• 3 weeks ago
Emitir:
Sanem Aydın: Demet Özdemir
Can Divit: Can Yaman
Leyla Aydın: Öznur Serçeler
Mevkibe Aydın: Özlem Tokaslan
Nihat Aydın: Berat Yenilmez
Emre Divit: Birand Tunca
Ayhan Işık: Ceren Taşçı
Muzaffer Kaya (Zebercet): Cihan Ercan
Deren Keskin: Tuğçe Kumral
Cengiz Özdemir (Ceycey): Anıl Çelik
Güliz Yıldırım: Sibel Şişman
Osman Işık: Ali Yağcı

Producción: Gold Film
Productor: Faruk Turgut
Director: Çağrı Bayrak
Guión: Ayşe Kutlu Üner
Transcript
00:00Wait, wait, wait, it's almost time.
00:03Don't make me talk, I'm sweating.
00:05Don't move!
00:06I'm running out of all the stuff you gave me.
00:08I told you not to move!
00:09You're the clown!
00:11I can't take it anymore, I'm so sick of this.
00:13Wake me up when the slavery has been abolished, it's hot and I don't want to look like a corpse.
00:17I have to stay in the character.
00:19But Cleopatra wants to get out.
00:21Cleopatra wants to get out of the interior of Deden, did you hear?
00:24And where do you want her to get out?
00:25Where does she want to get out? I don't know, I can't control her.
00:28I don't know anything about what they're saying.
00:30What are you doing?
00:31Guys, don't eat the grapes, please.
00:33Don't tell me, the people united will win.
00:35And where's my caravan?
00:37JJ, ask about your caravan, where is it?
00:39It didn't exist at that time, Ignara!
00:41What?
00:42We were in a caravan, and at that time they used words.
00:46Hey, don't try to calm down, I'll be right back.
00:49Here we wait for you.
00:50Yes.
00:52JJ, water.
00:53Water for Sanem.
00:54I asked you, didn't I?
00:56Sanem wants a shake.
00:57A smoothie?
00:58A shake.
00:59A smoothie.
01:00Prepare one.
01:01I feel like it.
01:02What would you do if you were a real actress?
01:04You don't stop asking for things.
01:05It's unbearable.
01:06I knew it.
01:07I'm the protagonist.
01:08Cleopatra is the protagonist.
01:10Is it to go crazy?
01:11Why are we doing this?
01:12Tell me.
01:13How is it possible that they didn't rent me a caravan?
01:58Here I am.
01:59Hi.
02:00Hi, the set is ready.
02:01There's a little chaos out there, but I think beauty comes from chaos.
02:05Exactly.
02:08Are you sure you didn't lose anything?
02:10Do you want to ask me something?
02:11No.
02:23You...
02:25You have...
02:26I'm going to make a smoothie.
02:28Uh...
02:29Our famous protagonist wants one and I have to go make it.
02:33See you later, partner.
02:47If you're done, we still have to record.
02:49I'll be right there.
03:02Can I drink water?
03:03Here.
03:13Of course.
03:14There you go.
03:17Are there strawberries?
03:18Yes.
03:43I have to make the smoothie.
03:44I wanted to ask you if you'd put strawberries in it.
03:54Sanem.
03:57Sanem.
04:15Now tell me, why did you do it?
04:21What? Are you jealous?
04:26Do you remember?
04:27Yes, that's right.
04:30There are difficult things to forget.
04:33Things that we value and are important.
04:38And if we lose them, we end up in madness.
04:46Did we talk about the strawberries?
04:50I'll wait for you outside.
04:56Okay.
05:11Guards!
05:12Take these slaves and cut their heads off!
05:15What guards? There are no guards here. Are you crazy?
05:17I mean security guards.
05:19Ah, bodyguards.
05:20Yes, of course.
05:21I remember now.
05:22Yes, of course.
05:23I'm not an advertiser. Tell me why I have to be here.
05:25You can't go anywhere, Marco Antonio.
05:27You're also a partner in this company. I order you to stay still!
05:32Guys, can you leave us alone for a second?
05:35Of course, Marco Antonio. Come here.
05:37Where do we get another Marco Antonio?
05:38Let's get out of here.
05:39Yes, let's go.
05:40You first, Musa.
05:41Please, Marco Antonio, talk to her.
05:43What Marco Antonio are you exactly?
05:45Well, come on, Musa. Let's review the image.
05:48Good.
05:49I'll stay here and you...
05:51I don't see anything here yet.
05:52The camera is off. Wait a second, please.
05:54Ah.
06:01Power corrupts you. Don't let that happen to you.
06:04I used to be like you.
06:06Ambitious, passionate, crazy.
06:10A greedy businessman.
06:12Don't do this to yourself and the others.
06:16Do you think I'm exaggerating?
06:18Look, we're characters. Cleopatra and Marco Antonio.
06:22Consider it a game. It's a drama.
06:25Play with me, will you?
06:28Very well. I will.
06:30Let's go.
06:52I'm going to make a panning.
06:53A side shot.
06:54Ready. Let's continue to your positions.
06:56We already recorded the opening.
07:00Marco Antonio.
07:04I'm here.
07:05With your smoothie.
07:06Sanem, dear.
07:08You took a lot of trouble. Thank you very much.
07:10I'll take it later.
07:12But I want you to know that I thank you very much
07:14and that I adore this whole team.
07:16No, no.
07:17Uh.
07:18I did it for you. Please take it.
07:20No, hey. I won't make you wait any longer.
07:22Under the sun. I'll take it later, okay?
07:24Fine. As you wish. I'll write it down in your account.
07:27What? Are you going to charge me?
07:29It's time to start.
07:31Ready.
07:32Three, two, one, action.
07:50Little Red, I'll stand by your side.
07:52We're still recording.
07:54Uh-huh.
08:00JJ, don't look at the camera.
08:02Ready. Let's continue to your positions.
08:04Yes, sir.
08:05Sanem, you.
08:06Didn't you have a crown of flowers?
08:08That's right. I still have them.
08:11I preferred to put them on my ankle.
08:13Do you have a problem?
08:15No, not at all.
08:16There's no problem.
08:17You look very good there, in fact.
08:19You look good, good, good there.
08:21I like it a lot.
08:22Whose idea was it?
08:23It was mine.
08:24It was my idea.
08:25It was my idea.
08:26It was my idea.
08:27Whose idea was it?
08:28It was mine.
08:29Of course, it's obvious. It shows.
08:31Tell me, what do you think?
08:36Jan says not to look at the camera.
08:38But we can't keep recording because it doesn't take her eyes off of Sanem.
08:42She's my friend and I love her very much, but we're working.
08:45That's not professional.
08:47She's not even looking at the camera.
08:48I just went to the bathroom and no one noticed and I left the scene.
08:51Oh, because I wasn't recording you, Musa.
08:53I realized you had left.
08:54I noticed.
08:56It was inevitable not to notice.
08:58By the way, I broke the continuity of the scene twice on purpose to see if she noticed.
09:03And she didn't say a single word.
09:05She didn't notice anything.
09:06Why are we recording on purpose?
09:08You won't check your tricks.
09:14But how is that possible?
09:15Of course.
09:16Very well, I want you to listen to me now.
09:18Please, everyone, leave the talk for later.
09:21And pay attention.
09:23Three, two, one, action.
09:26Now I'm going to improvise.
09:28Oh, don't do it.
09:29When he starts improvising, he makes me laugh.
09:31And now he's just giving me to think about it.
09:33I'm sorry.
09:34I can't help it.
09:37Denise, give one cream to Deren.
09:39And the other to Sanem.
09:42And then take one for you.
09:53Sanem, we're going to change your salt of that scene.
09:55Okay.
09:56No, you stay.
09:57Why do I have to go out?
09:58Am I doing it wrong?
09:59It's my fault, not yours.
10:00I can't make it look good.
10:02Three people in the shot saturates too much.
10:05Sanem, you bring those creams and then you go out.
10:07It has nothing to do with you.
10:09Sanem, it's not your fault, honey.
10:11Yes, it's not your fault.
10:14We're going to make another one.
10:16Why?
10:17I did something wrong.
10:19It's a technical matter,
10:33Is there something wrong or is it a technical problem?
10:35Don't you clean the cream well?
10:43Again.
10:44What?
10:45What happened again?
10:46I would say not so well placed.
10:48But how is it possible?
10:49Another shot, just tell me where I have to stay.
10:51It's not my fault.
10:52I can stay here, right?
10:53You were interpreting.
10:54The truth is no, maybe that's why he cut the scene.
10:56Come on.
10:57I was very involved in my character.
10:59I do not, but I was trying to concentrate.
11:01We have to hurry or the light will run out.
11:05Sanem, two steps forward.
11:09There's still one left.
11:10Another one.
11:11But I just got in, I didn't even give him the cream.
11:13Tell us what we're doing wrong.
11:15We are waiting for the conclusion of the scene.
11:17I don't know what to believe anymore.
11:183, 2, 1, action.
11:31Very good.
11:32Listen, it's over.
11:33It's enough.
11:34I thank you all for your effort.
12:01I love you.
12:31There are difficult things to forget.
12:35Things that we value and are important.
12:40And if we lose them, we end up in madness.
13:01I love you.
13:31I love you.
14:02I love you.
14:03I love you.
14:04I love you.
14:05I love you.
14:06I love you.
14:07I love you.
14:08I love you.
14:09I love you.
14:10I love you.
14:11I love you.
14:12I love you.
14:13I love you.
14:14I love you.
14:15I love you.
14:16I love you.
14:17I love you.
14:18I love you.
14:19I love you.
14:20I love you.
14:21I love you.
14:22I love you.
14:23I love you.
14:24I love you.
14:25I love you.
14:26I love you.
14:27I love you.
14:28I love you.
14:29I love you.
14:30I love you.
14:31I love you.
14:32I love you.
14:33I love you.
14:34I love you.
14:42I have something that belongs to you.
14:44It's always with me.
14:47Only one thing.
15:00Tengo algo que siempre llevo en mi cuello, solo una cosa.
15:05Solo una.
15:30Esto no es algo que hagan los sucios.
15:58Sí, es verdad, tienes razón, esto no está bien.
16:05Sí, estar tan cerca te molesta.
16:07Quiero que sepas que no lo hice a propósito.
16:09Fue algo espontáneo.
16:10No tenía intención de hacerlo, te lo juro.
16:13Algo espontáneo, claro.
16:17¿Entonces?
16:18Somos socios.
16:19¿Así es?
16:21Eso es lo más importante.
16:22Es decir, aún nos valoramos mucho.
16:24De eso se trata, ¿no?
16:26Tenemos que confiar el uno en el otro.
16:30Sanem, prometí que no haría nada que pudiera herirte.
16:35Lo sé.
16:39Te lo agradezco.
16:42Te lo agradezco mucho.
16:47Mañana nos vemos.
16:49Buenas noches.
16:53Buenas noches.
17:23¿Qué haces?
17:48Pensaba en la palabra asociación.
17:50Sí.
17:52Puede tener muchos significados.
17:56¿Por ejemplo?
17:58Por ejemplo...
18:01Sueños comunes.
18:05Un hogar en común.
18:10Una vida en común.
18:17Sí, pero...
18:19¿Ese hogar en común dónde está?
18:24¿Tiene buena vista?
18:29¿En qué zona se encuentra?
18:31Dime si vamos a tener un hogar en común.
18:39¿De qué hogar hablas?
18:44¿Denis?
18:47El valle del amor carnal es el más misterioso de todos.
18:51Ninguno se queda en ese valle.
18:53Ni el que se entrega, ni el que es capaz de controlarse.
18:58¿Es igual nuestra lucha con las necesidades carnales?
19:02Yo soy débil y me entrego.
19:04Me dejo llevar por los recuerdos, las sensaciones, aromas, anhelos y deseos.
19:13Dicen que lo carnal es el enemigo del alma, que capture el alma.
19:18Pues ojalá nos capture.
19:20Que hable de una vez nuestro cuerpo y que calle nuestra alma.
19:27Que se detenga el mundo cuando nos miramos, cuando nos tocamos.
19:32Que nuestros cuerpos se fundan como las raíces de un árbol que llevan el agua a las ramas.
19:43De todas formas, cuando ha escuchado el corazón a la voz de la sabiduría, ¿cómo puede frenar la sabiduría?
19:50El latir de un corazón.
19:52Mi corazón está como loco por él.
19:54Dime, ¿quién puede detenerlo que no sea yo misma?
20:02Subtítulos por la comunidad de Amara.org