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00:00Wow, I'm just huge, such a small head and a full, full, full body, to the point that I don't feel that it's organized.
00:15There's a different angle, what do you say?
00:20And from here, let's sit.
00:24Okay, the problem is not the angle.
00:27And that's not the problem.
00:30In a week, my photo exhibition will open on October 7th.
00:33And the book that is included in the photos of the exhibition is already available.
00:37I think that what people don't understand is that for a photographer to open an exhibition,
00:44it's the most important event in life.
00:47More important than a wedding, more important than a birthday, more important than Bar Mitzvah,
00:51it's the climax of professional life, personal life.
00:59From my point of view, it's all together.
01:04I'm very, very excited to tell you that we decided to take off.
01:12There was a stage in the war when I didn't believe that we would be able to live again.
01:27And suddenly, a reading was published.
01:30And everyone believes that I can fill this space.
01:33In the first show, not to start with Levantine or start with a reading.
01:38Suddenly, I feel so low.
01:42And so rejuvenated that I'm excited about all these outdoor events.
01:47I'm surprised by them. I'm shocked by them.
01:51Oh, my God.
01:55I'm starting to get excited. The day is coming. I need to start getting ready.
02:01These are the rings. This is mine.
02:04And this is Pizzi's ring.
02:07I try to do what everyone says.
02:09And I focus on the fact that it's important that I have a ring in my hand.
02:14But it's completely distracting to me that...
02:28People, let's meet.
02:32Not in a formal way, but in private.
02:37I'm sorry.
02:49Dear friends, the team meeting has begun.
02:52We've gathered here today because I'm constantly giving birth.
02:56I want to tell you what's going to happen to me.
02:58There will be no maternity leave.
03:00I'm taking two or three days off.
03:04I'm going back to work.
03:09Aren't you afraid of criticism?
03:14On the contrary.
03:16I'm afraid that someone will come and tell me that I want to work, but I don't want to work.
03:24It's the best standard for women.
03:27Everyone does what they want. I want to work.
03:30I don't want anyone to dare touch me.
03:33There is a rumor that when women who go to work in the morning...
03:37That's not true.
03:39It's... what is it called?
03:41Old feminism.
03:43A very old feminism.
03:47I must take a lot of balls at the same time.
03:50And I can't give them to anyone.
03:52And I'm responsible for that.
03:54The baby will simply be mine.
03:57I'm going to put a bed here, in the office, with the baby.
04:00I'm going to raise her on my own, while I'm at work.
04:05Um...
04:07But I have to deal with it. I have to deal with how...
04:12Um...
04:14How are we going to do it all together?
04:16Maybe it's possible. Maybe it's possible.
04:20I need to see it happen.
04:22It's... I need to see it happen.
04:27So, wait a minute. At the moment, you have 1,000 pictures?
04:30At the moment, there are 1,400.
04:33Oh, that's small.
04:35I think, after the 7th of October, it's the most important episode in the book.
04:39It's the first two or three days of the war.
04:43Am I seeing it or not?
04:45Of course.
04:46We're taking down the blinds in this book.
04:48Of course.
04:50At the moment, we're doing everything to take it down by tomorrow morning.
04:53At the moment, while we have permits in front of us, at least.
04:55I don't want to take down the blinds. Let's switch.
04:58There's a real moral dilemma here.
05:01Should we use hard images of the dead?
05:06We didn't get enough hard images in real time.
05:10And I think it's a terrible mistake.
05:15It's very complex to deal with this thing.
05:17And of course, there are a lot of opinions.
05:20Even people who are ethical, not everyone thinks like me,
05:23that it's an obligation to show.
05:29We need to find a way to deal with it.
05:31I can't allow people to open this book,
05:33and it's going to be easy for them.
05:37It's very complex.
05:39The first picture I took, when we entered the windows,
05:42there was a man lying on the floor next to his wife.
05:49That's how I feel now. I'm going to call his son.
05:54Hello?
05:56Shaked?
05:57What's up?
05:58What's up with you? This is Ziv Koren, the photographer.
06:01How are you, Ziv?
06:03I'm fine, and you?
06:05Wow, thank God.
06:07Look, I took this picture on the month of Shavuot.
06:11And you saw the picture I took, right?
06:14The one with the woman lying on the floor?
06:16Right, exactly.
06:19And I'm publishing a book of photos
06:21of everything that happened from October 7th to today.
06:25Wait a minute, the picture with your wife,
06:28is that the picture with Sadin?
06:30Yes, yes.
06:31In the picture I took, he was already exposed to Sadin.
06:35He was already exposed to Sadin.
06:37Can't they see you?
06:38They can't see me, no.
06:39I'm going to tell you something,
06:40I'll be right back.
06:41Can you give me a second?
06:42I'll be right back.
06:43Okay, no problem.
06:44I'll be right back.
06:45Sheke, thank you very much,
06:46and I'm really sending you a hug.
06:49Thank you, I'll be right back.
06:51Thank you, you too.
06:54Steve?
06:55Hi.
06:56Hi, Ziv Koren, how are you?
06:58I don't know when,
06:59I mean, I assume you don't know,
07:01but I took a picture of the business center
07:03where all the Gemilas were,
07:05including your father.
07:07It's not an easy picture,
07:09but I think it's extremely important
07:11to show it in the book.
07:15I'll send it to you now,
07:17and of course we'll be in touch.
07:19Nice to meet you.
07:22It's a beautiful day.
07:43I have a few more days of performances and reading,
07:45and nothing works as it should.
07:48It's more than I expected.
07:51Ta-ta-ta-ta-ta
07:54Ta-ta-ta-ta-ta
07:57Oh, I didn't stop.
07:59No, that's not how you do the Falabra.
08:01It can't be your fault.
08:03Gordon.
08:05Why?
08:06I was about to cry.
08:08Wait, what about the line shooting?
08:09There is a line,
08:10a shot where it's at 3,
08:11and it's shot at 4.
08:12At the beginning of the song it's at 4.
08:14You guys did it at 88 and meter,
08:17and at 3,
08:19which is…
08:20Why? But it's nice that it's suddenly in French, like...
08:23Sorry.
08:25It's okay.
08:27Can you put it in my hand for a second?
08:38What do I hear?
08:40Where are you?
08:42On my way back.
08:44What's wrong with you?
08:47I don't know. I...
08:51I can't... I'm losing control of everything.
08:54What's wrong?
08:56What's bothering you?
08:58That I...
09:00I can't...
09:04breathe.
09:05Why?
09:06I can't breathe through my nose. My whole body hurts.
09:10I feel like I'm going to have a heart attack.
09:13I'm going to have a heart attack.
09:14No, you're not. You're not.
09:18It's fine. It's okay.
09:21Calm down.
09:26You're okay, right?
09:28Yes, it's fine.
09:31You're calm.
09:32A little bit. A little bit.
09:35It's okay. It's fine.
09:41It's okay.
09:44Do you want to meet up and talk about the head?
09:49Yes.
09:53I think we have time to talk about other things.
09:56Let's see if we can talk about the head.
09:58Yes.
10:02Don't worry, I'm fine.
10:04Thank you. Let's talk.
10:06Okay.
10:08Me too.
10:10Bye.
10:14Wow.
10:16Amazing.
10:18How am I in my world according to you?
10:23I didn't realize how big the light is.
10:29What did you do?
10:33It sounds really good, thank you.
10:38Are there songs we didn't touch?
10:40We touched everything.
10:43Guys, it's time.
10:45Let's do it.
10:471, 2, 3.
11:12Wow.
11:42The light.
11:48The light.
11:54I just got back from a professor and a doctor.
11:59He checked her and said she was clean and needed surgery.
12:05Unfortunately, I wasn't there because I said,
12:08Mom, it's just a check-up, it's not important at all.
12:11He thinks it's dangerous for me to give birth.
12:14It's dangerous for him, it's dangerous for me.
12:17Anyway, I need to get out of here.
12:21It's also very emotional.
12:23I don't know what to say.
12:27I need to calm down.
12:34Mom, I'm in trouble, I'm in shock.
12:36I just passed him on the way to the office.
12:38He says I need to give birth now.
12:41It's just not the baby I dreamed of.
12:44It makes me angry.
12:46This mess.
12:48As if they want to...
12:50I don't know what.
12:52Wow, I don't understand why.
12:54I had a baby mother.
12:56A baby mother.
12:58I'm sorry.
13:08I'm under pressure.
13:10I gave the book to a temporary assistant.
13:12I need all the papers to be ready by the time you're ready.
13:16So we're here today, at night.
13:20In the afternoon tomorrow, we'll print the book.
13:24This is three colors.
13:27This is red, this is yellow.
13:29This is three colors, this is two colors, black and red.
13:32Black and red for the baby.
13:34Give me the camera, I think I'm starting to get tired.
13:44Look at this.
13:46There's a mark here, do you see it?
13:48It's a color mark on one of the books.
13:51It's a color mark on one of the books.
13:53They print it on his picture.
13:55It's a color mark on the board.
14:00Dr. Bonet.
14:06It's ready.
14:07It's on the board?
14:08Yes.
14:09Do you see it?
14:10Here it is.
14:11Yes, I see it.
14:13All this...
14:14It's not good for the heart, Koala, you'll see.
14:16God bless you.
14:18God bless you.
14:22God bless you, Koala.
14:24God bless you.
14:26This is Hadass.
14:27She's right-handed.
14:28Nothing happens in the office without her knowledge.
14:30She's a little nervous.
14:31A sign that there's a crisis.
14:32What did you hear?
14:33I heard that Ruth Brintmore
14:35I don't know if we can print it today.
14:37Why?
14:38I think there's a crack,
14:39I think it's broken or cracked.
14:40What, now there's a crack too?
14:41Where is it?
14:43I have a problem with a crack there,
14:45it's dried up.
14:46And it got out of place and made a mess.
14:49How do you see it?
14:51You can't see it here,
14:52there's the crack.
14:54I see it.
14:56It's all dried up.
14:58So what now?
15:00Now I'm going to release the crack,
15:03I'm going to put it in hot water,
15:05I'm going to take it out a little.
15:07Are you serious?
15:08That's the process?
15:09I have no choice, what can I do?
15:10I don't have a new crack.
15:11The machine is worth a million euros
15:14and we're now dealing with a crack.
15:16We're dealing with a crack.
15:17A crack.
15:18A crack that's worth maybe 90 shekels.
15:24There's the Sikhi press,
15:26they're trying to get ahead of the school's offer,
15:28to get ahead, to get ahead, to get ahead.
15:29Everyone is encouraging me.
15:31And I can't print.
15:35I can't break the crack,
15:36I can't get to the catch.
15:40Why am I under pressure all the time?
15:42There's no time.
15:47I don't have time.
15:55What a crazy moment.
16:02You can't enjoy this moment,
16:04it's over.
16:05You just don't want to enjoy it.
16:10Meeting number three.
16:12Meeting number three.
16:14I don't care how many people come,
16:16it doesn't matter.
16:17I'm going to give it my all.
16:19Me, me, me, me, me, me, me, me, me.
16:25It's not hard to say that I'm worth a million shekels.
16:27Babe, we're going for two days,
16:29not two weeks.
16:31We're going for two, we're coming back for three.
16:38I'm going, I'm going, I'm going, I'm going.
16:46I'm going, I'm going, I'm going, I'm going.
16:51Yalla, we did it.
16:54That's it, Adas.
16:55Wow.
16:56The book is ready.
16:57Come on, open it already.
17:00Wait.
17:04Wow.
17:05Unbelievable.
17:06It's a book, Zid, it's a book.
17:09Do you like it?
17:12Yalla.
17:17As far as I'm concerned, at this point,
17:19I've finished my role.
17:21I'm not sure it'll be an opening.
17:23It's a little stressful, I have to say.
17:28There's a dilemma here,
17:29because on the one hand,
17:30an opening is supposed to be a festive event,
17:33and on the other hand,
17:35there's no reason to celebrate.
17:42Yalla, we did it.
17:46We did it.
17:52Maria?
17:53No.
17:55Ready?
17:56Yes.
17:57Yalla.
17:58Bye.
17:59Bye.
18:00Okay, we'll see you.
18:01Bye.
18:02We'll see you.
18:03Bye.
18:04We'll see you.
18:05Bye.
18:16It's good.
18:33Good boy, Maria.
18:34Good boy.
18:47There are no more seats,
18:49we're going to sit on the floor.
18:50Everyone's sitting on the floor.
18:55You can sit on the floor, there are no more seats.
18:57You didn't touch the stage.
18:58Yalla, there are no more seats.
19:00I can't believe it.
19:01I can't believe it.
19:02I can't believe it.
19:04I'm really going to get a little dizzy.
19:07I love you so much.
19:09Let's celebrate them.
19:10Yay!
19:31Yay, are you ready?
19:32Yes.
19:33Come in.
20:47Oy oy oy.
20:51Oh
21:21Oh
21:44Yolo
21:51I
21:58Don't
22:04Look at it
22:11Because I'm a she's in simple
22:13Oh
22:43I
22:54See me there go team
23:03Team should make sure to hold on to an ocean. Yeah, I'm a team. I love you. It's my home. Yo, Nathan
23:09I
23:39Skill
23:41So I need to start the tour shall we
23:49Amen I'm at Killa fucking
24:09Oh
24:39I
25:09Hello.
25:10Yippa.
25:11You're the cutest thing I know.
25:18After a year that I ran like crazy,
25:21the furthest I could go from Zion,
25:23the birth of Kelem brought me back home.
25:26He showed me where I really need to be,
25:28where I'm allowed to be,
25:30and that's at home,
25:31in the job I wanted the most in the world,
25:33to be a mother.
25:35Psst.
26:05You can get out of here,
26:06and you can get to a lot of places.
26:08And we're at the right place,
26:10because Zion is waking up.
26:12Do you understand what I'm saying?
26:14You mean a conscious change?
26:16A conscious change, yes.
26:19Yes.
26:21It's a good thing to get used to.
26:23It's interesting to say thank you
26:25for what we already have,
26:27for things we don't need anymore,
26:29because those are the concepts.
26:30So let's say thank you.
26:31Thank you for everything you've given me.
26:36Thank you for what you've given me.
26:40Don't you think if Guy
26:41everything he needs is to sing?
26:42No, no, no, no.
26:43We're on air.
26:44He loves singing so much.
26:46Say thank you.
26:47I say thank you.
26:48Thank you for having a mature woman.
26:50Right, thank you for being mature.
26:57No, thank you.
26:58No, thank you.
26:59Thank you very much.