After being reassigned from music to field reporting, a critic goes to a refugee camp near Paris during an evacuation. H | dG1fVWNhbmM0QTAwWHM
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00:00You, we invite you to a concert and you destroy your hotel room and a car.
00:0411,350 for two, three air rafts, you're going to leave big sick people.
00:07You piss me off, Arthur. You're going to go back to the General Info.
00:10Arthur Berthier of the time, we cover the evacuation, I can ask you two questions.
00:13So, I don't have time at all.
00:15No, no, no, no, we don't have time!
00:18Journalist!
00:23I just wanted to say hello to Arthur Berthier, who was a victim of police violence.
00:28Thank you, Daniel.
00:29The idea is that each exiled person is accompanied by a godfather.
00:33Arthur, would you like that?
00:34Excuse me?
00:35Daoud, can you come, please?
00:37I agree, but not for two or three days, because my place is very small, it's my office.
00:40OK, thank you.
00:41There, direct.
00:42Yeah?
00:43Yeah.
00:45I don't agree.
00:48Thank you for taking care of my life.
00:51It's normal.
00:52It's good.
00:54I would like to make a paper on assault.
00:56Daoud, this is my daughter, Emilie.
01:03You like this music?
01:05Yeah, it's shit.
01:06French music, it's shit.
01:09And bon appétit.
01:18Daoud!
01:20I don't give a fuck, man. This is not my life.
01:23The important thing is to get rid of him quickly, right?
01:26I have a life too.
01:27Well, keep your little life.
01:29Sometimes, even giving everything is not necessarily enough.
01:34But you have to stop looking at me like that, because I haven't fucked in 217 days.
01:38It's precise.