Category
📺
TVTranscript
00:00I
00:10Will you have a contact or don't don't don't get that I don't do that. I gotta know
00:20What's up, what's up, okay, come on. Do you know if I must I'm here just a little corriente de un estupidez como esa
00:26I don't know.
00:28Hanna and you, brothers, please.
00:34That's what I've told you.
00:35Now don't tell me you made it up, Curro.
00:37Where did you get that absurdity from?
00:39Well, I don't know the truth because I...
00:41Don't deny it to me.
00:43Curro, why would Julia have an idea like that in her head?
00:45Lately I don't understand you, I don't know what's wrong with you.
00:47Martina, I know it's going to sound crazy, but Julia has had to misunderstand me.
00:55Well, that's the last thing I needed to hear.
00:57No, but it's the truth.
00:59Curro, no, stop, stop, stop.
01:01If you're going to lie to me, don't tell me anything.
01:05Because I'm not Julia.
01:07I know you.
01:11I know you a lot.
01:13And you can't fool me.
01:17It's just that I don't intend to fool you.
01:19Yes, neither you, nor Julia, nor anyone.
01:21Well, of course.
01:23Curro.
01:25Do you think it's a joke that Hannah is the captain's daughter?
01:53Look, my relationship with Don Manuel and my job have nothing to do with each other.
02:07But get into my situation, Hannah.
02:09How am I going to give orders to the woman who shares the bed with the next Marquis de Luján?
02:15I am not the lover of any man, Mrs. Petra.
02:19As a keymaker, I should know that I sleep in my room, the one I share with María Fernández.
02:23And in my bed.
02:25If you are not his beloved now, it is because Mrs. Jimena passed away.
02:29And you no longer have anyone to cover up the scandal.
02:33What is he supposed to be insinuating?
02:37That maybe now you won't flirt with Don Manuel.
02:41But you have done it before.
02:43Otherwise, you wouldn't have him as enchanted as you have him.
02:50Do you know what I'm telling you?
02:52That we are going to have a party to forget all our problems.
02:56And for you to have a better snack than the one I had organized for you, Manuel.
03:02What are you crying about?
03:04Nothing, it's nothing.
03:07With that blister, you won't need to moisten your clothes to iron it.
03:11Well, lately I've been sensitive and I want anything, nothing more.
03:17And that anything has happened now?
03:20What do you think?
03:22That it's the Marquise, right?
03:24You don't listen to that woman.
03:26She's coming back because she's going to marry you to her son.
03:28But that was the idea.
03:30It's not because of the Marquise.
03:32It's because of Doña Petra.
03:34No, if it's not one, it's the other.
03:36Don't fail me, huh?
03:38And what has the Marimandrajo done to you now?
03:40That because of the curtains I ironed there?
03:42No, it's not because of the curtains.
03:44It's because of my relationship with Manuel.
03:47And what does she have to say about you two?
03:50That she doesn't care about him?
03:52That's why she can't shut up.
03:54You have to let it out.
03:56Come on, don't you?
03:57Otherwise you wouldn't be like this.
03:59She told me that she's not going to give me homework because ...
04:03Because I sleep with Manuel.
04:05But that's a lie.
04:07Because you sleep with my Vera.
04:09Yes, María, that's a lie, but what is true is that I ...
04:12Manuel, well ...
04:15You know.
04:16And she has thrown it in my face.
04:18Well, but you know, envy.
04:20We got married, huh?
04:22Not even a man has looked at her or touched her.
04:24In years.
04:26Yeah, but I feel dirty.
04:28And I feel like I'm sinning.
04:30Well, under a priest, at least you sin.
04:33But like me.
04:34And like many others.
04:38The fact is that I also invented poor Doña Jimena, so ...
04:41So that woman, in order to hurt,
04:43doesn't leave anyone in the inkwell.
04:46Yeah, María, but ...
04:48There are things she said were true.
04:50And I think you're right.
04:52It's just that that woman is a spy and she knows where it hurts.
04:55But don't let her get you down, huh?
04:59Yeah, but I don't know if I can.
05:01Well, when she tells you something,
05:03you tell her that you told the pan to the house.
05:05That she criticizes a lot,
05:07but it's good that she had a child out of marriage.
05:09And here I am the case, right?
05:11You are a woman who is in love with a man.
05:13And that, Hanna, is the only thing that matters.
05:16Yeah, but that's very easy to say.
05:18But when suddenly that woman corrals you
05:20and starts telling you all these things ...
05:21No, but this Jesus Christ can't even throw a dagger at him.
05:24I mean, that's how he sinned.
05:26Like this.
05:29Well, you know what I'm telling you, I don't care.
05:31Even if she doesn't give me homework, I'm going to look for them if necessary.
05:34I'm going to keep working.
05:35Well, and if she gets angry,
05:37you lie to Feliciano, may God have him in his glory,
05:40that he has no father.
05:41María, I'm not going to tell her that.
05:43Well, when she gets angry, you move away.
05:45But you think you're not doing anything wrong for loving Manuel.
05:51Thank you for always encouraging me.
05:54She told the pan to the house.
05:56And now I'm the pan, right?
05:59It's just that you also encourage me a lot when I'm sad.
06:03Because that's what friends are for.
06:05Exactly.
06:07And now let's go, come on.
06:08Mr. Pellicer is waiting for us in the kitchen.
06:11Because Mrs. Catalina doesn't want to say anything.
06:14Well, maybe she'll get married soon.
06:15That's another one.
06:17Stepping on the altar with a pregnancy pump.
06:20María.
06:22Come on, let's go.
06:24No, no, it's just that ...
06:26I'm not in the mood.
06:27And besides, I have a lot of plans, so if Mr. Pellicer asks you, tell him that ...
06:32I'm very busy.
06:34Okay.
06:36But the party we're going to organize will come, right?
06:39We do it for you.
06:41I'm sorry.
06:43It's just that I don't have the body for parties.
06:46But you guys have a good time.
06:51Well.
06:53But don't let Maria Mandrago get on your nerves, huh?
06:57No.
06:58Come on.
07:03Let's go.
07:23Matina, daughter.
07:25What's wrong? You look so thoughtful.
07:30It's because of work.
07:32Have you two had a fight?
07:34Yes.
07:36Why?
07:40It's a non-important discussion.
07:42How are you?
07:44No. Tell me.
07:46It seems to me that this discussion with work is altering you.
07:48No, no, it's not important. It's really just an animosity.
07:51Martina, I'm your mother.
07:53I know you perfectly well and I know when you're not well.
07:55So please tell me. What happened?
08:02I'm not like this because of work.
08:06I argued with...
08:08with his fiancée.
08:10With Ignacio?
08:12For what reason?
08:14I was late, really.
08:16No. No, Martina.
08:18I want you to tell me what happened.
08:23It's just that...
08:25What's wrong, daughter?
08:26No, no.
08:28You know that I try to avoid any confrontation with that man.
08:31So what happened?
08:37He thinks that if you're close to him, it's my fault.
08:43What's that supposed to mean?
08:44I don't know, but he thinks I'm getting in the way to put her against him.
08:48Who does he think I am?
08:50Please.
08:52Does he think I'm a puppet that anyone can manipulate?
08:54I don't know, but...
08:57He didn't believe me.
09:01And he threatened me.
09:04Did he really threaten you?
09:09Martina.
09:12He reminded me of my stay in the asylum.
09:15And he told me that...
09:17that if he was about to send me to jail once, I could do it a second time.
09:22And I've been left as white as you are.
09:24Well, don't worry.
09:26Because that's not going to happen again.
09:29You don't know how angry I've been with him.
09:33Yes, I can imagine.
09:36I'm going to have to talk to him, Martina.
09:38No, no, no, no, no, please.
09:40No, I'm not going to let him treat my daughter like that.
09:42Mother, I don't want him to talk or tell him anything.
09:45I don't want to.
09:46I'm tired of this situation, really.
09:48I'm tired of this situation, really.
09:50I don't want him to take her back with me.
09:52No, no, I don't want to.
09:56Are you sure, Martina?
10:00You're the one who has to be sure about your wedding.
10:04And you don't have to worry about me.
10:08The only thing is that I don't want this situation to get worse again.
10:12Don't worry, because I'm not going to let anything happen to you.
10:15Never. Do you hear me?
10:16Do you hear me?
10:17Never.
10:31So, the bottle is uncorked.
10:32That's right, and the glasses are still on.
10:35We've never treated that wine down here.
10:38We only get Peleón wine here.
10:40The one that goes in a bottle.
10:42And it's really good.
10:44This wine isn't very common in Spain.
10:46It's a French Bordeaux.
10:47Let's make a toast.
10:49López, pour me a sorbito.
10:54Am I late?
10:55Excuse me, I was carrying a few things.
10:57And isn't Miss Espósito coming?
10:59She would like to, but she has a lot of work.
11:01She had two drawers full of sheets and clothes from the Marquis.
11:07Gentlemen.
11:08Good morning.
11:09Well ...
11:11We have gathered you all because Pela and I wanted to inform you of something that is very important to us.
11:18We are going to be parents.
11:22That's great news.
11:24It's great news.
11:27I can imagine you were informed.
11:31And I understand that the situation is not very normal because, well, we are not married.
11:35Don't worry, miss.
11:37You always welcome us with joy.
11:39That's right.
11:40And that's why we wanted to share our happiness with you.
11:44Well, on behalf of the whole service, we congratulate you.
11:47We are very happy for you.
11:49Yes, congratulations.
11:51It was really time for a child to come to the palace.
11:54Well, if you don't mind, let's toast to that child, our son, who will be here soon.
12:00I've seen that you've already served the glasses.
12:03I've made that wine from the winery because it's very special.
12:07And so special, miss.
12:09Thank you very much for letting us try it.
12:11You deserve that and more.
12:13For your discretion, your support and for always being there.
12:19It smells strong, Orvino.
12:21López says you gave it to him, right?
12:24Yes, he is my age.
12:26My father bought many when I was born.
12:29With the intention of serving them on my wedding day.
12:31But he has more than one at home.
12:33Yes, yes, don't worry, there are many.
12:36The wedding will be as soon as possible for obvious reasons.
12:40But I wanted us to get him before.
12:43For the child who will come to the promise and for you.
12:46You will see him grow up.
12:48For his happiness in this marriage.
12:52And for you to know how to educate and love this child.
12:56That's right, for a life full of adventures.
12:59Mmm.
13:03This ...
13:06This wine is spicy.
13:07Yes, Mr. Pelayo, this is a little vinegar.
13:09I was already saying that I saw the cork a little dry.
13:11Why didn't you say anything, man?
13:13No, nothing happens.
13:14That's what it's like to keep a bottle for so many years,
13:16that one is no longer a child.
13:18If you are a chiquilla, the issue is that you must have taken a Spanish wine.
13:22And the French already carry vinegar on their faces.
13:26Well, I guess what matters is the intention.
13:28So I owe you a good bottle of wine.
13:31Don't worry, miss, we always have a bottle ready here.
13:36Teresa, go get some clean glasses.
13:38Of course, Mrs. Simona.
13:44You closed it, didn't you, Candela?
13:45Yes.
13:46You will notice that the last one that ...
13:48How funny.
13:55Yes.
14:12Yes?
14:14Mrs. Arcos, have you also gone to the toast that Miss Catalina organized with Count Dañil?
14:19Of course not.
14:21I don't see why you have to toast,
14:23because one has become pregnant without going to the sacristy.
14:28I don't understand how they have given so much hype to the matter.
14:31And never better said.
14:33That young woman is dragging the good last name of the family into the mud.
14:36And on top of that, she dares to celebrate it.
14:39Of course, what I have not seen in this house, I have not seen it anywhere.
14:43The man who wants to marry a maid,
14:45and his sister who gets pregnant without going before ...
14:47It's a shame, yes.
14:49The only good thing about all this is that Miss Catalina and the count
14:54are going to disappear from here soon.
14:56Do you think they are going to break their promise?
14:58I hope so.
14:59Because I have already been quite ashamed of that shameless father of yours.
15:06By the way, speaking of parents,
15:08I wanted to thank you for helping me with mine when I started asking myself one question after another.
15:13I was on the ropes.
15:15Yeah, well, I just did what I had to do.
15:18Santos, you have the right to know how your mother died.
15:23Yeah, but I don't know if I'll ever find out.
15:28You have to persevere.
15:31But I don't know what else to do, Mrs. Arcos.
15:36In the village, no one knew who he was.
15:39Nor who my father was.
15:41I don't know where to start.
15:43Can you think of something?
15:46I know it's difficult, Santos.
15:48But I already told you, patience and caution.
15:52But I couldn't go on like this, Mrs. Petra.
15:54What you can't do is take a false step.
15:57And you know it well, Santos, your father is not going to tell you anything.
16:01We have to find a way to discover the truth without your father knowing your intentions.
16:09And we will look for a strategy, Santos.
16:12We will look for it and we will find it.
16:14I guarantee it.
16:23I wanted to thank you for preparing Mr. Burro's luggage.
16:26I know it wasn't for you.
16:27Don't worry, the car is ready and you can leave as soon as you want, Mr. Pellicer.
16:31Perfect, you can leave.
16:32Yes, sir.
16:44Sir, I wanted to congratulate you for your decision.
16:47I imagine it wasn't easy to make it.
16:50But you looked very happy during the toast to you and Miss Catalina.
16:54Happy?
16:56The ones who were with us.
17:01I don't know, I've seen you very focused.
17:04Happy.
17:05Really? Is that what it looked like?
17:07Of course.
17:08Isn't it?
17:10No, it's not like that.
17:14I don't ... I don't understand, sir.
17:17You really don't understand?
17:19Do you think it is normal to make a toast with the servants to celebrate a pregnancy that has taken place outside of marriage?
17:26For God's sake, it's all nonsense.
17:29Miss Catalina's relationship with the service has always been very good.
17:33And that justifies admitting your prejudice in front of everyone as if it were normal?
17:38Well, everyone was aware.
17:41I know.
17:42But that's where it starts.
17:44When something like this happens, one quietly, discreetly, does not celebrate a toast.
17:51I see.
17:54And I thought you were happy.
17:57Happy to have to raise the child of another?
18:00Well, no, Mr. Ricardo.
18:01I was not happy, nor will I be.
18:04But since I was little, they taught me well that appearances are important.
18:10Well, and if it doesn't make you happy, why did you make the decision to welcome him?
18:15To preserve my honor.
18:17What would be said out there if people found out that the child that Catalina is expecting is from another?
18:23But ... you already ...
18:27You had already finished with her.
18:29When ... well, what happened happened ...
18:32Yes, but then come back.
18:34I can't go around clarifying specific dates to everyone.
18:38So the scandal is served.
18:41I understand, sir.
18:43Besides, I also do it for Catalina.
18:46I don't want her to be involved in something like this.
18:51That's what loves her.
18:54Maybe.
18:57A few weeks ago I would have told her that I loved her deeply, but ...
19:01Right now I don't know what to answer.
19:04And yet you are going to marry her?
19:06Well, yes, it is what I have decided.
19:09But I admit that I do not finish assuming her pregnancy.
19:12I have already taken a first step to do so.
19:14A step that I don't know if it has been a false step.
19:17I'm in a sea of doubts, Mr. Ricardo.
19:20Sir, you won't be thinking of backing out.
19:24Well, I don't know, I can't guarantee you anything.
19:27I didn't expect to say yes to Catalina, and I have.
19:31So I understand that anything can happen.
19:33Anything.
19:35If you allow me to tell you something, decide what you decide.
19:42Try not to hurt Miss Catalina.
19:46Mr. Ricardo, unfortunately, in such a delicate matter,
19:49make the decision you make, I'm going to hurt someone.
20:03Catalina.
20:07Curro.
20:09Are you going out?
20:10Yes, Catalina has asked me to do some management for the farm.
20:14I'm waiting for them to bring me the boots to mount and I'll be out right away.
20:19And those managements are going to take a long time?
20:22No, I hope not.
20:24Although they are a bit complicated.
20:26Can you tell me what it is about?
20:28Yes, yes.
20:29You need yucca bags to transport the wheat, and they look scarce.
20:33And you're going to buy that? Bags?
20:35Well, more than buying, sister, what I want is to get a supplier
20:40that guarantees us in the future, the supply at a good price.
20:44You're going to do it very well.
20:46I hope so.
20:47Although I'll have to bargain, and I'm not very good at it.
20:51Well, when you come back, we'll rehearse.
20:54No, I'll also take advantage of the trip to see my mother at the sanatorium.
20:58And that honors you.
21:00Although, as things are, I don't like that you're going so far.
21:03Yeah.
21:05Well, let's see if Manuel calms down.
21:07Because yesterday's anger was too much.
21:10Correa is not like that, you already know him.
21:12I know, but he can't get so upset.
21:15Yeah, but you also have to put yourself in his place.
21:17He has a lot of pressure from his parents, and on top of that, there is the lock-up of Don Romulo, which affects him a lot.
21:28I'll take care of it.
21:29Thanks.
21:40Yes, I understand.
21:42I just hope he's not as upset with you as he is with us.
21:47I'll know how to fix it, don't worry.
21:49But come back soon.
21:51I will.
21:53Goodbye, little sister.
21:55By the way, say goodbye to Julia.
21:57I've been looking for her all over the palace and I haven't found her.
22:00Be careful.
22:04Have a good trip.
22:19Well, we'll have to fix a trip to this patio for the party, right?
22:22That's what I'm saying.
22:24Hanna doesn't want to go to the party, but she's up for it, seeing how colorful it is.
22:28If you want, I can prepare some garlands with colored paper and some ritales.
22:33Like for Mrs. Pia's wedding?
22:35Exactly.
22:36They were very pretty, huh?
22:37It's a pity that the wedding didn't go so well.
22:40With that boyfriend I was expecting.
22:42The truth is that Mrs. Larre was right when it came to choosing a husband.
22:46And it won't be a bad mistake if we put garlands.
22:48Look, we already put garlands for Mrs. Pia's wedding and it was terrible.
22:52Ah, those are super cherries.
22:54Well, but it's better not to tempt fate.
22:56María, let's see if we can't use garlands at a party now because they were used that day.
23:01I remember that we borrowed the gramophone from the gentlemen to be able to dance.
23:06Well, but they left it to us because it was for Lama de Llave's wedding.
23:10But this is a little party.
23:11You don't miss much for asking for it.
23:13Besides, I think if you talk to Miss Catalina, she'll leave it to us.
23:16She's very happy now.
23:19It's just that a party without music is less of a party.
23:21Well, I'll ask her.
23:22Well, better let Simona do it because she has a lot of hands with the lady.
23:26And what do you want to drink?
23:28Because I can prepare a capote surra or a delicious fruit sangria.
23:32I prefer a ponche.
23:33It's what we do in my family for parties.
23:36And wear that ponche because it can be prepared in many ways.
23:38It's a family secret.
23:40I can't tell anyone.
23:41Come on, Marcelo, it won't be for long.
23:43López, my family and I don't take these things very seriously.
23:46If I told you, I would have to kill you so that the secret wouldn't spread.
23:49Okay, well ...
23:51Don't tell me, prepare it yourself.
23:53Well, now that Charly also has a belly, right?
23:56It's not going to be all a ponche.
23:58That's true, because as we dedicate ourselves to drinking, more than one will end up dizzy.
24:02If you want, I can prepare some canapés and an empanada.
24:07I think what you prepare, López, is great.
24:10Well, let's not talk anymore.
24:11Let each one dedicate himself to his own thing.
24:13Very good, very good.
24:14Bye.
24:19I can come in?
24:21Martina, I don't know what you're asking for, if you don't expect an answer.
24:26Hello.
24:29Hello.
24:31Have you seen Curro?
24:36He's not here.
24:38I don't know where he is.
24:40I don't know where he is.
24:41I don't know where he is.
24:43I don't know where he is.
24:45I don't know where he is.
24:47I don't know where he is.
24:48He's not here.
24:57Martina, what are you doing?
24:59I think it's very clear.
25:01Give you a hug.
25:02It's the best thing when you get like this.
25:04Come on, get down.
25:07No, because I notice that you haven't gone too crazy yet, so no.
25:15What?
25:17Are you going to be nicer?
25:21Yes.
25:33I admit that I've been more at risk than normal.
25:37And it's normal, taking into account everything you have on top of it, but ...
25:42You're making us pay fair for sinners.
25:45I am aware of that.
25:47And we are here to help you.
25:50To support you in everything you need.
25:53I know.
25:56And I thank you.
25:58Because that gratitude is noticeable.
26:03I'm fine.
26:07Give me another hug.
26:08You took it to your heart.
26:15We all have problems, Manuel.
26:20And the thing is to help each other.
26:23Not fight.
26:27You're right.
26:32I haven't seen Curro.
26:34I don't even know where he is.
26:36Why are you looking for him?
26:39Because lately we have also had our clashes and I wanted ...
26:43to clear things up.
26:45You?
26:49And what problem do you have now?
26:53Well, it's weird.
26:55I admit that I have also been upset, but ...
26:59He ...
27:02I know what you're saying.
27:05Yes, you're right, it's weird.
27:07Of course.
27:09The other day he revealed to me that ...
27:13everything we lived in the war is costing him.
27:17All that has to be confiscated, I know it.
27:21And Julia's arrival has not done him any good.
27:24He has brought him many memories and no good one.
27:27And I'm also aware of that, but I don't understand ...
27:30that if it bothers him so much, he wants to spend hours and hours and hours with her.
27:34Maybe he should spend less time with her.
27:37Or ask him to break his promise.
27:39That way he would cut off the root problem.
27:42I think that too, but ...
27:45Curro feels indebted to her.
27:51But Curro is not to blame for Julia's boyfriend's death in the war.
27:56I know.
27:58But one thing is what happened and another thing is how he feels.
28:01Curro feels responsible for that death, Martina.
28:03And he can't help but torture himself for it.
28:05Yes, but if Julia continues to spend time on the promise,
28:08Curro will continue to eat up.
28:10But he doesn't see it that way.
28:13He feels that he needs her.
28:19Listen to me, all we have to do is be patient.
28:23Curro is not having a good time.
28:25And our rushes are not helping him.
28:32But everything will be fine.
28:37In the meantime, give me another hug.
28:41I get over it, I move it and you get sad.
28:51From what I was telling you, I was talking to Mrs. Pia
28:54and I told her the news about Mrs. Catalina's pregnancy
28:57and that she was thinking of getting married.
28:59And how did you see her?
29:01With lust.
29:02I invited her to the party, but she doesn't feel like it.
29:04She must be on the street with a little girl.
29:08Mrs. Pia has been through a lot.
29:10But this is an injustice like the cup of a pine tree.
29:13I think that if she had at least come,
29:15we could have encouraged her among all of us.
29:17When she came with Diego, she was very happy.
29:20I don't know why they don't want to give her her job.
29:22She became a workaholic.
29:24If it's not for work, kid, it's because of Mrs. Darre.
29:28Well, yes, I don't understand.
29:30I don't understand.
29:34There are a lot of idle people around here.
29:36We have hired a friend to rest,
29:38as all jobs are done.
29:40Okay, but don't extend the break too much,
29:42I have a lot of work to do.
29:43Too much work?
29:44That's why we don't understand why the gentlemen
29:46don't want to hire Mrs. Pia again.
29:48I regret this situation as much as you do.
29:51But there is little that can be done,
29:53it has been a decision of the Marquis.
29:55And couldn't you talk to them,
29:57to mediate, try to convince them?
29:59Yes, Mrs. Pia is alone in the world
30:01to get Diego ahead.
30:03And without work, we don't know how she will do it.
30:06I don't think it's useful for me to talk to them.
30:08But if at least you could try.
30:10I already tried and it was useless.
30:12The Marquis doesn't want her back.
30:14And if you insist?
30:16No, the Marquis was sharp on this matter
30:18and didn't leave even the slightest risk.
30:20But why is that woman so determined
30:22not to return to Mrs. Pia?
30:23I don't know.
30:24But it's not my fault either.
30:27Anyway,
30:29don't extend the break more than necessary.
30:49Mother, what are you doing here?
30:51Don't tell me that today we also have to
30:53fake the recipes.
30:55No.
30:56It's just that ...
30:58I don't understand why you told me yesterday
31:00that you wanted to break your promise.
31:02And what's the point of this now?
31:04I've been insisting for weeks that I leave.
31:06Yes, but you were just telling me how well you were doing.
31:09Well, I'm not anymore.
31:10That's why I want to leave.
31:12But what happened for you to change your mind
31:14in such a few days?
31:17She's got a bad temper, huh?
31:20Now she pretends to behave like a mother
31:22and worries about her daughter.
31:24It's not like that, honey.
31:25No?
31:27What did you tell me when my brothers made fun of me?
31:30What did you tell me when you came to me crying
31:32to console me?
31:34I don't know. I don't remember.
31:37You don't remember or you don't want to remember?
31:41That happened a long time ago, honey.
31:43Well, I remember perfectly.
31:45You told me not to cry,
31:47that I wasn't weak,
31:48that I took the chestnuts out of the fire by myself.
31:53Maybe now I'm in a hurry to admit that I work like this,
31:56but it's what I did.
32:01I'm sorry.
32:03I'm even more sorry
32:06that I grew up without anyone to support me.
32:09But you know what?
32:11I've learned to move forward on my own.
32:14And I don't need your help anymore.
32:17Honey, listen to me.
32:19We all make mistakes, all of us.
32:25But let me make up for them.
32:27I want to help you.
32:29Tell me what happened for you to want to leave this house like this.
32:38It's for Lope, right?
32:42I've argued with him.
32:44That happened.
32:46And what happened?
32:49That doesn't count.
32:51The point is that I feel very uncomfortable in this house
32:53and I want to leave.
32:54Fine.
32:56And if that's what you want,
32:57I respect your decision.
33:01Look, Mom, I don't care what you think.
33:04I just ask you, please,
33:05that if you keep coming to this house,
33:07treat me like a maid.
33:18I love you.
33:28Does anyone want me to serve you?
33:30At this hour?
33:31Why not?
33:33I've thought that maybe it would be a good idea
33:35to make a toast,
33:36like the one Catalina and Pelayo made
33:38at the service station.
33:42What are you saying?
33:43Well, that your daughters brought their son's future father
33:46and you have been toasting with the kids
33:48for the pregnancy.
33:51But is that true?
33:52I don't know for sure.
33:54You see,
33:56celebrating a dishonorable pregnancy.
34:00Who would have said it?
34:01Lorenzo, let's leave it.
34:03I was just saying it because it has been striking to me.
34:07At least.
34:08When I was young,
34:09something like this would have been a cause for outrage
34:11and now we toast for it.
34:13No.
34:14I think it's still a cause for outrage.
34:18At least among the people I hang out with.
34:20Not in La Promesa, Ayala.
34:21Not in La Promesa.
34:23Catalina hasn't published an echo of society
34:25commenting on her pregnancy.
34:26Why would they make cartoons?
34:28Lorenzo, you should be much more prudent with your words.
34:31Have I said something that isn't true?
34:33As far as I know,
34:34everything I've heard is true.
34:36Instead of having studied in good schools,
34:38Catalina would have been educated
34:40in that free education institution.
34:42What a nest of libertines.
34:45You're not having good luck with your children.
34:48Manuel, the spoiled brat.
34:50Catalina, pregnant.
34:51The truth is that youth is in decline.
34:53I always say it.
34:54Enough.
34:55Enough.
34:57Who do you think you are?
34:58Criticizing my nephews
35:00who have the noblest heart
35:01than any of us here.
35:03Darling.
35:04No, not darling, not at all.
35:05You're talking as if you were boring old people.
35:09Criticizing young people just for that, for being so.
35:12No, we're criticizing the acts.
35:13No, Catalina and Manuel are wrong, yes.
35:15Because they're human.
35:16What's wrong with any of you?
35:18Has it ever happened to you?
35:24Not to that extent.
35:25Oh, no?
35:26Do you want me to reveal
35:27each and every one of your mistakes
35:28in front of everyone?
35:29Margarita, that's not how you put it.
35:30I put it the way I want to, Lorenzo.
35:32Do you really think it's right
35:34to make fun of who's going to be your family?
35:36Please.
35:42Please.
36:01Manuel.
36:03Hanna.
36:04I was told you were looking for me.
36:06Yes.
36:07You see, I wanted to tell you
36:08that I'm leaving La Promesa.
36:10What do you mean you're leaving?
36:11Where are you going?
36:12Don't worry.
36:14Sit down.
36:22Don't worry.
36:23I'm going to Villalquino to get some fresh air.
36:27I've been arguing with my parents again,
36:28and I need it.
36:30And why did you argue this time?
36:35Because of me.
36:37Are you still with Martin Gala?
36:41And what are you going to do in Villalquino?
36:45Well, my intention
36:46is to visit my friend Mario Valladares.
36:48It turns out he has an airplane
36:50that looks like the one I want to build.
36:52Are you going to fly in it?
36:54I'd love to try that machine.
36:57It has a very powerful engine
36:58with a rotating piston
37:00refrigerated by air.
37:02Well, Manuel,
37:03it's a very windy day today.
37:05Don't worry.
37:06It's a very stable machine.
37:08It's 11 meters in wingspan
37:10and can reach 1,000 meters in height.
37:15Well, I don't think it should go up that high.
37:17You have to be more careful.
37:20I will.
37:21I promise.
37:28You know, now that I think about it,
37:29you could come with me.
37:31We could fly together again.
37:34I'd love to.
37:36But for that,
37:37I'd have to leave my job.
37:39I don't want everyone to think
37:40I can do whatever I want
37:41just because I'm with you.
37:46You know you have the right
37:47not to do anything if you don't want to.
37:50I don't know if I have the right anymore.
37:52Even Mrs. Arcos herself
37:53told me she doesn't even know
37:54how to work with me.
37:58Well, soon everything will be clear
38:00and you won't have any doubt
38:01about how to treat yourself.
38:03I hope so.
38:05Because I don't like this situation
38:06where I'm neither in one place nor in another.
38:10Patience.
38:12In a couple of days,
38:13weeks at most,
38:14everything will be resolved.
38:16I give you my word.
38:18Manuel, I'm willing to have
38:19all the patience in the world.
38:22But then I need you
38:23to do something for me.
38:26And?
38:29I need you to tell me
38:30what's going on with your parents.
38:34I've already told you.
38:36They don't accept that I want to marry you.
38:40Manuel, I think there's something else
38:42you're not telling me
38:43because you don't want me to worry.
38:45Listen to me.
38:47If there's anything new,
38:49I'll let you know.
38:50Okay?
38:52And more if it's something positive.
38:59Okay.
39:03It's normal that Mrs. Darre
39:04doesn't have the body for parties.
39:06I understand,
39:07but it would be good for her
39:08to come and spend some time here.
39:10I'm sure she'd be excited.
39:11Yeah, but
39:12going back to the house
39:13they threw you out of
39:14must be a bitter drink.
39:23Good afternoon.
39:25Ma'am,
39:26we didn't know you were coming today.
39:28Yes.
39:29In fact, we didn't adjust the shifts
39:31to be free
39:32and be able to explain a recipe to you.
39:34Don't worry,
39:35I didn't come to talk about any recipe
39:37but to bring you a little gift.
39:40Thank you very much.
39:41I didn't have to.
39:43It's just a little detail.
39:44Some toffee candies I made
39:46with the recipe you gave me.
39:48Thank you, ma'am.
39:49To you for the great patience
39:51you've had with me.
39:52I understand that I'm not
39:54the best cook.
39:55That's true.
39:57I mean,
39:58there are better ones,
40:00but there are also worse ones.
40:01You don't have to fix it.
40:03But I think these candies
40:05have turned out very well.
40:06Try them, try them
40:07and give me your opinion.
40:10Thank you very much.
40:11Do you want one?
40:12No, no, no, no.
40:13I've already eaten enough
40:14while I was preparing them.
40:20What?
40:23They're good, huh?
40:25They're...
40:27They're...
40:28Good.
40:29They're...
40:30They're very good.
40:32Next time,
40:33don't add so much sugar.
40:34I don't want...
40:35I don't want...
40:37too much sugar.
40:38I see.
40:39I added a little sugar to the recipe
40:41because I like sweet things.
40:45And if you don't mind,
40:46I'm going to get it out of my mouth.
40:49And me?
40:51Well,
40:52I was going to give another package
40:54to Vera, the maid,
40:55but now
40:56I don't know what to do.
40:57She's young.
40:58She has
40:59strong teeth.
41:00I'm sure
41:01this won't be dangerous for her.
41:03Well, let's see if I can find her
41:04because
41:05next time she comes,
41:06she won't be at La Promesa.
41:07I've heard
41:08she wants to leave the house.
41:10Yes.
41:11She told Mrs. Petra
41:13that she has decided
41:14and that she is looking for a substitute.
41:16Yes.
41:17That's what she's saying.
41:19This is a first-rate house.
41:21And do you know
41:22what could have happened
41:23because she looked so happy?
41:25That she argued with her boyfriend.
41:27With Lope.
41:28And that?
41:30You know what?
41:32I'm going to eat another candy.
41:33It's so sticky,
41:36but very tasty.
41:38Come on,
41:39you're not going to tell me
41:40what you've said.
41:42I'll understand
41:43that with this
41:45talking
41:47is not easy.
41:51Maybe
41:52it's time
41:53to put the cards
41:54on the table.
41:55That's better.
41:57Speak, Simona.
42:00We can
42:01stop this farce,
42:03ma'am.
42:05We know that
42:07Vera is actually
42:08your daughter.
42:09No,
42:10but don't worry.
42:11We're not going to say anything.
42:13No,
42:14no worries.
42:16Even if they put
42:17burning splinters
42:18under our nails,
42:19we won't let go.
42:22No.
42:27Well,
42:28I also think
42:29that as the weather has changed,
42:31we should think
42:32about changing the curtains.
42:34Yes, we could also
42:35change the carpets
42:36and the summer bedding.
42:38Okay,
42:39and where do you want
42:40us to start?
42:41Well, in the bedrooms,
42:42starting with the bedroom
42:43of the ...
42:44Santos!
42:46Come here!
42:47Come here!
42:58What do you want?
43:00Do you think
43:01you've treated Mr. Curro
43:02properly today?
43:03Me?
43:05As always.
43:06No,
43:07because the luggage
43:08wasn't ready
43:09and you haven't even
43:10cleaned the boots.
43:12But the gentleman
43:13complained because ...
43:14No, the gentleman
43:15didn't complain
43:16because he was attentive
43:17and sent a colleague
43:18to do your job.
43:20That ...
43:21To tell the truth,
43:22by the look on your face,
43:23you didn't even know
43:24that the gentleman
43:25was going on a trip.
43:26It's just that if he doesn't
43:27inform me of things,
43:28I don't have to know them.
43:29Well, yes,
43:30being more attentive.
43:31I'm sorry, Mr. Pellicer.
43:32It's my fault
43:33that I've had you
43:34very busy because
43:35I asked you to help me
43:36lower the boxes
43:37with the winter curtains.
43:38But you want to stop
43:39defending yourself.
43:40Don't you realize
43:41that doesn't do you any good?
43:42It's the truth, Mr. Pellicer.
43:43No, no, Mrs. Arcos,
43:44that's enough.
43:45Stop covering up your mistakes.
43:46You'll never learn like this.
43:47Don't mess with her, Father.
43:49It has nothing to do with this.
43:50Well, if it has nothing to do,
43:51then shut up.
43:53And you treat me
43:54with more respect.
43:55Respect has to be earned.
43:56And you haven't done anything
43:57for me to have it.
43:58But don't talk to me like that.
43:59I talk to you
44:00as I please.
44:01You're a bad boy.
44:02You don't know anything about life.
44:03Nothing.
44:04I know much more
44:05than you think.
44:06I know, for example, that ...
44:07That's enough.
44:09That's enough, please.
44:10What do you intend?
44:12That the Marquises
44:13hear you and
44:14put you both in the street?
44:16That's enough, please.
44:45The truth is that I'm afraid
44:46to receive you here, sir.
44:48Don't worry about that.
44:51Sit down.
44:58How is she?
44:59Eh ...
45:00Fine,
45:01given the circumstances.
45:02Are you sure?
45:04How are they treating her?
45:05I have no complaints.
45:07And even if she had it,
45:08you wouldn't tell me, would you?
45:09How is she?
45:13Has the food improved?
45:16In any case,
45:17I brought you some sausage.
45:18No, thank you very much, sir.
45:19I didn't have to.
45:25It's very difficult for me
45:26to visit you here, Romulo.
45:28You should be
45:29somewhere else,
45:31in La Promesa.
45:32How I would like that, sir,
45:34but now my residence is here.
45:37I'm trying
45:38to end this.
45:41I went to Puebla de Tera
45:42to mediate with you
45:43in front of a friend
45:44who is in politics.
45:45Don Manuel told me,
45:46and what did he say?
45:48It's complicated,
45:49but that man owes me
45:50a great favor.
45:52I already asked him
45:53to intercede for Manuel
45:54at the time,
45:55but in the end it was not necessary.
45:56Fortunately,
45:57he was free, yes.
46:00Now, the important thing
46:02is that you get out of here.
46:03I have asked him
46:04to move his strings
46:05so that at least
46:06they leave you free
46:07until the trial is held
46:08and the sentence is dictated.
46:09And you think
46:10that's possible?
46:11Well, I have given my word
46:12that you would not
46:13leave La Promesa
46:14and would go to court
46:15when you are called.
46:16Of course, sir.
46:18Well, now
46:20I just need
46:21my friend to do his job.
46:23Tomorrow I will call him again
46:24to pressure him.
46:26You don't know
46:27how hard it is for me
46:28to give him so much
46:29headache.
46:30I had to be here
46:31to solve problems,
46:32not to create them.
46:33Don't talk nonsense.
46:34I do this because I want to
46:35and because you deserve it.
46:37But I'm telling you,
46:38it's not going to be easy.
46:40I don't want to create
46:41false hopes for you.
46:42Yes, sir,
46:43I know from the beginning
46:44and I knew
46:45what it meant
46:46to speak
46:47and declare me guilty.
46:48Yes?
46:49It implied reuniting your life
46:50to help my son
46:52and all for a crime
46:53that neither of us committed.
46:54I had to do it.
46:55No.
46:56I didn't have to do it,
46:57but I did.
46:59Now I just have to
47:00find a solution
47:01and I think
47:02the only definitive one
47:03is to find the murderer
47:04of Mr. Castillo.
47:06Yes, it's possible.
47:07Yes, yes.
47:10Sir, I think
47:11it's best
47:12if you leave now.
47:14But I just got here.
47:15Well, but
47:16I don't like
47:17seeing you here
47:18in this position.
47:19Besides,
47:20dinner is going to be late.
47:21We both know
47:22what's going to happen.
47:23I don't care if you get angry
47:24if it's because
47:25I came to see you.
47:26I don't want
47:27you to argue for me, sir.
47:30I'll leave.
47:32But don't forget
47:33that you'll always have
47:34my support
47:35and I won't stop
47:36until I get you out of here.
47:37I thank you, sir.
47:39And I thank the whole family.
47:41Tell them about me.
47:43I will.
47:45Now rest.
47:53I hope to be back soon
47:54with good news.
48:01Thank you, Romulo.
48:03Sir.
48:39This piece reminds me
48:40so much of the dances
48:41of my youth.
48:43I didn't know it.
48:45Oh my God,
48:46those were the days.
48:48We spent the summer months
48:49party after party.
48:51I had
48:52a complete dance list.
48:54And my feet were destroyed,
48:55of course.
48:57A youth
48:58of the most edifying
48:59I've ever seen.
49:01You had so much energy, Ignacio.
49:03You were so full of life.
49:05And you were so unconscious too.
49:06You were.
49:09Look at me, and I still am.
49:16And...
49:19what's that comment about?
49:20No.
49:21First, tell me
49:22what happened before.
49:25I don't know what you mean.
49:26You don't know now.
49:28You stopped giving evidence
49:29in front of everyone.
49:31For defending Alonso's children.
49:33My nephews, you mean.
49:35Yes, exactly.
49:37And since you thought
49:38it wasn't enough
49:39to defend those gulfs,
49:40you attacked me
49:41and the captain of the Mata.
49:42Oh, well.
49:43Now it turns out
49:44I can't take you
49:45against your will
49:46no matter how wrong you are.
49:47Wrong?
49:48I'd like to be wrong.
49:49But Manuel and Catalina
49:50are immoral.
49:51No, forgive me.
49:52My nephews are very good people.
49:54More than many of those
49:55who are here.
49:57Be careful with what you say,
49:58Margarita.
49:59I don't have to be careful
50:00with anyone.
50:01It's with you, Ignacio.
50:02A wife should respect
50:03her husband,
50:04especially in front of others.
50:05Is that clear?
50:07Well, look,
50:08I'm going to take advantage
50:09of the fact that we're alone
50:10to lose some of your respect.
50:11Because to begin with,
50:12I'm not your wife.
50:13Well, not yet.
50:16Look, Ignacio,
50:17do you know why
50:18I'm running away
50:19from my memories of youth?
50:21Surprise me.
50:23Because at that time
50:24I wanted to eat the world.
50:26I was strong.
50:27I was an idealist.
50:28And above all,
50:29I was clear
50:30that I wasn't going to let myself
50:31be despised by anyone,
50:32especially by a man.
50:34But well,
50:35it seems
50:36I've failed.
50:38To despise you
50:39is to ask you
50:40to respect your husband.
50:42No, to despise me
50:44is to take advantage
50:45of what I feel for you,
50:47of the love I feel for you,
50:49to do with me
50:50whatever you want.
50:52It's to use me
50:53to achieve your selfish goals.
50:54It's to laugh at me, Ignacio.
50:56It's to manipulate me.
50:59I see.
51:00I see you're a little upset,
51:01Margarita.
51:02We'll continue this conversation
51:03at another time.
51:05There won't be another time,
51:06Ignacio.
51:09Because I'm not going to marry you.
51:12I'll never be your wife.
51:17I'll never be your wife.
51:22I realize that for you,
51:23Curro is a wonderful person.
51:26Julián,
51:28are you in love with him?
51:30Since your daughter wants to leave
51:31and not to come back with you,
51:33I want to propose
51:34that at least we don't lose her,
51:35the two of us.
51:36Now she's hurt with you.
51:37Yes, I know.
51:38And she has reasons to do so.
51:39That's why I need you to talk to her.
51:40Ma'am,
51:41if your daughter leaves La Promesa,
51:43neither you nor I
51:44will know anything about her.
51:45Manuel threatened
51:46to leave the palace
51:47if we don't meet his demands.
51:49What does he want?
51:50To leave La Promesa
51:51with Hanna?
51:52And is she aware of that, ma'am?
51:54What does it matter
51:55if she's aware or not?
51:57Because I know her well
51:58and I know that few things
51:59bother her so much
52:01that she doesn't realize it.
52:03Since I found out
52:04about Catalina's pregnancy,
52:07I can't help but think
52:08that it would be lucky
52:09if, for some random reason,
52:13she lost the baby she was expecting.
52:16Do you think
52:17that I'm becoming
52:18a disgusting monster
52:19for thinking that way?
52:21You act in a strange way.
52:23All of a sudden,
52:25so considerate,
52:26so affectionate.
52:28Well, I'm perfectly cross.
52:30You don't have to worry about anything.
52:32Okay, okay.
52:33This is where the nonsense ends.
52:36Because if you don't tell us
52:37what this is all about,
52:38I'm going to find out
52:39what it's all about
52:40like Candela Garcia,
52:41whatever her name is.
52:42She's coming for you.
52:43Candela, are you crazy?
52:44Does this guy drink a lot?
52:46I'm desperate
52:47because I don't see
52:48a way out of this situation.
52:50I think you have
52:51a difficult way out, ma'am.
52:53If I've come this far,
52:55it's because I think
52:56you're the only person
52:57who can make Manuel
52:58come to his senses.
53:00Are you asking me
53:02to convince Manuel
53:03to give up on me?