Category
📺
TVTranscript
00:00I would have to.
00:14Simona...
00:16Miss!
00:17Happy to see you again.
00:19I haven't seen you with a smile in a long time.
00:21What's up?
00:22That I'm getting married.
00:23Oh, how did that happen?
00:25Elay and I are getting married.
00:27Tell me what happened.
00:29Well, when Pelayo said she was pregnant,
00:31everything happened.
00:33Yeah, yeah, I know it happened.
00:35Because that man did it just to hurt you.
00:38No, not in the end.
00:40He said he'd take care of it and that the baby was his.
00:44Oh, what a joy, miss.
00:48And has the marquis consented to the marriage?
00:52He's taken it out on Cruz, for a change.
00:54They want to avoid the scandal of a pregnant and unmarried daughter.
00:58As if he saw it coming.
01:00And after what happened to Manuel and Jana,
01:02he's fine with being able to solve my problem easily?
01:05Miss, your pregnancy is not a problem.
01:09A child who comes into the world is always a blessing.
01:11I know, I know.
01:14The good thing about all this is that the wedding will be as soon as possible
01:17and discreet, just as I wanted.
01:19And just with whom you wanted.
01:21Of course, with whom else?
01:23No, no, yes, you're right.
01:26I'm just saying it because of how bad it's been for you these last few weeks.
01:32Pelayo realized his mistake and apologized to me.
01:37And you forgave him, just like that?
01:39His regret is sincere and he was hurt.
01:43And he told me that he would take care of the child and that we would be a family.
01:47I don't know if so many comings and goings are good for a marriage.
01:52Yes, Mona, but if less than a week ago you told me that Pelayo was in a crusade
01:56and that it seemed like he loved me ...
01:58Yes, I know what I said and I also know why I said it.
02:02Because at that moment you needed to hear that.
02:06Oh, you lied to me.
02:08No, no, no.
02:09At that time, Mr. Pelayo had not done the trick of telling everyone that you were pregnant.
02:16Everything is fine between Pelayo and me, Simona.
02:18Maybe better than ever.
02:21Really, miss?
02:23Yes, with my heart in my hand, I tell you.
02:25We both have done bad things in the past, but those mistakes will make us be able to build the relationship in the future.
02:33Yes, it will be true.
02:35What they say, what doesn't kill you makes you stronger.
02:39That's right, and I feel stronger than ever.
02:43Well, I'm very happy, miss.
02:45And I hope you can form that beautiful family because you deserve it, miss.
02:51You and your child.
02:56And regarding the family, I want to ask you a favor.
03:00Of course.
03:09Good afternoon, mother.
03:10Good afternoon.
03:12Have you seen father?
03:14Why are you looking for him?
03:16He knows perfectly well.
03:18I would like to finish talking about the proposal I made for you.
03:21That is not a proposal, it is an imposition.
03:28Mother, I come in peace and with the best of intentions, so please, I just want us to talk about it.
03:36Can't I have a little peace of mind?
03:39We managed to resolve Catalina and the count's dispute and now you're back in charge.
03:43Did you think that by letting time pass, I would forget him?
03:46Unfortunately not.
03:47No.
03:48And I know he doesn't like it, but I have plenty of reasons to demand that Hanna has her own bed with us.
03:54And postponing this conversation does not benefit anyone.
03:57If you say so.
03:58I say it.
04:00So please tell me, have you seen father?
04:03No, and you won't find him either.
04:06He left for Puebla de Tera and will not return until tomorrow.
04:09So even if it doesn't benefit anyone, I think you'll have to wait.
04:12And why did he do that?
04:15Son, believe it or not, you are not the center of the universe.
04:20Can you answer my question, please?
04:24He has gone to interview a friend of his, a politician.
04:28He wants to use his influence to free Mr. Baeza.
04:33At least you could see beyond your own navel.
04:38Do you really think I don't care what happens to Don Rómulo?
04:42I only believe what I see with my own eyes.
04:44That my son behaves like a capricious child who gets angry if he doesn't do what he wants.
04:48That's not true.
04:50All I'm asking for is what is rightfully mine.
04:52Hanna is my fiancée.
04:54And if she were another woman, they wouldn't be putting so many obstacles.
04:56It's just a coincidence that she's not another woman.
04:58She's a maid.
04:59I don't care.
05:01What I feel for her will not change.
05:04No matter how much father acts like a coward.
05:06Don't you dare call your father a coward.
05:10Manuel, you're an ingrate.
05:12You owe him everything you have.
05:14I never asked for it.
05:15See?
05:16You're talking like a spoiled brat again.
05:18It's very unfair that you ask your father for more understanding.
05:21Because precisely if we are in this situation,
05:23it is because he did not know how to stop your fantasies in time.
05:26Are you trying to make me believe that my father is the personified goodness?
05:29He has given you much more than what was due to you.
05:32Although you have not been able to appreciate it by going with that whore.
05:36Don't go against Hanna, mother.
05:38This conversation is between you and me.
05:40Look, Manuel.
05:41Tomás had many flaws, but he understood this from the beginning.
05:45The Marquis is above us, son.
05:47He is above everything and that is how we have educated you.
05:50And that's how it is with father.
05:52The Marquis is above everything, even me.
05:57Look, mother.
05:58Education is important.
06:00But above it is freedom.
06:03And I plan to use it to be happy.
06:05Where are you going?
06:06I'm not done.
06:17Mother.
06:19Oquesa.
06:22Good afternoon, Mercedes.
06:25That's not my name.
06:29We didn't expect your visit.
06:30I didn't announce it.
06:33I wasn't just referring to that.
06:37I didn't expect him to come back.
06:40And I guess you would be very happy with that possibility.
06:44No.
06:45The truth is that I'm glad he's here.
06:47Better.
06:49Because this time I didn't come for any recipes, but ...
06:53to talk to you.
06:55I didn't like anything.
06:56The last conversation we had.
06:59López told me they argued.
07:02We'd better leave the cook alone.
07:04We'd better leave the cook alone.
07:08What are you here for then?
07:10To apologize to you.
07:13With all this, I haven't exercised putting me in your shoes.
07:18Well, I haven't put myself in yours either.
07:22I was afraid you wouldn't want to forgive me because ...
07:26after all, you have already decided that this is your home.
07:30Not for long.
07:32What do you mean?
07:34Well, I think it's clear that I'm leaving the promise.
07:38But forever?
07:40I have notified Mrs. Arcos of my resignation.
07:42As soon as they have a replacement, I'm leaving.
07:45Are you leaving with the cook?
07:47Sorry, sorry.
07:48No, I should have said that.
07:50For a moment I thought that maybe you would come home with us.
07:54Mother knows that's impossible.
07:56I can't go home.
07:59I know.
08:01I know.
08:08Well, I'd better go.
08:11No, they've already seen her.
08:13So what?
08:15If she doesn't want people to ask questions,
08:17it would be better for her to visit the cooks.
08:21Well, at least tell them it will be a short visit.
08:25I will.
08:31I will.
08:37This is fine. I've had enough.
08:39No, you'll have enough when I say so.
08:48Hanna.
08:50I didn't know you were here.
08:53I would have changed my mind about your mother.
08:57Don't give her more importance than she has.
08:59Manuel does have her.
09:01I get goosebumps just thinking that you're arguing for me.
09:04She's my mother.
09:06She has plenty of reasons to argue with me.
09:08This is not just any reason, Manuel.
09:10Your mother will never accept what's ours.
09:16Well, it's her problem.
09:18And I'll tell her as many times as she needs.
09:24My love, I love you.
09:26And there's nothing I can say to change that feeling.
09:31What did you tell her to get like this?
09:33Nothing, really.
09:35Because what I wanted to tell her,
09:37I also needed my father to hear it,
09:39and he's not in La Promesa.
09:41And where did he go?
09:43To Puebla de Terra.
09:45He's going to try to talk to a friend of his, a politician.
09:48To see if he can get Rúmulo out of the cartel.
09:51Manuel, that's great.
09:53Yes.
09:54Cousin, you were here.
09:56My God, we've been looking for you all over the palace.
09:58It's not like you were hiding from me.
10:00Well, it wasn't like that.
10:01We've been looking for you in your studio,
10:03in the hangar, in your bedroom.
10:05I'm here, and what do you want?
10:07That you change your clothes
10:08and come with us to play badminton.
10:11Now?
10:12Yes, Martina thinks she can beat us
10:15before dinner starts.
10:18Well, actually, that could be it,
10:20because I don't think I've ever taken a racket like this in my life.
10:22Well, better.
10:23Because that way I can be your teacher
10:24and you won't get your ass kicked.
10:27Well, I appreciate it,
10:29but it'll have to be another time.
10:32And why is that?
10:34Because right now I'm very tired, Curro.
10:36But that's precisely why we've come to see you.
10:39Because badminton is like a medicine.
10:41You have to imagine that the ball is all your problems
10:45and you hit it with a racket to get it away as far as you can.
10:49I hope that's not one of your lessons.
10:51Well, yes, it's going to work.
10:53You'll see that the three of us will have a good time.
10:58The three of us?
11:00Isn't badminton a sport for couples like tennis?
11:04Yes, we asked Julia, but she couldn't join us.
11:09I wasn't thinking of Julia.
11:17Hanna, I'm sorry.
11:19Well, since you can't play...
11:21Don't worry.
11:22Can't you play badminton?
11:25No, but she's a lady.
11:27And my fiancée.
11:29Look, Manuel, don't worry.
11:32I don't think anyone has tried to do without Hanna.
11:34Well, that's what you've achieved.
11:36Manuel, please.
11:37Hanna, don't even think about taking her side.
11:42Is it so hard for you to think about it?
11:45Hanna and I are going to get married.
11:47We'll be husband and wife.
11:48Let's see that neither Curro nor I have said otherwise.
11:50But you treat her as if she were a couple.
11:52No, it's been a year.
11:53You know what?
11:54I don't care.
11:55I'm tired of arguing with everyone.
12:03Hanna, forgive me.
12:04My intention has never been to ignore you.
12:07I know, miss.
12:09I think your cousin is just a little over the top.
12:16I've lost my desire to play.
12:19I'm sorry.
12:27I'm sorry, sister.
12:31Come on.
12:44Forgive me.
12:45I couldn't find the notebook.
12:48Okay.
12:49Well, we're all here.
12:52What recipe did you want to tell me?
12:57Uh ...
12:59meatballs with almond sauce.
13:02It's a shame I don't have a little more time, Mrs. Amalia.
13:05Because we have some garnishes that go perfectly with this recipe.
13:10Some cooked vegetables.
13:12A sweet potato with onion and wine.
13:15No, no.
13:16Join the meatballs, please.
13:18We'll leave the garnishes for another time.
13:21Go ahead, boy.
13:23Yes.
13:24Well, the first thing is to season the minced meat with salt and pepper.
13:29Although it also includes other spices.
13:31And herbs.
13:32Like the mejorana and parsley.
13:35And minced garlic.
13:36Yes.
13:37And a well-chopped onion that gives it texture and flavor.
13:41And egg yolk.
13:43I get the idea.
13:44Please continue with the recipe.
13:48Well, that's it.
13:51Mix everything well.
13:53Give it shape and fry them.
13:59And it would be to prepare the sauce with the juice of the meat itself.
14:03Yes.
14:04And there, Mrs. Amalia, is where the meatball of this recipe is.
14:08Because that sauce is an invention of Lope.
14:13One of his secrets.
14:15One of the best kept secrets.
14:17I see, I see.
14:19If it's so secret, it's better to leave the recipe here.
14:23Well, you see, if we don't tell Mrs. Amalia about the sauce,
14:28we have a recipe for meatballs, Monda y Lironda.
14:34Is that better than revealing one of the best-kept secrets?
14:38It's a way of speaking.
14:40Besides, we're with trustworthy people, aren't we?
14:45Yes, yes. Of course.
14:47So you don't care that Mrs. Simona reveals her kitchen secrets?
14:52Well, it depends on what the secret is.
14:58Are there any secrets that are more valuable than others?
15:01Of course. Yes, yes, yes.
15:03And as Lope says, it also depends on who is told that secret.
15:10Come on, I say.
15:13Well, in this case, I think it has become very clear that ...
15:16the secret can appear in my recipe, right?
15:19Yes, yes, of course, Mrs. Amalia.
15:22For my part, there is no problem.
15:28Where were we going?
15:30Ah, yes. Well, then, for the sauce,
15:33we have to leave poached onion reserved,
15:36because this will give color and texture to the meatballs in almond sauce.
15:52Wow, I didn't expect that.
15:55Well, if you didn't like it, you'll have to give it back to me.
15:58No.
16:03What are you reading?
16:05Nothing, El Vespertino. But I've had enough.
16:07It's just about war in Europe.
16:12So? What makes you so happy?
16:15Well, we're getting married.
16:17And the other reason?
16:20I came to talk to Simona.
16:22I understand.
16:24And what? Has she given her consent for our wedding?
16:28Don't make fun of me. You know I'm very fond of her.
16:31Then I'll ask you seriously.
16:33Has she given her consent?
16:35At first it was difficult.
16:37But finally she has wished us all the best for our future marriage.
16:42I'm calmer then.
16:45I came to ask you something.
16:48I was already saying that so much affection had a price.
16:52And you know that you don't need kisses to ask me for what you need.
16:56Whenever it's in my hand, take it.
16:58Do you say that to earn another kiss?
17:01Maybe.
17:03I don't know.
17:08How can I help you?
17:10I want you to accompany me tomorrow to a toast.
17:13It will be done in our honor.
17:15That's great news.
17:17And who is our host?
17:19The Duchess of Cerezuelos?
17:22Cold, cold.
17:24I don't know.
17:26The Countess of Navalmoral was your friend, right?
17:29Cold, cold.
17:31If you want me to visit all the noble houses in Andalusia one by one,
17:35we can do it this morning.
17:37You would never get it right.
17:38Why? It's not in Andalusia.
17:40It's not in a noble house.
17:42The toast is with the service.
17:44So we can tell them the news.
17:47But you haven't just talked to Simona.
17:49Yes, but we will celebrate it with everyone else.
17:52And we can also tell them the reason for the wedding.
17:56But we don't have to give explanations, let alone the servants.
18:00Maybe I've expressed myself badly, but whether you like it or not,
18:02they have been a fundamental part of our relationship.
18:05I know it's not what you want the most, Pelayo,
18:07but it's important to me.
18:12Aya.
18:13If it's the fashion couple.
18:15With the permission of your brother and Cinderella, of course.
18:18What do you want?
18:20What will it be?
18:21To congratulate you.
18:23For a double game.
18:24Thank you very much, Captain.
18:27What's going on?
18:28Aren't you in the mood for congratulations?
18:33Mr. Conde,
18:34I know there have been differences between you and me in the past,
18:37but I want you to know that my wish is sincere.
18:40I hope you are as happy as you have been so far.
18:47I'd better leave it open.
18:50We don't want bad tongues to speculate
18:52about your private life, right?
18:55Leave it, Catalina.
18:57It doesn't deserve a pinch of attention.
19:01Okay.
19:03Come here.
19:33Mr. Baeza.
19:34Mr. Manuel.
19:36I was waiting for your visit.
19:39I would have received you with other gifts.
19:43I'm glad to see that you haven't lost your sense of humor.
19:53Something's going on.
19:57Romulo, I've come to see how you are.
20:00So my problems don't matter.
20:02Yes, they do matter.
20:03Besides, I'm telling you that there's nothing to tell here.
20:10That's about to change.
20:12Look, my father is in Puebla de Tera right now.
20:15He's talking to a friend of his, a politician,
20:17and he might be able to get him out of here.
20:20Don't give up hope in vain, sir.
20:22Remember that none of your father's contacts
20:25could do anything for you when he was in prison.
20:28Who would intercede for this old mayor?
20:31Whoever needs it.
20:33You're innocent and you're getting out of this cell.
20:36Besides, that's not the only news I have for you.
20:39This afternoon, I was in a meeting with Sergeant Burdina.
20:42And I told you not to get involved.
20:44It's dangerous.
20:45All I did was give him the names of the three men
20:48with whom Gregorio fought.
20:50The day he didn't come to our first meeting.
20:52Now he'll just have to interrogate them.
20:54I appreciate it.
20:55Yes, I'm sure that among those men
20:57there might be someone who ended Gregorio's life.
21:01Are you going to continue with your inquiries
21:03or do we still have time?
21:06An adventure that has to do with the clashes
21:09between Miss Expósito and the Marquises.
21:11Am I wrong?
21:14Not one bit.
21:17My parents still don't give up.
21:20Well, if you allow me to compare,
21:24you already knew that it was a war of truncheons.
21:28What you have to do is maintain your position
21:30and let the enemy wear out little by little.
21:33I need to move forward, Romulo.
21:35I can't be patient with Hanna.
21:37I love her too much to wait no more.
21:42That's why I asked my parents
21:46for Hanna to have her own dormitory in the noble area.
21:49Well, it's not a small request.
21:53It's what they would do if Hanna were of noble birth.
21:55Yes, but it's not.
21:57And although I agree with you that things should be that way,
22:01we both know that it can be a constant source of conflict.
22:06Well, let them get used to it.
22:09No, but I'm not talking about the Marquises.
22:12I'm talking about Miss Expósito.
22:15What does she think of this change?
22:20I don't know.
22:22Let's see, but what are you waiting for to tell her?
22:24She is the main affected.
22:25I know, but I don't want to tell her anything
22:28until this problem is solved.
22:31The last thing I want is for this to end up hurting her
22:35and for everything to go against her.
22:38I need your advice.
22:41You know how much I value you.
22:44Miss Expósito is not a fragile porcelain doll.
22:50She doesn't need to be protected.
22:53And Miss Expósito is a stronger woman than you and me.
22:58She doesn't make the mistake of keeping her locked up
23:00in a glass case as if it were a trophy.
23:14Well, I have noticed that she is sadder.
23:16It's not for nothing, Teresa,
23:18that Hanna had gotten excited with that snack.
23:20If the gentlemen are in Sarajevo day and night,
23:23surely there is an occasion for another banquet,
23:25dance or snack.
23:27Maybe, but none as good as this one.
23:30It was going to be petit-comédie.
23:32And what does that mean?
23:33It's French and it means little food.
23:36Well, since you're going,
23:38at least you can put your boots on, right?
23:40Don't be stupid, son.
23:42No, it means when there are few people,
23:44when one thing is intimate.
23:46And you were struck by the fact
23:47that you canceled the snack overnight.
23:49The guts are what you have, Teresa.
23:51They don't warn you when you go down the wrong path.
23:54Maybe, María.
23:55But I don't know, I think there's a cat in here.
23:58You know something else that I don't know.
24:00And you're already starting with that mouth.
24:02Look, I've finished the back of the chair.
24:04What do you think?
24:06How nice it looks, huh?
24:07Well, yes.
24:09Start walking.
24:10Come on, Teresa.
24:11Hey, you could also help me with the pieces, huh?
24:14Easy, easy.
24:16I don't give for nothing.
24:18Start walking through the mouth.
24:20Okay.
24:21But this is not my thing.
24:23The fact is that the other day I heard
24:25that Adelfa was telling Mari Carmen ...
24:27No, if they don't shut up,
24:28even if it's disgusting.
24:29Oh.
24:30Well, the fact is that they were saying
24:31that who cancels a snack
24:32in the absence of a week
24:33just for a bad gut.
24:35Maybe it was something more serious
24:36than a fart going through.
24:38Missing a week?
24:41Well, yes, it's not understood, really.
24:43And it was also an intimate snack.
24:45I don't know, I say that
24:46if the man had not found himself better,
24:48he might have been able to cancel it
24:50in less time.
24:51That's true,
24:52but what does Mr. Manuel's friend gain
24:54by saying no to a snack
24:55that he himself organized?
24:57And this one has just arrived.
24:58But behind these things
24:59there is always the same woman,
25:01the Marquise.
25:02And besides, not a hair is cut
25:04if he has to hurt Hanna.
25:06But that doesn't make any sense.
25:08How has the Marquise managed
25:10to cause a bad gut
25:11to the man's friend?
25:12Oh, this one has fallen from a guindo
25:14by lying, Marcelo.
25:15Have you seen that friend?
25:17No.
25:18Well, I'm telling you
25:19that he's healthier than you and me.
25:21And I think this is going to be
25:22the first of many.
25:23Because the Marquise
25:24is not going to sit idly by.
25:25Well, neither Hanna nor Manuel,
25:27who are more stubborn
25:28than the mule of Ambrosio.
25:30I have it.
25:32And if we organize it,
25:33a snack for Hanna
25:34to cheer her up?
25:35And what do we gain from that, Marcelo?
25:37Or are you going to invite
25:38Mr. Manuel's friends?
25:40No, we'll be alone,
25:41but that way the girl is a little happy.
25:43I think it's a good idea.
25:45After Mr. Rómulo,
25:46Mrs. Pia and this,
25:47it's going to be good for us
25:48to change the air.
25:50What do you say, Teresa?
25:53Let's do it.
25:59Look how beautiful
26:00I look today.
26:14Well, first of all,
26:15I ask you to excuse my frankness,
26:18but I sincerely believe
26:19that the Count of Ayala
26:20is not the most suitable person for you.
26:28Good morning, dear.
26:30Good morning.
26:32Have you been able to think
26:33about what I told you
26:34about my cousins from Pamplona?
26:37About what?
26:38Well, I don't know.
26:40About my cousins from Pamplona?
26:43What was it about?
26:44If I should invite them to the wedding.
26:47It is true that I do not have much dealings with them,
26:49but I am sure they will appreciate the invitation
26:53and will be generous with the gift.
26:56Do you think it is convenient?
26:58I would believe it if it were not because ...
27:01I know I will have to endure the torture
27:03of their presumptions
27:04and their insipid conversations.
27:07Well, don't invite them.
27:09I'm afraid I have no choice.
27:11I am comforted that with their money
27:13we will buy a better wine for the invitation
27:15and that will help them swallow it.
27:21Do I have something on my mustache?
27:23No.
27:26What's wrong, Margarita?
27:28Nothing, I was just thinking about something else.
27:31Well, I would have thanked you
27:32a little more for your attention
27:33when I told you everything
27:34about my cousins from Navarra.
27:37Good morning.
27:38Good morning, daughter.
27:40Will you join us for breakfast?
27:42I had planned to take advantage of the fresh air in the morning
27:44to take a walk in the gardens.
27:46Of course, come in peace.
27:51But can you accompany me?
27:54Mother, I wanted to show you the roses.
27:58They have thrown some beautiful late flowers
28:00as you like them.
28:02Well, let's go.
28:04Now?
28:05But you haven't tried a bite.
28:07It's just that my stomach is closed.
28:09I guess it will be the nerves of the wedding.
28:12Well, give me five minutes and I'll go with you.
28:17No, but what interest can you have in those roses?
28:20No, breakfast, calm down.
28:22Breakfast, calm down.
28:23Besides, Cruz is having breakfast outside
28:25and Alonso has not yet returned from his management
28:27in Puebla de Itera.
28:28Shall we go, daughter?
28:37Let's go.
28:59Good morning, ma'am.
29:01What's up, Petra?
29:03The cooks today by mistake have made an excessive order
29:06of aubergines and pumpkins.
29:08If it is something that has a difficult solution,
29:10well, it can no longer be returned.
29:13So I've been working with them on a proposal
29:16for a weekly menu.
29:18Aren't you supposed to supervise all orders?
29:22That's right, ma'am.
29:23But I don't know how many aubergines are needed
29:26to cook them with wine and how many pumpkins
29:28to make creams.
29:30Very well.
29:32You can go.
29:40I find you somewhat upset, ma'am.
29:43Maybe I have no reason to be.
29:46I understand that it has to be difficult
29:48to reconduct the situation of your stepdaughter.
29:50The situation?
29:52Catalina's freshness has so little understanding
29:55that she has not even avoided being pestered
29:57by the useless man like Derelle.
30:01Thank goodness that is at least solved.
30:06Does that mean there will be a wedding?
30:08The Marquis and I have not given them another option.
30:11I just hope it is celebrated as soon as possible
30:13and there is no time for the scandal to break out.
30:16Well, I will conveniently select the service, sir.
30:19I hope so.
30:22Well, it seems that in the end
30:25you have fulfilled your goal.
30:27Well, Catalina's stepdaughter
30:29will disappear from my life forever.
30:32Although Pelayo has proven to be the most useless ally
30:35I could have found.
30:38Well, she will soon cease to be a concern.
30:42She does.
30:44But there is still the illusion of my son.
30:48I am convinced, ma'am,
30:50that you will manage to get him on the right track
30:52as you have always done.
30:54It is that I no longer have the strength of before
30:56and I do not like the attempt to get us
30:58into that mess, even in the soup.
31:01I could ask him what he has done now.
31:04Can you believe that he intended
31:06that we give him an alcove in the noble plant?
31:10That is an insensitivity.
31:12I beg your pardon, his son.
31:14No pardon.
31:15He does it premeditatedly.
31:17All with the sole intention of torturing his mother.
31:20Really, let's see when this nightmare ends.
31:22It is true that this misfortune
31:24has reached too many limits, ma'am.
31:26It is also wreaking havoc in the service.
31:29I imagine her giving herself airs of grandeur,
31:32all because she is my son's beloved,
31:34as if she saw her.
31:35I don't even know what task to assign to him.
31:39Put him to clean the squares,
31:41but with his hands naked,
31:43so that the manure under the nails cannot be removed.
31:46Let's see if my son opens his eyes at once.
31:48If you order it, ma'am.
31:50Of course not.
31:53He would become a martyr
31:55and would legitimize his fight against us.
31:58Correct.
32:00To finish with Hanna Expósito,
32:02you need cunning.
32:04And that fool has gone to give with the fur of his shoe.
32:17You can't be more handsome or holier than though.
32:21It's huge, Mrs. Pía.
32:22It has grown a lot since the last time I saw it.
32:25And old man, you already have a bigger toy, don't you?
32:28They didn't want me to come every day to La Promesa.
32:31And what problem would there be? Right, old man?
32:33Well, being both in Luján, the truth.
32:35Do you know anything about your return to La Promesa?
32:38Mrs. Marqués already gave her last word.
32:41And Mr. Marqués?
32:42Because I imagine they had something to talk about,
32:44he and Don Rómulo,
32:45when they started the whole plan to get rid of Gregorio.
32:48Well, Mr. Marqués gave me some money
32:50to complete Diego's maintenance
32:52and he also gave me time to look for a new job.
32:55Luckily, I have the hospitality of Beni,
32:57who lets me stay at her house as long as I need.
33:00That woman is better than the bacon broth.
33:02Well, yes.
33:03I try to help in the mill work,
33:05for not being hand in hand.
33:07You have never been hand in hand.
33:09But that job is not for someone like you, Mrs. Pía.
33:13This house has not seen a better and more capable keymaker
33:16in all the centuries it has.
33:17Candela, that's already in the past.
33:19No one will want to hire a keymaker
33:21with a son and no husband.
33:24So what are you going to do?
33:26For the moment I will stay in Luján,
33:28until Don Rómulo is released from the barracks, of course.
33:31Do you think he can make the Marqués look different?
33:34I don't think so.
33:35I don't want to leave here and stay there,
33:37I prefer to be free.
33:38Mrs. García, Mrs. Marqués.
33:42Mr. Pellicer, I'm sorry I came without warning.
33:46No need to apologize.
33:47Diego, do you know what a bicycle is?
33:49Come with me, I'll show you what a bicycle is.
33:52Come on.
33:54Wait, Mrs. Candela, let's go with you.
33:56Look.
34:00Well, it seems that Candela has forgotten
34:01that you wanted to tell her something.
34:03Yes, yes, it seems so.
34:05Yes, Mr. Pellicer, if I have come to the promise,
34:07it is because ...
34:08Well, I was hoping to meet you.
34:11For what reason?
34:12Because we have a pending conversation.
34:14I already told you at the time everything I had to tell you.
34:17Please, give me the opportunity to explain myself.
34:20For what?
34:21Facts speak for themselves.
34:23I was not worthy of his trust
34:25when they decided to pretend his death,
34:28so now I am not either.
34:30Mr. Pellicer, it was not premeditated.
34:32I don't need you to give me any explanation.
34:34I want to give it to you.
34:37I'm sorry, now I can't attend to you.
34:39I have to talk to Mrs. García.
34:44Bye.
34:59Catalina?
35:04Are you okay?
35:06Yes, yes, I was just resting for a while.
35:10Hm.
35:12You know ...
35:15I think I've seen you lying down all day in my life.
35:20Except that time you had to stay
35:22because you got intoxicated with the smoke of the fire.
35:26I'm fine, really.
35:28It's just that a few days ago I had a terrible dream.
35:32Of course, because of the pregnancy.
35:34Yes, every day I hear changes.
35:36It's strange.
35:38Sometimes it's hunger, sometimes it's sleep.
35:40And nausea?
35:41No, fortunately not.
35:44Why were you looking for me?
35:46You see, I needed to have a quiet chat
35:48with the only sane person in this house.
35:51What did Cruz do this time?
35:53Ah.
35:55You know what? I'd rather not talk about her.
35:58Why don't you tell me how you are?
36:00I've already told you, I'm tired.
36:03But I wasn't asking you about that.
36:06Well, well.
36:09I feel like a boat drifting.
36:13Sometimes on the crest of the wave,
36:15hoping that everything will be fine.
36:18But sometimes I feel so small.
36:22At the mercy of the tide.
36:28You know, sister?
36:31I would have my doubts about anyone else.
36:34But about you?
36:37I'm sure you'll stay afloat.
36:41I already told you no.
36:44I had my doubts when I knew what was waiting for me.
36:49The world fell on me.
36:51You were afraid that Pelayo would leave you.
36:55And you've seen that it hasn't been like that.
36:59No.
37:01We're getting married.
37:04If it were up to me, the wedding would be this week.
37:08And what do you think of the wedding?
37:11Do you agree with her?
37:14Well, I love Pelayo as much as you love Hanna.
37:17So, yes.
37:19Deep down, I can't be happier.
37:22Besides, it's the best thing for me and the baby.
37:27Can you?
37:29Yes, but it's too soon. You won't notice anything.
37:33Still.
37:40Hi, nephew.
37:42Or niece.
37:46You're right.
37:48Hi, niece.
37:59You know, it's a miracle that you have a child growing inside you.
38:06It's life, Manuel.
38:08Yes.
38:12I have to admit that when Pelayo announced that you were pregnant,
38:18I was a bit worried.
38:20Why?
38:23I guess everything that happened with Ximena came to me.
38:27How excited I was when she told me she was pregnant.
38:33How I suffered when everything went wrong.
38:36It was all a lie, Manuel.
38:38You don't have to torture yourself.
38:40I know.
38:43You and Hanna will have your children.
38:46And that will make you happier.
38:51Sister, I'm already very happy.
38:54The arrival of Lujan to the family is always a source of joy.
38:58And you'll be the best uncle in the world.
39:02That's easy. I'll be his only uncle.
39:05That's true.
39:18Martina.
39:20You're back already?
39:22That's right.
39:24And how was the walk?
39:26Pleasant.
39:28And before you ask, the roses were also very good.
39:31Wait.
39:33Where's your mother?
39:35Well, I guess in her room, because she came back before me.
39:39And why haven't I seen her?
39:42She's been guarding her door.
39:44Answer my question.
39:46I did.
39:48She came back before me because she was tired of walking.
39:51You can't lie to me.
39:53What happens to your mother is not tiredness. It's your fault.
39:59Let me go, because I haven't done anything.
40:01You're getting in our way again to cancel our wedding.
40:04That's not true.
40:06No, no, I swear it's not true.
40:10Maybe what's happening is that she's realizing how you really are.
40:14Shut up, insolent!
40:16I was kind and tolerant with you when you attacked my life, but I can change my mind.
40:22And who was going to believe you?
40:24Because he said in front of everyone that he may not have been poisoned. What are you going to do?
40:28Find a third doctor?
40:30Make him a diagnosis that refutes the refuted?
40:33I have many ways to get rid of you.
40:36I already sent you to a asylum and I put you at the gates of jail. Do you remember?
40:42I'm not scared of his games.
40:44Because I know what he's made of.
40:46If you knew, you wouldn't be so calm.
41:17Can I come in?
41:19What do you need?
41:21I'd like to talk to you.
41:23It's about the squares.
41:26Wow, well, this time you can't complain.
41:30Well, I do have to complain because I've seen that you haven't assigned me any tasks.
41:35Now it turns out that the problem is not working.
41:38Look, I thought that was your goal.
41:43I don't know what you mean.
41:46Come in.
41:50Whenever a maid sleeps with a man, she ends up acquiring certain privileges.
41:57In fact, some have even managed to have their own little house away from the rest of the maids.
42:04Look, my relationship with Mr. Manuel and my job have nothing to do with it.
42:10But get into my situation, Hanna.
42:13How am I going to give orders to the woman who shares the bed with the next Marquis of Lujan?
42:19I am not the lover of any man, Mrs. Petra.
42:22And as a keymaker, I should know that I sleep in my room, the one I share with María Fernández, and in my bed.
42:29If you are not his beloved now, it is because Mrs. Jimena passed away.
42:33And you no longer have anyone to cover up the scandal.
42:36What are you insinuating?
42:37What am I insinuating?
42:40That maybe now you won't sleep with Mr. Manuel.
42:45But you have done it before. Otherwise, you wouldn't have him as enchanted as you have him.
42:51Look, you have no right to meddle in my privacy.
42:54I have not been the one who has blown it up, Hanna.
42:58But it's okay, you came here for work.
43:00Well, you will work and iron.
43:03Work that does not compromise the hands of a future Marquis.
43:07All I want is ...
43:08What do you want?
43:09Have you come here demanding the same treatment as the others and you come with requirements?
43:14No, Mrs. Petra.
43:17You have come here looking for work, right? Well, you already have it.
43:38Martina!
43:45Martina!
43:47What's up?
43:51Calm down, calm down.
43:58What happened to you?
44:02The imbecile of Count Ayala.
44:05What has he done?
44:08Threaten me with ... or send me to the cartel.
44:13But why does he come back with that again? It doesn't make sense.
44:16For a walk. I don't know, I swear he's crazy.
44:19It's okay.
44:21It's just that I don't understand why ...
44:24Why a walk? A walk with whom?
44:27I just don't want to talk about it, really.
44:30Martina, it's not good that you keep it inside.
44:32If that man has threatened you, everyone has to know. And your mother first.
44:35I swear I don't want to talk about it.
44:40Martina, what's wrong with me?
44:44Lately you have been strange.
44:47And if there are more people, you know how to hide it, but alone?
44:49It is obvious that you are upset about something.
44:51Of course I'm upset.
44:52I swear.
44:54How dare you reproach me for being strange to you when you are the first to hide things from me?
45:00What are you saying?
45:02I can't.
45:03No, it's the opposite issue, Martina.
45:05I already told you that there is nothing romantic between her and me.
45:07No, the shots don't go that way. Don't play dumb.
45:09Well, then? I don't understand anything.
45:11I think you are very upset.
45:12I'm upset because you don't tell me things.
45:14What things?
45:18How have we been to have all the confidence in the world?
45:24To this?
45:27To this what?
45:29To this what?
45:31Martina, don't be offended.
45:33But I think I can explain it to you much better.
45:35I think you have to explain this.
45:39Okay.
45:41I'll explain whatever you want.
45:43If you tell me, what the hell do you regret?
45:47That Han is your sister.
45:59Good morning, Father.
46:01How are you?
46:02Hello.
46:03Take them to my rooms.
46:04How was the trip?
46:05Well, longer and more tiring than I would have liked.
46:08I asked them to prepare us a refrigerator in the living room.
46:10Well, I appreciate it because I have hardly eaten anything since I left Puebla de Tera.
46:17Father, what has your friend the politician told you?
46:19What is he going to tell me?
46:20He's going to try.
46:22But does he have any hope?
46:24That he can free Romulo from prison?
46:26Not directly.
46:27Nobody has that power except the judge or Alfonso XIII himself, if I may say so.
46:33And then?
46:34Because of his political career, he has certain tendencies about the governor.
46:38Maybe he can mediate for Romulo to be appointed a favorable judge.
46:43Well, that's not a small thing.
46:44No, it is not if he gets it.
46:46But the truth is that I have my doubts.
46:49Well, how about here?
46:52Any news?
46:54You better not ask.
46:55What happened?
46:57What has happened, father, is that my mother and I have argued again.
47:00It's not the time, Manuel.
47:01Don't you see that your father is tired of the trip?
47:03It's not the time for what?
47:06Do you remember the conversation we had before he left?
47:09Ah, you still insist on that nonsense.
47:12I insist and I will insist, father.
47:14Hanna is my fiancé and therefore deserves a dormitory on the noble floor.
47:17We'll see about that.
47:18You'll see, I assure you.
47:19No, Manuel.
47:20Because this is my house.
47:22Well, stop it, both of you.
47:23Both of you.
47:25It seems to me that it would be convenient for all of us to give ourselves a little more time to meditate on this issue and to reflect.
47:31Haven't you had enough time to reflect?
47:34It is evident that no.
47:36Actually, there is not much to think about.
47:37What you ask for is an impossible.
47:41A maid, however much she loves a man, cannot sleep on the noble floor.
47:45She wouldn't even know how to behave.
47:47She is not used to it.
47:49It's her last word.
47:50And the first.
47:52Neither your mother nor I have ever given Pablo such nonsense.
47:58It's okay.
48:03It's okay.
48:06If the presence of Hanna bothers you so much, I will spare you the trouble of having to see her every day.
48:14What do you mean?
48:16That Hanna is leaving this palace.
48:18Very well.
48:22But I will go with her.
48:34Hanna and you, brothers.
48:36Please, it's just that ...
48:39That's what I told you.
48:40For now, don't tell me that I made it up.
48:41Curro.
48:43Where did you get that nonsense from?
48:45Well, I don't know, really, because I ...
48:46Don't deny it to me.
48:47In the village, no one knew who it was.
48:49But I already told you.
48:50Patience and caution.
48:52But I can't go on like this, Mrs. Petra.
48:54What you can't do is take a false step.
48:57And you know it well, Santos.
48:58Your father is not going to tell you anything.
49:00We have to find a way to discover the truth without your father knowing your intentions.
49:06A few weeks ago, I would have told him that I loved him deeply, but ...
49:11Right now, I don't know what to answer.
49:13And she's still going to marry her.
49:15Well, yes, that's what I've decided.
49:18But I admit that I don't finish taking his pregnancy.
49:21I've already taken the first step to do it.
49:22A step that I don't know if it was a false step.
49:25Did he really threaten you?
49:27He reminded me of my stay in the asylum.
49:30And he told me that ...
49:32That if he was about to send me to jail once, I could do it a second time.
49:36I'm going to have to talk to him, at the end.
49:38I've learned to move forward on my own.
49:40And I don't need his help anymore.
49:42We all make mistakes, all of us.
49:45But let me fix them.
49:47I want to help you.
49:49Tell me what happened for you to want to leave this house like this.
49:52Manuel, the capricious nanny.
49:54Catalina, pregnant.
49:56The truth is that youth is in decline.
49:58I always say it ...
49:59Well, enough!
50:00Enough!
50:01And don't think you are.
50:03You are criticizing my nephews who have the noblest heart than any of us here.
50:07Dear ...
50:08No, not dear, not at all.
50:10I need you to tell me what's going on with your parents.
50:13I already told you.
50:16They don't accept that I want to marry you.
50:19Manuel, I think there's something else you're not telling me because you don't want me to worry.
50:22It's time to put the cards on the table.
50:24Speak, Simona.
50:26We can stop this farce.
50:28We know that ...
50:31Vera is actually his daughter.