Ding Gru
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El Ángel de Aurora Capítulo 62 Completo HD
El Ángel de Aurora Capítulo 63 Completo HD
El Ángel de Aurora Capítulo 64 Completo HD
El Ángel de Aurora Capítulo 62 Completo HD
Transcript
00:00:00I don't know if we'll make this romance come true.
00:00:30This night you can meet your son.
00:00:39I know who he is, where he lives, and I'm going to introduce him to you.
00:00:44But bring a million pesos.
00:00:46I see you in the room of the motel that is in Tlalpan and the number 1443.
00:00:54You alone.
00:00:56No police.
00:00:58You have to get out of doubt.
00:01:00What are you talking about?
00:01:02End this once and for all.
00:01:04With all this uncertainty.
00:01:08And I'll go with you.
00:01:11No.
00:01:13I'm not going.
00:01:14No!
00:01:15The date is in a motel.
00:01:17This is crazy, Isabel.
00:01:19It's a trap.
00:01:20Well, maybe it is.
00:01:22That's why it's time to find out who's sending you those notes.
00:01:26This is risky.
00:01:27I'd better go to the police.
00:01:29But you're going to scare anyone.
00:01:31Better seize the opportunity.
00:01:33Get closer to the truth.
00:01:35If it's a blackmail, you'll find out.
00:01:37But what if it's not?
00:01:40I told you that I'm going to help you find him and I'm going to do it.
00:01:47I'm going in your place, Aurora.
00:01:49Yes, because otherwise they will continue to arrive anonymously.
00:01:52And this is going to be a never-ending story.
00:01:59Turn that crap off, Briana.
00:02:01Do you want me to keep watching it?
00:02:03Are you trying to humiliate me?
00:02:04What are you trying to do?
00:02:06Of course I do it with great pleasure, Demian.
00:02:09But I'm going to ask you one thing.
00:02:11Don't talk to me like that.
00:02:20Hey!
00:02:23What are you doing?
00:02:25Hey!
00:02:28My aunt's stupidity made me ridiculous, Edgar.
00:02:31She just offended me.
00:02:34I thought that without that idiot Julio Cesar, nothing would happen.
00:02:37Well, you saw that, didn't you?
00:02:38She didn't even let you present the hiring proposal you have for Human Resources.
00:02:43I think you're being careful, Demian.
00:02:45She is very determined to regain the presidency.
00:02:48Well, she's crazy if she thinks I'm going to leave her.
00:02:51And? Are you going to do it with your aunt?
00:02:53Nobody is going to take what belongs to me from me.
00:02:56Nobody.
00:02:57She's going to have to do it on my corpse.
00:03:05That can take a long time, Mr. Antonio.
00:03:08Preparing Angel for that world is not going to be a day for another.
00:03:12Yes, yes, it is a complicated task.
00:03:15But it is not impossible.
00:03:17I beg you, Judy, support me in everything, please.
00:03:21Do you want us to help you get Angel away from us?
00:03:27He's going to steal a child from another mother, Mr. Antonio.
00:03:31Many times I was about to tell Mrs. Aurora the truth.
00:03:36But now I'm not sure because I didn't realize the danger Angel could fall into.
00:03:43No, it's just that your son will never leave us.
00:03:46Because for him, you are the family.
00:03:49That he loves you, that...
00:03:52Come on, I don't intend to trade you for Aurora, okay?
00:03:55That's impossible.
00:03:57But Angel...
00:03:59You should know that his biological mother is waiting for him.
00:04:05And her name is Aurora Campero.
00:04:10Angel deserves his place as a partner and heir to the Campero Corporation.
00:04:16And I'm going to help him get it.
00:04:18Let's give him the world he deserves.
00:04:22And what's wrong with our world, Mr. Antonio?
00:04:25You didn't lack love here.
00:04:27No, no, no, Mr. Pascual, no.
00:04:29Sorry.
00:04:30I don't mean that.
00:04:31I don't put that in doubt.
00:04:33Angel can't take away what he deserves.
00:04:37Aurora...
00:04:39His mother...
00:04:41She's been looking for him for years.
00:04:44And a lot of people have taken advantage of that circumstance
00:04:47and have made a profit with their pain, with their despair.
00:04:52She would give her own life...
00:04:56to see her son again.
00:05:00Aurora is also sick of victory.
00:05:05Her heart has been sick for years.
00:05:07Sick of pain.
00:05:10Of malice.
00:05:14Carrying anger and frustration.
00:05:16Not only for the outrage of which she was the victim.
00:05:20But because her own father...
00:05:23took her son from her arms.
00:05:28Do you know why she came back when she was leaving Mexico City?
00:05:41Because she has faith.
00:05:44The faith of all the mothers
00:05:46to whom they have taken their children.
00:05:50It is the hope that Gabriela exists,
00:05:52the only thing that keeps her alive.
00:05:58We are going to help you, Mr. Antonio.
00:06:02That little boy who came to my arms...
00:06:06that night...
00:06:09and who has taken our life of joy...
00:06:12must return to Mrs. Aurora's arms.
00:06:18What do we have to do?
00:06:22Okay, leave it to me.
00:06:24That's all.
00:06:26I already authorized you to open the safe of the company and give me the money.
00:06:29You can't go alone, you know.
00:06:31No.
00:06:32Wait until I tell Julio César or tell the police.
00:06:35Okay, to Julio César yes, but not to the police.
00:06:38No, because we still have nothing to tell them.
00:06:40And besides, if whoever sent you the anonymous goes to patrol, he's going to leave.
00:06:44No, Isabel, I don't like this.
00:06:46Not at all, I like it.
00:06:47Aurora, it's now or never, because your son may be closer than you imagine.
00:06:52And I'm going to find out.
00:06:54No, we're going to find out.
00:06:56I'm not going to let you go alone.
00:06:59Okay, then go get your bag and I'll wait for you at the reception.
00:07:03Yes.
00:07:11JULIO CÉSAR
00:07:22Julio César shouldn't go.
00:07:25But Antonio, yes.
00:07:28I bring you the financial proposal you asked me.
00:07:33I think the application of video games is a good idea.
00:07:37Oops, why are you going? I just want to help you.
00:07:41Get out!
00:07:44Elena!
00:07:45What are you doing here?
00:07:47He brought us the hat.
00:07:48Yes, my daddy is waiting for us outside.
00:07:51Elena, that guy in my app is very handsome, but my brother is not so cool.
00:07:57Why don't you pass us and come back?
00:08:00Did you stop loving this neighborhood specimen?
00:08:03Because let me tell you that my brother loves you from here to who knows where.
00:08:12Entertain him as much as you can and don't let him see the cell phone.
00:08:22Oh, it's already written.
00:08:26Actually, I didn't know anything about Edgar's life.
00:08:29I always thought he was a decent boy, somewhat arrogant.
00:08:35I'm sure you have me in a very bad concept, right?
00:08:39My divorce with Antonio was a chaos.
00:08:44I have suffered a lot, Julio.
00:08:46I was a very violent woman.
00:08:49My first husband was an abuser.
00:08:54He forced me to prostitute myself.
00:08:58I'm sorry you have to hear my tragic confession.
00:09:02Don't bring a handkerchief, please.
00:09:05Sorry, sorry.
00:09:07I'll be right back.
00:09:24Oh, thank you, thank you.
00:09:29But what relationship do you have that you tell me about Edgar?
00:09:37Come on, Anita.
00:09:39Do it with Selena and stop looking at me like that.
00:09:41Rollas, pay attention.
00:09:44I'd better go get some water.
00:09:45Does anyone want something?
00:09:46Yes.
00:09:47Yes.
00:09:48And a sandwich and some Japanese peanuts.
00:09:50And a chesco.
00:09:51And some potatoes.
00:09:53Okay.
00:09:57Sit down.
00:09:59Let's see.
00:10:02What is the subject in which you have the most problems?
00:10:04Geography.
00:10:06There are so many rivers, lakes, lagoons, borders, mountains.
00:10:11Oh, I can't think of anything.
00:10:12Oh, yes.
00:10:13I'd better tell you the subject in which I don't have any problems.
00:10:16Physical education.
00:10:19I think you need help.
00:10:21Don't you have anything else to do, Ángel?
00:10:24No.
00:10:25No, not really.
00:10:26Besides, this is really cool.
00:10:29I'm just waiting for Briana to leave the board meeting to see if there's anything I need to adjust in the project.
00:10:33But if you want, I can help, right?
00:10:36Follow her, follow her. She's good at interviews.
00:10:38Although I would also have to think about games for children with some disability.
00:10:43Like when I couldn't see well.
00:10:45Yes.
00:10:46Totally agree with my Rollas.
00:10:48It's cool to create video games for children with some disability.
00:10:52Okay.
00:10:53Ángel, I need you to leave because you're interrupting us.
00:10:56Me?
00:10:57When did I interrupt you?
00:10:58Please leave.
00:11:02Okay.
00:11:07Excuse me.
00:11:10So?
00:11:11What are you doing?
00:11:13Come on.
00:11:15I didn't even tell Anita if she still loves me.
00:11:20Ready?
00:11:21Yes.
00:11:22Prepare all the documentation of this retirement with the area of finances, please.
00:11:26I've called Julio several times, but he doesn't answer.
00:11:28Well, let's talk about the way.
00:11:29Please, let's go.
00:11:32Yes, yes, yes.
00:11:33I'm so sorry.
00:11:34I couldn't help it, but they stopped us at the restaurant.
00:11:36Notice that the bill ...
00:11:38Enough!
00:11:39Close my office, please.
00:11:40Let's go.
00:11:42Oh, it can't be.
00:11:43What?
00:11:44I left my cell phone in the office.
00:11:45Well, we'll call you.
00:11:46Shut up.
00:11:47Julio Cesar's phone.
00:11:48Let's go now.
00:11:50I promise you that I will take care of Ángel in this whole process.
00:11:55But first we have to get him out of the company, Campero,
00:11:57so that neither Elena nor Aurora suspect that I am helping him.
00:12:01I'm going to prepare him.
00:12:03I'm going to prepare him so that he can assume the position that corresponds to him as Garga Campero,
00:12:07as heir to the family fortune.
00:12:11Ángel, look.
00:12:12This is an economic model proposal for next year.
00:12:16They asked me to do an evaluation and contrast with the current year.
00:12:19Okay.
00:12:20They want it for tomorrow.
00:12:21Tito.
00:12:22What do I do?
00:12:23You also have anything in your mail.
00:12:25Okay.
00:12:26Okay, good luck.
00:12:27Do the analysis.
00:12:28Yes.
00:12:30And risk report.
00:12:34We're done, bro.
00:12:36What else?
00:12:40Thank you for your great interest in helping me,
00:12:42but the kids already want to go.
00:12:47And how did it go?
00:12:49Very well.
00:12:50I think they're even going to develop video game proposals
00:12:53so that we can learn geography.
00:12:54Wow.
00:12:55And math.
00:12:56And social sciences.
00:12:57Spanish.
00:12:58Look.
00:12:59When I grow up, I want to work here.
00:13:02You will be able to do it.
00:13:03But you have to keep studying.
00:13:06I owe you a movie ticket.
00:13:07They did a good job,
00:13:08throwing me out to see Sergita's Elena.
00:13:10Wilson!
00:13:13Although, I'd rather not see her.
00:13:18She's very involved with Demian.
00:13:22Well, let's go, because I'm sure the kid must be waiting for us.
00:13:24But where's the bathroom?
00:13:26There.
00:13:27I'll get it.
00:13:30Patricia, you're going to have to excuse me,
00:13:32but I have a lot of work to do.
00:13:33No, no, no.
00:13:34Wait for me.
00:13:35Let me finish.
00:13:36I won't take up any more of your time.
00:13:37I swear.
00:13:39If I came to see you,
00:13:40it's because I don't have anyone else to trust.
00:13:43I'm sorry, but I don't want to have problems with Aurora.
00:13:45If she finds out that...
00:13:47Julio, please.
00:13:49I know you got married,
00:13:50and I'm really glad you can be happy.
00:13:52I have nothing against Aurora.
00:13:56Even though her ghost
00:13:57has always been a shadow in my relationship with Antonio.
00:14:01How do you want me to believe you?
00:14:02Patricia,
00:14:03you started a scandal on social media
00:14:05against my wife.
00:14:08I know.
00:14:09I know.
00:14:10And you don't know how sorry I am.
00:14:12But I only know that Edgar
00:14:14is having an affair with a guy
00:14:15called Pintas.
00:14:19I can't comment on Demian.
00:14:21I wasn't there.
00:14:23And you are now the one who is running the company.
00:14:26But Aurora is right.
00:14:28If she did those projects,
00:14:30you have to give credit to her work.
00:14:33You just said it.
00:14:35I am the president of this company.
00:14:37I can't be giving individual credits
00:14:39to everything that is done, my love.
00:14:43What happens
00:14:44is that my aunt can't stand me being in charge.
00:14:46She can't stand working for me.
00:14:48You are in charge,
00:14:49but the company has several partners,
00:14:51including your aunt.
00:14:53There are many things in the financial area
00:14:55that I don't know about,
00:14:56but I do know how a company works.
00:14:58Do you realize
00:14:59that I couldn't even express myself?
00:15:02I couldn't present the project
00:15:03I'm working on, Elena.
00:15:04The human resources project.
00:15:05My aunt interrupted my meeting.
00:15:07It's a lack of respect.
00:15:08I would have done the same.
00:15:12Yes?
00:15:13My only intention is to be a team, my love.
00:15:15My aunt is dividing us.
00:15:17Can't you see that?
00:15:21Let's not talk about this anymore.
00:15:22Please, I'm going to talk to her.
00:15:23She has to understand who is in charge.
00:15:25Period.
00:15:27We're leaving, Elena.
00:15:30We have to go to the games.
00:15:32Goodbye, Elena.
00:15:33Of course, don't forget.
00:15:35We already have two things to do
00:15:36because we also have to go to school.
00:15:38Let's go.
00:15:39Goodbye, sir.
00:15:40Goodbye.
00:15:42Guys,
00:15:43knock on the door next time.
00:15:44Yes, bye, bye.
00:15:45Goodbye.
00:15:47What were those kids doing here?
00:15:49I gave them access
00:15:50because I needed to ask them some questions.
00:15:53Yes, I wanted to know
00:15:54in which subjects they have more difficulties
00:15:56to apply pedagogical techniques in video games.
00:16:02By the way,
00:16:03Juridico is already working on the licenses.
00:16:06When can we organize
00:16:08to have a meeting with them?
00:16:14What you're telling me
00:16:15has no relevance.
00:16:18As long as it is not proven
00:16:19that Edgar is really swindling,
00:16:21it seems like a gossip.
00:16:23But, Julio,
00:16:24he is in contact with Demian.
00:16:26He has privileged information
00:16:28and it is your obligation to investigate.
00:16:31I already told you
00:16:32that once I had to play a character
00:16:34of a lawyer.
00:16:36Okay, okay, okay.
00:16:37I'm going to investigate.
00:16:38But that man
00:16:39I told you about...
00:16:40But, Patricia, really,
00:16:41I have things to do.
00:16:43Really.
00:16:44And I hope the Diana and Edgar thing
00:16:45is solved.
00:16:48And if you need a psychologist,
00:16:49I can recommend a great therapist.
00:16:52But enough.
00:16:53No, no, no.
00:16:54Sorry, sorry.
00:16:55Sorry, Julio.
00:16:56What's going on?
00:16:57I thought...
00:16:59Please,
00:17:00don't let me go like this.
00:17:01Look,
00:17:02I'm madly nervous.
00:17:03Come with me for a moment,
00:17:04nothing more.
00:17:06Let's have another tea
00:17:07and I'm leaving.
00:17:08Just one.
00:17:09Please.
00:17:14What's up?
00:17:15What's up?
00:17:16Thanks for bringing the kids.
00:17:17You gave me a ride.
00:17:18I have something to tell you.
00:17:19As adults.
00:17:22Yes.
00:17:23Hey.
00:17:24Trucha.
00:17:25Well, look,
00:17:26when...
00:17:27When I was rolling with Pintas,
00:17:28I found out a secret.
00:17:29And it has to do with you.
00:17:32A secret about me?
00:17:52Who is this pretty girl?
00:17:54Lucas could be your grandson.
00:17:55But he's not.
00:17:57On 40 y 20,
00:17:58we know how to make you laugh.
00:18:00This Thursday,
00:18:01when El Noti ends.
00:18:02Informed in an agile and precise way.
00:18:04This way,
00:18:05you'll start your day
00:18:06in the news.
00:18:07In the first hours,
00:18:08always with the first stories.
00:18:10In any part of Mexico and the world.
00:18:12I'm Carlos Hurtado
00:18:13and I'll be waiting for you
00:18:14in the news.
00:18:15A newscast from NEMAS,
00:18:16Monday to Friday,
00:18:175.50 a.m.
00:18:18with the stars.
00:18:23Enjoy your mornings with us.
00:18:24At 9,
00:18:25advice,
00:18:26guests,
00:18:27exercise routines
00:18:28and all the emotion
00:18:29of the stars
00:18:30dance today.
00:18:31No, no, no, son.
00:18:32No, no, no.
00:18:33And at 12,
00:18:34cooking,
00:18:35reports
00:18:36and everything about the famous
00:18:37only in Cuéntamelo Ya.
00:18:38Seeing Olivia Rodrigo
00:18:39who took a wrong step.
00:18:41From Monday to Friday
00:18:42with the stars.
00:18:45I didn't even want to.
00:18:49It was unintentionally wanting.
00:18:52The last thing you lose
00:18:53is your belly,
00:18:54Mr. Esperanza.
00:18:56El Chavo is back
00:18:57because we know how to make you laugh.
00:18:59From Monday to Friday
00:19:00with the stars
00:19:01and available on VIX.
00:19:03These are the news in point.
00:19:05The National Republican Convention
00:19:06in Miwoki
00:19:07is a celebration of identity.
00:19:09They have reported an increase
00:19:10in the number of rescues
00:19:11of people in danger
00:19:12of drowning in the sea.
00:19:13The authorities
00:19:14are still looking
00:19:15for the source
00:19:16of this contamination.
00:19:17Every night,
00:19:18your meeting point
00:19:19with the information.
00:19:20In point,
00:19:21from Monday to Friday
00:19:22with the stars.
00:19:23Who is Mrs. Garcia?
00:19:25She is our mother.
00:19:27And she only wants
00:19:28the best for us.
00:19:30Yes,
00:19:31in her own way.
00:19:33Look at the size
00:19:34of that mansion.
00:19:35How far would you go
00:19:36for the love of your daughters?
00:19:38The daughters of Mrs. Garcia
00:19:39start November 11,
00:19:409.30 at night.
00:19:42Are you going to buy
00:19:43my mother's shares?
00:19:45That's right.
00:19:46Why did you do it?
00:19:47To do a little justice
00:19:48to your children.
00:19:49It's not your factory anymore.
00:19:51The baby has a problem.
00:19:52Come, but now.
00:19:54Once Fatima
00:19:55returns to Mexico,
00:19:56I will make sure
00:19:57she doesn't leave me.
00:19:58I will make her forget
00:19:59Sebastian.
00:20:00What are you willing to do?
00:20:03Sometimes envy
00:20:04and betrayal
00:20:05come from those
00:20:06we least expect.
00:20:08Jealousy can destroy
00:20:09everything.
00:20:10And they will have
00:20:11no choice
00:20:12but to defend
00:20:13what they love the most.
00:20:14Because just being together,
00:20:15they will discover
00:20:16that the most convenient
00:20:17thing is to follow
00:20:18the rhythm of the heart.
00:20:19PAPAS POR CONVENIENCIA
00:20:20Monday to Friday
00:20:218.30 at night.
00:20:23Informed in an agile
00:20:24and precise way.
00:20:25So you will start your day
00:20:26in the news.
00:20:28In the first hours,
00:20:29always with the first stories.
00:20:31In any part of Mexico
00:20:32and the world.
00:20:33I'm Carlos Hurtado
00:20:34and I'll wait for you
00:20:35in the news.
00:20:36A newscast from NEMAS
00:20:37Monday to Friday
00:20:385.50 in the morning
00:20:39with the stars.
00:20:43Wake up.
00:20:44Information and stories
00:20:45to start your day well.
00:20:46The analysis to understand
00:20:47what is behind
00:20:48each event
00:20:49in Mexico
00:20:50and in the world.
00:20:53With all the entertainment,
00:20:54sport,
00:20:55and climate.
00:20:57Wake up.
00:20:58A newscast from NEMAS
00:20:59Monday to Friday
00:21:007.00 to 9.00 in the morning
00:21:01with the stars.
00:21:03This land
00:21:04that has always been
00:21:05a paradise
00:21:06became a hell.
00:21:08A new tragedy
00:21:09hit the LeBarón family
00:21:10this morning.
00:21:12Three women
00:21:13and six minors.
00:21:14Why were they killed?
00:21:15It will affect us all.
00:21:16LeBarón
00:21:17Death on the Promised Land
00:21:18Premiere October 31
00:21:19on the stars
00:21:20and available in mix
00:21:21from November 1.
00:21:22On the big premiere
00:21:23the stage shone
00:21:24with the talent
00:21:25and charisma
00:21:26of the first seven characters.
00:21:27I love you.
00:21:28And after incredible fights
00:21:30You deserve a 11.
00:21:31many clues
00:21:32and an exciting salvation
00:21:34we discovered
00:21:35the identities
00:21:36of two fabulous characters.
00:21:37Martha Sanchez.
00:21:38I knew it.
00:21:40Who is the most expensive
00:21:41on Sundays
00:21:428.30 at night?
00:21:43These would like
00:21:44someone with
00:21:45experience.
00:21:46I could ask my mom
00:21:47for help.
00:21:49Oh, good,
00:21:50very good.
00:21:51Do you like her?
00:21:52And this beautiful
00:21:53girl, who is she?
00:21:54Lucas could be
00:21:55your grandson.
00:21:56But he is not.
00:21:58On 40 and 20
00:21:59we know how to make you laugh.
00:22:00This Thursday
00:22:01at the end of the Noti.
00:22:03Irene has been managing
00:22:04her daughter's career
00:22:05for years.
00:22:06Leila,
00:22:07who discovers
00:22:08that her mother
00:22:09has spent all her money.
00:22:10Leila will take away
00:22:11control of her career
00:22:12to Irene
00:22:13who will lose
00:22:14all the luxuries
00:22:15she has taken
00:22:16thanks to her
00:22:17gold doll.
00:22:18The rose of Guadalupe.
00:22:19Premiere episode.
00:22:21Tuesday with the stars.
00:22:23There are unexpected twists.
00:22:25Bernardo is Ivan,
00:22:26my brother.
00:22:27You should convince Ivan
00:22:28that Diogo is dead.
00:22:30That they can change
00:22:31the destiny.
00:22:32You always look beautiful,
00:22:33ma'am.
00:22:34Are you serious?
00:22:35I shouldn't have taught you
00:22:36this place.
00:22:37This place is Diogo's.
00:22:39The price of loving you.
00:22:40Last chapters
00:22:419.30 at night.
00:22:43If you want to connect
00:22:44with people,
00:22:45a good tip
00:22:46and a coffee
00:22:47you should take.
00:22:49He's used to another world.
00:22:50We're very different from him.
00:22:52That's how people are.
00:22:53When they're not comfortable,
00:22:54they leave.
00:22:55I guess he must think
00:22:56the worst of me.
00:22:57I can't see you like that.
00:22:59You're wonderful.
00:23:00As the saying goes,
00:23:01stories that connect
00:23:02with you.
00:23:04These are the news
00:23:05in point.
00:23:06The National Republican
00:23:07Convention in Miwoki
00:23:08is a celebration
00:23:09of identity.
00:23:10An increase
00:23:11in the number
00:23:12of rescues
00:23:13of people in danger
00:23:14of drowning in the sea.
00:23:15The authorities
00:23:16are still looking
00:23:17for the source
00:23:18of this contamination.
00:23:19Every night,
00:23:20your meeting point
00:23:21with the information.
00:23:22In point.
00:23:2310.30
00:23:24by Las Estrellas.
00:23:25Sometimes envy
00:23:26and betrayal
00:23:27come from those
00:23:28we least expect.
00:23:29Jealousy
00:23:30can destroy everything.
00:23:31And they
00:23:32will have no choice
00:23:33but to defend
00:23:34what they love the most.
00:23:35Because only
00:23:36being together
00:23:37they will discover
00:23:38that the most convenient
00:23:39is to follow
00:23:40their parents.
00:23:41Monday to Friday
00:23:428.30 at night.
00:23:44That stone
00:23:45that was more
00:23:46than a stone.
00:23:50The wounds
00:23:51with which you lit
00:23:52all my cakes.
00:23:54The scarf
00:23:55of your team.
00:23:56I miss you, dad.
00:23:57But you are still alive
00:23:58in all those memories.
00:24:00Televisa.
00:24:01As long as there is
00:24:02an offering,
00:24:03they will always be here.
00:24:04This land
00:24:05that has always been
00:24:06a paradise
00:24:07has become
00:24:08a hell.
00:24:09A new tragedy
00:24:10hit the LeBarón family
00:24:11this morning.
00:24:12Three women
00:24:13and six minors.
00:24:14Why did they kill them?
00:24:15It's going to affect
00:24:16all of us.
00:24:17LeBarón.
00:24:18Death on the Promised Land.
00:24:19Premiere October 31
00:24:20at Las Estrellas
00:24:21and available on Mix
00:24:22from November 1.
00:24:23An anniversary
00:24:24is such a romantic date.
00:24:25If you could change
00:24:26something about the wedding,
00:24:27what would it be?
00:24:28The bride.
00:24:29What do you call a gift?
00:24:30I'm going to give her
00:24:31a cell phone.
00:24:32But now I have to give her
00:24:33something and I don't know what.
00:24:34Who do you think she likes?
00:24:35The neighbor on the corner.
00:24:36It's true.
00:24:37In Married to Children
00:24:38with a Smile.
00:24:39Tuesday at the end
00:24:40of the lottery.
00:24:41Por las Estrellas.
00:24:42Available on Mix.
00:24:43Rafael uses
00:24:44all of his resources
00:24:45If everyone comes
00:24:46in a group,
00:24:47I'll give you
00:24:48another discount.
00:24:49to sell
00:24:50and look good
00:24:51with your boss.
00:24:52He did a very good job
00:24:53and I feel very proud
00:24:54of you.
00:24:55But she
00:24:56makes things clear.
00:24:57Unfortunately,
00:24:58you and I
00:24:59are deeply connected.
00:25:00Monday to Friday
00:25:01at 2.30
00:25:02on Las Estrellas.
00:25:03The most complete
00:25:04offer
00:25:05of La Liga MX
00:25:06is on Mix.
00:25:08Los equipos más queridos
00:25:09se lo juegan
00:25:10todo en la cancha.
00:25:13Mix te trae
00:25:14más partidos
00:25:15que en ningún otro lugar.
00:25:17Suscríbete a Mix Premium
00:25:18por 99 pesos mensuales.
00:25:38La Rosa de Guadalupe
00:25:39Capítulo de Estreno
00:25:40Martes con las Estrellas
00:26:08La Rosa de Guadalupe
00:26:09Capítulo de Estreno
00:26:10Martes con las Estrellas
00:26:11Capítulo de Estreno
00:26:12Martes con las Estrellas
00:26:13Capítulo de Estreno
00:26:14Martes con las Estrellas
00:26:15Capítulo de Estreno
00:26:16Martes con las Estrellas
00:26:17Capítulo de Estreno
00:26:18Martes con las Estrellas
00:26:19Capítulo de Estreno
00:26:20Martes con las Estrellas
00:26:21Capítulo de Estreno
00:26:22Martes con las Estrellas
00:26:23Capítulo de Estreno
00:26:24Martes con las Estrellas
00:26:25Capítulo de Estreno
00:26:26Martes con las Estrellas
00:26:27Capítulo de Estreno
00:26:28Martes con las Estrellas
00:26:29Capítulo de Estreno
00:26:30Martes con las Estrellas
00:26:31Capítulo de Estreno
00:26:32Martes con las Estrellas
00:26:33Capítulo de Estreno
00:26:34Martes con las Estrellas
00:26:35Capítulo de Estreno
00:26:36Martes con las Estrellas
00:26:37Capítulo de Estreno
00:26:38Martes con las Estrellas
00:26:39Capítulo de Estreno
00:26:40Martes con las Estrellas
00:26:41Capítulo de Estreno
00:26:42Martes con las Estrellas
00:26:43Capítulo de Estreno
00:26:44Martes con las Estrellas
00:26:45Capítulo de Estreno
00:26:46Martes con las Estrellas
00:26:47Capítulo de Estreno
00:26:48Martes con las Estrellas
00:26:49Capítulo de Estreno
00:26:50Martes con las Estrellas
00:26:51Capítulo de Estreno
00:26:52Martes con las Estrellas
00:26:53Capítulo de Estreno
00:26:54Martes con las Estrellas
00:26:55Capítulo de Estreno
00:26:56Martes con las Estrellas
00:26:57Capítulo de Estreno
00:26:58Martes con las Estrellas
00:26:59Capítulo de Estreno
00:27:00Martes con las Estrellas
00:27:01Capítulo de Estreno
00:27:02Martes con las Estrellas
00:27:03Capítulo de Estreno
00:27:04Martes con las Estrellas
00:27:05Capítulo de Estreno
00:27:06Martes con las Estrellas
00:27:07¡Pum!
00:27:08Martes con las Estrellas
00:27:09La Rueda
00:27:10Encuentro
00:27:11¡Está hermoso!
00:27:12¡Está hermoso!
00:27:13Encuetra
00:27:14Caramello
00:27:15Hubia
00:27:16Acueltas
00:27:17Lima
00:27:18Materías
00:27:19Tomás
00:27:20Industria
00:27:21Antiguidad
00:27:22Elf
00:27:23Fatima
00:27:24Norte
00:27:25Cuba
00:27:26Valle
00:27:27¡Está hermoso!
00:27:28¡Está hermoso!
00:27:29Húbia
00:27:30Antiguidad
00:27:31Yes, the other day Maggie and I were talking about Pintas.
00:27:33She was the one who told me
00:27:35that Jezabel is the owner of the company she works for.
00:27:38I don't think she has business with Pintas.
00:27:40I don't think she even knows him.
00:27:42Maybe it's the serenity, bro.
00:27:44But there aren't that many Jezabels, right?
00:27:46I'm just telling you what I heard,
00:27:47and I'm not being a snob.
00:27:49What I do know is that a woman named Jezabel
00:27:51gave money to Pintas so he wouldn't spill the beans.
00:27:55And that's where you come in, bro.
00:27:57You've left me in the lurch.
00:27:59What does Mrs. Jezabel have to do with Pintas' tea?
00:28:02I'll tell you what.
00:28:03I even went with Pintas
00:28:05because a guy named Villatudo asked him out for a drink.
00:28:08He didn't show up, but we did go.
00:28:10Hey, are you done?
00:28:12My stomach is growling.
00:28:13And all for making my brother pay.
00:28:16No, we're almost done.
00:28:17We're going to get some more taquichis.
00:28:19Okay.
00:28:20See you tonight so we can talk.
00:28:22Although all this sounds like Pintas' intrigue.
00:28:24You know.
00:28:26Let's go, kids.
00:28:27Bye, Rolitas.
00:28:30Pum.
00:28:31Let's go, Rolita.
00:28:32Let's go.
00:28:36Now you're done for, kid.
00:28:38You didn't listen and you were a gossip.
00:28:42And that's going to cost you dearly.
00:28:48I'm going to protect Angel from any threat.
00:28:51And you'll do the same for Mrs. Jezabel.
00:28:53Because if she finds out first, I don't know what she'll do to my son.
00:28:57You can kill the one who got away the other time.
00:29:04No one is going to hurt Angel.
00:29:07And neither are you.
00:29:09But this must be an absolute secret.
00:29:19Antonio, it's Jezabel.
00:29:21Aurora received another anonymous call
00:29:22and insisted on coming to where she was summoned.
00:29:26I'm here with Aurora, but she's driving
00:29:28and I couldn't control her.
00:29:29And Julio Cesar isn't answering.
00:29:31Come, please. I'll send you the address.
00:29:38Oh, thank you, thank you, thank you.
00:29:39It's just that I'm...
00:29:41I'm so nervous about everything.
00:29:44Answer, Julio, answer.
00:29:47Hey, and is Aurora going to move in with you?
00:29:50I don't think that's a good idea, Patricia.
00:29:52Oh, well, it's just a question, so I'm doing it.
00:29:56I don't know why.
00:30:00Tell me, Antonio.
00:30:01Aurora received an anonymous call
00:30:04and is going to the place where she was summoned.
00:30:08What do you mean? Why didn't she call me?
00:30:13Julio, I'm calling you.
00:30:15I was sent another anonymous call.
00:30:17I'm going to Jezabel's place where she was summoned.
00:30:19Call me.
00:30:21You have to get to her, Julio.
00:30:23Get her out of there, because I'm sure it's a trap.
00:30:25I'll send you the address that Jezebel gave me right now.
00:30:28I'm on my way.
00:30:31Patricia, you have to go now. Let's go.
00:30:33But why? What happened?
00:30:34Let's go, let's go.
00:30:35But how is it possible that Aurora believed in that anonymous?
00:30:39What was going on, Mr. Antonio?
00:30:41Did something happen to Mrs. Aurora?
00:30:43No, no, no, but look, some time ago I received some anonymous that said that Aurora's son was alive.
00:30:48Pintas has been asking a lot of questions about the past.
00:30:53And I'm sure he wants to blackmail the campers about his son.
00:30:57That boy is a gold mine.
00:30:59We have to take advantage of him.
00:31:03Now it is Aurora who received us.
00:31:05And she is on her way to meet the person who has been sending them.
00:31:11But I'm sure this must be a trap.
00:31:15Thank you, ma'am.
00:31:16I don't care if I'm going to get away from them, but I'm not going to let anything happen to them, ma'am.
00:31:20Thank you, thank you. Excuse me.
00:31:23Let's go.
00:31:41Hey, Julio, Cesar doesn't answer.
00:31:45What are we doing here, Yesabel?
00:31:48Let's go.
00:31:50No, no, no, wait, we're here.
00:31:52We can't back out at the last minute.
00:31:56Aurora, be brave.
00:31:57This could be a before and after in Gabriel's search.
00:32:00No, no, they can't imagine that my son is close to people like this.
00:32:04That's why we have to get him out of here.
00:32:06What if they're exploiting him?
00:32:08They have him in an infamous place.
00:32:10We have to save him, Aurora.
00:32:13Look, there are only 15 minutes left for the appointment.
00:32:16The motel is on the other street.
00:32:17We're going to end this.
00:32:20Yes, ma'am.
00:32:23Why are you always hanging on a gold tooth?
00:32:25I'm not a gold tooth.
00:32:27Why did it take so long?
00:32:30And how dare you keep that paper?
00:32:32It's just everything I have to do for you.
00:32:35And it took them so long to get that food.
00:32:37Oh, well, the past is the past. Let's go to something else.
00:32:42Jess forgot her cell phone. I'm going to go into her office with Aquiles.
00:32:45But you, Gloria, you stay in the hallway so you don't spill water.
00:32:49Yes.
00:32:50But quickly, because Jess can arrive at any moment.
00:32:53So, let's go.
00:32:54I trust you.
00:32:55Yes.
00:33:01Good evening.
00:33:02Good evening, sir.
00:33:06Cassandra, I can't find Edgar.
00:33:08I would like to give him some instructions to reschedule the meeting.
00:33:12Will you come with me to my office?
00:33:13Yes, yes, of course.
00:33:14We'll finish this later.
00:33:15Yes.
00:33:16Will you come with us?
00:33:17No, I'll wait for you here.
00:33:19Excuse me.
00:33:20Excuse me.
00:33:21Thank you, sir.
00:33:34Hi, Elena.
00:33:36Did it help you that Nanita and Rolas were coming?
00:33:39Thank you, I had already told you yes.
00:33:43Do you still have my picture of when I was a kid?
00:33:45The one my mom gave you.
00:33:48Do you want me to return it to you?
00:33:51I had lost it, but my dad found it and returned it to me when he went to Acapulco.
00:34:06Shall we go?
00:34:16Well, it's time.
00:34:18Let's go.
00:34:20No, no, no.
00:34:22No.
00:34:23I don't like this at all.
00:34:25My son is not here.
00:34:26He's not with these people.
00:34:27I know.
00:34:28I'm sorry he's not here.
00:34:29Carmen, Armando is not alone.
00:34:31I'm here with you.
00:34:32You don't have to be afraid.
00:34:33We'll go to the entrance of the motel and if we see something strange, we'll leave.
00:34:37What do you think?
00:34:41My love, please answer.
00:34:43Answer.
00:34:44My God, Aurora, please answer.
00:34:46Answer.
00:34:50No, it can't be.
00:34:59I'm going to leave this here.
00:35:00Let's go, let's go.
00:35:02What are we doing here?
00:35:04These anonymous messages can be a trap.
00:35:06Realize it.
00:35:08Everything is so suspicious.
00:35:09No, Javier.
00:35:10Everything we're doing is for your son, for Gabriel.
00:35:13We don't have to go into any room.
00:35:15Just until the entrance of the motel, I promise you.
00:35:18Let's go.
00:35:19It's okay.
00:35:20Just until the entrance.
00:35:21Let's go, let's go.
00:35:26Take off the ring, everything valuable.
00:35:27I'm going to take it.
00:35:29Let's go?
00:35:30Let's go.
00:35:31Ready?
00:35:32Ready.
00:35:34Aurora, you're going to have your son, but don't go.
00:35:39Wait for me, please.
00:35:41Wait for me, wait for me.
00:35:43Don't go, my love, don't go.
00:35:44Don't be afraid.
00:35:47Maybe tonight you can hug your Gabriel
00:35:50after almost 30 years.
00:35:53Take it, take it.
00:35:58Hey, hey, no, no, no, no, no.
00:36:00No, no, no, no, no.
00:36:01No, no, no, no, no, no, no, no.
00:36:03Come here, come here.
00:36:04Let go of me.
00:36:07Let go of me.
00:36:09Aurora, let go of me, disgusting.
00:36:11Aurora, help me.
00:36:13Silvia, please, Silvia.
00:36:15Please, Silvia.
00:36:17Don't touch me, please.
00:36:19Don't touch me.
00:36:21My God, Aurora, please answer.
00:36:23Aurora.
00:36:25Aurora, help me.
00:36:28Please, don't laugh.
00:36:31Silvia.
00:36:33Yes, my love.
00:36:41Don't touch me, don't touch me.
00:36:43Shut up.
00:36:45Shut up.
00:36:48Let go of me, let go of me.
00:36:50Antonio, help me.
00:36:52Antonio, help me, please.
00:37:02Don't touch me.
00:37:03Shut up, shut up.
00:37:15Who did this?
00:37:22Who did this?
00:37:31Are you okay?
00:37:32I'm fine, yes.
00:37:34Call the police.
00:37:36Call the police.
00:38:02Who is Mrs. Garcia?
00:38:04She is our mother.
00:38:06And she only wants what's best for us.
00:38:09Yes, in her own way.
00:38:11Look at the size of that mansion.
00:38:14How far would you go for the love of your daughters?
00:38:17Daughters are the most important thing in the world.
00:38:20They are the most important.
00:38:22They are the most important.
00:38:24They are the most important.
00:38:26They are the most important.
00:38:28They are the most important.
00:38:29For the love of your daughters.
00:38:31The daughters of Mrs. Garcia.
00:38:33Starts November 11th, 9.30pm.
00:38:35Informed in an agile and precise way.
00:38:38This way, you will start your day in the news.
00:38:41In the first hours, always with the first stories.
00:38:44In any part of Mexico and the world.
00:38:46I'm Carlos Hurtado and I'll be waiting for you in the news.
00:38:49A newscast from NEMAS, Monday to Friday, 5.50am.
00:38:52With the stars.
00:38:59Routines of exercise and all the emotion of the stars dance today.
00:39:03No, no, no, son, no.
00:39:05And at 12.
00:39:07Cooks, reports and everything about the famous only in Cuéntamelo Ya.
00:39:11Seeing Olivia Rodrigo, who took a wrong step.
00:39:14From Monday to Friday with the stars.
00:39:16Are you going to buy my mom's shares?
00:39:18That's right.
00:39:20Why did you do it?
00:39:22To do a little justice to your children.
00:39:24It's not your factory anymore.
00:39:26The baby has a problem.
00:39:27I want Fatima to return to Mexico.
00:39:29I'm going to make sure she doesn't leave me.
00:39:31I'm going to make her forget Sebastian.
00:39:33What are you willing to do?
00:39:35The hatred of two families.
00:39:37Faced.
00:39:39The Jimenez killed your mother.
00:39:41The San Jose are careful.
00:39:43That today they seek the truth.
00:39:45Tell me who killed my mother.
00:39:47Tell me.
00:39:49What does your family hide?
00:39:51Bitter love.
00:39:53Starts November 4, 6.30pm.
00:39:55With the stars.
00:39:57Breaking news in point.
00:39:59The National Republican Convention in Milwaukee is a celebration of identity.
00:40:02They have reported an increase in the number of rescues of people in danger of drowning in the sea.
00:40:07The authorities are still looking for the source of this contamination.
00:40:10Every night your meeting point with the information.
00:40:12In point.
00:40:1410.30am.
00:40:16For the stars.
00:40:18This land that has always been a paradise has become a hell.
00:40:21A new tragedy hit the Levaro family this morning.
00:40:24Three women and six minors.
00:40:25Why did they kill them?
00:40:27It will affect us all.
00:40:29Levaro. Death on the Promised Land.
00:40:31Premiere October 31 at the stars.
00:40:33Available in mix from November 1.
00:40:35Who is Mrs. Garcia?
00:40:37She is our mother.
00:40:39And she only wants the best for us.
00:40:41Yes?
00:40:43In her own way.
00:40:45Look at the size of that mansion.
00:40:47How far would you go for the love of your daughters?
00:40:50The daughters of Mrs. Garcia.
00:40:52Starts November 11, 9.30pm.
00:40:54There are unexpected twists.
00:40:56Bernardo is Ivan, my brother.
00:40:58You should convince Ivan that Diogo is dead.
00:41:01That they can change fate.
00:41:03You always look beautiful, ma'am.
00:41:05Are you serious?
00:41:07I shouldn't have shown you this place.
00:41:09This place is Diogo's.
00:41:11The price of loving you.
00:41:13Last chance.
00:41:15I'm sorry.
00:41:17I'm sorry.
00:41:19I'm sorry.
00:41:20I'm sorry, Diogo.
00:41:22The price of loving you.
00:41:24Last episodes.
00:41:269.30pm.
00:41:29I didn't even want to.
00:41:32It was unintentional.
00:41:36The last thing you lose is your belly, Mr. Esperanza.
00:41:39El Chavo is back.
00:41:41Because we know how to make you laugh.
00:41:43From Monday to Friday with the stars.
00:41:45And available in mix.
00:41:47Irene has been driving her daughter's career for years.
00:41:50Because her mother has spent all her money.
00:41:53Leila will take control of her career from Irene.
00:41:56Who will lose the life of luxuries she has led thanks to her golden girl.
00:42:01La Rosa de Guadalupe.
00:42:03Premiere episode.
00:42:05Tuesday with the stars.
00:42:07Enjoy your mornings with us.
00:42:09At 9.00pm.
00:42:11Advice, guests, exercise routines and all the emotion of the stars dance today.
00:42:14No, no, no, son.
00:42:16And at 12.00pm.
00:42:17Advertising, reports and all about the famous only in Cuéntamelo Ya.
00:42:22Seeing Olivia Rodrigo who took a wrong step.
00:42:24From Monday to Friday with the stars.
00:42:26At the big premiere.
00:42:28The stage shone with the talent and charisma of the first seven characters.
00:42:31I love you.
00:42:33And after incredible fights.
00:42:35You deserve a 11.
00:42:37Many clues and an exciting salvation.
00:42:39We discovered the identities of two fabulous characters.
00:42:41Martha Sanchez.
00:42:43I knew it.
00:42:45Who is the most expensive Sunday at 8.30pm.
00:42:47They come from those who least expect it.
00:42:49Jealousy can destroy everything.
00:42:53And they will have no other option than to defend what they love most.
00:42:57Because only being together, they will discover that the most convenient thing is to follow the rhythm of the heart.
00:43:02Pops for convenience.
00:43:04Monday to Friday, 8.30pm.
00:43:06If you want to connect with people, a good advice and a coffee should be taken.
00:43:11He is used to another world.
00:43:13We are very different from him.
00:43:15This is how people are.
00:43:17I suppose you must think the worst of me.
00:43:20I can't see you like that.
00:43:21You are wonderful.
00:43:22As the saying goes, stories that connect with you.
00:43:25Informed in an agile and precise way.
00:43:28This is how you will start your day in the news.
00:43:30In the first hours, always with the first stories.
00:43:33In any part of Mexico and the world.
00:43:35I'm Carlos Hurtado and I'll wait for you in the news.
00:43:38A newscast from NEMAS, Monday to Friday, 5.50 in the morning.
00:43:42With the stars.
00:43:48It's like you didn't want to.
00:43:52It was unintentionally wanting.
00:43:55The last thing you lose is your belly, Mr. Esperanza.
00:43:59El Clavo is back.
00:44:01Because we know how to make you laugh.
00:44:02From Monday to Friday with the stars.
00:44:04And available on VIX.
00:44:07That stone that was more than a stone.
00:44:12The candles with which you lit all my cakes.
00:44:16The scarf of your team.
00:44:18I miss you, dad.
00:44:19But you are still alive in all those memories.
00:44:22Televisa.
00:44:23As long as there is an offering, they will always be here.
00:44:25The hatred of two families.
00:44:27Faced.
00:44:29The Jimenez killed your mother.
00:44:31The San Jose are careful.
00:44:33That today they seek the truth.
00:44:36Tell me who killed my mother.
00:44:38Tell me what your family is hiding.
00:44:40Amor Amargo.
00:44:41Starts November 4, 6.30 in the afternoon.
00:44:44With the stars.
00:44:46There are unexpected twists.
00:44:48Bernardo is Ivan, my brother.
00:44:50You should convince Ivan that Diogo is dead.
00:44:53That they can change fate.
00:44:55You always look beautiful, ma'am.
00:44:57Are you serious?
00:44:58I shouldn't have taught you this place.
00:45:00This place is Diogo's.
00:45:01The price of loving you.
00:45:03Last chapters.
00:45:049.30 at night.
00:45:07These are the news in point.
00:45:09The National Republican Convention in Miwoki
00:45:11is a celebration of identity.
00:45:13There has been an increase in the number of rescues of people in danger of drowning in the sea.
00:45:17The authorities are still looking for the source of this contamination.
00:45:20Every night your meeting point with the information.
00:45:23In point.
00:45:2410.30 by the stars.
00:45:43Available on VIX.
00:46:14Let's go, the police are here.
00:46:15Let's go.
00:46:16Let's go.
00:46:17It's late.
00:46:18Let's get out of here before they come back.
00:46:21Give it to me.
00:46:24Call your car, Julio Cesar.
00:46:26The keys.
00:46:28Let's go.
00:46:29Let's go.
00:46:30Let's go.
00:46:31Get in.
00:46:32Get in.
00:46:33Get in.
00:46:43Get in.
00:46:53It can't be, it's locked.
00:46:55Cassandra, you didn't give us the cell phone key.
00:46:57Of course, how could you not think of it?
00:46:59Let's see, bring it here.
00:47:01Let's see, Maria, give me a pointer.
00:47:04Again.
00:47:06I can't.
00:47:07Open the drawer.
00:47:11Open the drawer.
00:47:14Open the drawer.
00:47:17Morga.
00:47:18Morga?
00:47:19Morga.
00:47:20Of course.
00:47:23Yes?
00:47:26My God, my God, my God.
00:47:28It's Mr. Demiano.
00:47:29He's calling, he's calling.
00:47:30No, no, no, no.
00:47:31No, don't answer.
00:47:34That's weird.
00:47:35My mom doesn't answer me.
00:47:36She must be busy.
00:47:38She'll probably call you back later.
00:47:40Selena.
00:47:42I don't like that you still have Angel's things.
00:47:45I feel bad.
00:47:47I think you should return his photo.
00:47:50Okay.
00:47:52I'll do it right now.
00:47:56Did you stop calling him, sir?
00:47:59Demiano.
00:48:03Shh, shh, shh.
00:48:11There it is, there it is.
00:48:12Yes, yes, yes.
00:48:13Let's see, let's see, let's see, let's see, let's see.
00:48:15I found it.
00:48:16Pass it to me.
00:48:17Pass it to me.
00:48:18No, no, no, no.
00:48:19It's not there.
00:48:20Pass me the dictation, Aquiles.
00:48:23It's not there.
00:48:24I'm talking to you, Aquiles.
00:48:28Lombriz de Aguapuerca, I'm talking to you.
00:48:30Pass me the paper.
00:48:35I found it, Lucio.
00:48:37I found it.
00:48:38What did you find?
00:48:40Pass it to me.
00:48:41Hurry up.
00:48:42Since I saw you last night.
00:48:45I'm very nervous.
00:48:46The door, the door.
00:48:47Hurry, hurry, hurry.
00:48:52Angel.
00:48:53Your mom gave me this photo and I think she should have it, not me.
00:48:59I would have preferred you to keep it.
00:49:05But now that you're going to be Morga's wife,
00:49:08Morga doesn't care.
00:49:15Glorio, Aquiles.
00:49:19What's taking you so long?
00:49:20I don't know, my cell phone was blocked.
00:49:23Mr. Demean is still at the reception, but he could be here any minute now.
00:49:30Aquiles, two lovers, the paper.
00:49:33Yes, it's true, it's true, it's true, it's true.
00:49:35The paper.
00:49:36The paper.
00:49:38Oh my God, I think they left it in the other pants.
00:49:40Oh, it can't be.
00:49:43Let's go, let's go, let's go.
00:49:46Hey, hey, hey, the flash, the flash.
00:49:48How do I put it?
00:49:49That's it.
00:49:50I'm going, I'm going, I'm going, I'm going.
00:49:53I'll talk to your mom later, Angel.
00:49:56Let's go, honey.
00:49:58I already returned the photo.
00:49:59You were right, it's something I shouldn't have.
00:50:09Charmelita.
00:50:11Charmelita, come quickly.
00:50:21It was scary.
00:50:22Calm down, calm down.
00:50:24It was scary.
00:50:27I was in my mind when they raped me.
00:50:30What happened, Mrs. Elizabeth?
00:50:32Mrs. Aurora.
00:50:33Mrs. Aurora.
00:50:35Call the doctor and prepare a bath for the lady.
00:50:38Yes, yes, with permission.
00:50:40Calm down, you're hyperventilating.
00:50:43Calm down.
00:50:44They were going to rape me.
00:50:46They were going to rape me and rape me again, Julio.
00:50:49Yes, yes, yes, Aurora, but we managed to avoid it.
00:50:52Let's see, we're fine.
00:50:54No, no, no, don't touch me.
00:50:56Don't touch me, don't touch anyone.
00:50:58Don't touch me, don't touch anyone.
00:50:59We're with you, we're with you, we're with you.
00:51:01We're with you.
00:51:02No one is going to hurt you again.
00:51:04No one.
00:51:05Enough, enough.
00:51:06No one is going to hurt you.
00:51:07Enough, enough.
00:51:10It's just that I thought it was worse, Antonio.
00:51:17Dad.
00:51:19Antonio.
00:51:20Aurora, daughter.
00:51:21Aurora.
00:51:23They raped me.
00:51:32Come, come, come.
00:51:34Come, come, sit down.
00:51:37Carmela, bring alcohol, please.
00:51:40Everything will be fine, don't worry.
00:51:42Everything will be fine.
00:51:43He really loves her.
00:51:46Julio Cesar loves her.
00:51:57Helena doesn't love me anymore.
00:52:02She sent me the picture because she's not going to marry Demi anymore.
00:52:06Demi doesn't even love Laura.
00:52:09Son, Angel.
00:52:11We have to talk.
00:52:13Mom, not now.
00:52:15I just want to sleep.
00:52:17We understand, son.
00:52:18But something happened to Mrs. Aurora.
00:52:21What happened to Mrs. Aurora?
00:52:23It seems that they made her go somewhere to give the information of her son.
00:52:29Mr. Antonio was here.
00:52:31Chola Mocha came out to help her.
00:52:33But we haven't heard anything.
00:52:42Oh well.
00:52:44Why is he bothering you, Angel?
00:52:47Why is he talking to you?
00:52:48How unconscious.
00:52:51Aurora, answer the phone.
00:52:52He loves you very much.
00:52:56No.
00:52:58My sister is not in a condition to talk to that boy right now.
00:53:01He has no life.
00:53:02He has nothing to do but walk behind her.
00:53:05He's a climber.
00:53:11What happened?
00:53:13Antonio, what happened?
00:53:21The plan failed because I wasn't alone.
00:53:23There was another woman with her.
00:53:25And then two more guys arrived.
00:53:29What?
00:53:33I couldn't talk to you all day.
00:53:36I had a lot of work.
00:53:37I was also busy.
00:53:39The truth is that I didn't want to talk about this either.
00:53:41But I guess it's inevitable.
00:53:43My mom can be many things.
00:53:46But I don't know if she would dare to invent something like that.
00:53:49Really?
00:53:50Do you believe her?
00:53:52Well, I'm sorry, Briana.
00:53:54Because I don't have brothers or sisters.
00:53:56And I don't have a father either.
00:53:57So I have nothing to talk to you about.
00:53:59Please.
00:54:01Let's see, I understand you.
00:54:03But I do want to talk about it.
00:54:06Edgar.
00:54:08I would really like to have a blood brother.
00:54:11Even if it's half.
00:54:17Julio Cesar, please.
00:54:19Now is not the time to make a scene of jealousy.
00:54:21Elena is here.
00:54:22My son is here.
00:54:24Tell me one thing.
00:54:25Why did you go to such a dangerous place?
00:54:27And with so much money and alone.
00:54:29Because she insisted.
00:54:31She even sent me to get all that money out of the company's safe.
00:54:33Please.
00:54:35You should have convinced her that it was a mistake.
00:54:37Okay, yes.
00:54:39Yes, you're right.
00:54:41And what happened to us was horrible.
00:54:43We risked too much.
00:54:45Isabel, you were also attacked.
00:54:47Look, I don't even want to think what would have happened
00:54:49if Antonio and I hadn't arrived in time.
00:54:51I want to ask you two favors.
00:54:53First of all, don't blame Aurora for anything.
00:54:55Because what just happened will only bring her back to the past.
00:54:57And it's not the first time she's done something like this
00:54:59because she's obsessed with finding Gabriel.
00:55:01She makes hasty decisions.
00:55:03She doesn't think about anything or anyone.
00:55:05Something happens to her and she gets it in her head
00:55:07and does it.
00:55:09Well, what can I tell you?
00:55:11You're getting to know her.
00:55:13But I want to ask you.
00:55:15I beg you, don't torture her.
00:55:17Don't blame her for anything.
00:55:19Don't tell her...
00:55:20It's just that they could...
00:55:22Well, but we moved.
00:55:24You understand, right?
00:55:26Yes, yes, I understand.
00:55:28And the second favor I want to ask you is...
00:55:30Aurora needs you very close.
00:55:32But here.
00:55:34In her house.
00:55:36Here?
00:55:38Yes, yes.
00:55:40I want to ask you, don't take her to live in your house.
00:55:42Because what happened will bring her back
00:55:44her crises, her traumas.
00:55:46And she needs to be with us, with her family.
00:55:48I'm her family.
00:55:50We are.
00:55:52And instead of her going to your house
00:55:54and being far away,
00:55:56come here.
00:55:58Stay a while and so
00:56:00we are all looking after her
00:56:02and we can help her
00:56:04recover faster.
00:56:11I don't hate Elena.
00:56:13For a long time she was
00:56:15my playmate,
00:56:17my accomplice.
00:56:18We even defended each other
00:56:20from the blows my mom gave us.
00:56:23Pedro, I know you're just as lonely as I am.
00:56:25No, no, you're wrong.
00:56:27I'm afraid.
00:56:28Of whom?
00:56:29Of Demian?
00:56:31Of Isabel?
00:56:32Of Cassandra's partner?
00:56:34And you?
00:56:36Who do you have, Briana?
00:56:38Antonio Lebales?
00:56:40You don't like Demian?
00:56:42Not even your mom loves you.
00:56:44And then that guy you're in love with
00:56:46will never listen to you.
00:56:48I'm not going to cover
00:56:50your emotional needs.
00:56:52So please,
00:56:54don't come to me, brotherly love.
00:56:56I can't help you.
00:56:58I'm sorry.
00:57:00You said it very well.
00:57:02I don't have anyone.
00:57:06That's why I think
00:57:08we can have
00:57:10each other.
00:57:15Are you sure, Aurora?
00:57:16Aurora, it's okay.
00:57:18Hey, baby, don't leave me alone.
00:57:20No, never.
00:57:21I promise.
00:57:23Take your pills after the bath
00:57:25so you can sleep well.
00:57:26Yes, doctor.
00:57:27Excuse me.
00:57:28Thank you, doctor.
00:57:29Excuse me. Come this way.
00:57:30Yes.
00:57:35Aurora, if you need anything,
00:57:37I can help you.
00:57:38If you want to take a bath, whatever.
00:57:41Your dad?
00:57:43The doctor said that
00:57:44apparently the blow wasn't serious,
00:57:45but he has to go to the hospital
00:57:47for some tomographies
00:57:48to make sure.
00:57:50Oh, God.
00:57:53It's Angel.
00:57:54She's calling you.
00:57:55No.
00:57:59Mrs. Aurora,
00:58:00what happened to you? How are you?
00:58:02I'm fine, Angel.
00:58:04How do you know something happened to me?
00:58:06No, no, that doesn't matter now.
00:58:08I just want to know you're okay.
00:58:10I am.
00:58:12Helena is here with me,
00:58:13listening to you.
00:58:15I'm very grateful to life
00:58:17for having you with me.
00:58:19And what happened to me today
00:58:21made them value you more.
00:58:26We never know
00:58:27when our last day will be.
00:58:35It's incredible.
00:58:37My aunt doesn't care about anything else,
00:58:39Antonio,
00:58:40but her obsession with her dead son.
00:58:42She put the whole family
00:58:43in danger once again.
00:58:44Once again.
00:58:45And once again, we're in crisis
00:58:46and it's her fault.
00:58:48You must understand.
00:58:50No, no, I'm sorry.
00:58:51I don't have to understand anything.
00:58:53Someone has to stop this madness.
00:58:55Now.
00:58:57And my aunt has to understand
00:58:59once and for all
00:59:00that even if she appears
00:59:02or finds a supposed son,
00:59:04I'm not going to accept it.
00:59:06My mom's not going to accept it.
00:59:07We're not going to accept it.
00:59:08That's what it's about.
00:59:10Why not?
00:59:12Mr. Romualdo?
00:59:16Mr. Romualdo,
00:59:17you know the Santos family.
00:59:21I don't know,
00:59:22maybe because I'm thinking about something else,
00:59:24I'm missing something good.
00:59:26So I want us to be together.
00:59:27Yes?
00:59:28Yes.
00:59:30I want you to protect my son
00:59:32from his sister, Isabel.
00:59:35Who came into my office, Casandra?
00:59:39Who did you let in?
00:59:41I don't know.