• 20 hours ago
مسلسل وماذا بعد الحلقة 1 الاولى مدبلج HD

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TV
Transcript
00:00You
00:30You
00:39Nothing much faroukh loss in class well, I think I saw them in the house
00:43He said I want no little mama when you cut the mucadama Tina little I know yet
00:47He's such a mother. I hate you. Yeah, I'm gonna have to align with mr. Toria
00:52I know I'm gonna see you
00:54Mrs. Jim, I'm gonna call you
00:57When I first saw what this is
01:01He was a little girl, but when I was a hopper, but I'm told I'm gonna let him see you see
01:09If you cut it all out of our machine
01:13Yet a rebel mesh for the examiners
01:15I thought I'd let me see how you saw her. Yeah, I can't with that
01:18Baby, yeah, but I'm gonna miss a house. Yeah, but I'm gonna let me know if it ain't one of us
01:27What I don't own
01:29assad's yes, yeah
01:32What's up for you? No, I'm gonna let you know what I'm gonna share. I'm in on that
01:38Then take it out of the mesh, but I'm gonna tell you that you know, I'm gonna show that
01:44Therefore, there's a mama Lilliana
01:47McCullough, I'm a man. Well, I didn't
01:51Have to stop
01:54Listen for me
01:59The army may become Manolia
02:01Momentum, it was the kill you and I have a big deal
02:05But I'm gonna miss it. It's a flower
02:08It's a little amount of romance. Yeah, we'll come with you. How did our Julia?
02:14Thank you. Do you move?
02:20I'm a right hand me be a book rabbi. No, sir. Why'd but have to give like my issue? Hmm. No, I think she
02:27Hmm
02:42Hello, sir, Derek, yeah, let's rub it though
02:47Oh
02:49Yeah
02:56Sure, Akbar
02:58I'm Andy McCubbin finish. He's our actor. Oh my god. I'm shy. I love him for a bushy. No, I'm a jealous
03:07Which the hot guys clean it up slick leisure the hobo Lomasa
03:11Just a fat lady to speak but I don't like that. She
03:14Mungkin misty Musasal is a comfy Dorek. Misha. Hey, Jareeha
03:20Shai for fear it's the one who say I know what's up?
03:32Marhaba
03:35Marhaba, Marhaba, Marhaba, Manolia. Keep it me how
03:40Me
03:42Khalil, I know how to tell you I'm not just a couple and I have just a table beside the alley
03:47I'm gonna hit me. I'm gonna tell you
03:50No, I didn't say no
03:52It's not the only time I was ready. I said I'm gonna get the first time I was in a way
03:56Well, I have a big battle. So I'll tell you I'm not gonna be a zombie. No, no, I'm gonna be a zombie
04:00I'll pick up a t-hose. I'm gonna say Johnny. I'm gonna be fun. I'm gonna go
04:05Huh? Yeah, that's all
04:08Oh
04:10Marhaba
04:12Tabatula
04:14Maradona
04:16Nasli Guler a saying to come by
04:18My feet me
04:20I'll tell you
04:22Mungkin
04:24Mungkin
04:26Mungkin
04:28Mungkin
04:30Mungkin
04:32Mungkin
04:34Mungkin
04:37I
04:42Should regard it điềuرو ج vomit seguinte أن تحصل على وله مكتب
04:50The
04:52Talk even Mustafa's Eliminated. Thank you. What's up?
04:55So no sate any else for that came in the card because tell me I counted Mar покون إيجابي بس يوم んوره بالأهم منسبب
05:02Yes, from the first episode.
05:04I have a contract on this basis,
05:06that I have to act in every episode, even if it's just one scene,
05:09and I get half the pay for the flashback.
05:11Was it your turn in this series,
05:13the rich man's daughter, right?
05:15No.
05:16His wife, excuse me.
05:18As if you didn't watch the series, right?
05:20They sent me 32 episodes,
05:22and each episode lasted about 2 hours,
05:24that's how I got to see the scenes you have.
05:26You know,
05:27I don't know if it's a good thing or a bad thing,
05:31You know,
05:32It's too long.
05:33That's why all the audience is watching the digital platforms,
05:36because the production is foreign.
05:38I don't understand.
05:39As if you don't know anything about TV series.
05:42No, I know a little.
05:43I know it's long,
05:44and the director adds scenes that have nothing to do with the scenario.
05:47A flashback with music.
05:50Do you watch the episode every week?
05:52You don't know the name of the series, right?
05:54The luxury?
05:55The competition.
05:56You didn't answer my question.
05:58You don't know the name of the series, right?
06:00Why didn't you invite me to the show?
06:02See if I agree.
06:04Why don't you work on the platforms?
06:06Let's see.
06:07I invited you to more than one show.
06:09See if I agree.
06:10What do you mean?
06:12Excuse me?
06:13You told me,
06:14see if I agree,
06:15and this is a traditional answer.
06:19Welcome.
06:21Hello.
06:22I drink Miami Girls, as usual.
06:25I drink what I used to drink,
06:27and I don't know the bar,
06:28but you're mine.
06:30Would you like to order something else?
06:32No, and you?
06:33No, thank you.
06:35After you.
06:40How did you know I wouldn't come?
06:41I wasn't sure,
06:42but I made sure
06:43from your reaction to the question.
06:45Is it a reaction?
06:47You got me.
06:49You played with my hair.
06:51And luckily,
06:52you came to pick up our order,
06:54and at that time,
06:55you thought of an answer.
06:56The story is clear.
06:57Gouwassa Diaries,
06:58Bint El Basha,
06:59and Yakamos.
07:00But Miami Girls is better.
07:03It's called digital business.
07:07I thought it was called cocktails.
07:08Excuse me.
07:09It happens.
07:11Does that mean we can start the interview now?
07:13Why haven't you started yet?
07:15No, this was just a rehearsal.
07:16We can start.
07:17Go ahead.
07:18Okay.
07:19I'm ready now.
07:21Let's start with the name.
07:22Go ahead.
07:23What's this name?
07:24Manolia?
07:26It's a normal name.
07:27I mean, it's a flower name.
07:29Your real name?
07:31Yes, since they call me that.
07:33Yes, that's right.
07:34They call you that,
07:35but I think that's your artistic name,
07:36not your real name.
07:37No.
07:38My parents call me Manolia
07:39because they like this name.
07:40Are your parents still alive?
07:41You mean you want to call them and ask them?
07:43No, I'm asking you in general.
07:44This is my second question.
07:45Thank you very much.
07:46Are your parents still alive?
07:48Do you have a brother, for example?
07:50It's like you don't know anything about me,
07:52and you didn't even ask about me.
07:53They sent me your autobiography, but...
07:55And I didn't read it.
07:56No, you read it,
07:57but it said what you did,
07:59and your other activities, and so on.
08:01Yes.
08:02On the other hand,
08:04we can talk face-to-face
08:05and get to know each other more comfortably.
08:07That means I can ask you too,
08:09since it's so obvious.
08:10Yes, of course.
08:11Go ahead.
08:12Don't worry, I won't ask you.
08:17Why?
08:18I don't know.
08:19Maybe because you have a special personality,
08:22or you have a secret that you don't want anyone to know,
08:24like all humans.
08:29I was just kidding.
08:31Okay, I understand that you don't know anything about me.
08:36No, it's not like that.
08:37Your name has become well-known in the media.
08:39What do you mean by that?
08:40Magazines, your personal life stories.
08:42So you're following my emotional stories,
08:44is that what you mean?
08:45Your emotional stories?
08:47Yes.
08:49The ones that are shortened to one night.
08:53Okay.
09:07Honestly, this is none of my business.
09:09Are you a journalist?
09:10No, no, I'm a journalist,
09:12but I don't do interviews with actors.
09:14I write about politics,
09:16and public affairs.
09:18Internal politics and international relations.
09:20And I write about the economy.
09:22That's why you don't know me.
09:24Because I'm not attractive like international politics.
09:26No, of course not.
09:29So I'm attractive?
09:33You're beautiful, of course.
09:35No one can say anything but that.
09:37That's the traditional answer.
09:39Like the answer when you asked me about digital offers.
09:43Don't take this personally.
09:45I'm doing my job.
09:47But this isn't your job.
09:49Your job is political news.
09:51That's right.
09:54Since they turned you into art news,
09:56it means that you're doing something that the higher-ups don't like.
09:59Like forcing someone.
10:01That's not how it works.
10:02What's wrong with that?
10:03You have to add to someone's conscience.
10:05It's not right to say that they made me
10:07stick to someone,
10:08with my speech impediments.
10:10You look like you work as a linguist.
10:12Very nice.
10:13There's no need to renew the request.
10:15I want the bill, if possible.
10:17Here you go.
10:21I don't want to interrupt your work.
10:23I don't know why
10:25they sent me here to interview you.
10:28But I think
10:30they thought that my interview with you
10:32is more important than my job in Ankara.
10:33That's the only explanation.
10:34That's enough.
10:36Unfortunately,
10:37it's not like that.
10:39That's why I don't think
10:41we should continue the interview.
10:49I wanted to tell you that
10:51I was honored to meet you, but
10:53to be honest,
10:54I'm tired of sitting with you
10:56all the time.
10:57It's normal for someone like you to find me very boring.
11:00Since you're used to being alone at night,
11:03it's normal to get bored.
11:05I won't answer that.
11:09I won't answer that.
11:18Guys, look who's here.
11:21Good evening.
11:22Can I film you?
11:23Yes, you can.
11:24Tell us.
11:25Is this your interview?
11:26Are you preparing for a new series?
11:27No, it's a normal interview.
11:29Are you sure about that?
11:30Of course, I'm sure.
11:32Thank you for coming.
11:33Good night, guys.
11:34Bye-bye.
11:35Watch out for the cameras.
11:36We didn't get any news from them.
11:39I'm sorry.
11:40I'm sorry.
11:41I'm sorry.
11:42I'm sorry.
11:43I'm sorry.
11:44I'm sorry.
11:45I'm sorry.
11:46I'm sorry.
11:47I'm sorry.
11:48I'm sorry.
11:49I'm sorry.
11:50I'm sorry.
11:51I'm sorry.
11:52I'm sorry.
11:53I'm sorry.
11:54I'm sorry.
11:55I'm sorry.
11:56I'm sorry.
11:57I'm sorry.
11:58I'm sorry.
11:59I'm sorry.
12:00I'm sorry.
12:01I'm sorry.
12:02I'm sorry.
12:03I'm sorry.
12:04I'm sorry.
12:05I'm sorry.
12:06I'm sorry.
12:07I'm sorry.
12:09I'm sorry.
12:20Manolia.
12:21Demir Manolia.
12:22Good evening.
12:23Do you know that you're the prettiest and best actress in the play?
12:26Thank you, I'm sort of murmured that.
12:27You're playing in Amr.Jdeed?
12:29No.
12:30Wait a minute.
12:31I want you to talk to my sweetheart to believe that I've seen her.
12:33She's not interested in you.
12:34She's going to beczenied when she sees you.
12:36Look at my sweetheart.
12:37Who are you standing with?
12:38Who are you standing with?
12:39Good evening.
12:40Good evening.
12:41Wait a minute, where are you going?
12:42Can you leave me alone, please?
12:43Why are you so hard on us?
12:44What happens to you if you stop for a while?
12:47What are you doing?
12:48What's your problem?
12:49What are you doing?
12:50Didn't you hear what I'm saying?
12:51Leave my girlfriend alone.
12:52I'm telling you to leave me alone.
12:53Why don't you understand what I'm saying?
12:54Who are you?
12:55What's your problem?
12:56It's simple.
12:57Don't exaggerate.
12:58It's not a big deal.
12:59What do you mean, what's my problem?
13:00Leave the creature alone.
13:01What's your problem between me and her?
13:02Don't argue.
13:03Don't follow her.
13:04She had to talk to you and your girlfriend.
13:06Are you okay?
13:07Are you stupid?
13:10Are you okay?
13:11Should I call the ambulance?
13:13No, there's no need.
13:15He's cleaning your nose.
13:20Put this on your nose and wipe the blood.
13:29Where's Nadal?
13:30What do you want to do?
13:31Do you want to follow him?
13:32He's crazy.
13:33What do you want from him?
13:36Leave me alone.
13:41You have to come back to...
13:42Hold my hand.
14:05
14:10
14:15
14:20
14:25There was no need to come here.
14:27He's still talking.
14:29
14:32
14:36
14:41
14:46
14:51
14:56I'm fine.
15:26Bye.
15:56
16:01
16:06
16:11
16:16
16:21
16:26I don't know, but I'm used to seeing
16:28piano for playing, gramophone for music,
16:31and books for reading.
16:34That means you're sitting with the wrong people.
16:36That means I'm sorry.
16:38
16:47It's okay.
16:49You're not going to apologize?
16:51No.
16:54I knew you'd say that.
16:57I knew you'd say that too.
17:00I don't have to make an offer to prove that I'm sorry.
17:03I know what you're saying.
17:04Are you interrogating me?
17:06No, interrogation isn't like that.
17:08You're a political journalist, a linguist,
17:10and on top of that, a doctor of law.
17:12Please forgive me.
17:15I got a little carried away while we were at the restaurant.
17:18I'm sorry. I didn't mean to.
17:21I forgive you.
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