Ding Gru
Ding Gru
  • 2 days ago
Las Hijas de la Señora García Capitulo 1 Completo HD
Las Hijas de la Señora García Capitulo 2 Completo HD
Las Hijas de la Señora García Capitulo 3 Completo HD
Las Hijas de la Señora García Capitulo 1 Completo HD
Transcript
00:00Oh no, no, no.
00:27Look at that beautiful dress.
00:29There is no doubt that my friend Karl
00:31is the best designer in the world.
00:34You look very beautiful.
00:36But we have to go now.
00:38Let's go, mom.
00:39Look at the fabric, darling.
00:41Look at the fabric.
00:42The fit, the cut.
00:45This is very fine, my daughter.
00:47Very.
00:48Look, mom.
00:49Come here.
00:50What?
00:50What, what?
00:51Look.
00:54We couldn't even pay for my sister's salary
00:56We could pay for it next year.
01:00It looks perfect on you.
01:02This dress looks divine on you.
01:04Of course, it's the perfect fit.
01:06But you know,
01:08it doesn't quite convince me
01:10that something is missing.
01:12Don't worry.
01:14We're here to please you.
01:16I'll bring you other options.
01:20You're overreacting, Mom.
01:22We're just wasting time.
01:24We could buy something like this.
01:26Mar, honey,
01:28you're very wrong.
01:30With your talent
01:32and your beauty,
01:34you'll have the life
01:36and the luxuries
01:38that I couldn't give you.
01:40Let's go.
01:42My sister is waiting for us at the bus stop.
01:54Excuse me.
02:00Excuse me.
02:02Excuse me.
02:04Hey, hey.
02:06Don't be such a gentleman.
02:08Come on.
02:10It's always the same.
02:12It's late.
02:14Why did you take so long?
02:16You know my mom.
02:20Look at the size of that mansion.
02:24It's very pretty.
02:26Pretty?
02:28That mansion isn't just pretty,
02:30it's perfect,
02:32like the lives of those who live there.
02:34And you're perfect too, honey.
02:36You deserve a life like that, my love.
02:38You can't aspire to less, okay?
02:42And why do you make that face, Valeria?
02:44Because you don't help at all
02:46my sister by filling her head
02:48with ideas like that, Mom.
02:50I do it for her own good,
02:52for her own aspirations.
02:54That's only going to hurt her.
02:56Mar, you have to aspire to be happy,
02:58not rich.
03:00And what do you think wealth is?
03:02It's the only happiness that exists.
03:04I assure you
03:06that no one who lives in that house
03:08is unhappy.
03:14Arturo!
03:18Arturo!
03:22Arturo!
03:30Let's have a good morning kiss, huh?
03:32Are you serious?
03:34Are you serious?
03:36What's wrong with you, Priscila?
03:38You did this to me?
03:40I'm sick of it!
03:42I'm sick of you cheating on me!
03:46Relax.
03:48Relax?
03:50When I show you this, Arturito...
03:52What is this?
03:56I invited you.
03:58You didn't want to go. I just wanted to have fun.
04:00That's all.
04:02But that's hysterical!
04:04Relax!
04:06No, no, no!
04:08My mom gave this to me.
04:10Please, don't be like that.
04:12Give it to me.
04:16If you want, throw this away.
04:20Are you serious?
04:22Look!
04:24We'll talk when you stop being a bitch.
04:28Arturo!
04:30Arturo!
04:32Arturo!
04:34Arturo, you haven't finished talking!
04:36Open the door!
04:40Don't you think it's too early
04:42for so much noise?
04:44What's up with all the screaming?
04:46Open the door!
04:48Is that Priscila?
04:52I think it's because of this.
04:54No, no, no.
04:56That's not good.
04:58I don't understand how Pris can take this.
05:00What are you doing?
05:02What's wrong with your brother?
05:04You know how Arturo is, Dad.
05:06I told you to stay away from Priscila.
05:08She's my friend's daughter.
05:10Yes, the daughter of our main fabric importer.
05:12But he doesn't care.
05:14He sees a girl and forgets everything.
05:16If this causes problems,
05:18Arturo will be the only one responsible.
05:20You don't have a man!
05:22And I'll never forgive you!
05:28Arturo!
05:30Arturo!
05:32Open the door!
05:34Arturo!
05:46Valeria, I found your class today.
05:48That's great.
05:50I'll see you in a bit.
05:52Stop looking for him.
05:54He's not here yet.
05:56What are you talking about?
05:58Your Prince Charming.
06:00I don't think he'll show up.
06:02He was very busy yesterday.
06:06I don't care if he comes or not.
06:08Really?
06:10I can't stand him. He's a pain.
06:12But he's very handsome.
06:14That doesn't matter.
06:16Yes, say whatever you want.
06:18You like him.
06:20Just like all the women here.
06:22Open the door!
06:30This ends now.
06:32No, honey.
06:34Let Arturo solve his problems on his own.
06:36No, Mom.
06:38Arturo can't treat Priscila like that.
06:40We've known her all her life.
06:42Of course Priscila would make a scene.
06:44But we already know Arturo.
06:46We knew sooner or later she would do something like that.
06:48Of course.
06:50You're the perfect wife.
06:52Camila, don't talk to Paula like that.
06:54Enough, please.
06:56I don't want any more arguments.
06:58Everyone's going to have breakfast.
07:00I'm staying here and I'm going to talk to Priscila.
07:02Let's go.
07:04Let's go.
07:06Why do I always have to stay quiet?
07:08Arturo does whatever he wants.
07:10No one says anything to him.
07:12It's always the same.
07:14No one says anything to him?
07:16Please, Mom.
07:18Let's find a way
07:20for Arturo to come to his senses.
07:22Yes.
07:24Let's stay calm.
07:26Yes.
07:28Honey.
07:30Let's go have breakfast.
07:32No, I'm not hungry.
07:34I know, but...
07:36I'm sick of Arturo's behavior.
07:38I know, honey.
07:40But you and I know that our son,
07:42no matter how hard he tries,
07:44he can't do it.
07:46Please.
07:48You can trust me.
07:50And go have breakfast.
07:52When you take your heart pill,
07:54it hurts your empty stomach.
07:56Okay, okay.
07:58What would I do without you?
08:00You know?
08:02Open the door!
08:12Damn driver.
08:14We all have our time.
08:18Honey, sit down.
08:20Sit down.
08:24Oh, you're so ugly.
08:26Mom.
08:28What's wrong?
08:30Look at the shoes, honey.
08:32They're new.
08:34They were made for me, Mom.
08:36Yes, yes.
08:38They're so pretty.
08:40No one will notice.
08:42They'll think you got here in a truck.
08:44And they won't.
08:46That's how we got here.
08:48In a truck.
08:50So you want to see that like all of them,
08:52ugly and poorly dressed?
08:54Perfect.
08:56Mom, they're listening to you.
08:58You came to win this casting.
09:00You're the most beautiful.
09:02Did you realize how ugly they are?
09:06Won't they have mirrors in their house?
09:08I don't think so.
09:12I hate you, Arturo!
09:16Oh, Cecilia, I'm sorry.
09:18No, no, no.
09:20You don't have to apologize to me.
09:22But I know Arturo very well.
09:24And I know you're not going to win anything
09:26by behaving like this with him.
09:28I love him.
09:30I know you love him.
09:32But please go home.
09:34Calm down.
09:36And when you're calmer,
09:38talk to him.
09:42You're welcome.
09:44Be careful.
09:46I'm sorry again.
09:50Yes.
09:52Goodbye.
09:58I can't believe this is happening to me.
10:00Hey, a little more emotion, please.
10:02My love, remember
10:04how we rehearsed it at home.
10:06I'm sorry, ma'am, you can't be here.
10:08I'm talking to you.
10:10Yes, look, daughter, with desire.
10:12I can't believe
10:14I'm living this.
10:16That life is so cruel
10:18to give it to me as if I were worth nothing.
10:20Ma'am, please wait for us
10:22outside.
10:24You can, my love, you can.
10:26We rehearsed it.
10:28Besides, you look beautiful.
10:30I can't believe
10:32I'm living all this.
10:34That, my love.
10:36So cruel.
10:38Traitor, liar.
10:42Why are you doing this to me?
10:54I'm fed up.
11:06I'm fed up.
11:24Mom.
11:26Good morning.
11:28Can we talk?
11:30Yes, of course, always.
11:32How did you sleep?
11:34For you.
11:36For me?
11:38Yes, for you. Your cell phone, lend me your cell phone.
11:40I want you to see something.
11:42Yes, this one, but open it
11:44on your social media, please.
11:46Let's see.
11:50My love, this is serious.
11:52You're in everyone's mouth.
11:54My love,
11:56you can't do that,
11:58especially in public, if you're with Priscila.
12:00Mom,
12:02you have to understand
12:04that she couldn't deny me.
12:06Besides, you're to blame.
12:08Me?
12:10Yes, for having made
12:12a son as handsome as you.
12:14Arturo, my love, this is serious.
12:16Your father is furious with you.
12:18Mom, I've always been
12:20clear with Priscila, always.
12:22Then why do you give her false expectations?
12:24Mom, Priscila is like that.
12:26She's jealous, she's possessive, she's jealous.
12:28Well, talk to her,
12:30but you also have to talk to your dad
12:32and give him an explanation.
12:34Okay?
12:38I love you.
12:40I promise.
12:42I'm going to talk to my dad.
12:44Okay.
12:46Don't say anything.
12:50Don't say anything.
12:52No.
13:00Why don't you think so?
13:02I don't understand why you want to change everything.
13:04No, that's not it.
13:06What I'm saying is that we should continue
13:08with what has always worked for us,
13:10but we should start innovating.
13:12But why?
13:14Because it's natural in a company.
13:16Our competition is doing it and we have to go with the trends.
13:20No, I don't agree.
13:22We have a very well-identified market
13:24and if we neglect it, we can lose the brand's objective
13:26or distance our consumers.
13:28We've never had such good numbers.
13:30That's exactly why.
13:32It's time to try something new.
13:34We can take the risk, Leonardo.
13:36Let's see, what do you want to do?
13:38Something that gives this company
13:40vitality,
13:42that brings us closer
13:44to new consumers.
13:46Nico, for that I have to know
13:48the entire business plan.
13:50I can't decide something without knowing it.
13:52Leo, but I don't understand
13:54why you get like this.
13:56I'm doing it for the good of our company.
13:58Let's see, Nico.
14:00You just came back.
14:02You have no idea how the company or the market is right now.
14:04Don't exaggerate, Leo.
14:06I come from working in the United States
14:08for an international company.
14:10Believe me, I know what I'm doing.
14:12I don't know.
14:14My dad won't authorize something like this if the process isn't clear.
14:16Not even if it comes from his favorite son.
14:18Don't say that.
14:20Look, I wanted to talk to you first
14:22so that all areas agree.
14:24But I saw that it's impossible.
14:26So I'm going to talk to my dad.
14:30Nico.
14:34What are you doing with my hands?
14:36Ma'am, we don't want problems.
14:38The casting is over.
14:40No, the casting doesn't end whenever you want.
14:42You didn't give my daughter enough time.
14:44Mom, please, let's go.
14:46I hope you know that what you're doing is a mistake.
14:48A mistake.
14:50And you're going to regret it
14:52if you say the name of my daughter,
14:54Mar Sánchez García, everywhere.
14:56You're going to regret it
14:58because my daughter is going to get very high.
15:00Like my name is Ofelia García.
15:02Ma'am, go. I'll call the police.
15:04Who are you going to call?
15:06Who?
15:08Mom, mom, let's go.
15:10What happened with the canvases that were requested?
15:12They're already in that, dad.
15:14Already?
15:16As soon as you see Arturo,
15:18tell him that I want to see him.
15:20Don't worry, dad. I'll tell him.
15:22Yes.
15:24Well, moving on to things that do matter,
15:26can we go over the quotation that we're going to send, please?
15:28Yes, I think it's fine.
15:32Sir, they're waiting for you.
15:34Luis, we have to talk.
15:36I know we agreed to eat, but we have to talk.
15:38Flor, it's okay.
15:42How are you, Francisco?
15:44I'm upset because once again
15:46my daughter's name was ridiculed
15:48because of Arturo.
15:50Well, I think it's something that the boys have to fix.
15:52I know we're friends, but above all
15:54my family will always be there.
15:56And I'm not afraid to end our society, Luis.
15:58So put Arturo on the line
16:00or you'll face the consequences.
16:08Cruz, what happened?
16:12It can't be. What happened to my car?
16:14Sorry, young man, but it was Miss Priscila.
16:16What do you mean it was Priscila?
16:18Accidentally.
16:20She didn't notice.
16:22Yes, I can imagine.
16:24I'm going to have to take my dad's car.
16:26Are you sure?
16:28Did he tell you?
16:30It's too much of a car to be standing there.
16:32Nobody uses it.
16:34Are the keys there?
16:36Yes, sir, they're there.
16:38Hey, please call the insurance company
16:40and tell them to come pick it up.
16:42Will you take care of that?
16:44Let's calm down, okay?
16:46My brother will know how to fix things with Priscila
16:48and all this was a misunderstanding.
16:50I'm not going to let my daughter
16:52be in everyone's mouth.
16:54I warned you.
16:56This is complicated, but I'm sure something like this
16:58won't happen again.
17:00I'm sure too, because next time
17:02you'll talk directly to my lawyers.
17:04Good morning.
17:06Good morning.
17:08I knew it.
17:10Yes, Arturo is a cynic.
17:12He obviously doesn't care about our family,
17:14much less the company.
17:16Leo, let's find solutions.
17:18I think Arturo needs to focus on something.
17:20And I think my new project
17:22will help us with that.
17:24This company is too big
17:26to test your ideas, Nicolas.
17:28Don't you think we innovate?
17:30While you were playing the businessman in another country,
17:32my dad and I continue to grow this company.
17:34Let's see, son.
17:36Leo, I'm not saying no.
17:38It's actually something else.
17:40Go ahead, son. I'm interested in what you have to say.
17:42Thank you, Dad.
17:44Since I came back, I've studied
17:46the evolution of our market a lot.
17:48And we have to offer you
17:50something we haven't done yet.
17:52Enlighten us, Nicolas.
17:54With ideas that neither my dad
17:56nor I have thought of.
17:58Son.
18:00Let's see, what is it?
18:02I thought of a sports clothing line.
18:06It's something risky
18:08and different.
18:10Like your brother.
18:12Exactly. That's why I'm sure
18:14a project like this will interest you.
18:22Very good, guys.
18:24Very good.
18:26We're climbing.
18:28And we're going right.
18:30These are the last seconds.
18:32But I can't hear you.
18:34How are you?
18:36Tell me if you want.
18:38What do you think?
18:40Five.
18:42Five.
18:44Four.
18:46Three.
18:48Two.
18:50One.
18:52And breathe.
18:54Come back.
18:56And remember
18:58stretching
19:00is just as important.
19:02That's it, guys.
19:04Thank you very much.
19:06I loved it.
19:10It was great. Thank you very much.
19:12See you tomorrow.
19:14See you tomorrow.
19:16No, I have to go tomorrow.
19:18Incredible.
19:24It was strong.
19:26It was good.
19:28Let's see.
19:30How did you like it?
19:32Well, he honored us with his presence.
19:34It's good that you don't like it.
19:36I just came out
19:38to see why so much fuss.
19:40Valeria, believe me
19:42that if one day you put on a little makeup
19:44and you put on sexier clothes,
19:46I'm sure they'll notice you.
19:48I don't care about a man who only notices
19:50how a woman looks, much less that one
19:52who lives there flirting with everyone.
19:54Well, say that to your face
19:56because it's obvious you love him.
20:18Come in.
20:20Good morning, ma'am.
20:22Here's the juice you asked for.
20:24Thank you very much.
20:28Ma'am,
20:30I wanted to ask you for permission.
20:32Of course, tell me.
20:34Very soon, one of these days,
20:36you'll be my grandson.
20:38And I want to see if I can be absent
20:40for two weeks to be able to help my daughter.
20:42Nothing else is what relieves me.
20:44Is he about to be born?
20:46Yes.
20:48So fast?
20:50Yes, of course he can go.
20:52I don't know what I'm going to do without you for so long.
20:54That's also what I wanted to talk to you about.
20:56If you'll allow me,
20:58I'd like to bring someone I trust
21:00so he can work while I'm away.
21:02Oh, thank you.
21:04That will help us a lot. Thank you very much.
21:06Very well.
21:08So I hope he can come very soon so I can meet him.
21:10Excuse me.
21:12Gloria, Gloria, wait for me.
21:14I want to ask you to make my husband's favorite dessert for lunch.
21:16Yes.
21:18You know, everyone is coming to eat
21:20and I don't want my husband to get sick.
21:22Oh, ma'am,
21:24but you're always the one who calms your children
21:26and the Lord too.
21:28I don't think he needs a dessert.
21:30Oh, but your desserts are delicious.
21:32And a good dessert always helps.
21:34Very well.
21:36So I'm leaving so everything is ready.
21:40Excuse me.
21:42Check the right, please, Pepe,
21:44because I don't like the left one.
21:46Please.
21:48Okay, girls,
21:50a little more relaxed, okay?
21:52It's Arturo.
21:54I didn't know the boss was coming.
22:08Hello.
22:10How are you?
22:12Please don't stop. How are you?
22:14How are the clothes?
22:16How are you? Are you treating them well?
22:18Of course.
22:20Shall we continue?
22:22Yes, please, I see something.
22:24I need you to give me the profile, okay?
22:26Please.
22:28I'm going to check here.
22:30In this one, give me a little more profile, okay?
22:32I like that. You can correct that in editing, right?
22:34A little more light.
22:36Girls, do you know what I would like?
22:38If you can, a little more relaxed.
22:40Can I?
22:44There we go.
22:46We're at a party, so I want you
22:48smiling.
22:50We've already finished retouching them.
22:52Yes? Can you integrate, please?
22:56Let's pretend
22:58we're at a party
23:00and
23:02you're having fun.
23:04I'm with you.
23:14Look who's here.
23:16Mrs. Ofelia.
23:18The girl is crying again.
23:20Of course.
23:22With the kind of mother she has,
23:24who doesn't?
23:26Good afternoon.
23:28Good afternoon.
23:30Stop crying.
23:32You're going to get swollen.
23:34No one likes swollen faces.
23:36It was horrible.
23:38All the girls were laughing.
23:40It was horrible.
23:42All the girls were laughing.
23:44Those ugly ones.
23:46The poor ones are laughing.
23:48They're doing it out of envy, honey.
23:50Because they want to be like you.
23:52Huh?
23:54Girl, what happened to you? Why are you crying?
23:56What did your mother do to you now?
23:58Oh, Susanita.
24:00It's so nice that you're still
24:02getting close to us.
24:04When I've told you so many times
24:06not to talk to us.
24:08Mom, she's just worried about me.
24:10Thank you, Susanita.
24:12There are those who do worry about others.
24:14My daughter is on another level.
24:16She can't be surrounded by such
24:18unpleasant and ugly people.
24:20Oh, Mom.
24:22Well, they say that the luck of the ugly
24:24wants the pretty one.
24:26If that were true,
24:28you wouldn't be sweeping
24:30here in the middle of the street.
24:41Ugh!
24:43Mar.
24:45Are you okay?
24:47There he goes.
24:48Don't touch him, Geno.
24:50Go to your house. Go to your house.
24:52Shh.
24:58Search him.
25:00Oh, my God.
25:31Dad, what happened with Priscila was a mistake.
25:33Yes, it still happens to you
25:35because you're not capable of thinking
25:37about the consequences.
25:39I can't be calm if one of my children,
25:41who is also a manager in my company,
25:43goes through life without using his head.
25:45I'm sorry.
25:47It won't happen again. I'm sorry.
25:49From now on, when you have a problem,
25:51you will solve it with your own means.
25:53I've always done it.
25:55You took my classic car without my authorization.
25:57Because no one uses it, Dad.
25:59That's why I took it.
26:01This is about being mature once and for all.
26:03You're taking it out on me
26:05just because you want to get along with Francisco.
26:07Be very careful how you speak to me.
26:09You shouldn't lose your patience.
26:22You know I don't want you
26:24near that boy.
26:26His name is Juan.
26:28I don't get along with him.
26:30Please, I know that look.
26:32Maybe you don't get along yet,
26:34but what do you want?
26:36That boy has no reason to die.
26:38Besides, he's the son of that woman
26:40who hates us.
26:42He doesn't hate us, Mom.
26:44And Juan is very nice to me.
26:46Yes, yes, they're all like that at first.
26:48And then you realize they're miserable
26:50who don't have or want to give you
26:52what you deserve.
26:54And then you lie to yourself
26:56and cry and cry
26:58as if it were worth it.
27:02You know you're very beautiful,
27:04my love, but let me tell you something.
27:06Beauty
27:08ends when you least realize it.
27:10Look at me.
27:12I wasted my time.
27:14Poverty
27:16killed my beauty.
27:20You don't deserve to live in a place like this.
27:22You deserve to be very happy.
27:24My love.
27:26And never cry again.
27:28Listen to me, daughter.
27:30You're not going to suffer
27:32what I suffered.
27:34I swear.
27:36This time
27:38I'm going to do it right with you.
27:42We're going to use
27:44every second you have
27:46of your beauty
27:50to find the man
27:52and the life you deserve,
27:54daughter.
28:00Yes, I made a mistake.
28:02But it's not for you to get like this, dad.
28:04Because you behave like a vagabond, like a drunkard.
28:06People expect more from you.
28:08You're my son.
28:10I'm sorry. Sorry for always disappointing you.
28:12I'm sure.
28:16Luis. Yes. Arturo.
28:18That they could tell each other the same thing
28:20but in a more friendly way, don't you think?
28:22Yes, mom.
28:24I already talked to Arturo
28:26and he promised me
28:28he was going to talk to Priscila, right?
28:32Yes, dad.
28:34In addition to that, I need you to be responsible
28:36for other things in the company
28:38so that you don't waste time.
28:40Of course.
28:44Well, that was enough for today, right?
28:46Too many problems. Why don't we eat in peace?
28:50Yes.
28:52My love.
28:56Arturo.
28:58My son.
29:00Please, my love.
29:04Forgive me, mom, but it has always been
29:06much easier to talk to you than to my dad.
29:08Well, but you know
29:10he loves you.
29:12He just wants the best for you.
29:16Yes.
29:20I love you.
29:22I love my dad, too.
29:24I know.
29:26Let's eat. Aren't you hungry?
29:28Yes.
29:30The truth is, I had already eaten, but...
29:34Your life will be different.
29:36Not like mine.
29:38Why do you always say that?
29:40What happened to you
29:42when you were young?
29:44Nothing.
29:46Nothing worth talking about, my love.
29:48The important thing
29:50is that you never forget
29:52what I tell you.
29:54You were born just for a rich life.
29:56I don't want you to aspire
29:58to anything less than that.
30:00Do you understand?
30:02Yes, I promise you.
30:04But, mom, you can also tell me
30:06about your life...
30:08No, I don't want to talk about that, Omar.
30:10Besides, look.
30:12Look at the time.
30:14Our soap opera is about to start,
30:16and it's not good.
30:18I hope you'll watch it now.
30:20I want to see how I look.
30:22I hope I'll be able to watch it
30:24because I'm just passing by.
30:26No, no. You're beautiful
30:28and you're going to steal people's attention.
30:30I'm so excited!
30:32Imagine if I dress like this
30:34right now.
30:36How am I going to dress when I'm the main actress?
30:38Oh, no. And you're going to do it, my love.
30:40Never doubt it. Put it here.
30:42Ah!
30:44Oh, Vale!
30:46I'm so glad you're here, sister.
30:48Don't you want to sit down
30:50so we can watch the commercial?
30:52Come on.
31:02How did it go at the office today?
31:04Good, very good.
31:06Although Nicolás came up with a record project
31:08to renew the company
31:10it was entertaining.
31:12Did your dad listen to him?
31:14Yes. He said it wasn't a bad idea.
31:16What about you, my love?
31:18I don't understand why you're involved
31:20in the area of innovation.
31:22What I do is much more important.
31:24I deal with all our suppliers.
31:26Without me,
31:28nothing can be done.
31:30Okay, my love.
31:32Just one thing. Don't be excluded.
31:34Your brothers can do whatever they want.
31:36What are you doing, my love?
31:38Being a son doesn't cause my dad any more problems.
31:40It's more than enough.
31:42I'm his right hand.
31:44Okay, okay. I just want to tell you one thing.
31:46Tell me.
31:48If you don't get your act together,
31:50when your dad isn't here,
31:52your brothers won't need you
31:54and they'll put you aside.
31:56No, no, don't say that.
31:58What's wrong? Why so serious?
32:00Oh, nothing.
32:02Nothing, baby. Sit down.
32:04Hey, have you fixed things with Pris?
32:06I mean, you know she's my friend, right?
32:08Please, don't do this to me.
32:10I don't have anything to fix.
32:12She's the one who got like this out of nowhere.
32:14Since no one saw your pictures with the other girls,
32:16your supposed official girlfriend,
32:18she went crazy.
32:20Just like that, out of nowhere.
32:22It seems that the uncomfortable sister-in-law
32:24has a lot to say, Valeria.
32:26What did you say?
32:28I mean, I don't think it was as stupid
32:30as to insult Picaro.
32:32I'm sorry. Paula started it.
32:34Enough, enough.
32:36Don't worry.
32:38She's not saying anything she hasn't told me before.
32:42She always insults me.
32:48You should have known.
32:50Eduardo has been cheating on her all this time.
32:54You forgot to pay the electricity bill, right?
32:56No, I didn't forget anything.
32:58I paid the electricity,
33:00the water, the gas.
33:02What are you trying to tell me?
33:04I paid everything.
33:06Do you think you have the right
33:08to talk to me like that
33:10just because you work and pay the bills?
33:12Don't fight, please.
33:14You don't see me complaining
33:16about all the things I did for you, right?
33:18You're going to start with that again.
33:20For two months I've been unemployed
33:22and you've been helping the house
33:24in which you also live,
33:26now you have the right to judge me.
33:28All I said
33:30is that I paid everything.
33:32If the electricity went out, it's for another reason.
33:34So you're not insinuating things?
33:36I'm going to see if the neighbors
33:38also lost their electricity.
33:40Hey, hey, hey, let's see.
33:42Who wrote you?
33:44Mom.
33:46How dare you?
33:48Mom, mom, wait.
33:50Please let me explain. Mom.
33:52Mom, please.
33:54You don't understand, do you?
33:56Mom.
33:58Juan, leave.
34:00Leave.
34:02With all due respect,
34:04I'm not doing anything wrong.
34:06Aren't you going to leave?
34:08No, I'm not going to leave
34:10because my intentions with Mar are good.
34:12Let's go.
34:14Let's go.
34:18Then don't go.
34:20Don't go.
34:22What's wrong with you, ma'am?
34:24Get out.
34:26Mom, what are you doing?
34:28Mom, stop wetting him.
34:30Let me go, Mar.
34:32Let me go.
34:34What's wrong with you, mom?
34:36Get out of my house.
34:38Go or I swear I'll call the police
34:40and I'll tell them you're abusing my daughter.
34:42Get out.
34:46You're my wife and they have to respect you,
34:48whether you like it or not.
34:50Thank you, my love.
34:52You can expect anything from Arturo.
34:54Are you serious?
34:56Are you serious that the model
34:58with her underwear removed
35:00is going to give me moral lessons?
35:02Apologize to my wife.
35:04Leonardo doesn't respect me that much.
35:06Don't disrespect him or he'll forget we're brothers.
35:08What's wrong with you?
35:10What's wrong with you?
35:12You're brothers, for God's sake.
35:14Mom, it was all Dad's fault.
35:16Camila, it's not true.
35:18If my dad can stand your stupidity,
35:20what's going to happen now?
35:22Nothing, my love.
35:24Arturo will apologize for what he just told his brother
35:26and that's it.
35:30I'm sorry.
35:34And I promise I'll never
35:36make you go through your sad reality again.
35:40You'll never stop being an idiot.
35:42I'm sorry, Dad,
35:44but I won't tolerate you insulting my wife.
35:46Enough.
35:48I don't want another fight like this in the house.
35:50Enough, my love.
35:52Don't cry.
35:54Calm down.
35:56Don't worry.
36:00It's okay.
36:04What's going on, Felia?
36:06You can't talk to my son like that. Are you crazy?
36:08Then tell your son's lawyer
36:10not to come to my house
36:12and to leave my daughter alone.
36:14I'm sick of it!
36:16Let me go!
36:18Let me go!
36:20Let me go!
36:22Let me go!
36:24Susana!
36:26I won't let you talk to my family like that!
36:28Enough!
36:30Tell your dad to leave!
36:32I won't let you talk to my family like that!
36:34I won't let your son
36:36come here again.
36:38She's my daughter and I decide
36:40who she's with.
36:42What's going on?
36:44Let's go!
36:46That's it, Susana!
36:48No!
36:50Let's go!
36:52No!
36:54Rumors poison the soul.
36:56Go to hell!
36:58Go to hell!
37:00Go to hell!
37:02What's going on?
37:04Mr. Leonardo
37:06hit young Arturo.
37:08Why?
37:10You know.
37:12Mrs. Paula is saying things to provoke.
37:14She's been causing problems
37:16since she got here.
37:18I can't believe
37:20Mr. Leonardo brought her here.
37:22The bosses had no choice
37:24but to accept her.
37:26Who knows what Mrs. Paula did
37:28for that to happen.
37:30They're ungrateful!
37:32How dare they speak ill
37:34of the people who feed them?
37:36We must respect the bosses
37:38and no one talks about
37:40what's going on in this house.
37:42Excuse me, Mrs. Gloria.
37:44Stop gossiping and get to work.
37:46Look at this.
37:48It's disgusting.
37:50Hurry up!
38:04The light is back.
38:06What about you?
38:08Why are you crying?
38:10Don't tell me it's because of that fool.
38:12Leave me alone.
38:14I can't believe it.
38:16I want to pull your hair.
38:18Leave me alone.
38:20Now you're the one feeling it.
38:22It can't be.
38:24Look what you did, Mom.
38:26Don't you see I'm doing this for you?
38:28For me?
38:30I just want what's best for you.
38:32It's not fair that you decide everything.
38:34You can't control everything, Mom.
38:36Where are you going?
38:38Come to bed!
38:40Can you believe it?
38:42You've gone crazy.
38:44So have you.
38:46What I needed was my two daughters
38:48against me.
38:50How can we not be against you?
38:52Look at the mess you've created.
38:54I never expect anything from you.
38:56And yet, you always disappoint me.
38:58That doesn't surprise me anymore.
39:00You're always against me.
39:02But I know what's best for your sister.
39:04No.
39:06What you want is to live your life through Mar.
39:08Don't be stupid.
39:10All I want
39:12is for her not to go through
39:14everything I went through.
39:16No. You want Mar to have the life
39:18you couldn't have.
39:20That's why you don't let her be happy.
39:22I have news for you, Mom.
39:24Mar doesn't want to go to those castings.
39:26She doesn't.
39:28And she doesn't want to have Rika's life
39:30that you're dying to have.
39:32Perfect.
39:36Let's stay poor, then.
39:38Let her live her life.
39:40Do you want that?
39:42I can't believe you're so blind
39:44to not realize I want
39:46what's best for you.
39:48No, no, no, no.
39:50Don't talk about me.
39:52You've never been interested
39:54in me, so I'll tell you
39:56before I swallow it.
40:02I love you.
40:18Arturo, Arturo.
40:20No one can have
40:22as many fights in one day
40:24as you. Calm down.
40:26You know it's hard for me
40:28to keep quiet.
40:30There are moments for everyone.
40:32You just have to know how to choose them better.
40:34Don't you think?
40:36That's why you're spoiled.
40:38No, don't say that.
40:40My dad gets more and more disappointed in me.
40:42You know that.
40:44That's not true.
40:46You know what you need?
40:48Something that fills you with passion.
40:50Something that's a challenge
40:52for you.
40:54Are you going to introduce me to someone?
40:56It's a joke.
40:58I talked to my dad.
41:00And I introduced him to my new project,
41:02which is a sportswear line.
41:08And I told him
41:10that I wanted to do it with you.
41:12What did he say?
41:14That we work together,
41:16that we present him a formal proposal.
41:18Really?
41:20Yes.
41:22This is great.
41:24Something different for the company.
41:26I love you.
41:30So what?
41:32Do you accept?
41:34I don't know.
41:36Of course I do!
41:40You've never cared about the smallest things.
41:42You're going to start?
41:44And I know.
41:46I know it's because I don't let myself be manipulated like Omar.
41:48Because when you tried to take me to those castings,
41:50you were ashamed of me, Mom.
41:52Because you did whatever you wanted.
41:54You didn't listen to my advice or my direction.
41:56You mold Omar the way you want.
41:58And look at her.
42:00All you do is cry.
42:02Because she tries to make you happy.
42:04I don't.
42:06I don't let myself be manipulated.
42:08I know you can't.
42:10I'm very happy with what I have.
42:12That's very different.
42:14Very well.
42:16Then let your sister, who is very beautiful,
42:18find a better life than this one.
42:20And you can continue with your life as you want.
42:22Because my dad is still here.
42:24So I won't have to put up with you.
42:26Don't bring your father into the conversation.
42:28It disgusts me.
42:30Don't talk like that about my dad!
42:32He was good for nothing!
42:34Shut up!
42:36The best thing he did was die!
42:44Don't talk like that about my dad again.
42:52What a day!
42:54Honey, I don't like to see you like this.
42:56So stressed.
42:58The only good thing is that Nicolas
43:00has the idea of working with Arturo.
43:02In something that really allows him
43:04to concentrate
43:06and focus
43:08all the potential he has.
43:10Yes.
43:12I've always believed that Arturo is very capable.
43:14And this is just what he needs
43:16to be able to channel
43:18so much energy he has.
43:20Yes.
43:22It makes me happy
43:24that Nicolas thinks so much
43:26about his brothers.
43:28Yes, me too.
43:30He's a very focused boy.
43:32I think studying abroad
43:34helped him mature a lot
43:36and have a different perspective of things.
43:38That's right.
43:40Yes.
43:42Nicolas.
43:44Nicolas is the biggest gift
43:46that could come to our lives.
43:50And you...
43:56You're the most beautiful thing that's ever happened to me.
44:16Just look at you!
44:18Don't touch me!
44:20What happened?
44:22Valeria. Valeria, you're bleeding.
44:24Let's go to the hospital.
44:26I'm fine.
44:28Valeria, don't be stubborn.
44:30No, Mar! No!
44:32My mom has never cared
44:34about what happens to me.
44:36So no, thank you very much.
44:38I don't need anyone's help.
44:40Get out of here.
44:48I'm sorry.
45:12I'm sorry.
45:14My God.
45:16I've never understood you.
45:46I've never understood you.
45:48I've never understood you.
45:50I've never understood you.
45:52I've never understood you.
45:54I've never understood you.
45:56I've never understood you.
45:58I've never understood you.
46:00I've never understood you.
46:02I've never understood you.
46:04I've never understood you.
46:06I've never understood you.
46:08I've never understood you.
46:10I've never understood you.
46:12I've never understood you.
46:14I've never understood you.
46:16I've never understood you.
46:18I've never understood you.
46:20I've never understood you.
46:22I've never understood you.
46:24I've never understood you.
46:26I've never understood you.
46:28I've never understood you.
46:30I've never understood you.
46:32I've never understood you.
46:34I've never understood you.
46:36I've never understood you.
46:38I've never understood you.
46:40I've never understood you.
46:42I want everything in contact.
46:44So that I cry.
46:46So that another cries.
46:48So that the world cries.
46:50So that the world cries.
46:52So that the world cries.
47:04Relax me. Exactly.
47:06I bend to go down. Right back.
47:08I go up with my knee bent.
47:10And I stretch.
47:12That's very good.
47:16Exactly.
47:18I go down.
47:22Right back.
47:24I bend my knee.
47:26And I go down.
47:30That's the movement.
47:32Can you give me 3 of 15?
47:34I'll be right back.
47:36It can't be.
47:38You're bleeding.
47:40What's wrong with you?
47:46Forgive me.
47:48If you wanted to talk to me,
47:50you would have only greeted me.
47:52Why do you hit me?
47:54Are you okay?
47:56Yes, I just have to go to the bathroom.
47:58I think we have to apply pressure
48:00to this wound.
48:02Look.
48:04It's going to help you.
48:06Here?
48:10What do you say?
48:16It's okay.
48:18Are you sure?
48:20Yes.
48:22You don't need anything else?
48:24No.
48:28Are you sure?
48:30Yes.
48:32Yes, I'm sure.
48:36I'm going to the bathroom.
48:54Can I come in?
48:56Yes.
49:00Honey.
49:02I feel really bad about what happened
49:04between you and me.
49:06I didn't want things to get this far.
49:10Can I?
49:12Yes.
49:14You know what, honey?
49:16Your sister makes me nervous
49:18with all her complaints.
49:20You saw how she got home.
49:22I'm sure she was tired.
49:24Yes, yes.
49:26I'm not justifying myself.
49:28I'm just saying that her attitude
49:30makes me react in ways
49:32that I don't like.
49:42You have such beautiful hair.
49:46Seriously, everything I do is because I love you.
49:48I'm sorry for what I said.
49:50I don't hate the life
49:52you're looking for for me.
49:54It's okay, honey.
49:56I forgive you.
49:58Do you forgive me?
50:00Yes.
50:04I want to see the ad
50:06that Arturo Portilla is going to give.
50:08The millionaire?
50:10Let's see.
50:12Here it is.
50:14Hello everyone.
50:16Thank you for being connected with me.
50:18I have great news for you.
50:20My brother Nico and I
50:22are going to develop
50:24a new line of sportswear
50:26with which we are looking
50:28for the power,
50:30the strength,
50:32the beauty of women.
50:34That's why one of you
50:36will be our image.
50:38We will be looking everywhere
50:40for that woman who reflects
50:42what our new line of clothes represents.
50:44I send you many kisses.
50:48Daughter,
50:50this is the opportunity
50:52we've been waiting for.
50:54What are you talking about, Mom?
50:56You are our strength.
50:58You think?
51:00I'm sure.
51:02You're going to be
51:04the image of that company.
51:06And finally,
51:08it's going to change our lives.
51:10Yes, Mom.
51:26You
51:28You
51:30You