Obayifo Project 2024 Tamil Movie
Category
🎥
Short filmTranscript
00:30It is 4.05 in the morning of November 16, 2023.
00:44We are going to start the interrogation of the gentleman, can you tell me your name, please?
00:51Julio Salvatierra Villa, 6828, 4719, J.
00:59Could you tell me what were you doing in the middle of nowhere with a camera and covered in blood?
01:06Well, I was with my friends, with my girlfriend.
01:16I don't know, they recorded everything.
01:22That's what we wanted.
01:26They recorded everything.
01:30And where did you steal this?
01:33Because his mother, where are you going to get it?
01:36Help me there, Julio, with this.
01:38Be careful, there are the lights there.
01:40Did you put them all in?
01:42Yes, yes, it's all there, I'm recording.
01:44Cool, cool, you record, don't stop.
01:46Let's see, look at the camera.
01:48That shot, many of so many.
01:54Come on, let me in.
01:56Yes, first, be careful that the man comes in first.
02:02Welcome.
02:04Yes, yes.
02:06Well, yes, yes.
02:11This yes.
02:14Here it is.
02:16Tremendous.
02:18Wait, wait a minute, I'm going to do it in another way.
02:24We don't have anything, huh?
02:26Shall we toast a little?
02:27Come on, run, the beers, run.
02:29Julio, but this is a first-time shooting, my friend.
02:33What did you think?
02:37Yes, yes, come on.
02:39This is something else.
02:42Now yes.
02:43I'm going, one second, one second, the photo.
02:46Photo.
02:52Yes, yes.
02:53Come on, people, for this great movie.
02:56Well, guys, welcome to the cinema caravan.
03:02Look how it looks.
03:06Please.
03:07It's going to be mythical, like cleaning the Winchester.
03:09You are a freak and always the same, huh?
03:11No, no, no.
03:13From now on we are going to record everything in reality.
03:15Everything in filmed reality.
03:17Without pasta, as always, or what?
03:19Yes, but hey.
03:20Well, there are beers.
03:21Yes.
03:22But this time I have something that will freak you out.
03:24It's called Ovallifos.
03:26Ovallifos?
03:27Ovallifos.
03:28What is that?
03:29Two?
03:30Two?
03:31Why two?
03:32Why?
03:33Ovallifos, because I did one and I remember you don't remember where the material is, right?
03:38You were so drunk.
03:39Bastard.
03:40Get out of here.
03:41No, no, no.
03:42Come on, get out.
03:44Take it, take it.
03:45Zoom in slowly, like the shark monologue.
03:47Ah, of one.
03:48There, there.
03:49I'm, huh?
03:50Come on, whenever you want.
03:52In 2003, some students of cinema in Ghana decided to shoot the African version of Blair Witch.
03:58But it wasn't real.
04:00It was real.
04:02They spoke to a sorcerer to invoke the spirit of a new evil.
04:06Which is a kind of African vampire.
04:09And he would introduce it inside one of them.
04:12And record everything with several cameras.
04:14But...
04:15But who can afford that?
04:17How scary, right?
04:18Fuck, they would pay a beggar.
04:21Man, but I don't think he would tell the truth.
04:23Because...
04:24What a mess.
04:25Of course, things from guerrilla cinema.
04:26That's what there is.
04:27Yes, the zoom, yes, eh, Julio?
04:28Come on, come on.
04:29We'll edit it later.
04:30The thing is that they prepare everything.
04:32They put the strategic cameras there.
04:35They bring the beggar.
04:36They tie him up.
04:37And the ritual begins.
04:40When they are recording,
04:42the beggar seems to have died.
04:44And they don't even know what the fuck to do.
04:46And suddenly he stands up.
04:49And he begins to attack them.
04:51One by one, the camera first.
04:53And so all those who were in the room.
04:56When the police arrived,
04:57there was only blood and corpses.
05:00And a single survivor.
05:02The beggar.
05:05Come on, Julio.
05:06That story is totally made up.
05:09Come on, Julio.
05:10Totally.
05:11Nobody believes it.
05:12Nobody believes it.
05:13You don't believe it?
05:14No.
05:15To this day, the beggar still doesn't remember anything.
05:19Yes, yes.
05:20Look.
05:21Well.
05:22There are images going around the network for a long time.
05:25Of course.
05:26But they are not complete.
05:29I'll show you.
05:30Yes, yes, yes.
05:31Come on, let's see.
05:36Ah, do you have the video?
05:38Yes.
05:39Do you want to see it?
05:40No, no.
05:42There it is.
05:59Julio, Julio.
06:00Get out of there.
06:01Julio.
06:02Julio.
06:03Julio.
06:04Get him out of there.
06:05Stop, stop.
06:06I don't want to see anymore.
06:14We'll continue later.
06:15We'll continue later.
06:17Come on, let's go.
06:18Let's go to the road.
06:19I'll catch you up.
06:20You'll show it to me later.
06:21Yes, yes, yes.
06:22Damn sicko.
06:24He's a sadist.
06:25He loves it.
06:26He loves it.
06:27Now you realize.
06:30There it is.
06:31Julio.
06:32Can you put everything on?
06:33Yes, yes, yes.
06:35I'll put this camera here to record everything, okay?
06:38There?
06:39Yes.
06:41So you can be in the foreground, right?
06:43No, man, you have to record everything.
06:44You, first you, then you, then you, then you.
06:47Come on.
06:48Now you realize that.
06:52Listen to me.
06:53If you think about it, what do we paint here?
06:57Extra.
06:58Ah, guys, you have to record everything.
06:59Come on, go.
07:00We are the director's companions.
07:02There, there.
07:03As is, huh?
07:04My goodness.
07:28Tell me a phrase, more or less, what the movie would be about.
07:32Yes, or a premise, a logline.
07:36Well, we are going to ...
07:37Wait, I'll give you the close-up shot.
07:40Three, two, one, and action.
07:43We are going to make everything come true.
07:45We are going to see how an underworld creature possesses a human being.
07:52And everything recorded, real and live.
07:54It's going to be awesome.
07:55And a stunning stage.
07:59Okay, again ...
08:00Again, what happens ...
08:01Sorry.
08:02Julio, again a tractor passes by and we are in action.
08:06Where?
08:07Where did it go?
08:09Let's see, as an anecdote, tell me.
08:12That light is on, turn it off.
08:16That one, there.
08:19Well, we met again at a wedding.
08:21I wasn't expecting that.
08:23At a wedding?
08:24Yes.
08:25At a wedding.
08:26Was Julio singing?
08:27No.
08:28No.
08:30And ...
08:31And between little cups, well, look.
08:33Wedding ...
08:34He took off his vest, well, he got dirty.
08:36That wedding is always like that.
08:37Yes.
08:38Wedding of blood.
08:39No.
08:40No.
08:44Final game.
08:48But hey, someday, right?
08:52You'll have to ask first.
08:54Well.
08:55Are you going to ask, Julio?
08:56No.
08:57What do you mean, no?
08:58The hand.
08:59Like a gentleman.
09:00Let's go.
09:24Look, guys.
09:28Wow.
09:29Where did you get this, huh?
09:31I didn't expect this, huh?
09:32It was ...
09:33Now yes.
09:34Yes, I mean ...
09:35Surprised with what?
09:37This is a wonder.
09:38A fucking wonder.
09:39Well, it was going to be a real shoot.
09:41Finally.
09:56Look, we have another companion.
09:58See you in a bit.
10:18It was a lot.
10:19I think it says Charlie, do you like it, huh?
10:21Yes, I'm finally starting to believe that this is going to work.
10:23It will go well.
10:24Well.
10:26The truth is ...
10:27I have to say that I didn't believe you much before.
10:42Wow, how flat with the sun.
10:45It's time to sacrifice Julio.
10:52We have you.
10:54How good with the sun.
10:57Let's see if it's true.
10:59Samuel.
11:03How are you, Samuel?
11:05How are you?
11:06Good.
11:07How are you?
11:08Good.
11:09How are you?
11:10Good.
11:11How are you?
11:12Good.
11:13How are you?
11:14Good, man.
11:15Come in.
11:16How are you?
11:17Are you recording?
11:18Well, it's for the making of.
11:19Okay, come in.
11:22How are you?
11:23Very good, you know, little by little.
11:25How's everything around here?
11:26Good, man, I haven't been here in a while, but you'll see.
11:29Yes, I was waiting for you.
11:30Carlos.
11:31Carlos.
11:32Wow, what a place.
11:33Hello, how are you?
11:34Hello.
11:35Well.
11:36Shall we have a drink?
11:37Yes, of course.
11:39How long have you been working here, Sam?
11:41Well, I've been working here for 10 years.
11:44I left the greenhouses and here we are, working little by little, you know.
11:51What did I tell you the other day?
11:53Did you get the contract?
11:55Yes, I talked to Dr. Deque.
12:01There you go.
12:02Coffee.
12:05Well, I talked to Dr. Deque, okay?
12:07Everything is arranged, but it's going to be 1,000 euros.
12:12Wow.
12:13I've been talking to him, I've tried as much as possible.
12:151,000 euros?
12:16He says you've tried.
12:17Come on.
12:18I've tried, but the truth is that he's the best, okay?
12:22So don't worry, he's the best.
12:24He won't fail.
12:26With him, I'm sure everything will go well.
12:29And it's the lowest, he started with 3,000, so imagine.
12:32Well, we'll do it with him, but I hope it goes well.
12:35Yes, it will go well.
12:36I'll come and propose it to you.
12:39No, no, it's going to be perfect.
12:41One moment, I'll make you a plan, okay?
12:43Okay, okay.
12:49No, no, we can't go back now.
12:51Don't take me off the ground.
12:53Nothing, I'm ready.
12:56It's a bit strange that you're recording all the time, right?
12:59Nothing, it's for the personal file, don't worry.
13:02You give the note to the guards, before you can go to the doctor.
13:05Okay, okay.
13:06Okay?
13:13Thank you, Sam, man.
13:16What's up?
13:17What happened to the house in the end?
13:19Nothing, well, my parents finally separated and sold it all.
13:23Otherwise, I wouldn't be here.
13:25Well, nothing, Sam.
13:26Thank you very much, man.
13:27You're welcome.
13:28We'll come back when we finish recording.
13:30Let me know, okay?
13:31I'll be here, I'm sure.
13:33A little while, okay?
13:34Of course, of course.
13:35Well, it was a pleasure.
13:36Likewise.
13:38Bye, Sam.
13:39Take care.
13:40We'll come back.
13:41Take care.
13:42Bye.
13:43Bye, Sam.
13:47These motherfuckers, man.
13:49Come on, Charlie, let's record.
13:51Coming out in a mythical way.
14:01And action!
14:13Good.
14:19In today's video, we will travel to Africa and Ghana,
14:22Togo and the Ivory Coast in particular,
14:25where we will see a ghost that is associated with the suction of blood,
14:29evil and black magic.
14:32It is the Obeifo.
14:34It is known that the individuals who practice this type of witchcraft
14:37have torn eyes and are obsessed with food.
14:40The distinction between the individuals who practice this witchcraft
14:43and those who become monsters
14:45is that the first is used exclusively for men,
14:49while the second is used for both women and men.
14:54Due to the phosphorescent nature of the Obeifo,
14:58it is believed that they are related to African vampire shamans.
15:02Although it is usually called a vampire,
15:04the Obeifo differs from the European version of this creature.
15:08It is considered an evil witch
15:10that feeds on the despair and fear of people.
15:14It is believed that only a magician or white shaman or okunfo
15:18can effectively tell the Obeifo what to do.
15:29Here it is.
15:40No, what are you doing? Stay.
15:42Yes, of course.
15:43Of course, we don't know this guy at all.
15:58Julio, I'm recording.
16:00We are in the middle of nowhere.
16:03We have come to the shaman's house
16:05and we have brought him images of the original ritual of the Obeifo
16:08so that he can see them.
16:09But friend, the Obeifo see this guy from Senegal.
16:12What else? You won't be able to tell the difference.
16:15In Senegal they speak French and they speak English.
16:17Record it, I told you.
16:18No, record it.
16:19Then don't tell me what I told you.
16:25Hello.
16:26Hello.
16:27Are you Daniel?
16:28Yes.
16:29Ok, ok.
16:30I'm looking for a man named Eke.
16:32For what?
16:35Samuel sent us.
16:36It's to make a movie.
16:39Look at this.
16:45Ok, you can come in, but without recording.
16:47Ok.
16:49Hello.
16:50How are you?
16:51We have brought Samuel to be with Eke.
16:54Are you going to record him?
16:55Yes, Samuel.
16:56Go ahead.
17:10Are you going?
17:11Yes.
17:13Are you going?
17:14Yes.
17:18Ok, let's go.
17:20Give me a second up there.
17:23Ok.
17:25Great.
17:37Hello, Samuel sent us.
17:39Samuel.
17:51Can we record?
17:53Is this going to be in the movie?
17:55No, only for the making of.
17:58Ok.
18:02Look, I wanted to show you some images of a ritual.
18:06And I want to know if you know it and if you could do it.
18:08Ok.
18:09I'm going to show you.
18:12The ritual is very difficult.
18:15I'm going to show you some images.
18:19And you will do it yourself.
18:21Ok.
18:23I want you to do it.
18:25I want you to do it.
18:27Ok.
18:29I'm going to show you.
18:32You are going to do it.
18:34I'm telling you, he's dead!
18:37He's dead!
18:39He killed my mother!
18:43That's D'Agana. I'm from Senegal.
18:47Imagine, with us, we're all similar.
18:50But you can do it.
18:53Are you going to pay what Samuel says?
18:55Yes.
18:57Look at this now, and the rest at the end.
19:00Do like Sahal is doing.
19:09If it doesn't work, you'll have to pay me.
19:15But it's going to work, right?
19:22It's going to work.
19:24It's going to work.
19:26It's going to work.
19:28We're also going to need a receiver.
19:30Someone who can receive the baguette.
19:31You can take care of it.
19:34How much is it?
19:36The rest I have is 300.
19:44I don't have any more. I'm not a spy anymore.
19:50I don't have any more money.
19:55Find me one.
19:58I'll do it right here, tomorrow.
20:00My house.
20:02Perfect.
20:05Hey, cut this camera.
20:07Carlos, cut it.
20:08Cut this camera.
20:25Carlos.
20:43Carlos.
20:45I left my house.
20:48I left my girl, Carol,
20:52and my friend, Carlos.
20:54I can't sleep, really.
20:57I should be sleeping because tomorrow is a very important day.
21:02Yes, tomorrow is the most important day of my life, I would say.
21:09But, well.
21:13I'm going to rest for a while.
21:19I'm going to come here to be a little lonely.
21:21To think.
21:23I have to go back to bed.
21:24And Carol has already started to wake up.
21:30I don't know.
21:37I just wanted to leave my little farewell recorded.
21:43In case tomorrow ends.
21:44Because things don't...
21:53I don't know.
22:02Let's see, Julio.
22:04Say hi.
22:07We're already here.
22:08Guys.
22:14This is amazing.
22:15What possibilities does this landscape have?
22:24Well, guys, we're here.
22:28Today.
22:29Today we're going to make history.
22:30Today is the day.
22:32As humble as always, right?
22:34Shut up.
22:35Come on, guys.
22:36Julio, bravo.
22:38Yes.
22:49Hi.
22:50Hi.
22:52Hi.
22:53Hi.
22:55Where are you going?
22:59We're going to be with Deque now.
23:00Deque?
23:01Yes.
23:04You can't go in here.
23:07Yes, we've been with Deque before.
23:09Upstairs?
23:10Yes, we came from Samuel.
23:11And we've been with him.
23:12Okay, go up with him.
23:13But you can't go in here, man.
23:15Okay, let's go upstairs.
23:16Okay.
23:22Come on, guys.
23:49Julio, bravo.
23:51Let's go, guys.
23:52Yes.
23:53Carlos, are you recording this video?
23:54Yes.
23:57Julio?
23:58Yes.
23:59Give me two minutes.
24:02One second.
24:03I'm ready.
24:05Hi, Deque.
24:06Is everything ready?
24:09Yes, everything is ready.
24:12Yes.
24:16He's going to be the director.
24:18Okay.
24:19I want to charge you before we start.
24:21No, not before.
24:23We've already spent a lot of money.
24:27Look.
24:29I give you this and the rest is over.
24:30Come on, go.
24:32Go.
24:35Okay.
24:36Come on, guys.
24:37Shall we start?
24:38Let's get ready.
24:39Pass me the backpack.
24:40The two lights are here.
24:41Okay.
24:43Help me, Carlos.
24:44One second.
24:45I just wanted to take pictures.
24:46Now, later we'll take pictures.
24:47Now, later we'll take pictures.
24:48Now, let's take pictures.
24:49Come on.
24:50Let's show it.
24:51Julio.
24:52The lights are set.
24:53Shall we make a general shot?
24:54Yes.
24:55Do you want me to put this?
24:56Okay.
24:57Julio.
24:58Yes, there, but if you do a little ...
24:59Do they speak Spanish?
25:00No.
25:03Yes, they speak a little.
25:04Put this.
25:05He speaks Spanish.
25:06Sorry.
25:08Could you look at me in the second camera?
25:09There.
25:10There is fine.
25:11Julio, hold me for a moment, please.
25:13Julio, we're going to set the lights.
25:16I keep recording.
25:18Let's see.
25:19Julio, look at me for a second.
25:20There is fine.
25:22Okay.
25:23Middle shot or what?
25:24Of course.
25:25Are you putting it well?
25:26Yes.
25:27Okay.
25:28Yes.
25:29Okay, this one?
25:30Carlos.
25:33Perfect.
25:34Horizontal or vertical?
25:35What is the shot?
25:37Horizontal.
25:38Okay, that would be fine.
25:39Julio.
25:40Perfect.
25:41The active receiver camera is already recording.
25:44Yes.
25:45A second.
25:46Pass me the cap.
25:47The cap.
25:48Look, this camera has a light that we can turn on whenever we want.
25:51So if it works, I don't know.
25:53Julio.
25:55How?
25:56Let's see.
25:57Can you repeat that phrase?
25:58Okay.
26:01Okay.
26:03That looks good, huh?
26:04I don't even know how to say it.
26:05Okay.
26:07Okay.
26:08That looks good, huh?
26:09I don't even know how to say it.
26:10But it looks good.
26:11Come on, everything is ready.
26:12No, no, no.
26:13We are not in a bad mood.
26:14Come on, come on.
26:15We are, we are.
26:16Keep recording.
26:17My battery is running out.
26:18I have like four hours.
26:19Bullfireta.
26:20Well, turn it off.
26:22Turn it off, Carlos.
26:23Okay.
26:38Adios.
27:09What the hell?
27:10Turn it off, Carlos.
27:11Turn it off.
27:12Sorry, sorry.
27:15Calm down.
27:16Don't laugh.
27:17Come on.
27:18You are very good.
27:19You have to resume where you left off.
27:20And now we continue.
27:21I'm not acting.
27:22This is real.
27:24I hope so.
27:25Come on, guys.
27:26There it goes very well.
27:27I'm not acting.
27:28This is real.
27:30Perfect.
27:31Perfect.
27:32Go.
27:38Don't laugh.
27:39Don't laugh.
27:40I'm not acting.
27:43No, no.
27:45Relax.
27:47I'm not acting.
27:48I'm just adding accelerates.
27:55Adios.
27:58Come on, come on!
28:00Sorry.
28:01Sorry, sorry.
28:06Today there is...
28:07What do we do, cut it?
28:08Yes, cut it.
28:14What is this, Luis?
28:15No, relax.
28:16No, no, no, no.
28:17Don't make me laugh.
28:20Take this, please.
28:22It's a relaxant.
28:23What the hell?
28:24It's a tranquilizer, you're a little nervous.
28:26I've taken one this morning, it's ok.
28:29Ok, perfect.
28:30We're going downstairs!
28:31Let's go and don't charge.
28:33Wait, wait, ok, ok, I'll take it.
28:38That's the one I like.
28:39That's my boy.
28:40Go, I'll take it.
28:47Let's go.
28:48I'll take everything, ok?
28:50What are you doing?
28:51Don't make me laugh.
28:53What are you doing?
28:54Don't make me laugh.
28:55Come on, relax.
28:56I'm the only one who can do it.
28:57Relax.
29:00I'm the only one who can do it.
29:02Don't make me laugh.
29:03Don't make me laugh.
29:04Don't make me laugh.
29:06Leave him.
29:08You should reach to the Sahel,
29:15It's a hotel here.
29:16Go now.
29:17Go, tellject Boy.
29:18Go now.
29:21I am going to the Sahel!
29:23Leave the Sahel!
29:24You should have returned to your motherland.
29:27No one should see you.
29:29I'll leave after myself.
29:31I must leave here.
29:33I'll take care of Rabonda.
29:35Don't touch me!
29:38Your fever is nothing.
29:40I'm going to kill you.
29:43I'm going to kill you.
29:45I'm going to kill you.
29:47I'm going to kill you.
29:49I'm going to kill you.
29:54I'm going to kill you.
29:56I'm going to kill you.
30:01I'm going to kill you.
30:05I'm going to kill you.
30:07I'm going to kill you.
30:09I'm going to kill you.
30:11I'm going to kill you.
30:13I'm going to kill you.
30:15I'm going to kill you.
30:17I'm going to kill you.
30:19I'm going to kill you.
30:21I'm going to kill you.
30:23I'm going to kill you.
30:25I'm going to kill you.
30:27I'm going to kill you.
30:29I'm going to kill you.
30:31I'm going to kill you.
30:33I'm going to kill you.
30:35I'm going to kill you.
30:37I'm going to kill you.
30:39This is my sacrifice that I am giving to you, so that you can come and protect yourself.
30:53I am here in Senegal. I am here because I want to help all the people of Nassaransi.
31:00I am giving it to you.
31:04I am here because I want to help all the people of Nassaransi.
31:11I am here because I want to help all the people of Nassaransi.
31:33I am here because I want to help all the people of Nassaransi.
31:39I am here because I want to help all the people of Nassaransi.
31:43Green, yellow, red, green, yellow, green, yellow, green, red, green, ginger.
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34:03It was the shit I told him before, that shitty pill.
34:06Come on, get the things, let's go.
34:07But what things, Julio? Can't you see he's half dead?
34:10Come on, come on, let's go.
34:12Open the door, Carol, open the door.
34:14We have to take him to the hospital.
34:15Please.
34:16Open the door.
34:17Please, I'm begging you.
34:18Please.
34:19Please.
34:21Grab him, grab him.
34:22Let's go, Carol.
34:24Do you have the caravan keys?
34:26No.
34:27Grab the caravan keys.
34:28Julio!
34:30Julio, give me the keys.
34:32Julio, give him the keys, please.
34:37Let's go, Carol.
34:38Shit, I saw him, man.
34:45Look at his eyes, man.
34:49Let's go, Carol.
34:50Open the door.
34:52Come in, come in.
34:56Take him, take him, take him.
35:02Let's go.