Igra sudbine, Epizoda 1233,Igra sudbine 1234 ,Igra sudbine 1233,Igra sudbine Epizoda 1234, Igra sudbine Epizoda 1233,Epizoda 1234 Igra sudbine ,Epizoda 1233 Igra sudbine
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TVTranscript
00:00I'm not an alcoholic anymore.
00:03Once an alcoholic, always an alcoholic.
00:06You, Ivan, shouldn't go near alcohol.
00:10You shouldn't stand on the sidewalk,
00:12but you shouldn't lick the alcohol.
00:13Sidewalk? I'm begging you, don't talk to me like that.
00:16You know, I'm not a drunk.
00:18I'm not a drunk.
00:20I'm not a drunk.
00:22I'm not a drunk.
00:24I'm not a drunk.
00:26I'm not a drunk.
00:28Don't talk to me like that, you know?
00:31I'll talk to you like I want.
00:34I have the right.
00:36Do you know who gave it to me?
00:37Me.
00:38Myself.
00:39And don't pretend to be a victim here.
00:43Where are you from?
00:44I came back for a drink.
00:46On a break from work.
00:48Is it forbidden?
00:50It's not forbidden, just a drink.
00:52You should go to work now.
00:55I don't have any patients at the moment.
00:58Or you have a break from work.
01:00I'm sorry, Una, this is my wife, Gabriela.
01:03Gabriela, this is Una.
01:06Nice to meet you.
01:07Likewise.
01:09Why do I have the impression that we've known each other for a long time?
01:14Listen, you yourself know that the business club is in serious trouble.
01:18I don't see the point in giving money to something where there is no return.
01:21Well, the point is that it's not all negative and positive.
01:24Maybe, but the math here is clear as day.
01:27That's what I'm talking about.
01:28It's not all in math.
01:30The business club is good for the image company.
01:32That's what I'm talking about.
01:34Is it for the birth of children?
01:37Children?
01:38Who are you talking about?
01:39Well, the birth of a child exists to point out the mistakes you make.
01:45Whatever it is.
01:46I'm not the worst man in the world.
01:49You really aren't.
01:50Like I said, you're a good man.
01:52But you have your bad sides.
01:55Okay, which ones don't?
01:58I should get going.
01:59No, no, no, Gabriela just left.
02:01Me?
02:03Aren't you going to invite me for a drink?
02:05You interrupted us in the middle of the conversation, Gabriela.
02:07Okay, relax.
02:08I didn't even plan it, I was with my friends.
02:11Anyway, a drink on a break and back to work.
02:16Enjoy.
02:20I understood perfectly.
02:22Thank you for the drink.
02:24I'm worried.
02:25I'm worried, Ivan.
02:26Someone in this family has to do it.
02:28And I obviously did it by default.
02:34That means he took that space for his new business.
02:37What?
02:38I mean, it looks like he took that space for his new business.
02:41So Miki Tambura has a new business, right?
02:43Yes.
02:44At least that's what they told me.
02:45That's what I heard.
02:47And what kind of business?
02:49What do you think?
02:50What can you do with Milorad?
02:51Whatever he does, it's not a clean job.
02:54Yes.
02:55It turned out that I accused you of bullying, but it wasn't like that.
02:59Okay, it doesn't matter.
03:01It doesn't matter?
03:02It doesn't matter.
03:03I just wanted to draw your attention to some things that need to be done.
03:07Okay, I understand.
03:09I know it's hard for you here with us, especially since we're all here.
03:13No, no, I like to work for you.
03:15Where are you, Milo?
03:16Finally, the three beautiful women are entering this place together.
03:20Hi, honey.
03:21You're cool.
03:22You're cool.
03:24What are you doing?
03:25Nothing, we're enjoying ourselves.
03:27What?
03:28Where are you going?
03:29We're going to sit down.
03:30Why?
03:31We're going to sit down.
03:32Why don't you sit here at the table?
03:35We want to sit down for a while.
03:37Why?
03:38What do you mean why?
03:39Because we want to talk a little.
03:42You can talk here.
03:44I won't keep my mouth shut.
03:46I know, but we want to talk about some women's stories.
03:49I'd like to have a nice relationship.
03:51Of course, no problem.
03:54So, we made up?
03:56We never argued.
03:58Can we have a coffee?
04:00Yes.
04:01Okay.
04:02Did you forget about me?
04:03I'm here, I want a coffee.
04:05What is this, a survey?
04:07A product test.
04:09Wait, you have to calm down.
04:12We're not at work.
04:14I am.
04:15Please.
04:17This is my new project.
04:24I'm not sure if I want to sue for Milet.
04:27Let's record.
04:31You know, I'm not sure if I want to sue for Milet.
04:36I totally understand, it's Milet.
04:39You have to think carefully if you want to sue or not.
04:43I'm thinking.
04:44But I'm not sure if I still love him.
04:47Okay, take it easy.
04:49This is serious.
04:50So, you already accepted Luka's offer?
04:53Yes.
04:54Well, congratulations.
04:58You'll get out of work.
05:00I know.
05:02And we probably won't go drinking anywhere except here.
05:05Well, what's there, is there.
05:25I met Pavlo's girlfriend.
05:28Oh, Nebojsa.
05:29What a surprise.
05:30Have a seat.
05:33Are you okay?
05:34I'm fine.
05:36Where are you from?
05:39We have a potential problem.
05:41Yes.
05:43Sit down.
05:58Ah.
06:28I love you.
06:29I love you.
06:30I love you.
06:31I love you.
06:32I love you.
06:33I love you.
06:34I love you.
06:35I love you.
06:36I love you.
06:37I love you.
06:38I love you.
06:39I love you.
06:40I love you.
06:41I love you.
06:42I love you.
06:43I love you.
06:44I love you.
06:45I love you.
06:46I love you.
06:47I love you.
06:48I love you.
06:49I love you.
06:50I love you.
06:51I love you.
06:52I love you.
06:53I love you.
06:54I love you.
06:55I love you.
06:56I love you.
06:57I love you.
06:58I love you.
06:59I love you.
07:00I love you.
07:01I love you.
07:02I love you.
07:03I love you.
07:04I love you.
07:05I love you.
07:06I love you.
07:07I love you.
07:08I love you.
07:09I love you.
07:10I love you.
07:11I love you.
07:12I love you.
07:13I love you.
07:14I love you.
07:15I love you.
07:16I love you.
07:17I love you.
07:18I love you.
07:19I love you.
07:20I love you.
07:21I love you.
07:22I love you.
07:23I love you.
07:24I love you.
07:25I love you.
07:26I love you.
07:27I love you.
07:28I love you.
07:29I love you.
07:30I love you.
07:31I love you.
07:32I love you.
07:33I love you.
07:34I love you.
07:35I love you.
07:36I love you.
07:37I love you.
07:38I love you.
07:39I love you.
07:40I love you.
07:41I love you.
07:42I love you.
07:43I love you.
07:44I love you.
07:45I love you.
07:46I love you.
07:47I love you.
07:48I love you.
07:49I love you.
07:50I love you.
07:51I love you.
07:52I love you.
07:53I love you.
07:54I love you.
07:56Does he have a girlfriend?
07:58I don't know exactly what he's up to, but he was out drinking with Una.
08:03With Una?
08:05How is that possible?
08:08Did they call you to see them?
08:10Not really. I met them in town.
08:13Wait, they're seeing each other?
08:14Not seeing each other, but enjoying the Belgrade cafes while flirting.
08:20How did they look to you?
08:22I told you they were flirting.
08:26That's all I needed.
08:29What?
08:31To see that girl, that woman of dubious morals.
08:35She was cheating, cheating, cheating.
08:41Mom.
08:43I have to tell you something.
08:48You look to me as if you wanted Pavle to never be with another girl.
08:55What are you talking about?
08:59You know what I'm talking about.
09:10Well, you promised me.
09:12What?
09:15You promised me you wouldn't do dirty work anymore.
09:18Okay, so?
09:20So what?
09:21What are you doing?
09:23Magazine.
09:25Did you buy a magazine from Cannes Capital?
09:28Come on, sit down.
09:30I won't.
09:31Sit down, if you want to talk.
09:33I can't listen to you while I'm thinking.
09:35Sit down.
09:38Who told you that?
09:40That's the least important thing right now.
09:43Did you buy a magazine or not?
09:45Yes.
09:46So?
09:47What's the problem?
09:51THE PROBLEM
09:58You know what, guys?
10:00As soon as you came here,
10:02unannounced at this time,
10:04it's clear to me that there is a potential problem.
10:08Yes.
10:09Yes.
10:11What have you done now?
10:13What's the problem?
10:15We didn't make the problem.
10:17We made the problem, yes.
10:19You?
10:20Well, that's something new now.
10:23What's it about?
10:27Someone made the problem for us,
10:29someone who made the problem for you many times in your life.
10:33He extends the list of those people.
10:35Yes, this is your friend, Miki Tambura.
10:37Yes.
10:39Tambura?
10:40Yes.
10:45Well, Tambura always made problems and confused people.
10:49And, of course, he always confuses someone behind their back.
10:52What did he do?
10:53Well, nothing new.
10:54He confused us behind our backs,
10:56so I told him what to do.
10:59What happened?
11:01We were filming an advertisement.
11:03Yes.
11:04Yes.
11:20How dare you address me like that
11:23and construct such nonsense?
11:26What nonsense?
11:29It's not true that I wouldn't want Pavle to have someone.
11:32Above all, I would want him to be happy,
11:35but that Una, she can only bring him some...
11:38troubles.
11:40What do you mean?
11:43Mom, your possessiveness towards Pavle goes beyond all boundaries.
11:46I'm not possessive.
11:48That's why you brought a private detective to the house
11:51to find out everything about a woman there.
11:53I mean, you see that I was obviously right.
11:56You see that there is something between him and that woman.
12:02Do you hear yourself?
12:05Are you aware of how you sound?
12:07Are you trying to say that I'm crazy?
12:09I don't know.
12:10But sooner or later you will have to realize
12:12that your little prince has his own life,
12:14which, I imagine, also includes girls.
12:19Do you know what that means?
12:21It means that he won't be able to belong to you for the rest of his life.
12:25Your expectation that he will hold on to your skirt for the rest of his life
12:29is really abnormal.
12:30And painful.
12:32I'm extremely surprised by your behavior.
12:36I find it very unpleasant.
12:38What, have you decided to hurt me?
12:40Come on, Mom. Mom.
12:43Why would I do that?
12:45I just decided to tell you the truth.
12:48Well, your truth has left me speechless.
12:52Well, there you go.
12:54And that's what we experienced.
12:56That Biljana is speechless.
13:16You don't see any problem in buying a magazine
13:19from a company that owns Cannes Capital?
13:22No, I don't see any problem.
13:24And what do you think you're doing with that magazine?
13:27Well, you see, it's none of your business.
13:29Oh, you thought you were going to end up in jail?
13:32You know, I'm sick and tired of those jails.
13:34Look, I'm not going to let you do it.
13:37Easy.
13:38Do you understand?
13:39Easy. Just easy.
13:41You came here to teach me
13:43how to run a business.
13:46I bought that magazine because it was on sale.
13:49And I paid for it, legally.
13:53Everything I do,
13:55everything I do, you associate with crime.
13:58What's wrong with you, man?
14:00Is this some kind of professional defamation?
14:02Or are you trying to heal the trauma from your childhood
14:05so you can take my side?
14:07You see, it's impossible to talk about that.
14:11Either return the magazine to the thieves,
14:13or forget where you got it.
14:35While Andrija Bošnjak was running Cannes Capital,
14:37he bought a company.
14:39It was the biggest acquisition of that period.
14:42Okay.
14:44Within the scope of that company,
14:46there was a magazine
14:48that wasn't included in the transaction
14:50during the purchase.
14:52What do you mean it wasn't included in the transaction?
14:54Well, that's how the contract stands.
14:56The magazine doesn't belong to the company.
14:58We thought it did, so what?
15:00Didn't you read the contract?
15:02We read the contract,
15:04but we didn't expect that part.
15:06You two created a problem.
15:08Yes, we did.
15:10Yes.
15:12Okay.
15:14So what now?
15:16I mean, what about the magazine?
15:18Nothing.
15:20It turned out that the magazine wasn't ours.
15:22So we decided to find a new owner
15:24and take the magazine from him.
15:26But...
15:28Okay.
15:30But it turned out that he had already sold
15:32the magazine to someone else.
15:34Who?
15:36We told you.
15:38Tambur is the owner.
15:40Tambur?
15:42It's not funny.
15:46It's not funny.
15:57Well, I'm done talking.
15:59We can go.
16:01I'm not going yet.
16:03You can stay a little longer.
16:05You've already started working overtime.
16:07I have to get to know the place.
16:09Okay, see you tomorrow.
16:11I mean, don't see each other.
16:13Okay.
16:15Bye.
16:17Bye.
16:19Bye.
16:31Hello.
16:33Hello.
16:35Do you want something to drink?
16:37Only if I'm not drinking alone.
16:39I work, I don't drink.
16:41I work too.
16:43I understand.
16:45Vanja Milatović.
16:47I work in capital.
16:49Irma Latas.
16:51Nice to meet you.
16:53I'm sorry, I'm not informed.
16:55I don't know what you do.
16:57Well, I got a job to help you
16:59run a business club.
17:01Of course, financially.
17:09Tambur didn't just buy the magazine
17:11that's in our company.
17:13That's right.
17:15He knows what he wants.
17:17That's why they came to you.
17:19To tell us what to do with him.
17:23I'm used to it.
17:25Whenever you have a problem,
17:27you come to me.
17:29We didn't make a problem.
17:31It doesn't matter.
17:33As soon as you get into something,
17:35you come to me.
17:37I solve it like I have a magic wand.
17:39That's right, we came to you.
17:41You're a man, you solve problems.
17:43Vuki, you always solve everything.
17:45You're a white ninja.
17:51I'd like to help you guys,
17:53but I really don't know
17:55how this situation
17:57surpasses my power.
17:59You can't help us,
18:01but maybe you have an advice.
18:05I have an advice.
18:07Read the contract
18:09until the end.
18:11Even in small letters.
18:15You're very kind.
18:17As for the legal side
18:19of this situation,
18:21there's only one solution.
18:23What solution?
18:27Go to Tambur
18:29and try to buy
18:31his magazine.
18:33That's legal.
18:41OK.
18:43As the hosts say,
18:45I went to Luka and Aleks
18:47and I gave them a problem.
18:49They said they'd send help.
18:51And the help has arrived.
18:53OK, sorry for being so confused.
18:55I didn't know
18:57the help would be so fast.
18:59No, Luka realized
19:01the situation very seriously.
19:03OK, I'm glad.
19:05It's important to react while we can.
19:07Don't worry, we'll definitely
19:09find a solution.
19:11OK.
19:13Why didn't you tell me
19:15you'd come?
19:17It was a challenge.
19:19I came on my own this evening.
19:21It's OK.
19:23It's important that you're here.
19:25It's an informal evening.
19:27I'm working from tomorrow.
19:29I'm far from finance.
19:31I'm not an expert.
19:33That's OK.
19:35Just let me know.
19:37For starters,
19:39let's have a drink.
19:41OK, I'll have a lemonade.
19:43OK, great.
19:45I didn't interrupt anything.
19:47No, no, you didn't.
19:49Come in.
19:51I wanted to ask if everything's OK.
19:53Why?
19:55Or does it look like it isn't?
19:57It's been a while.
19:59It's been a while.
20:01It's been a while.
20:03It's been a while.
20:05It's been a while.
20:07It's been a while.
20:09It's been a while.
20:11It's been a while.
20:13It's been a while.
20:15It's been a while?
20:17It's been a while.
20:19Hasn't it been a while?
20:21It's been a while.
20:23Hasn't it been a while?
20:25It's been a while.
20:31You can see it clearly now, right?
20:33So, there's a problem?
20:35There is
20:37But business is off.
20:39I didn't want to interfere
20:41And? What is it about?
20:49Believe it or not, it's about my mom.
20:52I'm sorry if this is too private for you.
20:55No, private things can be expressed at work.
21:02I wasn't thinking about you in this case.
21:07I know, I know, of course.
21:09I would be the first to say that.
21:11At least you know me.
21:13Yes.
21:15And what is it about?
21:29This?
21:34Ilka.
21:35Hey, Irma, come in.
21:37I'm sorry. Sit down.
21:42How are you?
21:43I'm fine.
21:45I'm fine, but I don't have much time.
21:47I have to go back to the club.
21:49Yes, I wanted to tell you that I was thinking about your request.
21:52I know.
21:54How do you know?
21:56I know because I saw you take some steps already.
22:01You saw that I took...
22:03I saw that I took some steps.
22:05I met Vanja.
22:07You met Vanja?
22:09Last night she was at the business club in Pić.
22:27You know, my mom is a terribly possessive woman.
22:31I try to tolerate it and understand it,
22:34but this time she's really overreacting.
22:36All mothers are like that.
22:38Here's my over-concern.
22:40I'm not sure I can compare, but okay.
22:42Let's try.
22:44The facts are no longer important, but I'm in a dilemma.
22:49She called me to have lunch with her,
22:52and I'm thinking about not going.
22:55So you're not in a dilemma if you've already decided?
22:58But my conscience is biting me.
23:00My conscience is biting you like a monster.
23:03And what should I do?
23:05She's your only mother.
23:07And you'll see her like that.
23:10That's true.
23:12So?
23:13Do you want to go for lunch?
23:16I think my mom will understand a lot of things if I just refuse.
23:21Just tell her not to do the things she's already done.
23:25Something like that.
23:28You're a poor mother.
23:34I needed to think about where I am.
23:38Always.
23:45The patients are waiting for you in the waiting room.
23:59Yes, so you two don't waste time?
24:03Never.
24:05Okay, I'd like you to hear more from me, but...
24:08No, no, everything's okay.
24:10Don't worry, the important thing is that the problem is solved.
24:13That's right.
24:14We called Vanja because she's one of our best people for finance in the company.
24:22I know, she's the deputy financial director.
24:25I don't have to tell you.
24:27Yes, you met.
24:29And I think that Vanja will put Business Club on her feet.
24:35I mean financially, of course.
24:36I hope so, honestly.
24:38Yes.
24:40I mean, I'm fighting for all of this because Business Club is important for the company, but it's also important for me.
24:47Okay, I understand.
24:49That's right.
24:50So, we'll connect you, we'll organize everything.
24:54And then it's up to you and Vanja to do a miracle.
24:58Okay, I don't have to do a miracle.
24:59You don't have to do a miracle, yes.
25:00The important thing is that she knows what she's doing and that she's good at it, and that's it.
25:03Yes, she knows what she's doing, she's good at it, you know what you're doing, you're good at it, and I think you two will be a great team.
25:09Thank you very much.
25:10You're welcome.
25:11Okay, then back to work.
25:13Onward to work.
25:14Okay, let's go.
25:15See you.
25:16Bye.
25:25THE CUT
25:41And if you think I didn't notice you turning your eyes, you're wrong.
25:47Good afternoon, my beautiful self-esteem.
25:50What can I do for you on this wonderful day?
25:53Don't make a fool out of yourself. I don't like your personality.
25:56What do you want?
25:58I came for what is mine and what belongs to me.
26:01Aha, so that's what you came for.
26:03And what is that? I don't know.
26:05Don't make a fool out of yourself.
26:07I came for the middle part of the market.
26:11I beg your pardon?
26:12Why are you begging me?
26:14Give me that money and don't delay.
26:16Wait, I'm not informed that I should give you the middle part of the money.
26:22I've informed you. Can I give it to you?
26:24No, no, no. This is a serious cafe.
26:27There are rules here.
26:29I can't do anything on my own.
26:31You know what? Just so I'm clear.
26:33I'm not moving from this place until I get the middle part of the market.
26:37Is that clear?
26:52I wanted to ask you something about the magazine.
26:56I assumed that. Sit down.
27:01We thought that we could give Tambor the offer to buy the magazine from him,
27:05so I could hear your opinion.
27:07The business logic is absolutely clear. Absolutely, yes.
27:11And I thought you were going to say something.
27:14I think it's most logical to become the owners of all the objects on the land we've already bought.
27:20I still don't know how we're going to do that.
27:23I know it's not ideal and that we'll have to pay for the magazine,
27:27but that's the only good decision.
27:31Let's get this straight.
27:33That's my opinion about the business logic.
27:36As far as the relationship with Tambor is concerned, I really don't know.
27:40I mean, I have no opinion about that.
27:42See, that's why I came to you. I knew you'd deal with business logic.
27:47Well, we'll give Tambor the offer.
27:50What can I say when I agree with you? We're great.
28:18Let's go.
28:33So, Professor, what's new? Do you have a job?
28:39Well, there's no job today.
28:42I don't have a job today. That's probably why I'm good.
28:45Because I allowed myself a little rest.
28:50Professor, if anyone deserves rest, and I know it,
28:54then it's definitely you.
28:59Those wizards have a soul, huh?
29:03Wizards?
29:05That's what they call me.
29:13Is she the same, or...?
29:15She's the same, but I doubt you'll react the way you're used to.
29:24What's new with you?
29:28Nothing special, Professor.
29:31I don't have a job, so I'm taking a little more rest.
29:36All right.
29:38Work creates man, and rest keeps him at work.
29:43God made a pause one day, when he created the world.
29:47Why can't we, ordinary mortals, allow ourselves that?
29:51Come on, let me live a healthy life.
29:53Enough, Professor. Come on.
30:00Huh?
30:02It's better than last time.
30:05No, you just got used to it.
30:08But, Professor, tell me, why did you call me?
30:14I don't need a special reason, Marinko.
30:17I didn't invite you to come.
30:19Really?
30:20I invited you to have a drink.
30:22There's nothing special about it.
30:24Professor, I just wanted to have a drink and rest a little.
30:28That's right, that's right.
30:30It doesn't look like you at all lately.
30:33Like I told you last time.
30:35We haven't seen each other like this before.
30:38There must be something.
30:40There's nothing, Marinko.
30:43Everything changes in life, and so do we.
30:46Right?
30:47So that you and I live in harmony.
30:49That's right, Professor.
30:51Cheers.
31:00I'm a beautiful woman of God.
31:02Is it clear to you that I can't do anything on my own
31:05and that no one told me that I should give you money?
31:08Is that clear to you?
31:10Because you're making it up.
31:12Come on, take it, give it to me.
31:14That's it.
31:15I can't, I have to consult with Uncle Mido first,
31:18to call him.
31:19You're making me nervous.
31:21Mido, Mido, Mido.
31:23Mido, Mido, Mido, Mido.
31:25Mido, Mido, Mido, Mido.
31:27Mido, Mido, Mido, Mido.
31:29Mido, Mido, as if Mido is a deity.
31:33Are you listening to what I'm saying?
31:35No.
31:36No, I see.
31:37No, no, because you're talking nonsense.
31:39I'm talking nonsense.
31:40And I don't care about your excuses.
31:42Mido should give me money.
31:44And he doesn't.
31:46And I don't want anything more than what I have.
31:49And I just don't want to get involved in your relationship,
31:52Uncle Mido, yours.
31:53And now I'm going to call Panchetta from this place,
31:55so she can say whether to give me money or not.
31:58You have Panchetta.
31:59What does Panchetta have to do with this?
32:01Panchetta is in love.
32:02It would be better if Panchetta would stop
32:05cutting me off instead of dressing me up like Mido.
32:08Oh, no.
32:29It's been years, Marinka.
32:35It's been years.
32:39A young man can't understand that diagnosis.
32:45It's been years, and that's normal.
32:50Professor, I've never heard you talk like this.
32:55Is everything all right?
32:58No.
32:59I mean, it's clear.
33:02Well, no, it's not all right.
33:05Until recently, I was sure that there was no case,
33:10no problem in this world that I couldn't solve.
33:16And now, all of a sudden,
33:18I'm flying like I'm on a wall.
33:21I stop and look, and I can't believe it.
33:23What's going on?
33:25I don't know.
33:26I think I've lost my mind.
33:31I think I've changed completely.
33:34The world has changed completely.
33:37I don't care about anything anymore.
33:40You know?
33:42Nothing.
33:44There's nothing left.
33:49Professor, did you really call me
33:51to have a drink and talk about the passage of time?
33:57What's missing to talk about the passage of time?
34:02Marinka's door.
34:05Professor, did you leave them?
34:07But you're closer.
34:21Come on, pour me some.
34:22All right.
34:23Your hands are shaking.
34:27Marinka?
34:29What's your name?
34:33Come on, cheers.
34:35Come on, cheers.
34:51Come on, cheers.
35:03My son!
35:09You're finally here.
35:21You're finally here.
35:33Tell me, dear.
35:42Just shut up.
35:43Shut up, shut up, Kopań.
35:45Everything is clear to me, young man.
35:47But let me tell you something.
35:49You're a real mother's boy.
35:51You know?
35:52Is anyone talking about me here, or am I imagining things?
35:59Excuse me.
36:02I really don't see what's going on here.
36:05I'll be right there.
36:06Excuse me.
36:20Either wait for it to cool down, or blow on it a little.
36:23All right, Mom.
36:24Thank you, I know how to eat soup.
36:26I'm not a kid anymore.
36:27That's how mothers are.
36:29No matter how big and grown up you are,
36:32you will be children to us.
36:43How are you, son?
36:49How are you?
36:59What would you like to do now?
37:01I didn't want to do that.
37:03I mean, I'd like you to work with me, even though I'm stupid.
37:19Hello.
37:28Hello.
37:35What are you looking for?
37:37Have you seen my laptop anywhere?
37:50You're still mad at me.
37:54I can't believe it.
37:57Why?
38:00You...
38:02You're...
38:04You're not ugly.
38:06You're a fool.
38:08And the difference is big.
38:10Except in the first word.
38:19He didn't want to tell me why he bought that magazine from you.
38:23Of course.
38:24Yes.
38:25But he told me that he bought it legally,
38:28because he wanted to do legal business.
38:31I can imagine how much legal business.
38:49PUNCHY
38:58Punchy!
39:01Punchy!
39:02Stefan!
39:15I don't know what to tell you.
39:17It has nothing to do with our relationship and openness.
39:34It's good.
39:35We have a guest, Lepović.
39:37I hope so.
39:38Cheers.
39:39Cheers.
39:47PUNCHY
39:49PUNCHY