• last year
¡Se hablará mucho de Sanem y Can Love!

Después de trabajar en la tienda de comestibles de su padre durante unas horas por las mañanas, Sanem pasa todo el día soñando y trabajando en su libro y está extremadamente feliz con su vida. Hasta que la madre diga que si el turno del niño no encuentra un trabajo adecuado, ¡tiene que casarse! Sanem tie
ne que empezar por el trabajo de su hermana en el artículo. No se da cuenta de que lo espera allí junto a su gran amor que embellece sus sueños, y sin saberlo se convierte en parte de una trampa tendida contra Can y la compañía ...

¿Podría ser un amor basado en mentiras? ¿Y Sanem? ¿Puede quedar atrapado en Can he odia?

Producción: Gold Film
Productor: Faruk Turgut
Director: Çağrı Bayrak
Guión: Ayşe Kutlu Üner

Emitir:
Sanem Aydın: Demet Özdemir
Can Divit: Can Yaman
Leyla Aydın: Öznur Serçeler
Mevkibe Aydın: Özlem Tokaslan
Nihat Aydın: Berat Yenilmez
Emre Divit: Birand Tunca
Ayhan Işık: Ceren Taşçı
Muzaffer Kaya (Zebercet): Cihan Ercan
Deren Keskin: Tuğçe Kumral
Cengiz Özdemir (Ceycey): Anıl Çelik
Güliz Yıldırım: Sibel Şişman
Osman Işık: Ali Yağcı
Transcript
01:00La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la
01:30la, la, la, la la, la, la, la, la
01:38Oh
02:08Yes, I'm new. Can you help me train a little?
02:14It's obvious that you have no idea. I'm not a coach and I also don't have time.
02:20Please, just the basic movements.
02:27Ah, very good. Do you want me to get into the ring with you?
02:32Yes.
02:33But I think it's easier to go under.
02:38Good.
02:44Is this better?
02:45What are you doing? Stop!
02:47I also learn fast.
02:48Calm down, calm down.
02:50I can also do it.
02:51Be careful, you're hitting uncontrollably. What's wrong with you?
02:54You're done with the dumbbells.
02:56Yes, I'm done.
02:57What's wrong? Why do you mind that I come to the gym? Did you want to be alone with your little friend Zeyda?
03:01We're just friends, don't be ridiculous.
03:03You're lying. You only have one friend and it's me. I'm your best friend. Do you understand?
03:08Calm down, Anel, calm down.
03:09Don't tell me to calm down.
03:10Calm down.
03:11Don't laugh. I don't think it's funny.
03:14What? Are you tired?
03:16I'm strong. Nothing's going to happen to me.
03:33I win by knockout.
03:54But I'm not done yet.
03:59I can't do another round.
04:03There's Mr. Yan.
04:06Mr. Yan?
04:09Hello, we came to interview you.
04:12Yes, hello, I was waiting for you.
04:14I'm a friend of yours. We were resting a little after so much boxing.
04:20But I guess he won because he didn't warm up well, if I hadn't won.
04:25Besides, he's my boss. We're friends and colleagues.
04:28We're co-workers.
04:29Friends and co-workers.
04:32How are you? Nice to meet you.
04:33It's a pleasure.
04:36I don't have any more, I'm sorry.
04:39Hello everyone, how are you?
04:42Hello, how are you?
04:43Good, thank you.
04:44I'm glad.
04:45Why do you have those faces? You're more sad than an empty teapot.
04:48Can I know what's wrong with you?
04:50Our women don't feed us anymore.
04:51We're in a difficult situation.
04:53Oh, I know what's wrong with you. Your women spend all day in the library, right?
04:57Yes.
04:58And you don't leave the house or anything.
04:59Well, I'm sorry, guys, for you.
05:01Well, I'm going to invite you to drink something.
05:03Rami, bring some food for all these guys.
05:06Yes, thank you.
05:08It's a pleasure.
05:10Hey, bring him a big sandwich and a double tea, my friend Nihat.
05:13No, don't worry, it's not necessary. Thank you.
05:16Hello guys.
05:17Hello.
05:18No, no, I insist, please, come eat something with the men.
05:21Oh, look at the faces they have.
05:24Friends, they all look completely miserable.
05:27I don't know, guys, maybe it's not just about the food.
05:30It's just that we don't know what to do.
05:32I'm very sorry. And does anyone know how long it will last?
05:35Well, I guess until they read all the books.
05:37What?
05:38It's crazy, they can't wait that long, or they'll starve to death.
05:42Besides, there are many books in the library.
05:44Any woman who reads so much won't want them as husbands.
05:47I'm sorry to be the one to tell you.
05:49But it's the truth.
05:50Yes.
05:51Ah, look how good, thank you very much.
05:53Don't be offended, Nihat, but I think your wife, well, the president,
05:56made a mistake in making this decision.
05:58Just look at them.
06:00Look how they're dressed, with the same shirts,
06:02no bra, wrinkled pants.
06:04They spend all day sitting here doing nothing.
06:06But what kind of life is this?
06:08But if they don't want to say anything, I don't care.
06:11We have to close the library.
06:13We don't have an alternative.
06:15Come on, let's close that library.
06:18Come on.
06:19Where do you think you're going, friends?
06:21Brothers, wait.
06:22Women think we can't do anything without them.
06:26If we go there now, we'll be giving them the reason.
06:30Yes, that's true.
06:31He told the truth.
06:32You're right.
06:33Nihat, you can't just stand there with your arms crossed.
06:35Can't you see they're starving to death?
06:37Look at their sad faces.
06:38Shut up.
06:39What are you going to do?
06:40Listen.
06:41If it's necessary, we'll prepare the food.
06:43Yes, that's true.
06:44We can wash our shirts, underwear, and plates too.
06:49That's right.
06:50They want to protect us.
06:52We have our cafeteria.
06:54That's right.
06:55We'll do everything ourselves because we don't need them.
07:01They'll come to our feet.
07:03What are you talking about?
07:04They'll take our food, but they'll never take our cafeteria.
07:08That's right.
07:09They'll take it.
07:10It's ours.
07:11Nami.
07:12Nihat will pay for everything our friends eat.
07:14Yes, Nihat will pay.
07:15Nihat invites you.
07:16Yes, Nihat.
07:17They're our guests.
07:18We can show them.
07:19And after the tea, he brings lemonade for everyone.
07:23Yes, Nihat.
07:24We'll get it in the end.
07:26Yes, Nihat.
07:27Yes, yes.
07:28Nami.
07:29Forget about the lemonade.
07:33It's not possible.
07:43This woman is like a piranha.
07:45She spends all day stalking Jan.
07:47Can I take a picture of Mr. Jan alone?
07:50No problem.
07:51The truth is, that girl is very attached to him.
07:54It's true.
07:55I'm sure the press will say they're lovers.
07:58Hey, don't provoke me.
08:00I'm not provoking you.
08:01Mr. Jan.
08:02I'm not telling the truth.
08:03Excuse me.
08:04I'm going to sit here with you for a moment.
08:06I hope I don't interrupt you.
08:08Sanem.
08:09Have you come for the interview?
08:11Let's just say it's just a coincidence.
08:13I actually came to exercise like you.
08:15Because, in fact, I'm very busy with so much work.
08:18The truth is, I'm extremely busy.
08:20And as you know, I'm the coordinator.
08:22So I exercise the brain and not the body.
08:25That's why I came to the gym when I could.
08:27And I have my personal trainer.
08:29Her name is Ayhan.
08:31How are you?
08:33Honestly, she's very good.
08:35I recommend her.
08:36Follow me, please.
08:39Sanem is one of the key employees for the company.
08:42Yes, it seems so.
08:43Let's continue, please.
08:45I'm going to ask you a very direct question.
08:47If you agree.
08:49Is there anyone special in your life, Mr. Jan?
08:52You're right.
08:53It's a very direct question.
08:54And I'd rather not answer that.
08:56I don't like to talk about my private life.
08:59Let's move on to the next one.
09:00So marriage is not part of your life.
09:03No.
09:07I'm a free soul.
09:08A wild animal.
09:10Freedom is something very important.
09:13Do you understand?
09:14At least for me.
09:15A free soul.
09:16Of course.
09:17Yes, that's right.
09:19You see, marriage...
09:23I think marriage would take away my freedom.
09:26But if you're a free soul,
09:29I think marriage would take away my freedom.
09:32But if you're a free soul,
09:34don't you think you could change your mind?
09:39The truth is that I don't have great demands
09:42or a defined pattern.
09:45For me, energy is more important than the physical.
09:48It has to be a cheerful and fun woman.
09:52It has to be someone who continues to have that part of innocence
09:56that we lose as we mature.
09:58It has to be understanding, reasonable, attentive,
10:01brave and daring.
10:03And above all, the smell.
10:06It has to have that smell, you know?
10:08That makes you feel like you're sailing the sea in a sailboat
10:12and at the same time you're at home.
10:14That attracts me a lot.
10:15Maybe that's why I like to travel so much.
10:19Because I look for that feeling of belonging to a place,
10:24without losing completely my freedom.
10:29You're still traveling, so you haven't found it.
10:32Although I could be very close to you.
10:35Maybe.
10:47You first.
10:48Come in.
10:49Let's see, look at me. Turn around. Look at me.
10:53Are you upset about something I said?
10:55Let's see, tell me, can you tell me what I did now?
10:57No, why do you say it?
11:00Well, then I misunderstood.
11:02Something else.
11:03Could it be that maybe you got jealous, even if it's just a little?
11:08Jealous? Why should I be?
11:10Jealous of Seida? Is that what you mean?
11:12Why should I be jealous of her?
11:13I don't care about the relationship you have.
11:15We're just friends and coworkers.
11:17But also friends.
11:18How can I be jealous of your life?
11:21Zanem, of course, I understand. I'm sorry.
11:24Besides, you can do whatever you want, because you're a free soul.
11:27Zanem.
11:28I have work to do. I'm sorry.
11:35The slogan is misplaced.
11:37This one here too.
11:39As I feared, they are all about to throw themselves in the trash.
11:42As I am a precautious person, I thought of entrusting the work to both of them
11:46to minimize mistakes.
11:47But it turns out they don't give one to each other.
11:52Jan, come and see this.
11:54We're completely ruined. It's terrible.
11:56That's our slogan.
11:57What happens now, Deren?
11:59Now he'll see what you've done.
12:03What's up?
12:04Look at this.
12:06This is the poster we've commissioned for Compass.
12:09You see it?
12:11Well, these two have asked for posters to the press instead of big posters.
12:15And that?
12:16Well, send these two together to the press.
12:18And that's what they've brought.
12:20Which two? You mean JJ?
12:22JJ and Zanem.
12:24This was Zanem's responsibility.
12:26JJ is not to blame.
12:29Yes, it was my fault.
12:31I'm sorry.
12:32Bravo.
12:33Congratulations.
12:34Bravo, bravo, Zanem.
12:36No, it's not a good bravo.
12:37Don't applaud him.
12:38It's a bravo of shame.
12:42I had placed the images with the slogans, but it seems that...
12:46Ah, but?
12:47Zanem, enough of buts.
12:49But it's something unnecessary in this industry.
12:52Tomorrow these posters will be everywhere in the city.
12:56Tell me, what are we going to do now?
12:58How are we going to solve it?
13:00Oh, I already have it.
13:01We can use it as a gift paper.
13:03Or it can also serve as a cover for notebooks.
13:06Or maybe we just take them, cut them into pieces, and throw them in the trash.
13:10One by one, or what?
13:14I don't know what to say.
13:15I'm very sorry, Deren.
13:16You don't even know how to apologize.
13:18Jan, how did you assign such an important task to someone like her?
13:22Come on, Deren.
13:23Now it's my fault?
13:24That's enough.
13:26You have not contributed a single idea to correct this mistake.
13:29Do you understand?
13:30Let's focus on solutions.
13:33Let's think about what we can do.
13:37For now, I will give another responsibility to Zanem.
13:41More responsibilities?
13:42Oh, of course.
13:43She deserves a gift.
13:44Deren, let me finish, please.
13:46We are all on the same boat.
13:48If it sinks, we all sink.
13:50Let me think.
13:51We'll have to work all night.
13:53Especially you.
13:54That way you can correct your mistake.
14:00Well, don't worry.
14:01I'll take care of the most important part.
14:03First, I'll call the press to help us.
14:06The rest will depend on you.
14:07I know it bothers everyone to work here, locked up in the agency.
14:10So everyone, take your belongings.
14:12Because we're going to work at my house.
14:14Everyone who participates in this project, get ready.
14:16Let's go.
14:17Did you hear that?
14:18Everyone to my house.
14:20Zanem, I had planned to go see a football match this afternoon.
14:23But what are you doing?
14:24Zanem, please.
14:25Did you see?
14:26Thanks to you, all the members of the team have been left without free time.
14:30Bravo, Zanem.
14:45Why don't you come and help me instead of eating seeds?
14:48Because I can't.
14:49I just got my manicure.
14:51How delicate.
14:52Hey, by the way, where are your daughters?
14:55They haven't arrived yet.
14:57Tell me, do you think they're out there with their boyfriends?
15:00Wow, what an obsession you have with boyfriends.
15:02They're working.
15:03They both have things to do in the office.
15:05Oh, work.
15:06Is that really what you think?
15:08What a loser you are.
15:10What a loser you are.
15:12Didn't you see your daughters at the library opening?
15:15Of course I saw them.
15:16Thanks to you, the whole neighborhood found out.
15:18Oh, I didn't say anything.
15:19Besides, none of them have the ring of commitment.
15:22Do you understand?
15:24Well, at least you know.
15:27Maybe they made a secret commitment and didn't tell you.
15:31Oh, do you remember Zaira's daughter?
15:34The one who was secretly married for two years and didn't tell her parents anything.
15:38Did you forget?
15:39Milad, enough.
15:40Don't make me nervous.
15:43Well, let's think about it.
15:45I think Leila and Emre are a new couple.
15:48That's obvious.
15:49But Jan has been coming to your house for a long time.
15:52And what is he coming for?
15:53What?
15:54Well, to see Zanem.
15:56Don't you think?
15:57He's trying to get along with you guys.
16:00So you'll accept him as a boyfriend.
16:01One day they'll come and tell you,
16:03By the way, Dad, we're married.
16:05Young people these days are like that.
16:08Do you remember Zeynep's daughter?
16:10She did the same thing.
16:11One day she came home and told her father,
16:14We're married.
16:15And the man almost died.
16:16But thank God he didn't die.
16:18Although you can imagine the disgust that poor man had.
16:23They had to hold his tongue with a spoon so he wouldn't swallow it.
16:28Oh, I can't believe it.
16:29I'm going to have a heart attack because of you.
16:32Why, Mekibe?
16:33It's not a bad thing.
16:34Besides, your sons-in-law are perfect.
16:37And you can open a bigger store.
16:39Why?
16:40It's true.
16:41Why limit yourself to a grocery store?
16:43It's better to open a supermarket.
16:45That way you'll have more money.
16:46Melat, you're stressing me out.
16:48You're making me very nervous.
16:51I have a better idea.
16:53You can have a double wedding.
16:55And I'm sure you'll look very pretty in your dress.
16:57Don't get nervous.
16:58They're just advantages.
17:00Shut up, Melat.
17:01Shut up now.
17:02But yes, I'm serious.
17:04You listen to me.
17:05I already told you they're dating those two guys.
17:11What we need to know is how long they've been together.
17:15Please, tell me everything.
17:16What happened?
17:17How did it go on set?
17:18I already told you.
17:19It was a small role.
17:21There's no small role.
17:22There are small artists.
17:23Soon you'll receive awards.
17:25You saw me at the Oscars ceremony.
17:27It's with you.
17:28But I didn't even talk.
17:29It was some kind of security guard.
17:31What do you mean you didn't talk?
17:32You didn't say a word.
17:33Those people don't know what they're doing.
17:35They should have given you a role with dialogue.
17:37Or you could have improvised.
17:39And if they don't like it,
17:40they can cut it out.
17:41Period.
17:42I should have gone with you to inspire you.
17:44Then you would have talked, talked, talked, talked.
17:46Yes.
17:47Well, Musa, I did what they asked me to.
17:49It's just that they don't have as much creativity as I do.
17:51My vision is better than yours.
17:53I'm impressed with how realistic your wound is.
17:56It looks very real.
17:58What's wrong with you?
17:59Does it hurt?
18:00Or are you cheating on me?
18:01You're a great actor.
18:02I didn't know you were so good.
18:03You were born to interpret.
18:08What's wrong with you?
18:09You're dragging your leg like an elephant.
18:12How funny.
18:14Well, tell me what happened to you.
18:16Oh, my body hurts.
18:18So much exercise kills me.
18:19If you say so, what exercise did you do?
18:21Laugh?
18:25I was rowing.
18:26Now go get the tea.
18:28It's ready.
18:29You just have to serve it.
18:30I'm dead.
18:31I'm sorry, but your brother and I are talking about movies.
18:34It's an important topic.
18:35But it's okay.
18:36I'll go make the tea.
18:37And so we can continue the conversation.
18:39I'll be right back.
18:40I'm going to forget what I was going to tell you.
18:42Where are you taking the tray?
18:43You have to bring the teapot.
18:44Oh, every day is weirder.
18:47But I like this one better, Mr. Jan.
18:50Chanem, change it.
18:52Very good.
18:53Mom's calling.
18:54Sorry.
18:55And don't be late.
18:58Hi, Mom.
19:00Daughter, buy yogurt when you come, okay?
19:05Mom, I'm sorry if I forgot to tell you that we have a lot of work today.
19:09And we'll spend all night doing the campaign.
19:12All night?
19:13Well, maybe not all night.
19:15But I'll probably be late.
19:18Like the last time, daughter?
19:22We're all working at Mr. Jan's house.
19:25You're at Jan's house?
19:27That's right.
19:28And my sister is there too.
19:30We had problems with the campaign.
19:32That's why we have to work more hours.
19:34When we're done, we'll go home.
19:36Don't worry.
19:37I have to hang up.
19:38I have a lot of things to do.
19:39Send me the address, will you?
19:41The address?
19:42Why do you want it?
19:43Because I do.
19:44Because I'm your mother.
19:45And I have to know where my daughters are,
19:47in case something happens to them.
19:49It's very important.
19:50So send it to me.
19:51It's ready.
19:52Very good, Mom.
19:53I'll send it to you.
19:58They're at Jan's house.
20:01I think I was right.
20:03Maybe she told the truth.
20:04And you think you can fool your mother?
20:07You don't know me.
20:08Not at all.
20:09You'll see.
20:11You'll know who I am.
20:16Get ready.
20:29You have no idea what your mother is capable of.
20:34I'll get it.
20:35Don't worry.
20:36Okay, honey.
20:38What did he say?
20:43Did he say honey?
20:46I can't believe it!
20:54Mom?
20:55Sanem!
20:56Mom?
20:57Mom, what are you doing?
20:59Don't you have shoes?
21:00Mom, what are you doing?
21:01Don't take your shoes off.
21:02Why not?
21:03It's not necessary.
21:04Don't you have shoes?
21:05What are you saying, Mom?
21:06What are you doing here, Mom?
21:07Let's see if they're working.
21:09Mom, what are you saying?
21:10Mom, it's my mother.
21:12Are they really working?
21:13Hi, Nefki Bey.
21:14Hi, everyone!
21:16Hi, Nefki Bey.
21:17How are you?
21:18Very well, thank you.
21:20It's just that Sanem told me they'd be working until late,
21:22and I was thinking that...
21:24And you were thinking that...
21:26I didn't think anything.
21:27Oh.
21:28Well, when Sanem says she's working until late,
21:31I don't think anything.
21:32That's right.
21:33It's just that we have to finish an urgent job.
21:35Extremely urgent.
21:36Also, because of Sanem,
21:38we have to stay up all night
21:40because we have all the time in the world.
21:42Here, daughter.
21:43It'll be good for you to eat something.
21:44No, I don't eat these things.
21:45Yes, woman.
21:46You're already here because of my daughter.
21:47Eat something.
21:48You'll work better.
21:49I can only have one.
21:50I love them.
21:51Also, I'm very hungry.
21:52Oh, thank you very much.
21:53How will you have to work until late?
21:55I thought you might be hungry,
21:57so I brought dolmas for everyone.
21:59Excellent.
22:00Thank you very much.
22:01You'll be hungry.
22:03Well, let's see.
22:09Well, how hard can it be to wash the machine?
22:13White clothes, the washing machine.
22:16Color clothes, outside.
22:19White clothes, inside.
22:21The truth is that this woman is an exaggeration.
22:23This is a children's game.
22:28What is this?
22:33Color clothes or white?
22:37I don't know.
22:38I guess I'll put it here.
22:45I'm going to take this.
22:47Yes, that's fine.
22:48Mom is here.
22:51I think I heard your voice.
22:53What are you doing here?
22:54And he brought dolmas.
22:55Don't tell me.
22:56Dolmas?
22:57Yes, my mother is like that.
22:58She doesn't like people to be hungry.
23:00I told her we'd be working here.
23:02And come see what we do.
23:04Yes, sure.
23:05Then I'll serve the rest of the juice
23:08and I'm going to take the glasses outside.
23:10While you prepare a little more lemonade.
23:13Do you think it's okay?
23:14So you don't have to leave the kitchen.
23:16Don't you think?
23:17It can't be.
23:18Enjoy your meal, guys.
23:21Eat all of it.
23:22I brought it for everyone.
23:23Mr. Yan, don't you want to eat?
23:25I already ate too much.
23:26It's so delicious.
23:27Of course.
23:28Mom, what are you doing here?
23:29Why did you come?
23:30You didn't have to bother.
23:32I assumed you would be hungry.
23:34Although it's not like that.
23:36Let's see.
23:37Why does it bother you so much that you came?
23:39Are you hiding something?
23:41What are you talking about?
23:42We were working in the office
23:43and the environment was very tense.
23:45Mr. Yan has invited us to work at his house
23:47to change the air.
23:48He's a very good boss.
23:49Don't you see?
23:50Where is Mr. Yan?
23:52Mom, I don't know.
23:53I'm on my own.
23:54He must be around.
23:55Do you think I'm following him or what?
23:58Very good, girls.
23:59Very good.
24:00Perfect.
24:01Girls, don't worry.
24:02I'm not going to bother you.
24:04I'll stay here sitting
24:05so I can watch you while you work.
24:07What are you going to do, Mom?
24:08Nothing, nothing.
24:09Don't worry.
24:10I'm not going to bother you.
24:12I'll just stay here
24:13in case you need advice
24:14or if you need anything.
24:16Hello, how are you?
24:18Very good, Mr. Yan.
24:23Let me see.
24:27Very good.
24:33And what are you doing?
24:35Oh, what beautiful colors.
24:37I'm working on the colors for the campaign.
24:39I don't know very well what to decide.
24:41In fact, I would like to know your opinion.
24:44Tell me, which one do you like?
24:48I've put all my clothes away.
24:49Now I'll close the door.
24:51I have the detergent.
24:52Now I'll wash.
24:54Oh, there are three compartments.
24:58Well, then, I'll put it in these two.
25:02That way, everything will be washed much better.
25:06And...
25:08And this?
25:09I suppose it will be the softener.
25:12It smells very good.
25:14It has to be the softener.
25:16I'm going to put a little here.
25:23No, I'll put a little more.
25:27And now...
25:29I put it at 90 degrees.
25:32That's it.
25:34I'll show you, Mevkiveh.
25:36My clothes will look better
25:37than ever before.
25:40I like the green one.
25:41The one on the ducks' heads.
25:43Duck green?
25:44Duck green?
25:45A bright green and alive,
25:47like the feathers of the ducks.
25:49Like the feathers of the ducks?
25:51You know, green like the leaves of a fir
25:53before putting them in hot water.
25:55It's the green that's bright
25:57and at the same time a little darker.
25:59Let's see.
26:01Water green.
26:02No, honey, that green
26:04is more like a monkey green.
26:06Don't you see?
26:07JJ.
26:09Open the colors and show me the greens.
26:11I'm sorry to interrupt you,
26:13but I'm done, Mom.
26:14Let's go home.
26:15Just a second.
26:16Think about the green peppers
26:17you buy at the market.
26:18That one, but darker.
26:19Green peppers.
26:23What do you think?
26:26Mom.
26:27That's perfect.
26:28Wait.
26:29Enough of mom, mom, mom.
26:30We're working, Leila.
26:33That green is beautiful, JJ.
26:36I like it a lot.
26:37Do you like it?
26:38A lot.
26:39I love it.
26:40You do it very well, son.
26:41You have a very difficult job.
26:43I can imagine everyone asking you
26:45for things all day.
26:46That's the job.
26:47Yes.
26:48Yes, it's very nice.
26:49Come on, let's go.
26:50We're done.
26:51We have to go home.
26:52Let's go, Mom.
26:53I'm fine here.
26:54I can wait a little longer.
26:55Don't worry about me.
26:56Mom, but I'm done.
26:57Besides, people are going home.
26:59You see?
27:00They're picking up their things.
27:01What are you going to do here alone?
27:03Well, nothing.
27:04Let's go.
27:05All right.
27:06And Zanem?
27:07Is she coming too?
27:08Zanem.
27:09Hey, Zanem.
27:10We're leaving.
27:11Oh.
27:12Are you coming too?
27:13I can't go yet.
27:14I have to do the final review
27:15because I don't want to make more mistakes.
27:17I want to review it well,
27:18so I'll go home later, okay?
27:20You work to start the company.
27:22Good.
27:23Although I don't know if I like it
27:25that you stay to work alone at night.
27:27I'm staying too.
27:28I still have to work.
27:30When we're done, I'll take her home.
27:32Don't worry.
27:33It's not a charm.
27:35I mean, I have the best boss in the world.
27:38He's responsible and very attentive.
27:40You see?
27:41And I really appreciate it.
27:43Really, thank you so much for taking such good care of me
27:45and being such a understanding and attentive boss to me.
27:47The pleasure is all mine.
27:48I'm the lucky one.
27:49I should thank you
27:50because it's wonderful to work with you, Zanem.
27:53You heard me.
27:54I'm going to smile.
27:55Good night, Mevki Bey.
27:57Good night, Jan.
27:58Good night.
27:59It was delicious.
28:00Thank you so much.
28:02Let's go, Mom.
28:03Take your coat.
28:04Listen to me.
28:05Are you going to stay here alone with him?
28:07Mom, how can you say that?
28:09Of course not.
28:10Deren and Jeje are here too.
28:12Please tell him not to get paranoid.
28:15It's not the first time we've worked this way.
28:17What's with that attitude, Mom?
28:19Shut up.
28:20Don't be late.
28:21Don't make me mad.
28:23Well, that's it.
28:24Let's go.
28:25By the way, pick up the dishes and take them home.
28:28Are you never going to leave him alone?
28:30What are you talking about?
28:31Oh, Mom.
28:34Why are you doing this to me?
28:35I put a good detergent on you.
28:37I separated the white clothes from the colored ones
28:39and then I made you walk.
28:41I went up to watch TV
28:43and now I find you like this.
28:45You must have gotten mad at me.
28:46Why do you get so much foam?
28:49Dad?
28:50What happened here?
28:53Leila!
28:54Mevki Bey!
28:56Mevki Bey!
28:57They're here.
28:58I put on the washing machine,
29:00put the white clothes on
29:02and put the colored ones aside.
29:04Then I put on the detergent
29:06and look what happened.
29:08He must have gotten wet with me.
29:11Oh, Dad.
29:12It looks like you put too much detergent on him.
29:14Let me see.
29:15No, Leila.
29:16Stay still.
29:17If men can take care of themselves,
29:19let your father do it.
29:21You stay out of it.
29:23But, Mom.
29:24After all,
29:26it's just a machine.
29:28Men made machines,
29:29so we can take care of ourselves.
29:31Very good.
29:32So men made the washing machines, right?
29:35Well, yes.
29:38Perfect.
29:39Well, we'll leave the solutions to you, Mom,
29:41and I'll be up watching TV.
29:44See you later, Dad.
29:45See you later.
29:46Have fun.
29:47Have a good time.
29:52But why do you keep getting foam?
29:53Look how you left the kitchen.
29:55There's foam everywhere.
29:57This isn't my thing.
29:59Mevki.
30:00Mevki, come here.
30:03Mevki, come here.
30:05Very good.
30:06This is the fountain,
30:07and the edges should be like this.
30:09How are you?
30:10Good.
30:11I'm checking the colors.
30:12I want to be sure there's no difference.
30:16If you want, I'll finish it.
30:19Okay.
30:20Okay.
30:23Now...
30:25write.
30:26Yes, I'll do that.
30:28A for love.
30:33Or it can also be A for friend.
30:35No, A for love.
30:37Write.
30:42That's it.
30:43C for affection.
30:45Affection.
30:46Affection.
30:47C.
30:48C.
30:49Affection.
30:50Affection.
30:51Yes.
30:53Done, it's done.
30:54Good.
30:56Now the N for noble.
31:01It's getting hot here.
31:02I'm sweating with this sweater.
31:03It's better if you don't take it off, Anem.
31:08N...
31:09for noble.
31:10Exactly.
31:11Good.
31:13Three.
31:14A three?
31:15Seriously?
31:16Just three.
31:17I don't understand you.
31:18Write three.
31:21One, two, three.
31:22They're numbers.
31:23Oh, I'm used to codes.
31:25Numbers, yes.
31:26Three.
31:28Eight, one, five.
31:29Yes.
31:30Eight, one, five.
31:31Wow, you're fast.
31:33Done.
31:34You're done?
31:35That's it?
31:36Are you tired?
31:37It's so much with you, I won't get tired.
31:42Well, then...
31:45I think we should work a little
31:47on the presentation.
31:49Why are you going to do it?
31:52I...
31:53What you heard.
31:55I'm going to do it?
31:56You'll do it very well.
31:57What am I going to say?
31:58I don't know what I'm going to do.
31:59Well, you know the whole project.
32:01You know all the details.
32:05Yes, that's fine.
32:06Good.
32:08I understand.
32:09But let's get started.
32:10I promised your mother I'd take you home.
32:12Yes, as you wish.
32:14What if you start by opening the presentation file?
32:16I'm not sure.
32:17I'm getting very nervous,
32:18and I want everything to be perfect tomorrow.
32:20Do you understand?
32:21You'll do well, Alice.
32:27Well, I think we're done for today.
32:29Yay, yay.
32:30Wake up.
32:31We're going home to sleep.
32:32Yes.
32:33It was time.
32:34Sanem, come on.
32:35Your mother is worried.
32:36Come on.
32:37Yes, I'm coming.
32:38Are you coming with us?
32:39Did you take me?
32:42I'm going to pack my things.
32:43Good night.
32:47Good night.
32:53Very well, I'm leaving.
32:54Of course.
32:55If they don't leave me here.
32:57Leave them.
32:58I'll take you home.
32:59Really?
33:00Of course.
33:01Well, I'll wait for you outside.
33:17Mirai, come on.
33:48Oh.
34:01Laila?
34:04Hi, Mr. Henry.
34:05You look beautiful.
34:06Thank you very much.
34:14You look beautiful.
34:16You look beautiful.
34:19Thank you very much.
34:21You're not bad either.
34:24Really?
34:38How are you?
34:39Hi, how are you?
34:40I'm glad to see you.
34:41Likewise.
34:42John.
34:43Have you seen who has entered?
34:45Yes, I saw, I saw.
34:47Unfortunately, I saw her.
34:48How dare you come?
34:49I can't understand.
34:52I'll explain it to you, Deren.
34:54I come in representation of Enzo Fabri.
34:56I sent the information to your boss.
34:58Isn't that right, John?
35:01Let's go over everything again.
35:03You know I don't like last minute surprises.
35:06I agree.
35:07Let's go.
35:13Let's go.
35:33No, thank you.
35:37I think we should get the company to keep growing.
35:40In fact, I volunteered to give a motivational speech.
35:43Hey, who is she?
35:45It's me, Lucia.
35:46Do you know her?
35:54Hagan.
35:59How are you?
36:02Hi, little girl.
36:04Thank you very much for the invitation.
36:08It was a pleasure to receive you, you know?
36:10The pleasure is mine.
36:13What's wrong with you?
36:15Do I look bad?
36:16Tell me.
36:18No, no, it's not that.
36:20It's just that you look a little weird.
36:22You look like a woman.
36:24A woman?
36:26And before I looked like a man?
36:28No, no, I didn't explain myself well.
36:30What I meant is that you are very beautiful.
36:32You look beautiful.
36:34Thank you very much.
36:35You too.
36:36You look very good.
36:37Do you like it?
36:38I did it.
36:39I designed my clothes.
36:41Really?
36:42Is it serious?
36:43Let me see.
36:44I love the belt and how you tied it.
36:46You have your style.
36:48And the fabric of the jacket is also very beautiful.
36:53Oh, Hagan.
36:54Don't get so close.
36:55People see us.
36:57You're right.
36:58Forgive me.
36:59I dropped it.
37:02Oh, my head.
37:05I'm trying to be a gentleman.
37:07Why did you crouch so well?
37:08I wanted to pick it up.
37:10Are you really trying to be a gentleman?
37:12That's what I'm trying to do.
37:14What's wrong with you?
37:16I can't.
37:17What are you saying?
37:18You can't move?
37:19I can't.
37:20How can I help you?
37:23Hey, Hagan.
37:24At least I'll put your ring on you.
37:26Yay, yay.
37:30Yay, yay.
37:31How beautiful.
37:33It makes me very excited to be a witness
37:35of such a special moment.
37:36I love seeing things like this.
37:38I'm so happy for both of you.
37:40It's not what it looks like.
37:41Did the Asian attack me?
37:42Yes, it's not what it looks like.
37:43She's not asking me for anything.
37:45Don't be shy, guys.
37:47Love is a wonderful thing.
37:49And we have to celebrate it.
37:51The ring has trapped me.
37:53I'm like Frodo.
37:54And because I'm crouched, I look like a hobbit.
37:56Since you're crouched and you gave me the ring,
37:58well, of course.
37:59It looks like you're going to ask me for something.
38:01You know, it looks like you're going to ask me for a marriage.
38:03Yay, yay.
38:04Keep going.
38:05Keep what, Deryn?
38:06With your marriage proposal, come on.
38:08Deryn, I already told you it's not what it looks like.
38:10I just explained it to you.
38:12Yay, yay.
38:14You shouldn't make a lady wait.
38:16Come on, ask for a marriage.
38:18Are you okay?
38:19I'm okay.
38:22Will you grant me this piece, Miss?
38:28I'm a witness of a great moment.
38:30I'm a witness of a great moment.
38:32I'm sleeping for you.
38:34I'll leave you alone.
38:36But how do you want us to dance if there's no music?
38:39If you want music, you'll have it.
38:45Yay, yay.
38:47Do you realize that this would be our first dance?
38:49Yes.
39:02Yay, yay.
39:04¿Qué te pasa?
39:05Una quebradita.
39:06¿Otra vez?
39:07No puedo moverme.
39:08Llama a Deryn.
39:09Cuando me grita, me recupero.
39:10Está bien.
39:11Señorita Deryn.
39:12Llámala.
39:13Señorita Deryn.
39:15Llámala, llámala.
39:17Me quedé en una mala postura.
39:19Haré una coreografía.
39:21Ahí va.
39:26¿Qué te pasa?
39:28Una quebradita.
39:29¿Otra vez?
39:32Compas Sport.
39:35¿Qué consejos me das para la presentación?
39:39Confía en ti misma.
39:42Camina con seguridad.
39:44Y no te olvides que tú eres la que más sabe de esta campaña.
39:50Este proyecto salió de tu maravilloso corazón.
39:53Todos están listos para escuchar lo que tienes que contarles.
39:57Eso haré.
39:59Por aquí.
40:00Disculpen, Jan.
40:02Te presento al señor McKinnon.
40:04Hola, señor McKinnon.
40:06Es un placer conocerlo.
40:07El placer es mío.
40:08No tiene nada de acento.
40:09Es que viví una temporada aquí.
40:11Yo también.
40:13Zanem es la coordinadora del proyecto.
40:15Es un placer.
40:17Bueno, el señor McKinnon ha organizado una fiesta después del lanzamiento y quiere que vayamos.
40:23¿En serio?
40:24Haré lo posible por ir.
40:26No, tienes que venir.
40:27Así celebraremos nuestro éxito.
40:28Muy bien, ahí estaré.
40:30Será un placer.
40:31Yo también iré.
40:33Cuando termine con la presentación, Jan me encargó que yo le hiciera a mi amigo Jan.
40:41Enseguida vuelvo, Jan.
40:43De acuerdo.
40:45¿Le invito a una copa?
40:59Te llamo en cuanto pueda.
41:00¿De acuerdo?
41:02Gracias.
41:03Nos vemos.
41:06Aylin, ¿qué haces?
41:08Podrían vernos.
41:10Te dije que si algo pasaba me enviaras mensajes.
41:13Emre, estoy empezando a hartarme de este juego sucio.
41:16Y además empiezo a dudar que sea un juego.
41:19¿Qué juego?
41:20No sé de qué me hablas.
41:22Claro que lo sabes.
41:24Me refiero a Leila, Emre.
41:25Me doy cuenta de cómo te le quedas viendo.
41:28No digas tonterías.
41:30Vas a estropear todo con tus celos.
41:32Estás consciente, ¿verdad?
41:34No te justifiques, Emre.
41:36Te conozco muy bien.
41:38Y conozco tus miradas.
41:40Así que ten mucho cuidado.
41:42Estoy enfocado en Jan y Sanem.
41:44Para poder realizar nuestro plan.
41:46Deberías fijarte en ellos, no en mí.
41:48No arriesgues nuestro futuro.
41:50¿Oíste?
41:55Sí.
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43:25♪♪
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