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Transcript
00:01The New Workshop
00:04Let's go.
00:05Let's go.
00:25How beautiful!
00:27You scared me!
00:29Why? It wasn't my intention.
00:31I just wanted to see what you were painting.
00:35And I think it's great that you're here.
00:39I don't know how to tell you, but I like seeing you.
00:45Why don't we go for a swim?
00:49I forgot my life jacket.
00:52I'll save you.
00:55I'm so sorry.
00:57Lieutenant, what happened to Mr. Jiménez
01:01was a very unpleasant incident.
01:06He and Beatriz San Jose
01:07showed up at my house at a rather unfortunate hour.
01:10Would you like a drink?
01:11No, thank you. I'm on duty.
01:14Tell me, what happened that night?
01:17I was attacked by Mr. Jiménez.
01:20Without a discussion or anything like it,
01:23he started beating me at home and in front of my family.
01:28Go on. I'm listening.
01:30My family is a witness to our violence.
01:35And Mr. Jiménez just left like that?
01:39Yes, just like that.
01:40And you didn't do anything?
01:42What was I supposed to do?
01:43He grabbed me by the hair and surprised me.
01:45I'm a man of peace.
01:47And he didn't leave that night?
01:48No.
01:51The car that's parked outside, I assume it's yours?
01:55Yes.
01:57It was hit in the front.
01:58Yes.
02:00How did it crash?
02:02Can you explain that to me? I'm listening.
02:07What are you up to, Enrique?
02:13I crashed into a car that was parked outside.
02:16The insurance company paid for it and that was it.
02:19Happy?
02:20Good morning.
02:22Good morning.
02:25I'm sorry, Uncle. I didn't know you were busy.
02:28Is something wrong? I have some doubts about the crop.
02:32I'm sorry. I have things to do, Joaquín.
02:35As you can see, I have things to take care of.
02:38I understand. I won't take up your time.
02:40I just want you to tell me one more thing.
02:43The night you crashed,
02:44was it the same night Mr. Jiménez came to attack you?
02:48That night was horrible.
02:50That man was violent. He broke into the house like crazy.
02:53He went at my uncle without saying a word.
02:55We had to pull the trigger, right, Uncle?
02:57Yes, that's right.
02:59My niece was a witness.
03:02My wife and my other niece can believe
03:04that Jaime Jiménez came here to hit me for no reason.
03:07Just because he wanted to.
03:09What was your relationship like?
03:11I mean, there must have been one, right?
03:14Never.
03:15That man was a resentful person.
03:17He thought the whole town had hurt him.
03:20He hated Leonor San Jose.
03:22I imagine he was curious about my friendship with her
03:27because I have a beautiful friendship with her.
03:33I dream of going to get you every day
03:35and taking you away from that place
03:37where they don't accept our love.
03:40I had no idea my dad could write like that.
03:45And you say those letters were in your house?
03:48Yes.
03:50My nanny gave them to me last night.
03:53Do you realize how many things we don't know about them?
04:01I still smell Israel, my daughter.
04:07She's still here in her room.
04:10I hear her voice.
04:13I hear her steps.
04:20I wish I could hug her.
04:28Israel...
04:32I still don't understand what's going on with you.
04:37I don't count on your support.
04:40You're distracted.
04:42I'm sorry, boss.
04:46It's just that...
04:48Ever since...
04:51Ever since Cheves got lost...
04:57So now you want your brother-in-law.
05:02I know I'm good for nothing, but please, Israel.
05:05I'm not saying this for him, boss.
05:09I'm saying this out of welcome.
05:15It hurts.
05:17It hurts to see her suffer.
05:21Maybe with the investigation the police are doing,
05:26we'll find out what happened to that drunkard.
05:28The police?
05:30Yes.
05:32Didn't you know they're always ahead of their time?
05:37I'll be right back.
05:44Be careful.
05:45I know you're hiding something from me, Israel.
05:49That would cost you dearly.
05:56Get out.
05:59Leave me with Beatriz.
06:07We had a lot of peace in this town
06:10until that man decided to come and ruin our lives.
06:14Don't you think what he did to Beatriz was enough?
06:17He took away Leonor San Jose, his only daughter.
06:21We should not rush to draw conclusions.
06:23It would be good if you speed up your investigation.
06:26Prove that man murdered Beatriz.
06:30Sir, I don't know what you're talking about.
06:32I don't know what you're talking about.
06:34I don't know what you're talking about.
06:37Sir, everything takes its time.
06:40Right.
06:42Thank you for seeing me.
06:44You're welcome.
06:50Excuse me.
06:54I just have one question.
06:59You told me Mr. Jimenez simply left.
07:04Yes.
07:05And you, Ms. Vera, right?
07:09You told me you had to get him out among all of us.
07:12I say that because...
07:16that makes me doubtful.
07:19The exit is on my left.
07:20I know the exit perfectly well.
07:24It's possible that you've made a statement, Mr. Olivares.
07:27Of course, I have nothing to hide.
07:31I want everyone to know that man
07:32came to put my family at risk.
07:35One last question.
07:36One last answer.
07:39Do you have any type of weapon?
07:41No.
07:42A gun?
07:43No.
07:44A revolver?
07:44No, no, no.
07:45Of course not.
07:46I'm not a man who would be incapable of carrying a gun.
07:49Of course.
07:50I have poor women at home.
07:52Excuse me, ma'am.
07:54Have a great day.
08:02Thank you very much.
08:06Hey, why do you have drawings of everyone
08:09and you haven't drawn me?
08:13Why?
08:14Why do you look at me like that?
08:16What's going on?
08:17Well, a lot of things are going on inside of me
08:20and you're the one who awakens them all.
08:23Oh!
08:24Jim!
08:25Help me, please!
08:27Help!
08:28Jim!
08:29Help me, please!
08:30Jim, come on!
08:32Please, help me!
08:34Help me!
08:36Jim!
08:37He's dead!
08:38What?
08:39He's dead!
08:47Do you think I can keep them?
08:48I'd like to share them with Andres.
08:50Of course.
08:51They're proof of what our parents felt.
08:55She was the love of her life.
08:59Just as I'd like you to be the love of mine.
09:04Don't you think it's weird?
09:06What?
09:08That we're the children of two people who loved each other so much
09:12that they couldn't make their love come true.
09:15That we ended up like this, the way we are.
09:19I don't know, I have so many questions.
09:24I don't want to keep asking myself why.
09:28All I know is that I want to spend my life with you,
09:31by your side, with your hand,
09:34and be able to achieve what our parents couldn't.
09:58It's as sweet as I thought
10:01After all, love is worth nothing
10:29It's obvious she didn't want anyone to go with her
10:31if she went with that crazy Mequetrefe.
10:34She lost her sanity because of that bastard.
10:37Oh!
10:39Hey, beautiful.
10:40Tomas isn't going to take his finger off the ring.
10:44He's in love with my dear cousin.
10:47And you, get a move on.
10:49The same thing won't happen to you as it did to Kike.
10:52You'll be eternally in love with Beatriz
10:54and Beatriz will be eternally in love with Jaime.
10:58You, little Pancho, you're on your own.
11:01Can you stop with your stupid comments?
11:04Find out where Gabriela is right now, now!
11:07I have a lot to do. Excuse me.
11:09Come on, Kike. Now.
11:15Carmen, I need you to go to the offices.
11:20Gabriela is going there and I think it's to investigate us.
11:24Don't let her get into any computer.
11:27Much less grab a book of accounting.
11:30Do it now.
11:31She left early for the city.
11:33Cata, let's get out of here.
11:35I want to see if he's alive.
11:37No, they're going to put us in jail, Catalina.
11:40We have to go to the police.
11:43We have to tell them what we saw.
11:46He understands the seriousness.
11:48We couldn't keep quiet.
11:50Kike, look at me.
11:52We didn't do anything. Don't worry.
11:55We're going to jail.
11:58I'm really worried about Chévez.
12:06Do you know anything about him?
12:09No, of course not.
12:11I don't know anything.
12:13I've tried to investigate, but I don't know what happened to him.
12:18And I swear, my love,
12:21I'm...
12:23I'm really sad to see you suffer, Pobre.
12:29Be very careful with that bench, please.
12:33What happened?
12:35The guy who's there,
12:36I don't know if he was at the inn the other day.
12:38Yes, it's him.
12:41What are you doing here?
12:43Did you lose something?
12:45Hey, calm down.
12:47Don't cause any more trouble.
12:54I want you to tell me right now
12:56who the police was with the whistle.
12:59I don't know.
13:00Who?
13:01Maybe them.
13:03Or was it you, Lucia?
13:05Why would I do something like that?
13:07I'm not a traitor.
13:08I'm talking about the whole damn town.
13:11And that rumor had to come from here
13:13because no one else saw what happened that night.
13:16Who the hell was it?
13:18Calm down, Uncle.
13:20He who does nothing, does nothing.
13:22You didn't do anything to that man.
13:24Vera is right.
13:26You didn't do anything, did you?
13:29Of course not.
13:31But between you two,
13:33there's a witch and I want to know who it was.
13:36Don't look at me like that.
13:38At this point, get the hell out of my house.
13:42I don't want any strangers.
13:44Get out!
13:53Who was it?
13:55Vera, stop asking questions.
13:56Who was it?
14:08Who was it?
14:16How nice.
14:17I haven't been to Mexico City in years.
14:19Really?
14:20It's beautiful.
14:22I love it.
14:24Do you have anything to do here?
14:26Yes, of course.
14:27What?
14:28To be with you.
14:29If you allow me, of course.
14:31No way.
14:33Do you want me to go with you to whatever you have to do?
14:36How long does it take?
14:37I don't know.
14:38Why?
14:39Because I have plans for both of us.
14:43Well, I have to go find out some things
14:45about the distributor we have here in the city.
14:48Before I knew you were coming,
14:50I was thinking of going back to Pueblo right away.
14:53I don't know.
14:54I don't think it's a good idea to go with you to the distributor
14:57because they'll say you're giving me information
14:59and I don't know.
15:00I don't think it's a good idea.
15:02Now, I can take advantage of organizing some things.
15:06Look, I want you to see this.
15:08What?
15:09Here.
15:10This is the hotel where I booked two rooms.
15:14I'm not going to press anything.
15:16Two rooms.
15:17My God.
15:18Mr. Tomás Jiménez comes to Mexico City by driver.
15:22He booked a hotel, but he's not pressing anything at all.
15:26No.
15:27Nothing?
15:28No, nothing, nothing.
15:29Nothing, I swear.
15:30Really, nothing, nothing.
15:36Can I know why you're such an idiot, Pablo?
15:40Why, boss? What did I do now?
15:42You left the casquillos in the cabin.
15:44And now the stupid cop is behind me.
15:47You're out of your mind.
15:49You don't have to worry.
15:51Of course I have to worry. Don't be an idiot.
15:54And when you're with me, take off your hat.
15:58When we said and thought that everything
16:00was going to end in an accident,
16:02When we said and thought that everything
16:04was going to end in an accident,
16:06now the police are investigating me.
16:08Why?
16:09Because Tomás must be pressuring them.
16:13Well, as long as you don't worry about Miss Gabriela.
16:17What are you talking about?
16:19It turns out that they were seen together,
16:21that they went to who knows where.
16:23The whole town is talking about that.
16:32I'm sorry, ma'am, but Gabriela did not accept
16:35to present Tomás with the payment plan.
16:38Don't you realize that they are making fun of you, Leonor?
16:42She made it very clear to me.
16:44Gabriela is not going to take advantage of Tomás.
16:47She's going to take advantage of him.
16:50And I'm going to take advantage of him.
16:53And I'm going to take advantage of him.
16:56And I'm going to take advantage of him.
16:59Gabriela is not going to take advantage of Tomás.
17:02She even went to Mexico City with him.
17:05And you should pay more attention to that.
17:07You can leave, Francisco.
17:09We'll see about that later.
17:12Excuse me.
17:15What are we going to do with this?
17:18Well, none of this would have happened
17:20if you had supported me to marry your daughter Beatriz.
17:23You know perfectly well that I had nothing to do with that.
17:27However, everything I helped you do
17:29to separate Beatriz from Jaime
17:31because she ended up marrying someone else.
17:33That was decided by Máximo.
17:35And you know what my husband was like.
17:37And at that moment, the best thing for the interests of the family
17:40was for Beatriz to marry Rodolfo.
17:44You can't imagine the resentment and bitterness in me
17:47for not having married your daughter.
17:52I loved her very much and I despised her like no one else.
17:57Thank you, Juárez.
18:00You're going to have to come with us to the body.
18:03What happened?
18:05We were just there, Mrs. Gloria.
18:07Yes, but we had nothing to do with it, I swear.
18:10Torrijos, I'll get my hands in the fire for these guys.
18:14They're telling the truth.
18:16Calm down, please. No one is accusing you of anything.
18:19We just want you to know that we're here for you.
18:24Do you realize what's going on
18:26because you're not working at the inn?
18:28And you, Catalina, what were you doing with Gil?
18:31We just ran into each other, Mrs. Gloria.
18:33Okay, enough. Come with us, please.
18:35No, ma'am. You stay here.
18:37Gil, go with the agents.
18:39Make sure they see that you're telling the truth.
18:42I'll be on the lookout.
18:44I trust what you say.
18:46Yes, yes, ma'am.
18:48I trust you.
18:50I'll be on the lookout. I trust what you say.
18:53Yes, yes, ma'am.
18:54Let's go, let's go.
18:59Yes, yes. Wait a second.
19:01Yes, listen.
19:03You have the day off today,
19:05so please take your things and go get some rest.
19:09Hurry, we have to make the most of the time.
19:14Yes, I'm at the offices.
19:16On the lookout for what you need, baby.
19:19Please, Carmen, don't ruin it.
19:22When have I ever let you down, honey?
19:27You don't know how angry I was when he showed up at my house
19:30to tell me he never loved me.
19:33Why didn't you tell me Jaime and Beatriz
19:36went to see you that night?
19:40Because I didn't want to complicate things
19:42and because they made me go through
19:44a terrible day in front of my family.
19:46That's why.
19:48And it hurts me to admit it.
19:51Beatriz decided to choose Jaime again
19:53and they left together that night.
19:58And you...
20:00you didn't do anything?
20:02Why?
20:04What was I going to do, Leonor?
20:06I know you, Enrique.
20:08You weren't going to leave that without revenge.
20:12You did something.
20:15¿Mandaste a alguno de tus matones?
20:24¿A qué te refieres?
20:26Te hice una pregunta.
20:28Yo te hice otra.
20:30¿Mandaste a alguno de tus matones a buscarlos?
20:33Una cosa era atacar a Jaime.
20:36Pero si sabías que iba con mi hija,
20:39no creo que te hayas atrevido a atacarlos a los dos.
20:45¿O sí?
20:50Claro que no.
20:52La muerte de mi hija no está clara.
20:56Voy a investigar por mi cuenta
20:59y le voy a hacer pagar con su vida
21:01quien acabo con la de mi hija.
21:11Entonces, ¿nos vemos para cenar?
21:14¿No se le puede decir a Bienvenida
21:15que nos prepara algo rico?
21:16¿Tu platillo favorito?
21:17Miriam, no es que no quiera hablar.
21:19Estoy trabajando.
21:20Luego hablamos.
21:25¿Y esa carita, mi niña?
21:27Juan Pedro, nana.
21:30Los problemas de la fábrica
21:31están afectando nuestra relación.
21:35Lo invité a cenar,
21:36pero obviamente no quiere venir por mi abuela.
21:38Pobre muchacho, entiéndelo.
21:42Para él debe ser difícil ver
21:43que esa mujer a la que ama
21:46está tan lejos de su realidad.
21:49Ve a buscarlo.
21:51Hagan las paces, mi hija.
21:54La vida es muy corta para estar peleando.
21:58¿Tú crees que funcione?
22:00No va a querer.
22:03Ay, hija, hija.
22:05El no ya lo tienes.
22:07Ve a luchar por el sí.
22:10Andele.
22:15¿Y adónde vas, si se puede saber?
22:17Voy a ir adónde me lleve mi buena suerte.
22:20¿Y tú?
22:21¿Adónde vas?
22:22Voy a ayudar al chico
22:23que conocí con lo de las redes sociales.
22:26Supongo que le estás cobrando.
22:28Nada es gratis, mi hijita, que te pague.
22:31Mamá, ¿lo ves todo tan fácil?
22:33No, no lo veo fácil.
22:35Es de habilidad, de querer hacerlo.
22:38Piénsate de que eres irremediablemente exitosa
22:41y lo serás.
22:42Dime a mí.
22:46¿Por lo menos es guapo el tipo ese?
22:48Ay, mamá, te pasas.
22:50Porque feo y pobre
22:51es una combinación espantosa, mi hijita.
22:57Lo que debes de hacer es ocuparte en otra cosa
22:59en lugar de estar pensando en la familia de Tomás.
23:02Es que, la verdad,
23:03yo no creo que ni Tomás ni Andrea sean malos.
23:06Las malas son ellas.
23:07Mira, Tomás no es santo de mi devoción,
23:10pero el otro no sé quién sea, ¿eh?
23:12Es el hermano de Tomás.
23:15Es un niño súper lindo.
23:17El otro día estaba jugando fútbol
23:19y yo estaba ahí.
23:20Es que también le encanta jugar fútbol
23:22con un niño que es súper lindo
23:23que se llama Simón.
23:24¡Eva!
23:26¿También lo estás siguiendo?
23:28¿Sí entiendes que te puedes meter en problemas?
23:32¿Ves por qué no te cuento nada?
23:35Es que no me escuchas, no me escuchas.
23:43Ay, qué alegría verte, Gabriela.
23:45Gracias.
23:46¿Tú cómo has estado, Carmen?
23:47Bien.
23:48¿Sí?
23:49Bueno, no tan bien.
23:51No sé si sabes en qué situación estamos.
23:54¿Pero qué pasa aquí?
23:55No hay nadie en los cubículos.
23:57¿Dónde está todo el mundo?
24:00Bueno, antes que todo, Gabriela,
24:03lamento muchísimo lo que le ocurrió a tu madre.
24:05Qué horror, todavía no puedo creerlo.
24:07Sí, gracias.
24:09Mira, no le he dicho nada a Guillermo
24:11porque no quiero angustiarlo.
24:13Ese pobre hombre ha sufrido muchísimo
24:15por mantener esta distribuidora en pie.
24:17Desde que tu abuela lo llamó a todos los santos, pues,
24:20la situación empeoró.
24:22¿De qué estás hablando?
24:24Los trabajadores no están viniendo a trabajar.
24:27No les hemos podido pagar y, bueno,
24:29pues la gente no trabaja gratis.
24:32Pero dime, ¿en qué puedo ayudarte?
24:34Necesito una información importante.
24:37¿Nos podemos meter a las computadoras?
24:39Es que yo no me sé las claves de esos equipos.
24:42Si hubiera sabido que venías, pues,
24:44hubiera hecho todo lo posible
24:46por tenerte esa información.
24:51Buenos días.
24:52¿Qué pasó?
24:53¿Cómo estás, mi hermano?
24:54¿Cómo vas?
24:55Todo bien.
24:56Oye, ¿llegó la pintura que pedimos?
24:58Sí, de hecho, aquí te están esperando.
25:00Muchachos.
25:01¿Trabajan bien?
25:02¿Cómo están, muchachos?
25:03Buenos días.
25:04Bueno, les voy a comentar por dónde vamos a empezar.
25:07Quiero comenzar por esa pared...
25:09¿Qué se cree, estúpido?
25:12Vamos a derrumbar cada ladrillo que ponga.
25:15Tendrá mucho dinero, pero no va a ser tan fácil.
25:18Esas oficinas no las va a abrir en este maldito pueblo.
25:22Ese hombre se ve que está decidido, patrón.
25:24Lo quiero fuera de todos los santos.
25:26Si no entiende con palabras,
25:28va a tener que entender con hecho.
25:31Sus oficinas van a ser lo primero, ¿entendiste?
25:35Están en el centro, patrón.
25:37Va a ser un trabajo difícil.
25:40Con la gente de acá no vamos a contar,
25:42porque si no se va a armar el chisme.
25:44Bueno, pues te vas a otro pueblo y traes más gente.
25:46No quiero excusas.
25:48Te vas a encargar de derrumbar lo que están haciendo.
25:51Entendido, patrón.
25:53Y quiero que sea ya.
25:54Él nos reta.
25:56Nosotros le respondemos a ver quién gana.
26:00No quiero correr riesgos con ese tal Joaquín.
26:06Algo está pasando aquí.
26:08Así que no me quieras ver la cara de tonta.
26:10Qué curioso que tan pronto digo que vengo a la ciudad
26:13y los trabajadores no vienen.
26:15Pero no, Gabriela.
26:17Te juro que no es de ahora.
26:18De hecho, qué bueno que viniste
26:19para que lo vieras con tus propios ojos.
26:21Si me hubieras dicho que venías...
26:23A ver, no tengo por qué avisarte.
26:25Y tampoco entiendo por qué no le han pagado
26:27a los trabajadores.
26:29Si en los informes que llegan a la fábrica
26:31ahí se reportan esos pagos.
26:33Mira, no me voy a quedar aquí escuchando tus mentiras.
26:46¿Qué pasó, Carmen?
26:47Se acaba de ir Gabriela.
26:49Se molestó muchísimo.
26:51Pero no vio nada, ¿o sí?
26:53Ay, claro que no, amorcito.
26:55Tu mujercita es muy inteligente.
26:57Pero ten cuidado porque Gabriela no es tonta y sospecha.
27:00Creo que tenía razón cuando decías
27:02que estabas en un problema.
27:04¿Estamos?
27:05¿Estamos en un problema?
27:58¿Qué pasó? ¿Cómo te fue?
27:59Muy mal.
28:00Es que son unos mentirosos.
28:02Pero por lo menos ya sé con quiénes estoy jugando.
28:05Porque por la distribuidora empezó a fallar todo.
28:08¿Qué descubriste?
28:10Mejor no hablemos de eso, ¿sí?
28:12¿A dónde vamos?
28:14¿Ya estás libre? ¿Ya terminaste?
28:16¿Sí? ¿Qué quieres hacer?
28:18Perderme contigo.
28:20Que en lo que queda del día y de la noche
28:24sea solo para nosotros.
28:26¿De la noche?
28:27Sí, sí, de la noche también.
28:46¿Lista? Vámonos.
28:48Pues a ver cómo le hago.
28:51Es que no tengo mucha experiencia.
28:53Yo te ayudo.
28:54Pon el pie ahí y mira, agárrate de allá.
28:56¿Ok?
28:57Sí, ahí el pie.
28:58Ok.
28:59Una, dos, tres.
29:07Discúlpame.
29:08No, no te preocupes.
29:10No, qué ruido.
29:11No, a ver, a ver.
29:13Ahí estás, mira.
29:14Gracias.
29:15Ya con estas son más de 30 cartas que te escribo
29:19sin recibir una respuesta tuya.
29:22Dime qué está pasando, Beatriz.
29:24Dime por qué no me escribes o me buscas.
29:27Ya no aguanto más no saber de ti.
29:31Y la esperó toda la vida.
29:36Bienvenida me dijo que mi mamá lo amó siempre.
29:41Bienvenida me dijo que mi mamá lo amó siempre
29:45y que nunca lo dejó de amar.
29:50Mira, ahí está.
29:53No se ve la diana jamás.
30:11Adelante.
30:13Permiso.
30:14Traen un encargo para usted.
30:16Ah, debe ser de Mercado Libre.
30:18Ya salgo.
30:19Claro que sí. Permiso.
30:28¿Señor Francisco?
30:29Sí, soy yo.
30:30Bueno, es que no pensé que llegara tan rápido.
30:32Tu encargo, señor.
30:33Gracias.
30:34Gracias.
30:35Gracias.
30:36Gracias.
30:37Gracias.
30:38Gracias.
30:40Tu encargo, señor.
30:43Gracias.
30:59¿Cómo estás, señora?
31:01Ya tenía ganas de verme.
31:03¿Estás loco?
31:04¿Qué quieres?
31:05Que no se le olvide lo que tenemos pendiente.
31:09Julio, en el pueblo están hablando de una investigación.
31:12Dime que hiciste las cosas bien y que no voy a tener problemas
31:15porque de lo contrario perderías todo.
31:17Tranquila, señora.
31:18No va a pasar nada.
31:19Todo se hizo bien.
31:21Por lo mismo estaba pensando que...
31:23¿Qué?
31:26Que ante tanta presión
31:28esto le va a salir más caro.
31:31¿Más caro?
31:32Ya te pagué lo que acortamos.
31:34¿Sí?
31:35Pero en ese precio no estaban incluidas
31:37las molestias de la investigación de la policía.
31:42Quiero más dinero, señora.
31:45Y ya me estoy cansando de pedírselo.
31:49Todo cuesta.
31:52Y usted lo sabe.
31:59¿Ustedes reportaron un trabajador desaparecido?
32:04Pues no.
32:06Ah.
32:08Ah, sí.
32:10Mi mujer.
32:11Es su hermano.
32:13Pero de seguro no es nada.
32:16Es un borracho.
32:18Y debe de andar por allí tirado en una esquina.
32:22De todos modos tengo que pedirle que llame a su esposa.
32:25Necesito hablar con ella.
32:27¿Pero para qué?
32:29Lo que pasa es que encontramos un cuerpo cerca del río.
32:32Podría tratarse del hermano de su mujer.
32:36¿Juan Pedro?
32:38No te lo creo.
32:40Yo lo vi en Minerva.
32:42Estaba con esa chava.
32:44Riéndose, coqueteándole.
32:46Ay, ya dime quién es.
32:48No te ha dicho nada de ella.
32:50¿No será una de esas turistas que contratan el tour?
32:53Luego ya ves que esas gringas son medio aventadas.
32:56Ahora resulta que las gringas se le avientan a mi novio, ¿no?
33:00No, esa no me la creo.
33:02No te pongas así, cuñada.
33:04Juan Pedro nada más tiene ojos para ti.
33:07Y brazos para esa gringa, ¿no?
33:09Dios, Dios, protégenos.
33:12Este pueblo se está volviendo súper inseguro.
33:15Otro muerto en tan poco tiempo.
33:18¿Pero qué pasó? ¿Para qué le habló Gil?
33:20Para que lo acompañara a la comisaría.
33:22Encontraron un muerto en el río.
33:24¿Otro?
33:28Vamos, Israel.
33:30Ya llegó el capitán Torrijos.
33:32Calma, mujer, calma.
33:34Todavía no sabemos si es él.
33:36No importa, vamos.
33:40¿Qué pasa, capitán Torrijos?
33:42¿Se le está haciendo costumbre venir a la hacienda?
33:45Disculpe usted, doña Leonor.
33:47Vinimos porque se encontró...
33:49Dígame si es él, dígame si es mi hermano.
33:51¿De qué están hablando?
33:53Mire, lo que pasa es que unos muchachos
33:55encontraron el cuerpo de un hombre a la orilla del río.
33:57¿Y eso qué tiene que ver con nosotros?
33:59Es que puede ser mi hermano, señora.
34:01Yo fui a la policía a denunciar su desaparición.
34:09Será esta misma noche, patrón.
34:11Bien.
34:13Después de esto,
34:15no le van a quedar ganas de seguir en este juego.
34:20Vamos, vamos.
34:27Pues, patrón.
34:31¿Qué esperas para salir?
34:39¿De verdad me estabas espiando?
34:41No.
34:42No.
34:43Es muy yo, yo estaba en la cocina.
34:45Es que te había ocupado, no te quise interrumpir.
34:47¿Quieres que te prepare algo?
34:49What's wrong?
34:51You're not here, are you?
34:53I was just...
34:56Hey.
34:58You can say whatever you want.
35:02You dare to ask me that?
35:04I'm not asking you to,
35:06I'm asking you to stay out of all this.
35:10You're fighting him.
35:12I'm not fighting him.
35:14You're fighting him.
35:16I'm not fighting him.
35:17What happened if you suddenly crossed my path?
35:25As if everything would fit perfectly
35:30Just when I had lost my hope
35:35Without looking for it, I found you
35:39As if my steps knew where to go
35:44And you followed me in every dream I built
35:48Who would have thought that our story would begin like this?
36:14If you don't come anymore, you'll miss it
36:44Where are you going?
37:03The back door is already closed
37:05I'm going to see my friend Andres
37:07We agreed to talk
37:09Well, no, you're not going, especially not at this time
37:12No, but sir
37:13Nothing, but yes
37:14No, no, no, no
37:15It's too late, the street is dangerous
37:18We better call your friend Andres and tell him to see you another day
37:21Come on, sir Mercedes, please
37:23If you give me a chance, I iron all the habits of the nuns
37:26No, thank you very much, Simón, you're not going to iron anything
37:29Better organize all those papers that are very bad and put them here
37:35Oh, good
37:36Come on, it's a lot
37:37No, it's not much
37:38Don't run away from me
37:41I'm going to work
37:51Come on
38:05Hurry up
38:07Come on
38:08Now
38:10Come on
38:41Come on
38:53This place is amazing
38:54Yes?
38:55Yes
38:56I'm glad you like it
38:59Well, with this you won't be cold anymore
39:01Ok
39:02Well, thank you
39:03Thank you
39:06Well, I'm going to my cabin to rest
39:12Yes
39:13Rest
39:14Aren't you going to stay?
39:16Yes
39:34Damn!
39:37Alona! Alona!
40:04Alona!
40:05Alona!
40:06Alona!
40:07Alona!
40:08Alona!
40:09Alona!
40:10Alona!
40:11Alona!
40:12Alona!
40:13Alona!
40:14Alona!
40:15Alona!
40:16Alona!
40:17Alona!
40:18Alona!
40:19Alona!
40:20Alona!
40:21Alona!
40:22Alona!
40:23Alona!
40:24Alona!
40:25Alona!
40:26Alona!
40:27Alona!
40:28Alona!
40:29Alona!
40:30Alona!
40:31Alona!
40:32Alona!
40:33Alona!
40:34Alona!
40:35Alona!
40:36Alona!
40:37Alona!
40:38Alona!
40:39Alona!
40:40Alona!
40:41Alona!
40:42Alona!
40:43Alona!
40:44Alona!
40:45Alona!
40:46Alona!
40:47Alona!
40:48Alona!
40:49Alona!
40:50Alona!
40:51Alona!
40:52Alona!
40:53Alona!
40:54Alona!
40:55Alona!
40:56Alona!
40:57Alona!
40:58Alona!
40:59Alona!
41:00Alona!