مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD
Category
📺
TVTranscript
00:00You
00:30I
01:00He continues what Hakan Ouzalb did in the press after he was expelled from the political media.
01:10He is following the news of famous people.
01:17The journalist Hakan Ouzalb lives in his house, which is 60 square meters, and consists of two rooms and a kitchen.
01:25He is far from the political arena.
01:32He traveled to Ankara to broadcast the news directly from there.
01:40They are pushing me to work in the magazines.
01:44Do you know what I have to do today?
01:47Interview with Manuela Dini.
01:49Even her name is not real.
01:54It is an artistic name.
01:59Do you know who Manuela is?
02:02She is an actress. She has a new lover every day.
02:05And of course, I am a first-class actress.
02:08I act in romantic and comedic works.
02:12This is a man's home.
02:14This is what the audience wants.
02:20I'm going, mom.
02:22I'll be back tomorrow at the same time.
02:24Do you want me to bring you something?
02:26Do you need anything?
02:34It's time for your medicine.
02:38God bless you.
02:42And now it's your turn.
02:46Come on, take the medicine.
02:50Let's go.
02:57What's up?
02:59I have an interview.
03:01It will take an hour or more.
03:03And I have to go to Ankara.
03:05No, I'm not ready.
03:08Why are you not ready?
03:10Love or money?
03:12Why do you like men so much?
03:15Can you act in a soap opera?
03:20Do you see how far your friend has come?
03:23I'm going to hang up now.
03:25I'll call you back.
03:32Hello.
03:35Hello, I'm Hara.
03:37Hello, I'm Manuela.
03:39How are you?
03:41Fine, and you?
03:43Fine, come in.
03:45No, let's sit on this table.
03:46No, I booked this table, but I have to go to Ankara.
03:49It's okay, I'll take care of it.
03:51I'll sit here.
03:53No, no, I'll sit on this table.
03:55I'm sorry I'm a little late.
03:57It's okay, I know it's hard to get here in this crowd.
04:00No, no, it's not because of the crowd.
04:02By the way, my house is here on the corner.
04:04But I got more calls before I left.
04:06Come on, let's go.
04:10Hello.
04:12Hello.
04:13I'm watching all your works, especially the one you're presenting now.
04:17Will you find the message that your father hid from us?
04:20I can't tell you, but the next episode will be released today.
04:23Can we take a picture with you?
04:25Of course, no problem.
04:27Can you take a picture of us? This is the button.
04:33Okay.
04:35And another picture, but straight.
04:41Here you go.
04:43Thank you very much.
04:45You're welcome.
04:47You're welcome.
04:53What do you think of the show?
04:55It's not bad.
04:57I give it a 6.5 this week.
04:59The points are negative, more than positive.
05:01But the audience is important to me.
05:03Did you act in the show from the beginning?
05:07Yes, from the first episode.
05:09I have a contract on this basis.
05:10I have to act in every episode, even if it's just one scene.
05:13And I get half the pay for the flashback.
05:15It was your turn in this show, The Rich Man's Daughter, right?
05:20No.
05:22His wife, excuse me.
05:24As if you don't watch the show, right?
05:26They sent me 32 episodes.
05:28And each episode took me about two hours to watch the scenes I told you.
05:31You know...
05:33It's very long.
05:35That's why all the audience is watching the digital platforms now.
05:37Because the production is foreign.
05:38I don't understand.
05:40As if you don't know anything about TV shows.
05:42No, I know a little.
05:44I know it's long.
05:46And the director adds scenes that have nothing to do with the scenario.
05:48A musical flashback.
05:50Do you watch the show every week?
05:52Don't you know the name of the show?
05:54The Rich Man's Daughter?
05:56The Rivalry.
05:58You didn't answer my question.
06:00Don't you know the name of the show?
06:02Where did you get the idea that I don't watch shows?
06:04So why don't you work on the platforms?
06:06Let's see.
06:08I got more than one offer.
06:10Let's see if I'll agree.
06:12What do you mean?
06:14Excuse me?
06:16You told me, let's see if I'll agree.
06:18And this is a traditional answer.
06:20Welcome.
06:22Hello.
06:24I drink Miami Girls as usual.
06:26I drink the same as you.
06:28I don't know the bar.
06:30But you're my type.
06:32Do you want to order something else?
06:34No, thank you.
06:37Where did you get the idea that I don't watch shows?
06:39I wasn't sure, but I was sure of your reaction to my question.
06:42What reaction?
06:44You got me.
06:46And you played with my hair.
06:48And luckily,
06:50the girl came to take our order,
06:52and you were able to think of an answer.
06:54The story is clear.
06:56The Rivalry,
06:58The Rich Man's Daughter,
07:00and Camus.
07:02But Miami Girls is better.
07:04This is called digital work.
07:06I thought your name was Cocktail Hat.
07:08Excuse me.
07:10It happens.
07:12Can we start the interview now?
07:14Why haven't you started yet?
07:16No, this was just a rehearsal.
07:18We can start.
07:20I'm ready now.
07:22Let's start with the name.
07:24What's this name?
07:26Manolia?
07:28It's a normal name.
07:30Your real name?
07:32Yes, because they call me that.
07:33Yes, they call you that,
07:35but I think this is your real name.
07:37No, my parents call me Manolia
07:39because they like this name.
07:41Are your parents still alive?
07:43So you want to call them and ask them?
07:45No, I'm asking you in general.
07:49Are your parents still alive?
07:51Do you have a brother?
07:53As if you don't know anything about me.
07:55They sent me your autobiography, but...
07:57I didn't read it.
07:59No, you read it,
08:00but I didn't understand what you were saying.
08:02I said,
08:04we can talk face to face
08:06and get to know each other better.
08:08That means I can ask you,
08:10since it's so obvious.
08:12Yes, of course, go ahead.
08:14Don't worry, I won't ask you.
08:17Why?
08:19I don't know.
08:21Maybe because you have a special personality,
08:23or you have a secret that you don't want anyone to know,
08:25like all humans.
08:30I was just kidding.
08:32Okay, I understand that you don't know anything about me.
08:36No, it's not like that.
08:38Your name is now known in the media.
08:40What do you mean by the media?
08:42Magazines, your private life stories.
08:44So you're following my emotional stories, is that what you mean?
08:46Your emotional stories,
08:49which they shorten to a one-night stand.
08:53Okay.
09:01Honestly, this is none of my business.
09:03Do you mean you're a journalist?
09:05No, no, I'm a journalist,
09:07but I don't do interviews with actors.
09:09I write about politics
09:11and public affairs,
09:13domestic politics and international relations,
09:15and I write about the economy.
09:17That's why you don't know me,
09:19because I'm not a reporter like international politics.
09:21No, of course not.
09:24So I'm a reporter,
09:26and you're a journalist.
09:27Yes.
09:29Does that mean I'm attractive?
09:33You're beautiful, of course.
09:35No one can say otherwise.
09:37That's the traditional answer.
09:39Just like my answer when you asked me about digital offers.
09:44Don't take this personally.
09:46I'm doing my job.
09:48But that's not your job.
09:50Your job is political news.
09:52That's right.
09:54Since they turned you into political news,
09:57it means you're doing something that the higher-ups don't like,
10:00like pushing the boundaries.
10:02That's not how it's done.
10:04What do you think?
10:06You have to push the boundaries.
10:08You can't tell me to stick to my boundaries.
10:10I have to talk to her.
10:12Okay, it looks like you work as a linguist.
10:14Very nice.
10:16There's no need to renew the order.
10:18I want the bill, if possible.
10:20Here you go.
10:21I don't want to interrupt your work.
10:23I don't know why.
10:25They sent me here to interview you.
10:28But I think
10:30they think that my interview with you is more important than my job in Ankara.
10:33That's the only explanation.
10:35That's enough.
10:37Unfortunately,
10:39it looks like
10:41there's no need to renew the order.
10:42I was about to tell you that
10:44I was honored to meet you,
10:46but to be honest,
10:48I'm tired of sitting with you
10:50because of your name.
10:52It's normal for someone like you to find me very boring.
10:55Since you're used to being alone at night,
10:58it's normal for you to get bored.
11:00I won't answer that.
11:18Guys, look who's here.
11:21Good evening.
11:23Can I ask you a question?
11:25Yes, you can.
11:27Are you preparing for a new series?
11:29No, it's a normal interview.
11:31Are you sure about that?
11:33Yes, of course.
11:37Good night, guys.
11:39Bye-bye.
11:42Bye-bye.
12:13Manolia?
12:15Manolia Demir?
12:17Good evening.
12:19Did you know that you're the best actress in the drama?
12:21Thank you. I'm very happy to meet you.
12:23Are you acting in a new series?
12:25No.
12:27Wait, I want you to talk to my girlfriend
12:29so that she believes that I saw you.
12:31She's not jealous of me at all.
12:33She'll be shocked when she sees you.
12:35Look who's here.
12:37Good evening.
12:39Wait, where are you going?
12:40Wait, where are you going?
12:42Can you leave me alone?
12:44What's wrong with you?
12:46What are you doing?
12:48What's your problem?
12:50Didn't you hear her?
12:52Leave me alone.
12:54Who are you? What's your problem?
12:56Don't make a big deal out of it.
12:58What's your problem?
13:00Leave her alone.
13:02Don't fight.
13:04Are you stupid?
13:06Are you stupid?
13:10Are you okay?
13:12Do you need an ambulance?
13:14No, it's okay.
13:16He's cleaning your nose.
13:21Put this on your nose.
13:23Wipe the blood off.
13:29Where did he go?
13:31What do you want to do?
13:33Do you want to follow him?
13:35Are you crazy?
13:40You have to go back to your head.
13:42Give me your hand.
14:10What are you doing?
14:25There's no need to come here.
14:27He's still talking.
14:37His eyes are blind.
14:41Hello?
14:43Honey?
14:45No, I'm not back yet. I'm at the restaurant.
14:50It's not crowded today.
14:52It's very quiet.
14:54No, it's not.
14:56No, it's going to be a while.
14:58No, I'm done.
15:00I'm fed up.
15:04No, I'm not just fed up.
15:06No, I'm not just fed up.
15:09Maybe he's mentally retarded.
15:15No, he's not.
15:17He's a political journalist.
15:20Okay.
15:23I'll call you when I get home.
15:26Okay?
15:31Put this on your nose.
15:33No, stop cleaning.
15:35It's obvious that you're not going to the hospital.
15:38What do you mean?
15:40Because you keep saying it's a simple matter.
15:43Even though if I were you, I'd go right away.
15:46The flu is very sensitive.
15:48Don't exaggerate. It's a light blow.
15:50But you fell on your head on the floor.
15:52Maybe you don't know this.
15:54You don't have to sleep when you're like this.
15:57You have to find a way to stay awake and keep your head up.
16:02What's the best way?
16:05I don't know.
16:08I only have this cup. Don't take it from me.
16:12Sorry about the piano, but I only brought a set.
16:15In your opinion, isn't it too expensive for a set?
16:18I mean, I could have gotten a full set for this room instead.
16:26I don't know, but I'm used to seeing a piano for playing, a gramophone for music, and books for reading.
16:33It means you're sitting with the wrong people.
16:36It means you're sorry.
16:46Good.
16:49You're not going to be sorry?
16:51No.
16:54I expected that.
16:57I also expected you to say that.
17:00I don't have to make an offer to prove to you that I'm sorry.
17:03I understand that you're sorry.
17:05Are you interrogating me?
17:07No, interrogation is not like that.
17:09A political journalist, a linguist, and on top of that, a doctor of law.
17:13Please forgive me.
17:15I got a little carried away while we were in the restaurant.
17:18I'm sorry. I didn't mean to.
17:21I forgive you.
17:29I forgive you.
18:04Smell this.
18:06What is it?
18:08Rose oil. It'll help you.
18:11A pen holder.
18:16Try it.
18:21It's nice.
18:24Does it contain manolia oil?
18:26Yes, of course, but not as strong.
18:27Show me.
18:30No, this is what I'm smoking.
18:32It's a different kind.
18:34Do your parents know that you smoke?
18:36I don't know.
18:38You'll be in trouble if they find out.
18:40I don't know, but I don't think I'll be bothered.
18:45And she knew the secret about me.
18:48That I deal with the forbidden.
18:50And this is exclusive information.
18:52And Libyan as well?
18:54Although I'm not sure that you know about it.
18:58This interview looks good.
19:01If you want, we can continue.
19:13We started with your name.
19:15Ma?
19:19You told me it was real.
19:21But you didn't believe me.
19:22I mean, if it was a stupid, weird, or embarrassing name,
19:25you could have understood.
19:27What do you mean by stupid?
19:29I don't know.
19:31For example,
19:33Danab.
19:35You mean Danab?
19:37No, Danab.
19:39What does that mean?
19:41I think it's a star or something.
19:43It means a bright star or a fairy star.
19:45Danab.
19:48How long does it usually take?
19:52Maybe I can answer you if your question is more understandable.
19:55So that the women run away from you.
19:58More than you think.
20:02Unfortunately.
20:04I don't like these old tricks.
20:06I don't like the image of a man who sees himself and likes someone.
20:09I mean, this trend has changed a long time ago.
20:11It is no longer possible to keep this in mind.
20:13Now the trend of the forehead?
20:15It depends on whether the forehead is warm or cold.
20:18And the more money the forehead has,
20:20the more it touches the heart.
20:22It's not the problem that you don't know me.
20:24The problem is that you have a ready-made heart in your head
20:26and you're trying to put me in it.
20:28But it won't work with you.
20:30Don't let the appearance deceive you.
20:32But the judge on the appearance comes before the speech usually.
20:35So you're still insistent on your initial judgment.
20:37Nothing has proven the opposite so far.
20:42Do you need a tangible evidence?
20:44I'm not here to look for evidence.
20:46And that's why I'm going to give you what you want.
20:49The truth?
20:56The truth that you're talking about can only be useful in your political articles.
21:00And with that, you won't have 10 million followers on the page.
21:03Do you care about the followers?
21:0510 million people don't know you.
21:07I mean, if you got sick or got imprisoned, for example,
21:09they won't ask about you at all.
21:11Most of them are not real.
21:12Why do you care so much about the truth? I don't understand.
21:14Because I can't stand lies.
21:17You're upset.
21:19Why?
21:21If I was born 50 years ago, I would have lived happily.
21:24And why 50?
21:26Exactly.
21:2850, 60.
21:30I mean, as long as you want.
21:32I mean, if I was born in the days of our ancestors.
21:34Because now there is nothing real.
21:37We are in the age of speed.
21:39We are in the age of speed.
21:40We are in the age of speed.
21:42I mean, the concepts are all nonsense.
21:44But they were different in the past.
21:46What do we know about them now?
21:48I mean, it's fake.
21:50It's fake for you.
21:52But for others, no.
21:54And this is what you don't understand at all.
21:56The truth and the illusion.
21:58There is a danger between them.
22:00Science is based on proven facts, not on illusions.
22:02Let's call it an imagination, not an illusion.
22:04You make people believe in the world you created in your imagination.
22:06The next step will be a breakup with you.
22:07I mean, you used to believe in your imaginary world.
22:09Yes.
22:11If you didn't believe, no.
22:16The truth is like the sun, it doesn't go away.
22:18But the sun goes away after sunrise.
22:20Unfortunately.
22:22For example, look at people.
22:24Everyone you know is suffering a lot in their lives.
22:27What do you want to say to the people you trust and wish for death to end their suffering?
22:31Do you want to tell them that you have the right to live a dark and difficult life?
22:34They know this is true.
22:35But if they see something beautiful on your page, how can they forget it?
22:39No.
22:41Like an antidepressant.
22:43If the person is in pain, you give him an antidepressant.
22:47So you believe that an antidepressant can cure a breakup?
22:50That's strange.
22:52You know, pride is harder than a breakup.
22:56Believe me.
22:59So if you were standing, and someone came from behind you and shook your hand,
23:03and told you that you are just a human being, just a number.
23:09But I'm not just a human being.
23:11But can someone make you feel that you are the whole world?
23:13Maybe I know George Bernard Shaw.
23:15And maybe someone else knows a lot of things.
23:18I mean, maybe he's a reading actor, and he's just playing.
23:21It's impossible.
23:23I said no.
23:25Don't let the appearances deceive you.
23:27If you're still in Egypt, let's go back to the usual questions.
23:30For example, ask me what I like most about men, like everyone else.
23:36Or, what do I prefer, love or money?
23:40Or, for example, what's the secret of long relationships?
23:43What's the secret of long relationships?
23:45Mutual respect is the basis of every relationship.
23:48Attraction is the secret, of course.
23:51What's wrong with that?
24:01That's right.
24:10You didn't have a long relationship in your life.
24:13Were your relationships short?
24:15How do you know?
24:17This information is from a well-educated person.
24:19I'm not a well-educated person.
24:21I'm not a well-educated person.
24:23I'm not a well-educated person.
24:25I'm not a well-educated person.
24:27I'm not a well-educated person.
24:28This information is from a well-educated person.
24:30So, you had one?
24:32What do you mean by a long relationship?
24:34At least a year.
24:36I had one. And you?
24:38I had one, too.
24:40And why did you leave?
24:44It ruined our lives.
24:46How do you mean? Explain.
24:48The car accident.
24:49The car accident.
24:55You did well.
24:57So, why did you leave?
24:59And why did I have to come?
25:01Hakan, you're annoying. Just accept it.
25:04I'm not like that in my personal relationships.
25:07Why? Aren't our relationships personal?
25:09I think you understood me well.
25:15Do you know that I once had lunch with a guy like you?
25:17Wait a minute. What do you mean by a guy like me?
25:20I'm annoying. We understood each other.
25:22And you?
25:24He's arrogant.
25:26He's well-educated.
25:28He understands everything.
25:30And he knows everything.
25:32And you?
25:36That's the word you shouldn't say to any man in Nubia.
25:39You.
25:41I can't say it to you.
25:43You're the first one I met.
25:47I've never felt this way about anyone.
25:51How nice.
25:53These are the words I should say to him.
25:57Anyway.
25:59I kept quiet for a long time with a guy like you.
26:02But he kept talking.
26:04He kept talking.
26:06And you didn't see him again?
26:08No, I stayed with him for six months.
26:10Because?
26:12He was attractive.
26:14He was attractive.
26:15He was attractive.
26:19By the way, just in case,
26:21if there's any misunderstanding,
26:23don't think that I'm making fun of you.
26:26Finally, I'm relieved.
26:28Why?
26:30This is sarcasm.
26:32Have you heard of it?
26:34Yes, of course.
26:36They use it a lot in scenarios.
26:38People say,
26:40when you talk, you look at Oskar.
26:42And between the lines,
26:43you look at me.
26:52Do you think you're getting close to me?
26:55No, I don't think so.
26:57What if I want to?
26:59Get close to you?
27:01Maybe.
27:03How many cigarettes did you smoke?
27:05I don't know.
27:07Why are you asking me?
27:09Because it's obvious that you're lost.
27:10Of course.
27:12Since you're a typical person,
27:14you won't take advantage of women like that.
27:16I don't take advantage of people.
27:18People?
27:20Which people?
27:22Why did you ask me?
27:24Ask you?
27:26People.
27:28It's a joke.
27:37Do you know how many men
27:38are in your place right now?
27:40If I think about it,
27:42the one I fell for a while ago
27:44is not many.
27:46So I understand that you're not attracted to me.
27:50No.
27:52Why?
27:56I don't like celebrities.
27:58And I don't like men.
28:01Get close to me.
28:06You're not my type.
28:08And you're not my type either.
28:24The truth is heavy on the heart.
28:26Okay.
28:28It hurts.
28:30To the point that no one wants to face it,
28:32even the brave ones.
28:35My friend.
28:36My friend.
28:38Believe me.
28:40My friend.
28:44There's no meaning to this pain in existence.
28:47It's all nonsense.
28:51And no,
28:53everyone tries to make up a truth
28:55to find meaning in their own existence.
28:57It's true that I'm not your type.
29:00And you're not my type either.
29:02But what's the point?
29:32I love you.
30:02I love you.
30:32I love you.
30:33I love you.
30:34I love you.
30:35I love you.
30:36I love you.
30:37I love you.
30:38I love you.
30:39I love you.
30:40I love you.
30:41I love you.
30:42I love you.
30:43I love you.
30:44I love you.
30:45I love you.
30:46I love you.
30:47I love you.
30:48I love you.
30:49I love you.
30:50I love you.
30:51I love you.
30:52I love you.
30:53I love you.
30:54I love you.
30:55I love you.
30:56I love you.
30:57I love you.
30:58I love you.
30:59I love you.
31:00I love you.