Category
📺
TVTranscript
00:00THE FOURTH DAY
00:14Simona.
00:16Miss, happy to see you again.
00:19I haven't seen you with that smile in a long time. What happened?
00:22I'm getting married.
00:23What?
00:25Pelai and I are getting married.
00:26Tell me what happened.
00:28Tell me.
00:29When Pelai said she was pregnant, everything was rushed.
00:33Yes, I know it was rushed.
00:35Because that man did it just to hurt you.
00:39No, not in the end.
00:41He said he would take care of it and that the baby was his.
00:46What a joy, miss.
00:48And has the Marquis approved the wedding?
00:53He's been very careful.
00:54They want to avoid the scandal of a pregnant and unmarried daughter.
00:58As if.
01:00And after what happened with Manuel and Jana,
01:02he is calm to be able to solve my problem easily.
01:06Miss, your pregnancy is not a problem.
01:09A child who comes into the world is always a blessing.
01:12I know, I know.
01:14The positive of all this is that the wedding will be as soon as possible and discreet, just as I wanted.
01:19And just with whom you wanted.
01:22Of course, with whom else?
01:24No, no. Yes, you are right.
01:27I only say it because of how bad it has been for you these last few weeks.
01:33Pela, I realized your mistake and apologized.
01:37And you forgave him just like that?
01:40His regret is sincere and he was hurt.
01:43And he told me that he would take care of the child and that we would be a family.
01:48I don't know if so many comes and goes are good for a marriage.
01:52Simona, but you told me less than a week ago that Pelayo was in a crusade and that he seemed to love me.
01:58Yes, I know what I said.
02:00And I also know why I said it.
02:03Because at that moment you needed to hear that.
02:06Ah, you lied to me.
02:08No, no, no.
02:10At that time, Mr. Pelayo had not done the trick of telling everyone that you were pregnant.
02:16Everything is fine between Pelayo and me, Simona.
02:19Maybe better than ever.
02:21Really, miss?
02:23Yes, with my heart in my hand, I tell you.
02:26We have both done bad things in the past, but ...
02:29those mistakes will make us be able to build the relationship in the future.
02:34Yes, it will be true.
02:36What they say, what doesn't kill you makes you stronger.
02:40That's right. And I feel stronger than ever.
02:44Well, I'm very happy, miss.
02:45And I hope you can form that beautiful family because ...
02:49because you deserve it, miss.
02:52You and your child.
02:57And regarding the family, I want to ask you a favor.
03:00Of course.
03:08Good afternoon, mother.
03:10Good afternoon.
03:12Have you seen father?
03:14Why are you looking for him?
03:16He knows perfectly.
03:18I would like to finish talking about the proposal I made to you.
03:21That is not a proposal. It is an imposition.
03:28Mother ...
03:31I come in peace.
03:33And with the best of intentions, so please, I just want us to talk about it.
03:37Can't I have a little peace?
03:38Can't I have a little peace?
03:40We managed to resolve Catalina and the count's dispute and now you're back in charge.
03:44Did you think that by letting time pass, I was going to forget him?
03:47Unfortunately not.
03:49No. And I know he doesn't like it, but I have plenty of reasons to demand that Hanna has her own bed with us.
03:55And postponing this conversation does not benefit anyone.
03:58If you say so.
04:00I say so. So please tell me, have you seen father?
04:04No. And you won't find him either.
04:06He has left for Puebla de Tera and will not return until tomorrow.
04:09So even if it doesn't benefit anyone, I think you'll have to wait.
04:13And why did he do that?
04:16Son, believe it or not, you are not the center of the universe.
04:21Can you answer my question, please?
04:25He has gone to interview a friend of his, a politician.
04:28He wants to use his influence to free Mr. Baeza.
04:33At least you could see beyond your own navel.
04:37Do you really think I don't care what happens to Mr. Romulo?
04:42I only believe what I see with my own eyes.
04:45That my son behaves like a capricious infant who gets angry if he doesn't do what he wants.
04:49That's not true.
04:51All I'm asking for is what is rightfully mine.
04:53Hanna is my fiancée. And if she were another woman, they wouldn't be putting up so many obstacles.
04:57It's just a coincidence that she's not another woman. She's a maid.
05:00I don't care.
05:02What I feel for her will not change.
05:04No matter how much a father acts like a coward.
05:07Don't even think about calling your father a coward.
05:11Manuel, you are an ingrate.
05:13You owe him everything you have.
05:15I never asked for it.
05:17See? You're talking again like a spoiled brat.
05:19It's very unfair that you ask your father for more understanding.
05:22Because precisely if we are in this situation, it is because he did not know how to stop your fantasies in time.
05:27Are you trying to make me believe that my father is the personified goodness?
05:30He has given you much more than you deserved.
05:32Even if you didn't appreciate it by going with that whore.
05:36Don't go against Hanna, mother.
05:38This conversation is between you and me.
05:40Look, Manuel.
05:42Tomás had many flaws, but he understood this from the beginning.
05:45The Marquis is above us, son.
05:48He is above everything, and that's how we have educated you.
05:51And that's how I see it, father.
05:53The Marquis is above everything, even me.
05:57Look, mother.
05:59Education is important.
06:00But above it is freedom.
06:03And I plan to use it to be happy.
06:05Where are you going?
06:07I'm not done.
06:17Mom.
06:20Oquesa.
06:22Good afternoon, Mercedes.
06:25That's not my name.
06:27We didn't expect your visit.
06:29I didn't announce it.
06:31I didn't mean just that.
06:38I didn't expect you to come back.
06:40And I guess you would be very happy with that possibility.
06:44No.
06:46The truth is that I'm glad you're here.
06:48Better.
06:50Because this time I didn't come for any recipe, but ...
06:53to talk to you.
06:54To talk to you.
06:56I didn't like anything.
06:58The last conversation we had.
07:01López told me they argued.
07:03It will be better if we leave the cook alone.
07:08What did he come to, then?
07:10To apologize to you.
07:13With all this, I haven't exercised putting me in your shoes.
07:18Well, I haven't put myself in yours either.
07:22And I was afraid, huh?
07:24That you wouldn't want to forgive me because ...
07:26after all, you have already decided that this is your home.
07:30Not for long.
07:33What do you mean?
07:35Well, I think it's clear that I'm leaving the promise.
07:38But forever?
07:40I have notified Mrs. Arcos of my resignation.
07:43As soon as they have a replacement, I'm leaving.
07:45Are you leaving with the cook?
07:47Sorry, sorry.
07:49No, I should have said that.
07:50For a moment I thought that maybe you would come back home with us.
07:54Mother knows that's impossible.
07:56I can't go home.
07:58I know.
08:07Well, then.
08:09I'd better go.
08:11No, they've already seen her.
08:13So what?
08:15If she doesn't want people to ask questions,
08:17she'd better visit the cooks.
08:18How will you do it?
08:21Well, at least tell them it will be a short visit.
08:25I will.
08:37It's fine around here.
08:39I've had enough.
08:41No, you'll have enough when I say so.
08:48Hanna.
08:50I didn't know you were there.
08:52I would have changed my mind about your mother.
08:56Don't give her more importance than she already has.
08:59Manuel does have her.
09:01I get goosebumps just thinking that you're arguing for me.
09:05She's my mother.
09:07She has plenty of reasons to argue with me.
09:09This is not just any reason, Manuel.
09:11Your mother will never accept what's ours.
09:16Well, it's her problem.
09:19And I'll tell her as many times as I need to.
09:24My love, I love you.
09:26And there's nothing I can say to change that feeling.
09:32What did you tell her to get like this?
09:34Nothing, really.
09:36Because what I wanted to tell her,
09:38I also needed my father to hear it,
09:40and he's not in La Promesa.
09:42And where did he go?
09:44To Puebla de Terá.
09:45He's going to try to talk to a friend of his, a politician.
09:48To see if he can get Rúmulo out of the cartel.
09:51Manuel, that's great.
09:53Yes.
09:55Cousin, you were here.
09:57My God, we've been looking for you all over the palace.
09:59It's not like you were hiding from me either.
10:01Well, it didn't seem like it.
10:03We've been looking for you in your studio, in the hangar, in your bedroom.
10:06I'm here. What do you want?
10:08For you to change your clothes.
10:10And come with us to play badminton.
10:12Now?
10:13Martina thinks she can beat us up before dinner starts.
10:19Well, actually, that could be it,
10:21because I don't think I've ever played a racket like this in my life.
10:23Well, that's better.
10:25Because that way I can be your teacher and you won't get your ass kicked.
10:29I appreciate that.
10:31But it's going to have to be another time.
10:33And why is that?
10:35Because right now I'm very tired, Curro.
10:37But that's precisely why we've come to see you.
10:40Because badminton is like medicine.
10:41You have to imagine that the ball is all your problems
10:45and you hit it with a racket to get it away as far as you can.
10:49I hope that's not one of your lessons.
10:51Well, yes, it's going to work.
10:53You'll see that the three of us will have a good time.
10:58The three of us?
11:00Isn't badminton a couple sport, like tennis?
11:04Yes, the thing is that we asked Julia, but she couldn't come.
11:09I wasn't thinking of Julia.
11:11I was thinking of you.
11:18Hanna, I'm sorry.
11:20Well, since you can't play...
11:22Don't worry.
11:24Why can't she play? Is she a badminton player?
11:26No, but she's a lady.
11:28And my fiancée.
11:30Look, Manuel.
11:32Don't worry.
11:34I don't think anyone has tried to do anything bad to Hanna.
11:36Well, that's what you've achieved.
11:38Manuel, please.
11:39Stay by her side.
11:43Is it so hard for you to think about it?
11:45Hanna and I are getting married.
11:47We'll be husband and wife. Who cares?
11:49Let's see, neither Curro nor I have said otherwise.
11:51But you treat her as if she were a couple.
11:53You know what?
11:55I don't care.
11:57I'm tired of arguing with everyone.
12:04Hanna, forgive me.
12:06My intention has never been to ignore you.
12:07Really?
12:09I know, miss.
12:11I think your cousin is just a little over the top.
12:16I've lost my desire to play.
12:19I'm sorry.
12:27I'm sorry, sister.
12:31Come.
12:38I'm sorry.
12:40I couldn't find the notebook.
12:43Good.
12:45Well, we're all here.
12:47What recipe did you want to tell me about?
12:52Um ...
12:54meatballs with almond sauce.
12:57It's a shame I don't have a little more time,
12:59Mrs. Amalia.
13:01Because we have a very important meeting.
13:03I'm sorry.
13:04It's a shame I don't have a little more time,
13:06Mrs. Amalia.
13:08Because we have some garnishes
13:10that go perfectly with this recipe.
13:12Some cooked vegetables,
13:14a sweet potato with onion and wine ...
13:16No, no.
13:18Get the meatballs ready, please.
13:20We'll leave the garnishes for another time.
13:22Go ahead, boy.
13:24Yes.
13:26Well, the first thing is to season the minced meat
13:28with salt and pepper.
13:30Although it also includes other spices.
13:32And herbs,
13:34garlic, chopped.
13:36Yes.
13:38And a well-chopped onion
13:40that gives it texture and flavor.
13:42And egg yolk.
13:44I get the idea.
13:46Please continue with the recipe.
13:48Well,
13:50that's it.
13:52Mix everything well,
13:54shape it
13:56and fry it.
13:59And it would be to prepare the sauce
14:01with the juice of the meat itself.
14:02Yes.
14:04And there, Mrs. Amalia,
14:06is where the secret of this recipe is.
14:08Because that sauce
14:10is an invention of Lope.
14:12One of his secrets,
14:14one of the best kept secrets.
14:16I see, I see.
14:18If it's so secret,
14:20it's better to leave the recipe here.
14:23Well, Vera,
14:25if we don't tell Mrs. Amalia
14:27about the sauce,
14:29we have a recipe for meatballs
14:30for the recipe for meatballs
14:32Monda y Lironda.
14:34Is that better than revealing
14:36one of the best kept secrets?
14:38It's a way of speaking.
14:40Besides, we're with trustworthy people, right?
14:46Yes, yes, of course.
14:48So you don't care
14:50that Mrs. Simona reveals her kitchen secrets?
14:52Well,
14:54it depends on
14:56what the secret is.
14:58Is there a secret
15:00that has more value than others?
15:02Of course, yes, yes, yes.
15:04And as Lope says,
15:06it also depends
15:08on who is told that secret.
15:10Come on, I mean.
15:13Well, and in this case,
15:15I think it has become very clear
15:17that the secret can appear
15:19in my recipe, right?
15:21Yes, yes, of course, Mrs. Amalia.
15:23For my part, there is no problem.
15:28Where were we?
15:30Ah, yes.
15:32Well, then for the sauce,
15:34we have to reserve
15:36poached onion
15:38because this will give color
15:40and texture to the meatballs
15:42in almond sauce.
15:53Wow, I didn't expect that.
15:56Well, if you didn't like it,
15:58you'll have to give it back to me.
16:01What are you reading?
16:03Nothing, El Vespertino,
16:05but I've had enough.
16:07He doesn't talk about war in Europe anymore.
16:11So?
16:13What makes you so happy?
16:15Well, that we're getting married.
16:17And the other reason?
16:19I'm here to talk to Simona.
16:21I understand.
16:23And what?
16:25Has she given her consent
16:27for our wedding?
16:28Don't make fun of me.
16:30You know I'm very fond of her.
16:32Then I'll ask you seriously.
16:34Has she given her consent?
16:36At first it was hard,
16:38but finally she has wished us all the best
16:41for our future marriage.
16:43I'm calmer then.
16:46I came to ask you something.
16:49I already said that so much affection
16:51had a price.
16:53And you know you don't need kisses
16:55to ask me what you need.
16:56As long as it's in my hand,
16:58I'll take it.
17:00Is that what you say to get another kiss?
17:02Maybe.
17:08How can I help you?
17:11I want you to accompany me tomorrow
17:13to a toast that will be made in our honor.
17:15The news has flown.
17:17And who is our host?
17:20The Duchess of Cerezuelos?
17:23Cold, cold.
17:24I don't know.
17:26The Countess of Navalmoral was your friend, right?
17:29Cold, cold.
17:31Carolina, if you want me to go
17:33to all the noble houses of Andalusia one by one,
17:35we can be like this until tomorrow.
17:37And still you would never get it right.
17:39Why? Isn't it in Andalusia?
17:41It's not in a noble house.
17:43The toast is with the service.
17:45So we can tell them the news.
17:47But you haven't finished talking to Simona.
17:49Yes, that's right,
17:51but we'll celebrate it with everyone else.
17:52And we can also tell them
17:54the reason for the wedding.
17:56But we don't have to give explanations,
17:58let alone the servants.
18:00Well, maybe I expressed myself badly,
18:02but whether you like it or not,
18:04they have been a fundamental part of our relationship.
18:06I know it's not what you want the most,
18:08but for me it's important.
18:12Aya,
18:14if it's the fashion couple,
18:16with your brother and Cinderella's permission, of course.
18:18What do you want?
18:20What will it be?
18:22Congratulations.
18:24For a double match.
18:26Thank you very much, Captain.
18:30What's going on?
18:32Aren't you in the mood for congratulations?
18:36Mr. Count,
18:38I know there have been differences between you and me in the past,
18:41but I want you to know that my wish is sincere.
18:43I hope you are as happy
18:45as you have been so far.
18:47I'd better leave it open.
18:50We don't want bad tongues
18:52to speculate about your private life, do we?
18:56Leave it, Catalina.
18:58It doesn't deserve a pinch of attention.
19:03Okay.
19:16I love you.
19:34Mr. Baeza.
19:36What's up, Mr. Manuel?
19:38I was expecting you.
19:41I would have welcomed you with open arms.
19:43I'm glad to see that you haven't lost your sense of humor.
19:53Is something wrong?
19:57Romulo, I've come to see how you are.
20:00So my problems don't matter.
20:02Yes, they do matter.
20:04Besides, I'm telling you that
20:06there's nothing to tell here.
20:10That's about to change.
20:13But right now, my father is in Puebla de Tera.
20:15He's talking to a friend of his, a politician,
20:18and he may be able to get him out of here.
20:20Don't give up hope in vain, sir.
20:22Remember that none of your father's contacts
20:25could do anything for you when he was in prison.
20:28Who would intercede for this old mayor?
20:31Whoever it takes.
20:33You are innocent and you will get out of this cell.
20:36Besides, that's not the only news I bring you.
20:39This afternoon, I was reunited with Sergeant Burdina.
20:42I told him not to get involved.
20:44It's dangerous.
20:46All I've done is give him the names of the three men
20:49with whom Gregorio fought.
20:51The day he didn't come to our first meeting.
20:53Now he'll just have to interrogate them.
20:55I appreciate it.
20:57Yes, I'm sure that among those men,
20:59it may be the one who ended Gregorio's life.
21:01And now, are you going to carry out your inquiries
21:04or do we still have time?
21:06An adventure that has to do with the clashes
21:09between Miss Expósito and the Marquises.
21:10Am I wrong?
21:13Not one bit.
21:16My parents still don't give up.
21:19Well, if you allow me to compare,
21:23you already knew that it was a trench warfare.
21:27What you have to do is keep your position
21:30and let the enemy wear out little by little.
21:33I need to move forward, Romulo.
21:35I can't be patient with Hanna.
21:37I love her too much to wait no more.
21:39That's why I asked my parents
21:42for Hanna to have her own dormitory in the noble zone.
21:46Well, the request is not small.
21:50It's what they would do if Hanna were of noble birth.
21:53But it's not.
21:55And although I agree with you
21:57that things should be that way,
21:59but we both know that it can be a constant source of conflict.
22:04Well, let them get used to it.
22:06No, but I'm not talking about the Marquises.
22:09I'm talking about Miss Expósito.
22:12What does she think of this change?
22:17She doesn't know.
22:19Let's see, but what are you waiting for to tell her?
22:21She is the main affected.
22:23I know.
22:25But I don't want to tell her anything
22:27until this problem is solved.
22:29The last thing I want
22:31is for this to end up harming her
22:33and for everything to go back to normal.
22:34She gave me some advice.
22:37You know how much I value you.
22:40Miss Expósito
22:42is not a fragile porcelain doll.
22:46She doesn't need to be protected.
22:48Miss Expósito is a stronger woman than you and me.
22:53She doesn't make the mistake of keeping her locked up
22:56in a glass case as if it were a trophy.
22:59She doesn't make the mistake
23:01of keeping her locked up
23:03in a glass case as if it were a trophy.
23:14Well, I have noticed that she is sadder.
23:16It's just that we miss her, Teresa.
23:18Hanna was so excited about that snack.
23:21If the gentlemen are in a good mood,
23:23I'm sure there's a chance
23:25for another banquet, dance or snack.
23:28Maybe, but none as good as this one.
23:31It's going to be petit-comédie.
23:33What does that mean?
23:35It's French. It means small meal.
23:38That's something.
23:40At least you can wear your boots.
23:42You're so stupid, son.
23:44What does it mean when there are few people
23:46and when something is intimate?
23:48We were struck by the fact
23:50that you cancelled the snack from one day to the next.
23:52The guts are what you have, Teresa.
23:54They don't warn you when you go down the wrong path.
23:56Maybe, María.
23:58But I don't know. I think there's a cat here.
23:59You know something else that I don't.
24:01And you're already talking about that snack.
24:03Look, I've finished the back of the chair.
24:05What do you think?
24:07It's beautiful, isn't it?
24:09Well, yes.
24:11Start talking. Come on, Teresa.
24:13Hey, you could also help me with the pieces.
24:15Easy, easy.
24:17I don't give for nothing.
24:19Start talking about the snack.
24:21All right, but this is not my thing.
24:24The thing is, the other day I heard
24:26that Adelfa was telling Mari Carmen...
24:27Don't shut up, it's disgusting.
24:29Oh.
24:31Well, the thing is, they were saying
24:33that who cancels a snack in a week
24:35just because of a bad gut?
24:37Maybe it was something more serious
24:39than a fart.
24:41Canceling a week?
24:43Well, yes, it's not clear, really.
24:45And besides, it was an intimate snack.
24:47I mean, if the man hadn't found himself better,
24:49maybe he could have cancelled it
24:51in less time.
24:53That's true.
24:55But what does Mr. Manuel's friend gain
24:57from all this?
24:59She just got here.
25:01But behind all these things
25:03there's always the same woman,
25:05the Marquise.
25:07And she doesn't even cut her hair
25:09if she has to hurt Hanna.
25:11But that doesn't make any sense.
25:13How has the Marquise managed
25:15to cause a bad gut
25:17to the man's friend?
25:19Oh, he's fallen off a cliff.
25:21You're lying, Marcelo.
25:23Have you seen that friend?
25:25No.
25:27The one who's more stubborn
25:29than Ambrosio's mule.
25:31I have.
25:33And if we organize a snack for Hanna
25:35to cheer her up?
25:37And what do we gain from that, Marcelo?
25:39Or are you going to invite
25:41Mr. Manuel's friends?
25:43No, we'll be alone,
25:45but that'll cheer her up a bit.
25:47I think it's a good idea.
25:49After Mr. Romulo, Mrs. Pia and all that,
25:51it'll be good to change the air.
25:53What do you say, Teresa?
25:55Let's do it.
25:58Look how pretty I look.
26:00It's so nice.
26:20First of all,
26:22I apologize for my frankness,
26:24but I sincerely believe
26:25that the Count of Ayala
26:27is not the most suitable person for you.
26:33Good morning, dear.
26:35Good morning.
26:38Have you thought about
26:40what I told you about my cousins from Pamplona?
26:42About what?
26:44If I should invite them to the wedding.
26:46It's true that I don't have much dealings with them,
26:49but I'm sure they'll appreciate the invitation
26:52and will be generous with the gift.
26:54Do you think it's a good idea?
26:56I'd believe it if it weren't because
26:58I know I'll have to put up with the torture
27:00of their presumptions
27:02and their insipid conversations.
27:05Then don't invite them.
27:07I'm afraid I have no other choice.
27:09It's a consolation
27:11that with their money
27:13we'll buy a better wine for the invitation
27:15and that'll help them swallow it.
27:19Do I have something on my mustache?
27:20No.
27:23What's wrong, Margarita?
27:25Nothing, I was just thinking about something else.
27:28Well, I should have thanked you
27:30a little more when I told you
27:32about my cousins from Navarra.
27:35Good morning.
27:37Good morning, dear.
27:39Will you join us for breakfast?
27:41I was thinking of taking advantage
27:43of the fresh air in the morning
27:45to take a walk in the gardens.
27:47Of course, come in peace.
27:51But...
27:53can you come with me?
27:55Mother, I wanted to show you the roses.
27:58They've bloomed beautiful and huge
28:00as you like them.
28:02Well, let's go.
28:04Now?
28:06But you haven't tried the sandwich.
28:08I have a stomachache.
28:10I guess it's because I'm nervous about the wedding.
28:13Well, then...
28:15give me five minutes
28:17and I'll go with you.
28:18No, but...
28:20what's the point of having all those roses?
28:22No, breakfast is fine.
28:24Besides, Cruz is having breakfast outside
28:26and Alonso hasn't come back
28:28from his errands in Puebla de Terra.
28:30Shall we go, dear?
28:49Good morning, ma'am.
28:51What's going on, Petra?
28:53Well, the cooks today, by mistake,
28:55have made an excessive order
28:57of aubergines and pumpkins.
28:59If it's something that has a difficult solution,
29:01they can't be returned.
29:03So I've been working with them
29:05on a proposal for a weekly menu.
29:07I see.
29:09I'm sorry.
29:11No, no, no.
29:13It's fine.
29:15It's fine.
29:16A weekly menu.
29:18Aren't you supposed to
29:20supervise all the orders?
29:22That's right, ma'am.
29:24But I don't know how many aubergines
29:26are needed to cook the wine
29:28and how many pumpkins to make the cream.
29:30Very well.
29:32You can go.
29:40I find you a little down, ma'am.
29:43Don't I have a reason to be?
29:47I understand that it must be difficult
29:49to reconduct the situation of your stepdaughter.
29:51The situation?
29:53Catalina's freshness
29:55has so little understanding
29:57that she hasn't even stopped
29:59complaining about the useless man.
30:02Thank goodness
30:04that's at least solved.
30:06Does that mean there's going to be a wedding?
30:09The Marquis and I
30:11haven't given them another option.
30:13I just hope it's celebrated as soon as possible
30:14and there's no time for the scandal to break out.
30:16Well, I'll choose the right person for the job, ma'am.
30:19I hope so.
30:22Well,
30:24it seems that in the end
30:26you have fulfilled your goal.
30:28Well, Catalina's stepdaughter
30:30will disappear from my life forever.
30:33Although Pelayo has shown
30:35to be the most useless ally
30:37I could have found.
30:39Well,
30:41it will soon cease to be a concern.
30:42She does,
30:44but my son's uselessness
30:46is still there.
30:49I'm convinced, ma'am,
30:51that you will manage to get him into trouble
30:53as you have always done.
30:55I don't have the strength I used to have
30:57and my son doesn't stop trying
30:59to get us into that mess,
31:01even in the soup.
31:03I could ask him what he's done now.
31:05Can you believe
31:07that he wanted us to give him an alcove
31:09in the noble plant?
31:10He's an insensitive man.
31:12I'm sorry for his son,
31:14but he's not.
31:16He does it premeditatedly,
31:18with the sole intention
31:20of torturing his mother.
31:22Let's see when this nightmare ends.
31:24It's true that this misfortune
31:26has crossed too many limits, ma'am.
31:28He's also causing trouble at work.
31:30I imagine him
31:32showing off,
31:34just because he's my son's lover.
31:36I don't even know
31:38what task to assign him.
31:40He usually cleans the paintings,
31:42but with his bare hands
31:44so that the manure
31:46under his nails doesn't come out.
31:48Let's see if my son opens his eyes at once.
31:50If you order it, sir.
31:52Of course not.
31:54He would become a martyr
31:56and legitimize his fight against us.
31:58That's right.
32:00To finish with Hanna Expósito,
32:02we need cunning.
32:04And that fool
32:06has gone to give with his shoehorn.
32:102 YEARS LATER
32:17You can't be more handsome there.
32:21Miss Pia, he's huge there.
32:23He grew a lot since the last time I saw him.
32:26You have a larger puppet, don't you?
32:29They convinced me that I should
32:30come every day to the prom.
32:32There would be no problem, right?
32:34Being the two of you in Lujan,
32:36do you know anything about the prom?
32:37the promise.
32:39Mrs. Marquesa already gave her last word.
32:41And Mr. Marques? Because I imagine
32:43he and Mr. Rómulo had something to talk about
32:45when they started the whole plan
32:47to get rid of Gregorio.
32:49Mr. Marques gave me money to complete
32:51Diego's maintenance and he also gave me time
32:53to look for a new job.
32:55I'm lucky to have the hospitality of Beni
32:57who lets me stay at her house
32:59as long as I need it.
33:01She's better than the bacon broth.
33:03Well, yes. I try to help in Molino's
33:05for not being hand in hand.
33:07You've never been hand in hand.
33:09But that job is not for someone like you,
33:11Mrs. Pia.
33:13This house has not seen a better
33:15and more capable keymaker in all the centuries it has.
33:17Candela, that's already in the past.
33:19No one will want to hire a keymaker
33:21with a son and no husband.
33:23So what are you going to do?
33:25For now, I'll stay in Lujan
33:27until Mr. Rómulo is released
33:29from the barracks, of course.
33:31Do you think he can make the Marquesas look different?
33:33I don't think so.
33:35I don't want to leave here and stay there.
33:37I'd rather be free.
33:39Mrs. García, Mrs. Márquez.
33:41Mr. Pellicer,
33:43I'm sorry I came without warning.
33:45You don't have to apologize.
33:47Diego, do you know what a bicycle is?
33:49Come with me and I'll show you
33:51what a bicycle is.
33:53Come on.
33:55Wait, Mrs. Candela, we're coming with you.
33:57Look.
33:59Well, it seems Candela has forgotten
34:01that you wanted to tell her something.
34:03Yes, yes, it seems so.
34:05Mr. Pellicer, I came to La Promesa
34:07because, well, I was hoping
34:09to meet you.
34:11Why?
34:13Because we have a long conversation.
34:15I already told you at the time
34:17everything I had to tell you.
34:19Please, give me a chance to explain myself.
34:21Why? Facts speak for themselves.
34:23I was not worthy of her trust
34:25when they decided to pretend her death.
34:27So now I'm not either.
34:29Mr. Pellicer, it was not premeditated.
34:31I don't need you to give me any explanation.
34:33I want to give it to her.
34:35I'm sorry,
34:37I can't see her now.
34:39I have to talk to Mrs. García.
34:58Catalina?
35:04Are you okay?
35:06Yes, yes, I was just resting for a while.
35:08Ah.
35:12You know,
35:14I think
35:16that in my life I have seen you
35:18spending all day lying down.
35:20Except that time
35:22you had to stay because you got intoxicated
35:24with the smoke of the fire.
35:27I'm fine, really.
35:29It's just that a few days ago
35:31I had a terrible dream.
35:33Of course, because of the pregnancy.
35:35Yes, every day I notice changes.
35:37It's strange.
35:39Sometimes it's hunger, sometimes it's sleep.
35:41And nausea?
35:43No, fortunately not.
35:45Why were you looking for me?
35:47You see, I needed to have a quiet chat
35:49with the only sane person in this house.
35:52What did Cruz do this time?
35:54Ah.
35:56You know what? I'd rather not talk about her.
35:58Why don't you tell me how you are?
36:01I already told you, I'm tired.
36:03But I wasn't asking you about that.
36:07Well,
36:09I feel like
36:11a boat drifting.
36:14Sometimes on the crest of the wave
36:16hoping that everything will be fine.
36:18But sometimes I feel
36:20so small.
36:23At the mercy of the tide.
36:27You know, sister?
36:31I'd have my doubts about anyone else.
36:34But about you?
36:37I'm sure you'll stay afloat.
36:41I already told you no.
36:44I had my doubts
36:46when I knew what was waiting for me.
36:48The world fell on me.
36:51You feared that Pelayo would put you aside.
36:54And you've seen that it hasn't been like that.
36:58No.
37:00We're going to get married.
37:03If it were up to my father,
37:05the wedding would be this week.
37:07And what do you think about the wedding?
37:10Do you agree with her?
37:12Well, I
37:14love Pelayo as much as you love Hanna,
37:16so yes.
37:18Deep down, I can't be happier.
37:20Besides, it's the best thing
37:22for me and the baby.
37:27Can I?
37:30Yes, but it's too soon.
37:32You won't notice anything.
37:34Still.
37:41Hello, nephew.
37:43Or niece.
37:46You're right.
37:49Hello, niece.
37:52Hey.
38:00You know, it's a miracle
38:02that you have a baby
38:04growing inside you.
38:06It's life, Manuel.
38:08Yes.
38:12I have to admit
38:14that when Pelayo announced
38:16that you were pregnant,
38:18I was a bit worried.
38:20Why?
38:23I guess I overcame
38:25everything that happened with Ximena.
38:27I was so excited
38:29when she told me she was pregnant.
38:33I suffered so much when everything went wrong.
38:36It was all a lie, Manuel.
38:38You don't have to torture yourself.
38:40I know.
38:43You and Hanna will have your children.
38:46And that will make you happier.
38:51Sister, I'm already very happy.
38:54The arrival of Lujan to the family
38:56is always a source of joy.
38:59And you'll be the best uncle in the world.
39:03That's easy. I'll be his only uncle.
39:05That's true.
39:07Yes.
39:18Martina.
39:20You're back.
39:22That's right.
39:24How was the walk?
39:26Pleasant.
39:28And before you ask, the Rosales were great too.
39:30Wait.
39:32Where's your mother?
39:35I guess she's in her room.
39:37Why did she come back before me?
39:39Why didn't I see her?
39:42She was on guard at her door.
39:44Answer my question.
39:45I did.
39:47She came back before me because she was tired of walking.
39:51You can't lie to me.
39:54What happens to your mother is not tiredness.
39:56It's your fault.
39:59Let me go. I didn't do anything.
40:01You're trying to get between us to cancel our wedding.
40:04That's not true.
40:06No, I swear it's not true.
40:11Maybe what's happening is that she's realizing
40:13what you really are.
40:15Shut up, insolent.
40:17I was kind and tolerant with you when you attacked my life,
40:19but I can change my mind.
40:22And who was going to believe you?
40:24Because he said in front of everyone
40:26that he may not have been poisoned.
40:28What's he going to do? Find a third doctor?
40:30Find a diagnostician to refute what he has refuted.
40:34I have many ways to get rid of you.
40:36I already sent you to a asylum
40:38and I put you at the gates of jail.
40:40Do you remember?
40:42I'm not scared of his games.
40:44Because I know what he's made of.
40:49If you knew, you wouldn't be so calm.
41:00I love you.
41:18Can I come in?
41:20What do you need?
41:22I'd like to talk to you.
41:24It's about the squares.
41:26Well, precisely this time
41:28you can't complain.
41:30Well, I do have to complain because I've seen
41:32that you haven't assigned me any tasks.
41:36Now it turns out that the problem is not working.
41:38Look, I thought that was your goal.
41:42I don't know what you mean.
41:50Whenever a maid
41:52falls in love with a man,
41:54she ends up acquiring certain privileges.
41:56In fact, some have even managed
41:58to have their own little house
42:00away from the rest of the maids.
42:04Look, my relationship with Mr. Manuel
42:06and my job have nothing to do with it.
42:10But get into my situation, Hanna.
42:12How am I going to give orders
42:14to the woman who shares the bed
42:16with the next Marquis of Lujan?
42:18I am not the lover of any man,
42:20Mrs. Petra.
42:22And as a housekeeper,
42:24I should know that I sleep in my room,
42:26the one I share with María Fernández,
42:28and in my bed.
42:30If you are not his beloved now,
42:32it is because Mrs. Jimena passed away
42:34and you no longer have anyone to cover up the scandal.
42:36What are you insinuating?
42:40That maybe now
42:42you won't sleep with Mr. Manuel.
42:44But you've done it before.
42:46Otherwise, you wouldn't have him
42:48as enchanted as you have him.
42:50Look, you have no right
42:52to meddle in my privacy.
42:54I have not been the one who has
42:56inflated it in the four winds, Hanna.
42:58But it's okay, you've come here for work.
43:00Well, you will work and iron.
43:02Work is not
43:04in the hands of a future Marquise.
43:06But if all I want is ...
43:08What do you want?
43:10Have you come here demanding the same treatment
43:12as the others and you come with requirements?
43:14No, Mrs. Petra.
43:16You've come here looking for work, haven't you?
43:18Well, you already have it.
43:40Martina!
43:42Martina!
43:46Martina!
43:48What's wrong?
43:50I'm going to kill you.
43:52Look, it's over.
44:00What happened?
44:04The imbecile of Count Ayala.
44:06What did he do this time?
44:08Threaten me with ...
44:10Or send me to jail.
44:12But why does he come back with that again?
44:14It doesn't make sense.
44:16For a walk.
44:18I swear he's crazy.
44:20It's okay.
44:22I just don't understand why ...
44:24Why a walk?
44:26A walk with whom?
44:28I don't want to talk about it.
44:30Martina, it's not good that you keep it inside.
44:32If that man has threatened you,
44:34everyone has to know.
44:36I swear I don't want to talk about it.
44:40Martina.
44:42What's wrong with me?
44:44Lately you've been acting strange.
44:46And if there are more people,
44:48you know how to hide it, but alone?
44:50It's obvious that you're upset about something.
44:52Of course I'm upset.
44:54How dare you reproach me
44:56for being strange to you
44:58when you're the first one to hide things from me?
45:00What are you saying?
45:04I can't.
45:06No, please, Martina.
45:08There's nothing romantic between us.
45:10Don't play dumb.
45:12So? I don't understand anything.
45:14I think you're upset.
45:16I'm upset because you don't tell me things.
45:18What things?
45:20How have we been
45:22to have all the confidence in the world
45:26for this?
45:30For this what?
45:32Martina, don't be offended.
45:34But I think you can explain yourself much better.
45:36I think you have to explain yourself.
45:40Okay.
45:42I'll explain whatever you want.
45:44If you tell me, why the hell are you upset?
45:48What's that about Hannah being your sister?
46:00Good morning, Father.
46:02How are you?
46:04How was the trip?
46:06Longer and more tiring than I would have liked.
46:08I asked them to make us
46:10a drink in the living room.
46:12I appreciate it because I haven't eaten anything
46:14since I left Puebla de Tera.
46:18Father, what did your friend the politician tell you?
46:20What will he tell me?
46:22He's going to try.
46:24But does he have any hope?
46:26That he can free Romulo from prison?
46:28Not directly.
46:30No one has that power except the judge
46:32to pardon him.
46:34And then?
46:36For his political career, he has certain tendencies
46:38about the governor.
46:40Maybe he can mediate so that Romulo
46:42can be appointed a favorable judge.
46:44Well, that's not a small thing.
46:46No, it's not if he gets it.
46:48But the truth is that I have my doubts.
46:50Well, how about around here?
46:52Any news?
46:54You better not ask.
46:56What happened?
46:58What has happened, Father,
47:00that we have argued again?
47:02It's not the time, Manuel.
47:04Don't you see that your father is tired of the trip?
47:06It's not the time for what?
47:08Do you remember the conversation we had
47:10before he left?
47:12You still insist on that nonsense.
47:14I insist and I will insist, Father.
47:16Hanna is my fiancée and therefore
47:18deserves a dormitory on the noble floor.
47:20We'll see about that.
47:22You'll see, I assure you.
47:24No, Manuel, because this is my house.
47:26Well, stop it, both of you.
47:28Give us a little more time to meditate
47:30on this subject and to reflect.
47:32Haven't you had enough time to reflect?
47:34It's obvious I haven't.
47:36Actually, there's not much to think about.
47:38What you're asking for is impossible.
47:40A maid, no matter how much
47:42she loves a man,
47:44cannot sleep on the noble floor.
47:46She wouldn't even know how to behave.
47:48She's not used to it.
47:50It's her last word.
47:52And the first. Neither your mother nor I
47:54have ever given Pablo such nonsense.
47:58All right.
48:02All right.
48:06If Hanna's presence bothers you so much,
48:08I'll spare you the trouble
48:10of having to see her every day.
48:14What do you mean?
48:16Hanna is leaving this palace.
48:18Very well.
48:22But I'll go with her.
48:28No.
48:34Hanna and you, brothers.
48:36Please.
48:38That's what I told you.
48:40Don't tell me you made it up.
48:42Curro, where did you get
48:44that nonsense?
48:46I don't know, because I...
48:48Don't deny it.
48:50In the village, no one knew who it was.
48:52But I told you, be patient and cautious.
48:54But I can't go on like this, Mrs. Petra.
48:56You need to take a false step.
48:58And you know it, Santos.
49:00Your father won't tell you anything.
49:02We have to find a way to find out the truth
49:04without your father knowing your intentions.
49:06A few weeks ago,
49:08I would have told her that I loved her deeply,
49:10but right now,
49:12I don't know what to say.
49:14Is she still going to marry her?
49:16Yes, that's what I've decided.
49:18But I admit that
49:20I won't end up taking her pregnancy.
49:22I've already taken the first step.
49:24It was a false step.
49:26Did he really threaten you?
49:28He reminded me of my stay in the asylum.
49:30And he told me that
49:32if he was about to send me
49:34to jail once, I could do it a second time.
49:36I'm going to have to talk to him,
49:38in the end.
49:40I've learned to move forward on my own.
49:42And I don't need his help anymore.
49:44We all make mistakes.
49:46But let me fix them.
49:48I want to help you.
49:50Tell me what happened
49:52in this house.
49:54Manuel, the spoiled brat?
49:56Catalina, pregnant?
49:58The truth is that youth is in decline.
50:00I always say it.
50:02Enough!
50:04And don't think that you are.
50:06You are criticizing my nephews,
50:08who have the noblest heart.
50:10Dear...
50:12I need you to tell me
50:14what's going on with your parents.
50:16I've already told you.
50:18They don't want me to marry you.
50:20There's something else you're not telling me
50:22because you don't want me to worry.
50:24It's time to put the cards on the table.
50:26Speak, Simona.
50:28We can stop this farce.
50:30We know that
50:32Vera is actually his daughter.