• last week
Transcript
00:00I wanted to see you. I needed to see you.
00:16My grandmother can't see you here.
00:19I want to talk.
00:20I was also thinking about you.
00:22Yes?
00:23But it's not safe for you to be here.
00:26Why?
00:27Gabriela!
00:28Take her, Tomas.
00:29Gabriela!
00:30Close, close.
00:31Gabriela!
00:32Let me go!
00:33Let me go!
00:34You're not real!
00:35Get out!
00:36Get out!
00:37Get out!
00:38Get out of here!
00:39I have to go see what's going on.
00:40Let me know.
00:41What time can I see you later?
00:42I'm coming for you.
00:43It's urgent.
00:44Yes.
00:45I'll let you know.
00:46I'm coming.
00:47I'm coming.
00:48I'm coming.
00:49I'm coming.
00:50I'm coming.
00:51I'm coming.
00:52I'm coming.
00:53I'm coming.
00:54I'm coming.
00:55Yes.
00:56I'll tell you.
00:57When everyone is asleep.
00:58Okay.
00:59Yes.
00:59Yes.
01:00You go, go.
01:01You first.
01:02No, go.
01:09Sir, she had a nightmare she's delirious.
01:12She got up to the alcohol cap.
01:15There was a temperature.
01:16My Hitler are chasing me Boss!
01:20They are trying to kill me!
01:22Shut up!
01:23Shut up!
01:25What's all this commotion?
01:29What's going on?
01:30They're after me, boss.
01:33They want to kill me.
01:36Take your husband away.
01:37No more commotion. We have guests.
01:40Take him away.
01:41Let's go.
01:42Let's go now.
01:45What were you doing?
01:47I went out to get some fresh air.
01:49There's no fresh air here.
01:51What? I can't do that anymore?
01:54Gabriela, don't cross the line.
01:57I'm 30 years old.
01:59What do you mean, the line?
02:01Grandma, please let's have the party in peace.
02:05We have guests.
02:07No more commotion.
02:23Is everything okay?
02:25Yes, everything's fine.
02:30I'm sorry.
02:31There was a little problem, but it's all solved now.
02:35Let's continue with the party.
02:40I want to thank all of you for being here tonight.
02:45For supporting my grandmother.
02:48Francisco, Enrique, Guillermo, Vera.
02:53As I told Tomas...
02:54You're not allowed to mention that name in my house.
02:58I think we'll have to get used to it.
03:02I have to admit that you're making a great effort
03:04to stand out.
03:07And as you all know,
03:09you're our main target now.
03:12I'm filled with joy.
03:16I'm filled with joy that we're all working together
03:19to save the factory
03:21from what now appears to be a very serious threat.
03:24It's good that some of us are aware
03:26of what that man represents.
03:28He's the enemy, the threat.
03:31We have to get rid of him.
03:34That's right.
03:36Our goal is to save the factory.
03:41Above all, this is our intention to help you,
03:45but above all, to help you, Gabriela.
03:49For now, I'm going to instruct my beautiful niece
03:54to make the transfer
03:55so that she can pay the workers.
03:59The rally is an ally.
04:04We all agree on that, Enrique.
04:07Gabriel and I want to thank you for lending us that money.
04:11And I want to thank you, Francisco,
04:13for coming to advise us.
04:15To all of you for your help to those who are disinterested.
04:19Of course.
04:21Let's toast to you and to your good heart.
04:25Cheers.
04:26Cheers.
04:31Can I trust you with something?
04:36I want...
04:37Well,
04:38I'm looking at the possibility of adopting a baby.
04:43A baby?
04:46Enrique has always wanted to have a child.
04:49He's reproached me for not being able to give him one,
04:51but when he sees I have a baby, even if it's not mine,
04:54everything will get better.
04:57No, Lucia.
04:58A child is not the solution
05:00for a marriage that is struggling so much
05:03to stabilize itself.
05:04No.
05:06Enrique and I are fine.
05:09You said it yourself, it's just a moment.
05:12And his attitude now is...
05:15I don't know, because of the problems he has
05:18and because of the problems San Jose gives him.
05:23But now that Beatriz is...
05:24No, no, no, I don't want to take it against you.
05:27I really don't, but a baby and being adopted
05:31is not something you should think about.
05:34And above all, to consult it with my uncle.
05:36His character is very explosive, and you saw it.
05:40Yes, but it's because he was drunk,
05:43he was under pressure, but nothing else.
06:00Are you okay?
06:01Yes.
06:02You didn't get hurt?
06:03No, I'm fine.
06:05I'm not very good at riding a bike.
06:10I hope you didn't get hurt.
06:18Oh, Simón, it's late,
06:19why are you walking down the street alone?
06:22Sit down.
06:23Don't worry, friend Andrés, I know how to take care of myself.
06:26This is my land.
06:28By the way, I came to propose a business to you.
06:32Look, here I have some things...
06:34I didn't want us to play.
06:36Yes, but...
06:40you have time for me, right?
06:45Well, look, here I have this one,
06:48look, I have this one...
06:50Hey, Simón, have you eaten?
06:52No, friend Andrés,
06:54but do you mind if we make this a business dinner?
06:58And do you work in tourism or something like that?
07:01Let's say I offer tourist plans here in the town
07:04and its surroundings.
07:05Because you're not from here, right?
07:08No, in fact, I don't know anything.
07:10Really?
07:11I can take you to see Todos los Santos.
07:13It's a small town, but it has beautiful landscapes.
07:17And is it very expensive?
07:18Is it very expensive what?
07:21A tour of those you give.
07:22Well, it depends if it's a tour with a lot of people.
07:26In a group or if it's private.
07:28Well, I'm not trying to sell you anything.
07:30I mean, I'll let you know when you like it.
07:33Wow, how nice.
07:36Well, yes.
07:37Yes?
07:38Yes, it would be amazing a night ride.
07:40Yes, I can take pictures of you,
07:42I can help you with the networks,
07:44and who knows, we could even be partners.
07:48Very well, if you want, we'll leave your bike in the truck
07:51and we'll take a walk around the square.
07:53Okay.
07:54Yes?
07:55Okay.
08:02Don't worry about anything, Aurelio.
08:05All the salaries of your workers are covered
08:08and anything you need.
08:12No.
08:14Don't hesitate to call me.
08:15I propose to start reviewing the debt that Tomas bought
08:19and make a payment projection.
08:21Oh, Gaby.
08:23How exciting.
08:24How does it feel to be protected by two men?
08:27Enrique's offer and Francisco's proposal
08:30are excellent, Gabriela.
08:33I know.
08:34Tomorrow we can sit down and work on them.
08:39Does that mean you accept my help?
08:43Because for a long time I offered your mother to help her
08:46and it was not possible for her to accept it.
08:48I think Gabriela thinks a little differently.
08:51A capital injection right now
08:53would give us time to maneuver and generate a strategic plan
08:56to save the factory.
08:58Enrique,
09:00believe me, if I see that's the way out,
09:03I'm going to take it.
09:04As long as everything is clear, I don't see a problem.
09:23How I regret it
09:25Revenge is not as sweet
09:30As I thought
09:31After all that love
09:35It's no longer worth anything
09:45Hey, Simon.
09:48Are you sure you don't want anything else?
09:49Look, we have everything.
09:51Chocolates, desserts, cookies, whatever you want.
09:56No, Mr. Mercedes has taught us not to abuse.
10:01It's delicious, my friend.
10:05Don't eat the avocado.
10:08It's the tastiest.
10:10Oh.
10:11Hey, tell me.
10:13Where are you?
10:15On the streets or what?
10:17Actually, no one knows I'm here.
10:19How?
10:22Wait, Simon. Are you serious?
10:25You know you could get me in big trouble, right?
10:28Finish eating and I'll take you.
10:30Promise me you won't do it again.
10:33Mr. Mercedes is very worried about you.
10:36It's just that you weren't coming.
10:37I was waiting for you on the street and you didn't come.
10:41And I can't get there empty-handed.
10:43I have to help Mr. Mercedes.
10:45We're fed up and you see, we're all eaters.
10:50I get it.
10:53You're a businessman.
10:55You went out to sell this,
10:57you started playing soccer, you didn't sell anything,
11:00and now you want me to buy it all for you?
11:02Simon, Simon.
11:04That's how it works, buddy.
11:08Do you get checks or what?
11:11Cards? I don't know.
11:13Just cash.
11:14Cash.
11:15I'm very grateful for your presence
11:17and, above all, for your support.
11:20It was a splendid night, Mr. Eleonor.
11:22And you have my unconditional support.
11:25Gabriela, you'll see we're going to take the factory forward.
11:29Eleonor.
11:32Tomorrow we'll solve the problems with the employees.
11:36I already know what your position is and I agree.
11:40Of course, Uncle.
11:41I'll take care of everything tomorrow.
11:44We'll always be there to support you, Javi.
11:47Okay, let's go.
11:49Thank you so much for your attention, ma'am.
11:52See you later.
11:53See you later.
11:55See you later.
11:57Oh, she's so pretty.
12:01Oh, sorry.
12:02I'm so silly.
12:03I can take her to fix you up.
12:05No.
12:07I'm going with my sister.
12:09Good night, everyone.
12:12Me too. Excuse me.
12:14Guillermo, would you please escort our guests to their cars?
12:17Of course, Aunt Rosa. Please.
12:20Let's go.
12:21The walker, Quique.
12:23We're fine.
12:24I'm sorry, I'm sorry, I'm sorry.
12:26Lilo Pancho, come to Casillo.
12:29Eleonor.
12:32Excuse me.
12:33Of course.
12:38We'll have to have the link welded.
12:41Look, turn around.
12:42But you can use it like this in the meantime.
12:45Okay.
12:51It's done.
12:53My mom gave me this medal.
12:55I don't like it when anyone touches it.
12:57Don't worry, Eva.
12:59I didn't do anything to it.
13:01Well, let's see if we can fix it in the meantime.
13:04I have to be professional.
13:07I have to congratulate you for your behavior.
13:10Especially you, Gabriela.
13:12I like that you accepted Enrique's help,
13:15contrary to what your mother did.
13:18I accepted it because we have no other way out.
13:21But I think you don't know that part.
13:24I know everything, Gabriela.
13:30Well, then you'll know what we're doing
13:34won't save us from what's coming.
13:37The factory is in a bad shape.
13:39The factory is in a bad shape.
13:40So bad that we'll have to close it soon.
13:44We're doing everything we can to avoid it.
13:49And you have people willing to help you.
13:53But maybe what you want to do is go beg
13:56for your mother's murderer's son.
14:00But if that's what you want, then go.
14:02Ask him to help you.
14:04Ask him to be kind to you.
14:07I don't like that kind of comment.
14:10Especially if you don't have proof.
14:13I want you to know that I'm not interested in Tomas.
14:17Before I use him, I'd rather accept
14:20that the factory won't last much longer.
14:25Let's go.
14:38You made Grandma feel really bad.
14:41And I'm sorry to tell you this,
14:44but Tomas doesn't trust me.
14:46Just like you and Juan Pedro have a relationship,
14:50I'm going to do it with Tomas.
14:52He's the man I like.
14:54Sister, Juan Pedro and I don't have the obstacles
14:58that Tomas and you have.
15:00They're two different people.
15:01They're different people,
15:03but they're different people.
15:04The police are investigating, right?
15:06Yes, but they keep coming in and we don't know anything.
15:10And we can't tell Tomas that he doesn't have the right
15:12to know what happened to his father.
15:15Grandma blames them for Mom's death.
15:18But there's no proof yet.
15:20Tomas only wants the truth.
15:23He doesn't want anything to do with you.
15:25He doesn't want anything to do with you.
15:27He doesn't want anything to do with you.
15:29He doesn't want anything to do with you.
15:32Tomas only wants the truth, and so do I.
15:36For me, a person who moves because they're thirsty
15:39for revenge is capable of anything, Gabriela.
15:51Wait, wait.
15:55Listen, Simón.
15:56If they scold you, you won't blame me.
15:59Don't worry, Andrés. I've got this under control.
16:04By the way...
16:06The money.
16:07What?
16:10How much is it? 20 pesos?
16:12No, 1,500.
16:15Yes, but it's cheaper to go to Dallas and buy it there.
16:18No, they charge you double there because it's in dollars.
16:21Simón Alejandro, where were you?
16:24What time is it?
16:25You know you can't go out at night.
16:28How can I make you understand, Simón?
16:31But, Mr. Mercedes, don't worry. I was with my friend Andrés.
16:37Hey, wait, wait.
16:38So you don't get mad, look.
16:40Stretch your hand.
16:421,500 pesos.
16:45Thank you for bringing the boy.
16:48I'm in charge of the orphanage, Mr. Mercedes.
16:50Nice to meet you. Andrés Jiménez.
16:53And excuse this boy for being a nuisance.
16:56No, please.
16:57I don't even know how he got to my house.
16:59He said he was asking around, but everything's fine.
17:02Simón has my phone number.
17:03Anything I can help you with or contribute to the orphanage,
17:07don't hesitate to call me.
17:09Well, go to sleep, Handar, and you have Andrés.
17:13It's a lot, it's a lot.
17:14It's him, it's him.
17:15You can't help him.
17:16Simón, go to sleep and then we'll do the math.
17:19No, you only took the 1%.
17:22No, we'll do the math.
17:23I'll walk you to the door. It's very late, Andrés.
17:27Andrés.
17:34What is so important that you have to tell me?
17:37That I can't live without you.
17:39That's why I want to see you and hug you.
17:43And for my grandmother to see you
17:44so they can fight again.
17:46Hmm, you have a point.
17:49But my intention is not to fight with her, but...
17:57Simón.
17:58What?
17:59We're going to get into trouble.
18:01We're already in trouble.
18:04The problem is that we like each other
18:06and that we feel something very strong.
18:09I swear I can't believe you're the same guy
18:11who went to the factory to charge us
18:13and that he went crazy.
18:14Yes.
18:17In front of you, I'll always be the Tomás
18:19who's in love, but I'll be different
18:21in the face of your grandmother's injustices.
18:25Shall we go?
18:26No.
18:27What do you mean?
18:29I'm missing something.
18:30What?
18:40We can go to some waterfalls that are very close.
18:43I'm sure you'll love them.
18:45Of course.
18:46Todos los Santos is beautiful.
18:48Yes, I really liked it.
18:57I have a girlfriend.
18:59Oh, I'm sorry, I don't...
19:01No, no, don't worry.
19:03I love her a lot and I like to play clean.
19:06Yes, yes, how nice.
19:09Well, I'm leaving.
19:10But are you still planning to take her to the networks
19:13and help me sell more tours?
19:15Yes, of course.
19:16Yes.
19:17Well, I'm going to get your bike.
19:20Oh, Candela.
19:22You don't learn.
19:26I need you to meet María's cabin,
19:28my paternal grandmother.
19:30And I also need you to know that place
19:32because your mom and my dad spent a lot of time there.
19:37Okay.
19:38Let's go.
19:39Let's go.
19:51Well, how do you know this place was so important to them?
19:55Did your dad tell you?
19:56Dolores told me, my dad's best friend.
20:00I didn't even know my dad had a house here.
20:03I just found out.
20:05There are many things that have been hidden from me.
20:08I don't know what you're talking about.
20:10I don't know what you're talking about.
20:12I don't know what you're talking about.
20:14I don't know what you're talking about.
20:16I don't know what you're talking about.
20:18I don't know what you're talking about.
20:20Like your grandmother had her men shoot my dad
20:23to make him run away from this town
20:25and separate them 35 years ago?
20:31I'm glad you're here, honey.
20:33I wanted to tell you something that came to mind.
20:35I'm tired. I'm not in the mood.
20:39Well, then we can do something more entertaining.
20:46You heard me. I'm tired.
20:48Leave me alone. You're so heavy.
20:50You weigh a lot.
21:12This picture?
21:14Is this your dad's altar?
21:17Yes.
21:19You'll understand everything in a moment.
21:24Look. Do you see that?
21:28That bag.
21:30Do you recognize it?
21:44Why is my mom's bag here?
21:46Like I told you, this was our parents' refuge.
21:51They were here together the night they died.
21:57Did your grandmother tell you that they found your mom's car
22:00on the outskirts of town in a restaurant?
22:15No.
22:17No, no, no, no, no.
22:19It can't be.
22:23Not you, Gabriela.
22:25Not you.
22:35What am I doing here?
22:38Welcome.
22:40Welcome home.
22:42My grandmother didn't tell us anything about the car.
22:44They found it there.
22:46They took it to the police station to analyze it.
22:49But what is my mom doing there?
22:51According to Lieutenant Joaquin,
22:53our parents found each other in that restaurant.
22:55They were talking and then they came here, to this place.
22:59I don't understand anything.
23:02How do you know all this?
23:04Because when I came here the first time,
23:07exactly in this place,
23:10was my dad's bag, your mom's bag.
23:18This is not easy.
23:20But there is a theory
23:22that they probably tried to kill them here.
23:27But why do you say that?
23:29Because there were bullet holes outside.
23:32They must have run away and that's why they left their things here.
23:35But who? Why?
23:38What? Why?
23:40Gabriela.
23:42Your grandmother tried to kill my father 35 years ago
23:45just to keep him away from your mom.
23:48Look, I know it sounds horrible,
23:50but for some reason she didn't want them to be together.
23:55My dad came to town,
23:57they met,
23:59and they killed them.
24:08Who's there?
24:10Hey, Cande.
24:12What's wrong? Why are you crying?
24:14Hey.
24:19I'm a fool.
24:21What happened?
24:23I'm a fool.
24:25I don't know what I'm thinking.
24:27Hey, don't say that. You're not a fool.
24:30What happened?
24:32What happened?
24:34I don't know.
24:36I don't know.
24:38I don't know.
24:48They tried to kill them here.
24:50They ran away.
24:52They were chased and that's why they ended up in that abyss.
24:56But Tomas...
24:58My mom wasn't with your dad when he died.
25:01They weren't together.
25:03That's true,
25:06but there were no bullet holes in my dad's car or body.
25:11That's why I think they were chased
25:13and that's why they were here,
25:15when they tried to kill them.
25:17But who?
25:19My mom never hurt anyone.
25:21Neither did my dad.
25:26There's someone who was with them at the restaurant.
25:30Do you know this woman?
25:35No.
25:37Who is she?
25:39It's important to find her.
25:41She was talking to your mom and my dad at the restaurant.
25:44This woman could know the truth about what happened.
25:53Do you know why that altar is here?
25:56I don't know.
25:58Because it's a way to pay tribute to them.
26:01But it's also a way to make a promise.
26:04To find out the truth about what they did to them
26:07and who did it to them.
26:19May I know why this clown is here?
26:22No.
26:24I don't know.
26:26I don't know.
26:56And don't give me any problems.
26:58What if I don't?
27:00Are you going to hit me again?
27:02Don't provoke me.
27:07The brave one is strong until the coward loses his fear.
27:10And I'm already doing it.
27:12Come on.
27:14Let's go.
27:15Do you want me to be in your room or what?
27:18Let's go.
27:19Let's see how long you can take.
27:27I don't know if what we're doing is right.
27:30What do you mean?
27:32I don't know if it's good to let this feeling grow more.
27:36They're different things.
27:38We have to be clear about that.
27:40The most important thing here is what we feel.
27:43Try to understand me.
27:44My family is in the way, the factory is in the way,
27:48and there's that past that's so hard for you to leave behind.
27:52I'm not leaving.
27:55I'm not leaving.
27:57I'm not going to leave you.
27:59I'm here for you and I'm going to fight for you
28:02and for us until the end of my days.
28:05I swear.
28:07♪♪♪
28:17♪♪♪
28:23Go get some rest.
28:24Otherwise, we're going to live with dark circles
28:27for a long time.
28:30Look, this is yours.
28:34What?
28:35Why do you have it?
28:37You dropped it the day you got stuck in the elevator
28:40and I wanted to keep it.
28:42It was a way to keep you close to something of yours.
28:52Gabriela.
28:53What is it?
28:56For now, you'll stay with me.
28:58If we ever fight, you'll knock on my door and yell,
29:01give me back my handkerchief.
29:03I didn't come for you, Tomás Jiménez.
29:05I came for my handkerchief.
29:09Okay.
29:11I'm leaving.
29:13♪♪♪
29:17Welcome to where my granddaughters went.
29:21Well, they went to town.
29:24I didn't understand them well,
29:27but they said they had to go to the police station
29:30to get Beatriz's car.
29:34What?
29:37Did they talk to the police or how did they find out?
29:40No, not that I know of.
29:44Are you trying to tell me how they're going to take the car
29:47if the key doesn't turn up?
29:49Who knows?
29:50No, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
29:53This is the best welcome.
29:55You have to tell me everything that's going on in this house.
30:01That's what I'm doing, ma'am.
30:04I can only tell you what I know.
30:07I'm not making this up, am I?
30:11Excuse me.
30:13♪♪♪
30:19Thank you very much, Lieutenant.
30:21We didn't know you had found the car.
30:23What? You didn't know?
30:25Did you tell Mrs. Leonor San Jose?
30:30Well, maybe she forgot to tell you.
30:33But from now on, I ask you to notify me
30:36of anything that has to do with the investigation
30:38of Manuel's death.
30:39Yes, I will.
30:42Miss Gabriela, my colleague will take you to pick up the car.
30:46Please.
30:48♪♪♪
31:00Tomas, I don't know if you heard,
31:02but Miss Gabriela is here to pick up her mother's car.
31:08Gil!
31:12Oh, no, no, no, no, no.
31:14Look at how your face is lit up.
31:15How embarrassing.
31:16Who would like someone named Gil?
31:18No.
31:19Where are you looking, Catalina?
31:21How could you like an orphan?
31:24Don't say that.
31:25Mrs. Gloria is like her mother.
31:27She does have a mother.
31:29She's still a tenant at the inn.
31:31You have to look higher, sister.
31:34Learn.
31:36Hey, hey, hey.
31:38Where are you going?
31:40To socialize, sister.
31:42Something you don't do.
31:44I'm going to pay the bill, please.
31:46Gil.
31:47And I wanted this.
31:48Gil, come.
31:54How did Grandma know they found the car
31:56and didn't tell us anything?
31:58Because Grandma always does what she thinks.
32:00Let's see, the important thing is that we get it back.
32:04Hey, who gave you Mom's bag?
32:08That's why you left last night.
32:10With whom?
32:13I went to see Tomas and he gave it to me.
32:16Mom was with her dad in a cabin the night of the accident.
32:26When do you think we can read the will?
32:29I need to solve Magdalena's situation as soon as possible.
32:33There is a certain time after the person dies.
32:36I have to contact a notary in Mexico City.
32:38Here is another process.
32:40For the reading of the will, it may take longer.
32:42No, but this woman is going to drive us crazy
32:44waiting for the reading.
32:46We can't do anything.
32:48I think my father didn't leave anything in the will.
32:51He had already decided to divorce.
32:53The infidelities were more than proven.
32:55What? What are you talking about?
32:57What do you mean what am I talking about?
32:59Magdalena, I'm glad you're awake.
33:01I invited Emilio to talk to you
33:03about the issue that bothers you, the will.
33:05Let him explain to you how that matter will be.
33:08I'm all ears.
33:12Can you explain to me how Tomas knew
33:14and they found the car?
33:16Lieutenant Joaquin told him.
33:18Just like Grandma told him and he didn't tell us anything.
33:24I feel like there are a lot of weird things in all this.
33:27I don't know.
33:29And believe me, I'm taking notes on the matter.
33:34They're telling us that Jaime, Tomas' father,
33:37was responsible for my mom's death.
33:39Yes or no?
33:40Yes.
33:41But the truth is that it was an accident.
33:44And everything shows that they were together.
33:47There's something much more serious that we don't know.
33:51Miss, I'm going to give you your car.
33:53Can you sign the receipt?
34:02I heard the women in Tomas' house
34:05talk about Jaime's death.
34:07I feel like they have to see what happened.
34:11They also said it was good that he died with his lover.
34:14Eva, are you sure?
34:16The older woman, Tomas' stepmother,
34:19told the girl he was going with
34:21that she was glad that Jaime and his mom were dead,
34:24that they were lovers and that they deserved that.
34:28Eva, it's not a bad thing, but are you sure?
34:31I don't know.
34:32Sometimes you can get confused and imagine things.
34:35It's because I never want to tell you anything.
34:38I heard it.
34:41What if they were the ones who killed Mom too?
34:44I'm not making anything up. Why would I?
35:01This boy just doesn't lose his mind
35:04because he has her close.
35:06If he didn't, he would've lost her too.
35:11Everything will be okay.
35:14I'm not ready.
35:17I left Mom's car.
35:20So many memories, so much to process.
35:29We have to move on.
35:33Come on, Eva.
35:42Come here.
36:00I still smell her.
36:03Yes.
36:05I feel like she was here.
36:08Like she didn't leave.
36:12I miss her so much.
36:16We all miss her.
36:27This...
36:30must be the office documents.
36:36Didn't you realize that the bag was broken
36:40Don't scold him anymore, Mrs. Gloria.
36:42He did drop things,
36:44but he dropped the rhythm of the music and everything.
36:47Besides, I helped him pick them up.
36:49Thank you, Cata.
36:51You have to pay more attention, Gil.
36:54Hello, creatures of the Lord.
36:56Hello, Lisa.
36:58I'm tired of cleaning the corridors.
37:00Look, I got a blister and I'm missing the longest one.
37:03Don't worry, I'll clean it.
37:05Don't worry, I'll clean it.
37:08Well, now that you're here, I'll tell you something.
37:12Good or bad news, Mrs. Gloria?
37:14I got a loan.
37:16And that means we're going to remodel this inn.
37:21We're going to put a restaurant, a bar,
37:24and the singing room that you proposed to me.
37:27It's called karaoke happy hour, Mrs. Gloria.
37:29Well, you know about that.
37:32But the money is in!
37:48Carmen.
37:49What's wrong, Guillermo? I'm busy.
37:51It doesn't matter. Everything is wrong.
37:55What do you mean?
37:57Gabriela took Beatriz's car.
38:01Do you realize what could happen
38:03if they find the folder that incriminates us all?
38:06I need your help. I need you to come to Todos Los Santos.
38:09No, Guillermo. I'm not going to go there.
38:11If you don't help me, we're all going to lose it.
38:14Nothing's going to happen.
38:16What if they find out?
38:18Carmen.
38:21Carmen.
38:24Carmen.
38:27Hello?
38:28I don't want you to involve my granddaughters
38:30in the investigation of my daughter's death.
38:33Mrs. León, look, I didn't call them.
38:36They arrived a while ago
38:38with the documents of Beatriz's car.
38:41All they did was hand over the car.
38:44The car wasn't involved in the accident.
38:47It was abandoned,
38:48which is why we proceeded to hand it over without any problem.
38:51What about those documents, Commander?
38:54Where did they come from?
38:57Joaquín!
38:58Give me a second, Mr. Enrique.
39:00Joaquín!
39:02Come in.
39:03Please give information to Mrs. León and Mr. Enrique
39:06about the documents that were handed over from the car.
39:09I was the one who took care of your granddaughters.
39:11Is that why they can only claim the car?
39:14Ask Mr. Enrique where they got the documents from.
39:17The keys are the same.
39:19As far as I know,
39:20I understand that they were in Mrs. Beatriz's bag.
39:23Your granddaughters are the ones who can give you better information, right?
39:25They're out there.
39:31Hi, Grandma.
39:32Hi, Enrique.
39:33Can you explain to me what's going on?
39:36You never told us
39:37that they had found my mom's car.
39:39Who told you?
39:41Tomas.
39:42Last night after dinner, I went to see him.
39:45How dare you, and on top of that you yell at me?
39:47I'm going to keep doing it, Grandma.
39:49As many times as I need.
39:51He's also investigating what happened.
39:53He found out that my mom and her dad
39:55were together before the accident.
39:58Besides, someone shot them and made them run away.
40:01Gabriela, you can't believe everything that man says.
40:04Don't think I'm that stupid.
40:06What's going on?
40:08Why do you want to tell me what I should and shouldn't believe?
40:12Because the bag that was in that cabin belonged to my mom.
40:16It had the keys to her car,
40:18so don't try to make me look stupid.
40:25That bastard is going to get his way.
40:28Either we stop him now,
40:30or I'll not only lose my granddaughter and the factory,
40:33but you and I can end up with a ruined life.
40:36Good morning.
40:38I wanted to make sure
40:39that you had given Gabriela her mom's car.
40:42You are going too far.
40:46I told you I'd go wherever it took me to find out the truth.