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00:00♪♪
00:06Don't be sad, sister.
00:08You'll see it's just a scratch.
00:11No.
00:14On social media, they keep attacking me, Elvia.
00:17All they do is label me as a lowly woman.
00:22If they want to cancel me, they've already done it with the Palenques.
00:25But you have other things.
00:28In a few weeks, you'll perform before Mariah Carey's concert.
00:32That's when you'll be able to recover what you've lost.
00:37Come in, Valeria.
00:38We're eating. Would you like something to drink?
00:41No, Mrs. Paulina. Believe me, I'm not hungry.
00:45Judging by the look on your face,
00:47it must not be for anything good that you came, Valeria.
00:53I can't lie to you.
00:55The company that brings Mariah Carey's concerts...
01:01...canceled your participation as a stand-in.
01:04No, stop.
01:07With all the book scandal, the singer's team already hired someone else.
01:12Because they don't want to be mixed up with a lowly woman.
01:17No.
01:21My life has been going downhill
01:23after the publication of that book full of lies about me.
01:26I'm sorry for what you're going through. You're a hard-working woman.
01:29Yes, and now that I've lost all my commitments as a singer,
01:32I'm going to focus 100% on my role as an actress.
01:36I'm going to do my best in the soap opera.
01:39You won't be able to.
01:42This scandal has nothing to do with the soap opera,
01:45and I was told to get you out.
01:48No, Alonso, please don't do this to me.
01:51I worked many years to become the protagonist.
01:54It's not fair that everything goes to hell because of false facts.
01:58I can't do anything, really.
02:00I have to accept orders from superiors.
02:03And you're not just out of the soap opera.
02:06The company too.
02:08You're not going to work here again.
02:15Sweetie, don't break down.
02:17You're capable of opening other doors.
02:20How, Mom?
02:21And they're all closing them for me
02:23because of the defamation of that book.
02:26I need to work.
02:28I'm the support of this family.
02:30You're the most important thing, sister.
02:32No, Elvia.
02:34The three of us are important.
02:37I've worked my butt off to get them out
02:40and give them a dignified life.
02:42To give you a quality of life with your medication,
02:45with your treatment.
02:47I know you're not one of those things that were published.
02:54Sweetie, are you okay?
02:56Elvia, what's wrong?
02:59Elvia!
03:00Elvia!
03:01Elvia, answer me, please!
03:03Sweetie, what's wrong?
03:04Sweetie, answer me.
03:05Answer me, sweetie.
03:08Fabricio, do you know anything about your sister?
03:10Did the doctor tell you anything?
03:11Yes, my friend.
03:13He told us that Elvia suffered a heart attack
03:15caused by the infections and her heart disease.
03:20Thanks to the Virgin of Guadalupe,
03:23they treated her in time.
03:26She's recovering.
03:28But she's going to need more medication
03:31to control her heart.
03:34Damn.
03:35And with how tight the situation is.
03:37But count on me to cooperate.
03:40Thank you, Valeria.
03:42And look how far I've come with the slander
03:45and the lies of a journalist.
03:50I almost lost my sister.
03:54Fabricio!
03:55Fabricio, don't tell me that they took you out of the soap opera
03:58that you were going to star
03:59because they don't want an actress who was a woman of a drug.
04:01I was not a woman of any drug.
04:03Those books are pure gossip.
04:05But you declared that you went out with Giovanni Sotelo
04:08and you didn't say anything about the other drug dealers
04:10that are mentioned in the book,
04:11that you also had sex with.
04:12And yes, at the time I declared that I went out
04:14with Giovanni Sotelo a few times.
04:16But as soon as I knew what he was doing,
04:18I put a stop to him and I didn't see him again.
04:20And why don't you sue the journalist?
04:22Because I'm tied up.
04:24That self-journalist covered her back very well
04:27so that she couldn't defend me.
04:29So I take advantage of your cameras
04:31to tell Ana Fernandez
04:33to show me her evidence
04:35so that she stops destroying my life with what they told me.
04:39Enough, guys. Fabricio doesn't feel well.
04:41He's going through a difficult family situation
04:43and needs rest.
04:44Could you please leave Ana alone?
04:51It was worth it to bribe those guards
04:53to bring me this cell phone.
05:00Take this, actress Chadequinta.
05:04That self-journalist believed everything I said.
05:12You don't know how happy I am
05:14to have asked you to take my man away from me.
05:29I'm sorry.
05:31I'm sorry.
05:54Virgin, please help me.
06:00Let everyone know that this woman is lying.
06:05That she wrote things about me that aren't true.
06:10Please.
06:13How can you destroy a person's reputation and life
06:16with such calmness and impunity?
06:22Virgin, I beg you.
06:24Let everyone know the truth.
06:27So that I can get my career back.
06:30So that I can continue to support my family
06:33and continue to pay for my sister's treatment.
06:37Listen to me.
07:02This is Guillermo Moro.
07:04He's the director and writer of the script
07:06I sent you a few days ago.
07:07It was a pleasure to meet you, Fabricia.
07:09Hello. Likewise.
07:10Welcome, Guillermo.
07:11Thank you very much.
07:12Sit down.
07:14Did you get a chance to read my script?
07:16Yes, Guillermo.
07:17I really liked it.
07:18You're very talented.
07:19Thank you very much.
07:20Guillermo wants me to be his leading actress
07:22in his first movie.
07:24That's right, Fabricia.
07:25I'm aware of the tough professional situation
07:27you're going through.
07:29But that doesn't mean you're not an excellent actress.
07:32And for me, it would be an honor
07:33to work on my first movie.
07:35Do you accept?
07:38Of course.
07:40Excellent.
07:41We don't have a lot of budget
07:43to make an independent movie,
07:45but it's going to be a festival
07:46and it will have a worldwide projection.
07:48Don't worry.
07:49I'm not going to reject any opportunity
07:51and no salary.
07:53Whatever you say.
07:54I'm doing this to support my family
07:57and pay for my sister's treatment.
08:02And...
08:04to get my career back.
08:16Welcome, daughter.
08:18We were watching you on TV
08:21at the French Film Festival.
08:23Congratulations on your award.
08:25Thank you, Mom.
08:26It was amazing.
08:27The movie won the award
08:29for Best Actress at the Festival.
08:32You don't know.
08:33My mom and I were screaming
08:35in front of the TV
08:37for your triumph.
08:38Don't worry.
08:39You can't accept it for your heart.
08:41My heart feels more than love
08:43and happiness to see what you've achieved.
08:45The movie was very well received
08:47at all festivals.
08:48And the triumph at the French Film Festival
08:50was the culmination of all our work.
08:52Fabricio?
08:53They've contacted Fabricio
08:54and all the media in the world
08:56to interview her.
08:57And this won't be the exception.
08:59I'm waiting for the opportunity
09:01to get my career back
09:03and I won't let it go to waste.
09:05Of course not.
09:06I wanted to come back to France to see you.
09:10And us to see you.
09:17I have what you asked for.
09:19Perfect.
09:20I'll be back with you, Carmen.
09:22Seven.
09:23Six.
09:24Five.
09:25Four.
09:26Three.
09:27Two.
09:29As we told you this morning,
09:31Fabricio Montalvo is with us.
09:33Bravo!
09:34Welcome.
09:35Thank you for being on the show.
09:37It's a pleasure to talk to you.
09:39Thank you, Carmen.
09:40It's my pleasure to be here with you
09:42and with all the audience that kindly watches you.
09:45The audience, like me,
09:46we are very proud of this award
09:48that you just received at the French Film Festival
09:51for the film in which you participate as a protagonist.
09:54Yes, I feel very flattered and happy
09:56to be able to represent my country
09:58at such an important festival
10:00and, well, to have this accolade
10:02above all else.
10:03It's not true!
10:04And you have no way of proving
10:06that I own the houses and properties
10:08that you snatched from me in your gossip book.
10:10If you are not satisfied,
10:12or anyone who feels the same,
10:14ask me.
10:15I can't because it has no legal effect.
10:18Because everything is based on what I heard,
10:21what is rumored.
10:22But you have not been able to prove
10:24anything of what you wrote about me.
10:26What I have has been the product of my work
10:29and my effort,
10:30not of ties that I have never had or will have.
10:33Ana, I believe that Fabricio
10:36has every right to express
10:38what he feels with what is said about her.
10:41Of course, Carmen.
10:43But I repeat to Mrs. Montalvo
10:45that if she does not agree, she can sue me.
10:47It's not that easy, ma'am.
10:49As if it was for you to destroy my life
10:51just because someone told you.
10:53And that, Mrs. Fernández,
10:55is the proof that the only
10:57and true low woman here is you.
11:00The only one who is a true low woman
11:02is the one who defames another woman.
11:04And that's what you did to me, Mrs. Fernández.
11:07Because you can't prove that what you heard,
11:10what they told you,
11:11what they gossiped about me is true.
11:13I have my sources.
11:15Reveal them.
11:16Show them.
11:17Ana, I think it's a reasonable request,
11:20that of Fabricio.
11:21It's not enough that I knew, I saw.
11:24If you have the evidence,
11:26there is nothing wrong with you presenting them
11:28and verifying what you are saying in your book.
11:30No, Carmen.
11:31It's just that I didn't say it.
11:34I heard it from my source.
11:36And as a journalist,
11:37I can't reveal my sources.
11:39You don't do it
11:40because all your lies would fall, ma'am.
11:43And I will continue to challenge you
11:44because my integrity,
11:46my dignity,
11:47and the truth assist me.
11:49It is true that I knew Giovanni Sotelo
11:52and I made it public at the time.
11:54And now all that is in my favor.
11:56But about the properties, the houses,
11:58and that I had a relationship with Giovanni Sotelo,
12:00it's not true.
12:02I'm very sorry.
12:03Time is up.
12:04And I can only thank you for your presence.
12:06Thank you, Ana.
12:07Thank you, Fabricio,
12:08for being with us on the show.
12:09Many successes.
12:11May more come.
12:12And congratulations on this award.
12:15Let's continue the show.
12:16Let's go to the other side of the forum.
12:26It's good that you told that journalist her truth.
12:30Yes, I wanted to get on TV
12:32and slap her.
12:33At least it helped me to vent.
12:36Get all this out of me
12:38and free myself.
12:40To move forward
12:42now that I'm back on the map.
12:44You'll see that it will soon be clear
12:46that you were not a woman of any kind.
12:48Of course, daughter.
12:49The truth is on your side
12:50and sooner or later it will be known.
12:52Yes, Mom, I know.
12:54And I will always support you.
13:00Good morning, Kimberly.
13:02My name is Imelda Martínez.
13:05I'm a researcher and journalist.
13:08I requested a visit with you
13:10because I'm interested in talking to you.
13:13About what?
13:15After the interview,
13:17I want to talk to you about something.
13:19What is it?
13:21I want to talk to you about something.
13:23About what?
13:25I want to talk to you about something.
13:27About what?
13:29After a conversation that Fabricia Montalvo
13:31had with Ana Fernández on television,
13:33I gave myself the task of investigating
13:35the alleged sources
13:37that were not mentioned there.
13:39And I discovered the record of a visit
13:41that Ana Fernández made to you some time ago.
13:45And what is that?
13:47Kimberly, you are the source
13:49that told Ana Fernández
13:51about Fabricia Montalvo.
13:54I don't know.
13:56But I can talk.
13:59Depending on whether there is
14:01or not money involved.
14:03Yes.
14:05Don't worry, there is.
14:07As long as it's true
14:09what you tell me.
14:15Well, the truth is that I am that source
14:17that the journalist says.
14:19I made it all up
14:21and she put everything.
14:27I was on fire
14:31because Fabricia took my man away from me.
14:37But it's true what the actress
14:39says.
14:41My hair, Giovanni,
14:43as soon as he found out he was a narco,
14:45sent him flying.
14:47He never received
14:49a bracelet.
14:51I was so hot
14:53that I wanted to charge her.
14:55So
14:57I took advantage of that
14:59pseudo-journalist
15:01so that if I was hot,
15:03Fabricia would end up
15:05loved here.
15:09The interview that Imelda Martínez
15:11did with Kimberly Sánchez
15:13and that she published in the portal
15:15of news where she works
15:17has already gone viral.
15:19And as Imelda is a true journalist,
15:21she investigated everything
15:23Kimberly told her.
15:25And the truth was discovered
15:27that you are not a woman
15:29of a narco.
15:31And even if you can't sue Ana Fernández,
15:33at least they are already funding her on social networks
15:35so that she doesn't have the opportunity
15:37to sell another book.
15:39Canceling her, yes, for lying.
15:55I have also received
15:57many messages telling me
15:59that they judged me badly.
16:01Apologizing
16:03and saying that
16:05I always told the truth.
16:07That this book is pure gossip and rumors.
16:09Daughter.
16:13You deserve it.
16:15Because you always
16:17led with dignity,
16:19with values.
16:21And that always
16:23ends up being reconciled.
16:39Yes, Mom.
16:41Yes, Mom.
16:43And the suspicion and slander
16:45that I am a lowly woman
16:47will not continue on me.
16:51We love you a lot.
16:53I love you more.
16:55I love you too.
17:11It is enough
17:13that women continue to be accused
17:15by other women.
17:17Raising us false and defaming us.
17:19Before journalists,
17:21we are human beings.
17:23And after human beings,
17:25women.
17:27It is no longer worth hurting each other.
17:29That we hurt each other with lies
17:31and with things that we hear
17:33but we don't prove.
17:35How can we demand
17:37respect from men
17:39when a woman is the one who destroys another woman?
17:41Let's reflect.
17:43Because this is how
17:45a lowly woman will cease to exist.
18:09Let's reflect.
18:11Because this is how
18:13a lowly woman will cease to exist.
18:15Let's reflect.
18:17Because this is how
18:19a lowly woman will cease to exist.
18:21Let's reflect.
18:23Because this is how
18:25a lowly woman will cease to exist.
18:27Let's reflect.
18:29Because this is how
18:31a lowly woman will cease to exist.
18:33Let's reflect.
18:35Because this is how
18:37a lowly woman will cease to exist.
18:39Let's reflect.
18:41Because this is how
18:43a lowly woman will cease to exist.
18:45Let's reflect.
18:47Because this is how
18:49a lowly woman will cease to exist.
18:51Let's reflect.
18:53Because this is how
18:55a lowly woman will cease to exist.
18:57Let's reflect.
18:59Because this is how
19:01a lowly woman will cease to exist.
19:03Let's reflect.
19:05Because this is how
19:07a lowly woman will cease to exist.
19:09Let's reflect.
19:11Because this is how
19:13a lowly woman will cease to exist.
19:15Let's reflect.
19:17Because this is how
19:19a lowly woman will cease to exist.
19:21Let's reflect.
19:23Because this is how
19:25a lowly woman will cease to exist.
19:27Let's reflect.
19:29Because this is how
19:31a lowly woman will cease to exist.
19:33Let's reflect.
19:35Because this is how
19:37a lowly woman will cease to exist.
19:39Let's reflect.
19:41Because this is how
19:43a lowly woman will cease to exist.
19:45Let's reflect.
19:47Because this is how
19:49a lowly woman will cease to exist.
19:51Let's reflect.
19:53Because this is how
19:55a lowly woman will cease to exist.
19:57Let's reflect.
19:59Because this is how
20:01a lowly woman will cease to exist.
20:03Let's reflect.
20:05Because this is how
20:07a lowly woman will cease to exist.
20:09Let's reflect.
20:11Because this is how
20:13a lowly woman will cease to exist.
20:15Let's reflect.
20:17Because this is how
20:19a lowly woman will cease to exist.
20:21Let's reflect.
20:23Because this is how
20:25a lowly woman will cease to exist.
20:27Let's reflect.
20:29Because this is how
20:31a lowly woman will cease to exist.
20:33Let's reflect.
20:35Because this is how
20:37a lowly woman will cease to exist.
20:39Let's reflect.
20:41Because this is how
20:43a lowly woman will cease to exist.
20:45Let's reflect.
20:47Because this is how
20:49a lowly woman will cease to exist.
20:51Let's reflect.
20:53Because this is how
20:55a lowly woman will cease to exist.
20:57Let's reflect.
20:59Because this is how
21:01a lowly woman will cease to exist.
21:03Let's reflect.