
01:11:09Bravo.
01:11:15Bravo!
01:11:16Bravo!
01:11:27No!
01:11:28We have to go.
01:11:29We have to go.
01:11:30Yeah.
01:11:31We have to go.
01:11:32We have to go.
01:11:33Come!
01:11:42No.
01:11:52Take this.
01:12:02Take this.
01:12:27Come tomorrow.
01:12:31Come to Mommy.
01:12:34Hola, Papi.
01:12:37Bienvenidos.
01:12:39Yeah?
01:12:40Oh, Bravo.
01:12:47I was just kissing an angel.
01:13:01Let's go.
01:13:23Vamos!
01:13:25Hola, amigos.
01:13:31Hola.
01:13:38¿Qué puedes, compa?
01:13:41Remember we used to play here when we were kids?
01:13:43Hide and seek.
01:13:44Of course, it was an avocado orchard back then.
01:13:50Remember when we fell off the...
01:13:52¡Cójanse en el infierno!
01:13:56¡Mierda!
01:14:02Kill me.
01:14:03I've already died twice today.
01:14:07Well, let her be.
01:14:09Sorry.
01:14:11We made a deal.
01:14:13Her ranch or her life.
01:14:17She chose them wisely.
01:14:19Like her Guadalupe.
01:14:23Funny how things come full circle, you know?
01:14:26¿Qué pasa?
01:14:27¡Ah!
01:14:29¡Ah!
01:14:31¡Ah!
01:14:32¡Ah!
01:14:36¡Ah!
01:14:39¡Ah!
01:14:40¡Ah!
01:14:42¡Ah!
01:14:43¡Ah!
01:14:44¡Ah!
01:14:47Guadalupe.
01:14:55♪♪
01:15:05♪♪
01:15:15-♪♪
01:15:21This is for Mateo.
01:15:23-♪♪
01:15:31-♪♪
01:15:34Look at me, cabrón. Look at me.
01:15:36-♪♪
01:15:43I want my face to be the last one you see.
01:15:46-♪♪
01:15:56-♪♪
01:16:01-♪♪
01:16:09Stay here and sleep by the fire, compadres.
01:16:14Dios te bendiga.
01:16:27What now?
01:16:29Rebuild somehow.
01:16:31It won't be easy.
01:16:32I'll manage.
01:16:35-♪♪
01:16:40Here.
01:16:41This might make it a little easier.
01:16:44Uncut red diamonds.
01:16:47Compliments of Tommy Lasoria.
01:16:49Where was he keeping these?
01:16:51You don't want to know.
01:16:52-♪♪
01:16:54Tommy.
01:16:56You could stay, you know?
01:17:00How about I could pay you in diamonds?
01:17:03-♪♪
01:17:05No, Mia, I got other plans.
01:17:07-♪♪
01:17:10I gotta go, carnalita.
01:17:12Dios te bendiga.
01:17:14-♪♪
01:17:16Cuídate, bravo.
01:17:18I will. I will.
01:17:20-♪♪
01:17:25Señora.
01:17:27Dios te bendiga, señorita.
01:17:30Igualmente.
01:17:32-♪♪
01:17:40-♪♪
01:17:44I don't think there's any place on Earth
01:17:48more beautiful than this.
01:17:52Unbelievable.
01:17:54Most beautifulest place this side of heaven.
01:17:58Lately, Mia,
01:18:00I've been thinking,
01:18:02I'm tired.
01:18:04I've done what I was put here to do,
01:18:07and now...
01:18:10I think...
01:18:12I'm ready to move on.
01:18:14-♪♪
01:18:18I just want to be with you, baby.
01:18:20-♪♪
01:18:22Not yet, mi amor.
01:18:25Your body will heal,
01:18:27and so will your soul.
01:18:29You have so much more to do, Santana.
01:18:32-♪♪
01:18:37-♪♪
01:18:41-♪♪
01:18:44-♪♪
01:18:48Hey, Miguelito.
01:18:51Yeah.
01:18:52Bravo in the hand.
01:18:54-♪♪
01:18:58Look out.
01:18:59Dead hand walking.
01:19:01-♪♪
01:19:04I think it's the beginning of a beautiful friendship.
01:19:08-♪♪
01:19:12Amigos till the end.
01:19:14-♪♪
01:19:16All cinco dedos.
01:19:18-♪♪
01:19:23-♪♪
01:19:28-♪♪
01:19:33-♪♪
01:19:38-♪♪
01:19:43-♪♪
01:19:48-♪♪
01:19:53-♪♪
01:19:58-♪♪
01:20:03-♪♪
01:20:08-♪♪
01:20:13-♪♪
01:20:18-♪♪
01:20:23-♪♪
01:20:28-♪♪
01:20:33-♪♪
01:20:38-♪♪
01:20:43-♪♪
01:20:48-♪♪
01:20:53-♪♪
01:20:58-♪♪
01:21:03-♪♪
01:21:08-♪♪
01:21:13-♪♪
01:21:18-♪♪
01:21:23-♪♪
01:21:28-♪♪
01:21:33♪♪
01:21:38-♪♪
01:21:43-♪♪
01:21:48-♪♪
01:21:53-♪♪
01:21:58-♪♪
01:22:03-♪♪
01:22:08-♪♪
01:22:13-♪♪
01:22:18-♪♪
01:22:23-♪♪
01:22:28-♪♪
01:22:33-♪♪
01:22:38-♪♪
01:22:43-♪♪
01:22:48-♪♪
01:22:53-♪♪
01:22:58-♪♪
01:23:03-♪♪
01:23:08-♪♪
01:23:13-♪♪
01:23:18-♪♪
01:23:23-♪♪
01:23:28-♪♪
01:23:33-♪♪
01:23:38-♪♪
01:23:43-♪♪
01:23:48-♪♪
01:23:53-♪♪
01:23:58-♪♪
01:24:03-♪♪
01:24:08-♪♪
01:24:13-♪♪
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