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00:00THE TRUTH
00:10Julia told me everything. Everything.
00:15Although, of course, you asked her to shut up, didn't you?
00:21She thought that since we get along so well, I'd be used to such stupidity.
00:27I don't know
00:29Hanna and you, brothers.
00:31Please, I mean...
00:34She told you that?
00:35Don't tell me she made it up, Curro.
00:38Where did you get that nonsense from?
00:40I don't know, really, because I...
00:41Don't deny it!
00:43Curro, why would Julia have an idea like that in her head?
00:45Lately, I don't understand you, I don't know what's wrong with you!
00:47Martina, I know it's going to sound crazy,
00:50but Julia has had to misunderstand me.
00:55Well, that's the last thing I needed to hear, Luis.
00:57No, but it's the truth, it's not...
00:59Curro, no, stop, stop, stop.
01:01If you're going to lie to me, don't tell me anything.
01:05Because I'm not Julia.
01:08I know you.
01:10I know you very well.
01:13And you can't lie to me.
01:17But I don't intend to lie to you.
01:19Yes.
01:20Neither to you, nor to Julia, nor to anyone.
01:22Well, of course.
01:23Do you think it's a lie that you stole the captain's daughter?
01:53Look, my relationship with Mr. Manuel and my job have nothing to do with each other.
01:59But put yourself in my shoes, Hanna.
02:02How am I going to give orders to the woman who shares the bed with the next Marquis de Luján?
02:08I am not the lover of any man, Mrs. Petra.
02:11And as a keymaker, I should know that I sleep in my room,
02:14the one I share with María Fernández.
02:16And in my room, there is no room for anyone else.
02:18And as a keymaker, I should know that I sleep in my room,
02:21the one I share with María Fernández.
02:23And in my bed.
02:26If you are not his beloved now, it is because Mrs. Jimena passed away.
02:29And you no longer have anyone to cover up the scandal.
02:33What is he supposed to be insinuating?
02:37That maybe now you won't flirt with Mr. Manuel.
02:41But you have done it before.
02:43Otherwise, you wouldn't have him as enchanted as you have him.
02:49Do you know what I'm telling you?
02:51That we are going to have a party to forget all our problems.
02:56And so that you have a better snack than the one I had organized for you, Manuel.
03:01What are you crying about?
03:04Nothing, it's nothing.
03:07With that blouse, you won't need to moisten your clothes to iron it.
03:10Well, lately I've been ... I'm sensitive and I want anything, nothing more.
03:15I see.
03:17And that anything has happened now?
03:20What do you think?
03:22That it's the Marquise, right?
03:24You don't listen to that woman.
03:26That she's coming back because she's going to marry you to her son.
03:28But that was the idea.
03:30It's not because of the Marquise, it's ...
03:32It's because of Doña Petra.
03:34No, if it's not one, it's the other, don't fail me, huh?
03:38And what has the Marimandrajo done to you now?
03:40That because of the curtains that you ironed yesterday?
03:41No, no, it's not because of the curtains.
03:43It's because of ... because of my relationship with Manuel.
03:47And what does this one have to say about you two?
03:50That neither goes nor comes.
03:51That's why she can't shut up.
03:54Mica, let it go.
03:55Come on, don't you?
03:56If not, you wouldn't be like this.
03:59She told me she wasn't going to give me homework because ...
04:03Because I sleep with Manuel.
04:05But that's a lie.
04:06Because you sleep in my bed.
04:08Yes, María, that's a lie, but what is true is that I ...
04:11With Manuel, well ...
04:14You know.
04:15And she has thrown it in my face.
04:17Well, but she's jealous.
04:19We got married, huh?
04:21Not even a man has looked at her or touched her.
04:23In years.
04:25Yeah, but I feel dirty.
04:27And I feel like I'm sinning.
04:29Well, under a priest, at least you sin.
04:32But like me.
04:33And like many others.
04:36The point is that she also invented poor Mrs. Jiménez, so ...
04:40No, so that woman, in order to hurt,
04:42doesn't leave anyone in the inkwell.
04:45Yeah, María, but ...
04:46There are things she said were true.
04:48And I think you're right.
04:51It's just that that woman is a spy and she knows where it hurts.
04:54But don't let her get you, huh?
04:57Yeah, but I don't know if I can.
05:00Well, when she tells you something, you tell her that,
05:02that she criticized a lot, but it's good that she had a son out of marriage.
05:06And here I am the case, right?
05:08You are a woman who is in love with a man.
05:10And that, Hanna, is the only thing that matters.
05:13Yeah, but that's very easy to say.
05:15But when suddenly that woman corrals you and starts telling you all these things ...
05:18No, but this Jesus Christ can't even throw a dagger at him, I mean.
05:21That he will have sinned like that, like that.
05:26Well, you know what I'm telling you, I don't care.
05:28Even if she doesn't put me in the inkwell,
05:30I'm going to look for them if necessary.
05:32I'm going to keep working.
05:33Well, and if she gets angry, you lie to Feliciano,
05:36may God have him in his glory,
05:38that he has no father.
05:39María, I'm not going to tell him that.
05:41Well, when he gets angry, you move away.
05:43But you think you're not doing anything wrong for loving Don Manuel.
05:49Thank you for always encouraging me.
05:52The pan told the case.
05:54And now I'm the pan, right?
05:56And now I'm the pan, right?
05:59It's just that you also encourage me a lot when I'm sad.
06:02Because that's what friends are for.
06:04Exactly.
06:06And now let's go, come on.
06:08Mr. Pellicer is waiting for us in the kitchen.
06:10Because Mrs. Catalina doesn't want to say anything.
06:13Well, maybe she'll get married soon.
06:15That's another one.
06:16Step on the altar with a pregnancy pump.
06:19María.
06:21Come on, let's go.
06:23No, no, it's just that ...
06:25I'm not in the mood.
06:27And besides, I have a lot of plates,
06:29so if Mr. Pellicer asks you, tell him that ...
06:31that I'm very agitated.
06:33Okay.
06:35But the party we're going to organize will come, right?
06:38We do it for you.
06:40I'm sorry.
06:42It's just that I don't have the body for parties.
06:45But you two have a good time.
06:50Well.
06:52But don't let María Mandrago get on your nerves, huh?
06:56No.
06:57Come on.
07:22Martina, daughter.
07:24What's wrong?
07:25Why do you look so thoughtful?
07:29It's about work.
07:31Have you two had an argument?
07:33Yes.
07:35Why?
07:39An unimportant argument.
07:41How are you?
07:43No.
07:44Tell me.
07:46It seemed to me that this argument with work was bothering you.
07:48No, no, it's not important.
07:50It's really just an animosity.
07:51Martina, I'm your mother.
07:53I know you perfectly well and I know when you're not well.
07:55So please tell me.
07:56What happened?
08:01It's just that I'm not like this because of work.
08:06I argued with ...
08:08with his fiancée.
08:10With Ignacio?
08:12For what reason?
08:14I wanted to be alive.
08:16No.
08:17No, Martina.
08:18All I want you to tell me is what happened.
08:23It's just that ...
08:24Did I hurt you, daughter?
08:26No, no.
08:28You know that I try to avoid any confrontation with that man.
08:31So what happened?
08:37He thinks that if you are close to him, it is my fault.
08:42What does that mean?
08:44I don't know.
08:45He's trying to put me against him.
08:48Who does he think I am?
08:50Please.
08:51Does he think I'm a puppet that anyone can manipulate me?
08:54I don't know, but ...
08:57He didn't believe me.
09:01He threatened me.
09:04Did he really threaten you?
09:09Martina.
09:12He reminded me of my stay in the asylum.
09:15And he told me that ...
09:17that if he was about to send me to jail once, I could do it a second time.
09:24And I have stayed just as white as you are.
09:27Well, don't worry.
09:29Because that won't happen again.
09:32You don't know the rage with which he has spoken to me.
09:36Yes.
09:37I can imagine it.
09:39I'm going to have to talk to him, Martina.
09:41No, no, no.
09:42No, please.
09:43I'm not going to let him treat my daughter like that.
09:44Mother, I don't want him to talk or tell the count anything.
09:47I don't want that.
09:48I'm tired of this situation, really.
09:50I don't want Ayala to take her back with me.
09:52No, no, I don't want that.
09:56Are you sure, Martina?
10:00You are the one who has to be sure about your wedding.
10:04And you don't have to worry about me.
10:08The only thing is that I don't want this situation to escalate again.
10:11And don't worry, because I'm not going to let anything happen to you.
10:15Never.
10:16Do you hear me?
10:17Never.
10:30So, cut the bottle open.
10:32That's right.
10:33And bring the glasses.
10:35We have never treated that wine down here.
10:38We only get Peleón wine.
10:40The one that goes in a bottle.
10:42And it's really good.
10:44This wine is very rare in Spain.
10:46It's a French Bordeaux.
10:47Let's make a toast.
10:49López, pour me a sorbito.
10:53Am I late?
10:54Excuse me, I was carrying a few things.
10:57And isn't Miss Espósito coming?
10:59She would like to, but she has a lot of work.
11:01She had two drawers full of sheets and clothes from the Marquis.
11:05Gentlemen.
11:07Good morning.
11:10We have gathered you all because Pela and I wanted to inform you of something that is very important to us.
11:17We are going to be parents.
11:21That's great news.
11:23It's great news.
11:26I can imagine that you were informed.
11:30And I understand that the situation is not very normal because, well, we are not married.
11:34Don't worry, miss.
11:36A child is always welcomed with joy.
11:38That's right.
11:39And that's why we wanted to share our happiness with you.
11:44Well, on behalf of the whole service, we congratulate you.
11:47We are very happy for you.
11:49Yes, congratulations.
11:50It was really time for there to be a child in the palace.
11:54Well, if you don't mind, let's toast to that child, our son, who will arrive soon.
11:59I have seen that you have already served the glasses.
12:02I have made you raise that wine from the winery because it is very special.
12:06And so special, miss.
12:08Thank you very much for letting us try it.
12:10You deserve that and more.
12:12For your discretion, your support and for always being there.
12:18The wine smells strong.
12:20López says it's from Gabas, right?
12:23Yes, he is my age.
12:25My father bought many when I was born.
12:28With the intention of serving them on my wedding day.
12:30But he has more than one at home.
12:32Yes, yes, don't worry, there are many.
12:35The wedding will be as soon as possible for obvious reasons.
12:39But I wanted us to have him before.
12:42For the child who will come to the promise and for you.
12:45You will see him grow.
12:47For his happiness in this marriage.
12:51And for you to know how to educate and love this child.
12:55That's right, for a life full of adventures.
12:58Yes.
13:03This ...
13:06This wine is spicy.
13:07Yes, Mr. Pelayo, this is a little vinegar.
13:09I was already saying that I saw the cork a little dry.
13:11Why didn't you say anything, man?
13:13No, nothing happens.
13:14That's what it's like to keep a bottle for so many years that one is no longer a girl.
13:18If you are a girl, the issue is that you must have taken a Spanish wine.
13:22And the French already carry vinegar on their faces.
13:26Well, I guess what matters is the intention.
13:28So I owe you a good bottle of wine.
13:31Don't worry, miss, we always have a bottle ready here.
13:36Teresa, go get some clean glasses.
13:38Of course, Mrs. Simona.
13:44You closed it, didn't you, Candela?
13:45Yes.
13:46As you can see, the last one that ...
13:48How funny.
13:55Yes.
14:11Yes?
14:13Mrs. Arcos, have you also gone to the toast that Miss Catalina organized with Count Dañil?
14:19Of course not.
14:21I don't see why you have to toast because one has become pregnant without going to the sacrifice.
14:27I don't understand how they have given the matter so much hype.
14:31And never better said.
14:32That young woman is dragging the good last name of the family into the mud.
14:36And on top of that, she dares to celebrate it.
14:38Of course, what I have not seen in this house, I have not seen anywhere.
14:42The man who wants to marry a maid and his sister who gets pregnant without going before ...
14:47It's a shame, yes.
14:49The only good thing about all this is that Miss Catalina and the count will soon disappear from here.
14:56Do you think they are going to break their promise?
14:58I hope so.
14:59Because I have already been quite ashamed of that shamelessness of your father.
15:05By the way, speaking of parents ...
15:08I wanted to thank you for helping me with mine when I started asking myself one question after another.
15:13I was on the ropes.
15:15Yeah, well, I just did what I had to do.
15:18Santos, you have the right to know how your mother died.
15:23Yeah.
15:25But I don't know if I'll ever see it anyway.
15:28You have to persevere.
15:31But I don't know what else to do, Mrs. Arcos.
15:36In the village nobody knew who he was.
15:39Nor who my father was.
15:41I don't know where to start.
15:43Can you think of something?
15:44I know it's difficult, Santos.
15:47But I already told you, patience and caution.
15:51But I couldn't go on like this, Mrs. Petra.
15:53What you can't do is take a false step.
15:56And you know it well, Santos, your father is not going to tell you anything.
16:00We have to find a way to discover the truth without your father knowing your intentions.
16:08And we will look for a strategy, Santos.
16:10We will look for it and we will find it.
16:12And we will find it.
16:13I guarantee it.
16:22I wanted to thank you for preparing Mr. Burro's luggage.
16:25I know it wasn't for you.
16:27Don't worry, the car is ready and you can leave as soon as you want, Mr. Pellicer.
16:30Perfect, you can leave.
16:31Yes, sir.
16:43Sir, I wanted to congratulate you for your decision.
16:47I imagine it wasn't easy to make it.
16:49But you looked very happy during the toast to you and Miss Catalina.
16:54Happy?
16:55The ones who were with us.
17:00I don't know, I've seen you very focused.
17:03Happy.
17:04Really? Is that what it looked like?
17:06Of course.
17:08Isn't it?
17:09Well, no.
17:10It's not like that.
17:13I don't ...
17:15I don't understand, sir.
17:17You really don't understand?
17:19Do you think it's normal to make a toast with the servants
17:23to celebrate a pregnancy that has taken place outside of marriage?
17:26My God, it's all a mess.
17:29Miss Catalina's relationship with the service has always been very good.
17:32And that justifies admitting your prejudice in front of everyone as if it were normal?
17:37Well, everyone was aware.
17:40I know.
17:41But that's where it starts.
17:44When something like this happens, one is discreetly silent.
17:47They don't celebrate a toast.
17:51I see.
17:53And I thought you were happy.
17:57Happy to have to raise someone else's child?
17:59Well, no, Mr. Ricardo.
18:01I wasn't happy, nor will I be.
18:04But since I was little, I was taught that appearances are important.
18:09Well, and if it doesn't make you happy, why did you make the decision to welcome him?
18:15To preserve my honor.
18:17What would be said out there if people found out that the child Catalina is expecting is someone else's?
18:23But you had already ...
18:27You had already broken up with her.
18:29When ...
18:31Well, what happened happened ...
18:32Yes, but then I came back.
18:34I can't go around clarifying specific dates to everyone.
18:38So the scandal is served.
18:41I understand, sir.
18:43Besides, I also do it for Catalina.
18:46I don't want her to be involved in something like this.
18:51That's because you love her.
18:54Maybe.
18:57A few weeks ago I would have told her that I loved her deeply, but ...
19:01Right now I don't know what to say.
19:04And yet you're going to marry her.
19:06Well, yes, that's what I've decided.
19:09But I admit that I don't finish taking her pregnancy.
19:12I've already taken the first step to do it.
19:14A step that I don't know if it was a false step.
19:17I'm in a sea of doubts, Don Ricardo.
19:20Sir ...
19:22You won't be thinking about backing out.
19:24Well, I don't know, I can't guarantee you anything.
19:27I didn't expect to say yes to Catalina, and I have.
19:31So I understand that anything can happen.
19:34If you allow me to tell you something,
19:39decide what you decide.
19:41And try not to hurt Miss Catalina.
19:45Don Ricardo, unfortunately, in such a delicate matter,
19:49make the decision you make.
19:50I'm going to hurt someone.
20:03Catalina.
20:07Curro.
20:09Are you going out?
20:10Yes, Catalina asked me to do some management for the farm.
20:14I'm waiting for them to bring me the boots to mount and I'll be out right away.
20:19And those managements are going to take a long time?
20:22No, I hope not.
20:24Although they are a bit complicated.
20:26Can you tell me what it is about?
20:27Yes, yes.
20:29You need yucca bags to transport the wheat.
20:31And it looks like they're scarce.
20:33And you're going to buy that? Yucca bags?
20:35Well, more than buying, sister,
20:37what I want is to get a supplier that guarantees us, in the future,
20:41the supply at a good price.
20:44You're going to do it very well.
20:45I hope so.
20:46Although I'll have to bargain, and I'm not very good at it.
20:50Well, when you come back, we'll rehearse.
20:54No, I'll also take advantage of the trip to see my mother at the sanatorium.
20:58And that honors you.
21:00Although, as things are, I don't like that you're going so far.
21:03I see.
21:05Well, let's see if Manuel calms down.
21:07Because yesterday's anger was too much.
21:09Correa is not like that, you already know him.
21:11I know, but he can't get so upset.
21:15Yes, but you also have to put yourself in his place.
21:17He has a lot of pressure from his parents and ...
21:20On top of that, there is the lock-up of Don Rómulo, which affects him a lot.
21:27I'll take care of it.
21:29Thanks.
21:39Yes, I understand.
21:41I just hope he's not as upset with you as he is with us.
21:46I'll know how to fix it, don't worry.
21:49But come back soon.
21:50I will.
21:53Goodbye, sister.
21:55By the way, say goodbye to Julia.
21:57I've looked for her all over the palace and I haven't found her.
22:00Be careful.
22:03Have a good trip.
22:18Well, we'll have to fix a trip to this patio for the party, right?
22:22I say.
22:23Hanna doesn't want to celebrate anything, but she is encouraged to do so, seeing how colorful it is.
22:28If you want, I can prepare some garlands with colored paper and some ribbons.
22:33Like for Doña Pia's wedding?
22:34Exactly.
22:36They were very pretty, huh?
22:37It's a shame that the wedding didn't go so well.
22:39With that boyfriend I was expecting.
22:41The truth is that Mrs. Darre was right when it came to choosing a husband.
22:45And it won't be a bad failure if we put garlands.
22:48Look, we already put garlands for Doña Pia's wedding and it was terrible.
22:51Ah, those are super cherries.
22:53Well, but it's better not to tempt fate.
22:56María, let's see if we can't use garlands at a party now because they were used that day.
23:01I remember that we borrowed the gramophone from the gentlemen to be able to dance.
23:06Well, but they left it to us because it was for the wedding of the key lady.
23:10But this is a party.
23:11You lose little by asking for it.
23:13In addition, I think that if you talk to Miss Catalina, she will leave it to us.
23:16She will be very happy now.
23:18It's just that a party without music is less of a party.
23:21Well, I'll ask her.
23:22Well, it's better if Simona does it because she has a lot of hands with the lady.
23:26And what do you want to drink?
23:27Because I can prepare a capote surra or a delicious fruit sangria.
23:32I prefer a ponche.
23:33It's what we do in my family for the parties.
23:35And wear that ponche because it can be prepared in many ways.
23:38It's a family secret.
23:39I can't tell anyone.
23:41Come on, Marcelo, it won't be for long.
23:43López, my family doesn't take these things very seriously.
23:45If I told you, I would have to kill you so that the secret would not spread.
23:49Okay, well ...
23:51Don't tell me, prepare it yourself.
23:53Well, now that Charly also has a belly, right?
23:56It's not going to be all a ponche.
23:58That's true, because since we are dedicated to drinking, more than one is going to end up dizzy.
24:02If you want, I can prepare some canapés and an empanada.
24:07I think what you prepare, López, is great.
24:10Well, let's not talk anymore.
24:11Everyone does their own thing.
24:13Very good, very good.
24:14Yeah, bye.
24:30Can I come in?
24:33Martina, I don't know what you're asking for, if you don't expect an answer.
24:38Hello.
24:41Hello.
24:43Have you seen Curro?
24:48He's not here.
24:56Martina, what are you doing?
24:58I think it's very clear.
25:00Give you a hug.
25:02It's the best when you get so cranky, you see.
25:04Come on, get down.
25:06No, because I notice that you haven't gone too crazy yet, so no.
25:13What?
25:16Are you going to be nicer?
25:20Yes.
25:32I admit that I have been more at risk than normal.
25:36And it's normal, taking into account everything you have on top, but ...
25:39You're making us pay fair for sinners.
25:42I am aware of that.
25:44And we are here to help you.
25:46To support you in everything you need.
25:50I know.
25:52And I thank you.
25:54Because it shows, that gratitude.
26:00I'm fine.
26:03Give me another hug.
26:05You've taken the bait.
26:07We all have problems, Manuel.
26:11And the thing is to help each other.
26:14Not to fight.
26:18You're right.
26:23I haven't seen Curro.
26:25I don't even know where he is.
26:27I don't know where he is.
26:29I don't know where he is.
26:31I don't know where he is.
26:33I don't know where he is.
26:34I don't even know where he is.
26:36Why are you looking for him?
26:39Because lately we have also had our clashes and I wanted ...
26:43to clear things up.
26:45You?
26:49And what problem do you have now?
26:53Well, it's weird.
26:55I admit that I have also been upset, but ...
26:59But ...
27:01I know what you're saying.
27:04Yes, you're right, it's weird.
27:07The other day he ...
27:09He revealed to me that ...
27:11Everything we lived in the war is costing him.
27:15All that has to be confiscated, I know it.
27:19And Julia's arrival has not done him any good.
27:22He has brought him many memories and no good one.
27:25And I'm also aware of that, but I don't understand ...
27:28that if he bothers her so much, he wants to spend ...
27:31hours and hours and hours with her.
27:34Maybe I should date her less.
27:36Or ask her to break her promise.
27:39That would cut the root problem.
27:41I think that too, but ...
27:44Curro feels indebted to her.
27:50But Curro is not to blame for Julia's boyfriend dying in the war.
27:55I know.
27:56I know.
27:58But one thing is what happened and another thing is how he feels.
28:02Curro feels responsible for that death, Martina, and ...
28:05he can't help but torture himself for it.
28:07Yes, but if Julia continues to spend time on the promise,
28:10Curro will continue to feed himself.
28:12But he doesn't see it that way.
28:14He feels that he needs her.
28:21Listen to me, all we have to do is be patient.
28:24Curro is not having a good time.
28:26And our hurries are not helping him.
28:33But everything will be fine.
28:37In the meantime ...
28:39give me another hug.
28:41I get too emotional and sad.
28:51From what I was telling you, I was talking to Mrs. Pia ...
28:53and I told her the news about Mrs. Catalina's pregnancy ...
28:57and that she was thinking of getting married.
28:59And how did you see her?
29:01With amazement. I invited her to the party, but she doesn't feel like it at all.
29:04It must be in the street, with a little girl.
29:07Mrs. Pia goes through a lot.
29:09But this is an injustice like the cup of a pine tree.
29:12I think that if she had at least come, we could have cheered her up together.
29:17When she came with Dieguito, she was very happy.
29:19I don't know why they don't want to give her her job.
29:21She did nothing of her own accord.
29:23If it's not for work, kid, it's because of Mrs. Darre.
29:28Well, yes, I don't understand. I don't understand.
29:34There are a lot of anxious people around here.
29:36We have hired a friend to rest, as all jobs are done.
29:39Okay, but don't make the break too long, there's a lot of work left.
29:42Too much work.
29:44That's why we don't understand why you don't want to hire Mrs. Pia again.
29:48I regret this situation as much as you do.
29:51But there is little that can be done, it has been a decision of the Marquises.
29:55And you couldn't talk to them to mediate, to try to convince them?
29:59Yes, Mrs. Pia is alone in the world to get Dieguito ahead.
30:03And without work we don't know how she will do it.
30:05I don't think it's useful for me to talk to them.
30:08But if you could at least try.
30:10I already tried and it was useless.
30:12The Marquise doesn't want her back.
30:14And if you insist?
30:16No, the Marquise was sharp in this matter and did not leave even the slightest risk.
30:19And that woman, why has she insisted that Mrs. Pia doesn't come back?
30:23I don't know, but it's not my fault either.
30:26Anyway, don't make the break too long.
30:49Mother, what are you doing here?
30:52Don't tell me that today we also have to make the fake recipes.
30:55No, it's just that I don't understand why you told me yesterday that you wanted to leave the promise.
31:01And what's the point of this now?
31:03I've been insisting for weeks that I leave.
31:06Yes, but you were just telling me how well you were doing.
31:09Well, I'm not anymore, that's why I want to leave.
31:12But what has happened for you to change your mind in such a few days?
31:16You have a bad temper, huh?
31:19Now you pretend to behave like a mother who cares about her daughter.
31:23It's not like that, honey.
31:25No? What did you tell me when my brothers made fun of me?
31:29What did you tell me when I went to you crying to console me?
31:34I don't know, I don't remember.
31:36Don't you remember or don't you want to remember?
31:41It happened a long time ago, honey.
31:43Well, I remember perfectly.
31:45He told me not to cry,
31:47that I wasn't weak, that I would get the chestnuts out of the fire by myself.
31:53Maybe now he's in a hurry to admit that he worked like that, but that's what he did.
32:00I'm sorry.
32:02I'm even more sorry that I grew up without anyone to support me.
32:09But you know what?
32:11I've learned to move forward on my own.
32:14And I don't need your help anymore.
32:16Honey, listen to me.
32:20We all make mistakes, all of us.
32:25But let me make up for them.
32:27I want to help you.
32:29Tell me what happened for you to want to leave this house like this.
32:38It's for Lope, right?
32:39It's for Lope, right?
32:43I've argued with him.
32:45That has happened.
32:47And what happened?
32:49That doesn't come to mind.
32:51The fact is that I feel very uncomfortable in this house and I want to leave.
32:55Fine.
32:57And if that's what you want, I respect your decision.
33:01Look, mother, I don't care what you think.
33:04I just ask you, please, that if you keep coming to this house, treat me like the lady you love.
33:09Please.
33:28Does anyone want me to serve you one?
33:30At this hour?
33:32Why not?
33:33I thought it might be a good idea to make a toast.
33:36Like the one Catalina and Pelayo made at the service station.
33:42What are you saying?
33:44Well, that your stepdaughter and the future father of her son have been toasting with the kids for the pregnancy.
33:51But is that true?
33:53I know it well.
33:55You see?
33:57Celebrating a dishonorable pregnancy.
34:00Who would have said it?
34:01Lorenzo, let's leave it at that.
34:03I was just saying it because it was striking to me.
34:07At least.
34:09When I was young, something like that would have been a reason for disgust.
34:12And now they toast for it.
34:14I think it's still a reason for disgust.
34:18At least among the people I hang out with.
34:20Not in La Promesa, Ayala, not in La Promesa.
34:22Catalina hasn't published an echo of society commenting on her pregnancy.
34:26Why would they make cartoons?
34:28Lorenzo, you should be much more prudent with your words.
34:31Have I said something that is not true?
34:33As far as I know, everything I've heard is true.
34:36That instead of having studied in good schools, Catalina would have been educated in that free education institution.
34:42What a nest of libertines that is.
34:45You're not having good luck with the kids, huh?
34:48Manuel, the spoiled brat.
34:50Catalina, pregnant.
34:52The truth is that youth is in decline.
34:54I always say it.
34:55Enough!
34:57Who do you think you are?
34:58To be criticizing my nephews, who have the noblest heart than any of us here.
35:03Darling.
35:04No, not darling, not at all.
35:06You're talking as if you were boring old people.
35:09That you criticize young people simply for that, for being so.
35:12No, we're criticizing the actors.
35:13No, Catalina and Manuel are wrong, yes.
35:15Because they are humans.
35:17What's wrong with any of you?
35:18Has it happened to you?
35:24Not to that point.
35:25Oh, no?
35:26Do you think it's great that everyone sees your mistakes in front of everyone else?
35:29Margarita, it's not to put it like that.
35:30I put myself as I want, Lorenzo.
35:32Do you really think it's good to make fun of who your family is going to be?
35:36Please.
35:57Manuel.
35:59Hanna.
36:01I was told you were looking for me.
36:03Yes.
36:04You see, I wanted to tell you that I'm leaving La Promesa.
36:07What do you mean you're leaving?
36:08Where are you going?
36:10Don't worry.
36:12Sit down.
36:19Don't worry.
36:21I'm going to Vialquino to get some fresh air.
36:22I've been arguing with my parents again and I need it.
36:25And why did you argue this time?
36:29For me.
36:32They're still with Martín Gala.
36:35And what are you going to do in Vialquino?
36:38Well, my intention is to visit my friend Mario Valladares.
36:42It turns out he has an airplane similar to the one I want to build myself.
36:46Are you going to fly in it?
36:48Yes.
36:49I would love to try that machine.
36:51It has a very powerful engine with a rotating piston refrigerated by air.
36:56Well, Manuel, today is a very windy day.
36:59Don't worry.
37:01It's a very stable machine.
37:03It has 11 meters of wingspan and can reach 1,000 meters in height.
37:09Well, I don't think it should go up that much.
37:12And you have to be more careful.
37:14I'm going to fly.
37:15I think it shouldn't go up that much.
37:17And you have to be more careful.
37:19I will.
37:21I promise.
37:27You know, now that I think about it, you could come with me.
37:31We could fly together again.
37:33I would love to.
37:36But for that I would have to leave my job.
37:39And I don't want everyone to think that I can do whatever I want just because I'm with you.
37:45Do you know that you have the right not to do anything if you don't want to?
37:49I no longer know that I have the right.
37:51Even Mrs. Arcos herself has told me that she doesn't even know how to work with me.
37:57Well, soon everything will be clear.
37:59And you will have no doubt about how to treat yourself.
38:02I hope so.
38:04Because I don't like this situation in which I'm neither in one place nor in another.
38:11Patience.
38:13In a couple of days, weeks at most, everything will be resolved.
38:17I give you my word.
38:19Manuel, I'm willing to have all the patience in the world.
38:22But then I need you to do something for me.
38:26And?
38:29I need you to tell me what's going on with your parents.
38:34I already told you.
38:36They don't accept that I want to marry you.
38:39Manuel, I think there's something else you're not telling me because you don't want me to worry.
38:43Listen to me.
38:45If there is any news, I will inform you on the spot.
38:49Okay?
38:51And more if it's something positive.
38:57Okay.
39:01It is normal that Mrs. Darre does not have the body for parties.
39:04I understand.
39:05But it would be good for her to come and spend a little time here.
39:08I'm sure she was going to cheer up.
39:10Yeah, but going back to the house they threw you out of must be a bitter drink.
39:20Good afternoon.
39:22Ma'am.
39:24We didn't know you were coming today either.
39:26Yes.
39:28In fact, we have not adjusted the shifts to free ourselves and be able to explain some recipe.
39:32Don't worry, I haven't come to talk about any recipe, but to bring you a little gift.
39:37Thank you very much.
39:39I didn't have to.
39:41It's a little detail, huh?
39:43Some toffee caramel I made with the recipe you gave me.
39:46Thank you, ma'am.
39:48To you for the great patience you have had with me,
39:51which I understand that I am not the most advanced cook.
39:54That's true.
39:56I mean, there are better, but there are also worse.
39:59You don't have to fix it.
40:01But I think these caramels have turned out very well.
40:04Try them, try them and give me your opinion.
40:08Thank you very much.
40:10Do you want one?
40:12No, no, no, no. I've already eaten enough while I was preparing them.
40:19What?
40:21They are delicious, huh?
40:23They are ...
40:25They are ...
40:26They are ...
40:27Good.
40:28They are ...
40:29They are very good.
40:32Next time don't put so much sugar on them.
40:34If you don't want them to be sticky, that's fine.
40:38Yeah.
40:39It's just that I added a little sugar to the recipe because I like sweet things.
40:45And if you don't mind, I've already taken it out of my mouth.
40:49And me?
40:51Well, I was going to give the maid another package to see,
40:54but of course, now I don't know very well what to do.
40:57She's young, she has strong teeth.
41:00Surely this is not going to be dangerous for her.
41:03Well, let's see if I can find it,
41:04because the next time she comes, the promise is no longer there.
41:07I've heard she wants to leave the house.
41:10Yes.
41:11Mrs. Petra has told me that she has already decided and that she is looking for a substitute.
41:15Yes.
41:16That's what she's been saying.
41:18This is a first-rate house.
41:20And do you know what could have happened?
41:22Because she looked so happy.
41:24That she argued with her boyfriend.
41:27With Lope.
41:28And that?
41:30You know what?
41:32I'm going to eat another candy.
41:33It's so sticky.
41:36But very tasty.
41:38Come on, you're not going to tell me what Lope said.
41:42She will understand that with this,
41:45talking
41:47is not easy.
41:51Maybe it's time to put the cards on the table, ma'am.
41:57Speak, Simona.
42:00We can stop this farce, ma'am.
42:05We know that
42:07Vera is actually your daughter.
42:09No, but no, no, don't worry.
42:11We are not going to say anything.
42:13No, no worries.
42:16Even if they put burning splinters under our nails,
42:19we will not let go.
42:21No, no, no.
42:29Well, I also think that since the weather has changed,
42:32we should think about changing the curtains.
42:35Yes, we could also take the opportunity to change the carpets and the summer bedding.
42:39Okay, and where do you want us to start?
42:41Well, in the bedrooms.
42:43Starting with the bedroom of the ...
42:45Santos!
42:47Come closer!
42:50What do you want?
42:52Do you think you have served Mr. Curro correctly today?
42:56Me?
42:58As always.
42:59No, because the luggage was not prepared
43:01and on top of that you have not cleaned the boots to ride.
43:05But the little man has complained because ...
43:07Well, no, the little man has not complained because I have been attentive
43:10and I have sent a colleague of yours to do your job.
43:13I'm sorry.
43:14No, the little man has not complained because I have been attentive
43:17and I have sent a colleague of yours to do your job.
43:20That ...
43:21To tell the truth, by the look on your face,
43:23you didn't even know that the little man was going on a trip.
43:25It's just that if he doesn't tell me about things, I don't have to know them.
43:28Well, yes, being more attentive.
43:29I'm sorry, Mr. Pellicer.
43:31It was my fault that I have had him very busy because
43:34I asked him to help me lower the boxes with the winter curtains.
43:37But you want to stop defending yourself.
43:39Don't you realize that it doesn't do you any good?
43:41It's the truth, Mr. Pellicer.
43:42No, no, Mrs. Arcos, it's okay.
43:44Stop covering up your mistakes.
43:46You'll never learn like this.
43:47Don't mess with her, Father.
43:49It has nothing to do with this.
43:50Well, if it has nothing to do with it, shut up.
43:53And you treat me with more respect.
43:54Respect must be earned.
43:55And you have done nothing for me to have it.
43:57But don't talk to me like that.
43:58I talk to you as I please.
44:00You are a bad boy.
44:01You don't know anything about life, nothing.
44:02I know much more than you think.
44:06I know, for example, that ...
44:07Enough.
44:08It's okay, please.
44:10What do you expect?
44:11That the Marquises hear you and put you both in the street?
44:16It's okay, please.
44:40The truth is that I am ashamed to receive you here, sir.
44:43Don't worry about that.
44:47Sit down.
44:53How is she?
44:54Well, given the circumstances.
44:57Are you sure?
44:58How are they treating her?
45:00I have no complaints.
45:01And even if she had it, you wouldn't tell me, would you?
45:04No.
45:05Have you improved the food?
45:08In any case, I brought you some sausage.
45:11Thank you very much, sir.
45:12I didn't have to.
45:18It's very difficult for me to visit you here, Romulo.
45:21You should be somewhere else.
45:23In La Promesa.
45:24How I would like that, sir.
45:26But now my residence is in the city.
45:29I have to go.
45:30In La Promesa.
45:31How I would like that, sir.
45:33But now my residence is in the city.
45:37I'm trying to end this.
45:41I went to Puebla de Tera to mediate with you in front of a friend who is in politics.
45:45Don Manuel told me.
45:46And what did he tell you?
45:48It's complicated.
45:49But that man owes me a great favor.
45:52I already asked him to intercede for Manuel at the time.
45:55But in the end it was not necessary.
45:56Fortunately, he was free.
46:00Now the important thing is that you get out of here.
46:05I have asked you to move your threads so that at least they leave you free
46:09until the trial is held and the sentence is dictated.
46:11And you think that's possible?
46:13Well, I have given my word that you would not leave La Promesa
46:16and would go to court when you are called.
46:18Of course, sir.
46:21Well, now my friend just needs to do his job.
46:25Tomorrow I will call him again to pressure him.
46:28You don't know how hard it is for me to give him so much headache.
46:32I had to be here to solve problems, not to create them.
46:35Don't talk nonsense. I do this because I want to and because you deserve it.
46:39But I'm telling you, it's not going to be easy.
46:42I don't want to create false hopes for you.
46:44Yes, sir. I know from the beginning.
46:47I knew what it meant to speak and declare me guilty.
46:50Yes? It implied reuniting your life to help my son.
46:54And all for a crime that neither of us committed.
46:56I had to do it.
46:57No.
46:59You didn't have to do it, but you did.
47:02Now we just have to find a solution.
47:04And it seems to me that the only definitive one is to find the murderer of Mr. Castillo.
47:08Yes, it's possible. Yes.
47:12Sir, I think it's best if you leave now.
47:16But I just got here.
47:18But I don't like seeing you here in this position.
47:22Besides, dinner will be late.
47:24We both know how annoying that is to Mrs. Marquesa.
47:28I don't care if she gets angry, it's because I came to see her.
47:31I don't want them to argue for me, sir.
47:36I'll leave.
47:38But don't forget that you will always have my support and that I will not stop until I get you out of here.
47:42I thank you, sir.
47:44And I thank the whole family.
47:46Tell them about me.
47:49I will.
47:51Now rest.
47:53I hope to return soon and with good news.
48:01Thank you, Romulo.
48:39This piece reminds me so much of the dances of my youth.
48:43I didn't know her.
48:45Oh my God, those times.
48:48We spent the summer months from party to party.
48:51I had a complete dance list.
48:54And my feet were destroyed, of course.
48:57A youth of the most edifying, from what I see.
49:01I had so much energy, Ignacio. I was so full of life.
49:05And I was so unconscious too.
49:06You were.
49:09Look at me, and you still are.
49:16And ...
49:18What is this comment about?
49:21First tell me what this is about.
49:25I don't know what you mean.
49:26You don't know now.
49:28You have left me in the lurch in front of everyone.
49:31For defending Alonso's children.
49:33My nephews, you mean.
49:34Yes, exactly.
49:36And since it has seemed little to you to defend those gulfs, you have attacked me and the captain of the Mata.
49:42Well, now it turns out that I can't take you the opposite, no matter how wrong you are.
49:45Wrong?
49:47I would like to be.
49:48But Manuel and Catalina are immoral.
49:50No, sorry.
49:51My nephews are very good people.
49:54More than many of those who are here.
49:56Be careful with what you say, Margarita.
49:58Not with whom I have to be careful.
50:00It's with you, Ignacio.
50:01A wife owes her husband respect.
50:04And more in front of the others, is that clear?
50:06Well, look, I'm going to take advantage of the fact that we are alone to lose a little bit of respect.
50:10Because to begin with, I am not your wife.
50:13Still?
50:16Look, Ignacio, do you know why I was taking refuge in my memories of youth?
50:21Surprise me.
50:23Well, because at that time I wanted to eat the world.
50:26I was strong, I was idealistic.
50:29And above all, I was clear that I was not going to let myself be despised by anyone.
50:31And less by a man.
50:34But hey, it seems that I have failed.
50:38To despise you is to ask you to respect your husband.
50:42Not despise me.
50:43To despise me
50:45is to take advantage of what I feel for you, of the love I feel for you.
50:50To do with me whatever you want.
50:52It is to use me to achieve your selfish goals.
50:55It is to laugh at me, Ignacio.
50:56It is to manipulate me.
50:59I see.
51:00I see that you are a little upset, Margarita.
51:02We will continue this conversation at another time.
51:05There will be no other time, Ignacio.
51:09Because I am not going to marry you.
51:12I will never be your wife.
51:22I realize that for you Curro is a wonderful person.
51:25Julián.
51:27Are you in love with him?
51:29Since your daughter wants to leave and not to return with you,
51:33I want to propose that at least we don't lose her, both of us.
51:35Now she is hurt with you.
51:37Yes, I know. And she has reasons to do so.
51:39That's why I need you to talk to her.
51:40Ma'am, if your daughter leaves La Promesa,
51:42neither you nor I are going to know anything about her.
51:44Manuel has threatened to leave the palace
51:47if we do not meet his demands.
51:49What does he want? To leave La Promesa with Hanna?
51:52And is she aware of that, ma'am?
51:54And what does it matter if she is aware or not?
51:56Because I know her well and I know that few things bother her so much
51:59that she doesn't even realize it.
52:03Since I heard the news of Catalina's pregnancy,
52:06I can't help but think that it would be lucky
52:08if for some random reason
52:12I lost the baby I was expecting.
52:16Do you think I'm becoming a disgusting monster
52:18for thinking that way?
52:20You act in a strange way.
52:22Suddenly, so...
52:24considerate, so...
52:26affectionate.
52:27Well, I'm perfectly cross.
52:29You don't have to worry about anything.
52:31It's okay, it's okay.
52:32The nonsense will end here.
52:35Because if you're not going to tell us what this is all about,
52:37I'm going to find out what it's all about like Candela García,
52:40that's my name.
52:41I'm coming for you.
52:43Candela, are you crazy?
52:44This punch has a lot of alcohol in it.
52:46I'm desperate
52:47because I don't see a way out of this situation.
52:50I think you have a difficult way out, ma'am.
52:52If I've come this far,
52:54it's because I think you're the only person
52:56who can make Manuel come to his senses.
53:00Are you asking me to convince Manuel
53:02to give up on me?
53:05No.